- 13 minutes ago
Bos ili Hadžija (2026) - Epizoda 23 - Domaća serija
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TVTranscript
00:09Oh
00:30Life is, brothers, old bandit,
00:32the time when it starts, everything is destroyed.
00:35And you don't want to break yourself,
00:38be alive, don't want to sing.
00:41Fire the engine to gas,
00:44the moments are wonderful everywhere around us.
00:49This life is not something,
00:52or you're a fan or you're a boss,
00:54svega će biti samo neće nas.
01:00To je život, to nije štos,
01:03ili si hađija, ili si boss,
01:06svega će biti samo neće nas.
01:09A-a-a, a-a, a-a-a-a-a-a-a-a-a-a-a-a!
01:21Se opcije, leže na stolu,
01:24snaži se, znaš parolu.
01:27Parola je, poznata oko,
01:30cilje visoko, upriže stoko!
01:33There is a place where you are all over the world.
01:42You are a place where you are, or you are a boss.
01:47You are a place where you are, you are a place where you are.
02:00in the near future of educational institutions and religious objects.
02:04That's right, it's a sense.
02:06Good morning.
02:07Good morning.
02:08Can you copy me?
02:10Yes, I can.
02:11A couple of examples.
02:13A couple of examples.
02:14Good morning.
02:15Good morning.
02:21No, I don't tell you what it's a sense to you.
02:26What's wrong, Murga?
02:28What's wrong, Murga?
02:29What's wrong, Murga?
02:30What's wrong, Murga?
02:32Religion and religion are the same things.
02:34This is the same, Murga.
02:36What are you talking about, Mother?
02:38What are you talking about?
02:40Dear God, I'm with you.
02:43This is my religion, Murga.
02:44How many people have in the world
02:47with only one confidence
02:49that is not accurate,
02:52you can't do it.
02:53You don't have zero points, full points.
02:55You've played in red,
02:57and it's gone in red.
02:58You know what I'm doing?
03:00I'm not doing these things,
03:01but I'm not sure what I'm doing.
03:04I don't have to pay for education.
03:05I don't have to pay for education.
03:05Education is a very simple thing.
03:09You decide to be educated.
03:12I'm going to buy a diploma.
03:15I'll have to pay for the diploma.
03:15But I will buy a diploma.
03:18I don't have to pay for that.
03:19What do you do?
03:20I am an architect,
03:22I'll be doing some technology,
03:23and he will say that
03:24Boyan, my architect,
03:27I believe you.
03:28And he's the architect,
03:30he's the architect,
03:31he's the architect,
03:32he's the architect,
03:33he's the architect.
03:34And he says,
03:35I do,
03:37I will give you a diploma
03:38so that I will be a architect.
03:39You have a diploma.
03:40We are blessed,
03:41you are doing that,
03:42thank you!
03:43Yeah, I'm now there. You're in the world, my architect is on the map.
03:50What? What happened? The owners are the owners.
03:53The owners are the owners who have money. The owners are the owners who work.
03:59The owners are the owners.
04:00The moral of the story is that you think something is safe,
04:05but it's not safe. The owners are the owners.
04:10I'm sure that you need to print and copy your seminars and sociology and philosophy.
04:17But what do you think?
04:20No, no.
04:21No, no.
04:22A man, when he wants to crack, he'll be at the end of the world.
04:25Right?
04:26Exactly.
04:27As our nation says, it's a challenge.
04:31If you want to say that when people don't see the crack,
04:34they don't want to crack.
04:35That's right.
04:36I don't want to say that, brothers. They would do something else.
04:39They would do something else.
04:43They would do something else.
04:43They would do something else.
04:44Because people are very clear in their own behavior.
04:48Especially with yourself.
04:49So if you put them in the book, they'll read more?
04:54Yes.
04:55If they do nothing, they'll read more than a large or less.
05:00But they'll say 100% guaranteed.
05:02But they'll be garantised.
05:07Because they'll answer the question.
05:10You can't say it.
05:12Sorry, my turn on a little bit.
