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The Upturned Glass 1947
Transcript
00:00:06The End
00:00:40The End
00:01:02The End
00:01:33The End
00:02:17We're late enough already, they've closed the doors. You're coming. It's a medical school lecture. I want to see what
00:02:21the attraction is.
00:02:22The Psychology of Crime.
00:02:23What? The Psychology of Crime? Come. I have a good mind to stay. Who's the lecturer?
00:02:31I'd stay if I were you. He only lectures once a week. Now you've got to stay.
00:02:43Up to this point in the present series of lectures, we've dealt exclusively with abnormal mentalities.
00:02:50I emphasize the fact that in civilized communities, 80% of our murderers and violent criminals were those whose minds
00:02:58had been conditioned by exceptional nervous stress and unhealthy environment.
00:03:04Last Friday, we dealt with the smaller group of strictly moronic criminals.
00:03:09And now we come to that much more interesting phenomenon, the sane criminal.
00:03:16The man who is prepared to pursue his own ethical convictions, even to the point of murder.
00:03:21The man whose punishment is apt to weigh heavily on the conscience of society, because his actions as likely as
00:03:28not have been inspired by just as great an integrity as those of the men who sit in judgment.
00:03:34At worst, he's an irresponsible opportunist. At the best, he's a man with a strong sense of justice, even a
00:03:43mystic.
00:03:46I propose to relate the case history of a murderer of this class. A perfectly sane, valuable member of society.
00:03:53You'd better give him a fictitious name.
00:03:56We'll give them all fictitious names, all the characters in this case.
00:04:00He was a surgeon. We'd call him Mr... Mr. Joyce. Mr. Michael Joyce.
00:04:07He was well thought of in the medical profession and had a house of his own in Harless Street.
00:04:12His marriage had been an unhappy one, and he'd lived apart from his wife for several years.
00:04:18Consequently, he threw all his energy and interest into his work.
00:04:21As a brain specialist, he operated in three London hospitals and had developed a technique which considerably reduced the mortality
00:04:28rate in this field.
00:04:30He was reserved in his personal relationships and had no close friends.
00:04:34His only relaxation was to sit at home and play the piano or go to an occasional concert.
00:04:41Otherwise, it was a life devoted solely to work.
00:04:43A life that, by normal standards, was unutterably lonely and empty.
00:04:48But he never recognized this himself until he met a woman called Emma Wright.
00:04:53When she first came into his consulting room, he hardly even noticed her.
00:04:57She was just an ordinary middle-class woman who happened to have a daughter who was going blind.
00:05:02Sit down, Mr. John.
00:05:04Diane, let's have a look at this head of yours.
00:05:07I gather it was an emergency operation after an air raid.
00:05:11Yes.
00:05:12Now the eyesight's affected.
00:05:14The eye specialist said there was nothing he could do.
00:05:17Can you see well enough to read?
00:05:18Not really.
00:05:20I have the eye specialist report.
00:05:23Early optic atrophy.
00:05:26This is a fairly serious condition, Mrs. Wright.
00:05:29The thing for us to do is to take her into hospital,
00:05:31make a thorough investigation so as to establish the exact cause.
00:05:35You wouldn't mind that, Anne, would you?
00:05:37Would you?
00:05:38Will it hurt?
00:05:39No.
00:05:40We'll take good care of you.
00:05:41You want her to go in right away?
00:05:43I think she should.
00:05:45Anne, come over here.
00:05:47Sit down.
00:05:49We don't want the atrophy to become too far advanced.
00:05:53Anne, I'm just going to look into your eyes.
00:05:55You see those two figures on the mantelpiece?
00:05:57Keep your eye on them.
00:05:58My face will get in between, but don't look at me.
00:06:02The personality of the child's mother
00:06:04remained for the time being a matter of no great importance.
00:06:08But after the child had been submitted to a series of tests
00:06:11and x-rays had proved that her trouble was due to a small foreign body
00:06:14lodged anteriorly to the optic chiasma,
00:06:16it became obvious that a fairly serious operation was necessary
00:06:20and the relationship between these two became inevitably less remote.
00:06:25Will it be very dangerous, the operation?
00:06:28To her life?
00:06:30There's always a risk with a major operation.
00:06:32How great a risk?
00:06:34The mortality rate with this operation is 1%.
00:06:38And if you don't operate?
00:06:40She'd go blind.
00:06:45Oh, if only my husband were here, he'd know what to do.
00:06:48I'd hate to go ahead without him.
00:06:50We might consider putting it off for a short time,
00:06:52if he's coming home soon.
00:06:53Not for several months, I'm afraid.
00:06:55In that case, I shouldn't advise it.
00:06:57Every week that we let it go, it gets progressively worse.
00:07:00I know.
00:07:02I know you're right, but...
00:07:05You don't think she...
00:07:07I mean, she couldn't be among the 1%.
00:07:10In my mind, there's no question at all.
00:07:12I've met this problem before on many occasions,
00:07:14always with complete success.
00:07:16I wish you felt you could trust me.
00:07:18It isn't that.
00:07:22I'll do what you say.
00:07:24Well, I suggest we leave Anne here at the hospital.
00:07:27She's comfortable.
00:07:28Then I'll operate as soon as it can be arranged.
00:07:31All right?
00:07:32All right.
00:07:34There's nothing to it, Anne.
00:07:36We give you something nice to make you go to sleep,
00:07:38and when you wake up again, it's all over.
00:07:40Then you'll be able to see properly again.
00:07:42Oh, Mommy, they want to cut my hair off.
00:07:44But, darling, it'll grow again.
00:07:46Oh, must I stay here, Mommy?
00:07:47Mr. Joyce will take great care of you.
00:07:50Oh, don't go. Please, Mommy.
00:07:52How would you like your mother to stay with you
00:07:53till you go to sleep?
00:07:54Can't you stay with me until I wake up again?
00:07:57She can stay with you all the time, if she likes.
00:07:59Oh, yes, please, Mommy.
00:08:01He says you can.
00:08:03All right, darling, I'll stay.
00:08:05I'll see you later, Anne.
00:08:07I won't be a minute.
00:08:18I won't be a minute.
00:08:21I'll be a minute.
00:09:52For all his air of quiet confidence, the surgeon who is about to operate is often as nervous as a
00:09:57prima donna.
00:09:58This was exaggerated in the present case by the feverish devotion of the child's mother, which had conveyed itself to
00:10:04Michael Joyce and robbed him of that cold detachment which is the doctor's great strength.
