Alice In Wonderland Tv 1966

NatureVids

Transcript

00:00:07There was a time when meadow, grove and stream, the earth and every common sight, to me did

00:00:14seem apparelled in celestial light, the glory and the freshness of a dream.

00:00:30I wish there was a major in the world.

00:00:39I mean, those people were living in the world.

00:00:42I mean, they weren't living in the world, the whole world.

00:00:48I mean, they weren't living in the world, the whole world.

00:00:52Or, you know, and it's fine.

00:00:59But there's no way.

00:00:59I'm glad we don't think we won't quite.

00:01:01We won't manage to get such a trickle to each other.

00:01:06Just hold still.

00:01:09Jettles.

00:01:13Even you have to get them on the street.

00:01:20Won't last all for the summer, okay?

00:01:28Yes, that's right.

00:01:29Let's get one out.

00:01:30Let's go.

00:05:52How queer everything is today.

00:05:56I wonder if I've been changed in the night.

00:06:00Let me think.

00:06:02Was I the same when I got up this morning?

00:06:06I almost think I can remember I can remember feeling a little different.

00:06:17But if I'm not the same, the next question is, who in the world am I?

00:06:25Ah, that's the great puzzle, who am I?

00:06:31I'll see you, I'm I'm using you, I'll see you, I'm getting before you know, you're there.

00:06:39Oh, I'm an idiot.

00:06:42Oh, my God.

00:07:02I'll try to find out all the things I used to know.

00:07:07Let me see.

00:07:09Four times five is twelve.

00:07:13And four times six is thirteen.

00:07:20And four times seven is...

00:07:43...

00:07:47...

00:08:00...

00:08:01...

00:08:21Curiouser and curiouser.

00:08:27How doth the little crocodile improve his shining tail...

00:08:32...and pour the waters of the Nile on every golden scale?

00:08:53...

00:09:17I think the main problem is how we all get dry.

00:09:21If you'll all be quiet and listen to me, I'll soon make you dry enough.

00:09:27Are you ready?

00:09:29Here is the driest thing that I know.

00:09:32Silence all round, please.

00:09:37William the Conqueror, whose cause was favoured by the Pope...

00:09:42...was soon submitted to by the English who wanted leaders...

00:09:46...and were of late much accustomed to usurpation and conquest.

00:09:51Edwin and Morcar, the Earls of Mercia and Northumbria...

00:09:56I have never been so bored in my life.

00:09:59Yes, yes, yes, yes.

00:10:02Did you speak?

00:10:03No, not a word.

00:10:05Yes, yes.

00:10:06I thought you did.

00:10:07Yes, yes, yes.

00:10:08I shall proceed.

00:10:10Yes, yes, yes.

00:10:10Edwin and Morcar, the Earls of Mercia and Northumbria...

00:10:16...soon declared for him.

00:10:18And even Stigand, as the Patriotic Archbishop of Canterbury...

00:10:24...found it advisable to go with Edgar Aetheling...

00:10:28...of the William the Crown.

00:10:30While the country still reeled under the shock of the conquest...

00:10:34...the Conqueror followed it by introducing the feudal system...

00:10:38...which was hardly a ray of sunshine...

00:10:41...as it drove a coach and horses through the middle of the Anglo-Saxon Politech...

00:10:47...as it was the...

00:10:49How are you getting on now, my dear?

00:10:53Oh, in that case, I move that this meeting adjourn...

00:10:57...for more energetic measures.

00:10:59And I think a good thing would be...

00:11:01...to have a caucus race.

00:11:03What's a caucus race?

00:11:05Well, best way to explain it is...

00:11:08...for us all to do it, hmm?

00:11:11Come along, come along!

00:11:38Come along!

00:11:51Come along!

00:11:52Come along!

00:11:53Come along!

00:11:54Come along!

00:11:55Come along!

00:11:56Come along!

00:11:57Come along!

00:11:58Come along!

00:11:59Come along!

00:12:00Come along!

00:12:02Come along!

00:12:03Come along!

00:12:04Come along!

00:12:07Oh, this will never do.

00:12:09Come on, come on, come on.

00:12:11Come on, come on.

00:12:14Come on.

00:12:15Come on.

00:12:16Come on.

00:12:18Come on.

00:12:19That's it.

00:12:20Come on now.

00:12:21Come on.

00:12:22Come on.

00:12:45Come on.

00:12:48Come on.

00:13:11All right, the race is over.

00:13:14Who won? Who won?

00:13:17Everybody's won, and everyone must have prizes.