05:13Sorry, we'll be talking a little later.
05:15Now, let's go.
05:17Let's go.
05:17Oh, hello.
05:18I'm trying to wait for a moment.
05:18Just a moment.
05:18Just a moment.
05:21Here we go.
05:24Sorry.
05:25Sorry, my turn on a little bit.
05:27I think we didn't have anything to do.
05:28You don't have anything to do.
05:31It was very interesting to listen to how much heat is going to be so complex.
05:36Then I'm happy.
05:39It's the easiest to do it, but you need to do something.
05:43Here you go.
05:45And it's not the job of a girl, so let's go.
05:48I heard that I like the wonderful things.
05:50I'm going to serve one another.
05:51I'm happy.
05:53Please, I'm happy.
05:54I'm happy.
05:56Here you have all the results of the investigation.
06:00The geologics of gold have been there for thousands of years.
06:04The Austrians have done an analysis
06:05and decided to get out of the hole in the hole,
06:09although there was more of the percentage of gold in this location.
06:14Then you need to take the time to get the answer before.
06:17As I've already said to my friend,
06:19that I'm 10 years old, even younger.
06:22I would have done the investigation.
06:24There are millions in the question.
06:27Unfortunately, I'm old, I don't have the strength,
06:29but I have enough money.
06:33I have enough money.
06:36I'm going to talk to you.
06:37Just tell me, Rustamen.
06:39Let me just copy these two examples.
06:42I'm just a little dark.
06:43Oh, I'm sorry.
06:44I'm sorry, I'm sorry.
06:46It's really interesting to me.
06:47I've bought my own land.
06:49It was a pretty traumatic experience.
06:52It's not just a land, it's gold.
06:55It's gold.
06:56It's beautiful.
07:01It's gold.
07:01Tell me, if I heard it correctly, you're gold.
07:06Of course, gold.
07:08Oh, it's gold.
07:09More gold.
07:10A land is too rich to resources.
07:12When you find something, it's something there.
07:14Let's go.
07:19I'm sorry if I'm going to stop.
07:22If we're finished here, I'm going to get some documents
07:25to make it finalized.
07:28Let's go.
07:29Let's wait for 25 million dollars.
07:31It's time for money.
07:32In this case, it's time for gold.
07:33Let's go.
07:36Let's go.
07:37Let's go.
07:39How did I get it?
07:40Two marks, please.
07:45Let's go.
07:47Let's go.
07:47I'm sorry.
07:48I'm sorry.
07:48I don't have a door.
07:49There's no connection.
07:51Let's go.
07:54Thank you, Chef.
07:55If I can ask you something...
07:59Of course.
07:59We're here.
08:00Do you have any land to buy?
08:05My location is the last one.
08:07I've already agreed with the client.
08:10Let's go.
08:14Good Job.
08:18Good Job.
08:21Good Job.
08:21Good Job.
08:28Good Job.
08:31Good Job.
08:33Wait, look at this.
08:38Look at this, Buraz.
08:40In 1996, in the underground area,
08:52there were a large amount of gold gold
08:58that were located in the height of 8 meters.
09:01Look at this.
09:06You know how many gold gold gold?
09:09100,000 gold gold gold.
09:11He would pay for it.
09:13I asked him 25.
09:17God, I had the opportunity to give him 30.
09:20He would be happy.
09:22He was already told.
09:25I didn't have the opportunity to give him his number.
09:29What?
09:30Why don't you invite him?
09:31How do I invite him to invite him?
09:34I don't know where he is now.
09:36You call him his number.
09:38Are you crazy?
09:40How do you call him when I don't have his number?
09:43You don't have his number, but you have a bag.
09:45What a bag?
09:46You have a bag that has his number.
09:48What?
09:49You know him?
09:49You have a number, right?
09:51Yes, my mother.
09:52I'm going to lie with you.
09:53I'm going to lie with you.
09:53I'm not afraid of Freda.
09:56Buraz.
09:57Really?
09:58You have a photographic memory.
10:00What the hell.
10:03You know what he needs to know.