00:10:10Never before had he been so acutely aware of the identity of the piece of human material he was working
00:10:15on as he took the scalpel and made the first incision and as the sister handed him the artery forceps.
00:10:47Congratulations, Paul.
00:11:05There were no complications at all.
00:11:06The child took the anaesthetic easily and the foreign body was located and successfully removed.
00:11:19The chief sufferer, of course, was the wretched woman who had been pacing up and down the waiting room for
00:11:23two hours.
00:11:24She broke down as soon as Michael Joyce came in and made his report and only pulled herself together when
00:11:30she remembered rather guiltily the promise she'd made to Anne to stay with her throughout the operation.
00:11:40There was another woman in the room with her, whom she introduced as her sister-in-law, a Mrs. Catherine
00:11:45Howard, a rather overdressed young lady who seemed to have very little interest in Anne's welfare.
00:11:51They had to wait some weeks to find out whether the operation had actually succeeded in saving Anne's eyesight.
00:11:58Meanwhile, they shared the daily uncertainties and anxieties.
00:12:03Emma Wright depended more and more on the feeling of confidence which he gave her.
00:12:07When it became obvious that Anne was on her way to recovery, she was tremendously grateful to him, a feeling
00:12:13which Michael Joyce did not mistake, but he knew that his own interest in her was greater than it should
00:12:18be.
00:12:19Without admitting it to himself, he began to dread the day when the job would be completed, the day of
00:12:25the final examination, after which Anne and her mother were to return to their home in the country.
00:12:30Anne and I went to the pictures last night, the first time for over a year.
00:12:33It was all coloured.
00:12:37Well, I don't suppose we shall see you again?
00:12:40I hope you will.
00:12:42I hope so, too.
00:12:45Not professionally, of course.
00:12:46The sun's come out, Mummy.
00:12:48We'll go to the park, shall we?
00:12:50Goodbye.
00:12:52Are you really going to the park?
00:12:53Yes, why?
00:12:55Do you mind if I go with you?
00:12:56Of course not.
00:12:59But oughtn't you to tell someone you're going in?
00:13:03I'll tell them when I get back.
00:13:04Then there can be no mistake about it.
00:13:07He should have said goodbye when their relationship came to its natural conclusion.
00:13:11But he couldn't bring himself to.
00:13:14She represented all the things that were so painfully lacking from a life devoted to textbooks and operating theatres.
00:13:20She was so simple and unaffected.
00:13:23She told him about Philip, her husband.
00:13:26How his work as a geologist had kept them apart for years at a time.
00:13:30And now he was going to give it up so that they could be together.
00:13:34She told him how they'd hoped for more children.
00:13:36Having only one, she'd become all the more nervous and possessive about Anne.
00:13:42They went on seeing each other and found they had the same tastes.
00:13:46They both liked music and fell into the habit of going to concerts together.
00:13:51Sometimes she'd come and play the piano at his house.
00:13:53With the piano at her house.
00:13:54With the piano at his house.
00:13:58With the piano at his house.
00:14:23In the benedict of a maze.
00:14:35I feel awfully guilty making you drive out all this way.
00:14:37It's all right.
00:14:38I really should have stayed in town.
00:14:40Only I hate leaving Anne alone at night.
00:14:42I'm relying on you to show me the way.
00:14:43I don't know this part of the country.
00:14:45Oh, I know the road.
00:14:46Good.
00:14:48Wait a minute.
00:14:51And we lost?
00:14:53Oh, it's all right.
00:14:53That's our chapel.
00:14:55Your chapel?
00:14:56Yes, you can see it from my bedroom window.
00:14:57Draw up when we come to it.
00:14:58I must show it to you.
00:14:59All right.
00:15:00There used to be great ructions in the family about it.
00:15:17When the wind's in our direction, you can hear them singing.
00:15:19I rather like it.
00:15:20The sound drifts across and, oh, I don't know, it's rather peaceful.
00:15:26Some people hate it.
00:15:28Kate was always trying to get Philip to sell the house.
00:15:29That was before she was married, of course.
00:15:32Then after she came back here, after her husband was killed, she started all over again.
00:15:36She says Clay always plays out of tune.
00:15:38Who's Clay?
00:15:39Our gardener.
00:15:39He plays the organ here.
00:15:41Kate thinks we ought to get rid of him because of it.
00:15:43Why?
00:15:43Does it affect his gardening?
00:15:44Oh, no.
00:15:46It's just that Kate thinks that if he hadn't a job, he might go and live in another district,
00:15:49and then there wouldn't be anyone to play the organ.
00:15:51Who's Kate?
00:15:52My sister-in-law.
00:15:53You met her one day at the hospital.
00:15:54Did I?
00:15:56Don't you even remember the people you meet?
00:15:58I remember the important ones.
00:16:01The ones I want to remember.
00:16:05That's our house up there.
00:16:11There's something I've been wanting to ask you all the evening.
00:16:14Yes.
00:16:15It's just, are you divorced?
00:16:19No.
00:16:21Diana doesn't want a divorce.
00:16:24Why do you ask her?
00:16:26Oh, no reason.
00:16:27I just wondered.
00:16:29We ought to be going.
00:16:30It must be awfully late.
00:16:40When Emma came up to London for the day, she made a habit of calling in at Michael's house
00:16:45in Harley Street after the day's shopping, and often they'd have dinner together afterwards.
00:16:58Hello, Emma.
00:16:59Hello.
00:17:01Sorry, I had to keep you waiting.
00:17:02I got messed up with my appointments this afternoon.
00:17:04It doesn't matter.
00:17:04Come and listen.
00:17:07It's a record Anne's made.
00:17:09It almost sounds as though she were a real pianist.
00:17:12I'm trying to think what this is.
00:17:14Madam, will you walk?
00:17:15Oh, yes.
00:17:17It's good.
00:17:17Is that really Anne?
00:17:18Of course it is.
00:17:20Quite a professional job.
00:17:21Shh.
00:17:23Oh, Dash.
00:17:25I'll go back.
00:17:26That was a mistake.
00:17:27She always goes wrong there, but we're going to have another one made without any mistakes.
00:17:32I'm slightly sorry.
00:17:35She can play it, really.
00:17:36This is where she goes wrong.
00:17:48She used to play very well.
00:17:50After the accident, of course, she had to play from memory.
