- 8 hours ago
Gone - Season 1 - Episode 05
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00:03this is a safe place what do you mean safe just what your mum used to call it it's all
00:08over socials
00:09that you killed her it's all your fault and it's literally all being taken out on me what are you
00:13gonna do get your dad to kill me probably get his dad shaggy alana hasn't gone to her grandparents
00:19to help them she's gone to get away from me sarah's death is my fault the 24th 25th and the
00:2526th can
00:26anyone explain where michael was alana i don't know i saw polly in a fight with one of the boys
00:32fight is in handbags like grabbing and shoving this wasn't just handbags as you call it it was
00:36violent abuse craig listen to me do not come here i am at work please is that him i can't
00:43speak to
00:43him now he just gets so bloody angry angry do yourself a favor and go back inside take your
00:48hands off me is that what you want craig please stop no one's saying he did it that's not what
00:55i said
00:56but they're asking questions i'll solve questions past behavior rory said he saw him in some kind
01:03of fight on the rugby pitch i'm just telling you what i heard alana let's get your stuff and come
01:11stay
01:11with me
01:12with me
01:25dad
01:26dad
01:27rory
01:28wait
01:28get inside the house get him inside the house
01:31dad dad it's all right it's all right calm down
01:35don't
01:36ah
01:38ridiculous
01:42the guy has done nothing wrong
01:44ah
01:46you should be arresting him not me
01:49charlie x-ray 356 can i get an etl net backup please
01:52what the hell was that you had your hand around his neck michael people are gonna think you were trying
01:57to strangle him
01:58see you
02:03nice
02:03no
02:03no
02:05no
02:08no
02:10no
02:10no
02:33There are a few conflicting accounts of what happened here.
02:37What's conflicting about them?
02:38Well, D.I. Stanhope says that he came to see you, something about your Tina Bradley review.
02:44I actually asked him not to come.
02:46Andy, Mutch, who's the sergeant on duty at the house, said it looked personal.
02:51Not something I'm particularly comfortable about, Annie, given your past relationship
02:55and given you were meant to be working.
02:56That's exactly right.
02:57And that Michael Polley came out of the house and tried to assault him.
03:01That's not quite what happened.
03:02He was forced to restrain Michael.
03:04Yes.
03:05There's also the fact that Michael Polley took D.I. Stanhope by the neck.
03:09It was more fending him off.
03:10Sorry, who was fending who off?
03:12Michael was fending off Craig, D.I. Stanhope.
03:14So he didn't put his hand around his neck.
03:20It's obviously relevant, Annie.
03:22Yes.
03:22Given how Sarah died.
03:24It wasn't like that, Aidan.
03:25Michael Polley is our prime suspect in the murder of his wife.
03:30We've spoken to D.I. Stanhope and he's decided not to press charges.
03:34But, Annie, if an incident such as this occurs during your time as a family liaison officer,
03:40we need to remove you from that role.
03:44You're going to remove me from the role? Why? What did I do?
03:47It's standard practice. You need to step back.
03:50You've compromised your position.
03:52I thought you didn't want to be a fellow.
03:54I didn't.
03:55But he started talking.
03:57Men like that find it hard to talk at the best of times, but he started opening up to me.
04:01You need me in there.
04:02I even recorded some of it, our conversations.
04:04Well, you shouldn't have.
04:04I'll play them for you now.
04:07I know he's not alibi, but I don't think he's done it.
04:10Not by the way he's talking.
04:11Let's come back to this later.
04:12No, let's come back to this now, okay?
04:14I'm the only one he'll speak to.
04:17I want this bloody thing open now, typical.
04:19Annie, we're not removing you from the case.
04:21There are still actions to be carried out from here.
04:23I don't want to work here.
04:25Annie, you will do as you're told.
04:49Annie.
04:51What was your ex doing there?
04:53Craig?
04:58Was that who sent you the flowers?
05:02You said to scream at you if you ever went back.
05:06Why didn't you tell me?
05:11Danny
05:17They want me to stop and say I fell low because it will happen
05:22Just as he started to talk they'd take him away from me
05:38You have no choice
05:41You need to tell the police about the diary
05:45Your mum was scared, that's what she wrote
05:48What if the victim wasn't your mum and the man you were suspicious of wasn't your dad
05:52Would you go to the police then?
