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00:00You
00:18It's okay gorgeous
00:30I
00:30I
00:30I
00:58I
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01:07I
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01:24I
01:24He may have come in here with a young woman.
01:27Look, love, I'm sorry for you, being there myself. Trust me.
01:34But what people do in that room, well, that's their business. All right.
01:39So he's here.
01:43Let me guess. Paneer, tikka, bangan, bata and a masala chai.
01:49Oh, where's your mother?
02:22I don't know.
02:30Food's here.
02:34He said he'd call us when it arrived.
02:55Police. Shots have just been fired at the Sandvik Hotel.
02:58If we can't trust the NCU, then we can't trust the police.
03:00Get the money.
03:52Police. Shots have just been fired at the Sandvik Hotel.
03:57Shots have just been fired at the Sandvik Hotel.
04:25Shots have just been fired at the Sandvik Hotel.
04:49You're heading right for them?
04:51What are you doing?
04:57I love your fucking mind.
05:03Hello, I'm a service operator.
05:05Which service do you require?
05:08All police!
05:09On the weapon on the ground!
05:11The weapon on the ground!
05:13This is the police service.
05:14Are you able to give me more information?
05:16Put your hands behind your head!
05:17Sir, can you hear me?
05:19We are sending a response team to your location now.
05:22No, you're welcome!
05:23What?
05:24Who?
05:24No, you're welcome!
05:26No, you're welcome!
05:32No, you're welcome!
05:40No, you're welcome!
05:41No, you're welcome!
05:41No, you're welcome!
05:41No, you're welcome!
05:42No, you're welcome!
05:42No, you're welcome!
05:42No, you're welcome!
05:44No, you're welcome!
05:46No, you're welcome!
05:48No, you're welcome!
05:49and
05:49you
05:49I
05:49I
05:49I
05:49I
05:49I
06:00I
06:07I
06:07I
06:08I
06:08I
06:12I
06:15I
06:23Oh, my God.
06:57Oh, my God.
07:16Hello?
07:23Hello?
07:26Whoa, whoa.
07:30Tibor sent us.
07:34Just, just...
07:37Sebastian.
07:38We're here to see Sebastian.
07:40Yes?
07:46Can't be too careful.
07:49Living alone.
07:52I'm Carla.
07:55I'm Molly.
08:00Let's get the baby settled.
08:16Michael wants to handle the merchandise with his bare hands.
08:19Make sure it's real.
08:22Okay.
08:24Your old man always used to handle the face-to-face people he used to deal with.
08:29I can handle it.
08:31Set it out.
08:31Already have.
08:33I'll be doing the talking.
08:35This is the big one, after all.
08:37Just letting you know, I don't have courtesy.
08:42Well, I need just a picture of efficiency.
08:45Passing messages along like a chimp.
08:54Just a man.
08:58How's it all going?
09:01Everything's fine.
09:02But there's been a change.
09:05Deb, it's gone.
09:06Campbell's put me in charge of the investigation.
09:10Well, congratulations, Will.
09:12No excuse for not finding them that way.
09:29No excuse for not finding them that way.
09:44I'm sorry.
09:46I'm sorry.
09:50I'm sorry.
09:57I'm sorry.
09:58I'm sorry.
10:01I'm sorry.
10:02I'm sorry.
10:02I'm sorry.
10:03I'm sorry.
10:06I'm sorry.
10:07I'm sorry.
10:09I'm sorry.
10:11I'm sorry.
10:13I'm sorry.
10:13I'm sorry.
10:14I'm sorry.
10:32Nancy, it's me.
10:34Boss?
10:35I need a favor.
10:38You're suspended.
10:39This case was taken everything, my marriage and now my career.
10:42If you think I'm a pegasus mole, you should hang up right now.
10:45Oh, I see Campbell's crew is still camped outside.
10:49Nancy, seriously, how long have we known each other?
10:55What can I do?
10:58Pavel Ivanov, the renewable energy engineer that Stone got out of Belarus.
11:03He was developing high heat resistant polymers for wind turbines.
11:06I'm not sure if I'm at you.
11:08That's the kind of material designed to withstand exposure to extreme temperatures without warping.
