- 13 hours ago
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00:23To the south-east tomorrow, this is the only two bodies that have been found in the
00:29south-east.
00:32Turn this shit off.
00:34Is there a chance you could do it?
00:41Show a little respect.
00:43This driver doesn't deserve respect.
00:45Well, then your mother does.
00:46Not my mother.
00:48I came here tonight, didn't I?
01:00You know, you had the voice of an angel.
01:04Don't you remember?
01:05Our last year in London, you were in the Nutcracker.
01:10Oh, the chorus, of course.
01:13Oh, you could hear your voice above all the other little imps.
01:18You were a cherub.
01:22Cute and round and...
01:26And you had the little solo.
01:28Oh, God, your voice.
01:40You really don't remember?
01:43Not at all.
01:45Oh.
01:47Well, that's a shame.
01:50It was a good memory.
01:54One of the few.
02:11If he was here for us, he'd put us over.
02:13Smile.
02:16He's on radio.
02:18Smile.
02:19What?
02:21Smile.
02:27Easy.
02:42Easy.
02:44Easy.
02:45Hey!
02:47Oh, no!
02:49Woo!
02:51Hey!
03:05What the fuck did you just do?
03:08Things change quickly when you have a man in the trunk of your car.
03:10He was a kid.
03:11He was a cop.
03:13There are cameras on every street corner.
03:15In no time, they'll identify the make and model of the unmarked vehicle near the Plymouth estate
03:20at the time of Paolo Braga's kidnapping.
03:22And it won't be long before they use those cameras to track us where we're heading.
03:26You want your wife back?
03:27Your boy had to die.
03:29It's maths.
03:37You're weak-kneed like your father.
03:41At least Kyle is.
03:44Thankfully, Mason's here to get Kyle's wife back.
03:48At least he takes after me.
03:49He's a fucking monster.
03:50Hmm.
03:52The thing about monsters is, we get things done.
03:56God, this was a mistake.
03:58Coming back to you, trusting you again.
04:03We never learn in this family.
04:18What the fuck happened, Lizzie?
04:19Mason took Paolo.
04:20He's gonna use him as leverage to get Abby back.
04:23The fuck could you let him take him?
04:24Don't you fucking put this on me!
04:26You brought him back!
04:27God damn it!
04:27God damn it!
04:33Hutch.
04:34Yo.
04:35Tell me you have Edison.
04:36We lost Edison.
04:37No.
04:38Paolo just killed Edison.
04:40That's not Edison.
04:42It's the wife.
04:43She's the hacker.
04:44What are you talking about?
04:45Now I'm confused.
04:47I may have fudged the truth a little bit.
04:50You fudged the truth a little?
04:51What?
04:52You got the place in my speech to Edison.
04:54Well, find her!
04:56Dick.
04:57We lose Paolo and this is over.
05:03What the fuck you mean he's gone?
05:06Cain took him.
05:08Where?
05:09We don't know.
05:11Is he hurt?
05:12We don't know.
05:16I want you to call him in every fucking favor.
05:21Mr. Police, 10 Downing, I don't give a fuck.
05:27Call them all.
05:29Yes, ma'am.
05:30Now!
05:32Now!
05:34Uh!
05:42Uh!
05:57We'll stop!
05:58We'll stop you!
06:01We'll stop and see you through.
06:03I'll be right back.
06:03We'll stop you through.
06:04Well, I'll be right back.
06:06Fucking idiot.
06:17Your friends or his will find us here.
06:22I'd say we have two hours till they do.
06:25Why don't you go and clean up?
06:44Where would Mason go?
06:45He's laying low until they fly Abbey to London to make the exchange.
06:49Well, how'd he disappear so quickly?
06:52Coming in, there was a car parked.
06:54Just off the road. It was a grey Fiat, but I didn't get the plates.
06:57Well, I got some friends at the Met. They might be able to help with that.
