- 1 week ago
Jo Nesbos Detective Hole - Season 1 - Episode 06: Five
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TVTranscript
00:40Pam.
00:42Pam.
00:46Pam.
00:48Pam.
00:49Pam.
00:49Pam.
00:51Pam.
00:51Pam.
00:51Pam.
00:51Pam.
00:56Pam.
00:59Pam.
01:06Pam.
01:08Pam.
01:10Pam.
01:11Pam.
01:17Pam.
01:28Pam.
01:30Pam.
01:30Pam.
01:42Pam.
01:44Pam.
01:44Pam.
01:52Pam.
02:00Pam.
02:03Pam.
02:03Pam.
02:06Pam.
02:07Pam.
02:15Pam.
02:17Pam.
02:18Pam.
02:19Pam.
02:23Pam.
02:24Pam.
02:25Pam.
02:26Pam.
02:28Pam.
02:28Pam.
02:28Pam.
02:29Pam.
02:31Pam.
02:32Pam.
02:33I don't know what he's saying.
02:37I think he gives us codes.
02:43I find these pentagrams in the near of the offer.
02:48Do you think I can tell you something?
02:49Yes, thank you.
02:50That would be nice.
02:53These codes are just math.
02:56It's just numbers.
02:58Between human codes, it's something completely different.
03:04What do you mean by both of you?
03:09If you want to use a strategy, you need to use...
03:12...under consciousness.
03:15Intuition.
03:16It would say that you don't know.
03:21That you already know.
03:24You combine it with linear thinking.
03:28Menstruation.
03:31Transigger, do you know?
03:34Eh...
03:35Mindre than that, I think.
03:37So, once...
03:37I took four days to hack me into the Danish bank...
03:40...with a little help of a little drop...
03:43...with a frozen LSD.
03:47Doors of perception.
03:48If you want to use your code, you'll find your code.
03:55If you want to use your code, you'll find your code.
03:56So...
03:57...trans it?
03:57...
04:11...
04:11...
04:11...
04:12...
04:12...
04:44...
04:44...
04:44...
04:45...
04:45...
04:47...
04:48...
04:48...
04:53...
04:55...
04:57...
04:57...
04:58...
04:58...
05:00...
05:00...
05:01...
05:11...
05:13...
05:17...
05:18...
05:20...
05:25...
05:25...
05:26...
05:27...
05:28...
05:31...
05:32...
07:02Take
07:04...
07:05...
07:06...
07:19...
07:20...
07:22Sorry.
07:22Hei, hei.
07:24Hei.
07:25Sultmo?
07:27Sil?
07:29Eh...
07:29Nei, takk.
07:30Vi sa på teater at du var her.
07:32Ja, jeg har vært her hver onsdag i 15 år.
07:34Ja, hovmesteren sa det.
07:36En torsdag, takk.
07:39Er det da?
07:41Ja.
07:45Ja.
07:49Nå går det.
07:54Det går ikke veldig bra.
07:57Nei, ja.
08:01Forestil du går til helvete der, jeg går til helvete der.
08:06Sorry, her sitter jeg og bare...
08:08Du må ta en bit av dette her.
08:11Det er den eneste plassen i Norge da du får tak i finikkelbrød med...
08:15Altså med faktiske hele frø.
08:17Ja, jeg har spist det.
08:19Ok.
08:23Du, ehm...
08:24Vi fant spor av ekskrementer og blod underlegn til Lisbeth.
08:29Mhm.
08:30Ja, og analysen den stemmer med blodtypen din som bare spør om vi trenger å DNA-tester.
08:35Nei.
08:37Men Lisbeth har jo vært veldig glad i postiljoning.
08:43Det er...
08:44Fingerpultet meg i greva.
08:46Takk.
08:48Jeg savnet noe sånn, Harry.
08:53Skjølge.
08:59Skjølge.
09:13Skjølge.
09:15Elen, en kollega.
09:18Rakel, kjæresten din.
09:19Og er det ikke ekskjølge?
09:21Jeg vet ikke. Hun prøver å...
09:24Eller jeg...
