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Law and Order Toronto: Criminal Intent - Season 3 - Episode 01: Skin Deep
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00:05In Toronto's War on Crime, the worst offenders are pursued by the detectives of the Specialized Criminal Investigations Unit.
00:13These are their stories.
00:38Barbara, you should have brought flowers for her birthday.
00:42I don't need flowers.
00:44I need news, Detective Michaels.
00:47I can't go on like this.
00:49We've run out of leads.
00:54If I knew once.
01:02Let's go.
01:03Looking good, Ainsley.
01:06All right.
01:07Love that post.
01:12All right, I think we're done.
01:17You stay for a drink?
01:19Thanks, Riley.
01:20I think I'm just going to go.
01:23Everything okay?
01:25Sure.
01:28Never going to be hotter than I am now, right?
01:50Donnie.
01:51The clothes are the ladies, Frank.
01:54Wendy, there's only one lady in this room for me.
02:01No open drinks near the samples.
02:04Hey, Ainsley, is that your name?
02:06The girls need to get ready for the finale.
02:07Help them.
02:08Be helpful.
02:10Hold this.
02:11Are you even in the right look?
02:13It's the last flavor.
02:17This is not what I expected.
02:20Hey, ladies.
02:21Eyes on me, please.
02:22Remember what we talked about.
02:24Powerful and fluid.
02:26Let's have some fun.
02:28Mr. Sharp.
02:30Excuse me.
02:31I'm sorry.
02:33I'm sorry.
02:34I'm sorry.
02:35I'm sorry.
02:37I'm sorry.
02:37It's only three, right?
02:38And it's only four, right?
02:40It's only five, right?
02:41It's only six, right?
02:42It's only seven, right?
02:44It's only eight, right?
02:45You're the last girls at the party.
02:57You wish you were out there?
02:59No, I appreciate this job.
03:02But, yeah.
03:05Look, we will have lunch on Monday,
03:08and we'll talk about your future.
03:11You can still get me as the after party, right?
03:13Oh, my God.
03:22I'm leaving.
03:23And you should, too.
03:24It's about to become hunting hour.
03:26The plus one remains.
03:31Oh, oh, sorry.
03:32It's okay.
03:33Let me get you another.
03:34You a designer?
03:36Cosmetics surgeon.
03:38And the reason why everyone here looks so good.
03:52My friend found this online.
03:54I don't know what you're talking about.
03:55You lied to me.
03:56You said it was for your part.
03:57Olio, take this down now.
03:59I am working right now, okay?
04:00Hey, what are you?
04:03Don't touch her.
04:06Riley, let's get back to work.
04:09Right now.
04:12Hey, I think it's time to call her tonight, okay?
04:18Frank, let's take care of this.
04:21Come on, let's get you in.
04:27No!
04:28Help!
04:30Help!
04:57Stop!
04:58Stop!
04:59Stop!
04:59Wait, wait, stop, stop!
05:47This is the new East End, Hector.
05:50We started emptying the trucks into this section a couple weeks ago after the old one got full up.
05:56I mean, if she'd been dumped in the old site, we never would have seen her.
05:59Well, lucky.
06:00Yeah. Just think I'd buy a lot, I'll take it on the way home.
06:05You guys got a system in place for tracking what part of the city she comes from?
06:09Give me a sec. I can narrow it down to within about four blocks.
06:12Thanks.
06:18What is she, 19, 20 years old, tops?
06:22Bruising on the throat.
06:26Particular hemorrhaging in the eyes.
06:29She was strangled.
06:33They're polished, but the nails have been clipped and cleaned.
06:37Maybe she fought back and the killer rewarded her with a post-mortem manicure, no trace evidence.
06:44These marks on her body, they're not bruises.
06:47Stains, maybe.
06:50These scrapes, they didn't bleed, they were made post-mortem.
06:53Maybe the killer dragged her after she was killed.
06:56Person adjusts their grip and repositions.
06:59These are deep and continuous.
07:02I'm not sure she was dumped from that truck.
07:04I think she was dragged here by a vehicle.
07:08Graf.
07:10Rear axle.
07:11Another tarp.
07:13That loader could have dragged her.
07:18Ainsley Scott, Elmira, Ontario.
07:21She was to turn 19 next week.
07:25So if that isn't exactly where she was dumped, does that mean we're looking at more than just the East
07:30End?
07:30She was dragged from a different Hector.