00:17:53I made her go on practicing.
00:17:56Emma, do you love your husband?
00:18:00No.
00:18:02Well, do you?
00:18:06I don't know how to answer that question.
00:18:07But you know why I asked.
00:18:12Yes.
00:18:14Oh, Michael, I don't know what to say.
00:18:16Philip and I have been together for so long.
00:18:19I love you, Emma.
00:18:22You shouldn't have told me.
00:18:26If we'd kept quiet about it, we might have gone on seeing each other.
00:18:29It wouldn't have worked.
00:18:33I suppose not.
00:18:35I wanted you to know.
00:18:38I did know, Michael.
00:18:45I've tried not to recognize it.
00:18:47I tried to tell myself that something would happen to make it all right.
00:18:51Though I knew nothing could.
00:18:53It can never be all right.
00:18:55Neither of us is free or ever likely to be.
00:18:58There's nothing we can do about it.
00:19:00We won't see each other again after today.
00:19:04No.
00:19:06I'll miss you.
00:19:09Oh, Michael, so shall I.
00:19:12Dreadfully.
00:19:39It became more and more difficult for them to end their association.
00:19:42Neither was happy about it.
00:19:45Emma's husband was giving up the work he liked so as to be with her.
00:19:48And she was torn between her loyalty towards him and her love for Michael Joyce.
00:19:54Finally, she decided to write to her husband and explain what had happened.
00:19:59To ask him to release her.
00:20:10I can't send it, can I?
00:20:12No, you can't.
00:20:14It would be too unfair.
00:20:17It's Anne I'm thinking of, of course.
00:20:19Yes, well, there's your answer.
00:20:21Certainly wouldn't be fair to her.
00:20:23There's only one thing for us to do, I'm afraid.
00:20:29Goodbye, Michael.
00:20:37No, don't come near me.
00:20:40We must never see each other again.
00:20:57And they never did see each other again.
00:21:21Good morning, Mr. Joyce.
00:21:23Good morning.
00:21:24Good morning.
00:21:24Is it terrible about Mrs. Wright?
00:21:28Mrs. Wright?
00:21:30Remember, the mother was the little girl.
00:21:33Come on.
00:21:33I haven't found it.
00:21:34Stand apart.
00:21:35Oh, you'll come in.
00:21:39Will you take a seat in here, please?
00:21:44What about her?
00:21:46Who? Oh, Mrs. Wright.
00:21:48She fell out of a window and broke her neck.
00:22:02It was established at the inquest
00:22:04that the fatal fall took place at about six o'clock in the evening.
00:22:08The only other people in the house at the time were the child, Anne,
00:22:12and a housemaid,
00:22:13who testified that earlier in the afternoon
00:22:16Mrs. Catherine Howard had visited the house.
00:22:19Did you see Mrs. Howard leave?
00:22:21Yes, sir. I saw her get into a car and drive away.
00:22:24At about what time?
00:22:26A little before six, I should say, sir.
00:22:28And it was some minutes later that you heard a noise
00:22:31as of someone falling?
00:22:32Yes.
00:22:33That will be all, Miss Bond. Thank you.
00:22:45Repeat after me.
00:22:46I swear by Almighty God
00:22:48I swear by Almighty God
00:22:49That I will speak the truth
00:22:50That I will speak the truth
00:22:50The whole truth
00:22:51The whole truth
00:22:52And nothing but the truth
00:22:52Nothing but the truth
00:22:54You are Mrs. Catherine Howard?
00:22:56Yes.
00:22:56And your address is?
00:22:57I live at the Arcadia Hotel.
00:22:59Yes.
00:23:00And what was your relationship to the deceased?
00:23:02She was my sister-in-law.
00:23:03She was married to my brother Philip.
00:23:05When did you last see Mrs. Wright alive?
00:23:08About six o'clock on the evening of the accident.
00:23:10I was with her for about an hour.
00:23:12You had an engagement with her?
00:23:14Well, not exactly an engagement
00:23:16But she knew that I might stop by
00:23:19Was she actually expecting you to stop by?
00:23:22Well, she wasn't exactly expecting me
00:23:24But since my husband was killed
00:23:26I've been in the habit of popping in and out whenever I was nearby
00:23:29What happened when you arrived?
00:23:31Nothing
00:23:33Did you talk?
00:23:34Yes, we chatted for a while
00:23:36About anything in particular?
00:23:38No, just talk
00:23:40Did she seem worried?
00:23:42On the contrary
00:23:43She was very cheerful
00:23:44She was looking forward to her husband coming home
00:23:46Had she been suffering from ill health?
00:23:49Not at all
00:23:50Then there was nothing in her manner to suggest that anything was wrong?
00:23:53Certainly not
00:23:54Oh, but she did have a great fear of heights
00:23:57She had a great fear of heights?
00:23:59Do you mean that she mentioned it on this particular afternoon?
00:24:03Well, no
00:24:05Why did you mention it just now?
00:24:07Well, it seemed to me the only possible explanation for her falling out of the window
00:24:10I see
00:24:13What was Mrs. Wright doing when you left her?
00:24:15She was in her room
00:24:17I think she was going to turn out her stocking drawer
00:24:20Thank you, Mrs. Howard
00:24:21That will be all
00:24:36Come over here by me
00:24:42Now, Anne
00:24:43You understand what it meant by telling the truth, don't you?
00:24:47Yes
00:24:49It's very important that you do
00:24:50Because I'm going to ask you a few questions
00:24:52And I want you to answer them truthfully
00:24:54Tell me, when did you last see your mother?
00:24:59It was a little while before I went to bed
00:25:02Where was your mother?
00:25:04In her room
00:25:06Did you go in to talk to her?
00:25:09I went to say good night
00:25:11And did you say good night?
00:25:13Yes
00:25:15Yes
00:25:15Did your mother seem normal?
00:25:20Yes
00:25:22Tell me, Anne
00:25:23Was there anyone with your mother?
00:25:33No
00:25:35Nothing happened that seemed unusual to you?
00:25:37No
00:25:38Thank you
00:25:39That will be all
00:25:49Repeat after me
00:25:50I swear by Almighty God
00:25:51I swear by Almighty God
00:25:52That I will speak the truth
00:25:53That I will speak the truth
00:25:54That I will speak the truth
00:25:55The whole truth
00:25:55The whole truth
00:25:56And nothing but the truth
00:25:56And nothing but the truth
00:25:58Dr. Reynolds
00:25:59Is your name William Gawd Reynolds?