09:25Jeg prøver å få at hun bestemme seg.
09:27Åja.
09:30Hvorfor tror du hun vil gå, da?
09:38Eh...
09:39Kortversjonen er vel at...
09:43Hun vil ha meg annerledes.
09:47Vet du hva?
09:48Jeg tror jeg inviterer deg...
09:51Og...
09:52En du elsker...
09:54Til primæren.
09:56Da vel.
09:57Pygmalion bygger på en gresk myte.
09:59Om en skulptør som forelsker seg i en av sine egne skulpturer.
10:05Så kanskje da...
10:09Kjæresten din kan se hvordan det går når du prøver å foranbrede en menneske.
10:14Ja...
10:14At det går galt.
10:15Harry, jeg lager alltid forestillinger om Happy Endlings.
10:20Mitt livsmotor.
10:44Hei, det er Ellen sin telefonsvarer.
10:46Snakk til meg.
10:48Du som...
10:49Ser alt.
10:50Hva betyr det?
10:54Hvorfor...
10:57Hvorfor velger den så vanskelige steder?
11:00Hvorfor...
11:01Er det ikke suksuellt misbruk?
11:03Hvorfor...
11:05Hva betyr pentagrammene?
11:09Diamantene?
11:11Fingrene?
11:14Kassetten?
11:17Jeg har fått et tilbud for sjela mi.
11:22Hva synes du om det?
11:24Det saknes tre tusen.
11:26Vi vil ikke ha knivene.
11:27Vi vil bare ha skitegreiene.
11:28Det er det alle bruker nå.
11:37Det skiljer egentlig.
11:39Sånn som deg og meg.
11:43Nå.
12:18Jo prinsen.
12:20Det funker.
12:32Oh, that's good, you're so good, yeah.
12:36Oh, that's good.
12:41Hey.
12:49Did you not come out of the dark and come in the light here?
13:01Oh, that's good.
13:05You're the most famous person I've seen here, you know?
13:24You haven't been able to breathe for a moment?
13:28Oh, you've never been able to breathe for a moment.
13:30Well, then.
13:32We're going to sleep on each other, you and me.
13:35When it was the first time.
13:43No.
13:46It was a lie.
13:51What's his name?
13:53Girl.
13:58Lost.
14:04Look at me.
14:19You should.
14:20No.
14:21No.
14:22No.
14:24No.
14:24No.
14:25No.
14:26All right.
14:29No.
14:33No.
14:34No.
14:34No.
14:34No.
14:35No.
14:50Come to me, Dad.
15:01Come to me, Dad.
15:03Okay. So, shall we go home with you?
15:09Yes.
15:14My name is George.
15:16I'm...
15:17Tom.
15:21Tom Baller.
15:27You know...
15:29I set avisa.
15:31You etterforsker de drapene.
15:42So...
15:44The mystery of your little boutique,
15:49this is true for me, Tom.
16:09You...
16:13I can't see that they are one of your customers.
16:19Can we do it first?
16:20I can't see it first.
16:25Come.
16:27Let me hang there.
16:28I can't see it first.
16:35Let me hang down.
16:36Let me hang down.
16:37Let me hang down.
16:38Let me hang.
16:44One night to be confused.
16:47One night to speed up truth.
16:49We had a promise made, for us and then away
16:55Both under influence, we had divine said
17:00To know what to say, mind is a grace of faith
17:06To call for hands of above, to lean on
17:13Would it be good enough for me now
17:23One night of magic rush, the start of simple touch
17:29One night of lucius green, and then we dream
17:34Ten days of perfect tears, the sun is red and blue
17:40We had a promise made, we were in love
17:46To call for hands of above, to lean on
17:54Wouldn't be good enough for me now
17:59To call for hands of above, to lean on
18:04Wouldn't be good enough
18:09And you, you knew the hand of the devil
18:19And you, kept us away there, watched it
18:27Sharing different moments
18:34And you, kept us good enough for me now
18:48What happened to mine?
18:52I thought I would come home too.
18:53I thought I would come home too.
18:54Take care of everyone, everyone, and everyone just wants to.
18:58We are...
18:59We are...
