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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Full Story]Full EP - Full
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00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:18Someone took his ass.
08:36What do you got?
08:40What's...
08:54L-E-S-R-1
09:12L-E-S-R-1
09:22Hey
09:25I thought you might be thirsty
09:27Obrigada
09:28De nada
09:33You getting ready?
09:35Yeah
09:38You're not scared?
09:41No
09:43No I am
09:46But I remember why I'm doing it
09:50What is
09:52What is L-E-S-R-1
09:55L-E-S-R-1
09:57It's left, straight forward, stereo on the right, first floor
10:01No
10:03My dad used mnemonics all the time to remember everything
10:07We even had a family mnemonic
10:10Made out of the first letters of all of our names
10:13Cause you know we moved around a lot
10:16So
10:18He always said
10:19No matter where we are
10:21As long as we're together
10:23We're always
10:26We're always in the studio
10:31Oh
10:31No
10:31Oh
10:31Oh
12:01We're going to kill them, and the American John Creasey, and the people who helped me.
12:26Looks like a robbery to me.
12:27Who's doing the breadcrumbs?
12:31You a fool?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38You're for you.
12:47Let's go, everybody.
12:48To the van.
12:49Let's go, let's go, let's go, let's go, let's go, let's go, let's go.
12:55Hey, hey, go, go.
12:58Go, go.
13:23Go, go, go, go, go.
13:25Go, go, go, go.
13:35Go, go, go.
13:36Go, go.
13:39Damn!
13:40He said it, make his way back, just go!
14:06What are you doing?
14:07The pistons. We didn't leave anything.
14:09It won't work.
14:13What are you doing?
14:16Pickle!
14:18Go, go, go!
14:21Fuck!
14:23Go, go, go!
14:43Go, go!
14:48Go, go!
14:52Go, go!
14:54Go, go, go!
15:04Go, go!
15:06Go, go, go, go!
15:11Go, go, go, go!
15:28Go, go!
15:35Gah!
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:47No, I could have handled that.
15:49I could have handled that.
15:51I'm sorry.
15:54Fuck.
15:59It's the way.
16:03It was supposed to be the easy part.
16:13Where's Paul?
16:17Where's Paul?
16:18Where's Paul?
16:31Where's Paul?
16:35Leave.
16:39This is bullshit, you know, you can't just keep me here like a prisoner.
16:45Davy, give me a shot here.
16:48Chrissy hit this place earlier today.
16:52In the middle of the city in broad daylight with the entire world looking for him and he robes an
16:55apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money?
17:02I could think of 20 other ways he could get his hands on cash, right?
17:07Well, then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit,
17:24you don't seem to be any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We wanna get out of this room.
17:40Come talk to him and get some actionable information.
17:43Because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show us.
17:47And I don't think we're gonna like it.
17:50Bora!
18:10What's going on?
18:14I...
18:15I got in.
18:17You found a password?
18:19I...
18:19I...
18:20It's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it would make me feel better, but...
18:37It's like all the memories that have been poisoned.
18:50It's okay.
18:55Here he is.
18:59Here he is.
19:00Here he is.
19:00It's fine.
19:00It's not bad.
19:05It's all right.
19:07All right.
19:07Here he is.
19:08It's fine.
19:09It's fine.
19:09Your face is fine.
19:09And he's dressed really nice to see you.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:31Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, and my mom took the camera and just gave it to a stranger.
20:09It's all I've done.
20:15And at the end, when he gave the camera back, he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56And that doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03Yeah.
21:07I was going to be there.
21:24I will.
21:29Really?
21:30Yeah, it's mine.
21:37Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Well?
22:38Well?
22:41His name is Vico from Aloko Favela.
22:44He hasn't said much and I haven't let the locals ask.
22:47What are we waiting for?
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53What's happened and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I'm sorry, sir.
23:05Don't interrupt me.
23:06I'm sorry, but I'm in a connection here that I think the senhor will want to help.
23:10It's John Chrissy.
23:28Mr. Chrissy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately.
23:44When I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:56You.
23:56You.
23:59And Tatna.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity.
24:07That the Redburns and all the other families in that building didn't have.
24:20I just called to make sure that you have the opportunity.
24:22That the Redburns and all those other families in that building didn't have.
24:23I just called to make sure that you have the opportunity, that the Redburns and all those other families in
24:40that building didn't have.
24:42The opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:02But...
25:04I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:19We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:32Sir.
25:34We will get this handled.
25:35I can assure you.
25:49Zora.
25:51Sit down.
25:53It's crazy.
25:56I didn't pay any money.
26:00Did you pay?
26:02Hey, answer.
26:05They paid me to buy a coffin.
26:07What was there in the coffin?
26:09There was only a key to a bank box.
26:13I'm sure.
26:13It was me.
26:15I opened the coffin.
26:16And there was a key to it.
