- 1 day ago
Mumbai, Maharashtra: In an exclusive conversation for new film 'Pati Patni Aur Woh Do', actor Ayushmann Khurrana, actress Rakul Preet Singh and actress Sara Ali Khan shared their experiences of working together, highlighting the easy camaraderie and light-hearted atmosphere on set. Ayushmann spoke about enjoying working with multiple co-stars, while Sara praised Rakul’s character, even saying she wished she could have played it herself. The discussion then shifted to pre-release trolling and social media judgment, with all three noting how films like 'Dhurandhar' faced early criticism but later succeeded. Sara also opened up about how online negativity affects her mental well-being. They reflected on the nature of public scrutiny in the industry, citing past examples of trolling faced by actors like Rahul Roy. The conversation concluded with Ayushmann expressing admiration for legendary actor Sanjeev Kumar and his love for classic comedy-of-errors films, which continue to inspire him.
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00:00Welcome to INS. Thank you.
00:02Avishman, we'll start with you.
00:04Go, Avishman.
00:04First thing first, how was your experience working with three girls on the set?
00:08Was it difficult to deal with three of them?
00:11There was no difficulty.
00:12All that difficulty you're seeing is part of the screenplay.
00:15And it's this comedy of errors.
00:18And the three immensely talented people.
00:21Very different individuals and their characters also very different in the film.
00:26And Prajabhati Pandey is a green flag in the film.
00:29But the best part is that all three ladies in the film, they have a certain agency.
00:35They are not just there for tokenism.
00:38They have a certain word and they are assertive in the film.
00:42And that makes it like more palatable and more wide and more progressive at the same time, I guess.
00:50So, when three girls are on the set, normally people say that there is too much of gossip.
01:01Cat fights.
01:02Yeah.
01:03Cat fights, we'll talk about, but there is too much of gossip.
01:06So, who is the most spicy gossip?
01:09Gossip.
01:10We don't believe in gossip I think.
01:12They are not just saying this.
01:14I don't think we've ever gossiped really.
01:16I don't think we've ever gossiped really.
01:20Yeah.
01:20We've got it.
01:21Yeah, we've got it.
01:23Yeah, we've got it.
01:23We've got it.
01:24Because they need gossip industry.
01:26Yeah.
01:26So, I think we don't indulge in gossip, but we had a lot of fun while shooting.
01:31We had a lot of work out with them.
01:33We had a lot of work out with them.
01:33We had a lot of drive with them.
01:35We had a lot of hotel with them.
01:36We had a lot of work out with them.
01:38And it's just a stereotype when three women are together.
01:41Men also gossip a lot.
01:43If they're gossipy talking about it.
01:45So, it's not gender specific.
01:46So, let's put it some other way.
01:48I'll just use a polished word like conversation.
01:52So, how was the conversation like?
01:54Which one of the favorite topics was the topic?
01:57I don't think so.
01:58I mean, I don't think so.
01:59I don't think so.
02:00I don't think so.
02:01So, her favorite topic was the topic?
02:03No, I'm kidding.
02:05I think she is so funny.
02:08She is so funny.
02:09No, I love you.
02:09I know that.
02:10I'm naturally funny.
02:12She's naturally so funny.
02:13She's entertaining.
02:14Yeah.
02:15You know, she...
02:15Entertainment is Sarah.
02:18And it's anonymous, you know, truth to her.
02:23And so, that would be...
02:25We would just keep talking random things, you know.
02:28It's not like somebody had a favorite conversation.
02:30Sometimes it could be about food.
02:32Sometimes it could be about, you know, what are we working on?
02:35I had a favorite topic.
02:36What was your favorite topic?
02:37You all know.
02:38Of course.
02:39The French you had.
02:39No, no, no.
02:40Of course.
02:41Yeah, yeah, yeah.
02:42And you all used to say, don't say, don't say.
02:44We won't tell them.
02:44It's okay.
02:45I still don't remember.
02:46You initiated the conversation.
02:48No, no.
02:48I won't tell you.
02:48It's just for our years only.
02:50Tell me after the interview.
02:51Yeah, done.
02:51It was fun.
02:52As usual.
02:52It was a lot of fun.
02:53We used to eat dinner together.
02:55Yeah.
02:55You know, to pack up.
02:57Because we were on an outdoor.
02:58Pack up.