00:13:21Prizes, prizes, prizes.

00:13:35Who's to give the prizes?

00:13:37Well, she will, of course.

00:13:39Prizes, prizes, prizes.

00:13:44prizes

00:13:45prizes

00:13:47prizes

00:13:48prizes

00:13:49prizes

00:14:03she must have a prize herself of course

00:14:05well of course she must

00:14:08what else have we got in your pocket

00:14:12okay

00:14:13only a thimble

00:14:14oh let me see

00:14:16oooh

00:14:18i beg your acceptance

00:14:20of this elegant thimble

00:14:23perhaps

00:14:24he would care to continue with your

00:14:26story

00:14:28you obviously have your own methods

00:14:30of drying off i don't see why

00:14:32i should waste my breath on it anymore

00:14:35story

00:14:36story

00:14:36no

00:14:37i'll do nothing of the sort

00:14:40what a pity he wouldn't stay

00:14:44come along come along

00:14:46we're late

00:14:47okay

00:15:01maryann maryann

00:15:03fetch me my gloves this moment

00:15:16i'm sure

00:15:18that's

00:15:19that's

00:15:31that's

00:15:33i'm

00:15:34i'm sure i'm not ada

00:15:36she's got long ringlets

00:15:38my hair doesn't go in ringlets at all

00:15:42and i'm sure i can't be mabel

00:15:44cause i know all sorts of things

00:15:47and she knows nothing

00:15:50besides

00:15:50she's she

00:15:52and i

00:15:55i

00:15:55oh dear

00:15:55how puzzling it all is

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00:22:31You'll never make them people hear in there, you see,

00:22:33because they're like they're making too much noise themselves.

00:22:36I mean, you follow the mean. No, you can hear them.

00:22:39Well, how am I to get in, then?

00:22:56Oh, excuse me a moment. Something seems to be cropping up in this area over here.

00:23:02Invitations from the Queen, but just to play croquet.

00:23:10It's the one, then, is it?

00:23:16Yes, right, then. Thank you.

00:23:18Thank you very much.

00:23:20Just, uh, just think quietly out of sight for me, will you?

00:23:30Now, then, I'll tell you what I'll do.

00:23:35I'll tell you what I'll do for you.

00:23:37Nothing.

00:23:39How's that? Any good to you at all? Nothing?

00:23:41I mean, I wouldn't be able to do it straight away.

00:23:43I'll say that, you see.

00:23:44I couldn't possibly do it straight away

00:23:46because I've got all these things cropping up, you see,

00:23:48I have to deal with.

00:23:49I, well, I mean, you saw just now,

00:23:52something cropped up there, you see,

00:23:54and I'll get, that's the same type of thing

00:23:56I get cropping up all the time, you see.

00:23:58So, naturally, I've got my hands full,

00:24:00but, uh, if I was to do nothing for you,

00:24:03I can't promise I could,

00:24:04but if I was to do nothing for you,

00:24:06I'd have to sort of find a time, you see,

00:24:08when I could squeeze it in.

00:24:10You see what I mean?

00:24:10I think you're absolutely idiotic.

00:24:12Mmm, mmm.

00:24:14Well, maybe I am.

00:24:17Maybe I'm not.

00:24:42Why does your cat look like that?

00:24:43It's a Cheshire cat, that's right.

00:24:48Pig!

00:24:50I didn't know the Cheshire cats looked like that.

00:24:52All of them can, and most of them do.

00:24:54I don't know that any of them do.

00:24:56Oh, you don't know much, that's a fact.

00:25:14Here we go, here we go, here we go.

00:25:17Mind the baby.

00:25:20Everybody minds their own business.

00:25:23The world will turn a great deal faster than it does.

00:25:26That wouldn't be a great advantage.

00:25:28The world turns on its axis every 24 hours.

00:25:34Don't bother me, I never could abide figures, could I?

00:25:41Speak lovely to your little boy, and beat him when he sneezes.

00:25:45He only does it to a night, because he knows he sneezes.

00:25:49Wah, wah, wah.

00:25:54I speak so many to my boy, and beat him when he sneezes.

00:25:58For he can thoroughly enjoy the temper when he sneezes.

00:26:02You'll be a shadow of a night, because he knows he sneezes.

00:26:06Wah, wah, wah, wah.

00:26:13Yes, yes, yes.

00:26:15I speak severely to my boy.

00:26:18I beat him when he sneezes.

00:26:20For he could thoroughly enjoy the pepper, if he pleases.

