- 2 days ago
Hey everyone. As was mentioned in the previous episodes of Let's Play Dead Space 3, Dalton is currently on vacation, which means you are getting episoders of Let's Play The Elder Scrolls IV: Oblivion and Let's Play Far Cry 4. Well, I recorded new episodes of Let's Play The Eklder Scrolls IV: Oblivion for you all last night, and I was joined by someone new this time. Well, if you follow my Twitch (Link below) he is not new as we have streamed together numerous times over there. This is his first time on this channel. My friend @TheShadowLoafKnows joins me for 6 new episodes of Let's Play The Elder Scrolls IV: Oblivion. Thanks for watching. I hope you enjoy.
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https://www.youtube.com/@TheShadowLoafKnows
The song at the end is Stormchild by Jaguar
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https://odysee.com/@TheDoomedDog:7
https://rumble.com/c/c-1325723
https://x.com/PrinceBeorn
https://www.youtube.com/@TheShadowLoafKnows
The song at the end is Stormchild by Jaguar
https://x.com/FsMetal
https://x.com/TheDoomedDog85
https://www.facebook.com/DigitalDelirium01/
https://valereth2.tumblr.com/
https://www.twitch.tv/thedoomeddog
https://www.minds.com/Valereth
https://gab.ai/fsmetal
https://www.parler.com/profile/fsmetal/posts
https://gettr.com/user/fsmetal
https://www.bitchute.com/channel/QM3i6EMg5BMA/
https://open.spotify.com/show/66uCQ9z9Klvz3DGmc9FFYO
https://open.spotify.com/show/3oopdo5dy2y5bbTkKetR7k
https://odysee.com/@TheDoomedDog:7
https://rumble.com/c/c-1325723
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GamingTranscript
00:00Now, like, I'm going to start working on a video on Wolfenstein 2009, which is an underrated fucking game, by
00:09the way, if you haven't played it.
00:11Oh, yeah. Yeah, yeah.
00:14Like, that was one of those games I always saw in, like, second-hand stores being sold for, like, insanely
00:22cheap, but, like, I knew absolutely no one who ever actually played it.
00:27It's weird.
00:28Yeah.
00:31Yeah.
00:32Always been tempted, though, because I hear nothing but good things when someone does actually mention it.
00:40Yeah, it's a good game.
00:41I played it on the PlayStation three years ago.
00:43It's definitely worth your time.
00:46Yeah.
00:46It's a shame it didn't sell well.
00:48I don't think...
00:49Yeah.
00:50I don't think Activision spent a lot of money on the fucking marketing for that, and they should have.
01:01Hmm.
01:02It's almost like they set Raven up to fail or something.
01:07I'm just conspiracy theory bullshitting here, but it's almost like they set up Raven to fail.
01:13Yeah.
01:14Yeah.
01:14Between that and how the development of...
01:19What was the game they put out?
01:21The last game they put out after that, before they got stuck in the Cod Bines.
01:29Singularity.
01:31Yes.
01:32Yes.
01:32Which is also a really cool game.
01:35Oh, hell yeah.
01:36Like...
01:37That nobody played.
01:38Yeah, that nobody played.
01:40Right.
01:41Which is a shame, because Singularity was really cool.
01:44Yeah.
01:45Oh, yeah.
01:46Mm-hmm.
01:50Exactly.
01:50Yeah.
01:53Yeah.
01:54Yeah.
01:55It makes me laugh whenever you hear, like, somebody opine on Twitter that, like, something
02:00along the lines of, like, oh, it didn't sell well, therefore it wasn't good, or that it
02:05sold, like, gangbusters, and so it was, like, a classic masterpiece.
02:11It's like, no, no, no.
02:15It's not necessarily the case.
02:16At all.
02:17No.
02:18If you ask me, Nintendo's best series is one of their worst-selling ones, and that's Metroid.
02:28Yeah.
02:29Oh, absolutely.
02:31Absolutely.
02:32I love Metroid, like, a lot.
02:35Yeah.
02:36Yeah.
02:38But, man, like, speaking of Metroid, though, it is such a shame what they fucking did to
02:44Prime 4.
02:45Yeah.
02:46Holy shit.
02:47I haven't played it.
02:49Like, what the?
02:49And then...
02:50Oh.