02:58We would sit and sit and, you know, of course our director, Juno, our producer, all of us.
03:05So, it was just nice conversations.
03:08It wasn't like specific to certain subjects.
03:11Read about your characters.
03:14So, it happens many a times and a lot of factors have spoken about it.
03:22It happens sometimes that you feel, okay, if I do that or I do that, then it will be better.
03:28So, did it happen to you, Sara, that something came to mind?
03:32Aishwan, can you tell us?
03:34What did I say?
03:34Tell us.
03:35Tell us.
03:35Tell us.
03:35Tell us.
03:36Tell us.
03:36Tell us.
03:38Tell us.
03:42And the best lines are.
03:43Sara said, she has the best lines, and she is the best lines.
03:46What is this?
03:47I love Nilofa.
03:49I love.
03:50And, but honestly now, script level, I love Nilofa, but actually now seeing what Rakul has done.
03:58I am, like if she is so good in the film, and the film is so funny.
04:02That I think whatever happened, happened for the best.
04:04But in another world, yes, I would like to play Nilofa.
04:08I really would.
04:09So what was, did you like the line, what did you feel good about your character?
04:14You know, I think that, when I read the narration, and then when we shoot on the set,
04:22I used to do all the lines. And I actually used to love the way I pitched Nilofa.
04:30Yeah.
04:30And I mean, to see how Rakul has made it her own, but done what Sir has asked of her,
04:37doing such good justice to those lines.
04:40She's the filmmaker.
04:41I've seen every scene of hers for sure.
04:44She called me.
04:45I have loved, it's too good.
04:49Are these people lying in the other way also?
04:52No, no, she wanted to be Nilofa only.
04:54What, what, what?
04:55It happened the other way around also.
04:57No, so the film came to me when actually it was cast.
05:00Yeah, yeah.
05:01It came to me in the end.
05:02Okay.
05:04It came to me in the end.
05:05But having said that, like Ayushman said earlier, I think all the three characters are very different from one another.
05:11From the kind of clothes they wear, to the way they speak, to their dialect, and to their personalities.
05:17So, at no point do you feel your question, you know, as three actors, I think all of us were
05:25very much in our characters,
05:27and not insecure of the fact that, ayushka zyada hai, yaushka kam, because kisi ka zyada kam nahi hai.
05:33I think all three characters are so beautifully woven in the film's narrative.
05:39Yeah.
05:40So, Sara you have done, so this time how, how much prep was required?
05:47Because you are doing like same Hindi hotline wala, similar, not seen.
05:50Little similar character, chanchal kumari, psycho honors.
05:53So, how much dialogue, or local flavor, and how much work is required?
06:01This film is where we are the director.
06:05So, I think the most important thing was to,
06:10whether it's a zara hatke zara bachke, or an atrangire, one has done this before.
06:14But it's important to let go of what you've done and get into something new.
06:18Yeh kirdar nahi hai, yeh dunya nahi hai, yeh co-actors nahi hai, director nahi hai.
06:24So, I think just, and I'm working with Ayushman on other films,
06:28and in fact one day on set I asked him that, you know, what do you think?
06:31And he's like, just do what Mudassar sir is saying.
06:35And I think that, I mean, of course you have your own personal prep,
06:37you know, want to know about the place.
06:40You want to know about girls from the place.
06:41All of that's fine.
06:42But ultimately, we had to just listen to our director.
06:47He knows this world better than any of us.
06:50He's made this world.
06:51We're happy to be a part of it.
06:53Ayushman, I think you spoke in the press conference,
06:55that you have seen the original one also, the pati pati wo,
06:58Sarjeev Kumar Sarwadar.
07:00So, jab wo, wo do kaapi sala hai,
07:02I think 70, 80, 70 nahi hai.
07:04So, is samain, is taray ki kahaniya, kam aathini screen pe.
07:08Now, in the last few years we have seen.
07:10However, there are three in this.
07:12So, do you think ki,
07:15matlab, aaj ki rate mein,
07:17thoda sa, aisa loge ko laghe,
07:18chokke social media pe, kai comments na hai.
07:20This is, I think there are a lot of negative comments also ki,
07:25ye toh loge compare zahada te rehingi.
07:27Mera ye maan na hai ki,
07:29classic love story,
07:30or classic comedy,
07:31kabhi out of fashion nai hooti.