07:32She could have been thrown in any dumpster in the GTA.
07:42Mr. Scott, why did Ainsley move to Toronto?
07:45Ainsley came to the city to be famous.
07:50That's all she ever wanted.
07:55Yeah.
07:56Her mother passed five years ago.
07:58A drunk driver.
07:59She had Ainsley in dance and acting classes before her first holy communion.
08:05A lot of good that did her.
08:07A lot of good that did her.
08:08Referring to the sacrament or the vocation.
08:12Take your pick.
08:14It's hard to shake that Catholic guilt.
08:17No, I'm lapsed.
08:18Well, obviously something's bothering you, sir.
08:20You're evading eye contact, rubbing your neck with one hand, nodding.
08:24That's the holy trinity of nonverbal guilt right there.
08:27Are you insinuated that I have something to do with my daughter's death?
08:30No, sir.
08:31I'm insinuating that you think you did.
08:36Ainsley called last week.
08:39Excited.
08:40Daddy, I think I got my big break.
08:42Said she needed $700 for headshots.
08:44I told her I didn't have it.
08:47Maybe your birthday, sweetheart.
08:49So she said she'd find another way.
08:51Is this why this happened to her?
08:52Because she found another way?
08:56Um, did she tell you what that, uh, big break was?
09:00I didn't want to jinx it.
09:05Here.
09:08I'll give you more.
09:14If Ainsley's body was dumped here, she was picked up on Friday.
09:29I got it here.
09:41Sorry, detectives.
09:42She wasn't dumped at her building.
09:44She's only been dead three days, tops.
09:46Well, there's no collection on Sundays, so wherever she was dumped, she was picked up on Monday.
09:52Judging by the way her larynx was fractured, the killer most likely used his elbow or forearm and put his
09:57entire body weight on top of her to close her airway.
10:00Vaginal injuries, tearing, abrasions, all consistent with sexual assault.
10:04But in absence of seminal fluid, the killer wore a condom as residue.
10:07But no DNA.
10:09Now, we know that sexual murders are committed by one of two kinds of people with pathological disorders.
10:15Those who kill to hide the sexual assault and those who find gratification in the act of killing itself.
10:21The latter are planners, harder to catch, and explains the condom and the clipping and cleaning of the fingernails.
10:29What about those, uh, those blue marks on her skin?
10:32Results aren't back yet. Most likely some sort of dye.
10:35Is this the trash for my day?
10:37Yeah.
10:38They appear to be mostly fabric swatches.
10:46See, the light passes through.
10:48It's pilling. It's cheap.
10:51Disperse blue.
10:52A derivative dye often used in outdoor textiles.
10:54Exactly. Outdoor blank.
10:56It's tablecloths when, uh, clothing manufacturers use it to cut costs.
11:01Given the right moisture conditions, it can stain skin.
11:04Oh.
11:05Okay, so these swatches were caught up in the tarp she was wrapped in, so what are we thinking? Dumpster
11:10from the fabric store?
11:12Clothing manufacturer, textile mill.
11:14Somewhere that has its trash collected on Mondays and no doubt a, uh, CCTV dead zone.
11:24Well, the killer, he keeps telling us that he's smart. Let's believe him.
11:34Four down, two to go. There's no security cameras. This could be it. Remote, not much traffic. Calling the IDENT
11:42team?
11:42Well, before we waste their time, let's see if we're wasting ours.
11:45Let's see if we're wasting our time, let's see if we're wasting our time.
12:15He's been there for the last five months.
12:17Must be nice.
12:17What about an employee?
12:19No, they didn't recognize Ainsley from the photographs.
12:21They're mostly older women, new Canadians.
12:24Probably don't want to get on the wrong side of the law.
12:26And it doesn't really fit the profile, does it?
12:28No, our killer took his time.
12:30He's entitled.
12:30Plus, the land isn't fenced in.
12:32Anyone could have driven in there and dumped the body.
12:34Anyone who knew there weren't any security cameras.
12:36Which is why we're looking into ex-employees
12:38and anyone in the neighborhood on the sex offender registry.
12:41You'll visit her.
12:42Blood in the dumpster from the textile mill
12:45is from our victim in the landfill.
12:47But that's not the only DNA I found.
12:49Ainsley might not be the only victim.
12:53This is where your first victim would have been
12:55before the loader dragged her off.
12:56So, anything from Walsh's textile mill
12:59would have been dumped here.