18:59We are all the way back.
19:01We are all the way back.
19:09I don't know where I was going.
19:11We are all the same.
19:18Yes, I love you.
19:25A red star.
19:27A little red stone.
19:33I dreamt about Cameroon and Demand.
19:37It's the house of these problems.
19:39Pentagram is an old religious book.
19:43Learn about English.
19:45I have a finger.
19:46Then we're 50.
19:47The red stone that's stuck out with a soul.
19:51Then we're 50.
19:53I've seen it one time.
19:54I've seen it one time.
19:57What is that?
19:58Have you seen it?
20:03Pentagram is on the other way.
20:07The two-talk have been up.
20:09That was something that was a dream.
20:12Learn about it.
20:12We had a German.
20:14We had a German.
20:16It'll be 60.
20:18được and a book.
20:20I was a man like that.
20:23No.
20:24No, no, no.
20:28No, no.
20:29No, no, no.
20:29No, no, no.
20:30No, no, no.
20:31No, no, no, no.
20:37No, no, no, no.
20:51Oh, my God.
21:09I don't know what that is.
21:26It's 6.00 and this is the news.
21:29The police still stands out without a trace in the case with two deaths and one disappearance in Oslo.
21:36Fremskrittspartiet, Angor Ilen, says that the police must be out of the house.
21:42If the police can't stop, they're locked.
21:45Just go on the way.
21:48What the hell are you doing? You contaminate us.
22:04I don't know.
22:06We took DNA from the half of the town here.
22:12Have you had criminal justice?
22:14No.
22:16Plastic sex in the morning.
22:19We'll see you on the game.
22:20Run around now.
22:34Hey.
22:35No.
22:42I don't believe in you.
22:48I don't believe in you in the morning.
22:50I just want to say thank you for the invitation, but I won't be with you.
23:02You have stopped drinking?
23:04Yes.
23:08I thought it was because of me and Ole.
23:15But it's not that.
23:19It's because of the death, right?
23:22It's the only one who can do it.
23:34It's the only one.
23:43Harry?
23:47It's the only one.
23:50Hi, Beate.
23:52It's the only one who can do it.
23:53You can draw a picture of a photo of a photo of 72 degrees.
23:56You can draw the picture of the photo of the picture of the photo.
24:02No, no, no, no...
24:03Heard?
24:03Yeah.
24:04I'm late for a second.
24:13Harry, I thought you'd go to another person.
24:16Yeah, he's about a half or a half.
24:19T-shirts are from our country.
24:25He's the old man.
24:26like kelter.
24:34Can I get the project a bit closer?
24:38Are you looking?
24:42The kelter used the pentagram to determine where the katedral should be.
24:46On the cassette, he says that a five-kant kors should show a way.
24:51This is Camilla Lohan, Lisbeth Barley, Barbara Sensen.
24:57This is the card they are looking after.
25:05Do you see the other?
25:10Let's go up.
25:14This is a code we should have set for a long time.
25:17Yeah, he got a clear text.
25:20He notices all of them he has met with a diamond.
25:24What kind of shape?
25:25Five.
25:26He has cut one of the five fingers.
25:28He has cut off of the two.
25:29The death and the extinction of the three following weeks.
25:33On Friday, Wednesday and Monday.
25:36How many days are there?
25:37Five.
25:38Around five.
25:39The code is just a number of five.
25:42The two are taken from the complete address.
25:45But it is a similar.
25:49And it is not a house number.
25:51It is the fifth floor.
25:53The fifth floor.
25:54The fifth floor.
25:54Why five?
25:55Is it a bad number?
25:58Yes, it is a lot of work.
26:01Hexikunst, satanism, and soul magic.
26:04We have five sensors.
26:06There are five news.
26:07I don't know what.
26:08I don't know what.
26:09I don't know what.
26:12The most important thing here is this.
26:15He wrote a pentagram.
26:17He wrote it over the city.
26:19He let the stars take out the places he would have killed.
26:22Then he waited.
26:24He was right.
26:25He was right.
26:26He was right.
26:27He was right.
26:27He was right on the fifth floor.