10:05I'm going to say that you have a little more problem.
10:09What?
10:10What?
10:12First of all, you have 30 million dollars.
10:14But what?
10:14And the other thing...
10:16You've done a lot with a bug,
10:18and we're going to continue.
10:20Yes, yes, yes.
10:22You're right,
10:24but you don't have such a chance
10:27to let the people go...
10:29God...
10:30What did you say?
10:32What did you say?
10:34It's a fight.
10:36You're right.
10:37Let's pray.
10:39From a man?
10:46On the other hand,
10:48there's a young family
10:49who wants to sleep
10:51and play and play.
10:53On the other hand,
10:54there's a profiter
10:55who will only use this land
10:56so they can do it more.
11:00I'm going to do it very well.
11:03I'm going to do it very well.
11:04I'm going to give you an idea.
11:06I'm ready, Mr. Rustem,
11:09to give me more than it is on the market.
11:12I'm going to do it very well.
11:14I'm going to do it for a long time.
11:16I just feel the situation
11:18where something needs to be done.
11:20This is a classic example.
11:22That's the situation.
11:23If I could have been a little bit
11:26for you...
11:28I'm going to do it.
11:34I'm going to do it very well.
11:36I'm going to do it.
11:37and get rid of it.
11:40Yea.
11:40And so, I have to be head-to-to,
11:44but I have to do it in the future.
11:46I can't get rid of it.
11:48I'm going to do it.
11:51I don't want you to be at the end of it.
11:55You have to get rid of it.
12:04I thank you. I thank you. I thank you and the sun that has lighted this way to get to
12:12my copy.
12:13Hear, friend. Good to see you.
12:16Tell me, do I want to tell you the term?
12:22Until I didn't think about it.
12:23Can I?
12:25Mr. Rustem, thank you. We'll see you soon.
12:29I hope. It was a pleasure.
12:31Yes, God.
12:32God, God, God.
12:37You're a master of trouble, man.
12:41What did you do? What did you do?
12:45You're a master of trouble.
12:47You're a master of trouble.
12:50You're just a master of trouble.
12:51You're a master of trouble.
12:53Now you're all with the problem.
13:04Let me hear you.
13:05Who is this Fraj?
13:07I've heard you know the truth.
13:09Don't worry about it.
13:10Don't worry about it.
13:10The Fraj is a serious man from Zagreb.
13:13It's all for you to know.
13:14Wait, Fraj.
13:15I don't know the Fraj's name.
13:17Yes, yes, yes.
13:18What is it?
13:20He's a goldfish.
13:24Don't worry.
13:26What will I do?
13:28What is it?
13:35What is it?
13:39What is it?
13:39It's not that Fraj, she's a goldfish.
13:40Even the Fraj's name,
13:41I will be a bad boy in the background.
13:43All right.
13:45Let's move on,
13:48when I'm going to finish this job,
13:50I've made my penarge
13:51and opened around the BTW.
13:54Come on, I'm going to show you flat.
13:58Do you need two packets?
13:59I need two packets. I open another big copy in the center of Travnik.
14:04It's written back.
14:06I'm not a man.
14:08You're out of Travnik, but that Travnik doesn't want to go from you.
14:11Why don't you copy in Travnik?
14:12Not every day you go there.
14:14You're crazy.
14:15Not every day you go there.
14:17You don't want to go there.
14:19You can see how they work.
14:20People will come from Travnik.
14:22The only thing to do is to make it a good car.
14:28I don't want to drive the whole life.
14:31A little bit, a little bit.
14:33You can see how the old car is going for you.
14:38God, I don't want to go there.
14:40Wait, what car is it?
14:42No, no, no.
14:45I've made a correct order.
14:47Two packets in Sarajevo.
14:49Auto is a copy in Travnik.
14:53I don't want to go there.
14:55Wait, wait.
14:56I'll explain to you.
14:58Why auto is a copy in Travnik?
15:01Because of the idea of the idea.
15:03You think you think that the car will not start to go there?
15:06You know what I'm doing?
