- 2 days ago
The Trap
Category
🎥
Short filmTranscript
00:00:00The End
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00:01:49YOU'RE GOING TOO FAST FOR A LOAD LIKE THAT
00:01:51Lowe, what do you think we are, Melons?
00:01:54I'm sorry, Miss.
00:01:55What's the hurry?
00:01:56I'm Rick Daniels, press agent for Cold King's Varieties.
00:02:00This Mr. Cold King himself.
00:02:02We have taken the Rutherford Mansion, Sergeant.
00:02:04Could you direct us?
00:02:06There's no way to miss it.
00:02:07Look, Sarge, I'll take it easy.
00:02:09There's no need in handing us a ticket.
00:02:10These girls have worked hard on the show all winter.
00:02:12We're on our way to the beach for a month.
00:02:14If you want, I'll call your lieutenant and...
00:02:18That's enough, Daniels.
00:02:18The Sergeant understands.
00:02:19You'll see the Rutherford place down the road to your left.
00:02:22Go a little slower.
00:02:24You've got a valuable load.
00:02:26Yes, Sergeant.
00:02:28Well, well, I fixed that.
00:03:13Well, pretty house, isn't it?
00:03:17You're Mrs. Weebles, the housekeeper?
00:03:19Yes.
00:03:20Well, the broker told you to expect this, of course.
00:03:22Yes.
00:03:26I'm Mrs. Thorne, wardrobe mistress of the company.
00:03:29Come in.
00:03:35Your baggage has arrived.
00:03:36It's upstairs in your rooms.
00:03:38Upstairs, girls.
00:03:43May we take a look at the rest of the house?
00:03:45Certainly.
00:03:47Ah, this would be Mrs. Pebbles, huh?
00:03:49Mrs. Weebles.
00:03:50No banter, Daniels.
00:03:52Well, cheer up.
00:03:53Youth and beauty have arrived in brilliant wit.
00:03:55The old house will re-echo to music and laughter.
00:04:02Show people.
00:04:07Oh, this place needs a little air.
00:04:11Yes, and a little dusting wouldn't hurt, either.
00:04:13I should say not.
00:04:15Oh, what a beautiful view.
00:04:18But the ocean always makes me sad.
00:04:21Get ghosts, they're here.
00:04:22Ghosts of gay and daze.
00:04:23I once lost a dear friend by drowning.
00:04:26Where's that caretaker?
00:04:28Yes.
00:04:29Oh, we wanted to use this for rehearsals
00:04:32in a general sitting room.
00:04:33Yes, ma'am, I'll get some dusters.
00:04:36Drink is the root of all evil.
00:04:40Uh-oh, one of them.
00:04:42Probably a very sincere, kind woman.
00:04:44I'll be back to help as soon as I see
00:04:46if the girls are all right upstairs.
00:04:49And Marsha gets a whole suite to herself.
00:04:51That's your choice by right, Winifred.
00:04:53Oh, no, Ruby.
00:04:54Marsha's our lead for the next season.
00:04:56This room's been cleaned.
00:04:58It's really nice.
00:04:58I think we should bring more beds.
00:05:00All the rest of us sleep in one room.
00:05:03It'd be safer.
00:05:04What are you feeling unsafe about now?
00:05:06This big house, anything.
00:05:08Just anything could happen.
00:05:10Oh, Winifred, Adelaide.
00:05:13I think it would be better
00:05:14if you girls shared the rooms with Marsha.
00:05:16Well, this I call a grand plaisir.
00:05:18We can manage you very well, Mrs. Laura.
00:05:20Go on, you goose.
00:05:21We'll help you take over.
00:05:23This I call a swell break.
00:05:25No, girls, no horseplay.
00:05:27What's that toy?
00:05:28Made in waiting to the sole great star, Marsha.
00:05:32Come on, Lois and Clem.
00:05:34This we've got to see.
00:05:36Oh, I think I'll just stay here.
00:05:40Marsha isn't going to like this.
00:05:42I hope.
00:05:45Well, Marsha,
00:05:46the other room in this suite
00:05:47is for Winifred and Adelaide.
00:05:49I was going to put Santoy in the other room.
00:05:51I'm sorry, Marsha.
00:05:53Santoy isn't a maid.
00:05:54She'll stay with the other girls.
00:05:56Oh, clumsy, don't.
00:05:57What a cruel thing.
00:05:59But then I could put that down.
00:06:00Girls, please.
00:06:02I'd talk with you.
00:06:03Leave me.
00:06:03I want to talk with her.
00:06:04There's no need for us to use the room.
00:06:06The arrangements have already been made.
00:06:08Come, girls.
00:06:09I'll have no quarreling.
00:06:10Sicker, Adelaide.
00:06:11Sicker.
00:06:13I knew something dreadful
00:06:14was going to happen
00:06:15when we came here.
00:06:16Oh, now, dear, come along.
00:06:17Maestro expects us all interests
00:06:19will be 40.
00:06:24Again, you may trouble
00:06:25with your bad temper
00:06:26and your soul,
00:06:26grand manners.
00:06:27I might suggest
00:06:28you mind your affairs.
00:06:30In Switzerland.
00:06:31In France.
00:06:32Always the same thing.
00:06:33You flirt with rich men
00:06:34and poof, trouble.
00:06:35I would advise you
00:06:36to mind your own business.
00:06:38You make the fool
00:06:39of Cold King.
00:06:39Same as the others.
00:06:41You will ruin this show.
00:06:42I will own this show.
00:06:44And listen.
00:06:45You know the maestro's rules.
00:06:47What if he were to find out
00:06:48that Doc Brandt is your husband?
00:06:50There is other work
00:06:51in this country.
00:06:53Women like you.
00:06:54Someone should
00:06:55like that.
00:06:56But furthermore,
00:06:58the maestro
00:06:58and a lot of other people
00:06:59might like to know
00:07:00who Doc Brandt really is.
00:07:03Bad as you are,
00:07:04you would not do
00:07:05anything like that.
00:07:06But we're all going
00:07:07swimming before dark, dear.
00:07:16I could kill her.
00:07:31Well, where have you been?
00:07:34Pick those things up.
00:07:36No, wait a minute.
00:07:38We're going swimming,
00:07:39but I'll get you excused.
00:07:41I want you to go
00:07:42to Adelaide's trunk for me.
