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Thriller_S1E28_Yours_Truly_Jack_The_Ripper
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00:07Good night, love. Hurry up now and keep walking.
00:10Good night, love. God bless.
00:54Here, where do you think you're going?
00:57Oh, Officer, you did give me a start.
01:00You know the rule about unaccompanied women being out in the streets after nine.
01:04I was only going to me rooms.
01:06Yes? Where's that?
01:07Right down there.
01:09All right, Hobbit.
01:11Is he about tonight?
01:12Is who about?
01:14You know who, or else what are you doing out in this damp?
01:17Him, the murderer.
01:18Look, Hobbit.
01:20The same as butchered all those girls.
01:22Either you buzz off, or I'm going to walk you down to the police station.
01:26Wow.
01:40All's well around here, George.
01:41Yeah.
01:59We're here.
02:03My heart.
03:05Who can I be?
03:07All the blinking coppers is out after me.
03:09They think I'm here.
03:10They think I'm there.
03:12But when they come to collar me, I'll vanish in the air.
03:14Oh, what do I look like?
03:16Who can I be?
03:17Well, here's a bit of something you can say of me.
03:22I ain't a butcher, I ain't a kid, and I ain't a foreign skipper.
03:28I'm just your own dear loving friend.
03:35And yours truly, Jack the Ripper.
03:46A surgeon's scalpel.
03:49An instrument of mercy in the hands of a skilled physician.
03:53A lethal weapon in the hands of a madman.
03:56A murderer such as the subject of our story for tonight.
04:00Now, no one knows who this man was.
04:02No one ever saw his face.
04:04His identity has always been one of the world's great mysteries.
04:08He killed only women.
04:10And only a certain kind of women.
04:12And his murders were often accompanied by stranger, forbidding rights.
04:18For months on end, he terrorized London, defying whole divisions of police.
04:24And it was they who nicknamed him Jack the Ripper.
04:27Well, he disappeared from the scene as suddenly as he had come.
04:32But similar murders followed at intervals in other countries.
04:37There are many who believe that Jack the Ripper still walks the earth.
04:41Still continues his diabolical activities.
04:46That's a chilling thought.
04:49Especially when it's accompanied by highly convincing proof that it may be true.
04:55Let us discover the facts for ourselves in the company of such distinguished players as...
05:01Mr. John Williams.
05:04Mr. Donald Woods.
05:08Mr. Edmund Ryan.
05:11And Miss Nancy Valentine.
05:16Oh, I suggest that you viewers draw just a little closer together.
05:22The Ripper always struck down solitary victims, you know.
05:26It would be a pity if a member of our audience became dismembered.
05:58It could be a pity if it was no longer.
06:00The Ripper always struck down solitary victims.
06:02watch for another murder in exactly 24 days we've been getting all kinds of
06:08phony tips crank letters phone calls all sorts of things but that third murder
06:14did occur didn't it exactly when I said in the same district in the same way and
06:25I've flown in from Washington to tell you that there will be another murder
06:27three nights from now what is he a crystal gazer I told you the guy's in the British Embassy
06:36medical liaison Captain Jago MD fellow in the Royal College of Physicians and ex-pathologist
06:43to Scotland Yard well that's quite a record but it doesn't mean you can see what's gonna
06:46happen night after tomorrow sir guy says there'll be six murders all told unless we stop them
06:57what we have here is a psycho a schizo isn't that right Johnny it's possible Pete Dr.
