- 8 hours ago
Sherlock-Season 4 Episode 3
Category
📺
TVTranscript
00:00:28Transcription by CastingWords
00:00:31Mummy?
00:00:45Mummy, wake up! Wake up! Mummy!
00:01:08Mummy, wake up!
00:01:10Wake up!
00:01:12Wake up!
00:01:15Wake up!
00:01:30Help me, please! I'm on a plane and everyone's asleep! Help me!
00:01:34Hello. My name's Jim Moriarty.
00:01:38Welcome to Final Problem.
00:02:15You know I could arrest you.
00:02:16What for?
00:02:17Wearing a dress like that.
00:02:19Would you like me to take it off?
00:02:20Then I'd really have to press charges.
00:02:22Press away?
00:02:23Isn't that how the ego started?
00:02:25Who?
00:02:26Adam and Amy.
00:02:27Oh, them.
00:02:28That turned out okay.
00:02:29You think so?
00:02:30I thought it was supposed to be the beginning of all human misery.
00:02:33Now, what was all that about arresting me?
00:02:36Well, maybe not arresting you.
00:02:37No?
00:02:38I could just keep you on a close watch.
00:02:40Very close.
00:02:41Uh-huh.
00:02:45Shame.
00:02:46I was looking forward to putting myself into the hands of the Osiris.
00:02:49You are?
00:02:50Fingerprinting.
00:02:51Being searched.
00:02:54Thoroughly.
00:03:11Who?
00:03:13Who?
00:03:26Who?
00:03:28Who?
00:03:30Who?
00:03:33Who?
00:03:40In the middle of this room.
00:03:52I don't know.
00:04:21Why did you come out and show yourself?
00:04:23I don't have time for this.
00:04:25We have time, brother, dear.
00:04:27All the time in the world.
00:04:39Michael!
00:04:42Who are you?
00:04:44You know who.
00:04:48Impossible.
00:04:50Nothing's impossible.
00:04:52You of all people know.
00:04:59Coming to get you.
00:05:09You can't have got out.
00:05:10You can't.
00:05:37No use, man.
00:05:39There's no defense and nowhere to hide.
00:05:44No!
00:05:44Ah!
00:05:45You're a mess.
00:06:02Help me.
00:06:10experiment complete conclusion i have a sister this was you all of this was you conclusion two
00:06:18my sister euros apparently has been incarcerated from an early age in a secure institution
00:06:23controlled by my brother hey bro why would you do this this pantomime why conclusion three
00:06:30you are terrified of her you have no idea what you're dealing with none at all new information
00:06:37she's out that's not possible it's more than possible she was john's therapist shot me during
00:06:42a session only with a tranquilizer still had 10 minutes to go well we'll see about a brief
00:06:46right you two wickers has got your money by the gate don't spend it all in one crack den
00:06:52oh i hope we didn't spoil your enjoyment of the movie you're just leaving well we're not staying
00:06:56here euros is coming and uh someone's disabled all your security sleep well dr watson why would he do
00:07:05that to me that was insane yes well someone convinced him that you wouldn't tell the truth unless you
00:07:10were actually wetting yourself someone probably me so that's it is it you're just going well don't
00:07:17worry there's a place for people like you the desperate the terrified the ones with nowhere else
00:07:23to run what place 221 b baker street see you in the morning if there's a queue join it for
00:07:33god's sake
00:07:34this is not one of your idiot cases you might want to close that window there is an east wind
00:07:40coming
00:07:57you have to sit in the chair they won't talk to you unless you sit in the chair it's the
00:08:01rules
00:08:02i'm not a client then get out
00:08:14she's not going to stay there is she
00:08:19do you like a cup of tea thank you the kettle's over there
00:08:25so what happens now are you going to make deductions
00:08:28you're going to tell the truth mycroft pure and simple who was it said truth is rarely pure
00:08:35and never simple i don't know and i don't care so there were three of us i know that now
00:08:40you me and eurus
00:08:47sister i can't remember
00:08:50interesting name eurus it's greek isn't it yeah literally the god of the east wind
00:08:57yes the east wind is coming sherlock
00:09:02you use that to scare me no you turned my sister
00:09:06into a ghost story of course i didn't i monitored you you what
00:09:13memories can resurface wounds can reopen
00:09:17the roads we walk have demons beneath
00:09:21and yours have been waiting for a very long time
00:09:25i never bullied you i used at discrete intervals potential trigger words to update myself as to
00:09:32your mental condition i was looking after you why can't i remember her
00:09:38this is a private matter john stays this is family that's why he stays
00:09:50so there were
00:09:52three homes kids what was the age gap seven years between myself and sherlock one
00:09:57year between sherlock and eurus middle child explains a lot
00:10:03so did she have it too have what the deduction thing the deduction thing
00:10:10yes more than you can know
00:10:15enlighten me you realize i'm the smart as you never cease to announce
00:10:19but eurus she was incandescent even then our abilities were professionally assessed
00:10:25more than once i was remarkable but eurus was described as an era defining genius
00:10:33beyond newton then why don't i remember her you do remember her in a way every choice
00:10:40you've ever made every path you've ever taken the man you are today is your memory of eurus
00:10:52she was different from the beginning
00:10:55she knew things she should never have known
00:11:00as if she was somehow aware of truth beyond the normal scope
00:11:07you look funny grown-up
00:11:10what's wrong sorry
00:11:14the memories are disturbing what do you mean examples they found her with a knife once she seemed to be
00:11:21cutting herself mother and father were terrified they thought it was a suicide attempt but when i asked
00:11:27you lost what she was doing she said i wanted to see how my muscles worked jesus so i asked
00:11:35her if she
00:11:36felt pain and she said which one's pain what happened
00:11:45mars grave
00:11:49the ancestral home where there was always honey for tea and sherlock played among the funny gravestones
00:11:56funny how
00:11:58come on newlock
00:12:00they weren't real the dates were all wrong an architectural joke which fascinated sherlock
00:12:11it's true
00:12:12it's true hope so can be now the east wind's blood
00:12:18sixteen by six
00:12:20and under we go
00:12:23you're starting to remember
00:12:24fragments
00:12:29redbeard
00:12:30redbeard
00:12:33redbeard
00:12:34he was my daughter
00:12:35uros took redbeard and locked him up
00:12:37somewhere no one could find him
00:12:39and she refused to say where he was
00:12:45redbeard
00:12:46she didn't repeat that song
00:12:48her little ritual
00:12:51we begged and begged her to tell us where he was
00:12:53she said
00:12:55she said
00:12:56the song
00:12:56is the last
00:12:57but the song made no sense
00:13:00brother and under we go
00:13:04what happened to redbeard
00:13:06what happened to redbeard we never found him
00:13:08but she started calling him drowned redbeard so we made our assumptions
00:13:15sherlock was traumatized
00:13:18natural i suppose he was
00:13:20in the early days an emotional child
00:13:22but after that he was different so it changed never spoke of it again
00:13:27in time he seemed to forget that uros had ever even existed
00:13:31how could he forget she was living in the same house
00:13:33no
00:13:36they took her away
00:13:38why
00:13:40you don't knock up a child because a dog goes missing
00:13:43quite so
00:13:45it was what happened
00:13:48immediately afterwards
00:13:51she knows where he is
00:13:53we can't make her tell us
00:13:55we can't
00:13:56we can't do
00:13:57anything
00:14:49after that our sister had to be taken away
00:14:49further interference
00:14:50well that too of course
00:14:51the depth of uros's psychosis
00:14:54and the extent of her abilities
00:14:56couldn't hope to be contained in any ordinary institution
00:14:59uncle rudy took care of things
00:15:01where is she my craft where is our sister
00:15:04there's a place
00:15:06there's a place called
00:15:33there's a place called
00:15:34sharonford
00:15:34an island
00:15:34i'm not really afraid
00:15:36i can give you a map reference for hell
00:15:41that's where our sister has been since early childhood
00:15:44she hasn't left
00:15:45she hasn't left
00:15:45not for a single day
00:15:46whoever you both met
00:15:47it can't
00:15:49it can't have been her
00:16:02it can't have been her
00:16:08i can't
00:16:11i can't
00:16:14i can't
00:16:19See that one? What's it carrying?
00:16:23What's that silver thing on top of it, Minecraft?
00:16:25It's a DX-707.
00:16:26I've authorized the purchase of quite a number of these.
00:16:30Colloquially, it is known as the Patience Grenade.
00:16:36Patience.
00:16:37The motion sensor is activated.
00:16:39If any of us move, the grenade will detonate.
00:16:42How powerful.
00:16:42It will certainly destroy this flat and kill anyone in it.