00:07:44Oh, please,
00:07:45don't make me steal.
00:07:46Steal?
00:07:47Who do you think I am,
00:07:48Fagin?
00:07:49Look, in Adelaide's trunk
00:07:51there's a small metal box.
00:07:52There are some letters in it.
00:07:54No, Marsha.
00:07:56Please, I can't.
00:07:58Do you want the maestro
00:07:58to know that you're under 18?
00:08:00Oh, I can't lose this job, Marsha.
00:08:02I can't.
00:08:03It's my chance,
00:08:04and, well,
00:08:05I need the money.
00:08:07Exactly.
00:08:08Bring me three or four letters.
00:08:11Three or four will do.
00:08:18All right, let's go over there.
00:08:21Hi, Matt.
00:08:25Mr. King will be down soon, girls.
00:08:27Then we can swim.
00:08:28Oh, maestro,
00:08:29making an entrance, eh?
00:08:31I just should not go in.
00:08:32Of course you'll swim, dear.
00:08:34Sun, sea air, exercise,
00:08:36that's the tonic.
00:08:37Where's Lois?
00:08:38She has a headache.
00:08:38I don't think
00:08:39I'll go in either, Miss Thorne.
00:08:41Well, that'll be all right, then, Zoe.
00:08:43Come on, girls.
00:08:47Perfect.
00:08:48Perfect, Daniels.
00:08:49We should have pictures.
00:08:50We're posing a set
00:08:51for the magazines tomorrow.
00:08:53Good.
00:08:53Then today,
00:08:54we swim.
00:08:56Come on, sweetheart.
00:09:00Come on.
00:09:03Come on, sweetheart.
00:09:05Come on, you love it.
00:09:06Come on.
00:09:07Come on.
00:09:08Come on.
00:09:09Wait a minute, wait a minute,
00:09:09wait a minute, wait a minute.
00:09:12Come on.
00:09:14Come on.
00:09:39Where's Marsha?
00:09:40Her robe was gone when I came out.
00:09:42Maybe she's ill or something.
00:09:45I hope it's serious.
00:09:46This woman, she's sick all the time.
00:09:48Inside.
00:09:50Shh.
00:09:50Has anyone seen Marcia?
00:09:53I think she went up to the house, Maestro.
00:09:59Wonder if Marsha and Maestro quarrel.
00:10:02You can't quarrel with a lap dog.
00:10:39Mother, she went up to the house and put up the house.
00:10:42She went up to the house, Maestro.
00:10:50Oh, my God.
00:11:15The root of evil.
00:11:17You said it.
00:11:18Lots of evil has come out of the sea.
00:11:20The world, for instance.
00:11:21Liquor is the root.
00:11:23Crime, the stem and branches.
00:11:25And what's the root?
00:11:59You look like if you have seen the ghost.
00:12:02It's kind of chilly.
00:12:06Did you see Santoy or Lois?
00:12:09No, I was just in the cabana.
00:12:19Lois, you in there?
00:12:45No, I was just in the cabana.
00:12:50Oh!
00:12:51Quiet, girls, please.
00:12:53I think you better leave the room.
00:12:54Look, maestro.
00:12:56For the good of the show, Lois is dead.
00:12:58She'll have mine.
00:12:59If it looks like an accident.
00:13:00You couldn't move the body.
00:13:01Why, sure, to the beach.
00:13:03It'll look like a drowning.
00:13:04We'll work it out when the frost dies down.
00:13:06It'll be easier on Lois' mother, too.
00:13:08You press agents are all calloused.
00:13:10I forbid it.
00:13:11Take the edge off the first news breaks
00:13:13and we can handle it quietly, I tell you.
00:13:15I forbid it.
00:13:16She was garranted a cord around her neck.
00:13:19What kind of a cord is that?
00:13:20A silk cord.
00:13:22Silk, huh?
00:13:23That's an old Chinese custom.
00:13:26Chinese!
00:13:27Now, Clem, this is no time for hysterics.
00:13:29Come on.
00:13:29Hey, girl.
00:13:30We'd better leave her now.
00:13:32Hurry.
00:13:40Oh, for heaven's sake, Clem, let up.
00:13:43Don't let her come near me.
00:13:44It's Clementine controlling yourself.
00:13:46It's a Chinese drink of silk and cord.
00:13:48She was in the house with poor Lois all the time.
00:13:51Oh, I wish Doc were here, but she needs us a pill.
00:13:54You'll have to humor him.
00:13:56Oh, sure, Clem.
00:13:57The Chinese garrote people all the time.
00:13:59You're accusing me?
00:14:01J'accuse, j'accuse.
00:14:02This is very bad.
00:14:03The garrote is an old French apache costume, too.
00:14:05That's right.
00:14:06And if it was Marcia up there, you'd have some tall explaining to do.
00:14:09I'm going to see if you men have found any trace of Marcia.
00:14:12No, Winifred.
00:14:13They asked us to stay here until the police come.
00:14:16Girls, please try to be calm.
00:14:17Yes, until Marcia's found, we won't know anything.
00:14:20All Marcia's clones are still obscured.
00:14:23Don't stare at me like that.
00:14:25Tantoy, dear.
00:14:26No one accuses you.
00:14:27It was a silk cord.
00:14:29I've read about the Chinese.
00:14:32I'll put an end to this.
00:14:33I met a detective, the world's greatest detective.
00:14:36His name is Jimmy Chan, great Chinese detective.
00:14:40He'll protect his countrywoman.
00:14:42Tantoy, where are you going?
00:15:09Mr. Chan, Jimmy, Jimmy, murder, it's murder.
00:15:16It's murder.
00:15:18This is Mr. Chan's resident.
00:15:20Mr. Chan.
00:15:21Jimmy, Jimmy.
00:15:22Murder, it's murder.
00:15:23That gets those detectives.
00:15:25It's all they understand.
00:15:26Don't let him tell the phone she's burning something.
00:15:28We'll all be murderers.
00:15:29Mr. Chan, Jimmy.
00:15:31This is Santorum at the beach.
00:15:33Tell him it's murder.
00:15:34Oh!
00:15:35Oh!
00:15:37Jimmy!
00:15:37No!
00:15:38Jimmy!
00:15:39Jimmy!
00:15:40Yes, murder, murder!
00:15:42Jimmy!
00:15:43Jimmy!
00:15:43He's murdered.
00:15:44Hold on now.