05:56So the only thing stopping you from telling the police is the fact that it's your dad
06:01That is a thing Paul
06:03Obviously you love your dad but not to the point of letting him get away with hurting your mum
06:12Miranda
06:13At the very least let the police work it in
06:20I don't know what it's about
06:22She just said she wanted to see us after school
06:33Everyone's very excited about the last game of the season
06:36And nobody's trying to look past the events of the past few weeks
06:39No, absolutely not
06:40The things that must have been happening at home
06:42But we need to discuss Dylan's academic work
06:46In English and Biology he's just about on course but his history is
06:51Well, we're not where we need to be
06:54We'd like Dylan to take a test to assess his progress
06:58On Monday after school, that's what three days from now
07:01Push him to make an improvement in his essay writing
07:03Otherwise
07:04Otherwise we're not sure about the rugby
07:07About him playing in the match
07:09We all want him to play
07:11But he's way behind in terms of his grasp of the current module
07:17Rugby is Dylan's best thing
07:19It's how he burns off energy
07:21It's how he expresses himself
07:22Why would you do that?
07:23It's an incentive
07:24No, it's just cruel
07:27Mrs. Sedgwick
07:27If Dylan doesn't improve
07:29He'll fall behind in terms of his predicted grades
07:32University choices
07:33This is for him
07:36I've spoken to Mr. Whitchurch
07:38And he agrees
07:39And Mr. Polly?
07:41Mr. Polly is currently suspended from the school
08:10Also, how could he make a weren't for
08:14Hello, you've reached Alana Polly's phone. Please leave a message and I'll get back to you.
08:39DI Stanhope doesn't wish to press charges.
08:42The incident with Simone and Michael outside when you accosted him.
08:46I accosted him? Is that how you're choosing to remember it now, yeah?
08:49Either way, it's not so relevant now, as he doesn't want to press charges.
08:53You should also note DS Cassidy will no longer be your FLO.
08:56DC Hammond will remain in place and we'll find someone to replace Annie.
09:00Who?
09:01That's all to be worked out.
09:02And what if I don't want this person? If it's not Annie, I don't want anyone.
09:06In fact, I don't want anyone here.
09:07I'm still going to update you whenever there's a development.
09:11You can show yourselves that.
09:14The Acc parasite...
09:15I don't want anyone here.
09:24If there's something personal.
09:27I want to cook for 12.
09:27I want to wait for a few more people.
09:27Only cause people have left.
09:28I love for the Mario…
09:28What were you doing?
09:28In other words there's no better conversation with them.
09:29You.
09:29I love shouts.
09:30I'm sorry.
09:30Oh, bah.
09:32Yeah.
09:37I har.
09:38No.
09:42I hated my current라고 often.
10:04I just wanted to check on you.
10:08I'm worried I got a bit heavy.
10:10I just didn't like the way you came charging out of that house.
10:12I told you not to come.
10:14I said I couldn't talk.
10:15I know.
10:15Thanks to you, I'm no longer a fellow.
10:17I know.
10:18And nobody was charging anywhere, Craig.
10:21Look, I'm sorry if I misread it.
10:23I just didn't want him to hurt you.
10:24Would you listen, please?
10:26I don't want us to mess this up.
10:29And we won't.
10:32Annie.
10:36Annie.
10:39I promise you...
10:42You made promises before.
10:49Please.
10:51Oh, please just let me book the table again and pretend like the day never happened.
11:05Why didn't you just come over and I'll burn you that lasagna like I always used to?
11:11You'd do that for me?
11:12I'd do that for you.
11:40I'd do that for you.
11:41I don't know.
12:16Alfie Lamont, strangled a woman in Lee Woods in 2008.
12:20Here's a history of attacking women.
12:22One of them was a jogger.
12:23Yeah, Annie.
12:24Come on, let me just finish.
12:25Another was a walker.
12:26Sarah Polly was a walker.
12:27And then he was released from prison in 2021.
12:31And now...
12:32We tried that.
12:33He lives in Abbotsley.
12:34Yeah, his brother Edward does, or Alfie Lamont in Spain.
12:37Is he?
12:37We know since February.
12:39How do you know?
12:40We checked.
12:42Just so you know, Annie, we're doing all this.
12:45We're looking at past offenders, similar attacks, unsolved crimes.
12:49While you were working as the FLO, we haven't been sat here doing nothing.
12:52We've been working really hard.
12:53I know how hard you work.
12:54That bag, by the way, Ivan says it's in the evidence room.
12:58Bag?
12:58Bag of evidence.
12:59It needs logging.
13:00Stuff found at the outer cordon of the murder site.
13:03Ivan's asked if you could check it.
13:06Just so you know, if you have time.
13:07Hello?
13:08Yeah, what is it?
13:09I'm up here.
13:10I'll have to wait.
13:26I'll have to wait.