00:16:45Assuming walls of reasonable strength,
00:16:47your neighbors should be safe,
00:16:48but as it's landed on the floor,
00:16:49I move to wonder if the cafe below is open.
00:16:52It's Sunday morning, so it's closed.
00:16:54What about Mrs. Hudson?
00:17:04Going by her usual routine, I estimate she has another two minutes left.
00:17:07She keeps the vacuum cleaner at the back of the flat, sir.
00:17:10So, safer there when she's putting it away?
00:17:13Look, we have to move eventually.
00:17:14We should do it when she's safest.
00:17:15When the vacuum stops, we give her eight seconds to get to the back of the flat.
00:17:18She's fast when she's cleaning.
00:17:19Then we move.
00:17:21What's the trigger response time?
00:17:24Once we're mobile, how long before detonation?
00:17:26We have a maximum of three seconds to vacate the blast radius.
00:17:30John, I will take the windows, you take the stairs.
00:17:32Help get Mrs. Hudson out, too.
00:17:33Me?
00:17:34You're closer.
00:17:34You're faster.
00:17:35Speed differential won't be as critical as the distance.
00:17:38Yes.
00:17:39Agreed.
00:17:40She's further away.
00:17:42She's moving to the back.
00:17:43Best to make me have a minute left.
00:17:45Is a phone call possible?
00:17:46Phone call?
00:17:47John has a daughter.
00:17:48He may wish to say goodbye.
00:17:50I'm sorry, Dr. Watson.
00:17:52Any movement will set off the grenade.
00:17:53I hope you understand.
00:17:56Oscar Wilde.
00:17:57What?
00:17:58He said the truth is really pure and never simple.
00:18:02From the importance of being earnest, we did it at school.
00:18:05So did we, now I recall.
00:18:08I was Lady Bracknell.
00:18:10Yeah.
00:18:11You were great.
00:18:13You really think so?
00:18:14Yes, I really did.
00:18:15Well, that's good to know.
00:18:17I've always wondered.
00:18:25Good luck, Boris.
00:18:28Three, two, one.
00:19:11Go on, son.
00:19:12Get it up.
00:19:14Better out than in.
00:19:16It's always like this.
00:19:18Thank God.
00:19:20Usually it's much worse.
00:19:22Might go on work in a bank.
00:19:25It's like an helicopter.
00:19:28Nothing.
00:19:29Not in this weather.
00:19:34You hear that?
00:19:38I never heard that one before.
00:19:41Sherinford.
00:19:42Forget you ever heard it.
00:19:43What?
00:19:45Sometimes when we're out in these waters, we get that message.
00:19:48Forget about it.
00:19:50Yeah, but we've never, just never.
00:20:03What the hell are you?
00:20:05My name's Sherlock Holmes.
00:20:07The detective.
00:20:08The pirate.
00:20:10The pirate.
00:20:26Golf whiskey x-ray.
00:20:28This is a restricted area.
00:20:29Repeat, restricted area.
00:20:31You are off course.
00:20:31Are you receiving?
00:20:35Yeah, receiving you.
00:20:37This is a distress call.
00:20:39Repeat, distress call.
00:20:40We're in trouble here.
00:20:41Golf whiskey x-ray.
00:20:42What is your situation?
00:20:45Golf whiskey x-ray.
00:20:46Where are you now?
00:20:48We're headed for the rocks.
00:20:49We're going to hit.
00:20:53The governor to the control room.
00:20:55Lock down.
00:20:56Lock down.
00:20:59Please, please, please, please, please!
00:21:12Wait, wait, wait, wait, wait, wait!
00:21:14Wait!
00:21:15In the sand!
00:21:17In the sand!
00:21:24I need to speak to Mycroft
00:21:26He's in hospital, there was an explosion
00:21:28Put me through to the hospital
00:21:29He's not conscious, he's severely injured
00:21:32No one is even confident he's going to pull through
00:21:34Where's he from? Where's Sherlock Holmes?
00:21:38Missing
00:21:38No he's not, he's here
00:21:40Sir, we found two more from the boat
00:21:42He stole our boat
00:21:44It was another ferret with guns
00:21:46Where'd you find him?
00:21:47Not sighted, yeah, I owe you, sir
00:21:53Holding cell now
00:21:54Aye, sir
00:22:02This is a mistake
00:22:03I'm the victim here
00:22:04This man stole my boat
00:22:06He's a pirate
00:22:07Yeah, I really am
00:22:08Please sit down
00:22:09I don't even know who he is
00:22:10He's Dr. John Watson, formerly of the 5th Northumberland Fusiliers
00:22:14What are you doing here?
00:22:16Is it a hospital? Any work?
00:22:17It's not a hospital
00:22:18I want eyes on Eurus Holmes
00:22:20Go straight to the special unit
00:22:22Deploy green and yellow shift on my authority
00:22:24Sir
00:22:30I'm sparing your blushes
00:22:32Because we're supposed to be on the same side
00:22:33And frankly, this is embarrassing
00:22:35Well, get a cavity search
00:22:37The true art of disguise
00:22:38According to your famous friend
00:22:40It's not being looked at
00:22:41But I am looking at you, aren't I?
00:22:44Mr. Holmes
00:22:46Yes, you are
00:22:48But that is sort of the point, isn't it?
00:22:52See, you should have been looking at the guy you just gave your pass to
00:23:06That's the trouble with uniforms and name badges
00:23:09People stop looking at faces
00:23:10You'd be better off with clown outfits
00:23:13At least they'd be satirically irrelevant
00:23:15Oh, you'll find the real landers on the North Shore tied up with two others
00:23:18Two others?
00:23:19Well, it was trial and error
00:23:21We had to find the right waistband
00:23:22This is insane
00:23:24This is unnecessary
00:23:25No, your security is compromised
00:23:26And we don't know who to trust
00:23:27And that justifies dressing up?
00:23:29Yes, it does
00:23:32It justifies dressing up
00:23:33Or any damn thing I say it does
00:23:35Now listen to me
00:23:36For your own physical safety
00:23:37Do not speak
00:23:38Do not indulge in any non-verbal signal
00:23:41Suggestive of internal thought
00:23:43If the safety of my sister is compromised
00:23:45If the security of my sister is compromised
00:23:48If the incarceration of my sister is compromised
00:23:51In short, if I find any indication my sister has left this island at any time
00:23:55I swear to you, you will not
00:24:00Say thank you to Dr. Watson
00:24:01Why?
00:24:02He talked me out of Lady Bracknell
00:24:04This could have been very different
00:24:06Are you in?
00:24:07Just arriving at the secure unit
00:24:09Explain
00:24:11Prison within prison
00:24:13Euross must be allowed the strict minimum of human interaction
00:24:16Why?
00:24:17Since you're determined to meet her
00:24:19You're about to find out
00:24:22Eyes on Euross Holmes
00:24:24Governor's orders
00:24:26Answer yes or no
00:24:27Has there ever been, against my express instructions
00:24:30Any attempt at a psychiatric evaluation of Euross Holmes?
00:24:34Yes
00:24:34I presume the tapes are in my office
00:24:36Your office?
00:24:37Cast your mind back
00:24:38It used to be yours
00:24:41You haven't been down here before, have you?
00:24:43Silence of the Lambs, basically
00:24:44You what?
00:24:45Keep your distance
00:24:46Stay at least three feet away from the glass and all that
00:24:49Why the headphones?
00:24:50She doesn't stop playing
00:24:51Sometimes for weeks
00:24:52Beautiful
00:24:54Kills you in the end
00:24:55Aye, still beautiful though
00:24:59Do we close, eh?
00:25:06Okay
00:25:06Let me tell you
00:25:07You're going to
00:25:07I'll acab
00:25:25You're going to
00:25:30do
00:25:30you're going to
00:25:30You're going to
00:25:49Why am I here?
00:25:50Why do you see you here?
00:25:52No one ever tells me.
00:26:05Am I being punished?
00:26:07There's no such thing as bad.
00:26:09Good and bad are fairy tales.
00:26:12We have evolved to attach an emotional significance to what is nothing more than the survival strategy of the pack
00:26:18animal.
00:26:19We are conditioned to invest divinity in utility.
00:26:21Good isn't really good, evil isn't really wrong, bottoms aren't really pretty.
00:26:24You are a prisoner of your own meat.
00:26:26Why aren't you?
00:26:29I'm too clever.
00:26:37Did you bring it?
00:26:38Sorry?
00:26:39My hairband, did you bring it like I asked?
00:26:42I'm not one of the...
00:26:43I don't work here.
00:26:45My special hairband.