00:15:44Be calm.
00:15:45Don't get excited.
00:15:46Be calm, everybody.
00:15:47Now, I'm with you.
00:15:47Wait a minute.
00:15:48Be calm.
00:15:48Now, wait a minute.
00:15:49Now, wait a minute.
00:15:49Wait a minute.
00:15:50Say that word.
00:15:51Good gracious of me.
00:15:52Who?
00:15:53Who?
00:15:53Where?
00:15:54Wait a minute.
00:15:55Where's the pair?
00:15:56What's your number?
00:15:57You said it was.
00:15:5726 Malibu Drive?
00:15:59Malibu Drive?
00:16:00Oh, good gracious.
00:16:00That's all right.
00:16:01Hold it now.
00:16:02Hold it.
00:16:02Don't get excited.
00:16:03Now, what?
00:16:04Who?
00:16:05Mr. Chan.
00:16:06Good gracious of me.
00:16:07Mr. Chan.
00:16:08Wait a minute.
00:16:09Mr. Chan.
00:16:10Mr. Chan.
00:16:11Mr. Chan.
00:16:12Mr. Chan.
00:16:14Good evening.
00:16:15Oh, good gracious, Mr. Chan.
00:16:17Jimmy's just gotten murdered.
00:16:18I just got it over the telephone.
00:16:19What?
00:16:20Where?
00:16:20Where did Carl come from?
00:16:22Uh, 26 Malibu Drive.
00:16:24There's a whole lot of girls there.
00:16:25They said he just got murdered.
00:16:26Malibu Beach?
00:16:27How long since you've seen Jimmy?
00:16:28Oh, this afternoon.
00:16:29He must have had a date.
00:16:31But them girls said he just got murdered.
00:16:32I can understand the girl part of it.
00:16:34The rest of it, no.
00:16:36We go.
00:16:37Uh, I'll get car.
00:16:38You'll get your clothes on.
00:16:39Yes, sir.
00:16:39Oh, good gracious of me.
00:16:41Ain't this something?
00:16:47You are sure you have correct address?
00:16:49Yes, sir, Mr. Chan.
00:16:51I heard it plain.
00:16:52A whole lot of girls screaming in the holly about Jimmy.
00:16:56Please, you will drive carefully in the city.
00:16:58We make up time on Coast Highway.
00:17:01Yes, sir.
00:17:01We make up.
00:17:04Birmingham.
00:17:2126 Malibu Drive.
00:17:34Sam, I found her.
00:17:36You must find Marsha, Sergeant.
00:17:37Now let the Sergeant talk.
00:17:39What's he know about it?
00:17:40I'll have to take your statements separately.
00:17:42Have they moved to...
00:17:44Yes, the coroner took over.
00:17:46Now, who is Marsha?
00:17:47The murderess.
00:17:49Oh, now, Madge, we don't know.
00:17:51There's very little the girls can tell you, Sergeant.
00:17:53If you'll wait until the men come back, they may have news of Marsha.
00:17:56And where are the men?
00:17:58They're out looking for her.
00:17:59Someone sent for a detective.
00:18:01Oh, thank heaven.
00:18:03Oh, thank heaven.
00:18:06I'm here looking for number two son, Jimmy.
00:18:09But he's not here, Mr. Chan.
00:18:11Understood.
00:18:11Jimmy was here and in trouble.
00:18:13Oh, that must be a mistake, sir.
00:18:15Oh, mistakes sometimes bring most fortunate relief.
00:18:19I see all other troubles are in most capable hands.
00:18:23Good evening, Sergeant.
00:18:24A very serious thing has happened, Mr. Chan.
00:18:28This is the Sergeant's big break.
00:18:30Give him a chance.
00:18:31I'm Reynolds of the State Police, Mr. Chan.
00:18:33This is out of city jurisdiction.
00:18:34But now that you're here, I'd be glad if you kind of look things over.
00:18:38Little Chinese girl tells me many persons are wrongfully accused.
00:18:43Was a dead girl so very badly hated?
00:18:46Oh, no, Mr. Chan.
00:18:47Lois was a sweet, harmless child.
00:18:49The murder of Lois, that is a mystery.
00:18:51But the missing one, Marcia, we all hate her.
00:18:53I kid her myself.
00:18:55Poof.
00:18:55Correct.
00:18:56Lois was strangled.
00:18:58Adelaide's right.
00:18:59We all hated Marcia.
00:19:01Not hate, Mads.
00:19:02That's a bitter word.
00:19:03Marcia, bah.
00:19:04She will not be found.
00:19:05I hope not, bah.
00:19:08Question me, men.
00:19:09Ask them.
00:19:10Girls, please.
00:19:12Mr. Chan, would you care to talk to us separately?
00:19:14Would like a few moments along with Sergeant, if you please.
00:19:18Some girls, upstairs.
00:19:20No, no, not up there.
00:19:22No need to go to that room.
00:19:23We can make a general dormitory where you can all be together.
00:19:26Come on.
00:19:30Don't worry, Mr. Chan will clear things up.
00:19:32The Sergeant looked capable to me.
00:19:34Oui, but the detective...
00:19:41Well, that looks like an ordinary bathrobe cord to me, sir.
00:19:45I was more concerned about the presence of my number two son, Jimmy, in this house.
00:19:50Well, I haven't seen him, sir, but I'd appreciate any time you can give the case, sir.
00:19:55Oh, Mr. Chan.
00:19:57I met you when you were on the March case.
00:19:59I was handling publicity for the March flower mills.
00:20:02My name is Rick Daniels.
00:20:03I'm delighted.
00:20:04Being press agent, you will have facts alive for details.
00:20:08Mr. Chan, am I glad to see you.
00:20:12Mr. Cole King, I believe?
00:20:13Yes, sir.
00:20:14Your presence here is a great relief to us.
00:20:17One moment.
00:20:20What is your position on Mr. King's show?
00:20:24Physiotherapist in charge of diet.
00:20:25General physical culture.
00:20:27George Brandt, Mr. Chan.
00:20:29An honor, sir.
00:20:30Any sign of the missing girl?
00:20:31No, no, we searched every room and every cabana.
00:20:33We can't find her anywhere.
00:20:35Now, gentlemen, I will ask you for careful statements and details, please.
00:20:41I'll be in my cabana, girls.
00:20:43Madge will take care of you.