07:02Carmody is consulting psychiatrist with the police department now why don't you talk this over with
07:07him Captain Jago feels that the murderer is a psychopath whose aberrations are paranoid that
07:13perhaps he's trying to imitate Jack the Ripper I don't agree it is Jack the Ripper these murders
07:19have been repeated at certain intervals ever since they first began now I have a chart here which
07:24shows a chart they always have a chart all right Pete let's see what it is shall we now these
07:29murders
07:30reoccur every three years and eight months as rhythmic as the tides for the past 70 years they've
07:36left a trail of blood all around the world and the record of it is here with places and dates
07:41now they
07:43began in London in 1888 and the next group of six murders occurred in Jersey City 1891 92 then Shanghai
07:53then
07:54Vladivostok at the turn of the century and so on and so on oh here are news reports a police
07:59photograph I
08:01worked on these cases for 30 years been over the actual ground talked with officials now none of these
08:06ripper murders received the notoriety of those in London many went almost unnoticed but they did
08:12occur the pattern is there the trail of unsolved crimes now here is the the projection of the
08:19present series of murders look for yourself sir what does it show just what you said another killing
08:25coming up but it can't be Jack the Ripper if he's still alive he'd be 90 or more he is
08:31alive and he's in
08:32this city with Sir Guy a man that age is a very frail creature when a woman anyone is struggling
08:39for
08:39life she becomes strong desperately strong a man the rippers age couldn't possibly handle him suppose
08:47he hasn't got any older what was that I said suppose Jack the Ripper hasn't got any older but
08:55everybody gets older police doctors maniacs everybody not everybody Captain Jacob well with
09:04all respect Sir Guy you must admit that by the natural process of living what about the unnatural
09:10processes of living and these most unnatural murders now I've studied everything about them
09:16especially their dates and the pattern made by those dates I studied their rhythm the solar and lunar
09:22rhythm the sidereal aspect even the astrological significance now suppose Jack the Ripper didn't
09:30murder for murder's sake alone suppose he wanted to make a sacrifice what kind of sacrifice and it is
09:40said that if the blood sacrifice is made at the proper time with the proper ceremonies when the moon and
09:45the stars are right the gods grant a boon a boon of eternal youth you seriously suggest that Jack the
09:58Ripper is
09:58still young you'll see for yourself if we catch him I just don't believe it no we'll go into that
10:05another time
10:07now I leave this material here with you if you don't mind you can find me at my hotel but
10:16the
10:16important thing is have I persuaded you to take special precautions three nights from now and prevent
10:22another murder I hope so gentlemen lunar rhythms blood sacrifices boons of youth this cookie is really
10:38crumbling you know if you really made an effort I think you could get the other foot in your mouth
10:43what do you mean by that I think he means you might be more tactful people tactful I have got
10:49three unsolved
10:50killings on the blotter I'm supposed to be charming to every flaco who comes in here with a cloudy crystal
10:55ball that flaco as you call him happens to be one of the world's foremost doctors oh and the mayor
11:00says
11:00we got a humor aha now it comes the mayor and all along I thought that you were under sir
11:07starchy spell
11:08it is possible Pete that you've been talking when you should have been listening yeah all mouth and no ears
11:13at
11:13all no I mean it we have three murders here and not a single clue and in comes a man
11:18not just any
11:19crackpot mind you with a theory unnatural processes eternal you are you kidding not at all he predicted
11:26the latest killing gave you the date in the district he did that and now he says he can tell
11:30you when the
11:31next murder will take place bourgeois have you got any better theories captain jago well since you don't
11:38obviously you will extend sir guy every courtesy and cooperation you know he may win you a promotion in
11:44fight of yourself
11:49you
11:49you
11:49you
11:50you
11:50you
11:50you
11:50you
11:52you
11:59you
12:04you
12:06you
12:20shouldn't you go be back man he's getting reports from his men he has quite a few of them staked
12:27out
12:31I think this is him coming now.
12:47Give her the phone.
12:51Come in, 14. This is 12.
12:54Anything over there?
12:58Yeah.
13:00Well, keep your eyes open.
13:33Give me the mic, Joe.
13:39Yeah, Charlie?
13:41Jago.
13:41Back already?
13:42Yeah, I'm back.
13:43Everything okay there?
13:44Yeah, we got the whole area blanketed.
13:46Walkie-talkies at every stakeout.
13:48You've got an awful lot of ground to cover.
13:50Yeah?
13:51Well, we're checking every alley and dead end five times an hour.
13:56Can you close in fast enough?
13:58Mm-hmm.
13:59Well, if we get an alarm, we can surround any spot within 30 seconds.
14:03Let's hope he shows.
14:05Well, if he does, we're ready.
14:08I'll talk to you later.
14:09Do that.
14:18So, we are going by your chart, Sir Guy, waiting for the Ripper.
14:22But that doesn't mean I buy it.
14:2490 years old and still looks like a young man.
14:27Well, evidently, you've never heard of the Comte de Saint-Germain.
14:29The Comte who?
14:30Saint-Germain.
14:31It's a matter of record that for 150 years, he remained unchained.
14:35He was attached to the French court.
14:37Voltaire called him the man who never dies and who knows everything.
14:40He'd never tell how old he was or where he came from.
