- 11 hours ago
Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Full Storyline]Full EP - Full
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Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient,
00:42they take you out. Tapping likes to take that option off the table. What do you mean? Tapping
00:48likes to use a dead man's switch. I couldn't be more supportive of your goals. What I'm talking
00:55about is how you achieve them. You can take control at the barrel of a gun, but you'll
01:00never be able to put that gun away. Or you can have everything that you want handed to
01:05you in response to tragedy. I believe the phrase is, what's in it for you? Once your control
01:11is permanent and secure, you'll be able to aid in regional matters that will ultimately
01:16help me elevate my own position. Tapping tells his partners that not only has he collected
01:21and recorded evidence of their crimes, but that if anything happens to him, that that
01:28evidence gets automatically released to the press and law enforcement all around the world.
01:33That means they can't take him out without taking themselves out. But if I eliminate Tapping,
01:39that triggers his dead man's switch, and Carmo and Solis goes down, and whenever he had over
01:44them comes out. We can't be sure he made this kind of agreement. Tapping was the man on
01:49a motorcycle. Poe saw his face, that makes him a liability. If he didn't have anything
01:53over them, he'd be dead already. Well, that's all well and good, but how are you planning
01:58to take out Tapping if you can't even go out for a soda? I turn myself in.
02:07I see how that gets you killed. They won't get rid of me until they have Poe.
02:13If I get into a room with Tapping, I can take him out. Even if that were true, how are
02:18you
02:18planning to get out of the room? You can't go in there just to sacrifice yourself.
02:22That's not your decision to make. That doesn't mean I'm going to sit here and watch you make
02:25the wrong one. Can you come with me, please?
02:28Why? Because I fear I might yell at you, and I don't want to wake up the others.
02:40You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me.
02:48It wasn't even supposed to be her building. It was supposed to be the other tower until
02:52her dad brought me in to help. And with the two of us working together, Tapping knew that
02:57it was only a matter of time before we figured out that something was wrong with the operation,
03:00and that made him nervous. And so he blew up his building!
03:06Everybody around me keeps dying, and I keep on making it out, and I don't know why.
03:18Listen to me.
03:19Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone, and don't come back to Paul, she will suffer all over again.
03:40Because she needs you, not just to finish this, but to survive what comes after her.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own, and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them, it just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company.
04:30We could use that as a honeypot for the tape.
04:35That's good.
04:41Hello, gentlemen.
04:43I know this isn't the voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:12A tunnel?
05:14There's no fucking tunnel, like the one you described.
05:19I never said I saw it.
05:21I said a tunnel is what Gracie told me he was going to use to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:53What the fuck are you doing here?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:04I don't know.
06:05What the fuck are you doing here?
06:08How do you manage to do this?
06:12I got it.
06:15Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white with us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles.
06:30We're at an FRP unit stage and ready to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:38And while he's had us chasing ghosts,
06:40Gracie had the time to plan almost anything.
06:42Well, then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy,
06:50you've worked out for yourself.
06:51You received the same level of protection as President Carmel.
06:55Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for Gracie.
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk,
07:12he's not taking any chances.
07:15So, you can be escorted to safer quarters,
07:18or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One, two, three.
07:58Where's the saw?
08:01Where's the saw?
08:05Riko was supposed to grab him.
08:14Riko was supposed to grab him.
08:15What happened?
08:54L. E. S. S. R. 1.
09:22Hey.
09:25I thought you might be thirsty.
09:28Obrigada.
09:30De nada.
09:34You're getting ready?
09:36Yeah.
09:38You're not scared?
09:41No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is, what is less, or what, lesser one?
09:57It's left, straight forward, stereo on the right, first four.
10:02Well, my dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:14Because, you know, we moved around a lot.
10:16So he always said, no matter where we are, as long as we're together, we're always, we're
10:26always in the city of...
11:04Oh, my God.
11:33I'm so excited about this guest today.
11:36Super excited.
11:37It's a pleasure to be here with you.
11:39It's your first time with us, right?
11:41Good day, Brazil.
11:43Today I'm going to...
11:44We're witnesses of a incredible cruelty.
11:48And we're going to respond with force total
11:52on this day so calm in the history of our nation.
11:55In which more than 600 lives inocentes
11:58were sent away by these crimes abominable.