00:26:01Yes
00:26:01Do you practice in Darnborough?
00:26:03Were you called in this case?
00:26:05Yes
00:26:06What time did you get there?
00:26:08About 6.30 a.m.
00:26:46Was there anyone with your mother?
00:26:57Was there anyone with your mother?
00:26:59Will you be in to dinner tonight, sir?
00:27:02No
00:27:03No
00:27:04No, I've got to go
00:27:04Very good, sir
00:27:09Mrs. Catherine Howard
00:27:10Yes
00:27:11Your address is
00:27:12I live at the Arcadia Hotel
00:27:15I live at the Arcadia Hotel
00:27:55Is Mrs. Catherine Howard in?
00:27:57And the party's in Mrs. Devers Suite, room 29
00:28:01I'm sorry, sir. I thought perhaps you were one of the guests.
00:28:04Yes, yes, I am.
00:28:05Room 29. Second floor.
00:28:30Oh, I'm so glad you were able to come. We're in such a muddle. Everybody seems to be here.
00:28:35I won't have to introduce you. Oh, look, there's Joan Scott-Cotter.
00:28:38Joan, I want you to meet Mr...
00:28:40How do you do?
00:28:40Albert. I can't bear to see people that I didn't put their hands.
00:28:44There.
00:28:46Oh, dear, I might have known she'd turn up.
00:28:48Oh, darling, I'm so glad you were able to come.
00:28:53These are the ones we ought to avoid.
00:28:55All right, what's wrong with them?
00:28:56After Jenny Deva's last party, Judy Hammond went blind.
00:28:59Permanently?
00:29:00No, she's over there somewhere.
00:29:02Well, there's Kate Howard, and on the day of the inquest,
00:29:05would she do it?
00:29:06Put this down for me somewhere, will you?
00:29:08Yes.
00:29:14Excuse me.
00:29:17You're being very unsociable.
00:29:18There's someone here I know you'll adore.
00:29:20She's longing to meet you.
00:29:22Sylvia, darling, you don't know Peter, do you?
00:29:24I'm dying to meet you.
00:29:25Got a drink? Good.
00:29:26What on earth is that waiter doing?
00:29:31Is your name really Sylvia?
00:29:33What's wrong with Sylvia?
00:29:34Nothing at all. Only mine isn't Peter.
00:29:37Excuse me, I must take this drink to somebody.
00:29:39I just love that hat.
00:29:41Hello.
00:29:41Hello.
00:29:42That's the new window.
00:29:42Why, hello, Doctor.
00:29:43I never expected to find you at a cocktail party.
00:29:46I hardly expected to find myself at one.
00:29:47Have you been here long?
00:29:48No, I've only just arrived.
00:29:49You're looking very well.
00:29:50Oh, I'm an absolute dread.
00:29:52I've been having the most awful time.
00:29:53I expect you read about it.
00:29:54My sister-in-law, Emma Wright, you know,
00:29:56she fell out of a window and got killed.
00:29:57Yes, I did hear about it.
00:29:59I've just come straight from the inquest.
00:30:00I wonder if I dare try one of these.
00:30:02I shall not think what's in it.
00:30:03Catherine, you poor dear.
00:30:06What really happened?
00:30:07Did you throw herself out, you think?
00:30:08No, of course she didn't.
00:30:09Is one of those going begging?
00:30:10I'll die if I don't have a drink.
00:30:12I'm afraid this belongs to Mrs. Howe.
00:30:13You might find one over there, though.
00:30:15Now, don't go away, Catherine.
00:30:16I simply must hear it all.
00:30:19You saved my life.
00:30:21I think you ought to keep moving
00:30:22if you don't want her to catch you again.
00:30:23Quite a good idea.
00:30:28Kate, my dear, you must give me the lowdown.
00:30:31My husband swears that someone pushed her out of the window
00:30:34and it's all being hushed up.
00:30:36Come in the corner in the quiet.
00:30:37I can't bear it.
00:30:38I can't, never.
00:30:39Haven't you got to telephone your mother?
00:30:40My mother?
00:30:42Oh, oh, yes, I've got to phone my mother.
00:30:44See you later, dear.
00:30:45Excuse me.
00:30:47Kate, my dear, you're not going.
00:30:52I must.
00:30:53They're too gruesome.
00:30:54You're staying here for dinner.
00:30:56Well, don't rely on me.
00:30:57Oh, quick.
00:30:58There's that awful woman.
00:30:59See you later.
00:30:59You're a menace.
00:31:01Catherine.
00:31:01Darling, you haven't got a drink.
00:31:03No.
00:31:25I'm really not suitably dressed to be here.
00:31:27I ought to have changed, I suppose, for I've had such a hectic week, what with the inquest
00:31:30and everyone ringing up and asking silly questions about Emma.
00:31:33I do sympathize with you.
00:31:34All I know is she's left me with a load of debts.
00:31:37Is Mrs. Wright in debt?
00:31:39Oh, not hers, mine.
00:31:40I wonder if they've got any potted shrimps.
00:31:43I wonder if they've got any potted shrimps.
00:31:43What's happened to Anne?
00:31:44Anne?
00:31:46How do you know Anne?
00:31:47I operated Anne.
00:31:48Why, yes, of course.
00:31:49So you did.
00:31:50How silly of me.
00:31:51You know, I think I have one too many at that party.
00:31:53I almost forgot for the moment who you were.
00:31:55Well, what has happened to her?
00:31:56Oh, she's gone to Portsmouth.
00:31:58Emma's mother has a house down there.
00:32:00There's a dreary old miser, if ever there was one.
00:32:02She hates me.
00:32:04As if you cared.
00:32:05I do care.
00:32:06I'm most interested.
00:32:07You're just being very polite and sweet.
00:32:09Frankly, I'm badly.
00:32:11It's fatal to have a drink at Jenny Dee, but you never know what she's going to put in them.
00:32:14It'll pass off as soon as you've had something to eat.
00:32:16Tell me about the house.
00:32:17What's happened to that?
00:32:18What house?
00:32:19Mrs. Wright.
00:32:20Oh, it's up for sale.
00:32:21Already?
00:32:22Well, we moved Anne out the night her mother died.
00:32:24Philip will never want to see the place again.
00:32:25It's empty now.
00:32:27You got any potted shrimps?
00:32:28I'm afraid not, madam.