13:54What are you doing here?
13:55Sir, um, they're making me do a history test, but I'm going to fail it.
13:59Sorry, what's this got to do with me?
14:01They teach history.
14:04Me and my coach, sir.
14:06If I fail the test, then my season's over.
14:11Can't play in the final match.
14:15Shoot.
14:17Well, they're not wrong, you do need to improve.
14:19But who plays in that match, that's...
14:22that's still my decision.
14:24He said you're no longer at the score.
14:25Sir.
14:32So, what's it about, this essay?
14:35The Munich Agreement.
14:36Mr. Bowman says he wants an essay on Chamberlain.
14:39The mistake of trusting Hitler.
14:41Nobody wants an essay on why it was a mistake to trust Hitler.
14:44Isn't that what happened?
14:46And they certainly don't want an essay just relating what happened.
14:48What they want is to find out what you think.
14:50They want an argument.
14:51An argument?
14:52Yes.
14:52Pick a line, just like in rugby.
14:55Pick an angle, and the harder the angle, the more impressive it is.
15:00So how about this?
15:01How about that he was right to trust Hitler?
15:03Was he?
15:04Well, that doesn't matter.
15:05That's what you claim.
15:06What I'm trying to...
15:07What Mr. Bowman is trying to do is test your ability to make us see history differently.
15:13In a new way.
15:15See it in your way.
15:17Well, that's not what I'm doing here, and you need to leave.
15:20Please, sir.
15:25Our focus stays on one man.
15:28Where was Michael Polley in the three days before Sarah's body was found?
15:32Before we had eyes on him at all times.
15:35We know he left the house on the night she went missing.
15:38But could he have moved the body on another night?
15:41Seems possible.
15:43He's got gaps in his timeline, knowledge of his wife's affair, propensity for reacting physically.
15:50Anything from the CCTV and any doorbell cameras in the area?
15:55No.
15:56Footage is patchy because it's such a rural area.
16:09All done?
16:11What's he want me to do with these?
16:13Just logged and bagged up properly and taken down the evidence store.
16:16Oh.
16:37Hello.
16:37Have you seen it?
16:38In the Mercury.
16:40The Mercury?
16:41Bradley's family claims no new lead in over a decade, as more attention has turned to the unsolved murder of
16:47a headmaster's wife.
16:49Brother Gareth bemoans lack of progress.
16:52Talk of well-intentioned detectives and...
16:55Yeah, go on.
16:57And never feeling like Tina is the priority.
17:01Jesus.
17:03Is this in today's?
17:05Yeah.
17:06After everything you've done.
17:08Is this in-
17:08Oh my god.
17:09Hold on.
17:10Oh my god.
17:22Yeah.
17:26Oh my god.
17:31Oh my god.
17:32Oh my god.
17:33Oh.
17:33Oh my god.
17:35Oh my god.
17:37Oh, my god.
17:40I couldn't get a hold of you.
17:41Well, that's bollocks, for starters.
17:43Where's Carol?
17:44She's not in.
17:44She's never not in, Gareth.
17:46That's what she tells me to say when there's someone at the door she doesn't want to see.
17:49She's got no choice.
17:50Out the way.
17:57How did I get to this?
18:03Never feeling like Tina is priority.
18:06Carol, I'm around you every week.
18:08I think about her every day.
18:10She was my friend.
18:11When did Tina go missing?
18:13What date?
18:15You know the date.
18:19July 17th, 2004.
18:22Between the hours of midnight and 1am.
18:25It's etched on my brain, Carol.
18:28It's a long time ago.
18:31It's getting that way.
18:34And I love you as a friend.
18:38But I can't help thinking, as a detective,
18:44if you were going to find her, you'd have done it by now.
18:51Huh.
18:55Huh.
18:58Come here.
20:00And would we think about Chamberlain the way that we think about him today if we'd lost that war?
20:05No. No, sir.
20:06So what are we saying?
20:09We're saying...
20:10That Chamberlain was...
20:12Right?
20:12Well, we can't use that word.
20:14Unlucky?
20:15Yes, he was certainly that.
20:18And maybe honourable.
20:21Because sometimes it's more honourable not to fight.
20:26To try and find compromise and a peaceful solution.
20:34And everything is pointing towards conflict and confrontation and the loss again of millions of lives.
20:42Maybe the wisest or the bravest choice is not to engage.
20:48And that's, um...
20:51An active choice in itself.
20:57And so that can be our argument.
20:58That's how we get you to play in the match.
21:00We explain the choices that Chamberlain was facing then.
21:05Not with the benefit of hindsight.