02:51There are times where I watch gameplay of it, and I'm not hearing miles, and I'm like,
02:55okay, right now it actually does look like Metroid Prime.
02:59Right.
03:00Yeah, yeah.
03:02Yeah, it's like when he actually shuts the fuck up, and you're just left to explore for
03:07a bit, it's like, oh, yeah, this is kind of neat.
03:09I hate this modern need to just have the sidekick character or whatever just tell you the first
03:19step of solving whatever puzzle you're on.
03:21Just shut up.
03:23Just shut up.
03:24Right.
03:24Yes.
03:24Yeah.
03:25Like, oh.
03:27I know I've been stuck on this puzzle for a while.
03:30Just shut up.
03:30I'm thinking.
03:32Yeah.
03:32Yeah.
03:34Like, it's not quite as egregious as in Metroid Prime 4, but, like, that's the one thing
03:41I did not really like all that much about, like, the newer God of War games, is that occasionally
03:47it would actually do that.
03:48It's like, oh.
03:48Yeah, yeah, Atreus does it.
03:51Just leave me alone, please.
03:53Atreus, please, stop talking.
03:56Yes.
03:57It's like, otherwise, those games are actually really, really good, which is, makes those
04:02moments even more frustrating.
04:04It's like, no, don't, please, just leave me alone.
04:12Yeah.
04:14Hmm.
04:19But, yeah, like, what makes me laugh is the, the ending to Prime, uh, Metroid Prime 4 is,
04:26oh, man.
04:27It's, like, because I was watching, um, I think Mauler stream it, and he got up to the ending.
04:34It's like, okay, he's, you know, it's been a pretty shit game up until that point.
04:42But there's literally a point where I think you're, you're in an elevator, um, and then
04:46as soon as you, like, exit the elevator, you're able to sort of, you know, it, uh, goes out
04:52of a cutscene, and then you're just allowed to walk.
04:55Like, okay.
04:56Walks literally two steps, and another cutscene.
05:01Oh, my God.
05:03What?
05:04Fucking why?
05:06Just have it, like, one long cutscene.
05:08Like, if you're kind of just, like, like, if the only thing you could do is walk a couple
05:13of steps, it's like, what is the point?
05:17Yeah.
05:17I love Kojima, but he does do that kind of stuff, and it's like, why?
05:22Right.
05:22Don't.
05:23Yeah.
05:23Yeah.
05:24Of all the cool, of all the tendencies that Kojima has, please do not learn that one.
05:31Yeah.
05:32Yeah.
05:32Like, and I get it, like, Metal Gear Solid 1, a huge, massive, unbelievably large inspiration
05:43on video games, completely changed, um, the way stories are told in video games, because
05:52it's like, okay, video games can be movie-like with their cutscenes and cinematic, and, hmm.
05:59You can pay attention to framing and lighting and the character and the, uh, uh, the camera
06:09and things like that.
06:11It's like, oh, that is awesome, but don't, don't, we don't need the walk two steps and
06:18another cutscene.
06:20Just make it the same fucking cutscene.
06:22Yeah.
06:24Yeah.
06:25It's just, man.
06:29I don't remember where I am.
06:32Hmm.
06:36Okay, I am in and an in of some kind.
06:39This is the original game, by the way.
06:40This isn't the remaster.
06:42I...
06:42Ah, okay.
06:43Yeah.
06:43I started this so long ago, so long ago that the remaster isn't a thing.
06:48Ah, okay.
06:50Right.
06:51There's an assassination letter that, uh, apparently I will get in trouble if I read.
06:56Huh.
06:57Okay.
06:59I mean, it marks it red.
07:02Apparently I'm not allowed to read that assassination letter.
07:06Hmm.
07:12I still like how this game looks.
07:15Oh, yeah.
07:16Definitely.
07:18I mean, I still like how fucking Morrowind looks, and there's probably a billion people
07:22that will tell you that game.
07:23Oh, yes.
07:24Oh, yes.
07:26Yeah.
07:28They, they, they would be, like, objectively wrong, though.
07:31Like, is the thing.
07:33Like, okay.
07:35On a technical level, it has, uh, not aged great.
07:37Yeah.
07:38I'll admit that, but.
07:39Dude, the aesthetic?
07:41Indeed.