14:42Are you trying to tell me that this Count and the Ripper are the same?
14:46No, no, no.
14:47He was a fabulous character.
14:49No one ever saw him eat.
14:51Are you kidding?
14:52It's a mystery how he prolonged his life, but he did.
14:55Well, modern medical science are working toward the same end today.
14:59But I believe Jack the Ripper has achieved his own dark and dreadful way of doing it.
15:05What do you mean by that?
15:06Well, I think somehow he thrives on the very lives he takes.
15:12Most of his murders are like satanic rites.
15:15Blood sacrifices, you mean?
15:18Well, it goes deeper than that.
15:20Well, if he's in the city, a cook like this wouldn't be hard to spot.
15:24It's a guy who thinks he may be associating with the avant-garde of painters and musicians.
15:31Well, John, is he?
15:33What do you mean?
15:35Well, he means most of them end up in my studio.
15:37Your studio?
15:39A vestige of my misspent youth.
15:41You may not believe this, Sir Guy.
15:43But before I went into medicine, I studied sculpture.
15:47And I still have some of my bohemian blood.
15:50Artsy, crafty, hocus pocus.
15:52It's a lot of hogwash.
15:54Superstition.
15:55Like the way people used to believe that a murdered man's eyes would open
15:58if the person who killed him passed by.
16:02His wounds start bleeding again.
16:05Believe me, those things don't happen.
16:07I know.
16:08I've tried them.
16:09I'll tell you something else.
16:11I don't believe anybody's going to get knocked off tonight.
16:15The Ripper will come.
16:17He has to.
16:19No, we'll see.
16:21I'm just going to check around again.
16:31I don't know.
16:35I don't know.
16:35I don't know.
16:52We'll see you next time.
16:57Do you live around here?
16:58Yeah, just up the block.
17:00We have orders to see all you girls safely off the streets.
17:04Why?
17:05We don't want you getting hurt, that's all.
17:07You really think this guy's around here?
17:09Who knows?
17:11Come on, let's go.
17:30This your place?
17:31Yeah, down there.
17:33You wait here while I check it out.
17:45All right, come on.
17:53Let me hear you bolt it.
17:55Thanks.
18:31Let me hear you.
19:03Oh, it's you.
19:07Yeah, sure I remember you.
19:10Yeah, I guess I could.
19:13Where's the party?
19:15Yeah, I know where it is.
19:18I guess 20 minutes, half an hour, I don't know.
19:21What's the number?
19:2357.
19:25Yeah, I got it.
19:2657 and just walk in.
19:29Okay.
19:30Okay, honey.
19:31See you in a little while.
20:01Well, anyway, I live in the next apartment, see?
20:04And I was gonna bring her a cup of coffee like I generally do.
20:07And I called to her through the window.
20:09And believe you me, I never saw anything like what I saw in that room in all my born days.
20:17She didn't get my name right. Maggie Radimick.
20:19I used to be a headliner in burlesque.
20:22Miss Baboom of 1938.
20:39Dr. Fisher, in the three previous cases here, did he follow a pattern?
20:44Were the mutilations the same?
20:45Not in the first killing.
20:47Well, the others were exactly like this.
20:49It's part of his ritual. He's always done it.
20:51Right back to 1888.
20:55All right, let the photographer have it a couple of minutes.
20:58We found the body an hour ago.
21:00Anything to work on?
21:02Not a clue, nothing. He was here.
21:04He's gone.
21:06Nobody heard him. Nobody saw him.
21:08The guy was right again, wasn't he?
21:10And I'll give you another date, Captain Jago.
21:13The night of the 22nd.
21:15I can't worry about that. I've got enough here.
21:19When I think I have this whole section staked out, covered,
21:23and the papers, they'll go big for this one.
21:49As soon after, Jack the Ripper disappeared from London,
21:53an artist said to be an American vanished from his lodgings
21:56and left some blood-stained clothing behind.
22:00Later on, in Dusseldorf, after similar murders,
22:03the police learned of a man who spent all his time studying in art galleries.
22:08In Cleveland, a man who had vanished was said to be an art dealer.
22:11And in Bordeaux, France, they discovered an artist who always destroyed his pictures,
22:18which is what the man in London had done.
22:22Now, none of these men were traced.
22:26But I believe it was the same person each time.
22:30Sir Guy, tell them what makes you think the Ripper might be hiding among the artists here.