21:06Yes, sir.
21:07Except it's...
21:08It's not us saying it.
21:11It's...
21:11I'm writing the essay.
21:13Yes, that's what I meant.
21:17What time's the test?
21:185pm.
21:19Before prep.
21:20Well, let's make some final notes, shall we?
21:34Dylan?
21:35Is he in there?
21:36One of his mates said he saw him come up here.
21:38Dylan!
21:39Out!
21:40Do you hear me?
21:41He's helping with my history exam.
21:43Well, he shouldn't and he knows it.
21:45It's totally inappropriate.
21:46Come on.
21:46It's not inappropriate.
21:47Dylan!
21:49Thank you, sir.
21:50Come on.
22:31They're getting closer to proving it's Polly.
22:36Apparently, his mother-in-law reckons he did it.
22:40I know you're not sure, but even Alana's starting to wonder.
22:43I can see it on her face.
22:52Really?
22:53You're not talking to me now.
22:57Annie?
23:04Okay.
23:05Anyone ask someone to put this stuff in the store.
23:08Okay?
23:25Okay, Dylan.
23:26It's five o'clock.
23:27Test starts now.
23:45Do you want to get a coffee?
23:47Do you want to get a coffee?
24:04One day, I'm going to look back on all this.
24:08And I'm going to ask myself, did I do the right thing for the kids?
24:14Saying nothing.
24:17Doing nothing during all this shit you've put us through.
24:23No, I do not want to get coffee.
24:48No, I do not want to get coffee.
24:54I don't know.
25:25I don't know.
25:54I don't know.
25:54Can I help you?
25:58Sorry.
26:00Boring.
26:01Routine check.
26:04I'm looking for Edward Lamont.
26:06Edward or Eddie?
26:07If you want Eddie, you've found him.
26:08And if I want Edward?
26:10I don't mind waiting.
26:11You're going to be waiting a while.
26:13Dad died.
26:14Just before Christmas.
26:18I'm sorry.
26:18No, don't be.
26:19All these women come out of the woodwork.
26:22All this other stuff.
26:25In, in, shh, in, in.
26:26Spend all your time thinking you know a guy.
26:29Taking his word for things.
26:30Turns out he's capable of all sorts.
26:33Do you, um, want to see the death certificate?
26:36I don't mind if it helps you with...
26:38Sorry.
26:39In, go.
26:40Go.
27:06Before we tell you what we think,
27:08I want to say well done to you.
27:11Mr. Bowman showed me your essay
27:12and it's clear you did a lot of reading on the subject
27:14so we first want to commend you on that.
27:17What do you say?
27:19Thank, thank you.
27:20He put a lot of work in.
27:22Didn't he, mate?
27:23It's, it's very important to him
27:25playing in the rugby.
27:26And getting better at history.
27:28Absolutely.
27:29That's the point of this.
27:32We both took a look at your essay
27:34and there was a lot of great work in it
27:36but neither of us felt
27:38that we saw the improvement
27:39that we were after.
27:42Chamberlain hesitated.
27:43I'm saying the opposite.
27:44Failed to stand up.
27:46What I'm saying is that
27:47he didn't want a war in a faraway country.
27:50Yes, exactly.
27:51We went through that in class.
27:52A man who fails to address his problems.
27:55You try and make the argument
27:56that it's honourable.
27:57It's probably easier to argue that it's weak.
28:00Hold cowardly.
28:11So does this mean
28:12I can't play in the match?
28:2325 grand a fucking year.
28:26And for what?
28:27Get the fuck off!
28:28I don't know what you've done to her!
28:29My mum!
28:30Stop it!
28:31I mean, this isn't about me!
28:32It's not about me!
28:33They're not punishing me!
28:35You don't get it!
28:36Stop!
28:36Okay, they're punishing you!
28:38I'm angry because of you!
28:41Taylor.
28:45Come on.
28:46I don't know.
30:50Sorry!
30:51Sorry, I was getting a bit carried away.
30:54Oh there you are.
30:55Let me stand around here like some sort of fucking idiot.
30:58Jesus Christ.
31:00Open the fucking door.
31:03Honey.
31:04Open the door.
31:07Fuck it, I'll use my own key then.
31:14Ah, fuck, fuck.
31:18You can't go locking me out of my own fucking house, honey.
31:22Jesus Christ.
31:25What are you gonna do?
31:26Feed me through the fucking ladder box?
31:29Fuck the hell.
31:33I don't know.
31:34I thought you'd move beyond all this.
31:36All these games.
31:41Honey, I have the forensics report.