00:20:45Good night.
00:20:45Good night.
00:20:46Good night.
00:20:48Clam, hold it.
00:20:50I'm gone again.
00:20:52I saw it, too.
00:20:53Somebody out on the porch.
00:20:54A man.
00:20:55He went into the next room, through the window.
00:21:10What is trouble, please?
00:21:11Someone run in here from the porch.
00:21:13A man.
00:21:13I saw him jump through the window.
00:21:34So, you will explain your behavior with speed?
00:21:38Well, Pop, you'll see it.
00:21:40It was this way.
00:21:41Also intelligence.
00:21:42Well, I found the address on the telephone pad.
00:21:45I figured you were on the case, and that you might need some help.
00:21:47And when I saw the state cops off on the highway, I knew that they had just stopped.
00:21:50So, I just climbed up.
00:21:53Hello, Jimmy.
00:21:58Unorthodox, though, not unusual.
00:22:01One moment, please.
00:22:03You and Birmingham will take up positions in rear.
00:22:06No one is to leave premises.
00:22:08Okay, Pop.
00:22:08Our quarters are in the cabana, Mr. Tan.
00:22:10Kindly remain in the house.
00:22:12Ladies, return to your rooms.
00:22:14Sounds official.
00:22:15I still think the sergeant could handle it.
00:22:26Position up, buddy.
00:22:27Yes, sir.
00:22:28Trunk.
00:22:29All right, sir.
00:22:42Jimmy, ain't nobody going to try to leave the house at night.
00:22:44Come on, let's find a place to stretch out.
00:22:46Pipe down.
00:22:46I'm already in touch with Pop.
00:22:48Yeah, but I'm plum exhausted.
00:22:49I want to go to sleep.
00:22:50Sleep.
00:22:51Why don't you try sleeping on your feet for a change?
00:22:53Hmm, that ain't a bad idea.
00:22:58Hey, Doc, there's somebody now.
00:23:10He went into the cellar.
00:23:12What are you worrying about?
00:23:13He ain't leaving the house.
00:23:18He's always looking for trouble.
00:23:23Now, now, now, where are you going?
00:23:25Come on, this will square us with Pop.
00:23:26I'm already square with your Pop.
00:23:28Well, you stay here.
00:23:29I'm going in.
00:23:29That's just what I'm...
00:23:30Whoa, gangway.
00:23:31I changed my mind.
00:23:54Jimmy.
00:23:55Jimmy.
00:23:56Whoa, Jimmy.
00:23:57I wonder where did that boy go?
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00:29:43OF TRUCK
00:29:43OH YES
00:29:43MM?
00:29:44IMAGINE YOU
00:29:45ARE STEALING
00:29:46SOMETHING
00:29:46FROM THE TRUCK
00:29:47I KNOW
00:29:47NOW
00:29:48YOU ARE FAMILIAR
00:29:50WITH TECHNIQUE
00:29:50OF THE GAROUTH?
00:29:51THEY DIDN'T TEACH THAT
00:29:52IN MY SCHOOL PAP
00:29:53MmM
00:29:56Observe
00:29:57When held in this manner
00:29:59garrota
00:30:00cannot possibly be caught
00:30:02if victims should suddenly
00:30:04grasp the cord
00:30:05Gee Pop where'd you learn that?
00:30:06In the school
00:30:07of hard experience
00:30:08uh, simulate, uh, pilfering.
00:30:12Now, I am Garota.
00:30:16I enter from this door.
00:30:19I approach the victim stealthily.
00:30:24Not now, Mr. Chairman, not now.
00:30:26You see, Jimmy, that is what I mean.
00:30:28It was utterly impossible for Garota
00:30:31to approach victim from behind
00:30:33while victim is kneeling in that position at the trunk.
00:30:36I get it, Pop. That Lois girl wasn't at the trunk.
00:30:39Uh-huh. Well, deduce further, remember?
00:30:41The body was lying here where these marks are placed upon the floor.
00:30:45She whirled away from the trunk and saw the killer.
00:30:48Uh-huh. Deduce further. You're reaching the point.
00:30:51She recognized the killer.
00:30:52She couldn't believe what she saw with her eyes
00:30:54or she would have gotten further away.
00:30:56Maybe clean away.
00:30:58Uh, indicating what?
00:30:59That the killer was a friend.
00:31:00Exactly. What I am trying to demonstrate.
00:31:03The killer, Jimmy, was a friend.
00:31:05Oh, Mr. Chairman, maybe that girl didn't see the killer at all.
00:31:08Maybe the killer was transparent.
00:31:10Oh.
00:31:12No further deductions.
00:31:23If only we could go swimming.
00:31:25A good idea, but forbidden.
00:31:26Sergeant's orders stay here or in the house.
00:31:28We got the orders from Mr. Chairman.
00:31:31Detractor.
00:31:31The sergeant's a great criminologist.
00:31:33He told me so himself.
00:31:34Crimes and criminals.
00:31:36It all seems like a nightmare.
00:31:39Oh, Mr. Chairman.
00:31:41Is it how you say permissible to go swimming?
00:31:43I think nice swim would be very refreshing for everyone.
00:31:48That's good.
00:31:49Sure.
00:31:50Come on.
00:32:08You're holding your own laundry, Rick.
00:32:10I'd be glad to do any washing, sir.
00:32:13No thank you.
00:32:13It's just something I had for the maestro.
00:32:23Jimmy, Jimmy, you will both follow movements of Mr. Daniels very closely.
00:32:34Oh, but Pop, Santoy and I were going to go for a swim.
00:32:38Swim later.
00:32:48Oh, Clementine, look what I found.
00:32:51It moved.
00:32:52Don't touch it, Ruby, don't.
00:32:54Afraid of a crab?
00:32:55Oh, bite.
00:32:58Clementine, get it before it goes in the water.
00:33:03Where are you going?
00:33:10Oh, gosh.
00:33:15It's Marshal!
00:33:16Marshal!
00:33:27The tide washed her up, huh?
00:33:30Grimm old cord.
00:33:32You will also examine not very closely.
00:33:37Doubt it.
00:33:38Another one.
00:33:39Strangle.
00:33:40Good gosh, another cord.
00:33:44Everyone will please return to the house to accept the sergeant.
00:33:48You remain here and instruct the coroner.
00:34:01It's obviously a suicide, Mr. Chan.