26:18I was even wondering how they would pay with this shit.
26:22They were hoping to find money in the coffin.
26:26And now they're hoping to find money in this box.
26:31It wasn't money.
26:32It was something they wanted to sell.
26:36Like?
26:36I don't know.
26:38I'm not sure.
26:40But I heard them talking about a recording.
26:43Or a vita.
26:45Yeah.
26:47Of the crazy guy talking about the President.
26:49President Carmo?
26:51Was it President Carmo?
26:52Was it President Carmo?
26:54Who was the crazy guy?
26:55Ferraz.
26:58Ferraz.
26:59Look at me.
27:01Are you sure it was a recording of the President Carmo with Ferraz?
27:05I don't know.
27:06I don't know what to do.
27:08I don't know what happens.
27:15I don't know what happens.
27:16Or have you seen a team.
27:17And send them to the BCI Bank.
27:19Cofre 4488.
27:20Bye.
27:23Beっかり to that.
27:35I'm going to kill him.
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder, that you've already
29:15released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burnish insulation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:33It's toxic!
29:35Let's go now!
29:54Mellow, come in.
29:55Yeah, Chrissy.
29:58Go ahead.
30:00Our success targets are incoming.
30:03Copy that.
30:18You know your part?
30:21Yeah.
30:22I go in, I make sure they see me,
30:24and draw security so they can get to have him.
30:28I have a girl.
30:33You ever want a place?
30:35Yeah.
30:36You were an eye set.
30:48Hey, I'll be okay.
30:57What's this?
30:59Chrissy, check in.
31:03All right, reset, reset, reset.
31:12We'll put them in.
31:14We'll put them...
31:14We'll put them in.
31:20We'll put them in.
31:26I think I can see the ages.
31:28I can see the ages.
31:35We're here.
31:43FASTY.
31:44FASTY.
31:44FASTY.
31:44FASTY.
31:47RABY.
31:48RABY.
31:52Let's go!
31:57Let's go!
31:58Let's go!
31:58Let's go!
31:59We're fighting here!
31:59We need to fight more!
32:12Shit!
32:18Poe, come in.
32:22Someone found me, but they're not here yet.
32:26Alright, just walk away. We'll find something else.
32:28Just give me a second, okay?
32:33Poe, get up.
32:36No.
32:39I can do this.
32:39Here.
32:41There.
32:43Close the door.
32:45What's going on?
32:46What's going on?
32:47What's going on?
32:48What's going on?
32:50What's going on?
32:54What is going on?
33:10Fuck you!
33:14Fire!
33:25What's your location, Paul?
33:44Paul, what's your location, Paul?
33:53Oh, you can hear me on one more way?
33:58Stand down, Chris, you have got her. Security's been drawn off. You have the green light for Tappen, Velo. We're
34:02headed to the staircase.
34:04Okay, go.
34:31We're moving to the meeting point.
34:33Stay fast, stay fast, stay fast.
34:35Hey, if Poe's here, the insult's greasy.
34:40This is a fucking sham.
34:44Moment on, what's happening?
34:50All right, lock it down. Get on the radio, lock it down.
34:53I'm going to go.
34:56What is this?
34:57You're already been sent.
34:59You're not going to go.
35:02You're not going to go.
35:03It's going to go.
35:04You're going to go.
35:07You're going to go.
35:16You're going to go.
35:23Oh, my God.
36:07Oh, my God.
36:23Oh, my God.
36:25Let's go.
36:39Headed out now.
36:41Shit!
36:43Major!
36:45Exit one, pole nine, floor two.
36:47We're at northwest.
36:48We will be resistance.
36:49Okay.
36:49We're on our way.
36:53Okay.
37:17We're on our way.
37:20Stop fucking churning!
37:24I'm shooting!
37:33I'm shooting!
37:34Get out of the way!
37:35Get out of the way!
37:36Get out of the way!
37:39Stop!
37:42Let's go with a girl!
37:44Kill everyone!
38:03Kill everyone!
38:15Are you okay?
38:16Yeah!
38:16Stay here!
38:28Chrissy, Chrissy.
38:29We're pinned to the second floor of the section area.
38:32We're gonna run out of ammo before they do.
38:33Can you get to us?
38:35Yeah!
38:47Are you okay?
38:48Yeah.
38:48Don't go with a grenade!
38:53Let's go!
38:55Oh!
38:56Oh!
38:57Oh!
39:23We can either hold them or the grenade, we can't do both.
39:46Hold on, hold on, he says that's fire.
40:14I got to give it to you.
40:15That tape, that tape was some expired shit.
40:19You know, that's the crazy I used to know.
40:23You know, one who I had high homescores,
40:25until Mexico City got you all fucked up.
40:27So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:38So I think it's time we start talking about your options.
40:40You think I'm negotiating with him?
40:41Yeah.
40:42I think you should be.
40:46Yeah.