07:42Indeed.
07:43It's, it's, it's one of those, like, uh, really good examples of, like, just having
07:50a solid art style, regardless of, like, the technology that's available to you at the
07:56time, really goes extraordinarily far in, like, just making your game age, like, fine
08:03wine.
08:05Yeah.
08:06Yeah.
08:08Like, hell, it's, it's part of the reason why I would actually say, like, I, I actually
08:16really like the way the, uh, the original, uh, Star Fox game for the, uh, Super Nintendo.
08:22Like, I actually really like the way that looks, even though it is extremely fucking dated when
08:28it comes to 3D.
08:29Yeah, it's very, very basic and dated, but there's a whole subset of people that, like, there's
08:35a Star Fox, like, that is an indie game that I've been following.
08:40I wish I could remember the name of it, but it goes for that aesthetic.
08:45Right.
08:46Yeah, yeah.
08:46The level that, that, that, that they were showing off the other day looks a hell of a,
08:51like, Corneria does in that game, which is awesome, in my opinion.
08:56Mm.
08:56Mm.
08:57Yeah, definitely.
09:02Yeah.
09:02I suppose, like, you could kind of extend that to, at least, at least some, uh, movies
09:09that had, like, early implementation of, like, 3D CGI.
09:13Yeah.
09:14Like, uh, you go back to, say, like, uh, The Lawmower Man, uh, from 1992.
09:21Like...
09:21I haven't watched that, I haven't watched that.
09:24Yeah, it, it is actually, uh, well, here's the thing.
09:29I think the idea and premise of it is a million times better than the actual movie itself.
09:37It's a thing.
09:39Like, it sets up, uh, like, the first half of it is really good.
09:43Like, you're, uh, essentially following on this, uh, like, uh, a doctor who's essentially
09:49trying to help out this, like, uh, mentally disabled guy who's, uh, like, mowing his lawn,
09:55hence the lawnmower man, right?
09:57And then, so, it's, like, uh, essentially to, um, go through this process of essentially
10:02trying to, uh, imbue him with a, uh, a greater intelligence.
10:07And so, of course, it goes through the cycles of, like, okay, he goes from, say, uh, mentally
10:14disabled guy to, like, the mind of a child up to, you know, a mind of a man.
10:19And, but then the sort of twist to it is, like, it keeps going and going and going.
10:24So, it goes from a man to, like, one of the smartest men on earth, like, like, Einstein
10:30kind of level.
10:31And then it keeps growing even more.
10:34And it's, like, you know, essentially, like, the whole thing is essentially of a, um, I suppose
10:40an allegory for, like, a god complex, essentially, is the, the idea of the movie.
10:46Uh, I forget exactly what I was saying.
10:48Oh, yeah, the, uh, the, the early implementation of CGI in it.
10:52Yeah, because, uh, it's in that, uh, trend in the early to mid-90s of, of, like, implementing,
11:03like, uh, like, like, like, VR and, uh, like, the whole, sort of, like, early days of, like,
11:09the internet, right?
11:10And so, it's, like, you're seeing, like, uh, this kind of Tron-like world in, like, cyberspace
11:18and shit.
11:19And it looks extremely fucking dated, don't get me wrong, but it's almost the, it's almost
11:28as though, like, technology has progressed so much from that point that going back to
11:34those early days of when it first started being a thing, like, has its own kind of
11:40aesthetic to it, right?
11:42Yeah.
11:44Yeah, but much like the original Tron, yeah, actually, you know, now that I mention it,
11:48you know?
11:49Yeah.
11:51Yeah.
11:53Like, uh, the, the, the datedness has its own appeal.
11:56Yeah.
11:59Was Keanu Reeves in, in that, not Tron, uh, the other one, Longmore Man?
12:05Oh, Longmore Man?
12:06Um, no.
12:07Uh, Keanu Reeves, I think, the 90s, 90s cyberpunk thing, wasn't he?
12:13He is, yeah.
12:15Um, oh, Johnny Mnemonic.
12:18Yeah.
12:18Okay, that's it.
12:19Yeah, I know, I, okay.
12:21Yeah.
12:21Yeah.
12:22Oh, yeah, like, uh.
12:23Is that what it'd be good?
12:23Uh, it, uh, it depends on who you ask.