07:00You think he stole the car or...?
07:01Or someone else was waiting there for him.
07:05Search all property records in London ever owned by a Dahlia Archer or a Thomas Kane.
07:10Yep, you got it.
07:29Look at you bringing us back together. Mending old wounds.
07:37You know this is suicide. How does this lay out? Get in touch with your people. Make a trade.
07:44I get my wife, they get you. There's one big problem with the offer. I don't even know if she's
07:50still alive.
07:51But it would be very bad for you if she isn't. It would be very bad for you if anything's
07:55happened to her.
07:57He has a son. Must be what? Ten by now? Yeah. I would bring him his wife.
08:09I know you have little regard for children, seeing as you once tried to kill your own.
08:15But if you ever speak about my son again, I will burn you to death like your husband.
08:24We're out of time.
08:25We need to call you people. We need a number.
08:28How do I know you'll hold up your end of the portal?
08:31You don't.
08:33Number.
08:49How do you want to play this?
08:52There's a corner shop half a mile from here that sells prepaid mobiles.
08:57You stay here, I'll make the call.
09:24We have Edison now.
09:26So all this...
09:27It's meaningless.
09:29Unfortunately for you, I don't give a fuck about your satellites.
09:32Or the assassin or anything else.
09:34I'm just here for my wife.
09:37And you really trust your mother to make the call?
09:41Maybe she's negotiating for something more and will sell you out in the process.
09:46At least she's not here negotiating with you.
09:48So you don't trust her.
09:58I've been looking for you for a while now.
10:01And here you are.
10:04Here I am.
10:05I mean, you have to wonder.
10:08Maybe I wanted to be here.
10:11Tied up.
10:13Mono-mono.
10:14To finally have a private audience with Mason Kane, I felt a kind of kinship with you.
10:23Kinship?
10:24We both have parents that wanted the worst for us.
10:27I'd fucking applaud you if my hands weren't tight.
10:33You want to give to your daughters, to your wife, a life worth living.
10:41Listen, that's what I want for my boy.
10:45I've been looking for you not to kill you.
10:47I want to make you an offer.
10:50You and I can create peace.
10:54A world free from war, violence, greed.
11:00Isn't that what we want for our children?
11:03For Asha.
11:04For Hendrix.
11:12Don't talk about my kids.
11:15Not interested in your offering.
11:35Who is this?
11:37Joanna.
11:38Lovely to hear your voice, dear.
11:40Though you do sound a little stressed.
11:42Listen, if you want him back, bring Abby Conroy to London immediately.
11:47This is you, Dahlia.
11:49Well?
11:49When your kid's in a pickle.
11:51We have everyone on this.
11:52We'll find you within the hour.
11:55So I suggest you bring him back to us before we do find you.
12:00I'll make sure that they don't-
12:01Make my death quick and painless?
12:03No, you really are out of your depth, you ridiculous twat.
12:07I'll call back with a location.
12:27Time to go.
12:33Is that you, Chris?
12:35How's it going, Frank?
12:37Frank Sharp.
12:40Sharp.
12:41The name's Sharp.
12:43Nope.
12:44It's not ringing any bells.
12:45Okay.
12:45That's fine.
12:46Nothing on Mason yet.
12:49Hello.
12:49Can I take the picture, please?
12:51You let him get to you.
12:52It's Francis Sharp.
12:54Yeah, I'll say it again.
12:56Francis Sharp.
12:56I didn't.
12:57If you didn't keep your daughter's very existence from him.
13:01Not a long time ago.
13:02All right.
13:03Best to your family.
13:04Okay.
13:04He never would have flown off the handle.
13:07And he never, ever would have betrayed Citadel.
13:12And we would not be in all of this shit.
13:16You are to blame.
13:18You created him.
13:19You did-
13:20What's the first rule of the agency?
13:22Do not get involved with another agent.
13:25And you two were fucking around like it was fucking spring break.