22:35Art is limitless. It would give him an interest in living.
22:41Also, he'd be less conspicuous among unconventional people.
22:45I still don't see how a man can be 90 years old and look young.
22:49Where is that chart you told us about?
22:51Well, the police have it at the moment.
22:53But you know, there's a strange rhythm to the Ripper's murders,
22:57just as there are cyclical rhythms which control other things.
23:01There are rhythms which control the sunspots.
23:04Every 17 years, a particular type of locusts, swarms and flies.
23:09Every 14th year, the price of nutmeg peaks, then drops again.
23:15But in the Ripper's murders,
23:18it's always 126 days between his first and second murder,
23:23but only half that, 63 days,
23:25between the second and the last, the sixth.
23:29Isn't it weird?
23:31I've heard of these rhythms.
23:32What causes them?
23:34Ah!
23:36That's one of the mysteries of the universe.
23:39Well, what do you want us to do?
23:41Sir Guy just wanted to tell us why he's here.
23:43Maybe we can help him.
23:44And when do you expect the Ripper to rip again?
23:46Sir Guy says Saturday night.
23:47Oh, but that's Les Bestin's party night.
23:50That's right.
23:50You'll find almost all the local painters there.
23:53It's kind of a trade show, artists only.
23:55But we'll get you in.
23:56I'm just doing a picture for it now.
23:57That's right.
23:58And if anybody's interested,
23:59I'm ready for you to look at it right now.
24:05There you are.
24:06What do you think?
24:15I don't see why you had to paint me with all those dead flowers, Jaime.
24:20You just spoiled a good picture.
24:23If that's the way he sees you, Arlene,
24:25you can't argue with it.
24:32Oh, he's dropped little spats of oil on it.
24:36It's still wet.
24:37It looks like dew.
24:38But it's not.
24:39When I was painting it,
24:40I wanted to paint fresh, beautiful flowers, Arlene.
24:43But that's the way it came out.
24:45And that's not dew, Rowena.
24:47Those are teardrops.
24:49Sir Guy has been talking about cycles
24:50and rhythms and murder
24:52and things we can't account for.
24:55Well, like I said,
24:56I'm with him.
24:59All the time I was putting Arlene's face on that canvas,
25:03that song was going through my head.
25:06I'm your own dear loving friend.
25:10I had a feeling with it.
25:12What feeling, Jaime?
25:14Come on, tell us.
25:17If you want to know
25:19the feeling I'm standing looking down
25:20at wreaths and dead flowers,
25:24and my heart is weeping inside.
25:28And don't anybody ask
25:29who's below those flowers and wreaths.
25:37Jaime, you get the silliest,
25:40the most lunatic ideas.
25:42He's such a sensitive boy.
25:44Just look at his work.
25:46He's been reading about that girl.
25:48You know, they're burying her tomorrow.
25:50Isn't that right, Jaime?
25:52I don't know.
25:54But the feeling stays with me.
25:57You have a morbid imagination, Jaime,
26:00associating Arlene with that dead girl.
26:02Say, I have a wonderful idea.
26:04Why don't we all go down to the cemetery?
26:06I just love funerals.
26:30Look at the crumbs.
26:31Any one of them could be the ripper,
26:33or whatever he is.
26:34We may as well have a look around.
26:36You never know.
26:38When this is over,
26:40you watch this gate.
26:42I'll take the one down there.
26:46And there's a big Person in the C border.
26:54Thank you,
26:55for treating her for really honor lados.
26:55Bye-bye.
26:56Bye-bye.
26:57Bye-bye.
26:58Have a great day now.
27:00Bye-bye.
27:01Bye-bye.
27:01Bye-bye.
27:03Bye-bye.
27:06Bye-bye.
27:21She's looking at us!
27:24She's looking straight at us!
27:51More gravy for the papers.
27:52Look at this from New York.
27:54Here she is right after the casket broke.
27:56The whole front page.
27:57And get this headline.
27:58Four murders and the last corpse opens its eyes.
28:02Here's another.
28:03Dead four days, but who is she looking at?
28:05I've never known a four-day-old cadaver to open its eyes, have you?
28:10Never.
28:11All nature's against it.
28:13Now, I'd like to see what you think of this.
28:15You have four murder spots here.
28:18When there are six,
28:19and you join them together in the right way,
28:21they'll form a sign.