00:32:29Lobster cocktail?
00:32:30Yes, madam.
00:32:41Would it be very forward of me to hope that I shall see you again?
00:32:43If you'd held your breath a moment longer, I should have suggested it myself.
00:32:47Well?
00:32:48Well, are you free tomorrow evening?
00:32:51I'll see that I am.
00:32:52All right.
00:32:53Same place?
00:32:54Six o'clock?
00:32:55In the bar?
00:32:56Wonderful.
00:32:57Good.
00:32:58Good night.
00:32:59Good night.
00:33:10He decided to visit Emma's empty house.
00:33:14He'd never been inside her home.
00:33:15and he felt that if he could see it,
00:33:18he might in some way find an answer to the problem of Emma's death.
00:33:24He looked round the grounds,
00:33:26trying to find some way of getting into the house,
00:33:29but there were no windows unlatched
00:33:30and the place seemed to be completely deserted,
00:33:32so he had to break in.
00:33:46I'm sorry.
00:34:52This was the room where Emma had spent her leisure hours.
00:34:56Everything was just as it must have been when she was alive.
00:35:00Her piano.
00:35:02And Anne's.
00:35:38He knew he was in Emma's room as soon as he opened the door.
00:35:42There was still the faint smell of her perfume.
00:35:59On the other side of the valley, he could see the little chapel that Emma had found so charming.
00:36:02Here we go.
00:36:11Here we go.
00:36:17The End
00:36:48The End
00:37:19The End
00:37:44Who are you?
00:37:46That's what I should be asking you.
00:37:48I didn't know there was anyone here.
00:37:50No doubt you didn't.
00:37:52But that's no excuse for breaking into other people's houses in the middle of the night.
00:37:56You can be had up for this.
00:37:57Yes, I suppose I can.
00:37:59Are you looking after this place?
00:38:01I'm the caretaker.
00:38:02Did you take anything that doesn't belong to you?
00:38:04No, certainly not.
00:38:06It's rather difficult to explain.
00:38:08It's just that you haven't got a piano of your own, I suppose.
00:38:12It's all right, I believe you.
00:38:14No sensible burglar is going to stop Rexing the piano while he's on the job.
00:38:19Did you know the lady who owned this house?
00:38:21Noah?
00:38:22Why, I worked for her for ten years.
00:38:24I looked after the garden.
00:38:25Oh, are you the gardener who plays the organ at the chapel?
00:38:29Oh.
00:38:30Do you know about me?
00:38:31Ah, yes.
00:38:33Look here, there's no point in our standing out here in the cold.
00:38:36I've got the kettle on.
00:38:37Would you like a cup of tea?
00:38:38There's nothing I'd like better.
00:38:39Come down to my room.
00:38:42I gather that Mrs. Howard didn't take very kinder to your organ playing.
00:38:45Mrs. Howard, poking her nose into everyone's business.
00:38:48Made the poor lady a nice dance, I can tell you.
00:38:51Shocking tragedy.
00:38:52Ever such a nice lady.
00:38:54I'm usually in bed by this time.
00:38:56If I'd broken in earlier, I might have played the piano in peace.
00:38:59If you picked the right night, you could have made yourself at home the whole evening.
00:39:02Oh, really?
00:39:02Yes.
00:39:03I always cycle over to my sister's on Fridays.
00:39:06Kind of breaks the monotony.
00:39:07Thanks for the information.
00:39:08If I were a burglar, I could use it.
00:39:11You're no burglar.
00:39:12I can see that.
00:39:14I knew Mrs. Wright.
00:39:16I wanted to have a look at the scene of the accident.
00:39:19Accident?
00:39:20It were no accident.
00:39:21The coroner said it was.
00:39:23And what if he did?
00:39:25Does it seem likely to you that a lady would fall out of a window she'd been looking out of
00:39:29for ten years?
00:39:30A lady that was perfectly healthy and didn't suffer from a fear of heights,
00:39:35no matter what some people said at the inquest, help yourself to milk.
00:39:39She's a real devil, that Mrs. Howard.
00:39:42You seem prejudiced.
00:39:43It's not only me.
00:39:44Doris would bear me out.
00:39:45Sugar?
00:39:46No, thank you.
00:39:47And cook.
00:39:48Mrs. Howard lived here for a time after her husband was killed,
00:39:51and she'd never let Mrs. Wright alone.
00:39:54Always nagging and getting on her nerves.
00:39:57And Mrs. Wright was that soft-hearted.
00:39:59She was very easily upset.
00:40:01Yes, I know she was.
00:40:02And then there was a scene about the carpet.
00:40:05What about the carpet?
00:40:06Oh, she stole it, Mrs. Howard did.
00:40:09Stole a carpet?
00:40:10Mrs. Wright let on.
00:40:11She gave it to her just to save Mrs. Howard's face.
00:40:13But we know different.
00:40:15They say Mrs. Howard got a tidy sum for it.
00:40:17Did she?
00:40:19I imagined Mrs. Howard was fairly well off.
00:40:21Well, she had a lot of money by her husband,
00:40:23but that didn't stop her trying to get more.
00:40:25Have another cup.
00:40:26No, thank you very much.
00:40:28I must be moving.
00:40:29Yes, tried to get me the sack
00:40:31just because she didn't like my organ playing.
00:40:34Are you fond of singing?
00:40:36It's a long time since I've said.
00:40:40If you want to know what I think,
00:40:41Mrs. Howard pushed her.
00:40:43I'm sure that's not true.
00:40:45She could do it.
00:40:47But the maid said at the inquest
00:40:48that Mrs. Howard left the house before it happened.
00:40:50Doris would want to keep it dark for Mr. Wright's sake.
00:40:55Well, for Mrs. Howard's sake, I hope you're wrong.
00:41:01At first he found it hard to credit the cat-hackers' session.
00:41:05But later, as he got to know Kate Howard,
00:41:08he couldn't entirely dismiss the idea.
00:41:10She was a hard, self-centered, brittle woman.
00:41:13And it did seem just possible
00:41:14that she had had something to do
00:41:15with her sister-in-law's death.
00:41:18Kate Howard was delighted with his attentions
00:41:20and only too pleased to talk about herself.
00:41:24She appeared to be a woman with a grudge.
00:41:26First of all, when she'd wanted to be a singer,
00:41:28her parents had refused to pay for her training.
00:41:31Her husband had been equally uncooperative.