13:30You compromised everything.
13:32Is your mother there?
13:33Sure.
13:34Everything that I built, you compromised.
13:36And had you not murdered his father and created him, maybe the agency would still be standing today.
13:42Why did you bring him into this, Bernard?
13:44You knew he was a mole.
13:45You knew he was unpredictable.
13:47He's the best killer I have.
13:48You have five killers, including yourself and me, and that Paddington bear-shaped motherfucker.
13:53So why did you bring him into this?
13:54He was supposed to work!
14:00He's still-
14:01He's still-
14:07Fuck.
14:09Fuck.
14:09Fuck.
14:10Fuck.
14:12Fuck.
14:13Fuck.
14:13Fuck.
14:14Fuck.
14:17Shit.
14:21The things you build are flawed.
14:25Because you are flawed.
14:35Is that you, Malcolm, you lazy-eyed bastard?
14:38It's Frank Sharp.
14:42He's hung up.
14:44Oh no, he's back.
14:45Frank Sharp.
14:46No, he's hung up.
14:48No, he's hung up.
15:06You always did have a temper.
15:08What'd they say?
15:09Can I get off the ground now?
15:11Go and pick up your mess.
15:30They're en route.
15:32We should burn the car, steal another one to transport him.
15:35You'll probably be better at that than me.
15:37You got him?
15:39No.
15:40Don't worry.
15:41Gorgeous young men like him don't excite me like they used to.
15:44Yes, I've got him.
15:46You go.
15:49Time's ticking.
16:12Time's ticking.
16:16Did you charm him with your wiles?
16:20That's right.
16:26Good to see you again.
16:31It's been a while since you signed my death warrant.
16:38You're looking more and more like your father.
16:44Oh.
16:48Chin Chin.
16:54What's he needs for you?
16:57Helping him?
16:59Oh.
17:03Love.
17:09Love.
17:13Maybe I wanted to make amends to him.
17:19I was a manticore mole in the highest echelons of British government.
17:26He knew what I did.
17:29He could have posed a threat.
17:31So you wanted him killed.
17:36I had something greater to protect.
17:40I was helping to build a safer world.
17:42Oh.
17:43Where the things that happened to my family, to good innocent people, would never happen again.
17:50That's why I built Manticore.
17:52You built Manticore to set the world on fire.
17:56Just like they did to your husband, so the world could know your pain.
18:00My father rescued you.
18:04I'm here to do it again.
18:09I'm here to help my son.
18:10So are we gonna negotiate or what?
18:14I'm here to help my son.
18:21But I don't have you cagged.
18:23Do I?
18:35Is that Claude with the curved cock?
18:38Good.
18:38It's Frank Sharp.
18:41Yeah.
18:42Yeah, that Frank Sharp.
18:43I'm good.
18:44How are you?
18:45Listen, I need a favor.
18:47I need eyes on the Plymouth Estate, Windsor.
18:51It's a great Fiat.
18:52Around 10.20 this evening.
18:54You found me late?
18:55We haven't done anything yet.
18:56Except finally get someone to remember your name.
18:58Fiat 95. Great, yeah.
19:00That's it.
19:01The Plymouth Gallery to Croydon.
19:03Okay, thanks very much.
19:04The camera's lost a car on the outskirts of Croydon, but it's definitely there.
19:08Okay.
19:13Here.
19:1537.
19:16St. Anne's Way.
19:32I'm in here, love.
19:42What's this?
19:50Well, I'm starving.
19:53You must be famished.
19:55No?
19:57I thought it would be nice, you know, a little, um, family dinner.
20:04Not sure when we get the chance again.
20:07Come on.
20:08I'll be landing in an hour.
20:09Sit.
20:10Eat.
20:17I remember the smell.
20:19Your chicken.
20:21It's favorite.
20:24Smells never leave you.
20:26Chicken cacciatore.
20:29Drugstore perfume.