41:00Yeah.
41:01Yeah.
41:02Yeah.
41:03Yeah.
41:05Yeah.
41:09Yeah.
41:17Yeah.
41:24Yeah.
41:26Yeah.
41:27Yeah.
41:37Yeah.
41:38Yeah.
41:38Yeah.
41:55I don't wanna tell you...
41:56Brenda!
42:32Get out of the car!
42:33Get out of the car!
42:59This is for me, bro.
43:06This is for me, bro.
43:14Oh
43:46Let's go.
44:10Shut her mouth.
44:44Shut her mouth.
45:07Shut her mouth.
45:09Shut her mouth.
45:36Go, go, go, go.
45:40Go left, go left.
45:45Shit.
45:47Creasy.
45:48Just go. I'll be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Go on, Paul.
45:52Shit.
46:02Oh, I'll be right there.
46:06Man.
46:06Okay.
46:17Okay.
46:39stop right there don't move
46:45you shoot her you're dead one second
46:50yes I know
46:53even that you've killed Teppin
46:55I'm not seeing a lot to look forward to
46:59so
47:02drop your
47:03fucking gun or the last
47:05thing you see will be another dead
47:07Rayburn
47:09drop it
47:25good boy
47:28now
47:30stand up
47:32I'll give you the honor of going first
47:36stand up
47:38stand up
47:38stand up
47:38Please, please.
48:08Ah!
48:11Yes!
48:40Ah!
48:48Ah!
49:04Gracie?
49:06Gracie?
49:10Oh my God. Oh my God. Oh my God. Okay, just stay with me, okay? Okay. You're okay. No, just
49:18stay with me. It's okay. Oh my God.
49:22Oh my God.
49:30You did good?
49:33Christy, no. Oh my God.
49:42Stunning developments tonight as Brazilian President Joel Carmo was arrested after the release of documents and video evidence linking him,
49:50his Minister of Defense, Prado Suarez,
49:52and a rogue American CIA agent named Henry Tappet to conspiracy to use the FRP as a front to conduct
49:58the bombing of a residential tower in Rio.
50:00John Creasy, at one point implicated in the bombing, instead turned out to have been coordinated with a girl orphan
50:05by the bombing,
50:06and a small group of Brazilian citizens in a high-risk effort to expose the conspiracy to their efforts.
50:12Hey, man, who I achei?
50:13Melo.
50:14Tudo bem?
50:15Tudo bem, e você?
50:16Tudo bem, bom te ver.
50:17Estava falando pra Marina que eu não acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura é essa?
50:24Você acha uma loucura, imaginei eu.
50:26Escuta, e que boato é esse que vocês estão indo embora?
50:29Ah, não.
50:30A gente não vai pra lugar nenhum.
50:32Então vocês acham que as coisas vão melhorar com a saída do Carmo?
50:35Acho difícil de acreditar, hein?
50:36Tô preocupado.
50:38Eu também.
50:38Mas se todo mundo ficar preocupado, as coisas vão melhorar, né?
50:42Grande esmerda.
50:45Vem pra ação.
50:47Não foi pra ser flagrante de Carmo, não.
50:49Ivan disse que você precisa trabalhar em inglês antes de qualquer outra coisa.
50:56Você que não fala porra nenhuma de inglês.
50:58E vagabundo tá cagando pra isso.
51:01Se você preferir aprender russo, então vai trabalhar também.
51:07Não.
51:21A última vez que eu vi minha família, eu não estava melhor.
51:28E às vezes, se sentir que o desespero vai me derrubar.
51:35Porque o que aconteceu com eles, eu não tenho nada a cagarrar.
51:41Não as peças para expor.
51:44Mas eu venho com a ideia de que, porque eles me criaram como eles fizeram,
51:51Minha família me deixou ultimamente com tudo que eu pudesse pedir.
51:57Você não sempre percebe o que você tem.
52:02Se alguém tenta tirar isso.
52:08E você não sempre percebe o que você precisa.
52:12until you're facing something too big to tackle alone.
52:20What my family has given me is the strength to go on.
52:27And what I've learned from my friends
52:29is that I never have to do so alone.
53:02Hey. Hey.
53:05You know if you want, you can just stay here,
53:09have lunch with everybody else.
53:14No. No, I want to go.
53:18I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:30Okay.
53:34Yo.
53:36John, Director Moncrief.
53:38No way.
53:39I've already done two debriefs and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look.
53:44I have tremendous respect for what you were able to do and a fair amount of egg on my face
53:49and one of our guys was the reason you had to do it.
53:51Okay.
53:52Well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation.
54:01I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys for that.
54:06I don't, but they're actually long listened to that.
54:09No one else has had, uh, first-hand experience with these guys.
54:14And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something, you're ready to revisit.
54:27Send me what you got.
54:28Tell me what you got here.
54:36Alright.
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