00:26:47I'm not one of your doctors.
00:26:49The one I made you steal from mummy.
00:26:57It was the last thing I said to you, remember?
00:26:59The day they took me away?
00:27:01No.
00:27:03No?
00:27:03No?
00:27:04You've spoken since then.
00:27:05You came out to my flat a few weeks back.
00:27:06You pretended to be a woman called Faith Smith.
00:27:09We had chips.
00:27:10Does this mean you didn't bring my hairband?
00:27:12How did you manage to get out of this place?
00:27:14How did you do that?
00:27:15Easy.
00:27:16Look at me.
00:27:17I am looking at you.
00:27:20You can't see it, can you?
00:27:22You try and try, but you just can't see.
00:27:25You can't look.
00:27:25See what?
00:27:27What do you think?
00:27:28What do you think?
00:27:29Beautiful.
00:27:29You're not looking at it.
00:27:30I meant your playing.
00:27:32Oh, the music.
00:27:33You never know if it's beautiful or not.
00:27:35Only if it's right.
00:27:36Often they're the same thing.
00:27:38But if they're not always the same thing, what's the point in beauty?
00:27:40Look at the violin.
00:27:42I need to know how you escaped.
00:27:43Look at the violin.
00:27:48It's a Stradivarius.
00:27:50It's a gift.
00:27:51Who from?
00:27:52Me.
00:28:11Why?
00:28:12You play, don't you?
00:28:15How did you know?
00:28:19How did I know?
00:28:22I taught you, don't you remember?
00:28:23How can you not remember that?
00:28:25You're asked, I don't remember you at all.
00:28:28Interesting.
00:28:31Eycroft told me you'd rewritten your memories.
00:28:33You didn't tell me you'd written me out completely.
00:28:35What do you mean, rewritten?
00:28:36You still don't know about Redbeard, do you?
00:28:39Oh, this is going to be such a good day.
00:28:43She smiles at you when you come home.
00:28:45Everyone we sent in there, it's hard to describe.
00:28:49It's like she recruited them.
00:28:51Smiling is appetizing.
00:28:53Enslaved them.
00:28:54She's been capable of that since she was five.
00:28:57She's an adult now.
00:28:58I warned you.
00:29:00I ordered you.
00:29:02She's clinically unique.
00:29:04We had to try.
00:29:05What cost?
00:29:06Happiness is a pop song.
00:29:08Sadness is a poem.
00:29:10What cost?
00:29:13Tell me the worst thing that has happened.
00:29:15And?
00:29:16She kept suggesting to Dr. Taylor that he should kill his family.
00:29:20And?
00:29:21He said it was like an earworm.
00:29:23Couldn't get her out of his head.
00:29:24And?
00:29:25He left.
00:29:26And?
00:29:27Killed himself.
00:29:30And?
00:29:31His family.
00:29:34You're going to cry.
00:29:37It's okay if you cry.
00:29:39I don't need to cry.
00:29:40I can help you cry.
00:29:44Play for me.
00:29:45I need to know how you got out of here.
00:29:47You know already.
00:29:48Look at me.
00:29:50Look and play.
00:29:59No, not Bach.
00:30:00You clearly don't understand it.
00:30:01Play you.
00:30:03Me?
00:30:05You.
00:30:10Oh, have you had sex?
00:30:12Why do you ask?
00:30:14The music.
00:30:14I've had sex.
00:30:16How?
00:30:16One of the nurses got careless.
00:30:18I liked it.
00:30:19Messy though.
00:30:19People are so breakable.
00:30:20I take it he didn't consent.
00:30:22He?
00:30:22She?
00:30:23I'm afraid I didn't notice in the heat of the moment.
00:30:25And afterwards, well, you couldn't really tell.
00:30:29Is that vibrato or is your hand shaking?
00:30:36I warned you explicitly.
00:30:38No one was to talk to her alone.
00:30:40You spoke to her.
00:30:41I know what I'm doing.
00:30:42You even brought her a visitor on Christmas Day.
00:30:44I took a calculated risk.
00:30:46You gave her a Christmas present.
00:30:49Remember her Christmas present?
00:30:50I am aware of the dangers Euros poses and equipped to deal with them.
00:30:55What dangers?
00:30:56Euros doesn't just talk to people.
00:31:01She reprograms them.
00:31:02Anyone who spends time with her is automatically compromised.
00:31:07I'm trying to help you.
00:31:09We can help each other.
00:31:10Helping someone is the best way.
00:31:12You can help yourself.
00:31:14I don't trust you.
00:31:14So clearly you remember me.
00:31:17I remember everything, every single thing.
00:31:20You just need a big enough hard drive.
00:31:22Sherlock.
00:31:23Not now.
00:31:24Vatican cameos.
00:31:25In a minute.
00:31:28Let's continue.
00:31:30Did they tell you to keep three feet from the glass?
00:31:32Yes.
00:31:33Be naughty.
00:31:34Step closer.
00:31:35Why?
00:31:36Do it.
00:31:37Step closer.
00:31:41Tell me what you remember.
00:31:43You.
00:31:44Me.
00:31:45And Mycroft.
00:31:47Mycroft was quite clever.
00:31:48He could understand things if you went a bit slow.
00:31:50But you...
00:31:52You were my favourite.
00:31:54Why?
00:31:55Was I your favourite?
00:31:56Because I could make you laugh.
00:31:58I loved it when you laughed.
00:31:59Once I made you laugh all night, I thought you were going to burst.
00:32:02I was so happy that Mummy and Daddy had to stop me, of course.
00:32:06Why?
00:32:07Well, turns out I got it wrong.
00:32:10Apparently you were screaming.
00:32:12Why was I screaming?
00:32:18Redbeard.
00:32:23I remember Redbeard.
00:32:25Do you now?
00:32:26Tell me what I don't know.
00:32:30Touch the glass.
00:32:34I put my trust in you.
00:32:35My implicit trust.
00:32:37As governor of this institution.
00:32:50It's obvious when it all started.
00:32:52But she was never the same after that Christmas.
00:32:54It's as if you woke her up.
00:32:55That is entirely beside the point.
00:32:57You had your orders and failed to act.
00:32:58This is not the type.
00:32:59Sorry?
00:33:00Do it now.
00:33:01Listen.
00:33:02My sister's methods of...
00:33:03Just listen.
00:33:04You have no idea how I could help.
00:33:07Bring me your wife.
00:33:08I want to meet her.
00:33:10I don't need your help.
00:33:12Redbeard was my dog.
00:33:13I know what happened to Redbeard.
00:33:15Oh, Sherlock.
00:33:18You know nothing.
00:33:19Touch the glass.
00:33:20And I'll tell you the truth.
00:33:25I'll touch it too if you're scared.
00:33:28I can fix her for you and then I'll give you a straight back.
00:33:31Good as new.
00:33:32I promise.
00:33:33That's all.
00:33:35That's all.
00:33:35What you're proposing is all.
00:33:37It's all.
00:33:38Right.
00:33:38Everyone who went in there got affected.
00:33:41Enslaved, you said?
00:33:42Yes.
00:33:43One after the other?
00:33:44Yes.
00:33:45Dr. Watson, I think it was a...
00:33:47Shut up.
00:33:47Do you trust your wife?
00:33:48One question.
00:33:49That's your voice, isn't it?
00:33:50Really?
00:33:51Do you trust her?
00:33:52You've got to stop saying these things.
00:33:54If Eurus has enslaved you, then who exactly is in charge of this prison?
00:33:58It's completely inappropriate.
00:34:00I'm sorry.
00:34:02No.
00:34:03Very, very sorry.
00:34:04No.
00:34:16You think it's a trick?
00:34:19You look so unsure.
00:34:22You're not used to being unsure, are you?
00:34:25It's more common than you'd think.
00:34:27Look at you.
00:34:29The man who sees through everything is exactly the man who doesn't notice.
00:34:37When there's nothing to see through.
00:34:43Do you see how it was done?
00:34:45I know you like explanations.
00:34:49Signs you suspected the sight.
00:34:51And my voice, throat mic, puts me through the speakers.
00:34:55Don't you think it's clever?
00:34:57Simple but clever.
00:34:59Transparent.
00:34:59Well, you do keep asking me how I got out of here.
00:35:07Like this.
00:35:14Get in here!
00:35:16All of you!
00:35:17Stop me getting in!
00:35:18No, no.
00:35:20Stop me in a minute.
00:35:25Red alert!
00:35:26Red alert!
00:35:27Big red bouncy red alert!
00:35:29Dr. Morrison!
00:35:29Greenlands attacking Lower Decks!