28:24Now, I have one here from the Black Mass.
28:27He formed it in Calcutta.
28:29And another he formed in Milan.
28:32The medieval sign for the Elzebub.
28:34But why does he do it?
28:37An invocation to the dark gods, perhaps.
28:41But if I could guess the sign he's making now,
28:44I could say approximately where the next murder will occur.
28:47Maybe he can figure it out.
28:49I intend to try.
28:52But it could be any one of a thousand.
28:54All this jazz about the Ripper living off the lives he takes.
28:57It doesn't make sense.
28:58If you told me it was his son, or something,
29:01I might buy it.
29:02It might even be a psycho, imitating the Ripper.
29:05But that is all it is.
29:07Leave it right there, Pete.
29:08And look at all the time we've wasted on that crummy idea
29:11about the dead girl looking at them.
29:13Are you finished?
29:14No.
29:15And I don't think we should just stake out that arty party.
29:18I think we should do more than that.
29:20What gave you the idea we weren't?
29:22We're going to move into that whole area with extra lighting.
29:25Flood lamps, field lights, keep the streets lit up.
29:28Do you think that'll stop them?
29:29No.
29:31It'll give us a better chance to see them.
29:33How about all those people you were discussing?
29:35Will they be at the party?
29:36Everybody will be there.
29:38Including Jack the Ripper?
29:41I believe he will.
30:01Ah, Sir Guy.
30:03Have some punch.
30:21Now, if only Lester would get here, we can get started.
30:25Lester!
30:26Lester!
30:31What color, what feeling, what a pity you'd have no talent.
30:40Oh, that's a nice hat, Chloe.
30:42I like it better every time I see it.
30:46It's positively egregious.
30:49It gives me a feeling, a certain something.
30:54Nausea.
30:58Ah, you do have taste, Rowena.
31:03Bad taste, but taste.
31:05What?
31:06Ah, have you picked out the Ripper yet?
31:09No, not yet, Mr. Best.
31:11Let me tell you how to catch him.
31:13Everybody here knows Sir Guy.
31:15He's the man that's looking for Jack the Ripper.
31:17He thinks he's here among us.
31:20Tell you what we're going to do.
31:21We're going to put Sir Guy in the middle of a room
31:23and turn out all the lights.
31:24Then when you feel him at your throat,
31:26all you've got to do is grab him.
31:28That's a very good idea, Mr. Bairston.
31:30But there's just one little thing wrong with it.
31:33The Ripper is only interested in women.
31:37Excuse me.
31:40Well, now to the business at hand.
31:46I have to slip away soon on account of my little girl.
31:50It's her Jaime painted in the picture.
31:53You can see she has hair like mine,
31:55only it's finer and it's much lighter.
31:59Yes, she looks charming.
32:00A natural platinum blonde.
32:03I'm proud of her.
32:05She stays with her grandmother most of the time.
32:08Well, she's been sick lately.
32:10Been in the children's hospital four days.
32:14You know, she won't even go to sleep at night
32:16until I go and say goodnight to her.
32:20I'm only waiting to see who gets the ribbons
32:21and then I'm going to leave.
32:23Oh, I, I wanted to see me looking, you know, pretty.
32:30You're more than pretty.
32:32You're beautiful.
32:34Well, I know I'm supposed to be,
32:37but I've never been told that by anyone like you.
32:41That's something after all the English beauties you must know.
32:48After all, Mr. Carmody's counting the ballots now,
32:51and as soon as he gets counted, he'll bring them here.
32:53Les, here are the winners.
32:54Oh, thank you, Mr. Carmody.
33:02It's the gold ribbon.
33:03He's going to get that one first.
33:07The best picture in the room?
33:11Right here.
33:12Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
33:14Hi, he's got it.
33:15Hi, his picture.
33:17I mean, he won.
33:18I won.
33:20Yeah, I won.
33:21Who cares about dead flowers now?
33:24I won.
33:26I'm going to slip away now,
33:27but I'm going to come back and congratulate him.
33:29Bye.
33:32Hi, he's got it.
33:33Hi, Mr. Carmody, I'm going to get down.
33:35Oh, wonderful.
33:36Where's Aliyan?
33:37Where's Aliyan?
33:39She's gone to the children's hospital.
33:40She said she'd be right back.
33:42We'll tell her later.
33:43I went out there like one.