12:29I actually really, really like the movie.
12:32Like, it's extraordinarily charming.
12:38Oh, and I love it.
12:40It's like, it's the kind of movie that you just don't see being made anymore nowadays.
12:45It is so good.
12:48But, but a lot of people do say that, like, oh, it's kind of, it's kind of cheesy.
12:52It's, you know, it doesn't take itself all that seriously when it honestly kind of should
12:57at times.
12:58But, I'm just like, but it's such a cool and great, like, like, everything that was great
13:07about the early 90s is just there in that movie, in, like, a cyberpunk sci-fi movie.
13:13It's great.
13:14I love it.
13:17I'll have to give it a while sometime.
13:20Yeah.
13:21Yeah.
13:21Oh, absolutely.
13:23Yeah.
13:23I think, um.
13:24Why did he wind up being in two such cyberpunk movies?
13:28I know, right?
13:30Yeah.
13:30Well, the other one defined the late 90s and early 2000s.
13:35Right, exactly.
13:36Yeah.
13:36It's like, the first one he was in was, is kind of a cult classic, but is kind of mid,
13:43in all honesty.
13:44But then, like, the other one is like, oh yeah, it's like a genre-defining classic that
13:51still endures to this day.
13:53Wow.
13:57It's telling me that I can't go any further this way.
13:59Okay, let's, let's go a different direction.
14:01Huh.
14:02All right, then.
14:04Yeah.
14:06The Macy's a good fucking film, and it's not about being trans.
14:09Oh, indeed.
14:09I don't care how many times the fucking, the fucking film directors make that claim.
14:17It's, it's not.
14:19No, it ain't, no.
14:21Like, you, you made this movie back in the day when I'm 99.9% sure you've never even
14:27heard of the term trans, even, even knowing what it is, right?
14:32Yeah.
14:33And only one of you is, I would guess, actually trans anyway, so.
14:39Right, yeah, exactly, exactly.
14:42I sent you an article about that, it's fucking long, but it goes into detail about it.
14:47It's fucked up.
14:48Oh, it is.
14:49Yeah.
14:50Hmm.
14:53Hmm.
14:54Hmm.
14:57And then, uh, actually one of the two people that, uh, one of the people that, the person
15:06that was married to, who's now his wife, one of the marriages he broke up, is, um, can
15:16I get in this?
15:22Is, uh, someone named Buck Angel, I don't know if you've heard of Buck Angel before.
15:30Yeah, the name rings a bell.
15:32Yeah.
15:34I'll take the lockpick.
15:37Uh, best known for, uh, being in a lot of porn back in the day, and.
15:45Ah, okay.
15:47Being, like, an early example of a trans person in porn.
15:52Oh, I getcha, right.
15:54And, uh, like, was known in porn as the dude with a, you know.
16:01Hmm.
16:01Hmm.
16:02Right.
16:04Yeah.
16:07It's, uh, kind of weird, but, uh.
16:10Yeah.
16:11He is, he, she, whatever, is one of the more sane trans people, supports free speech, knows
16:22Okay.
16:23that there's a difference, a difference biologically between men and women, all that stuff.
16:29Right.
16:29Yeah.
16:30Hmm.
16:30Do I have torches?
16:44I have to have torches somewhere, right?
16:50Hmm.
17:02I don't seem to have any torches.
17:05Oh, great.
17:06So I'll get a wonder around in here, and, uh, it's gonna be dark.
17:11Okay.
17:12We'll go with that.
17:13Hmm.
17:22Oh, you two are fighting.
17:27Hmm.
17:28You two are fighting each other.
17:29You two do that.
17:31Yeah, you, you, yeah, you carry on.
17:33I'll, uh, I'll just, uh, I'll just sit here and, uh, make myself a cup of tea, and, uh, perhaps
17:38it's gone.
17:47Okay.
17:48Uh.
17:52Hail myself.
17:54All right.
17:54But, uh, he, uh, he is not afraid to go on, uh, like, right-wing shows and whatnot and
18:03talk to people.
18:04Oh, yeah.
18:05Uh-huh.
18:07Like, after Charlie Kirk died, he did a really nice, like, little video talking about going
18:12on Charlie's show.
18:14Oh.
18:15Me.
18:15He's, uh, very respectful.