00:41:34From the way she spoke of him,
00:41:35one would have thought that he'd chosen to die young,
00:41:38solely in order to keep her short of money.
00:41:40And then there was her brother, Philip.
00:41:43She'd always resented the fact
00:41:44that he had the lion's share of her family's money.
00:41:47There were so many things she'd have liked to do
00:41:49with her life she kept telling him.
00:41:51He tried to draw her out on the subject of Emma Wright,
00:41:54but here she was much more reticent.
00:41:57However, she did finally come out with an interesting statement.
00:42:00Emma had a lover.
00:42:03Oh, but that's not true.
00:42:05That surprises you, I suppose.
00:42:07How did you know?
00:42:08She told me.
00:42:11Did she tell you who the man was?
00:42:13No.
00:42:14I suppose I shouldn't have talked about her now that she's dead.
00:42:16Still, you asked, and now you know why I say
00:42:18that Anne would be better off without her.
00:42:20Where's Anne going to live?
00:42:22With me.
00:42:23With you?
00:42:24Oh, don't look so shocked.
00:42:26I can't exactly picture you looking after a child.
00:42:29Oh, don't be so sure of that.
00:42:31I'm full of unfulfilled maternal instincts.
00:42:34Are you?
00:42:35No.
00:42:36I've arranged for her to go to boarding school.
00:42:38I didn't expect to hear of her again
00:42:39till the summer holidays.
00:42:40Come and sit down over here.
00:42:41You're such a long way away.
00:42:44Is her father satisfied with this arrangement?
00:42:46Oh, yes.
00:42:46He came with me to make a home for her.
00:42:48Did you cause any at a school making a home?
00:42:50Now, don't you start on me.
00:42:51I've had quite enough trouble for Anne.
00:42:52She wants to be allowed to stay on with Emma's mother.
00:42:55Philip wants her to be brought up by someone younger,
00:42:56hence me.
00:42:57I see.
00:42:58When does she start her school?
00:43:00Monday.
00:43:01I've got her coming to town tomorrow
00:43:02to get her teeth fixed before she goes.
00:43:05It's a sickening responsibility.
00:43:06Still, it can't be helped.
00:43:07I presume your trouble would not go entirely unrewarded.
00:43:09Oh, no.
00:43:10Philip's making me an allowance to take care of her.
00:43:12I shouldn't have taken it on otherwise.
00:43:14Still, it's an awful nuisance.
00:43:15Poor little Anne.
00:43:16Don't waste her simply on her.
00:43:18What time is this dentist appointment?
00:43:20Why are you so interested?
00:43:21I was just thinking that you'd be free while she's there.
00:43:24So?
00:43:25If I were free at the same time, we might meet.
00:43:29That's quite a thought.
00:43:31Kate was completely unsuspecting
00:43:33when he made an appointment
00:43:34to meet her for tea at the Savoy at 4 o'clock.
00:43:36He never had any intention of keeping this appointment.
00:43:39He had to see Anne.
00:43:41And he had to find a way of seeing her alone.
00:43:46My aunt told me to come and wait for her here
00:43:48when I'd finished with the dentist.
00:43:50Come in, will you?
00:43:51She's having tea somewhere.
00:43:53She's going to pick me up afterwards.
00:43:55Will you wait in here?
00:43:57I know this wrong.
00:44:10Hello, Anne.
00:44:11Hello.
00:44:13Did the dentist give you a bad sign?
00:44:16I was told to wait here for Aunt Kate.
00:44:17Is it all right?
00:44:18I was expecting you.
00:44:19Your hair's growing nicely.
00:44:21Oh, it's awful.
00:44:23I thought it was about time you and I had a talk.
00:44:27What about?
00:44:28About you.
00:44:29Do you like the idea of going away to school?
00:44:32I don't mind.
00:44:34Do you...
00:44:35Do you like your Aunt Kate?
00:44:39Yes.
00:44:40Are you sure about that?
00:44:42Yes.
00:44:43Don't you trust me?
00:44:46Yes.
00:44:47Not very much.
00:44:49I don't know why you're asking me all these questions.
00:44:52I want to help you.
00:44:53A long time ago, you trusted me with something very important.
00:44:56What was that?
00:44:57Your life, Anne.
00:44:58Don't you remember?
00:44:59Yes.
00:45:02Why did you say at the inquest that there was no one with your mother the last time you saw
00:45:05her?
00:45:08Because there wasn't.
00:45:09That's not true, though, is it?
00:45:11Oh, I don't know what you want me to say.
00:45:13Your Aunt Kate was with her, wasn't she?
00:45:14Oh, leave me alone, please.
00:45:15What happened between Kate and your mother before the accident?
00:45:18It wasn't an accident.
00:45:20It was just the same as if I pushed her.
00:45:21You?
00:45:23It was my fault.
00:45:24How could it have been?
00:45:25I know it was.
00:45:26I sided against Mommy.
00:45:28I don't care what happens to me anymore.
00:45:29What does you do, Anne?
00:45:30You must tell me.
00:45:31I can't.
00:45:32You must.
00:45:33It's important.
00:45:34She made me promise not to.
00:45:35She said they'll send me to prison if they find out.
00:45:37Kate said that?
00:45:38Yes.
00:45:39Well, she's no right to say it.
00:45:40No one can send you to prison if you tell the truth.
00:45:43What happened, Anne?
00:45:44You've got to tell me.
00:45:49I went up to Mommy's room to say goodnight.
00:45:53I've been playing in the garden since tea time.
00:45:56I knew Aunt Kate was with Mommy.
00:45:58And as I reached the top of the stairs, Aunt Kate was coming out of Mommy's room.
00:46:01She was angry.
00:46:03And she talked in a very quiet voice to me.
00:46:05She said she had something very important to tell me.
00:46:08Then she started.
00:46:10She said the most horrible things about Mommy.
00:46:13About Mommy and some man.
00:46:15There was going to be a divorce, she said.
00:46:17And I'd have to give evidence against Mommy.
00:46:19I'd have to tell them in court for Daddy's sake.
00:46:22All the awful things Mommy had done.
00:46:24I suppose Mommy must have been listening all the time.
00:46:27Because suddenly she told Aunt Kate to get out of the house.
00:46:30She wouldn't go.
00:46:32Mommy told me to come to her room with her.
00:46:34But I wouldn't.
00:46:35I don't know why.
00:46:37I was afraid, I suppose.