11:13Do me a favor.
11:14See if it matches what the weapons on that drone are made of.
11:17I'm on it.
11:17Good girl.
11:19How's the team?
11:20All over the place.
11:21I'm preparing a briefing on Amatold.
11:24Full background check.
11:25It works.
11:25Feels like a wild goose, James.
11:27Who was that?
11:29O'Neill.
11:48No, you're not doing that.
11:49Doing what?
11:50You're not killing whoever's in that lorry so you can steal it.
11:52Well, you have a very low opinion of me.
11:55Actually, I was going to pay them to take us to London.
11:57I was just going to make him ask questions.
11:59Well, I need more insulin soon, so we'd better come up with something.
12:02Okay, so we just talked to him.
12:03We appeal to his better nature.
12:06I'll do it.
12:08Give me your hand.
12:10Don't say a word.
12:11It's all yours.
12:12Hi.
12:13Hello?
12:15Hi.
12:16Sorry.
12:16We've just gotten into an accident a few miles back.
12:19Just wondering if you can help us.
12:20No, behave.
12:22Our phones are fucked.
12:23We need to get back to London as soon as possible.
12:26No, text me.
12:29Maybe you're a good Samaritan.
12:39Who are you, love?
12:43Not really.
12:44No.
12:44I need to get back to London.
12:46I need to get to my daughter.
12:49This is her.
12:51She's six months old.
12:56It's a different fellow in the picture.
13:02Yeah.
13:05Yeah.
13:06You're right.
13:09Okay, I'm a prison transport officer.
13:11I used to get this man back to London.
13:13And the only reason I'm doing any of this is to get back to my daughter.
13:15My name is Amber.
13:17What's your name?
13:18What's your name?
13:19Paul.
13:19Paul.
13:20Okay.
13:20Great to meet you, Paul.
13:21Okay, enough. Five grand.
13:22I said I'd handle this.
13:23We're out of time.
13:24Half now, half when we get there.
13:26But we need to leave immediately.
13:31Charlotte.
13:39No stops.
13:40No questions.
13:51It's nothing to sit on.
13:53I've just come back from my job.
13:57Take these.
13:59My granddaughter gave them to me.
14:01It's better than sitting in dark, yeah?
14:05Right.
14:07Okay, then.
14:23Better nature, my ass.
14:25He was about to take us.
14:26Bryce.
14:27He wants...
14:29He seems kind.
14:30Well, your...
14:32sob story didn't work.
14:34You may seem kind, but it is what moves it.
14:39You must write it.
14:41You must write it.
15:04You must write it.
15:04Amen.
15:04You must write it.
15:12Okay.
15:22I hope you sleep well.
15:24Thanks.
15:25Something smells good.
15:27Won't be ready till lunch.
15:30There is a fresh pot of coffee.
15:32Yeah, I'll take some coffee.
15:35Do you mind if I make a bottle up for the baby?
15:37She'll be awake in like 10 minutes.
15:40Like clockwork, aren't they?
15:42Yep.
15:47Little clockwork terrorists.
15:54So you got caught up with Tiborough?
15:56Yeah, I mean, we've never actually met, but...
16:00I'm sorry, how do you know him?
16:04We go way back.
16:06But I haven't seen him in years.
16:10Milk?
16:12Sugar?
16:12To smoke.
16:14Please.
16:16So on...
16:21Who's Sebastian?
16:30Just a name, Tibor and I used to use silly Sebastian whenever one of us would do something silly.
17:04I don't know about you, but the question I'm asking myself is, who is Amber Todd?
17:09Oh, my God.
17:13Never had officers died when that convoy was hit, yet she got stone out that tunnel like she was dancing
17:19through raindrops.
17:21So is she one of us?
17:23So is she one of us?
17:23Or another one of them?
17:26Now, now she's put together a brief that you all should have received by now.
17:31Use it.
17:33Now, we have two days to put Tibor's stone on the stand.
17:37Now, we need to move fast.
17:39Let's get to work.
17:41Of course.
17:58Do you really believe that about Todd?
18:02You want a fresh thinking?
18:20Amil?
18:21He wants to see you.