00:34:04She killed Louise and then go out and drown herself, n'est-ce pas?
00:34:09You observe not?
00:34:10It was a granny knot, sir.
00:34:13You also possibly examine victim's throat?
00:34:16Yes, the trachea was flattened.
00:34:18What would you say regarding possible period of immersion?
00:34:23Ten or twelve hours.
00:34:24He is only guessing, Mr. Chan.
00:34:26Well, I have only a superficial knowledge of such things, Mr. Chan.
00:34:29I am certain coroner will agree with your every statement.
00:34:33Excellent.
00:34:35Doctor?
00:34:37It can't be a suicide, Mr. Chan.
00:34:39She was a good swimmer.
00:34:41She'd have to tie the cord on herself.
00:34:42Not to the kind women tie.
00:34:44Also many men.
00:34:46Pop!
00:34:46Hey, Pop!
00:34:47Yes?
00:34:48He's going off the beach with that package.
00:34:50Birmingham's watching him.
00:34:51I will take care of it.
00:34:52I must ask you all not to leave this room.
00:34:55I have much to discuss with you later.
00:34:58Here we go.
00:34:59Here we go.
00:35:36So, you will open it, please.
00:35:42I can explain, Mr. Chan.
00:35:44I will listen to your explanation at the house in the presence of your friends.
00:35:53Yeah.
00:35:56Yeah.
00:35:57Right.
00:36:01Well, the coroner says she couldn't have died by drowning.
00:36:04I thought not.
00:36:05She wasn't the kind.
00:36:08Better we leave this place while the excitement is still on.
00:36:11You don't know America, honey.
00:36:13They'd hound us and never let up.
00:36:14I'll live with you in caves.
00:36:16Even in tree trunks.
00:36:17Only to run away from this.
00:36:19I've been running away for years.
00:36:21Time has come now to face it.
00:36:23That detective.
00:36:24He knows everything.
00:36:25All righty, call you doctor.
00:36:27Yes, I caught that.
00:36:33Look, before we go in, I was trying to keep somebody from being framed.
00:36:37This robe was planted on him.
00:36:38The maestro?
00:36:39That's right, and you can check on that.
00:36:41He found it in his clothes closet.
00:36:43I prefer to listen to your explanation in presence of the other suspects.
00:36:47Listen, Mr. Chan, I know crime.
00:36:50There isn't anybody in this house that could have killed Lois except Marsha herself.
00:36:54Then Marsha took the water route.
00:36:56Suicides do not garrote themselves by tying granny knot at back of neck.
00:37:01I've seen a lot of crime.
00:37:04Repetition of your merit only go to prove your fear of fault, Mr. Press Agent.
00:37:10Marsha, continue inside, please.
00:37:21It's Marsha's robe!
00:37:23Where was it, Rick?
00:37:24I had it.
00:37:25It's Rick!
00:37:26Rick killed him!
00:37:28Please, please.
00:37:30For the benefit of everyone, I wish to inform you, it's my opinion.
00:37:35Marsha did not kill Miss Lois.
00:37:38Mr. Chan, several of us saw Marsha going up to the house while we were swimming.
00:37:41The sergeant has a theory on that.
00:37:43He thinks somebody wore the robe and then went into the house.
00:37:46Excellent deduction, but lacks point of fact.
00:37:48And Santoy had every opportunity.
00:37:52Que lai mora!
00:37:53Que chana soila!
00:37:54Santoy is a petite doll.
00:37:55And she herself was attacked, no?
00:37:58New sound repressed.
00:38:00And that ether business could have been phony.
00:38:02If anyone wanted to cover up.
00:38:04Ruby, please.
00:38:05Mr. Chan, it's plain you suspect all of us of the actual,
00:38:08for the actual murder of trying to shield someone.
00:38:12Daniels, don't stare that way.
00:38:14You look like a vulture.
00:38:16Mr. King.
00:38:22You are familiar with these cords?
00:38:24This one possibly from black gown?
00:38:28Uh, there is no black gown in the wardrobe, Mr. Chan.
00:38:30Mr. Chan, tell me about this, this one is her.
00:38:34Excuse, please.
00:38:35Chinese girl who is familiar with wardrobe, tell different story.
00:38:39This cord which killed Miss Lois is from your black beach robe.
00:38:44And this one with silver thread is from Marcia's gown.
00:38:49All right.
00:38:50So that is correct.
00:38:51How do you expect to get cooperation from one you so obviously and wrongly accuse?
00:38:56Spill it, you dope.
00:38:56You're the guilty one.
00:38:57Let's get him out of here where we can give him a third degree.
00:39:00Wait a minute, Daniels.
00:39:01Don't you see?
00:39:01This is a trick of chance.
00:39:03It's an old oriental custom trying to get us to accuse each other.
00:39:06You're gonna talk.
00:39:07Don't ever lay a hand on me again.
00:39:09You killed them both, why don't you spill it?
00:39:11Daniels, this police court stuff.
00:39:13I'll have you arrested.
00:39:15Rick, stop it.
00:39:17Look, I was loyal to you and your show, but enough's plenty.
00:39:20I took that robe out and tried to bury it because I thought somebody was trying to frame you.
00:39:24Then Chan caught me and the finger's on me.
00:39:26Daniels, you took that robe to Chan.
00:39:29Oh, skip that.
00:39:30But Doc here's got something in his past that stinks.
00:39:32And the finger's on him too.
00:39:34The girls are accusing each other.
00:39:35You're ruining lives, Cold King.
00:39:37When you're the guilty one, why don't you spill it?
00:39:40Stop it, Rick.
00:39:40Get yourself more evidence.
00:39:42I got evidence enough.
00:39:44He let this dame Marsha make a fool out of him.
00:39:46Then he got tired of it.
00:39:47And he gouted her with a cord from his own bathrobe.
00:39:50Stop him, Mr. Chan.
00:39:51No, no, please continue.
00:39:53This kid, Lois, was a chiseler.
00:39:55She shook Adelaide's trunk for the tin box to put the bee on you, Doc.
00:39:59Blackmail.
00:39:59And that's where you came in.
00:40:01She was swiping the box when she saw you fix Marsha.
00:40:03You had a kill, Lois, with a cord from Marsha's gown.
00:40:07I don't know anything about it.
00:40:08You're crazy.
00:40:10Oh.
00:40:12Now I see it, Daniels.