15:09You know what I'm doing?
15:11You know what I'm doing?
15:12You know what I'm doing?
15:13You're doing something else.
15:15You're doing something else.
15:16I'm doing something else.
15:19No, you don't want me to die.
15:21I'm going to talk a little bit.
15:24You know what I'm doing.
15:24I'm going to go a little bit.
15:25You keep making videos and clips.
15:27You know what I'm doing.
15:29You need something to do.
15:31You're doing something.
15:32You're doing something else.
15:33You're doing something else.
15:34You're doing something else.
15:35Let's see.
15:36I'm waiting for you.
15:37I don't know what to do.
16:07I don't know what to do, brother, but he'll be able to buy it.
16:09That's not an ordinary man. He's very sentimental.
16:13But he doesn't give it to me every day.
16:15It's a old school.
16:17I'll just be able to pay my money to pay,
16:20and then I'll give you the money.
16:22I'll give you the money.
16:23I'll give you the money.
16:24I'll give you the money.
16:25I'll give you the money.
16:26I'll give you the money.
16:28What's that?
16:29What's the money?
16:30What's the money?
16:32I sent you to ZK on the phone.
16:34What's that?
16:35That's it, ZK.
16:36Look at her and ask her.
16:38Let's ask her.
16:40Let's go.
16:41Let's go.
16:42Let's go.
16:43Let's go.
16:43Let's go.
16:47Let's go.
16:48Hello, Mila.
16:50I'm...
16:51I'm fine.
16:52I'm going to tell you something.
16:53Let's go.
16:54Let's go.
16:54Let's go.
16:54Let's go.
16:55Let's go.
16:56What?
17:02Let's go.
17:02Let's go.
17:03Let's go.
17:04Let's go.
17:04Let's go.
17:05Let's go.
17:06Let's go.
17:07Let's go.
17:07Let's go.
17:07Let's go.
17:08Okay.
17:10Okay.
17:16Let's go.
17:18Let's go.
17:18What's he saying?
17:20He said, just like a lie.
17:22That's it, Elena.
17:24We can't do this.
17:26We can't do this.
17:27We can't do this.
17:28We can't do this.
17:28What do you say?
17:31I'm saying, let's go.
17:32Let's go.
17:34Let's go.
17:34This is the second choice in life.
17:36This is the best choice in life.
17:36Yes, but who is the first choice?
17:38Yes, maybe you.
17:39Yes, yes.
17:41Yes.
17:44Yes.
18:02Let's go.
18:05Let's go.
18:07Let's go.
18:08Let's go.
18:10Let's go.
18:17Let's go.
18:18Let's go.
18:18Now we're running long story.
18:19Then, let's go to the other side.
18:19We're coming to the other side.
18:22We're running.
18:24We're running back.
18:26I promise.
18:28Let's go.
18:30I'm on a train three meters.
18:31Now when we're running,
18:33we're going to take a ride.
18:35We're running back and running up.
18:36We're running back to that.
18:37Agile.
18:38Go.
18:39Let's go.
18:39I don't believe it.
18:41But I believe it.
18:42Now, when he was standing with the car, he went out and was hurt.
18:46He couldn't believe what happened.
18:47Is he going to get on the bike or not?
18:50What the bike?
18:51What the bike?
18:52Are you going to get on the bike, Haver?
18:56Where am I standing now?
18:58Haver, just slow.
19:01He went out and was hurt and was hurt.
19:03Yes, yes, yes.
19:04Now, when he went out and was hurt and was hurt, you know?
19:07I went to the altar and was hurt.
19:10Okay.
19:10Well, here he is.
19:12He was white.
19:13Nothing.
19:14I'm going to let the door to go and buried him in the middle of the house.
19:19He was hurt.
19:22He's hurt.
19:24What did he say?
19:25What was he saying?
19:25The door, the door, the door.
19:27I'm going to get on the roof.
19:29I'm going to get on the front, the front, the door.
19:33I can't wait for the light.
19:35I'm proud of you, my master.