00:46:38And I believed what Aunt Kate had said.
00:46:41I believed it then.
00:46:43It was only afterwards I saw how wicked she was.
00:46:47I heard Mommy slam the door for her when she went back.
00:46:51I never saw her again.
00:46:53It was all my fault for believing Aunt Kate.
00:46:56No, Anne, it wasn't your fault.
00:47:03What in the world happened to you?
00:47:04I'm afraid I couldn't make it.
00:47:05I can see that.
00:47:06Where have you been?
00:47:07I got held up.
00:47:08You could have telephoned me.
00:47:09I waited for you over an hour.
00:47:10As it happens, I had more important things to do.
00:47:12I don't know who you think you are.
00:47:13I'm not in the habit of paying for my own tea.
00:47:16Come along, Anne.
00:47:30I'll see you in the habit of paying for me.
00:47:30You have to die by day.
00:47:31I didn't know what you thought.
00:47:31I don't know who you were, but I won't.
00:47:35I didn't know who you were.
00:48:40I want to talk to you, Michael.
00:48:43It's very late.
00:48:44It won't take long.
00:48:50What do you want to say?
00:48:51We can't talk down here.
00:49:06I realize it was very silly of me to be so annoyed with you this afternoon.
00:49:10I suppose you were working and couldn't help it.
00:49:12Is that what you came to say?
00:49:13Yes.
00:49:14All right, you've said it now.
00:49:17Good night.
00:49:18You're still angry with me.
00:49:20Please don't be.
00:49:21Let's forget about it and be friends.
00:49:24I don't want to see you again, Kate.
00:49:26Oh, Michael.
00:49:27Just because of this afternoon?
00:49:29That has nothing to do with it.
00:49:30You can't just drop me like this.
00:49:32It isn't fair.
00:49:34It'll be better for you if I do.
00:49:36How can you say that?
00:49:37You're fond of me, aren't you?
00:49:39Anyway, I'm very fond of you.
00:49:41Go home, Kate.
00:49:43It's silly to punish us both just because you're angry with me.
00:49:48Michael.
00:49:49You're not just trying to end things with me out of a misplaced chivalry, are you?
00:49:54Misplaced chivalry?
00:49:55What do you mean?
00:49:56It just occurred to me that you might think you were being unfair to go on, knowing that
00:49:59you're not free.
00:50:01Oh, I see.
00:50:03You mean I'm trying to drop you rather than involve you with a married man, is that it?
00:50:07Well, isn't it?
00:50:10I'm asking you for the last time.
00:50:12Go home before it's too late.
00:50:15Michael.
00:50:23I don't care about a lot of silly conventions.
00:50:26I want to be with you under any circumstances.
00:50:32Do you, Kate?
00:50:36Very well, you shall be.
00:50:45She had made up his mind for him.
00:50:48That was the end for Kate.
00:50:51He now began to make his plans for the revenge he'd thought of for so long.
00:50:56He arranged for his junior to take over his patients and established at the hospital that
00:51:01there was a possibility that he might not be available for the coming fortnight.
00:51:05He wanted to be prepared for every emergency.
00:51:08If something should go wrong and prevent him carrying out his plan at once, he didn't want
00:51:13his absence to be noticed.
00:51:15He'd left himself with only one appointment before his meeting with Kate Howard.
00:51:20This was a routine job of an educational major, which he did at regular intervals as a sideline.
00:51:28While he was engaged on it, his mind was working out the practical problems which would be involved
00:51:35by this plan he'd formulated.
00:51:39It was a Friday night.
00:51:41That was going to make things easier for him.
00:51:44He'd arranged to pick her up at a lonely part of the embankment.
00:51:49On his suggestion, she'd told her friends that she was going away for a few weeks.
00:51:54As they drove out of London, she was full of the usual chatter, never suspecting for a
00:52:00moment his real feelings towards her.
00:52:02Until they'd actually arrived at Emma's house, she'd no idea where he was taking her.
00:52:08The house was for sale.
00:52:09He wanted to see it.
00:52:11He wanted to see it.
00:52:11She accepted this explanation.
00:52:14He knew that no one would answer the bell because he remembered the gardener telling him
00:52:18that he always went over to his sister's place on Friday nights.
00:52:22The window was still broken as he'd left it on his last visit.
00:52:27She followed him upstairs to Emma's room and over to the window out of which Emma had fallen.
00:52:34He drew the curtains, threw open the window.
00:52:38Then he told her that he was the man Emma had loved.
00:52:43That he'd found out that she was responsible for Emma's death.
00:52:47And now she was going to die the same way Emma had died.
00:52:52He told her to throw herself out.
00:52:56At the last moment, she started to scream.
00:53:00Then she fell.
00:53:05This was a murder conceived in perfect sanity and faultlessly carried out.
00:53:15I'm afraid I've taken rather longer with this story than I'd intended.
00:53:18I shall have to leave the more general discussion of the subject until next time.
00:53:23May I ask you a question?
00:53:26Yes.
00:53:27I take it that the murderer was never suspected.
00:53:31No.
00:53:32The police could find no evidence that pointed to anything other than suicide.
00:53:36And yet, like all paranoics, he had to tell someone about it.
00:53:41I don't quite get that.
00:53:42Well, he told you, presumably.
00:53:46Yes.
00:53:46He was a patient of mine.
00:53:48In a lunatic asylum.
00:53:51No, he was perfectly sane.
00:53:53Same as I am.
00:53:55You didn't mind my asking.
00:53:57Not at all.
00:53:58It was a good question.
00:54:00Not at all.
00:54:29No, I did not.
00:54:32No, no, no, no.
00:54:36Not at all.
00:54:36No, no, no.
00:54:45No, no, no.
00:55:11Have you been waiting?
00:55:13I'll take that.
00:55:30Where are we going?
00:55:32You'll see.
00:55:34Oh, a surprise.
00:55:37You went across a red light.
00:55:39Did I?
00:55:48Do you hate women who make up in public?
00:55:51I've never thought about it.
00:55:52So much for that little subject of conversation.
00:55:55Perhaps you'd like to talk about it yourself.
00:55:57What was your appointment this evening?
00:55:59I was giving a lecture on criminology.
00:56:02Well, what have you got to say on that subject?
00:56:04I told a story about a man who killed a woman for revenge.
00:56:08He was carrying things a bit far.
00:56:10Mad, I suppose.
00:56:12No, he was perfectly sane.