00:40:14You're the murderer.
00:40:16You killed Marcia.
00:40:18Marcia took Winifred's job in the show.
00:40:20Never since then, you've been moody and ugly.
00:40:22You killed Marcia and then later took her body out to sea.
00:40:26Oh, that won't get you anywhere.
00:40:27Hey, wait a minute.
00:40:28You killed Marcia.
00:40:30Daniels, you're calloused.
00:40:32You tried to make Lois's death look like suicide.
00:40:35Obstructing justice is very serious crime, Mr. Daniels.
00:40:39Sergeant, you will make investigations and bring proper charges.
00:40:43Shall I handcuff him, sir?
00:40:44Oh, not necessary, no.
00:40:47Listen, all of you.
00:40:48When I shall have dismissed you,
00:40:50the men will all go to their cabaniers.
00:40:53The ladies will remain here and in this house.
00:40:56Oh, Mr. Chan,
00:40:57you won't make us put in another night in this house.
00:40:59Impossible to speed up investigation now.
00:41:03You two in a few moments will meet me in my headquarters,
00:41:06first room of the night at the top of the stairs.
00:41:08Doc and Adelaide?
00:41:09Why, they're no more guilty than I am.
00:41:11That is very interesting comment, young lady.
00:41:14Perhaps I will be able to question you later on.
00:41:18He won't question, sir.
00:41:19Oh, no, ma'am.
00:41:21Sergeant, you will please join my two assistants.
00:41:23Right, sir.
00:41:24No one is to leave house or cabaniers.
00:41:26The beach party okay, sir?
00:41:27If carefully guarded, this is routine precaution.
00:41:31I am convinced the murderer is in this room.
00:42:01It's a dame, Sarge.
00:42:03I'll get her.
00:42:04You stay here and see that none of the others fired.
00:42:32Oh, so it's you.
00:42:34Where were you going?
00:42:35To mail a letter.
00:42:37Wisecracks won't help, honey.
00:42:38You sure fooled me.
00:42:39Move over.
00:42:40I'll drive back like a good girl, Sergeant.
00:42:43Oh, no, you don't.
00:42:43I'll send for the bike later.
00:42:44Move over.
00:42:55State Board of Medical Examiners.
00:42:57What's this?
00:42:58I'm not talking.
00:43:20You wish I should open this letter, Doctor?
00:43:22Of course.
00:43:23It's my application for the State Board.
00:43:24I'll give it to Ruby to post because she had a better opportunity to escape.
00:43:28Tomorrow's the last day for filing.
00:43:30I'd decided to drop it.
00:43:32Best laid plans of mice and men sometimes go a little bit haywire, huh?
00:43:37Very well.
00:43:38I accept explanation.
00:43:40I think perhaps, Sergeant, you had better mail a letter.
00:43:43You may open it first if you wish.
00:43:45I guess I'll mail it, Mr. Chan.
00:43:47Good work, Sergeant.
00:43:49Sit down, please.
00:43:52I suggest now we all talk together freely.
00:43:56Well, it seems obvious to me, Mr. Chan.
00:43:58Marshall killed Lois, contrived to tie a similar cord around her own neck since she was so good a swimmer.
00:44:03One moment, please.
00:44:04One moment.
00:44:05If either garotte had been tied with a square knot, a surgeon's knot, the case would now be closed with
00:44:12you arrested.
00:44:13That's impossible.
00:44:14Sit down, please.
00:44:17Today, I confirmed a suspicion which began to germinate when I first see you.
00:44:22Six years ago, in New York City, a very young and promising doctor was accused of wife murder.
00:44:29Master Rouge!
00:44:30They're lies!
00:44:31Lies!
00:44:31Lies!
00:44:32Lies, yes, perhaps.
00:44:34Young doctor was exonerated, but the whole affair ruined his life.
00:44:38All right.
00:44:40He went to war.
00:44:41There he met a girl and married her.
00:44:43Me.
00:44:44Now you know everything, Mr. Chan.
00:44:46Thank you so much.
00:44:48When you were both in Paris, you knew this girl, Marcia, very well.
00:44:53Oh, zut.
00:44:53We know her too well.
00:44:55No, no.
00:44:56Let her drop, Adelaide.
00:44:58I'm suspect again.
00:44:59You, uh, refused to talk about yourselves?
00:45:02What is there to say?
00:45:03The medical association disowned me.
00:45:05I couldn't resume practice when I came back.
00:45:08Marcia got Adelaide a job with this show and there was a job for me.
00:45:11It's as simple as that.
00:45:13I have no wish to reopen old wounds.
00:45:16Adelaide knows I was completely innocent of that charge, Mr. Chan.
00:45:20Then, yes, perhaps.
00:45:21But now, by simple process of elimination, doctor, I have arrived at a most important conclusion in this present case.
00:45:30I am very sorry, but I am under the painful necessity of accusing you of a most serious crime.
00:45:36Accuse me, Mr. Chan?
00:45:37No, no.
00:45:38This is horrible.
00:45:39I killed Marcia.
00:45:40Adelaide, Adelaide.
00:45:41Mr. Chan doesn't want dramatics.
00:45:43Excuse, please.
00:45:44On contrary, dramatics highly valuable just now.
00:45:48I am convinced, doctor, you tell only partial truths.
00:45:52I am convinced you find dead girl's body in this room.
00:45:56I am also firmly convinced you remove from this room certain articles which Lois steal from Trunk.
00:46:02No, no.
00:46:03He was with me everywhere, in the water, on the beach, everywhere.
00:46:06It's no use, Adelaide.
00:46:07I found Lois.
00:46:09That metal box of yours was on the floor beside her.
00:46:11I took it away.
00:46:13You did find her then.
00:46:15Continue.
00:46:16But she was dead, Mr. Chan.
00:46:18I tried artificial respiration.
00:46:20It was no good.
00:46:21I knew what a bad situation I was in.
00:46:24That metal box contained personal letters referring to that affair in New York.
00:46:28I saw the whole thing being bungled by the local police to ruin us.
00:46:32To destroy everything Adelaide and I have together.
00:46:35Our entire future.
00:46:37This box contained other articles besides letters?
00:46:40Lots of things.
00:46:41Everyone has something in it.
00:46:42It was only a fireproof container of the girl's head, sir.
00:46:45Ruby has some letters.