12:01We're going to kill them.
12:03And the American John Creasy.
12:05And the people who helped me.
12:26Looks like a robbery to me.
12:27Who's doing the breadcrumbs?
12:31You're a fool?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38You're for you.
12:47Let's go, everybody.
12:48To the van.
12:49Let's go, let's go, let's go, let's go, let's go, let's go.
12:56Hey, hey!
12:57Go, go!
13:24Go, go, go, go, go, go.
13:34Go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go,
13:45go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go,
13:45go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go,
13:45go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go,
13:47go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go,
13:49go, go, go, go, go, go, go, go, go, go, go
14:05What are you doing?
14:07The pistons. We didn't leave anything.
14:10If this doesn't work, it's going to work.
14:14What are you doing?
14:16Pico!
14:18Go! Go! Go!
14:21Fuck!
14:23Wait! Wait! Wait! Wait! Wait!
14:54Go!
14:55Go!
15:02Wait!
15:03Don't get there, don't push it!
15:05Get in there!
15:10Be careful!
15:14He's got it.
15:14He's got it!
15:22Hold up!
15:27Hey!
15:29Are you okay?
15:30Yeah, fine, fine, fine.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I could have handled that.
15:49I could have handled that!
15:50I'm sorry.
15:54Fuck.
15:58It's the way.
16:02It was supposed to be the easy part.
16:14Where's Bo?
16:29Where's Bo?
16:32Where's Bo?
16:35Get out of here.
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Davi, give me a picture here.
16:48Chrissy hit this place earlier today.
16:52In the middle of the city, in broad daylight,
16:53with the entire world looking for him,
16:55and he robes an apartment.
16:57Whatever was in here, he thought was worth
16:59the considerable risk.
17:01Money?
17:02Well, I could think of 20 other ways
17:04he could get his hands on cash, right?
17:07Well, then what?
17:13I don't know.
17:16You know,
17:19for all your talk of
17:22understanding how Chrissy operates
17:23and all that shit,
17:24you don't seem to be any better
17:25at figuring out his next move
17:26than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys
17:36that hit the condo with Chrissy.
17:39We wanna get out of this room,
17:40come talk to him
17:41and get some actionable information
17:42because if we don't figure out
17:44what Chrissy's up to,
17:45I have a strong feeling
17:46he's going to show us
17:47and I don't think we're gonna like it.
17:50Bora!
18:11What's going on?
18:15I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it'd make me feel better,
18:30but, uh...
18:37I call the memories
18:38that have been poisoned.
19:18It's a park.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:31Yeah.
19:33It's supposed to be a Christmas card.
19:39But my dad thought
19:40we only needed a camera and a tripod.
19:43My brother is out.
19:49They weren't paying attention,
19:50so all the pictures kind of came out awful.
19:54And we started...
19:56We started arguing and, uh...
20:01My mom took the camera and just...
20:04She just gave it to a stranger.
20:06Mm-hmm.
20:09It's all I did.
20:14At the end, when he gave the camera back...
20:19He said we were a beautiful family.
20:35I...
20:39That's not poison.
20:49Everything you care about, it's all still in there.
20:56That doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:04Yeah.
21:07I was going to be there.
21:24I will.
21:29Really?
21:31Yes, mine.
21:37Okay.
21:38Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:01If they really put their back into it, they could walk the call back to Rio, but nothing
22:05closer.
22:05Yeah, untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:28Mom.
22:38Well?
22:41His name is Vico from a local favela.
22:44He hasn't said much, and I haven't let the locals ask.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53It's happening, and I will interrogate him personally.
22:55I want him cutting to pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I don't know what Chris may have told him.
23:06I'm sorry.
23:07I'm sorry.
23:07But I'm in a connection here that I think he'll want to help.
23:10It's John Creasy.
23:28Mr. Creasy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you
23:34for too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know, it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatman.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just call to make sure that you have the opportunity.
24:06That the Redburns and all the other families in that building didn't have.
24:11The opportunity to say goodbye to the people that you love.
24:31I just call to make sure that you have the opportunity.
24:38That the Redburns and all those other families in that building didn't have.
24:42The opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:04But I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:33Sir, we will get this handled.
25:35I can assure you.