00:56:13I know.
00:56:14They always have a kink somewhere, those people who do violent things.
00:56:17Take my sister-in-law, for example.
00:56:20How does she come into the argument?
00:56:22She must have been a bit mad to do a thing like that.
00:56:24Like what?
00:56:25Committing suicide.
00:56:27What makes you say it was suicide?
00:56:28It was an accident.
00:56:30What's the matter?
00:56:31I thought for a moment that was that awful chapel near her house.
00:56:34We're going to her house.
00:56:37Whatever for?
00:56:38You said it was up for sale, didn't you?
00:56:40So it is.
00:56:41I might buy it.
00:56:44Well, what a time to choose to go and look over a house.
00:56:47You must be demented.
00:57:00Out you get.
00:57:01Oh, do let's come back in the daytime.
00:57:03I want to show you something.
00:57:04It won't take long.
00:57:06Oh, all right.
00:57:16Where are you going?
00:57:18I'm looking to see if any of these windows are open.
00:57:20That's not necessary.
00:57:21The gardener should be here.
00:57:22He's taking care of the place till it's sold.
00:57:30There's a window broken here.
00:57:36You're not serious.
00:57:39Certainly I am.
00:57:44Well, anything to oblige a criminologist.
00:57:50Just a minute when I turn on the light.
00:57:51No, don't do that.
00:57:52It'll spoil the atmosphere.
00:57:57Well, which part of the house do you want to see first?
00:58:00Upstairs.
00:58:01I'd better lead the way.
00:58:02I know the place.
00:58:04I can't imagine anyone ever wanting to live here.
00:58:06I've always loathed it.
00:58:08I tried to persuade Philip to sell it long ago
00:58:09when he first inherited it.
00:58:17This was her room.
00:58:18That's right.
00:58:19How did you know?
00:58:21I've been here before.
00:58:24When?
00:58:27What really gave you the idea
00:58:29that she had a lover?
00:58:32She told me so.
00:58:33Now tell me the truth.
00:58:35All right.
00:58:36I overheard them talking on the telephone.
00:58:39I listened on the extension.
00:58:40Didn't you recognize the man's voice?
00:58:45No.
00:58:46But you do now.
00:58:53You evidently thought you were safe.
00:58:56That when she was dead,
00:58:57that was the end of the matter.
00:58:59Did you really imagine
00:59:00that I'd accept her death
00:59:01without making every effort
00:59:02to find out how it happened?
00:59:22Come here.
00:59:30That's where she fell, isn't it?
00:59:33I don't know. I wasn't here.
00:59:35You tried to get money out of her because you thought she was being unfaithful.
00:59:39Then, when that was no good, you poisoned the child's mind against her.
00:59:43You might just as well have killed her yourself.
00:59:46Ain't just as guilty this way.
00:59:55What was that for?
00:59:57I don't like being locked in a room with a madman.
01:00:02I can get that key from you any time I like.
01:00:04If you don't let me out of here, I'll scream.
01:00:06There's no one to hear you.
01:00:08The gardener's here. He'll hear me.
01:00:10Why don't you scream, then?
01:00:13Because I want to give you the opportunity of letting us get out of here with dignity.
01:00:16The gardener goes over to his sister's on Friday nights. This is Friday night.
01:00:19Let me out of here!
01:00:20He told me so himself. That's why I picked tonight.
01:00:25He's not at his sister's. He's here.
01:00:28That's him playing the organ. No one else ever plays it.
01:00:31You can't do anything to me now. He'll be back soon.
01:00:33Not soon enough.
01:00:35You're raving mad!
01:00:35I'm going to make you do to yourself what you did to her.
01:00:37They told me! I won't! I won't!
01:00:39It's like suicide.
01:00:40The organ's stopped! He'll be back! He'll be back here!
01:01:05I won't! I won't! I won't!
01:01:11I won't! I won't! I won't!
01:01:15I won't! I won't! I won't!
01:01:19Ah!
01:01:49Oh, my God.
01:02:19Oh, my God.
01:02:48Oh, my God.
01:03:39Oh, my God.
01:03:51Oh, my God.
01:04:16Oh, my God.
01:04:46Oh, my God.
01:04:48Oh, my God.
01:04:50Oh, my God.
01:04:56Oh, my God.
01:04:59Oh, my God.
01:05:11Oh, my God.
01:05:38Oh, my God.
01:05:56Oh, my God.
01:05:59Oh, my God.
01:06:02Oh, my God.
01:06:02Oh, my God.
01:06:03Oh, my God.
01:06:03Oh, my God.
01:06:05Oh, my God.
01:06:26Oh, my God.
01:06:53Oh, my God.
01:07:13Oh, my God.
01:07:16Oh, my God.
01:08:01Oh, my God.
01:08:22Oh, my God.
01:08:34Oh, my God.
01:09:32Oh, my God.
01:09:39Oh, my God.
01:10:08Oh, my God.
01:10:43Oh, my God.
01:11:09Oh, my God.
01:11:36Oh, my God.
01:11:48Oh, my God.
01:12:13Oh, my God.
01:12:26Oh, my God.
01:12:58Oh, my God.
01:13:24Oh, my God.
01:13:52Oh, my God.
01:14:10Oh, my God.
01:14:11Oh, my God.
01:14:12Oh, my God.
01:14:12Oh, my God.
01:14:12Oh, my God.
01:14:12Oh, my God.
01:14:13Oh, my God.
01:14:14Oh, my God.
01:14:14Oh, my God.
01:14:14Oh, my God.
01:14:15Oh, my God.
01:14:17Oh, my God.
01:14:40Oh, my God.
01:15:15Oh, my God.
01:15:26Oh, my God.
01:15:50Oh, my God.
01:15:55Oh, my God.
01:16:13Oh, my God.
01:16:38Oh, my God.
01:16:40Oh, my God.
01:16:56Oh, my God.
01:17:51Oh, my God.
01:18:19Oh, my God.
01:18:36Oh, my God.
01:18:49Oh, my God.
01:19:41Oh, my God.
01:19:47Oh, my God.
01:20:36Oh, my God.
01:21:09Oh, my God.
01:21:11Oh, my God.
01:21:43Oh, my God.
01:21:45Oh, my God.
01:22:06Oh, my God.
01:22:06Oh, my God.
01:22:41Oh, my God.
01:22:50Oh, my God.
01:22:52Oh, my God.
01:23:19Oh, my God.
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