18:18Yeah.
18:19Yeah.
18:23Yeah, well, yeah, good, good, good for him, her, she, uh, him.
18:28Yeah.
18:30Yeah.
18:31That's like, okay, okay, this is actually really nice.
18:34I really respect this, because he went, he went, she went on Charlie Kirk's show multiple
18:40times to talk about, uh, uh, trans stuff with him.
18:45Right.
18:46Yeah, yeah.
18:46And he said the conversation was always good.
18:50Yeah.
18:51This gate is opened elsewhere.
18:54And Charlie was always nice and respectful to him, and...
19:02This gate is opened elsewhere.
19:04Where?
19:06Hmm.
19:07Where is the gate open?
19:10It is for me to know and you to find out, mortal.
19:16Why do they have crystals in their head?
19:20Hmm.
19:26You don't have any...
19:28You didn't have anything I should have picked up, did you?
19:31Dead guy that I killed?
19:33Hmm.
19:34Hmm.
19:37Perhaps.
19:41No, I didn't mean to bring...
19:44Magic robe, gold trim shoes, potion of sorcery.
19:48You don't have anything on you.
19:49Okay.
19:50Hmm.
19:52Okay, so I don't know how the fuck I'm supposed to get in here.
19:55Whatever.
19:57Hmm.
19:57I guess I'll go find another location and do that.
20:00All right, then.
20:05Oh, dear.
20:06I'll give him one more look.
20:09Yeah.
20:14But, yeah.
20:17But speaking of the lawnmower man,
20:19it's also the...
20:22sort of the...
20:24I suppose breakout hit,
20:26the first breakout hit for Pierce Brosnan.
20:29Really?
20:31Yeah.
20:33Like, he was in a TV show,
20:35I think, around the same time,
20:36but the first movie he was actually in
20:39was the lawnmower man.
20:40Yeah.
20:41Who was awesome as Bond
20:43and deserved more than one
20:44really good Bond film.
20:47Yeah, yeah.
20:48He honestly is, like,
20:51probably up there with one of the
20:53best actors for Bond
20:56we have ever had
20:57that deserved
21:00like, such
21:01better writing
21:02than he actually got.
21:04Yeah.
21:06Really?
21:07Yeah.
21:09Like...
21:10Yeah.
21:12And the thing is, though,
21:14it's like,
21:14you could kind of tell
21:16that they were
21:18starting
21:18to do that,
21:19like,
21:19dip their waters into,
21:21like,
21:21a much more,
21:22I suppose,
21:24serious
21:25and ever so slightly
21:26more well-written tone
21:27with,
21:28like,
21:29the pre-credit sequence
21:31to,
21:32um,
21:34uh,
21:35what's,
21:35what's the last one?
21:38Uh,
21:39Die Another Day.
21:40What was that,
21:41the one where he gets,
21:42like,
21:42trapped and
21:44going to the area?
21:45Yes.
21:45The one that he,
21:46where he gets trapped
21:47in a North Korean prison
21:49and is tortured.
21:49And it's like,
21:51ooh,
21:51okay,
21:53uh,
21:53we're heading in a
21:55much darker
21:56and much more serious
21:57direction with Bond.
21:58Like,
21:59okay,
21:59I,
21:59I'm on,
22:00I'm on board for this.
22:01And then Die Another Day,
22:03the rest of the movie
22:04happened.
22:04It's like,
22:05oh,
22:06oh.
22:07Is that the one
22:08where he had,
22:08like,
22:09the ice palace
22:10and tried to melt it
22:11with,
22:11and melted it
22:12with the giant
22:13space laser
22:14or whatever?
22:16Yes.
22:16And where,
22:17uh,
22:17where Bond,
22:18I think,
22:20jet skis
22:20on a tsunami.
22:22Yeah.
22:24Yeah,
22:25there's one
22:25to be had watching it,
22:26but no.
22:27It is,
22:27uh,
22:29uh,
22:29goofy,
22:30this is retarded
22:31kind of fun.
22:33Yeah.
22:34Yeah.
22:34Yeah.
22:37It's,
22:38yeah,
22:38it's,
22:39it's,
22:39it's,
22:39it's,
22:40it's,
22:40yeah,
22:41it really wasn't,
22:42it really wasn't.