18:42Three minutes.
18:50You think it's taking a big risk asking me to come here?
18:53One of my people is in police custody.
18:55She was caught with a firearm.
18:57Nina, drag us.
18:58I need you to get her out.
19:01That's impossible.
19:04You asked me to put strings on that, I could expose myself.
19:07I'm in charge now.
19:08You've got me exactly where you want me.
19:10Don't risk it.
19:10You told me what to do.
19:13I need her released.
19:17Why?
19:18Who else is she?
19:19An asset.
19:22She paralyzed one of my men when she was just a kid.
19:25Put his hands on her.
19:26Well, he tried to.
19:28She was with a group of workers we were bringing into the country.
19:31I think the word is trafficked.
19:37I've always had a knack for spotting raw potential.
19:40So I had Deepa Stone take her under his wing.
19:42Show her the rogues.
19:44She knows him better than anyone.
19:46There's no one else who can get close to him.
19:48Set her free.
19:50Locate Stone.
19:53She'll finish the job.
19:56Back on.
20:05How's your wife?
20:07Is she getting the treatment she needs?
20:09Because I know how expensive that can be.
20:12You don't bring her into this.
20:13I didn't.
20:17You did.
20:18That's exactly my point on potential.
20:22When we discovered your wife's diagnosis, I knew right away that you'd do anything to save her.
20:32And here we are.
20:35Family is everything, isn't it?
20:39Anita and Saffron.
20:43I don't ever think you've asked.
20:46I can deliver you stone.
20:48That's all.
20:49Enough.
20:51No more.
20:52Thought you'd say that.
20:55Check your phone, Will.
21:07Pretty young girl, your daughter.
21:10Get Nina out.
21:12Use the NCU to locate Stone.
21:15And she'll handle arrest.
21:22I say, well, it's enough.
21:34Roger Breaker.
21:35Anyone got their ears on?
21:38This company never hurts.
21:41This is Longshot.
21:42How you doing, ma'am?
21:44Hello, Rogue Ghost.
21:45Longshot.
21:46This is Midnight Rambler.
21:47Yeah.
21:48Yeah, it's good to meet you, Rambler.
21:50Heading anywhere exciting?
21:52Nothing exciting about a northbound run with a trailer full of pallets.
21:56Who?
21:57I doubt you'd believe me even if I told you, ma'am.
22:00Try me.
22:16So, where does this strong moral compass of yours come from?
22:20You mean the one that makes me uncomfortable killing people with my bare hands?
22:27Freud has a theory.
22:30Freud has a theory.
22:32Individuals may develop strong moral principles as defense mechanisms against their parents' behavior.
22:39Was a father a criminal, Rambler?
22:42Is that what made you this way?
22:45I prefer Albert Mandura's social learning theory.
22:48If a child frequently witnesses law-breaking being rewarded or going unpunished, they may come to view such behavior as
22:55desirable.
22:55Oh, was mommy a serial killer?
23:04This is fun.
23:31A female in-person, Rambler, Rambler, Rambler, Rambler, Rambler, Rambler, Rambler, Rambler.
23:51No. No, no, no, no, no. I'm not with the team who attacked you. If I was, I'd have turned
23:58up with more than stolen case files than me dick in me hand.
24:00I know you. Yeah, my name is Alex Tebit. We spoke on the phone two days ago.
24:05Your NCU? Yeah, well, I was. They think I'm the mole responsible for the attack and you and Todd's family
24:13in a prison van.
24:14Look, I need you and your team to help me. Can I come in?
24:17They kicked you out and you think I'm gonna trust you?
24:21I swear to God, I'm offering you a chance to help save their lives.
24:33Tell them what you told me.
24:36Will O'Neil, the man that took my job, is setting up your friend.
24:43What makes you think he's bent?
24:45One, the intel that made us move stolen early came from O'Neil's department.
24:50Two, O'Neil was one of the few people who knew where Ollie and Mia were.
24:53And three, my sources told me he's feeding the NCU a lie that Amber's working for Pegasus.
24:59By making her the suspect, he can focus resources on investigating her, on hunting her down.
25:04He keeps their attention elsewhere while he ships into the Pegasus.