26:28He was right on the fifth floor.
26:31He was right on the fifth floor.
26:31The one who answered was Camilla Lowe.
26:33Is Lisbeth Bali?
26:34If he took him out on the street,
26:35he doesn't know that she lives on the fifth floor.
26:37He took him out on the street.
26:38He stood in the hall,
26:40saw that there came a house from the fifth floor.
26:42He followed him on the street.
26:44He followed him on the street.
26:45No matter what.
26:45The offer is a coincidence.
26:47The key here is a place.
26:49If it was Willy Bali who took the house down
26:51from the fifth floor the day,
26:52and not his wife,
26:53he would have been a offer.
26:54Now that we have the code,
26:56we don't know where the next two draper will happen.
26:59We don't know when.
27:01And five days between each draper,
27:02it will be...
27:03On the other day.
27:04On the other day.
27:04In the morning.
27:05And he works with the clock.
27:07So the next place is,
27:09after all likelihood,
27:10here.
27:10It's a student home at the camp.
27:12Did I inform you of the group?
27:14No,
27:15we have no chance to do the other one.
27:17So Tom and Delta
27:18see the student home at the 5th.
27:21What you're talking about?
27:22We're here.
27:23There's a lot of grounds,
27:24but the student home is here.
27:26There's nothing in the fifth floor.
27:27There's no house here in theeighths.
27:30It's an eighth floor.
27:31There's no 15th floor here.
27:33You'll see where we can take on.
27:40I'm sorry.
27:41Good day.
27:42Hey.
27:43I'm from the police.
27:45I'm going to ask you a question.
27:46By the place was built in 1934 as a tuberculosis house.
27:50And then as a student.
28:02Yeah.
28:03It's my son.
28:05Yeah.
28:07Yeah.
28:09You've probably read the stories of the young people in the last few weeks?
28:13Yeah.
28:15I've heard it, but I've read it.
28:18I don't think so.
28:18No, we don't think so.
28:21And one of the next two goals.
28:30Can your son live here in the morning?
28:34Or can you live here in the morning?
28:36Or can you live here in the morning?
28:37He lives in the island.
28:40It's difficult.
28:43But would it go good if any of us are here in the morning?
28:46Yeah.
28:47It's nice.
28:48What's going to happen tomorrow?
28:50Yeah.
28:51What's going to happen tomorrow?
29:02Do you want to say to her that she was the next one who would die?
29:14It's good to go a little bit around the hill.
29:16It's like Elmpleydo.
29:18So you've heard about it.
29:19It's good at all.
29:20I don't think so.
29:21I don't think so.
29:22I would've never been so good to talk with people.
29:27My wife had been shot at Kloss Hall.
29:29There was no meaning in it.
29:30The lading went through the heart.
29:32So the...
29:36It's good to hear from you.
29:44It's fine.
29:46It's fine.
29:47It's fine.
29:47It's fine.
29:52Hey there.
29:54It's fine.
29:56It's fine.
29:57It's fine.
29:59It's fine.
30:00It's fine.
30:03But what?
30:06No, it's...
30:07It's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like he's removed from the offer.
30:17He's cut his finger to the right hand in the right hand.
30:21He starts with the finger, so long finger, so ring finger.
30:25You're a systematical there.
30:27Why don't he start with the finger?
30:38He's cut his finger to the finger, right?
30:42You said that.
30:43I saw it very well the first time I saw it.
30:55I have something to tell you.
30:57Okay.
31:01Promise you won't be angry.
31:02I've got something to tell you.
31:03Promise.
31:05You can't promise, Dad.
31:09I'm pregnant.
31:19I...
31:26Please...
31:27Say something.
31:37Visit my mother.
31:39What?
31:40You've always wondered what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother?
31:50In that city?
31:52Well, it's gonna get me to her.
31:55What?
31:59Since you are carrying our child now, I need you to know...
32:05exactly what I do.
32:08what I really am.
32:39What are you doing?
32:44What is it doing?
32:51What are you doing?
33:00Pull up coffee?
33:03Do you want to try something better?
33:05Yes, thank you. I don't know.