07:33Woh, humayshha aap wo churn out karte hai,
07:35same beats hooti hoon ke.
07:36Koi bhi aap romantic film dekhi hai.
07:38Koi bhi aap comedy film dekhi hai.
07:39Most of the beats are very similar.
07:41Comedy of errors ka ek formula hai.
07:44This is a formula aca film for sure.
07:46But, formula aca film ka ye ho na baht doori hai ki,
07:48woh entertaining ho.
07:49Ye entertaining film hai.
07:50Ek family film hai.
07:52Mostly, min joh film me karta ho humayshha,
07:53uska subject kush neya hoota hai.
07:55Isme ho nahi hai,
07:56but this is like,
07:57for me it's dal chawal.
07:58Ki humare desh ka staple diet hai.
08:01Or, achche dal chawal khano mein bhot mazat hai.
08:04And it's that film.
08:05So, you can't take that away from the audience,
08:07we can audience hamesha aca film dekhna chaathe hai,
08:09jisme aap pariwaar ke saath baih kar,
08:11haze sakhe,
08:12or enjoy kar sakhe,
08:13and pati patni aur hudhu ho fain.
08:15Top of a comedy of errors,
08:17which one is yours?
08:19Kari aap bichhi lupu star on bat,
08:20kari aya pehde kurani?
08:22Mujhe,
08:22I think Haseena Manjai bhohchi lukti hai.
08:26Uske alaawa,
08:29houseful,
08:29welcome,
08:30no entry,
08:31no entry,
08:31Hera Feri.
08:32Hera Feri.
08:33Like my all time.
08:35I think all these films are like,
08:37even Golmar purani wali,
08:39nehi series bhi,
08:40Golmar mojhe bhot pasand hai.
08:41So this is,
08:42this is that genre.
08:43To ye genre kabhi.
08:45Agur also Sanjeev Kumar.
08:46Of course,
08:46of course,
08:47of course.
08:48And so,
08:48we will talk about Sanjeev Kumar.
08:50I think he spoke in this conference.
08:51What do you like best about Sanjeev Kumar?
09:11It was very different.
09:13The way he notices the lead,
09:16and he,
09:16you know,
09:17blinks his eye,
09:18and every movement was so measured
09:21and yet so natural.
09:22I think only Sanjeev Kumar
09:24could have done that.
09:25He was one of the subtle actors in that time,
09:28yet commercial at the same time,
09:30why he has also done commercial films.
09:32So he set a benchmark
09:33and I am glad that
09:34we all are part of that legacy.
09:37Because it is an iconic film.
09:38After that,
09:39another film is made,
09:39now this is another film.
09:41So,
09:42it's iconic.
09:43So,
09:43I keep watching these things
09:43that if I film something,
09:47then
09:47where are they coming from?
09:48There is Chambal also in the film.
09:52So,
09:52I want to know from all of you
09:54that
09:54you all are
09:55you know,
09:56we travel
09:57and you all
09:58of course,
09:59you all have a lot of experience.
10:02So,
10:02which was,
10:03tell us something about your
10:04safari experience
10:06and
10:06some animal
10:07such strange encounter
10:09or some
10:09as a Darabna encounter.
10:11Darabna?
10:12Oh,
10:13I don't have a safari,
10:14but I have a Darabna encounter.
10:17Tell us.
10:18I know.
10:19I am suddenly a Meghaya.
10:21So,
10:21my dad is from army,
10:24so we were posted on Sili Gudi.
10:26So,
10:27at Sili Gudi,
10:27I was able to tell the army
10:29that there was a mess
10:29and temporary accommodation.
10:32So,
10:33they came back in the night.
10:34Wild hand.
10:35So,
10:36they came back
10:36and they'd go to the cars
10:39like
10:41they would just crush the cars,
10:43they would do all of that.
10:44Yeah, and in the morning you wake up and you're like, oh shit, everything is bad.
10:49So, it was like that at night, they came in the jungle.
10:51And once from the balcony, they actually saw that.
10:54They were in the jungle, where did they come from?
10:56No, no, not Paltu, but there are those wild ones.
11:00Otherwise, they are not very, they don't really disturb.
11:04They are not disruptive.
11:05So, one time at night, they came in the morning, they came in the morning,
11:09and then they came in the balcony.
11:13So, what did the drama happen?
11:14What did the drama happen?