22:44And like,
22:45granted,
22:46like,
22:46it's not to say
22:47that you can't have
22:48a goofy fun time
22:49with a James Bond movie.
22:50Like,
22:50I unironically adore,
22:53like,
22:53most of the Roger Moore era,
22:56right?
22:56Which is mostly that,
22:57if we're being honest.
22:58Yeah.
23:00But,
23:01there's,
23:02I mean,
23:02they call,
23:03you kind of have to
23:04when you call a fucking film
23:06Octopussy.
23:07Yeah,
23:08a little bit,
23:09yeah,
23:09you kind of have to.
23:11Like,
23:11treating a film called Octopussy,
23:13like,
23:13serious and straight
23:15for the entire,
23:16like,
23:16hour and a half
23:17of the movie.
23:18Like,
23:18hmm.
23:20Hmm.
23:22They had Christopher Walken
23:24in one of them,
23:24too.
23:25That's fun.
23:26Oh,
23:26yeah.
23:27Oh,
23:27yeah.
23:28That was the one
23:29where he was trying
23:30to destroy California.
23:32And it's like,
23:33Bond,
23:33what are you doing?
23:34Let the man,
23:35let the man cook.
23:39Just let him do his thing.
23:41It's,
23:41it'll be fine,
23:42Bond.
23:44We'll be better off,
23:45trust me.
23:46Hmm.
23:47Hmm.
23:49Exactly.
23:52Oh,
23:53man.
24:06But,
24:07yeah,
24:07like,
24:07I'm kind of off the,
24:09hmm?
24:10Exit and heal myself.
24:12I killed one of them.
24:15Right.
24:16Yeah.
24:17Yeah.
24:19Like,
24:20I,
24:20I,
24:20I don't think
24:21Roger Moore
24:22is a bad era.
24:24What was the one
24:25with the weird
24:25Jamaican thing
24:26going on
24:27and the voodoo dolls
24:29that he did?
24:31Oh,
24:32uh,
24:34I mean,
24:35there was two films
24:36where he was
24:36in Jamaica.
24:38There's,
24:38uh,
24:39Dr.
24:39No,
24:40and there's,
24:42um,
24:43oh,
24:43shit.
24:44Dr.
24:44No was the first.
24:45Live and Let Die.
24:46Live and Let Die.
24:47Yeah,
24:47that was the,
24:47that was the really goofy one.
24:50Yeah,
24:50yeah,
24:50it was,
24:51yeah.
24:51Dr.
24:52No was the very first one.
24:53That's a Sean Connery.
24:55Indeed,
24:55yes,
24:56yes.
24:56It wasn't the first book,
24:57if I remember right,
24:58but it was the first one
24:59they adapted.
25:01Yeah,
25:01exactly,
25:02yeah.
25:02I think it was,
25:02like,
25:03the fourth or fifth book
25:05in the series,
25:06but then,
25:07yeah,
25:07it was adapted into,
25:08like,
25:08the first movie.
25:09Yeah.
25:10Well,
25:11the first movie
25:12that MGM themselves
25:13did,
25:14yeah.
25:14I think Warner Brothers
25:15made,
25:16like,
25:16a comedy version
25:18of Casino Royale
25:19a few years beforehand.
25:22And,
25:23eh.
25:23There is,
25:24like,
25:24a comedy,
25:25I haven't seen it,
25:26but I know what you're
25:27talking about.
25:28Yeah,
25:29it's,
25:30yeah,
25:31yeah,
25:31like,
25:32I think it's somewhere
25:33between,
25:34like,
25:351958,
25:361961,
25:37that kind of era.
25:39Yeah.
25:40Um,
25:41or that ballpark,
25:42I should say.
25:43Um,
25:44it's,
25:45it's really not good.
25:47Like,
25:49the comedy
25:49just
25:50doesn't hold up
25:52whatsoever.
25:53Like,
25:54majority of the time
25:55you're just sort of
25:55left scratching your head
25:57as like,
25:57huh?
25:59What,
25:59are you trying to be funny
26:01right now?
26:01What,
26:01what,
26:02what is this?
26:02Yeah,
26:03it is.
26:05Yeah,
26:05there's a lot of that
26:06in that movie.
26:07It's like watching
26:07The Onion take over
26:09of Infowars.