25:08If O'Neil is the mole, then breaking him might be the only way to get Amber back.
25:14Okay, how do we break him then?
25:16They all want to interview you about Amber and when he does,
25:19Bosh, we prove his connection to Pegasus by getting into his phone.
25:23Whoa, whoa, whoa. Just wait a second.
25:25Yeah?
25:25That's a criminal offence, Phil.
25:27I know. Look, I've heard what he says and I'm convinced I'm in.
25:31But I'm not expecting any of you to put yourselves at risk.
25:34If you're in, I'm in. What do we do?
25:36One of your interviews, yeah? You're distracting.
25:40We can talk bollocks for five minutes while your nick is found.
25:47It's called storytelling.
25:49And it's an art form.
25:52Are we really doing this?
25:53Amber, yeah, we are.
25:56And Joe,
25:58we need to make these bastards pay.
26:02Breaker, Breaker, this is Midnight Rambler.
26:05So, listen, I just called a mate.
26:06Someone's been putting the word out.
26:08They're looking for a man and a woman,
26:10same as the pair you picked up.
26:15It'll give you a hell of a lot more than five grand if you hand them over.
26:20How much more?
26:49Ain't us still in custody.
26:51Well, we need to fix this.
26:52The adults are handling it.
26:55Her value is declining.
26:57How many times is she going to let stone slip through her fingers?
27:00Huh?
27:01She's become a liability.
27:05It's a muck.
27:07What?
27:08Keep your mouth shut.
27:21Hey, Kyle.
27:28Right through these, huh?
27:30Some of us have to get our hands dirty every once in a while.
27:34Nice place.
27:36Are these originals?
27:38Are you into art?
27:40I'm into money.
27:41This is Harrison's son.
27:43Declan.
27:44How's your father?
27:45Yeah.
27:46Yeah, fighting, you could fight.
27:51This is the future of absolute power.
27:55It's a next-gen plastic polymer.
27:57Stronger than metal, so it doesn't warp under heat.
28:01And it flies with feet around.
28:06Try it.
28:10It's completely untraceable.
28:12Dismantled, they'll easily pass through any metal detector.
28:15Perfect for international shipping.
28:16If you catch my drift.
28:19Thank you for that, Daryl.
28:22How many have you manufactured?
28:24Will they be ready for the day of action?
28:26We have 2,000 ready to go for the UK market.
28:29Another 10,000 ready by Friday for your European clients.
28:32Don't jump ahead of yourself.
28:34You assure me of more certainty about Harrison's release.
28:39My clients don't need to be connected to this highly publicized criminal investigation.
28:44Mr. Dempsey will walk.
28:46And if he doesn't, you can always close the deal with me.
28:51With respect.
28:52You're not your father.
28:53Harrison Dempsey is Pegasus.
28:56That's why I deal with him and only with him.
29:00Well, that seems a bit old-fashioned.
29:03With respect.
29:05Please.
29:07Please ignore the boy.
29:09We are here to show you why you shouldn't be shopping anywhere else.
29:13The deal will not go through until Mr. Dempsey is released.
29:17Which he will be.
29:26Excuse me, Jackson.
29:27Of course.
29:33You're embarrassing us.
29:34Me?
29:35You want a fucking weak link?
29:37Begging for a deal that's already been done.
29:38We should be naming our fucking prize.
29:40I'm going to show you the ropes because that's what you're all man wants.
29:42If you spook Mikai up and this deal falls through, we lose millions.
29:45Right, sir?
29:45Please, please.
29:47Do me a favor, you silver spoon prick.
29:48Just shut the fuck up.
29:57It's my queen, huh?
29:59Told you they were powerful.
30:10Keep the gun and I'll pay for the couch.
30:18I'll tell to my clients to have a little bit more patience.
30:22And I'll reach out to my European contacts.
30:29Uberitya was duana.
30:36Yes.
30:37Some nori driver's given us the location of Stone and the prison officer.
30:40Just when I thought my day couldn't get any better.
30:43Is Nina out yet?
30:44No.
30:44Well, the boss is on.
30:45Okay.
30:47I'll deal with them myself.
30:52Here we go.