00:26:26Yes, yes, yes.

00:26:30Here, mercy for a bit.

00:26:50Which way ought I to go from here?

00:26:53That depends a great deal on where you want to go to.

00:26:57I don't much care where.

00:26:59Then it doesn't matter which way you go.

00:27:02So long as I get somewhere.

00:27:05Oh, you're sure to do that if you only walk long enough.

00:27:12What sort of people live about here?

00:27:15In that direction is the Hatter, and in that direction is the March Hare.

00:27:20They're both mad.

00:27:21But I don't want to go among mad people.

00:27:25Oh, you can't help that.

00:27:26We're all mad here.

00:27:28I'm mad.

00:27:29You're mad.

00:27:33By the by, what became the baby?

00:27:36I'd nearly forgotten to ask.

00:27:39You turned into a pig.

00:27:42I thought it would.

00:27:47Did you say pig or fig?

00:27:50I said pig.

00:28:17No room.

00:28:20No room.

00:28:22No room.

00:28:23No room.

00:28:25No room.

00:28:27No room.

00:28:31There's plenty of room.

00:28:36Have some wine.

00:28:38I don't see any wine.

00:28:39There isn't any.

00:28:41It wasn't very civil.

00:28:42I'll be to offer it.

00:28:43It wasn't very civil of you to sit down before you're invited.

00:28:46I thought you did invite me.

00:28:48Anyway, the table's laid for a great deal more than three.

00:28:51Ah, your, um, your, your hair once cutting.

00:28:56You shouldn't make personal remarks.

00:28:58It's very rude.

00:29:01Why is a raven like a writing desk, I wonder?

00:29:05Oh, I'm glad you've begun asking riddles.

00:29:07I think I can guess that one.

00:29:08Oh.

00:29:08Do you mean that you can find the answer to it?

00:29:11Exactly.

00:29:12Then you should say what you mean.

00:29:14I do.

00:29:15At least, I mean what I say.

00:29:17It's the same thing, you know.

00:29:19It isn't the same thing a bit.

00:29:21You might as well say that I, uh, I see what I eat is the same thing as I eat

00:29:25what I see.

00:29:26You might just as well say that I like what I get is the same thing as I get what

00:29:31I like.

00:29:33You might as well say that I sleep when I breathe is the same thing as I breathe when I

00:29:42sleep.

00:29:43He, he, he, he, he, he.

00:29:44It is the same thing with you.

00:29:46Mm, it's the same thing with you.

00:29:51How long are you doing?

00:30:11Go, go.

00:30:11Oh.

00:30:13Oh.

00:30:13Oh, oh, oh, oh, oh.

00:30:15What?

00:30:15What day of the month is it?

00:30:18I think it's the fourth.

00:30:19Oh!

00:30:21Two days wrong. I knew that butter

00:30:23wouldn't be good for the works.

00:30:25It was the best butter.

00:30:27Yes, but we must have got some crumbs

00:30:29in with it or something. I told you not to

00:30:31use the bread knife.

00:30:33It was the best butter.

00:30:35That's as may be.

00:30:37Your watch tells

00:30:39the day of the month and not what time it is.

00:30:42Of course it does, child.

00:30:43Well, does your watch tell you what year

00:30:45it is? Of course not.

00:30:47That's because it's the same year for so long together.

00:30:49Exactly! Well, it's just the same

00:30:51with my watch. Oh, when

00:30:53Adam and Eve are first deprived

00:30:55of the garden hard by...

00:30:59Oh, the doormouse is falling asleep again.

00:31:02Have you guessed the riddle yet?

00:31:04No, I give up.

00:31:05What is the answer? I haven't

00:31:07the slightest idea.

00:31:10No, I...

00:31:11Well, I think you might do something better

00:31:13with your time than wasted asking riddles

00:31:15that have no answers.

00:31:16If you knew time as well as I do,

00:31:19you wouldn't talk about it. It's him.

00:31:21I don't know what you mean.

00:31:22Of course you don't, I dare say.

00:31:25You've never even spoken to time.

00:31:27Perhaps not, but I now have to beat time

00:31:29and I learn music.

00:31:30Oh!

00:31:37Oh, that accounts for it.

00:31:39He can't stand beating.

00:31:41But if you keep on good terms

00:31:43with time, he'll do anything

00:31:44with the clock that you want.

00:31:46For example, supposing it's half past

00:31:48nine in the morning, you just whisper

00:31:50a hint of time, wrong goes the clock

00:31:52and it's half past one in the afternoon

00:31:54time for dinner.