33:09There's nothing to do with it.
33:12No, it's all about life.
33:23This is a real coffee. It's much better than a pool of coffee.
33:30This is what we're doing at home.
33:41I can't wait to listen to him.
33:46What?
33:47We're not together.
33:50I can't wait to listen to him.
33:54He's missing him if he's missing him.
34:00If we want, we want to listen to him.
34:07Ari, I like to see on you.
34:13I like to see on me.
34:22I like to see on you.
34:26I can't.
34:30I don't know what it is.
34:32I don't know what it is.
34:35I don't know what it is.
34:36Ah, it's awesome.
34:41It's great.
34:43It's great.
34:52It's great.
34:56It's so cool.
35:01It's full of dags.
35:07I'm going to ask if I can go to the theater.
35:18Sorry, I'll just...
35:21You have a new message.
35:23It's time 19.45.
35:27No.
35:30No.
35:30It was nothing.
35:45Hey.
35:50Hey.
35:53How did you find me?
35:56I'm in the room.
36:00What are you doing here?
36:03What are you doing here?
36:16What are you doing here?
36:21What are you doing here?
36:26What are you doing here?
36:32What are you doing here?
36:36What are you doing here?
36:40Here's the girl here.
36:42What are you doing here?
36:46And at the same time, he's very dangerous for me and you.
36:59Okay.
37:04Det jeg prøver å si er at...
37:11Hun damme der har ødelagt mer i livet mitt enn noe annet.
37:16Nå har du hils på.
37:20Du kan da den ligge nå.
37:23Du kan stoppe der, okay?
37:25Det var hvis jeg også ikke klarer å stoppe.
37:33Hvis du ikke dekker igjen, skal ikke jeg...
37:55Hvis du og mamma blir sammen igjen, vil jeg aldri drikke igjen.
38:18Jeg har ikke satt opp mikrofonen.
38:20Det trenger ikke lyd, vi bør bare se gjennom.
38:23Jeg har heller ikke noen signal, så jeg har ikke fått satt opp noen kamera i den heisen.
38:31Virusgjesten har fått beskjed om at de skal låse og holde oss inn mellom 4 og 6.
38:34Ja.
38:36Ser du bra?
38:37Ja, ja. Vi kommer til å være mange timer før fem.
38:4024 personer i alt.
38:41MP3, gassmaske, tår og gass, klarer å aksjonere på signal fra bussen.
38:45Du får dem når jeg knakker på, eller forsøker å ta seg inn gjerne blekker.
38:50Nå får vi bare vente til at klokken blir fem.
38:57Du, angående i morgen, passer det med å hente klokka seks?
39:01Det går fint.
39:03Men hva skulle du ha på deg?
39:05Nei, jeg tenkte noen dress.
39:07Den ble vel den jeg kjøpte i Hegdasveien til 17. mai, da den er mørke.
39:11Ja, det er den eneste dressen du har, det.
39:13Ja, da blir det jo definitivt den, da.
39:15Ja.
39:18Men du, jeg ...
39:23Ja?
39:25Jeg sa egentlig bare ja fordi at jeg ...
39:30Jeg tenkte at det var en bra anledning til å ...
39:34Eller ...
39:35Det er noe jeg må fortelle deg.
39:38Ok.
39:41Ja.
39:42Men vi tar det når vi sees.
39:46Ja. Ha det.
39:49Ja.
39:53Ja.
39:53Ja.
39:53Ja.
39:53Ja.
40:09The police have placed the police in the house.
40:12It's just the living room that has gone.
40:14It's a 303.
40:16She's a snubber, but she's in the door.
40:19All the other people are ready.
40:23All the other people are ready.
40:26Then it's about tea.
40:28Do you like tea?
40:29Yes, I love tea.
40:31Fint.
40:48What happened when your son was little?
40:51He grew up together with me.
40:57I got married when I was 15.
41:01Yes, that was a scandal.
41:05My son had to send him back.
41:08But...
41:10How was it for you?
41:12You were so young and...
41:16You just sent out your son and...
41:20They gave me a choice.
41:22As they said, but you always have a choice.