20:33Earning flesh.
20:42At the moment I met your father, I knew he was the love of my life.
20:49It wasn't an act or a decision.
20:53It just was.
20:55He was...
20:57Brilliant.
21:00Intoxicating.
21:03And certain.
21:08And he was dishonest and cruel.
21:12Small.
21:13And small.
21:16And I loved him.
21:18Not because of all.
21:21Despite those things.
21:23But because one to one.
21:27I was his and he was mine.
21:31And here you are risking the woman you love for the woman you married.
21:36I love Abby.
21:39Do you?
21:42She's my wife.
21:43Hmm.
21:45Doesn't mean that you love her.
21:49Nadia?
21:56You're fucking with me.
21:58Excuse me?
22:01You're fucking with me.
22:05I...
22:06No, dear.
22:07I'm...
22:07Yes, dear.
22:11I...
22:11I'm simply not.
22:12I can't.
22:13Did you make a deal with him?
22:18Of course not.
22:19He tried to kill me.
22:21Yeah, you tried to kill me.
22:23A few times.
22:29We entered negotiations, but...
22:33A deal I didn't make.
22:38Eat up.
22:40And then I'll call Joanna.
22:44And you can get him ready.
22:52Smells just like I remember.
22:54Hmm.
23:01You're looking more and more like your father.
23:08Not a shred of me.
23:14Who's running like the wood?
23:19I mean, what?
23:28I'll be happy.
23:28It's probably new.
23:28I'm not going to die!
23:31I do not know who's who's been buying.
23:31Not a shredding.
23:34I'm going to die.
23:35Just go crazy easy.
23:35It's happening.
23:37You're good.
23:41I'm not going to die.
23:43I'm not going to die!
23:58you're making a mistake
24:00under the Hamas bridge
24:02East End
24:034am
24:05don't be late
24:16so you tried to cut a deal with her
24:20no
24:21I didn't try to cut a deal with her
24:23she tried to cut one with me
24:25but it didn't make
24:26is that what she said?
24:32I'm playing with you
24:35I wanted something she wasn't willing to give
24:40or maybe she gave it
24:47is that your father?
24:50do you often think of him?
24:54no
24:55I dream of my father sometimes
25:00it's the same dream
25:04we're in the ocean
25:05off the coast of St. Louis
25:08it's just him
25:10me
25:14we
25:14we have drawn me
25:18the boat is out in the distance
25:22closer and closer the boat comes
25:27and just as
25:28my father realizes
25:31that the boat sees us
25:34we'll save us
25:39I push him
25:42under the water
25:44I hold down
25:47his skull
25:50until
25:53he goes
25:55deep
26:14it was cancer that took him
26:19not in the dream
26:22pancreatic
26:24never thought that fair
26:27not that it took him
26:29just
26:32I wasn't the one to do it
26:37I heard once that
26:41we become our true selves
26:44when our father dies
26:50I suppose you had a lot more time than me
26:52to figure out who that is
27:01your father was
27:02a saint
27:05what was that like?
27:07I'm done talking about my father
27:08why?
27:09I find that it's so
27:12interesting that
27:14your father was killed
27:16with
27:17hundreds of others
27:19and then you killed
27:20thousands
27:21to avenge his death
27:26do you think he will be proud of you
27:28of what you did for him?
27:30is this
27:31what do you think you're gonna get to me?
27:33I don't think you have any intention
27:34of following you through on
27:35your end of this bargain
27:39I think I leave here
27:42with that man
27:45so you please
27:47flat rate didn't work earlier
27:50I'm thinking maybe
27:53guilt could
28:11we can remake the world
28:13the way your father saw it
28:14I told you I'm done
28:15talking about my father
28:17because he would be ashamed of you
28:19that you're his son
28:21as he would be
28:23I'm giving you a choice
28:25to absolve yourself
28:27from what you've done
28:28to reject what you are
28:32that's why he became spy
28:34isn't it?