25:50Sir, sit down.
25:53What the hell?
25:55I don't pay any money.
26:00Can I pay?
26:02Say it.
26:03Answer it.
26:05They paid me to store a coffer.
26:07What was there in the coffer?
26:09There was only a key to a bank box.
26:13I'm sure.
26:14I opened the coffer and there was a key to there.
26:18I was even wondering how they would pay with this shit.
26:22They were hoping to find money in the coffer.
26:26And now they are hoping to find money in this coffer.
26:30It wasn't money, it was something that they are wanting to sell.
26:37Like...
26:38I don't know, but I heard them talking about a recording.
26:43Or a fita.
26:45Yeah.
26:47From the crazy guy talking to the President.
26:49President Carmo?
26:51Was President Carmo?
26:52Yes, it was President Carmo.
26:54Who was crazy?
26:55Ferraz.
26:58Ferraz.
26:59Look at me.
27:01You're sure it's a recording of the President Carmo with Ferraz?
27:05Tempo.
27:06What?
27:06What's the thing?
27:15Wait.
27:16That's right Mr.
27:16You've got to wait the whole team, who is going home?
27:18wait.
27:23Let's go.
27:26Look!
27:35Let's go!
27:48I need to come here.
27:49Vai, vai, vai.
28:33Fuck.
28:34Fuck.
28:35Fuck.
28:40Fuck.
28:47Fuck.
28:51Fuck.
28:53Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voice that you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder, that you've already
29:15released the toxins that will kill you.
29:17What?
29:21Now you might be feeling a slight burnish insulation in your nostrils.
29:25I want to assure you that it will not last long.
29:29In 230 minutes, you will be dead.
29:31Fuck.
29:32It's toxic!
29:35Come on now!
29:50It's toxic!
29:52Come on now!
29:53Hello?
29:55Come in.
29:56Yeah.
29:57Chrissy.
29:58Go in.
30:02Yeah.
30:21Yeah.
30:29Our success targets are incoming.
30:33Everyone in place?
30:35Everyone in place?
30:35Yeah.
30:36You grew an eye on set.
30:48Hey.
30:48I'll be okay.
30:50I'll be okay.
30:59Crazy check-in.
31:03Alright.
31:04We safe.
31:04We safe.
31:05We safe.
31:05We safe.
31:06We safe.
31:26We're here.
31:27Hey.
31:27My teacher.
31:29Hey.
31:29Hey.
31:30Hey, hey, hey.
31:30Hey man, hey, hey.
31:31Hey, man.
31:33Hey!
31:34Hey!
31:34We're here.
31:36Hello体VER.
31:37Oh
31:43Pest you perimetro
31:44I'm going in
31:45I'm
31:48I'm
31:51I
31:53I
31:55I
31:57I
31:58I
31:58I
32:21What are you doing here?
32:22Please.
32:23Someone found me, but they're not here yet.
32:26All right.
32:27Just walk away.
32:27We'll find something else.
32:28Just give me a second, okay?
32:33Paul, get up.
32:34Get up.
32:36I can't.
32:37No.
32:38I can do this.
33:11Fuck you.
33:13Get up!
33:15Fire.
33:16You're good at all!
33:16Get up!
33:17Here!
33:21Fire!
33:23Fire!
33:24Fire!
33:25Fire!
33:25What's the location for?
33:30Fire!
33:31Fire!
33:32Fire!
33:33Fire!
33:34Fire!
33:44Oh, what's your location, Bo?
33:51Oh, you can hear me on one more way?
33:58Stand down, Chris.
33:59You have got her.
33:59Security's been drawn off.
34:00You have the green light for Tapp and Bella.
34:02We're headed to the staircase.
34:31We're moving to the meeting point.
34:35Hey, if Po's here, then so it's crazy.
34:40This is a fucking sham.
34:44Moment, what's happening?
34:50All right, lock it down.
34:52Get on the radio, lock it down.
34:53Come on.
35:12Oh, fuck.
35:17Let's go.
36:04Let's go.
36:25Let's go.
36:26Let's go.
36:27Let's go.
36:27Let's go.
36:27Let's go.
36:27Let's go.
36:27Let's go.
36:28Let's go.
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57:47Let's go.
58:17Let's go.
58:47Let's go.
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