19:37You know, Buras, until that moment,
19:39you were able to sue him,
19:41and from that moment, you were able to sue him.
19:43What?
19:447,000 euros.
19:46What?
19:46Well, he's going to say that he's old Mutetov
19:50who left Mutetov when he was young.
19:53What?
19:53What?
19:54What?
19:54What?
19:54What?
19:54What?
19:55What?
19:55What?
19:56What?
19:57How did he know that?
19:59He's known that Mutetov,
20:01because he had his image,
20:02and the old man was looking for years,
20:04but Mutetov's old man didn't give up to him before.
20:08What?
20:10What?
20:11What?
20:12What?
20:13What's wrong?
20:17What's wrong?
20:18What's wrong?
20:18We're going to get to the old man,
20:19and we're going to call the old man,
20:20and we're going to call him.
20:20When?
20:22You're going to get to the old man,
20:24and we're going to call him.
20:26What?
20:26What?
20:27What?
20:27What?
20:27What?
20:29What?
20:30What?
20:31What?
20:33What?
20:38What?
20:40What?
20:42What's wrong?
20:43Do you know what I'm talking about?
20:47That we went to Pješačkog.
20:50He didn't even know the old man.
20:52Yeah, yeah, yeah, yeah.
20:55So, to be honest with us,
20:58we wouldn't go to Pješačkog.
21:01We didn't go to Pješačkog.
21:02Do you think I'm going to go to Pješačkog?
21:04I'm not twice.
21:06I'm not too small.
21:07I'll tell you.
21:08Let's go.
21:09I'll show you.
21:16Hey, Bani.
21:17What's up, Lutko?
21:19Take me one Vlahov.
21:21What's up?
21:22What's up to Pješačkog?
21:24You don't have to Pješačkog.
21:26You don't have to up to Pješačkog.
21:31This is your natural dopamine.
21:34What's up to Pješačkog?
21:35I'm not too small.
21:36He came up to Pješačkog.
21:38He said he didn't see him for 100 years.
21:40He said he had to be a man.
21:42He's a man who has 10 years old.
21:44What's up to Pješačkog?
22:01What's up to Pješačkog?
22:03What's up to Pješačkog?
22:14Okay, let's go.
22:15Let's go.
22:16Let's go.
22:16Let's go.
22:17Let's go.
22:17Let's go.
22:18Let's go.
22:19Let's go.
22:21Let's go.
22:21Let's go.
22:22Let's go.
22:32Let's go.
22:34Let's go.
22:39Let's go.
22:43Let's go.
23:12Let's go.
23:15Let's go.
23:24Let's go.
23:27Let's go.
23:29Let's go.
23:30Look out, Guraz,
23:32you better be a bit of a品 color.
23:37But please the baby is saying it's a gibberish
23:41and he's fitting.
23:41Come on.
23:42Keep your tempered,
23:45I hear sh vosotros even kind ofistäning,
23:51this was all good.
23:54Let's go.
23:55I'll niveau.
24:02Rustem, Rustem, Rustem, Rustem, Rustem.
24:04What is that? I don't know.
24:06The goal is to remember something.
24:08What is it?
24:18Rustem, Rustem, Rustem.
24:19What kind of prison?
24:20I'm not in prison.
24:22Rustem, Rustem, Rustem.
24:24Rustem is a criminal.
24:31Hey, wait a minute.
24:35Oh, my God.
24:36Oh, my God.
24:44Inspektore, fuck it.
24:45I need to check me out of some type.
24:50Lord, that's it.
24:53That's it.
24:57Let's check the amount of money.
25:00Mr. Morize, I'm sure I'm sure.
25:03Let's check the amount of money.
25:06Let's check the amount of money.
25:08Let's check the amount of money.
25:12Mr. Morize, we've got 28.000.
25:16I told you that you won't work for a long time.
25:19You are very talented.
25:21Listen, it's a big business.
25:24I would like to go to the beach and to the beach.
25:26I'm not sure how to do it.
25:28I have a very important response.
25:30All right.