11:15You saw it from the balcony, they threw it from the balcony.
11:18Okay, I thought that they threw it from the balcony, they threw it from the balcony.
11:22That would be more scary.
11:24It is scary in the sense that...
11:26I have got a title for a film.
11:27Silly Gudi Me Silly Gudi.
11:30It's a great title guys.
11:33You should do it.
11:34Silly Gudi.
11:36Nice, but I like the title.
11:38Nice title.
11:40I went to a lot of safaris.
11:42I love safaris.
11:43I'm sucker for safaris.
11:44In India, Kaziranga, Ranthambore, Gheer.
11:47Gheer, we are going again later.
11:50And outside, I went to Kruger National Park in Africa.
11:55So, I had a violent encounter in Kaziranga.
11:59It was going to be closed on safaris.
12:01And suddenly, a rhino came in front of us.
12:06And the rhino started running towards us.
12:11And the car back, we got full speed.
12:14And thankfully, he got saved.
12:16Because his child is now around.
12:17So, rhino went towards us that side.
12:19But yeah.
12:20Normally, rhino's are very destructive.
12:22Gypsies would come and throw it.
12:24One or two days ago, he killed the rhino.
12:27So, it was crazy.
12:31I didn't have anything to do with me.
12:35The first time I went to Masai Mara, I went to a shoot.
12:39My first cover ever.
12:41The first cover ever.
12:41Masai Mara.
12:42Wow, Masai Mara.
12:43With Rahul Gangwani.
12:43With Rahul Gangwani.
12:46With Rahul Gangwani.
12:46Yes.
12:47And Rohan Shrestha was shooting.
12:49Okay.
12:49And we all were talking.
12:51Now, Niklo Niklo.
12:52Because he had his head in the background.
12:55And Rohan and I had a black face.
12:56I had a black face.
12:57So, I had a good photo.
12:59I had a good photo.
12:59I had a good photo.
13:00I had a good photo.
13:03And then we had to run and leave.
13:05Because we were endangering our lives.
13:07For a photo.
13:08Which is not cool.
13:08We shouldn't do that.
13:10We did.
13:11And it was great fun.
13:13Yeah.
13:14That's it.
13:15Talking about the film again.
13:16There's Ayushman, Rakhul, Sara and Vamika.
13:19Vamika.
13:20Yes.
13:20Who is not here right now.
13:21So, all big stars.
13:25Recently, there have been a lot of discussions.
13:28That now in theatres, only multi-stars will work.
13:31And well-known actors from industry, they have given this statement.
13:36What are your thoughts, Ayushman Rakhul?
13:38I think it's a good story.
13:40It's a good story.
13:40It's a good story.
13:42It's a good story.
13:42It's a good story.
13:43You can tell yourself.
13:45Immediately after lockdown, the 12th film called film came and it was a dream.
13:49It was not a multi-starrer.
13:51It was a small film.
13:52It broke all the rules.
13:53If the film is good, it will work.
13:55Irrespective.
13:55It really doesn't matter.
13:57I agree with that.
13:58Yeah.
13:58And especially after Tundinder, this discussion is going on, going on.
14:02You know, we can discuss how much ever we want.
14:04Ultimately, audiences, I don't think, get involved in this discussion.
14:07These are all industry standpoint discussions.
14:10Ultimately, the picture is good.
14:11It will be entertaining.
14:12It will work.
14:14It will work.
14:15It will work.
14:15It will work.
14:15It will not work.
14:17It will work.
14:18No, they are right.
14:18We make films for the audiences.
14:21If they lap it up, which I know they were for this film, then we are home.
14:25So, but do you think that audience have become very critical?
14:29I think because, you know, because of the social media,
14:33a harsh word we use.
14:35You know, at times they are so, so good.
14:38If someone is a fan, they are crazy.
14:40If someone is a fan, they are crazy.
14:41If someone is a fan, they are crazy.
14:43So, and they have become very knowledgeable also.
14:46As far as film is concerned,
14:47in that scene, it was not like this, it was like this.
14:49It was like this.
14:50Things like that.
14:51So, do you think that this, you know,
14:54effects film, you all, you see all the comments that,
14:57you know, start coming once the teaser releases,
15:00once the trailer comes out.
15:01Every actor goes through a honeymoon period
15:04in the beginning of their career.
15:06You get unanimous love.