00:31:55I only wish it was.

00:31:58Yes, it might be rather nice,

00:32:00but then I wouldn't be hungry for it, you know.

00:32:01Not at first, perhaps, but you could

00:32:03keep it at half past one for as long as you like.

00:32:06Is that the way you manage?

00:32:07Oh, no, no, no, no.

00:32:09We quarreled last March.

00:32:10Just before he went mad, you know.

00:32:14It was at a concert given by the Queen of Hearts.

00:32:17I had to sing that song.

00:32:19Twinkle, twinkle, little bat.

00:32:22Oh, I wonder what you're at.

00:32:26You're familiar with it, doubtless.

00:32:28I've heard something like it.

00:32:29Yes, it goes on up above the world.

00:32:32You fly like a tea tray in the sky.

00:32:36Twinkle, twinkle, twinkle, twinkle, twinkle.

00:32:42Oh, well, I'd hardly finish the first verse

00:32:45when the Queen jumps up and balls out

00:32:48he's murdering the time off with his head.

00:32:52I'm dreadfully savage.

00:32:54Oh, yes, yes, yes.

00:32:56Oh, and ever since then time won't do a thing for me.

00:33:00It's always six o'clock now.

00:33:03Is that the reason why so many tea things are put out here?

00:33:06Oh, yes, yes, yes, yes.

00:33:09It's always, it's always tea time

00:33:11and, of course, we don't get much time

00:33:14to wash the things up between whiles.

00:33:17So you keep moving round, I suppose.

00:33:19We keep, we keep moving round, yes, yes, yes.

00:33:23As the things get used up.

00:33:26What happens when you get back to the beginning?

00:33:28Oh, whoa.

00:33:29Suppose we change the subject.

00:33:30I'm getting dreadfully bored by this.

00:33:34I've heard the young lady tells us a story.

00:33:37I'm afraid I don't know one.

00:33:40Then the doormats will.

00:33:45I wasn't asleep.

00:33:48I heard every word you fellows were saying.

00:33:51Tell us a story.

00:33:53You better get on with it,

00:33:54otherwise you'll fall asleep again before you're done.

00:33:59Once upon a time,

00:34:01there were three little sisters.

00:34:04Oh, yes.

00:34:05They were named Elsie, Letia, and Tully.

00:34:13And they lived at the bottom of the well.

00:34:16What did they live on?

00:34:18Oh.

00:34:25They lived on treacle.

00:34:29They couldn't have done that, you know.

00:34:30They'd have been ill.

00:34:31Very well.

00:34:33Very, very ill.

00:34:35But why did they live at the bottom of a well?

00:34:40Take some more tea.

00:34:42I've had nothing yet, so I can't take more.

00:34:44What you mean is you can't take less.

00:34:46It's very easy to take more than nothing.

00:34:49Nobody asked your opinion.

00:34:50Oh, now who's making personal remarks, eh?

00:35:01Why did they live at the bottom of a well?

00:35:05It was a treacle well.

00:35:07There's no such thing.

00:35:10If you cannot be civil, you tell the story yourself.

00:35:14I won't interrupt again.

00:35:16I dare say there may be one.

00:35:19Oh, indeed.

00:35:23Well, the three little sisters, they were all learning to draw, you know.

00:35:31What did they draw?

00:35:33Treacle.

00:35:47I don't understand.

00:35:48Where did they draw the treacle from?

00:35:49You draw water from a water well, you draw a treacle from a treacle well, eh, stupid?

00:35:55Oh, but they were in the well.

00:35:58Well in.

00:36:11Then they learned to draw.

00:36:17And they always drew something beginning with an M.

00:36:22Why an M?

00:36:23Why not?

00:36:26Where am I?

00:36:28Why an M?

00:36:28Why not?

00:36:31Why not?

00:36:33Why not?

00:36:35Why not?

00:36:38Why not?

00:36:39Everything beginning with an M.

00:36:42Such as...

00:36:44Mouse Trap,

00:36:46Money,

00:36:48Memory,

00:36:50and Muchness.

00:36:54I bet you never saw anything like the drawing of a muchness.

00:36:59Really? Now you say it, I don't.

00:37:01Then you shouldn't talk.

00:37:11It's the stupidest tea party I've ever had.

00:37:17Why are you painting those roses?

00:37:21Why are you painting those roses?

00:37:23What's that? What's that?

00:37:26Will you hold that book steady?

00:37:28I can't see the paint.