41:25I was confused.
41:28I know what he knows.
41:33What does he do today?
41:35He works for import.
41:37Yes.
41:38He said he imports from Europe.
41:42It's fine.
41:44It's fine.
41:45It's not always true.
41:46I think you'll find it in your archives.
41:49It's fine.
41:53It's fine.
41:54It's fine.
41:54I hope it's fine.
41:56He says so much about himself.
41:59But I think he found a friend like a friend.
42:02He said he had a new one.
42:04He didn't want to say anything before he came home.
42:06He came home?
42:08Yes, he came home at night.
42:09Or he went to a meeting first.
42:11And then he went to the town in the morning.
42:13And then he went back.
42:15To?
42:15To Prague.
42:39It's been a while.
42:41You look like a friend.
42:42I don't know where to come from.
42:45Do you think he's already here?
42:50Did you see the kill in 303 from there?
42:53No.
42:58Let's check 303.
42:59I don't think there's a risk.
43:01No.
43:05Alpha to Charlie 2. Come in. Over.
43:07Charlie 2.
43:08Are you ready?
43:09I'm ready.
43:09I'm ready.
43:11I'm ready.
43:27I'm ready!
43:36I'm ready!
43:37I'm ready!
43:40303, klarert.
43:42One girl and one girl.
43:43Begge ubevepnet, nakne og veldig i livet.
43:47Fuck!
43:49Bare få på de klær.
43:51Ta den tilbake til posisjonen.
43:52Charlie 2.
43:57Nå er det der.
43:59Den som gikk inn engangstede har gikk rett inn i heisen.
44:01Alpha til alle enigheter.
44:02Mulig objekt går inn i heisen.
44:03Stand by.
44:36Mulig objekt, kom inn i sektor til Bravo 2.
44:51Mulig objekt, stikke hånda i lomma. Mulig våpen, ser ikke hånda.
44:54God gamme.
45:05Get the party!
45:07Stå i råd!
45:09Get the hendring!
45:11Lekke med dem der!
45:14I don't have anything in my hand.
45:15It's just a second.
45:27It's not him.
45:29What's that?
45:31205 is one of those we didn't contact with.
45:35On this list, he's called Odd Einar Lillebostad.
45:38I'm sorry, but Odd Einar Lillebostad is coming back.
45:44Are you ready?
45:47Are you ready?
46:03It's nice when Martin is coming.
46:05Are you ready?
46:06Yes.
46:08I think it's a bit empty here.
46:11Yes, but when Martin is here so often,
46:14I'm going to talk to him.
46:16But he's been here for the last few weeks?
46:19Yes, one week or four weeks.
46:22No, it's actually often.
46:24Every 5th day he's been here.
46:26The last time he's been here,
46:28he's been here for me.
46:29It's almost like we talk about the stone in this special way.
46:35Hey!
46:36It's an important event.
46:37I'm having been here with Georg, with a guy I met.
46:41We are going to live with his parents,
46:44in a little village town
46:45called Hassan
46:46We've got bad phone-and-and-net.
46:49I'm going to contact you once I come home.
46:52Just go.
47:40Let me go on, like I blister in the sun, let me go on.
47:49Big hands, I know you're the one.
47:53Body and feet, I stain my sheets, I don't even know why.
47:58My girlfriend, she's at the end, she is starting to cry.
48:03Let me go on, like I blister in the sun, let me go on.
48:10Big hands, I know you're the one.
48:23Big hands, I know you're the one.
48:34When I'm out walking, I strut my stuff and I'm so strung out.
48:38I'm high as a kite, I just might stop to check you out.
48:44When I'm out walking, I strut my stuff and I'm so strung out.
48:49I'm high as a kite, I just might stop to check you out.
48:54Body and feet, I stain my sheets, I don't even know why.
48:59My girlfriend, she's at the end, she is starting to cry.
49:04When I'm out walking, I strut my stuff and I'm so strung out.
49:30It's a second.
49:52But it's not the second.
49:53It is I stop, like.
49:59The kids and the kids have구�cals...
49:59...and I'm so starting to cry, we start up looking for it.
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