00:35:31Also cowboys and black hats!
00:35:33Darth Vader!
00:35:34Don't be alarmed!
00:35:35I'm here now!
00:35:36I'm here now!
00:35:37If you're best,
00:36:03If you're best,
00:36:05I want to break free, I want to break free, I want to break free from your lies, you're so
00:36:16self-satisfied, I don't need you, I've got to break free, God knows, God knows, I want to break free.
00:36:33I've fallen in.
00:37:02You see my boys, this one's got more stamina but he's less caring in the afterglow.
00:37:10This way please.
00:37:28Smell all that insane criminality.
00:37:32Do you have cannibals here?
00:37:34Yes.
00:37:34How many?
00:37:35Three.
00:37:36That's good.
00:37:38People leave their bodies to science, I think cannibals will be so much more grateful.
00:37:57Shhh.
00:37:59Shhh.
00:38:06Shhh.
00:38:12Oh, isn't that sweet.
00:38:15Why don't you sit down?
00:38:16I wrote my own version of the nativity when I was a child, the hungry donkey.
00:38:21It was a bit gory but if you're going to put a baby in a manger, you're asking for trouble.
00:38:29You know what this place is, of course.
00:38:31Of course.
00:38:33So am I under arrest again?
00:38:35You remain a person of interest but until you commit a verifiable crime you are.
00:38:40I regret at liberty.
00:38:41Then why am I here?
00:38:42You're a Christmas present.
00:38:44Ah.
00:38:45How do you want me?
00:38:46Okay.
00:38:47There is, in this facility, a prisoner whose intellectual abilities are of occasional
00:38:54use to the British government.
00:38:55What, for like really difficult songs, long division, that sort of thing?
00:38:59She predicted the exact dates of the last three terrorist attacks on the British mainland
00:39:03after an hour on Twitter.
00:39:05That sort of thing.
00:39:07In return, however, she requires treats.
00:39:11Last year it was a violin.
00:39:13This year?
00:39:14Five minutes unsupervised conversation with you.
00:39:21Me?
00:39:26With me?
00:39:27She has noted your interest in the activities of my little brother.
00:39:31So, what's she got to do with Sherlock Holmes?
00:39:40Whatever you're about to tell me, I already know it's going to be awesome.
00:40:14I'm your Christmas present.
00:40:25So what's my...
00:40:34Red beard.
00:41:01How are you?
00:41:05A bit of a lump.
00:41:06True that, but you have your uses.
00:41:09You see your sister?
00:41:10Yes.
00:41:11How was that?
00:41:13Family's always difficult.
00:41:15Is this an occasion for banter?
00:41:17Case in point.
00:41:19Are you phoning someone?
00:41:20Apparently.
00:41:21What's he doing here?
00:41:23As he is told, Euross is in control.
00:41:27Help me. Please, I want a place everyone to sleep.
00:41:30Help me. Help me.
00:41:33Hello. My name's Jim Moriarty.
00:41:36Welcome to the final problem.
00:41:40It's okay, he's dead.
00:41:41He doesn't sound dead.
00:41:43This is a recorded announcement.
00:41:45Please say hello to some very old friends of mine.
00:41:48Hello. I can hear you talking.
00:41:50Please help me.
00:41:51I'm on a plane and it's going to crash.
00:41:53What is this? We can't do this.
00:41:55Do shut up, dear.
00:41:55Is this supposed to be a game?
00:41:58Be quiet.
00:41:58Please help me.
00:42:00Oh, hello.
00:42:02Try to stay calm.
00:42:04Just tell me what your name is.
00:42:06I'm not supposed to tell my name to strangers.
00:42:08Of course not.
00:42:09Very good.
00:42:09But I'll tell you mine.
00:42:11My name is...
00:42:14Hello?
00:42:15Oh, dear.
00:42:17We seem to have lost the connection.
00:42:19How have you done this?
00:42:20How is any of this possible?
00:42:22You put me in here, my...
00:42:23You brought me my treats.
00:42:26What treats?
00:42:33Clever, you're in.
00:42:34You good, girl.
00:42:36How can that be, Moriarty?
00:42:38Oh, he recorded lots of little messages for me before he died.
00:42:43Loved it.
00:42:44Did you know his brother was a stationmaster?
00:42:46I think he was always jealous.
00:42:47A girl.
00:42:48Where is she?
00:42:49Can I talk to her again?
00:42:51Poor little thing.
00:42:52Alone in the sky in a great big plane with nowhere to land.
00:42:56But where in the world is she?
00:42:59It's a clever little puzzle.
00:43:00If you want to apply yourself to it, I can reconnect you.
00:43:03But first...
00:43:08That's my wife.
00:43:11That's my wife.
00:43:14Oh, God.
00:43:15That's my wife.
00:43:16I'm going to shoot the governor's wife.
00:43:17Please.
00:43:18No.
00:43:19Please.
00:43:20Help her.
00:43:21In about a minute.
00:43:24Bang.
00:43:25Dead.
00:43:25Please don't do that.
00:43:27Well, you can stop me.
00:43:29No.
00:43:29There's a gun in the hatch.
00:43:31Take it.
00:43:36You want to save the governor's wife?
00:43:38Choose either Dr. Watson or Mycroft to kill the governor.
00:43:42Oh, God.
00:43:47You can't do it, Sherlock.
00:43:48If you do it, it won't count.
00:43:49I'll kill her anyway.
00:43:51It has to be your brother.
00:43:52Or your friend.
00:43:55You have to do this.
00:43:58Eurus will kill her.
00:44:02Doesn't appear we have a choice.
00:44:04Right then.
00:44:06Countdown's starting.
00:44:08How long?
00:44:09How long?
00:44:10No, no, no.
00:44:10The countdown is for me.
00:44:13Withholding the precise deadline will apply the emotional pressure more evenly.
00:44:16Where possible, please give me an explicit verbal indication of your anxiety levels.
00:44:20Because I can't always read them from your behavior.
00:44:23I can't do this.
00:44:25You can't.
00:44:26It's murder.
00:44:27This is not murder.
00:44:28This is saving my wife.
00:44:30I'm particularly focused on internal conflicts where strategizing around a largely intuitive moral code appears to create a counterintuitive result.
00:44:39I will not kill.
00:44:41I will not have blood on my hands.
00:44:43Yeah, that's very good.
00:44:45Killing my wife is what you're doing.
00:44:51Okay, fine.
00:44:55John.
00:44:58Dr. Watson, are you married?
00:45:01I was.
00:45:02What happened?
00:45:04She died.
00:45:06What would you give to get her back?
00:45:08I mean, if you could, if it was possible, what would you do to save her?
00:45:12Eurus will kill me.
00:45:15Please save my wife.
00:45:17There will, I'm afraid, be regular prompts to create an atmosphere of urgency.
00:45:41What's your name?
00:45:43David.
00:45:43Are you sure about this, David?
00:45:45Of course I'm bloody sure.
00:45:46There you go.
00:45:49Right, do you want to pray or anything?
00:45:51With Eurus Holmes in the world, what the hell would I pray to?
00:45:54You.
00:45:55You are a good man, and you are doing a good thing.
00:45:58So are you.
00:45:59I'll spend the rest of my life telling myself that.
00:46:01Have you.
00:46:11You're a good man.
00:46:12I will take you.
00:46:12Please, no.
00:46:24Go.
00:46:30You are a good man.
00:46:32I know that you're scared, but you should also be very proud.
00:46:36Just do it.
00:46:38Be quick.
00:46:44This is very good, Dr. Watson.
00:46:47I should have fitted you with a cardiograph.
00:46:49Goodbye, David.
00:46:58Please.
00:47:01I can't. I'm sorry.
00:47:02I can't do it.
00:47:03I know. It's all right.
00:47:05Stop. No! No! Stop!
00:47:08I'm sorry.
00:47:09It's all right.
00:47:10I'm so sorry.
00:47:12Remember me?
00:47:22You all right?
00:47:25I'm just in.
00:47:28All right, there you go. You got what you wanted.
00:47:30And he's dead.
00:47:31Dead or alive.
00:47:33It really wasn't very interesting, but you three, you three were wonderful.
00:47:41You see what you did, Dr. Watson, specifically because of your moral code, because you don't want blood on your
00:47:48hands.
00:47:48Two people are dead instead of one.
00:47:51Two people.
00:47:51Yes.
00:47:53Sorry.
00:47:54Hang on.
00:47:58Oh!
00:48:07What advantage did your moral code grant you?
00:48:10Is it not, in the end, selfish to keep one's hands clean at the expense of another's life?
00:48:15You didn't have to kill her!