00:46:46Winifred, Santoy, some Jane, Mrs. Thornt.
00:46:48You can't produce this box?
00:46:50It's in my cabana, sir.
00:46:51Good.
00:46:52We will go at once to cabana.
00:46:54Go ahead.
00:47:00Contents of box may reveal new clues, doctor.
00:47:02Doc never did this to Lois.
00:47:04We care if she's still box, sure.
00:47:07But we don't care that much.
00:47:08Evidence so far quite convincing, but puzzle always deepest near the center.
00:47:14Mr. Chan, it's gone.
00:47:17Gone?
00:47:20You'll excuse me, doctor, if I seem slightly suspicious.
00:47:23But it was here.
00:47:26I...
00:47:26Look.
00:47:27It's been cut open.
00:47:28I had no chance to slip this bag.
00:47:30Until boxes found can offer very little comfort.
00:47:33Oh, no, no.
00:47:34Please.
00:47:34We tell the truth.
00:47:35Only truth.
00:47:36Isn't there anything we can do to convince you, Mr. Chan?
00:47:38I will bend every effort to find the box.
00:47:41But in the meantime, doctor, I must assure you, your position is extremely delicate.
00:47:49Well, here goes my chance for the state medical examination here.
00:47:54They can't ruin people like this.
00:47:56They just can't.
00:47:57If Chan arrests me, the publicity, everything will come out.
00:48:01Oh, it does not matter.
00:48:03We have lived through so much we overcome this.
00:48:05I live with you in jail, in hovels.
00:48:08I even live with you in pork pies.
00:48:11It's pigsties, honey.
00:48:13Oh, what's the difference?
00:48:22Oh, hiya, Pop.
00:48:24Santoy needed some air.
00:48:25Okay.
00:48:26Can it be arranged?
00:48:27Well, that's fine.
00:48:28She's kind of scared with all those other dames.
00:48:30I mean, girls around.
00:48:31They've been picking on her.
00:48:32Oh, it isn't that bad, Jimmy.
00:48:34Everyone's nervous and jumpy.
00:48:36Couldn't she go back to the city with us tomorrow, Pop?
00:48:38Oh, I'm afraid too soon.
00:48:40You have made tall talk a prowess as detective.
00:48:44Honor of Chan's family now at stake.
00:48:46Well, Santoy got it all wrong.
00:48:49I'm afraid too short time to bring this to conclusion.
00:48:53Well, can't you speed it up, Pop?
00:48:54Hmm.
00:48:54Laisurely hunter have time to stalk prey, but Hunter in haste must set trap.
00:48:59A trap?
00:49:01Shrewdly baited.
00:49:02Pop's concentrating.
00:49:03He'll settle it fast now.
00:49:05Jimmy, you will find other assistant and take a post of observation of last night.
00:49:10Oh, but Pop, Santoy wanted to take a walk.
00:49:12So she shall.
00:49:14So she shall.
00:49:15Nice walk.
00:49:16With intelligent conversation.
00:49:19With me.
00:49:24They can't keep us caged in here another night.
00:49:28Chan wants us all to get some rest.
00:49:30What's happened to the maestro?
00:49:31His nerves are shot.
00:49:32He's hysterical.
00:49:34Doc's got him in his cabana trying to calm him down now.
00:49:36Come on, Clem.
00:49:37No, no.
00:49:38Not upstairs.
00:49:39Well, that'll be best, Clementine.
00:49:40Madge can give you a rub down.
00:49:42And sleep?
00:49:43No.
00:49:44Why, I never sleep until this thing is all settled.
00:49:46In the wall.
00:49:47Noises in the wall like someone whispering.
00:49:49Oh, it's just probably some rats.
00:49:51Ow!
00:49:52If you want, we can bring in some bedding and you can sleep down here.
00:49:55Good.
00:49:55I'm not hangering for upstairs.
00:49:57I'll help with the bedding.
00:49:58Well, that's a sound idea.
00:49:59I think I'll go to my cabana, girls.
00:50:01I'm terribly tired.
00:50:03Madge can take care of you.
00:50:04Oh!
00:50:05I tell you, there's something in that wall.
00:50:07Someone call?
00:50:08Oh, it's nothing, Mrs. Weevils.
00:50:10One of the girls heard noises in the wall.
00:50:12Mice were overrun with them.
00:50:14Would you help bring some bedding, tricky girls?
00:50:16They're going to stay downstairs tonight.
00:50:19Certainly.
00:50:37That quaked!
00:50:38That quaked!
00:50:39That quaked!
00:50:40That quaked!
00:50:40Run for coffee, everybody!
00:50:42Run for coffee!
00:50:43Quiet, quiet!
00:50:44We're supposed to be on guard.
00:50:46What is you up to?
00:50:47What do you mean, throwing people around like this?
00:50:49Listen, I just talked to Pop.
00:50:50Yeah, but he told me to stay here by myself.
00:50:52It's about a box.
00:50:53If we find the box, everything's okay.
00:50:55Oh, is it a long box about six feet tall and got flowers piled up on it?
00:50:59No, no, no, no.
00:50:59It's a little tin box with some papers in it.
00:51:01And I've got a hunch where we can find it.
00:51:03Where?
00:51:03In the maestro's room.
00:51:05He's with the doc.
00:51:06And I figure the maestro's guilty.
00:51:08Yeah, but I ain't figured.
00:51:10Oh, you stay here.
00:51:11If anything happens, I'll hear you yell.
00:51:14And you ain't kidding.
00:51:24Oh, boy, oh, boy.
00:51:26Not now.
00:51:27I'll tell you when.
00:51:29I'll tell you when.
00:51:30I'll tell you when.
00:51:32I'll tell you when.
00:51:32Not now.
00:51:50Be very evenies.
00:51:52That ain't nobody but the housekeeper, Miss Weebles or Miss Wobles.
00:51:56What was she going in that door for?
00:52:01Where you going?
00:52:02Oh.
00:52:03A policeman.
00:52:05Well, you see one time that somebody went down in there and I followed them, see?
00:52:09So after they went second, I went first and I come out first after I...
00:52:12So?
00:52:13So, well, what it was, I went down in there second and when I followed them, they come out first.
00:52:18And what I was trying...
00:52:18Don't you get it?
00:52:19I'm no good at geometry.
00:52:21Did you see anybody go by here?
00:52:22Oh, the housekeeper.