28:35because it was the only way
28:36to hide your true nature
28:38your true soul
28:40it was survival
28:41wasn't it?
28:43to hide even you
28:44from yourself
28:44because if you saw
28:46what you really were
28:47you wouldn't be able to go off
28:50you've brought only pain
28:52and death
28:53to everyone who loved you
28:56and your daughters
28:57who grow up
28:58and they'll have to spend
28:59the rest of their lives
29:01scrubbing themselves
29:02of any residue of you
29:04so horrified
29:06that they're yours
29:07that they'll dream
29:08about drowning you out
29:10in an ocean
29:10and wonder
29:11why the world
29:13didn't allow them
29:14the chance
29:15to kill you
29:16themselves
29:32oh god
29:34oh god
29:37oh god
29:37oh god
29:37oh god
29:41bob
29:47bob
29:49bob
29:53bob
29:54bob
29:55bob
29:55bob
29:57bob
29:57bob
29:57bob
29:57bob
29:58bob
29:58bob
29:59bob
30:03I don't know.
30:59This was Grandpa Arthur's chair, right?
31:02I remember him. Bad breath.
31:08How'd he die?
31:10He shot himself.
31:13To spite my mother who loved him.
31:17And did it in that chair to spite me who loved that chair.
31:33You may have just killed your wife.
31:39What are we gonna do?
31:49What size suit you were?
32:10The lights are on.
32:18The lights are on.
32:20The lights are on.
32:25The lights are on.
32:42The lights are on.
32:48The lights are on.
32:53The lights are on.
32:58The lights are on.
33:18It's still warm.
33:23Not a bad cook.
33:29Yeah.
33:30Addison's gone.
33:32They flew around.
33:42They flew around.
33:59What?
33:59What?
34:00Change of plan.
34:02No.
34:02No change of plan.
34:03I'm speaking now!
34:05Charing Cross Tube Station.
34:06Old Platform 3.
34:07Ten minutes.
34:23Don't call him.
34:24Don't call him.
34:25Don't call him.
34:26Don't call him.
34:27Don't call him.
34:27Don't call him.
34:27Once you've caught her, get out of there.
34:30No matter what happens.
34:33Just keep her safe.
34:35Understand?
34:35No.
34:36And if this exchange happens to go pear-shaped, you be sure to make way for Mason.
34:43We're gonna need every bit of him.
34:46I don't think there's much of her left.
34:49It looks that way.
34:56Let's do it.
34:57Let's do it.
34:58Let's do it.
34:58Let's do it.
35:03Let's do it.
35:15Let's do it.
35:19Come on!
35:24Let's do it.
35:49For this.
37:10Stop that!
37:12Joe, don't pull anything.
37:14No one's doing anything.
37:17Where's Mason?
37:19Where someone has to keep eyes, I'm certain you're doing the same.
37:25Just the two of you.
37:28Slowly.
37:56Just know.
37:58I go, he goes.
38:03She's not fucking around.
38:04Shut up!
38:05Okay, let's just relax.
38:13A girl walks to me, and I let Paolo go.
38:19No.
38:20You let him go first.
38:22No, that's not happening.
38:23I'll kill him where he stands.
38:24And I'll kill her.
38:25I will fucking do it!
38:27Help me!
38:28Sing, darling.
38:29What's my guarantee, dear?
38:31What's mine, Dahlia?
38:35He'll do it.
38:38He'll do it.
38:49Then I'll kill him.
39:00He'll beび, man.
39:01All right.
39:03You're smart moves.
39:05Always a pleasure, Delio.
39:19All right, go.
39:23You're safe now.
39:24Am I?
39:45You're safe now.
40:14I told you to go.
40:16Fuck off.
40:23Down!
40:28Ow!
40:29You're hit.
40:32I'm fine.
40:34Baby, you okay?
40:38You mean Celeste?