30:54Hello, everyone.
30:55Thanks for coming.
30:57Now, I don't need to look so worried.
31:00Just need to ask you all some questions.
31:01And as long as you're straight with me, there shouldn't be any issue.
31:07This part, I'll start with you.
31:11So, phone's in here, please.
31:18Amber's in a lot of trouble and I need to bring her in.
31:21I know the two of you qualified together.
31:23You care about her.
31:25Ollie and me are two.
31:27I need to locate her before something happens that can't be undone.
31:33Besides Ollie, all the people that she trusts are out there.
31:36I have no idea where she is.
31:45Freud also wrote an essay about grief of loss.
31:49Mourning him melancholia.
31:53And?
31:55How did your son die?
31:57What?
31:58Your son.
32:02I was lying about that.
32:04I never had a son.
32:07But you told me about him.
32:09I told you what you wanted to hear, Amber.
32:11I needed you to trust me.
32:13See?
32:14The moment I said dead, child, you create a backstory for my behavior.
32:19You let your guard down.
32:20So I tell you about Mia?
32:22So you'd have something to use against me?
32:24You needed something to cling to.
32:26That's what makes you so profoundly, predictably human.
32:33There is nothing redeemable about you.
32:41Tell me where Ollie and me are.
32:44The point of a safe house is not giving them the address.
32:47Tell me where they are.
32:48Calm.
32:49Tell me where they are, you fucking saint.
32:52Listen to me.
32:54We agreed.
32:55You'll see your family after you get me to the old building.
32:58So you're keeping them hostage?
33:02I'm the only thing keeping them alive.
33:04Me and the person I sent them to.
33:10You should be a little more grateful.
33:12I think we all ...
33:40You should be a little later.
33:42You should be a little later.
33:42Yeah.
33:47Mate, um, it's a long shot by the beginning of such a commuter.
33:51I don't know.
33:51How about you land this kid?
33:53I don't see anybody.
33:54I couldn't see anybody.
33:56I don't see anybody.
33:56I don't see anybody.
33:57Mr. Azulange.
34:00Let's go.
34:03Yeah, I suppose you've got, like, qualifications coming out of your ears.
34:06What?
34:07Start you off with the police?
34:09Yeah.
34:09Have a CID play.
34:10Oh, right.
34:11Yeah, obviously, I do.
34:12Yeah.
34:13Cool.
34:13That makes it.
34:14Super changes.
34:16Yeah, obviously, that's a good old skill.
34:18That's cool.
34:19That's good.
34:21That's really cool.
34:22That's really cool.
34:23Is that what?
34:24Wow.
34:24I haven't got too much pain quite a bit.
34:26It's a big change.
34:28I mean, some of them are able to die.
34:30Yeah, between studying the baby or what, um, I don't know how she does it.
34:37You see me?
34:37I can barely keep my poor plot alive.
34:39You know what I'm saying?
34:40Yeah.
34:41It's not my hopelessness.
34:42Why are you not changing?
34:44You don't have a lovely set view in that place.
34:46It's my lovely view.
34:47It's nice.
34:48It's a nice place to be in here.
34:50It's what we've seen from you.
34:51It's my life.
34:52It's mad, isn't it?
34:52What about her mother?
34:55I don't know what about her.
34:57I'm sure as a, you being the tight-knit unit you are, she would have told you that her mother's
35:03incarcerated in Westhorn prison for armed robbery.
35:24You're lying, Jamal.
35:26She kept it from you, didn't she?
35:35You sure that's the only thing she's hiding?
35:51I mean, honestly?
35:56You think you know a person?
35:57Right, look.
35:58You share the same scrap of carpet at work.
36:00You know, secret Santa, which was me, by the way.
36:05What are this really nice, handmade paper dove?
36:09Where is she, Jamal?
36:10She's gone live over the folksides, actually.
36:12Where is she?
36:22I don't know.
36:30Mr. Hawkins?
36:34You know, I'll, you know, I'll just, I'll come and talk you through all this.
36:38Colin, do you know what?
36:39I think I'll just throw this.
36:41Throw my hat in the ring and I'll give the application down.
36:42Go for it.