15:07But after some years, you will get criticism
15:10when you reach the helm of your career.
15:12Like they always support the underdog.
15:14When you are not the underdog anymore,
15:16then they will probably be like little critical.
15:19And at the same time, we live in a day and age
15:22when you will not get unanimous love.
15:24You will always be criticized.
15:26This criticism was before,
15:27but before we went to the tea tree,
15:29or in some house,
15:30or in some shop,
15:31or in some shop.
15:32But when we were doing such things,
15:34we were able to hear the things,
15:34and now we are able to listen to the things.
15:36There is so much difference.
15:38And,
15:39the other thing,
15:41it's,
15:42it's,
15:42it's,
15:42it's,
15:43it's,
15:43it's, it's,
15:46it's,
15:48it's,
15:49it's,
15:51I love the trailer personally.
15:55It's,
15:57it's,
15:59it's,
16:00such a brilliant film.
16:01It's a benchmark.
16:02It's unparalleled.
16:03And,
16:03it's very difficult to break that benchmark.
16:05because,
16:06I think,
16:07a good filmmaking,
16:08a good story,
16:09it's always going to be.
16:12And,
16:12I think,
16:14Lapata Ladies also.
16:15Lapata Ladies also.
16:16Yeah.
16:16Lapata Ladies also.
16:18Yeah.
16:19So,
16:20but then,
16:20as you said that,
16:21in the show,
16:22my underdog support.
16:23Then,
16:23later on,
16:24obviously,
16:24they become very critical.
16:25Everybody is human,
16:27and,
16:28you know,
16:28when you all put on so much hard work,
16:31and,
16:31you see that audience,
16:32they have not even seen,
16:34and they have become so critical of everything.
16:36So,
16:37I think,
16:37it affects a lot.
16:38Like,
16:38when did he upload so effectively?
16:41I think,
16:42when you are newer,
16:43and when you just start out,
16:45you,
16:45you,
16:47you get affected.
16:49Luckily,
16:49when I started out,
16:50social media wasn't so prominent.
16:52Hmm.
16:53This is only the last five years,
16:55and I think,
16:55people have started,
16:56having an opinion only through the pandemic.
16:58Yeah.
16:59I think, last five, six years,
17:00when, you know,
17:00there's a lot of time,
17:01and social media was around,
17:03and, you know, just.
17:03So, I feel ki,
17:05ultimately,
17:05as an actor,
17:06you have to shut that noise,
17:08and you have to distance yourself from the chatter.
17:11Yeah.
17:12Um,
17:13and just,
17:13put your blinders on,
17:15and work,
17:16and then disconnect.
17:17Because,
17:18if you start getting affected by what everyone is saying on social media,
17:22then you will,
17:23you will be a disaster.
17:25Um,
17:26so, yeah.
17:28I think anybody who is in the public eye,
17:29is not just the actors.
17:31Yeah.
17:31They could be politicians,
17:32they could be businessmen,
17:33who are in the public eye,
17:35who are famous,
17:36they will go through this.
17:38And if you are not,
17:39able to deal with it,
17:40you are not fit to be a public figure.
17:42You are,
17:43you are,
17:43you have to,
17:45probably learn the skill of detachment.
17:47Yeah.
17:47Through success,
17:49failures,
17:49criticism,
17:50love,
17:50validations,
17:51everything.
17:52Only then you can survive here.
17:53Otherwise,
17:54this is not meant for you.
17:56I think,
17:57I agree with what both of them are saying.
17:59But,
18:00I will be lying if I say I don't get affected.
18:03I do get affected,
18:04because ultimately I,
18:05you know,
18:06do what I do for my audiences,
18:07and if I disappoint them,
18:08I don't feel good.
18:09But,
18:10I think somewhere,
18:11in this journey of having been here now,
18:14for a while,
18:15you actually start also working for yourself.
18:17And I think I learnt that late in my career.
18:19I think for very long,
18:20the initial focus was,
18:22and it will always be.
18:23I said,
18:23Janata Janath,
18:24and I meant that.
18:25The focus will always be the audience.
18:27But,
18:27if you truly start enjoying your work,
18:30you enjoy the process,
18:32and you tell yourself,
18:34not in a lie,
18:35but in a genuine way,
18:36that I have done my best.
18:37That absorbs you of any sort of,
18:40mental guilt,
18:41and self-flagellation,
18:43for no reason.