00:48:18The condition of her survival was that you or Mycroft had to kill her husband.
00:48:24This is an experiment.
00:48:26There will be rigor.
00:48:28Shut up.
00:48:29Pick up the gun.
00:48:30It's your turn next.
00:48:31When I tell you to use it, and I will...
00:48:34Remember what happened this time.
00:48:36What if I don't want a gun?
00:48:38Oh, the gun is intended as a mercy.
00:48:40For whom?
00:48:41You.
00:48:42How so?
00:48:43If someone else had to die, would you really want to do it with your bare hands?
00:48:47Would waste valuable time.
00:48:54Probably just take it.
00:49:03There's only one bullet left.
00:49:05You will only need one.
00:49:06But you will need it.
00:49:11Please.
00:49:12Go through.
00:49:14There's a few tasks for you and a girl on a plane who's getting very, very scared.
00:49:24Treats.
00:49:25Just, you know.
00:49:27A violin.
00:49:29In exchange for?
00:49:31She's very clever.
00:49:32I'm beginning to think you're not.
00:49:36Come on, now.
00:49:36All aboard.
00:49:39Choo-choo.
00:49:41Choo-choo.
00:49:42Choo-choo.
00:49:44Choo-choo.
00:49:46Choo-choo.
00:49:48Choo-choo.
00:49:50Choo-choo.
00:49:53Someone's being redecorating.
00:49:56Choo-choo.
00:49:56Is that allowed?
00:49:57She's literally taken over the asylum.
00:49:59We have more to worry about than a choice of colour scheme.
00:50:01Barely dry.
00:50:02Recent.
00:50:03And it's for our benefit.
00:50:05Are you motivated to your continued cooperation?
00:50:09I'm now reconnecting you.
00:50:11Fasten your seatbelts.
00:50:13It's going to be a bumpy night.
00:50:16Hi.
00:50:17Are you still there?
00:50:17Yes.
00:50:18Hello.
00:50:19Hello.
00:50:20We're still here.
00:50:20Can you hear us?
00:50:21Yes.
00:50:22Everything's going to be all right.
00:50:24I just need you to tell me where you are.
00:50:26Outside.
00:50:27Is it day or night?
00:50:28Night.
00:50:29That certainly narrows it down to half the planet.
00:50:31What kind of a plane are you on?
00:50:33I don't know.
00:50:34Is it big or small?
00:50:35Big.
00:50:36Lots of people on it?
00:50:37Lots and lots.
00:50:38But they're all asleep.
00:50:39I can't wake them up.
00:50:40Where did you take off from?
00:50:41The driver's asleep.
00:50:43I understand.
00:50:44But where did you come from?
00:50:45Where did the plane take off?
00:50:47My nance.
00:50:48And where are you going?
00:50:49Hello.
00:50:50No, I mean, what airport are you...
00:50:51Hang on for now.
00:50:52Time to play a new game.
00:50:54Look on the table in front of you.
00:50:56Open the envelope.
00:50:58If you want to speak to the girl again,
00:51:00earn yourself some phone time.
00:51:02This is inhuman.
00:51:03This is insane.
00:51:04Mycroft.
00:51:05We know.
00:51:07Six months ago, a man called Evans was murdered unsolved.
00:51:10Except by me.
00:51:12He was shot from a distance of 300 meters with this rifle.
00:51:18If the police had any brains, they'd realize there are three suspects.
00:51:21All brothers.
00:51:23Nathan Garideb, Alex Garideb, and Howard Garideb.
00:51:26All these photos are up to date, but which one?
00:51:30Hold the trigger, Sherlock.
00:51:33Which one?
00:51:34What's this?
00:51:35We're supposed to solve this based on what?
00:51:38This is all we get.
00:51:39Please, make use of your friend, Sherlock.
00:51:43I want to see you interact with people that you're close to.
00:51:46Also, you may have to choose which one to keep.
00:51:50What do you make of it?
00:51:51Am I being asked to prove my usefulness?
00:51:53Yes, I should think you are.
00:51:54I would not be manipulated like this.
00:51:56Bye.
00:51:57John.
00:51:58John.
00:52:00Yeah, I think I've seen one of these.
00:52:01It's a Buffalo gum.
00:52:03I'd say 1940s, old-fashioned sight.
00:52:06No crosshairs.
00:52:08Glasses, glasses.
00:52:10Nathan wears glasses.
00:52:12Evans was shot from 300 metres.
00:52:14Kick back from a gun with this calibre.
00:52:19It'd be massive.
00:52:22No cuts, no scarring.
00:52:24Not Nathan, then.
00:52:25Who's next?
00:52:25Well done, Dr. Watson.
00:52:26How useful you are.
00:52:27Do you have a suspicion we're being made to compete?
00:52:30No, we're not competing.
00:52:30There's a plane in the air that's going to crash.
00:52:32So what we're doing is actually trying to save a little girl.
00:52:35Today we have to be soldiers, Mycroft.
00:52:36Soldiers.
00:52:37And that means to hell with what happens to us.
00:52:41No priorities to your credit.
00:52:43No, my priorities just got a woman killed.
00:52:45Now, as I understand it, Sherlock, you try to repress your emotions to refine your reasoning.
00:52:50I'd like to see how that works.
00:52:52So if you don't mind, I'm going to apply some context to your deductions.
00:52:59Oh, dear God.
00:53:01Two of the Gary Debs work here is orderly, so getting a third along really wasn't too difficult.
00:53:06Once you bring in your verdict, let me know, and justice will be done.
00:53:12Justice?
00:53:12What will you do with her?
00:53:13Early release.
00:53:15You'll drop them into the sea.
00:53:16Sink or swim.
00:53:18They're tied up.
00:53:19Exactly.
00:53:20Now there is context.
00:53:22Please continue with your deductions.
00:53:24I'm now focusing on the difference to your mental capacity a specified consequence can make.
00:53:29Why should we bother?
00:53:30What if we're disinclined to play your games, little sister?
00:53:34I have, if you remember, provided you with some motivation.
00:53:40We're getting through the clouds like cotton wool.
00:53:42Oh, that's nice.
00:53:44Try to tell me more about the plane.
00:53:45Why was my mummy waiting for?
00:53:50This has got to be one of the other two.
00:53:52Now, Howard.
00:53:55Howard's a lifelong drunk pallor of his skin, Tamaloojian blossoms on his red nose,
00:53:59and terror notwithstanding the pair case of the DTs.
00:54:06There's no way he could have taken that shot from 300 meters away.
00:54:09Someone needs to send Alex.
00:54:11Invitations on the temple suggest he habitually wears glasses.
00:54:13Brown lines suggest a lifetime appearing.
00:54:15He's short-sighted, or he was.
00:54:17His recent laser surgery has done the trick.
00:54:19Laser surgery?
00:54:19Look at his clothes.
00:54:20He's made an effort.
00:54:22It's very good.
00:54:23Excellent.
00:54:24Suddenly, he sees what's over quite a different night now that he's done the specs.
00:54:27Ethan has a spray tan.
00:54:28But he's clearly not used to his new personal grooming ritual.
00:54:31I can be told by the state of his fingernails and the fact that there's hair growing in his ears.
00:54:35So it was a superficial job then.
00:54:37But he got his eyes fixed.
00:54:38His hands were steady.
00:54:39He pulled the trigger.
00:54:40He killed Evans.
00:54:41Are you ready to condemn the prisoner?
00:54:44Sherlock, we can't do this.
00:54:45Plain, remember?
00:54:47Sherlock, are you ready?
00:54:52Alex.
00:54:53Say it.
00:54:54Condemn him.
00:54:56Condemn him in the knowledge of what will happen to the man you name.
00:55:03I condemn Alex, Gary, don't you?
00:55:06Yeah.
00:55:06Why the girl?
00:55:08Congratulations.
00:55:09You got the right one.
00:55:11Now, go through the door.
00:55:13He dropped the other two.
00:55:14Why?
00:55:15Interesting.
00:55:16Why?
00:55:16Does it really make a difference, killing the innocent instead of the guilty?
00:55:21Let's see.
00:55:22The train has left the station.
00:55:26No.
00:55:27That felt pretty much the same.
00:55:29John.
00:55:30Don't let it distract you.
00:55:32Distract me.
00:55:32Soldiers today.
00:55:57One more minute on the phone.
00:55:59Frightened.
00:56:00I'm really frightened.
00:56:00It's okay.
00:56:01Don't worry.
00:56:01I don't have very long with you,
00:56:02so I just need you to tell me what you can see outside the plane.
00:56:06Just the sea.
00:56:07I can see the sea.
00:56:08Are there ships on it?