36:43Do you know what I think?
36:44Good place.
36:44We won't cut out.
36:45What's the worst?
36:48Excuse me.
37:01You okay, sweetheart?
37:04I'm sorry for all the missed calls.
37:05I just wanted to hear your voice.
37:31Have we arrived?
37:34This is in London.
37:42Yeah, it's me.
37:43I'm here.
37:44What went up?
37:52What are you doing?
37:53What's wrong?
37:55I need my shot.
37:58Paul?
37:59Paul, are you there?
38:00Come on, talk to me, Paul.
38:02Please, it's not too late.
38:03Just let us go.
38:05I can't.
38:06I can't.
38:07They will kill you.
38:08Shut up.
38:09Listen, we can help you, Paul.
38:11Okay, we can help you, but you have to let us go right now before they get here.
38:19I've been told to give this to you.
38:23Hello?
38:24You okay?
38:26I'm sorry to let you down.
38:29You're getting another shot.
38:30I have a location for you.
38:32We got you, boy?
38:34We got him.
38:35You're being released.
38:35No charge.
38:37Let's not have this conversation again.
38:39No loose ends.
38:41Understood.
38:42You're my most valuable asset, Nina.
38:45No one can count on you.
38:47The things we're gonna do together.
38:52Now give back the phone.
39:01Listen to me.
39:02Listen to me.
39:03You made a mistake, but you can fix this.
39:05Okay?
39:05If you don't, we're all dead.
39:07Unlock the door!
39:09They put the payment fifty grand to hand you over.
39:12You are never going to see that money, Paul.
39:14Okay?
39:15It's not how these people work.
39:16I've seen what they're capable of.
39:20You are better than this.
39:23You are better than them.
39:25You don't know me.
39:27You don't know me!
39:28My job is dealing with criminals every fucking day!
39:30I know a decent person when I see one!
39:33Fuck the money!
39:33Don't you want to see your granddaughter grow up?
39:39No.
39:59Wait, wait, wait, wait, please.
40:01Please, no!
40:02Please!
40:02What the fuck is this?
40:07stand him up do it
40:12please don't I have nothing to please please just let me go please
40:19Jesus shall I make us all look up at tea while we wait
40:44come on come on
40:48come on
41:06what's this then
41:12okay that's not for us
41:19Sebastian
41:22you found him then
41:27yeah sorry I am
41:29it's fine
41:32was he a
41:34a relation
41:37my husband
41:38the boss father
41:43I'm so sorry
41:45don't be
41:55it was a virus
41:58we had to go
42:02Tibor and I keep them together
42:10food's ready
42:11I'm so sorry
42:40I'm so sorry
42:41I'm so sorry
42:45why didn't you wait for me
42:47I thought you were locked up
42:49this wasn't the moment to prove yourself
42:52how did the need with Michael go
42:54did you show him the product
42:57yeah it was a successful test
43:01where's Miles
43:06are you fucking serious
43:07look it worked
43:09okay
43:09he can't say his clients will wait for us
43:11so as long as the old man walks then
43:13we're all set
43:14and then what
43:17what do you mean
43:19you're smarter
43:19you're smarter than people think
43:20but you can't do what I do
43:23that's why you'd make good partners
43:26in the war
43:32Harrison will never let me run anything
43:34so
43:34your father doesn't see you
43:36but I do
43:38we kill Tibor
43:39we take our share of the Michael deal
43:41we set up our own
43:42fuck Pegasus
43:43fuck Harrison
43:45you and me
43:57alright
43:57the fridge
44:19insulin
44:20there
44:25give me the address
44:28give me the address
44:30of the safe house first
44:33I want my family back
44:37I want my family back
44:47GL3AXY
44:49GL3AXY
44:50yes
44:51you see
44:54you're learning
44:59fuck
45:00no no no no no no no no no no
45:02Tibor
45:04Tibor
45:05Tibor
45:07yeah
45:11okay
45:12here we go
45:14you're gonna be fine
45:15you're gonna be fine
45:16you're gonna be fine
45:19okay
45:23fuck
45:23Oh, fuck, T-Boy, please.
45:26Please, please.
45:29T-Boy!