18:44Then you feel like,
18:44Look,
18:45I have done it.
18:46What I can do,
18:47I have done it.
18:48And then,
18:49I have done it.
18:51And then,
18:51it gets easier,
18:52if you put in your best.
18:54And then,
18:55there it goes.
18:56Now that we are talking about,
18:57social media and audiences,
18:58criticism,
18:59recently,
19:00Big Star of 90s,
19:01he was criticised.
19:01And then,
19:02there was discussion also,
19:04in the entire social media,
19:06that,
19:06why is,
19:07he doing all those videos.
19:10It comes to your mind,
19:12that everybody should be prepared,
19:15for all kinds of,
19:16phases of life.
19:18It comes to your mind.
19:20You go through,
19:21the different spectrums of,
19:23you know,
19:23happiness,
19:24or successes,
19:25failures.
19:26It,
19:27it happens with everyone,
19:28not just people in the industry.
19:30It could be,
19:30happening to cricketers,
19:31sportspersons,
19:32businessmen,
19:33politicians,
19:33everyone.
19:35So,
19:35I think,
19:37until,
19:37you must be simple in life.
19:40And,
19:41choices click,
19:42universal work in your favour.
19:44But,
19:45I don't know,
19:45what else to say.
19:47It's just your mind.
19:48Yeah.
19:49I think,
19:49what you are saying,
19:50phases,
19:51every person has to be prepared,
19:53irrespective of the profession you are in.
19:55Life is never going to be,
19:56a straight line.
19:57There are ups,
19:58there are downs.
19:59And that's a part,
20:00that's what life is.
20:01And,
20:01we all have to be prepared.
20:02You are an actor,
20:03you are a normal person,
20:05you are a normal person,
20:07you are a normal person,
20:07you are a normal person.
20:07There are no neighbours,
20:09anyone will talk about it.
20:11You just have to be prepared.
20:13That's life.
20:15By,
20:16preparing yourself for a professional phase.
20:18Yeah.
20:19You don't need to think so.
20:20If we think so,
20:22for me,
20:23you don't need to think so.
20:24When the phase comes,
20:25you will see.
20:28You don't need to think so.
20:29because something is happening,
20:32somewhere.
20:32I think it's one day at a time.
20:33Yeah, it's one day at a time.
20:34I live life one day at a time.
20:35Today is the day.
20:37Today I am giving you an interview.
20:38I will give you a good interview.
20:40This is my job.
20:42And this is the truth.
20:43Today is the truth.
20:44Today is the truth.
20:44What will happen tomorrow?
20:45That will happen tomorrow.
20:46That will happen tomorrow.
20:49So,
20:50Vamika is not here.
20:50Before we wrap,
20:52especially you,
20:53we should know
20:55how was your experience working with Vamika
20:57and you both are working with her for the first time.
20:59Yes.
21:00I had a great time.
21:02I think she's very, very talented.
21:04And she's a very fun, loving person.
21:07She's easy going.
21:10And she was great fun.
21:11Yeah.
21:11She was a good time.
21:14Yeah.
21:15No, I think she's a lovely person.
21:17She's also had not an easy journey into the films.
21:23I think there's been a lot of work that she's put in before.
21:28And she's a very creative person like Avishman was saying in one interview.
21:31And I would have said the exact same thing.
21:33You know there's,
21:33she's an artist.
21:35Yeah.
21:35And yeah,
21:37we're missing her today here.
21:39Yeah.
21:39We're from the same city, Chandigarh.
21:41And we speak to each other in Punjabi.
21:44And I call her Kalakar.
21:46She's a true artist.
21:47Very talented.
21:48We've had like very similar journey.
21:51And I'm really glad that she's part of this film.
21:54What about food?
21:55When our food choices are similar.
21:57Healthy ones.
21:58We have all our food choices are similar.
22:01There's like a homogenous love for healthy food when we are filming at least.
22:06And when it's cooked by Rakul.
22:08Rakul's cook.
22:09Well, yes.
22:10Rakul's chef was travelling with us.
22:12So we had the opportunity.
22:14To eat healthy,
22:15home food from Rakul's place.
22:17Yes.
22:18Yes.
22:18Invite us soon.
22:20Please.
22:20We are celebrating the film success.
22:23Yeah.
22:24Thank you so much.
22:25Thank you so much.
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