00:56:10No ships.
00:56:11I can see lights in the distance.
00:56:12Is it a city?
00:56:13I think so.
00:56:15She's about to fly over a city in a pilotless plane.
00:56:17We'll have to talk her through it.
00:56:19Through what?
00:56:20Hello?
00:56:20Are you still there?
00:56:21Still here.
00:56:21Just give us a minute.
00:56:23Getting the plane away from any mainland,
00:56:25any populated areas,
00:56:26it has to crash in the sea.
00:56:27What about the girl?
00:56:28Well, obviously, Dr. Watson,
00:56:29she's the one who's going to crash it.
00:56:31No, we could help her land it.
00:56:33And if we fail,
00:56:34she crashes into a city.
00:56:35How many will die then?
00:56:36How are we going to get her to do that?
00:56:39I'm afraid we're going to have to give her hope.
00:56:41Is there really no one there that can help you?
00:56:44Have you really, really checked?
00:56:45Everyone's asleep.
00:56:47Won't you help me?
00:56:48We're going to do everything that we can.
00:56:50I'm scared.
00:56:51I'm really scared.
00:56:52It's all right.
00:56:53I...
00:56:53Now, back to the matter in hand.
00:56:55Coffin.
00:56:56Problem.
00:56:57Someone is about to die.
00:56:59It will be, as I understand it, a tragedy.
00:57:01So many days not lived.
00:57:03So many words unsaid, etc, etc, etc, etc.
00:57:08Yes, yes, yes.
00:57:09And this, I presume, will be their coffin.
00:57:11Whose coffin, Sherlock?
00:57:14Please, start your deductions.
00:57:16I will apply some context in a moment.
00:57:19Well, they're loving for the entirely pointless courtesy of headroom.
00:57:22I say this coffin is intended for someone of about five foot four.
00:57:24Makes it more likely to be a woman.
00:57:26Not a child.
00:57:26Child's coffin would be more expensive.
00:57:28This is in the lower price range,
00:57:29and we're still best available in that bracket.
00:57:31Is there a lonely night on Google?
00:57:32This is a practical and informed choice.
00:57:34Balance of probability suggests that this is for an unmarried woman
00:57:37distant from her close relatives.
00:57:39That much is suggested by the economy of choice,
00:57:41acquainted with the process of death,
00:57:42but unsentimental about the necessity of disposal.
00:57:44Also, the lining of the coffin...
00:57:45Yes, very good, Sherlock.
00:57:46I would just look at the name on the lid.
00:57:52Only it isn't a name.
00:57:54So, it's for somebody who loves somebody.
00:57:57It's for somebody who loves Sherlock.
00:57:58And this is all about you.
00:58:00Everything here.
00:58:02So, who loves you?
00:58:03I'm assuming it's not a long list.
00:58:06Irene Adler.
00:58:07Don't be ridiculous.
00:58:08Look at the coffin.
00:58:11Unmarried.
00:58:12Practical about death.
00:58:13Alone.
00:58:16Molly.
00:58:16Molly Hooper.
00:58:18She's perfectly safe.
00:58:20For the moment,
00:58:21her flat is rigged to explode
00:58:22in approximately three minutes.
00:58:24Unless I hear the release code from her lips.
00:58:26I'm calling her on your phone, Sherlock.
00:58:29Make her say it.
00:58:30Say what?
00:58:31Obviously, Shirley.
00:58:32No.
00:58:33Yes.
00:58:36A one important restriction
00:58:38you're not allowed to mention
00:58:39in any way at all
00:58:40that her life is in danger.
00:58:41You may not at any point
00:58:43suggest that there is any form of crisis.
00:58:44If you do,
00:58:45I will end this session
00:58:47and her life.
00:58:48Are we clear?
00:58:49ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding,
00:58:56ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding,
00:58:58ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding,
00:58:58ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding,
00:58:58ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding,
00:59:04ding, ding, ding, ding, ding, ding, ding, ding, ding, ding, ding
00:59:16Hi, this is Molly, at the dead center of town.
00:59:20Leave a message.
00:59:22OK, OK.
00:59:24Just one more time.
00:59:29Come on, Molly. Pick up. Just bloody pick up.
00:59:43Hello, Sherlock. Is this urgent because I'm not having a good day?
00:59:48Molly, I just want you to do something very easy for me and not ask why.
00:59:51Oh, God. Is this one of your stupid games?
00:59:53No, it's not a game. I need you to help me.
00:59:57Look, I'm not at the lab.
00:59:59It's not about that.
01:00:01Well, quickly then.
01:00:05Sherlock. Where is it? What do you want?
01:00:08Molly, please, without asking why, just say these words.
01:00:13What words?
01:00:14I love you.
01:00:17Leave me alone.
01:00:18Molly, no, please, no, don't hang up. Do not hang up.
01:00:20Calmly, Sherlock, or I will finish her right now.
01:00:24Why are you doing this to me? Why are you making fun of me?
01:00:26Please, I swear you just have to listen to me.
01:00:29Softer, Sherlock.
01:00:30Molly, this is for a case. It's a sort of experiment.
01:00:35You're not an experiment, Sherlock.
01:00:38No, I know you're not an experiment. You're my friend.
01:00:40We're friends, but...
01:00:41Please, just say those words for me.
01:00:44Please don't do this. Just... just... don't do it.
01:00:48It's very important.
01:00:50I can't say why, but I promise you it is.
01:00:54I can't say that. I can't... I can't say that to you.
01:00:57Of course you can. Why can't you?
01:00:58You know why.
01:01:00No, I don't know why.
01:01:03I can't say that to me.
01:01:04Of course you do.
01:01:05Don't do it. Don't do it. Don't do it. Don't do it. Don't do it. Don't do it.
01:01:09Please, just say it.
01:01:12I can't. Not to you.
01:01:15Why?
01:01:17Because... because it's true.
01:01:20Because it's true, Sherlock.
01:01:24It's always been true.
01:01:28If it's true, just say it anyway.
01:01:32you bastard say it anyway you say it go on you say it first
01:01:39what say it say it like you mean it
01:01:45final 30 seconds
01:01:56I love you
01:01:59I love you
01:02:08Molly
01:02:13Molly please
01:02:24I love you
01:02:37Sherlock however hard that was
01:02:39yours I won I won
01:02:42come on play fair the girl on the plane
01:02:44I need to talk to her
01:02:47I won
01:02:48I saved Molly Hooper
01:02:51saved her
01:02:53from what I'll do be sensible
01:02:55there were no explosives in a little house
01:02:57why would I be so clumsy
01:02:59you didn't win
01:03:00you lost look what you did to her
01:03:03look what you did to yourself all those
01:03:04complicated little emotions I lost count
01:03:07emotional context Sherlock
01:03:09look it destroys you every time
01:03:11now please pull yourself together
01:03:14I need you at peak efficiency the next one isn't going to be so easy
01:03:18in your own time
01:03:20I love you
01:03:25no you're not going to be so Sims
01:03:27I'll be with you
01:03:27I love you
01:03:366
01:03:36no
01:03:39no
01:03:39no
01:03:40no
01:03:42no
01:03:43no
01:03:43no
01:03:44no
01:03:44Oh, my God.
01:04:15Look, I know this is difficult, and I know you're being tortured, but you've got to keep it together.
01:04:20This isn't torture, this is vivisection.
01:04:23We're experiencing science from the perspective of lab rats.
01:04:33Soldiers.
01:04:33Soldiers.
01:04:43Tick-tock tickets, please.
01:04:45Hey, sis, don't mean to complain, but this one's empty.
01:04:48What happened?
01:04:49You've run out of ideas.
01:04:50It's not empty, Sherlock.
01:04:52You've still got the gun, haven't you?
01:04:54I told you you'd need it because only two can play the next game.
01:04:57Just two of you go on from here.
01:04:59Your choice.
01:05:00It's make your mind up time.
01:05:02Whose help do you need the most?
01:05:04John or Mycroft?
01:05:06It's an elimination round.
01:05:07You choose one and kill the other.
01:05:10You have to choose family or friend.
01:05:13Mycroft or John Watson.
01:05:15Tick-tock-tock-tock-tock.
01:05:18Not yet, I think.
01:05:20But nearly.
01:05:22Remember, there's a plane in the sky and it's not going to land.
01:05:28Well?
01:05:29Well what?
01:05:30We're not actually going to discuss this, are we?
01:05:33I'm sorry, Dr. Watson.
01:05:35You're a fine man in many respects.
01:05:37Make good goodbyes and shoot him.
01:05:41Shoot him, what?
01:05:43Shoot Dr. Watson.