31:43Now, Mike.
31:46Do you wanna see it?
31:47Do you wanna see it or not?
31:55Hello. I know you can see me.
31:59I got everything right here.
32:01I got everything right here.
32:02To the letter.
32:04This is bullshit.
32:07Fuck this.
32:30Is that your plan?
32:32To get me the shattered you and door camera?
32:37I know you're there.
32:39Look, there's a forensic report.
32:42You're looking forward to bringing it to you.
32:47I know you're looking forward to bringing it to me.
32:48I know you're looking forward to bringing it to me.
32:49I'm looking forward to bringing it to me.
33:06It triggers me.
33:07You know it does.
33:08Why would you do that?
33:13No wonder they end up going to the papers.
33:15I know you're looking forward to getting the papers.
33:18It's so nice to me.
33:21Go to the papers.
33:26You're looking forward to calling me and looking forward to getting the papers.
34:00She'll talk to you, but not in the house.
34:24Paul says I need to go to the police.
34:28It says some of that stuff in mum's diary is stuff they need to be aware of.
34:34But before we go, dad, I need to ask you a question.
34:39I need you to turn around and look me in the eyes so I can ask you the question.
34:47And I need you to tell me the truth.
34:57Turn around.
35:05Did you kill mum?
35:20Couldn't you have just let her go?
35:30I don't know.
35:35Let her go.
35:37Let her go.
35:38I'm sorry.
35:40I can't do it.
35:40I can't do it.
35:40I can't do it.
35:41I can't do it.
35:42I can't do it.
35:44I can't do it.
35:49It's so i'm not sure I can't do it.
35:57I'm sorry, sir. They didn't want it.
36:00They didn't want what you had to say.
36:02Sorry, what does that mean?
36:03Well, they didn't like my essay.
36:04They didn't like the fact that I came to you and I asked you for help.
36:08You couldn't. You didn't teach me. You messed it up.
36:11Dylan, I'm sorry you feel like that, but that's not what...
36:13You were teaching me for yourself.
36:17You were thinking of yourself when you were talking to me.
36:23You're best player, and you still, you fuck it up!
36:25Don't use that word.
36:26Why? You're going to take it out of me again.
36:30What your wife did with my dad!
36:33That's your fault, it's not mine!
36:44You wouldn't pick yourself, sir.
36:51Because you're a pussy.
36:52Don't use that word.
36:53You're a pussy!
36:54Just watch your mouth.
36:55No, sir!
36:56You watch my mouth!
36:57You don't fight!
36:59You give everyone this speech about how everyone should have each other's backs,
37:03yet you don't do shit for anyone!
37:07No wonder people are pointing fingers.
37:09No wonder everyone's gone!
37:14What are you going to do about it?
37:17Go on, sir.
37:18What are you going to do to fix it?
37:34That's what I thought.
37:34I don't know, sir.
38:00You're where is the name?
38:14Right, let's widen the...
38:15I'm sorry. If he makes you happy, who am I to judge?
38:20I'm going to back off.
38:25Grandswood, there's only so far he can go.
38:27Gov? Gov, the daughter's here.
38:29Wants to give us a new statement.
38:30Yeah.
39:25Hello. You've reached Alana Polly's phone.
39:27Please leave a message and I'll get back to you.
39:56I want to tell you everything, but I want Wal to stay.
39:59Alana, this is all on your terms.
40:13There's been a lot of fighting between mum and dad. That's the first thing.
40:24You think she was scared of him?
40:53They burned them. Her and Michael. She's worried that she's going to get in trouble for that,
40:58but I've said that she shouldn't be. It's best to tell you everything.
41:04That's right, Alana.
41:08Alana, as long as you tell us the truth, you've nothing to be worried about, okay?
41:15She was scared of him. That's what it said. I've been thinking about it ever since.
41:24How I've lived with him all this time, that he loves me, but I don't really know him.
41:32You know, what he feels, what he felt about your mum, and what he feels about you, about anything.
41:47They don't. They don't. Men like that thing. They tell you the practical stuff, but they can never let you
41:55in. They can't.
42:02Then we went to see him this morning, didn't we?
42:06Yeah, I wanted to ask him. To his face. If he killed your mum. You asked him that. He didn't
42:22say anything.
42:38Help his son. And the boss happened to his baby. He is in the cello.
42:54Mike? Thesyr ti-
42:55A C-
42:55Oh,ikcida.
42:59Lee-
42:59Contraki.
43:01Oh,ik사가.
43:04Oh, my God.
43:35Oh, my God.
44:32Oh, my God.
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