25:30You'll be a chance for a couple of friends.
25:33You know the location.
25:35The location is your location.
25:37The location is your location.
25:37I ask you to wait for a few days before you call the agency for the invitation.
25:45Just so that we don't have a heart in the house.
25:47I understand.
25:48All right.
25:49But you know, there's no sentimentality in the job.
25:52I didn't do that.
25:53I didn't do that.
25:56Look, look.
25:58There are the stars.
26:00What?
26:02Where are you?
26:03I'm the one.
26:04What?
26:04Where are you?
26:05Where do you make it?
26:05There's nolight.
26:09Nothing legal.
26:11Yeah, well, it wasn't legal.
26:12My son's wife is not legal.
26:13He's the one.
26:15I don't know, but...
26:16He's the one, my old man.
26:19He is the name Rusem.
26:20He's called Rust.
26:22He's the one.
26:23We've seen him so long.
26:24Everything is not good.
26:26All right.
26:26You're not able to get rid of the criminal.
26:29Let's go, Mr. Djozić.
26:30Osman, this is a circus. You know I'll go out before we get to the police.
26:34Don't want to, let's go together.
26:49Murkaba, talk to Arane, is it going to go to Osman?
26:53He's going to go and let him go.
26:54What did he let him go? How did he let him go?
26:57I'll give him a man to his country without a force.
27:00Why did he let him go?
27:02He told me to let him go and throw a story with gold.
27:05Stop it, brother!
27:06Who did he let me let me let him?
27:10The final letter was 128.000.
27:12I said, I'll go to the coffee.
27:16I'll go to the coffee.
27:18I'll go to the coffee.
27:22I'll go to the coffee.
27:28Why did he let me let him go?
27:31Why did you let him go to the coffee?
27:36How did he let me get in the coffee?
27:40I'll go to the coffee.
27:43I said that I would never want to see my life in my life.
27:53Hey, guys.
27:55Good morning, Murga.
27:57What is it?
27:59Is it someone who took you again?
28:01What was it?
28:03What was it?
28:03What was it?
28:04What was it?
28:05I'm sorry.
28:07I'm sorry.
28:07I'm sorry.
28:08I'm sorry.
28:10I'm sorry.
28:12I'm sorry.
28:13I'm sorry.
28:14I'm sorry.
28:14I'm sorry.
28:15I'm sorry.
28:15My brother, that's sad.
28:16He's taken a little bit.
28:18I'm sorry.
28:19What will you do, Murga?
28:21I'm not the first nor the last one.
28:23I'm sorry.
28:24What is this world from the barrens?
28:26I'm sorry.
28:27I'm sorry.
28:29We've never seen it for 100 years.
28:31We had to start with the desert.
28:34I said to me,
28:35I said that this is what it is.
28:37And it was never easier for me than now.
28:41I don't know how to say it. They are like a peltzer.
28:43I don't know if I'm sorry, but from the beginning I got something to do.
28:48First, it's a completely false zagrebaic accent.
28:53Second, it's a old actor. Nothing.
28:56And third, you know, it's like something he forgot and turned around.
29:01Wait, the zagrebaic accent is so high.
29:07Elegant.
29:07Yes, is it.
29:09Yes, yes, yes.
29:10I'm talking about it.
29:12I want to call him some money.
29:15No, nothing. He's already there.
29:20I have land in the suburbs.
29:25And you can sell it in the suburbs?
29:27Yes, but the Jelenin is not mine.
29:31And the other people, when he sells this land,
29:36give him five million dollars,
29:38and he won't be able to sell it.
29:39You can see it.
29:41You can see it.
29:42And everything is better and better.
30:07You can see it.
30:10You can see it.
30:10You can see it.
30:35You can see it.
30:37You can see it.
30:43You can see it.
30:57You can see it.
31:00You can see it.
31:26You can see it.
31:28You can see it.
31:29You can see it.
31:31You can see it.
31:33You can see it.
31:36You can see it.
31:37You can see it.
31:37You can see it.
31:37You can see it.
31:37You can see it.
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