01:05:45There's no questioning who has to continue from here.
01:05:47It's us.
01:05:48You and me.
01:05:49Whatever lies ahead requires brain power, Sherlock.
01:05:52Not sentiment.
01:05:53Don't prolong his agony.
01:05:55Shoot him.
01:05:55Do I get a say in this?
01:05:57Today we are soldiers.
01:05:59Soldiers die for their country.
01:06:01I regret, Dr. Watson, that privilege is now yours.
01:06:05Shit.
01:06:06He's right.
01:06:09He is, in fact, right.
01:06:11Make it swift.
01:06:13Then you to prolong his agony.
01:06:14Get it over with,
01:06:15and we can get to work.
01:06:21Oh, God.
01:06:23I should have expected this.
01:06:26Pathetic.
01:06:26You always were the slow one.
01:06:28The idiot.
01:06:29That's why I've always despised you.
01:06:31You shame us all.
01:06:33You shame the family name.
01:06:35And for once in your life,
01:06:36do the right thing.
01:06:38Put this stupid little man
01:06:40out of all our misery.
01:06:41Shoot him.
01:06:42Stop him.
01:06:43Look at him.
01:06:44What is he?
01:06:45Nothing more than a distraction,
01:06:46a little scrap of ordinariness
01:06:48for you to impress,
01:06:49to dazzle with your cleverness.
01:06:51You'll find another.
01:06:52Please, for God's sake,
01:06:53just stop him.
01:06:54Why?
01:06:55Because, on balance,
01:06:56even your Lady Bracknell
01:06:58was more convincing.
01:07:00Nor everything he just said.
01:07:01He's being kind.
01:07:02He's trying to make it easy
01:07:03for me to kill him.
01:07:06Which is why this is going to be
01:07:08so much harder.
01:07:11You said you liked
01:07:12my Lady Bracknell.
01:07:13Jell, don't.
01:07:15It's not your decision,
01:07:16Dr. Watts.
01:07:17Not in the face, sir.
01:07:19Please.
01:07:19I promised my brain
01:07:21to the Royal Society.
01:07:22What would you suggest?
01:07:24Well,
01:07:24I suppose there is a heart
01:07:26somewhere inside me.
01:07:28I don't imagine
01:07:29it's much of a target,
01:07:30but
01:07:31why don't we try for that?
01:07:33I won't allow this.
01:07:35This is my fault.
01:07:38Moriarty.
01:07:39Moriarty?
01:07:40A Christmas treat.
01:07:42Five minutes' conversation
01:07:44with Jim Moriarty
01:07:45five years ago.
01:07:46What did they discuss?
01:07:49Five minutes' conversation.
01:07:54Unsupervised.
01:08:05Goodbye, brother of mine.
01:08:10No flowers.
01:08:14By request.
01:08:18Jim Moriarty thought
01:08:20you'd make this choice.
01:08:22He was so excited.
01:08:24And here we are.
01:08:27The end of the line.
01:08:30Homes killing homes.
01:08:36This is where I get off.
01:08:43Five minutes.
01:08:46It took her just five minutes
01:08:48to do all of this to us.
01:08:58Not on my watch.
01:09:00What are you doing?
01:09:02A moment ago,
01:09:03brave man asked to be remembered.
01:09:05I'm remembering the governor.
01:09:07Ten.
01:09:09No, no.
01:09:10Sherlock.
01:09:11Nine.
01:09:12Eight.
01:09:13I can't.
01:09:14Seven.
01:09:15You don't know about Redbeard yet.
01:09:16Six.
01:09:17Sherlock!
01:09:18Five.
01:09:19Sherlock, stop it at once!
01:09:21Four.
01:09:23Three.
01:09:26Two.
01:09:44Hello?
01:09:49Hello?
01:09:49You still there?
01:09:51Yes.
01:09:52No, no.
01:09:52I'm still here.
01:09:53I'm here.
01:09:54You went away.
01:09:56You said you'd help me
01:09:56and you went away.
01:09:57Yes, I know.
01:09:58Well, I'm sorry about that.
01:09:59We must have got cut off.
01:10:04How long was I away?
01:10:06Hours.
01:10:07Hours and hours.
01:10:09I don't grown-ups tell the truth.
01:10:10No, I am telling the truth.
01:10:12You can trust me.
01:10:14Where did you go?
01:10:15I'm not completely sure.
01:10:19Um, now, I tell you what.
01:10:20You've got to be really, really brave for me.
01:10:23Can you go to the front of the plane?
01:10:26Can you do that?
01:10:27The front?
01:10:28Yes, that's right.
01:10:29The front.
01:10:30You mean where the driver is?
01:10:31Yes, that's it.
01:10:32Okay.
01:10:34I'm going.
01:10:38Are you there yet?
01:10:40Yeah, I'm here.
01:10:42John?
01:10:42Yeah?
01:10:43Where are you?
01:10:44I don't know.
01:10:44I've just woken up.
01:10:45Where are you?
01:10:46I'm in another cell.
01:10:47I've just spoke to the girl on the plane again.
01:10:48We've been out for hours.
01:10:50Was she still up there?
01:10:51Yes.
01:10:51The plane will keep flying until it runs out of fuel.
01:10:53Is Mycroft with you?
01:10:55I have no idea.
01:10:55I can hardly see anything.
01:10:56Mycroft?
01:10:58Mycroft!
01:10:59Are you okay?
01:11:00Yeah.
01:11:02All right.
01:11:02We'll just keep exploring.
01:11:03Tell me anything you can about where you are.
01:11:04The walls are rough.
01:11:06They're rock, I guess.
01:11:07What are you standing on?
01:11:09Uh, stone, I think.
01:11:11But listen, there's about two feet of water.
01:11:15Chains.
01:11:17Yeah, my finger chained up.
01:11:19I can feel something.
01:11:26Bones, Sherlock.
01:11:28There are bones in here.
01:11:29What kind of bones?
01:11:32Uh, I don't know.
01:11:33Small.
01:11:40Redbeard.
01:11:42Who's Redbeard?
01:11:43Oh, hello.
01:11:44Are you at the front of the plane now?
01:11:46Yeah.
01:11:46I still can't make the driver up.
01:11:48That's all right.
01:11:49What can you see now?
01:11:50I can see a river.
01:11:52There's a big wheel.
01:11:53All right.
01:11:55Well, you and I are going to have to drive this plane together.
01:11:58Just you and me.
01:11:59We are?
01:12:00There's nothing to it.
01:12:01We just need to get in touch with some people on the ground.
01:12:04Now, um, can you see anything that looks like a radio?
01:12:09No.
01:12:10That's all right.
01:12:11But we keep looking.
01:12:12We've got plenty of time.
01:12:15What's wrong?
01:12:15The whole plane's shaking.
01:12:17Just turbulence.
01:12:18There's nothing to worry about.
01:12:20My ears hurt.
01:12:21Does the river look like it's getting closer?
01:12:24A little bit.
01:12:25All right, then.
01:12:26That means you're nearly home.
01:12:28Sherlock.
01:12:30I'm in a well.
01:12:33That's where I am.
01:12:34I'm in the bottom of a well.
01:12:38Why would there be a well in Sherriford?
01:12:41Why is there a draft?
01:12:46Allstoke attractor, have you painted them?
01:12:50Not real ones.
01:12:56I'm home.
01:12:58I was grateful.
01:12:59I was grateful.
01:12:59Me and Jim Moriarty, we got on like a house on fire, which reminded me of home.
01:13:04Yeah, it's just an old building.
01:13:05I don't care.
01:13:05The plane.
01:13:06Tell me about the plane.
01:13:07Now!
01:13:07Sweet Jim, he was never very interested in being alive.
01:13:10Especially if it could make more trouble being dead.
01:13:13Yeah, still not interested.
01:13:14The plane!
01:13:14You knew he'd take his revenge.
01:13:17His revenge, apparently, is me.
01:13:19Yoros, let me speak to the little girl on the plane and I'll play any game you like.
01:13:23First, find Redbeard.
01:13:26I'm letting the water in now.
01:13:28You don't want me to drown another one of your pets, do you?
01:13:31At long last, Sherlock Holmes, it's time to solve the Musgrave ritual.
01:13:36Your very first case.
01:13:39And the final problem.
01:13:41Bye-bye.
01:13:43Sherlock!
01:13:48Sherlock!
01:13:54John.
01:13:56John!
01:13:57John!
01:13:58Can you hear me?
01:14:00John!
01:14:01Please!
01:14:02Help me!
01:14:02Help me, please!
01:14:04John!
01:14:05John!
01:14:05Yeah, it's flooding!