00:52:23She went over there in that door.
00:52:24Keep your post.
00:52:52Well, let's get him down.
00:58:32I've been going.
00:58:32He's cracking.
00:58:33Get out for heaven's sakes and leave the man alone.
00:58:35Well, they all crack one day like this.
00:58:36I took that box.
00:58:38I took it out of your bag.
00:58:40Why? Why?
00:58:41Get out.
00:58:43It's in my room.
00:58:45In my trunk.
00:58:46What's in it? What were you hiding?
00:58:47Papers.
00:58:48Her papers.
00:58:51She'll expose me.
00:58:53She'll ruin me.
00:59:04Get out, Daniels, or I won't be responsible.
00:59:07So you're covering for him.
00:59:09The box was in your bag.
00:59:11It's beginning to get clear now.
00:59:13You're wild. Get out.
00:59:14You needn't have given him that shot.
00:59:16It was the merciful thing.
00:59:19The only merciful thing.
00:59:21Uh-huh. Maybe so.
00:59:22But I'm getting to a phone.
00:59:24I'll bring some law in here. It'll make Chan look like a monkey.
01:00:00Listen.
01:00:00Come out with your hands up or I'll shoot.
01:00:02You wouldn't dare.
01:00:03Listen, I'll make you a deal.
01:00:05Come out with your hands up.
01:00:07Look, Sarge, I got this thing cracked.
01:00:09Let's get to a telephone.
01:00:11Chan's orders.
01:00:12No one leaves premises.
01:00:14But I tell you I got this thing cracked.
01:00:15Let's get to your headquarters.
01:00:16There's a promotion in this, and I can see that you get the breaks.
01:00:19Chan's orders.
01:00:23Whither I go, so goest thou.
01:00:25I'll break you for this.
01:00:26I got influence.
01:00:27Not as much as I've got right now.
01:00:43I got influence.
01:01:05I got influence.
01:01:20I got influence.
01:01:24I got influence.
01:01:28I got influence.
01:01:35Oh, that's them darn mice of you.
01:01:39Birmingham!
01:01:43Birmingham!
01:01:45Jimmy, is that you?
01:01:46Birmingham!
01:01:47Hey, I'm stuck. Come help me.
01:01:49You're stuck? Where are you stuck?
01:01:51Hey, come and help me. Birmingham.
01:01:54Yeah, I'm over here. Where's you at?
01:01:56Hurry, I'm slipping again.
01:01:58Oh, my goodness.
01:01:59He's stuck.
01:02:04Say something so I can find you now.
01:02:06Is you talking from this side?
01:02:08What do you mean, this side?
01:02:09I'm slipping. Hey, give me a hand.
01:02:11I just want to know if you're talking on this side of the world or the other side.
01:02:15Hey, I can't hold on much longer.
01:02:25Jimmy, Jimmy.
01:02:28Birmingham, Birmingham.
01:02:29Good gracious, Jimmy. What is the matter with you?
01:02:32I got it. I got it. It's in the furnace.
01:02:35Yeah, you ain't going back in there, is you?
01:02:37Yeah, I got it.
01:02:38You sure have. You got it all over your face.
01:02:40Hey, what's in there?
01:02:41It's very important. We got to get it to pop.
01:02:43Yeah, but you're going to wash your face first, ain't you?
01:02:45Haven't time for that now.
01:02:46Yeah, but suppose we're going to meet that little Chinese number.
01:02:48Yeah, maybe you're right.
01:02:50Come on.
01:02:52Come on.
01:03:08Pop must be around these cabanas somewhere.
01:03:10Can we wait till morning to tell him?
01:03:12Oh, no. He's got to know tonight.
01:03:13He might arrest an innocent person.
01:03:15And besides, we've got to watch these cabanas anyhow.
01:03:17You ain't fooling me.
01:03:19I know how come you ain't into these cabanas.
01:03:21It's that little Chinese girl.
01:03:23Hey, look.
01:03:42I found it, Pop.
01:03:43I have trap all set and you put Bigfoot in it.
01:03:46Come.
01:03:50Which way did it go?
01:03:51It went that way.
01:03:53Well, hurry. We followed it.
01:03:54It went that way.
01:04:20Seventy. Seventy-five.
01:04:22I've got to slow it down, Mr. Chance.
01:04:24Too bad.
01:04:25I was in hope soon to overtake other cars.
01:04:36I was in hope soon.
01:04:37I was in hope soon to overtake other cars.
01:04:38I was in hope soon to overtake other cars.
01:04:39Well, you're in hope.
01:04:46I was in hope so.
01:04:59for
01:05:16for them
01:05:26it's mrs thorny you're too late mr chand
01:05:33i wanted to ruin him i wanted to make him suffer as badly as i have
01:05:41call king the maestro
01:05:45i was his wife
01:05:48i ran away from him but when i tried to come back he wouldn't even recognize me he gave
01:05:58me a job wardrobe medges i was humiliated cast aside like like something unclean
01:06:12you can't understand about masha and lois mrs thorne but why sentoy sentoy knew she stole my papers
01:06:22my papers in the box no no papers stolen by others
01:06:30i hope he suffers
01:06:36i hope he suffers
01:06:47highway patrol jimmy directed here she deserved years ago ran away with a dancer some of her letters here in
01:06:56the box
01:06:57she put the bathrobe in the maestro's closet hoping the local police make the obvious arrest then clinched the evidence
01:07:04with the cords is that the way it was mr chand
01:07:06exactly
01:07:06happy solution of case will permit you doctor once again to resume medical practice
01:07:13will you excuse please i'm in very great hurry
01:07:17but mr chand
01:07:19marsha went up the beach while we were in swimming
01:07:21mrs thorne went up the beach in marsha's row
01:07:24silly
01:07:25making it seem as if marsha was killed in the house
01:07:27and then carried out
01:07:29exactly exactly thank you so much
01:07:32say pop can i uh yes you may take that walk now
01:07:35yeah goodbye
01:07:36no one has thanked you
01:07:39oh i am sufficiently recompensed now thank you so much goodbye
01:07:45mr chand
01:07:45mr chand
01:07:46what's the matter by me huh
01:07:47it wasn't mouses in them walls
01:07:52look at that
01:07:58kind of a
01:07:59when they're at the
01:07:59the
01:07:59the
01:07:59the
01:07:59the
01:07:59the
01:08:02the
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