26:11Yes.
26:11Oh,
26:12yes.
26:13A perfect analogy.
26:14Yes.
26:15Tim Heidecker
26:15has a good impression
26:17of Alex Jones
26:18and doesn't know
26:19what to do with it.
26:21No,
26:22no,
26:22not at all.
26:24I watched some of the,
26:25it's just,
26:26did you,
26:27did you write jokes
26:28for this?
26:29Right.
26:30Or did you just think
26:31I'll get by
26:32and I'm doing an impression
26:33because I'm getting
26:33the impression,
26:35ha ha ha,
26:36this,
26:36that is what you did.
26:38Right,
26:39yeah,
26:40yeah,
26:40yeah.
26:42Yeah,
26:45drink the blood of virgins.
26:47It's like,
26:47what,
26:48is that the,
26:48is that the be all end all
26:50of the joke?
26:50Yeah,
26:53can you,
26:54can you get to the joke,
26:55please?
26:56Yes.
26:57It's like,
26:59sure,
26:59that's
27:00an interesting enough setup,
27:02but,
27:02you know,
27:03we,
27:03we,
27:03we require a punchline
27:05sometime,
27:06round about now.
27:06Go somewhere with it,
27:08damn it.
27:09Right.
27:10Ha ha ha.
27:15Of course,
27:17all the,
27:18all the usual suspects
27:20were pretending
27:21it's the funniest
27:21fucking thing ever
27:22and no,
27:23no,
27:23it's not.
27:24Alex Jones is funnier
27:25on accident
27:26than this,
27:27okay?
27:28And you know it.
27:30Mm-hmm,
27:31mm-hmm.
27:32I haven't even seen
27:33this door before.
27:34What the hell's in here?
27:36Ah,
27:36alright.
27:38Oh yeah,
27:39like literally,
27:40Alex Jones is,
27:41uh,
27:42like,
27:43like,
27:44casual remark
27:44of like,
27:46listen,
27:46I gotta be honest,
27:47I'm kind of retarded,
27:49is infinitely funnier
27:51than anything
27:52that the fucking
27:53onion info wars
27:55have done.
27:56Ha ha ha.
27:58Uh.
28:04Okay,
28:04you killed the thing.
28:05Good,
28:05good for you.
28:06Okay.
28:07I have experience
28:08trying to kill
28:09these things before
28:10and it didn't go well
28:11last time I did.
28:13Mm-hmm.
28:24Okay,
28:24this is actually
28:25going a lot better
28:26than it did
28:26last time.
28:27Lumps and bruises
28:28from long practice
28:29sessions,
28:30kinds,
28:31axes,
28:32now,
28:33journeymen
28:33with a blunt weapon,
28:35your sidestep
28:37power attack
28:38now has a chance
28:39to disarm
28:39your opponent,
28:41press and hold
28:41attack while
28:42moving left
28:43or right.
28:44Okay.
28:45Well,
28:45I can't disarm
28:46this opponent.
28:49Yeah.
28:50I can just
28:50keep hitting him.
28:52Yeah.
28:52He's not armed,
28:54like,
28:54disarming him
28:55would be literally
28:56chopping his arms off.
28:58Yes.
29:00Which would be
29:01kind of funny,
29:02it's like,
29:02well,
29:03we said you would
29:04be able to disarm
29:05him,
29:06what are you talking
29:07about?
29:08Did we lie?
29:11Well,
29:12no,
29:13but,
29:13okay.
29:15You two,
29:16you came.
29:19Oh,
29:19man.
29:26God,
29:27I hate this
29:27lockpick system.
29:29Oh,
29:29yeah,
29:29the lockpick,
29:30yeah.
29:39Oh,
29:40I got it.
29:41Okay.
29:42Neat.
29:46Is there anything
29:47else in here
29:47that I should know
29:48about?
29:55Okay,
29:55you want me dead,
29:56okay.
30:00Hmm.
30:00I didn't bother to
30:01heal,
30:02so I'm gonna
30:03go out here
30:04and heal.
30:05Yes.
30:06Then I can come
30:07back in there
30:07and kill you.
30:09Mm-hmm.
30:10Yeah.
30:30Out in the wilds,
30:32shining in the night.
30:34Yeah.
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