01:14:06The world is flooding!
01:14:08Try as well as possible not to drown.
01:14:10What?
01:14:11I'm going to find you.
01:14:12I am finding you!
01:14:13Hurry up, please, because I don't have luck!
01:14:16It's leaning over the whole plane!
01:14:21Bye.
01:14:30You're us.
01:14:31You said the answers in the song, but I went through the song line by line.
01:14:34All those years ago, and I found nothing.
01:14:36I couldn't find anything.
01:14:37There was a beech tree in the grounds, and I dug, I dug, I dug, I dug, I dug.
01:14:4116 feet by six, 16 yards, 16 meters, and I found nothing.
01:14:47No one.
01:14:48Sherlock?
01:14:49It was a clever little puzzle, wasn't it?
01:14:54So why couldn't you work it out, Sherlock?
01:14:57Sherlock, there's something you need to know.
01:15:00Emotional context.
01:15:02And here it comes.
01:15:06Sherlock, the bones I found.
01:15:09Yes.
01:15:10The dog's bones, that's Redbeard.
01:15:12My croft's been lying to you.
01:15:14To both of us.
01:15:15They're not dog's bones.
01:15:18Remember that, his allergy.
01:15:19What was he allergic to?
01:15:21Well, would he never let you have all those times you begged?
01:15:25Well, he'd never let you have a dog.
01:15:27Look, look, look, look.
01:15:30Oh, come on, let's eat.
01:15:33You're a funny little memory, Sherlock.
01:15:39You are upset, so you told yourself a better story.
01:15:47But we never had a dog.
01:16:08Victor.
01:16:10Now it's coming.
01:16:13Victor Trevor.
01:16:17We played pirates.
01:16:20I was Yellowbeard and he was...
01:16:25He was Redbeard.
01:16:26You were inseparable.
01:16:28But I wanted to play too.
01:16:34Oh, God.
01:16:39What?
01:16:43What did you do?
01:16:45I am lost.
01:16:48Oh, my Lord will find me
01:16:52Deep down below the old...
01:16:55Please let me out!
01:16:57Please, someone help me!
01:16:58Please!
01:17:09Come on, let me in!
01:17:11Come on, let me in!
01:17:11Come on, let me in!
01:17:12Come on, let me in!
01:17:13Come on, let me in!
01:17:16Come on, let me in!
01:17:20Come on, let me in!
01:17:21Victor...
01:17:22Deep waters, Sherlock...
01:17:24All your life...
01:17:26In all your dreams...
01:17:28Deep waters.
01:17:31You killed him.
01:17:37You killed my best friend.
01:17:39I never had a best friend.
01:17:43I had no one.
01:18:00Plow with me, Shayla. Plow with me.
01:18:06No one.
01:18:11No one.
01:18:14No one.
01:18:16Okay.
01:18:18Okay, let's play.
01:18:31Hello? Are you there?
01:18:33Need your help. I'm trying to solve a puzzle.
01:18:35But what about the plane?
01:18:36Well, the puzzle will save the plane.
01:18:39The wrong dates.
01:18:40Choose the wrong dates on the gravestones as the key to the cipher and the cipher was the song.
01:18:44Is this extremely relevant?
01:18:47Yes, it is. I'll be with you in a minute.
01:18:58The lights are getting closer.
01:19:00The lights are getting closer.
01:19:00Us not working.
01:19:01That's number the words of the song.
01:19:04Then we erase the numbered words to match the sequence on the gravestones.
01:19:13I am lost.
01:19:17I am lost.
01:19:17Help me, brother.
01:19:19Save my life before my doom.
01:19:24I am lost without your love.
01:19:27Save my soul.
01:19:29I am lost.
01:19:34I am lost.
01:19:39I am lost.
01:19:40I am lost.
01:19:48I am lost.
01:19:50I am lost.
01:19:50I am lost.
01:19:54I am lost.
01:19:56I am lost.
01:20:05I am lost.
01:20:05Is this yours?
01:20:07I am lost.
01:20:16We are playing with me, Sherlock.
01:20:18We are playing the game.
01:20:19The game?
01:20:20Yes.
01:20:20I get it now.
01:20:22The song was never a set of directions.
01:20:24I'm in the plane.
01:20:25I'm going to crash.
01:20:27And you're going to save me.
01:20:29Look how brilliant you are.
01:20:31Your mind has created the perfect metaphor.
01:20:34You're high above us all, alone in the sky,
01:20:36and you understand everything except how to land.
01:20:39Now, I'm just an idiot.
01:20:41I'm on the ground.
01:20:43I can bring you home.
01:20:45No.
01:20:46No, no.
01:20:48It's too late.
01:20:49No, it's not. It's not too late.
01:20:51Every time I close my eyes,
01:20:53I'm on the plane.
01:20:55I'm lost.
01:20:57Lost in the sky.
01:20:59And no one can hear me.
01:21:05Open your eyes.
01:21:09I'm here.
01:21:12You're not lost anymore.
01:21:20Now, you just went the wrong way last time, that's all.
01:21:26This time, get it right.
01:21:28Tell me how to save my friend.
01:21:32You're awesome.
01:21:34Help me save John Watson.
01:21:49I just spoke to your brother.
01:21:52How is he?
01:21:53He's a bit shaken up, that's all.
01:21:54She didn't hurt him.
01:21:55She just locked him in her old cell.
01:21:58What goes around comes around.
01:21:59Give me a moment, boys.
01:22:01Um, Mycroft, make sure he's looked after.
01:22:04He's not as strong as he thinks he is.
01:22:06Yeah, I'll take care of it.
01:22:07Thanks, Greg.
01:22:12The helicopter ready?
01:22:14Let's move her, then.
01:22:16Is that him, sir?
01:22:17Sherlock Holmes?
01:22:18Fan, aren't you?
01:22:19Well, he's a great man, sir.
01:22:21No, he's better than that.
01:22:24He's a good one.
01:22:29You OK?
01:22:30I said I'd bring her home.
01:22:33I can't, can I?
01:22:35Well, you gave her what she was looking for.
01:22:38Context.
01:22:40Is that good?
01:22:41It's not good, it's not bad.
01:22:43It's...
01:22:45It is what it is.
01:22:48A lie for all these years?
01:22:52How is that even possible?
01:22:54What Uncle Rudy began,
01:22:57I thought it best to continue.
01:22:59I'm not asking how you did it, idiot boy.
01:23:02I'm asking how could you?
01:23:04I was trying to be kind.
01:23:06Kind?
01:23:08Kind?
01:23:09You told us that our daughter was dead.
01:23:13Better that
01:23:14than tell you what she had become.
01:23:17I'm sorry.
01:23:18Whatever she became,
01:23:20whatever she is now, Mycroft,
01:23:23she remains our daughter
01:23:25and my sister.
01:23:27Then you should have done better.
01:23:29He did his best.
01:23:30Then he's very limited.
01:23:33Where is she?
01:23:36Back in Sherinford.
01:23:37Secure this time.
01:23:39People have died.
01:23:41Without doubt, she will kill again
01:23:43if she has the opportunity.
01:23:45There's no possibility
01:23:46she'll ever be able to leave.
01:23:47When can we see her?
01:23:51There's no point.
01:23:53How dare you say that?
01:23:56She won't talk.
01:23:57She won't communicate with anyone in any way.
01:24:00She has passed beyond our view.
01:24:03There are no words
01:24:05that can reach her now.
01:24:07Sherlock.
01:24:12Well,
01:24:13you were always the grown-up.
01:24:16What do we do now?
01:24:18Oh.
01:24:19Oh.
01:24:21Oh.
01:24:47How dare you?
01:24:49I don't know.
01:25:25I don't know.
01:26:05Yeah, I think you'd better get round here.
01:26:29P.S.
01:26:32I know you two.
01:26:34And if I'm gone, I know what you could become.
01:26:37Because I know who you really are.
01:26:40A junkie who solves crimes to get high.
01:26:43And the doctor who never came home from the war.
01:26:53Will you listen to me who you really are?
01:26:55It doesn't matter.
01:26:57It's all about the legend.
01:26:59The stories.
01:27:01The adventures.
01:27:11There is a last refuge for the desperate, the unloved, the persecuted.
01:27:18There is a final court of appeal for everyone.
01:27:45When life gets too strange, too impossible,
01:27:50too frightening there is always one last hope when all else fails there are two men sitting
01:27:59arguing in a scruffy flat like they've always been there and they always will
01:28:06the best and wisest men i have ever known
01:28:13my baker street boys charlotte holmes and dr watson
01:28:42you
01:29:11You
Comments