00:37:30What are you doing it for?

00:37:32Doing it for?

00:37:33Yes.

00:37:34Yes.

00:37:36Yes.

00:37:36What am I doing it for?

00:37:38Yes, well, that is the question, isn't it?

00:37:42There, you see, it's no good.

00:37:45It's all a problem of colour, you see.

00:37:48The problem of these being coloured white when red was what was asked for.

00:37:54Who's to know?

00:37:55Oh, yes, that's good.

00:37:57Yes, I like that.

00:37:59Yes, who's to know? The Queen, that's who.

00:38:02The Queen doesn't miss a trick.

00:38:04Doesn't look much like a red rose to me.

00:38:07Oh, well, perhaps you'd like to have a go at yourself, then?

00:38:10Yes, perhaps you'd like to have a go at yourself.

00:38:13I think we can do without any help from you, you know.

00:38:15Thank you very much.

00:38:18Look!

00:38:21Mr. Queen!

00:38:23Give me some more carmine.

00:38:25Find this.

00:38:26A little boy.

00:38:28Bye.

00:38:31I've seen a friend of the King.

00:38:33Bye.

00:38:38Bye.

00:38:42Bye.

00:38:45Bye.

00:38:46Bye.

00:38:47Bye.

00:38:48Bye.

00:38:49Bye.

00:38:50Let's go.

00:39:41Ah, yes. And who's this?

00:39:43Yes, who is this?

00:39:45Perhaps I shouldn't ask.

00:39:49Idiot. Absolute idiot.

00:39:51You've got an absolute idiot for a son.

00:39:53Yes, but he's tall. He's very tall.

00:39:55Come along, Charles. Speak up. What's your name?

00:39:58My name is Alice.

00:39:59Ah.

00:40:03And who are these?

00:40:05Or perhaps I shouldn't ask.

00:40:07How should I know? It's no business of mine.

00:40:09You little hussy. Off with her head. Nonsense.

00:40:14Oh, yes.

00:40:16And what have you been doing here?

00:40:18Oh, perhaps I shouldn't ask.

00:40:20Well, perhaps I should.

00:40:23Painting white roses red, hmm?

00:40:26Perhaps you have an explanation?

00:40:28Well, Mum, it's my way of rectifying a mistake.

00:40:32What I've always said is,

00:40:34what the eye don't see,

00:40:35the heart don't grieve over.

00:40:37I think that's for me to judge.

00:40:40Off with her heads.

00:40:44It's a very fine day.

00:40:46Very. Where's the Duchess?

00:40:47She's under sentence of execution.

00:40:49What for?

00:40:50She boxed the Queen's ears. Whoops.

00:40:52All right!

00:40:53Get to your places!

00:40:58You heard what she said.

00:41:20You heard what she said.

00:41:46You heard what she said.

00:50:09Bye-bye.

00:50:10Should be the death of me.

00:50:11Come on, let's get on with the game.

00:50:30Well, here we are.

00:50:33What's happened to them?

00:50:34They're going to be executed.

00:50:36What do you mean?

00:50:37They're going to have their heads taken off.

00:50:39What, all of them?

00:50:41Yes, the whole lot.

00:50:43There's no point spoiling the ship for a heap of tar.

00:50:46Have you seen the Mott Turtle?

00:50:48No, who's that?

00:50:50Well, you'd better ask the griffin about that.

00:50:52He'll be able to let you know.

00:50:57That's just her fantasy.

00:50:59She never executes anyone.

00:51:02Ah, there he is.

00:51:05What's he so sad about?

00:51:06That's just his fantasy.

00:51:09He's got nothing to be sad about, really.

00:51:22This young lady wants to hear your life history.

00:51:27All right, I'll tell it to her.

00:51:31And don't speak a word till I finish.

00:51:48But how can he finish if he doesn't begin?

00:51:50Shh!

00:51:51He's got to get into the mood.

00:52:06When we were little, we all went to school in the sea.

00:52:11The master was an old turtle.

00:52:13We used to call him Tortoise.

00:52:16Why did you call him Tortoise if he wasn't one?

00:52:19We called him Tortoise because he taught us.

00:52:21Really, you are very dull.

00:52:23Shamed of you asking such simple questions there.

00:52:26We had the best of education.

00:52:28In fact, we went to school every day.

00:52:31I've been to a day school too.

00:52:32It's nothing to be so proud about.

00:52:33With extras?

00:52:35Yes, we learned French and music.

00:52:37And washing?

00:52:39Certainly not.