33:44She's gone to thei.
33:45OK, I wasn'tmind.
33:47Alright.
33:48I'm calling God.
33:48Nice to meet you.
33:48How are you?
33:52I know.
34:05I know.
34:07I know.
34:09I know.
34:10Oh, I know.
34:14Oh, yeah.
35:25All the while, all the while I had that feeling there'd be dead flowers, me looking down
35:32on them, and here I am, been coming here every day.
35:41What gets me, did I know something was gonna happen, like it was fated, or did I give somebody
35:50the idea?
35:55You see what I mean?
35:56Was it really just a crazy thought I had, but the Ripper heard me talking about it and
36:00made it come real?
36:01I always believed he was hiding among the sort of people you and John know.
36:05It had to be someone who knew she always went to the hospital that way.
36:10Yeah.
36:13It's funny.
36:14I picked these out and sent them for the kid.
36:17She hasn't been told yet.
36:19Her grandmother's got her now.
36:22I used to think about marrying Arlene.
36:26You know, we got along real fine, and...
36:35Let's go, huh?
36:41Hey, listen, wait a minute.
36:43You think I ought to talk to the police about it?
36:44I don't think it would help, Jaime.
36:47Everybody knew about the painting and about the child being in the hospital.
36:52Yeah, I suppose so.
36:54It's just an idea.
36:57I get the shivers when I think about that Ripper being around all the time, and nobody knows him.
37:04He's five down and one to go now, isn't that right?
37:07Does your chart say when he'll do the next?
37:10Nine days after that happened.
37:13And a week has gone already.
37:16Yeah.
37:31You all know what that is, of course.
37:33Crooks Capitata.
37:34Also called the Christian cross.
37:36The sign of signs.
37:37No single emblem is more exalted.
37:40Now, I said that the Ripper was making a sign on your map here.
37:45This is where Arlene was murdered.
37:48Now, I found a sign which fits these five spots,
37:52and I think it indicates where he will attempt his last killing.
37:56It's a sign used in the irreligious black mass.
37:59The broken cross.
38:02See where this falls?
38:05Ferry Street and Bow Lane.
38:07I worked out the exact spot.
38:08It's the north corner.
38:10The north corner.
38:11Well, you know the place.
38:11Yeah, a lot of arty people used to go there.
38:14Yeah.
38:15It's changed hands.
38:16They've got strippers in there now.
38:17Now, I've seen that sign before.
38:19Our vice squad raid some very peculiar places.
38:23They don't just use the broken cross in the black mass.
38:26They break a crucifix.
38:27Yes, I know.
38:28Now, sir, Guy has been right about the date.
38:31I think he's hit the place this time, too.
38:34Yes, but that may be the wrong sign.
38:37Now, this one, this one fits all five places,
38:40but it sets the six over here.
38:45This is the devil's eye.
38:48Of course, these signs are a debased form of art.
38:51Here, try the others.
38:52I think you'll find they all turn out differently.
38:55Well, anyway, we're gonna have to cover the whole area again.
38:58Can't just concentrate on Ferry Street and Bow Lane.
39:00Well, I'll use men out of uniform around there.
39:03The trouble is, we still don't know what he looks like.
39:06We don't really know who we're looking for.
39:09He could even be a woman.
39:59Tell me, what goes?
40:00on in a place like this it's not what goes on it's what comes off no i mean what does
40:05one do
40:07first of all you check that umbrella and that hat then you sit at a table and order a drink
40:14then you watch some attractive young ladies disrobe what you mean in the altogether yes
40:22in the altogether well let's not delay a moment old man
40:36so
40:40so
40:57ladies and gentlemen
41:27ms
41:34no thank you but i believe we'll get it she's exactly the sort of woman who attracts the river
42:22Thank you
46:53Ah, that's better than some of you.
47:18Oh, we've missed him, don't you think?
47:22Well, the night's still young.
47:23He wouldn't be fool enough to show himself.
47:26The place is crawling with police.
47:27Oh, we've missed him, don't you think?
47:27But does he know that?
47:29I'm sure he does.
47:32He'll get away all right.
47:34Tonight perhaps, but now we know how he operates.
47:38It's only a matter of time.
47:41Have you got a match? I left my light on the table there.
47:52That's a knife.
47:54I know.
47:57John!
48:13Not John.
48:15Jack.
48:40John!
48:52blacksius
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