00:52:40Aha.

00:52:41Well, then, yours wasn't really a good school.

00:52:44At our school, we always had at the end of the bill,

00:52:48music, French, and washing. Extra.

00:52:53But I couldn't afford to learn it.

00:52:55I only took the regular course.

00:52:57What was that?

00:52:59Well, reeling and writhing, of course, to begin with.

00:53:01And then there were the different branches of arithmetic.

00:53:03Ambition, distraction, uglification, and derision.

00:53:08I never heard of uglification before.

00:53:11Never heard of uglifying?

00:53:13I've heard of beautifying, I suppose.

00:53:16Yes.

00:53:17Need I say more?

00:53:18Then there was mystery, ancient, and modern.

00:53:23And then drawling.

00:53:25That was with the drawling master.

00:53:27He used to come once a week.

00:53:28He taught us drawling, stretching, and fainting in coils.

00:53:35What was that like?

00:53:36I couldn't possibly show you myself.

00:53:38I'm much too stiff.

00:53:39And he never learnt it.

00:53:42Never had time.

00:53:43But I went to the classical master.

00:53:45Hmm?

00:53:46I never went to him.

00:53:48He taught laughing and grief.

00:53:51Or so they said.

00:53:54So he did.

00:53:55So he did.

00:54:05How many hours a day did you do lessons?

00:54:08Ten hours the first day.

00:54:10Nine seconds.

00:54:11And so on.

00:54:12How odd.

00:54:13Not odd at all.

00:54:15That's why they're called lessons.

00:54:17Because they lessen from day to day.

00:54:20Then the eleventh day must have been a holiday.

00:54:22So it was.

00:54:25So it was.

00:54:27But then how did you manage on the twelfth day?

00:54:29Oh, that's enough about lessons.

00:54:32Tell her about the games.

00:54:36Have you ever done the lobster quadrille?

00:54:39No.

00:54:40What sort of a dance is that?

00:54:42Well, first you form a line along the seashore.

00:54:45No.

00:54:45Two lines.

00:54:46Then after you clear the jellyfish out of the way.

00:54:48That generally takes some time.

00:54:50You advance twice.

00:54:51Each with a lobster as a partner.

00:54:53You advance twice.

00:54:55Set the partners.

00:54:56Change lobsters and retire in the same order.

00:55:00It must be a very pretty dance.

00:55:03Would you like to hear some of it?

00:55:04Very much indeed.

00:55:06Well, who'll sing?

00:55:07Oh, you sing it.

00:55:09I can't remember the words.

00:55:12Will you walk a little faster, said the whiting to the snail?

00:55:17There's a porpoise close behind me and he's treading on my tail.

00:55:22See how eagerly the lobsters and the turtles all advance.

00:55:26They are waiting on the shingle.

00:55:28Won't you come and join the dance?

00:55:30Will you, won't you, will you, won't you, will you join the dance?

00:55:33Will you, won't you, will you, won't you, won't you join the dance?

00:55:41You can really have no notion how delightful it will be

00:55:46When they take us up and throw us with the lobsters out to sea.

00:55:50But the snail replied, too far, too far, and gave a look askance,

00:55:56Said he thanked the whiting kindly, but he would not join the dance.

00:56:01Would not, could not, could not, would not, could not join the dance.

00:56:05Could not, would not, could not, would not, would not, would not join the dance.

00:56:23The trial's beginning.

00:56:26The trial's beginning.

00:56:53The trial's beginning.

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01:06:01that. I mean it can't just be written to nobody. I mean you can't just write to

01:06:06nobody. I mean if you did that all the time then well I would see the post

01:06:11office would come to a standstill. I mean got to have somebody. I mean it's not

01:06:19allowed. who's it directed to? it isn't directed at all. in fact there's nothing

01:06:25written on the outside. it isn't a letter at all. it's a set of verses. are they in

01:06:33the prisoners hand writing? no they're not. and that's the queerest thing about it.

01:06:39he's been imitating people's hands and writings again. please your majesty. I didn't

01:06:49write it. oh I can prove that I didn't. there's no name signed at the end. well

01:07:01that only makes the matter worse. you must have meant some mischief or else you

01:07:05would have signed your name like an honest man. that proves his guilt. it proves

01:07:11nothing of the sort. hold your tongue. I won't.

01:08:04it is not now as it has been of yore. turn wheresoe'er I may by night or day.

01:08:10the things which I have seen I now can see no more.

01:08:40do

01:08:45do

01:08:46do

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