13:01Yeah, if it's from that dumpster one month ago
13:03or one year ago, then it's in the cell.
13:07You sure your dogs can smell a body through all this trash?
13:09Yeah, up to 15 feet, 30 in the water.
13:12Ow, ow, ow, ow!
13:24We got another one deeper down.
13:27Most of one, anyway.
13:30This isn't just a crime scene.
13:32It's a graveyard.
13:42Victim number two, Freya Klein, killed a month ago,
13:45still in possession of a German driver's license.
13:47Freya was killed in the same way Ainsley was,
13:49asphyxia with a fractured larynx.
13:51There's no ID yet on our Jane Doe.
13:54Her DNA was found in the textile mill dumpster
13:56with the others,
13:57and a broken hyoid bone indicates the same cause of death.
14:00She must have been in pretty bad shape
14:01if we needed a computer to tell us what she looked like.
14:04Yeah.
14:05That Silva places her body in the landfill for about a year.
14:07All three were sexually assaulted.
14:09All three had their fingernails clipped.
14:11Same ammo, same killer.
14:13A year ago, a month ago, and now,
14:15as the pen cycle is speeding up,
14:17we know that serial killers would find their methods over time.
14:20But this guy, no mess, no DNA.
14:22We haven't found his first kill.
14:24Anything else connecting these three women?
14:27Well, Freya Klein's parents said
14:28she mentioned something about an ad campaign,
14:30and Ainsley just got new headshots.
14:32Now, Ainsley's headshot, though,
14:34that's full body.
14:35That could indicate fashion model.
14:37Fashion models do ad campaigns.
14:39Yeah, and Jane Doe's got a gap in her teeth.
14:40That's a thing.
14:41Just like supermodel Laura Stone.
14:44Yeah, and it's fashion week.
14:45Okay, I'm sorry.
14:46Did I miss that you're both fashion buffs?
14:48Oh, human beings have been decorating ourselves
14:50since the beginning of time.
14:52Yeah, it's fascinating.
14:53Do we change our outside to match what's within
14:55or to, uh, to express it?
14:58What's this?
14:58Little black dress.
15:00This was in Ainsley's purse?
15:01Yeah.
15:02Perhaps we hit the runway
15:03to see if they're serving drinks
15:04with swizzle sticks like these.
15:09They were giving these out in drinks backstage opening night,
15:12and we'll be finding them
15:13in the bellies of our brand Zeno for decades.
15:16Walk and talk.
15:17Next model!
15:19I have five designers a night.
15:21Five nights a...
15:22No!
15:22No!
15:23Can we try to have a heartbeat?
15:25Excuse me.
15:26Uh, do you recognize this woman?
15:29No.
15:30What about her?
15:32Ainsley was a PA opening night.
15:35Dorian Sharpe's big show.
15:36Did you hire her?
15:38No.
15:39Ainsley is what happens
15:40when someone uses their status
15:42to make you hire help with no experience.
15:44I see.
15:45And who of status imposed Ainsley Scott on you?
15:48A modeling agent.
15:50Sonoya Lee.
15:51She's around somewhere.
15:53Check the bar.
15:57This is awful.
15:58Yes, I knew her.
16:00Ainsley wanted me to rep her.
16:01She was, uh, persistent.
16:04I just wasn't sure if I could sell her.
16:07But you went out on a limb for her.
16:08You got her a job backstage.
16:09Yeah, she reminded me of me when I was young.
16:11How so?
16:12Small town, starry-eyed.
16:14When was the last time you saw Ainsley?
16:16The party on Saturday night.
16:18After I left,
16:18I heard that she got into an altercation
16:21with a photographer named Riley Chan.
16:24I heard it got really ugly.
16:26Does Riley Chan have a reputation
16:27for having altercations with young women?
16:29I don't know.
16:30But he did Ainsley's headshots.
16:32Well, Ainsley's dad said
16:33she couldn't afford headshots.
16:36Maybe Riley Chan has a side hustle?
16:42She attacked me.
16:43I just did her headshots.
16:44For free.
16:45Well, I mean, they weren't entirely for free.
16:48There was, uh, a price.
16:50An exchange.
16:52Tradesies.
16:52Yeah, we, uh, found other women
16:54on your quiet night page, too.
16:56Was it Tradesies with them as well?
16:58I took her photos down.
16:59Well, we found them.
17:00No, I mean, I felt bad.
17:02I even went to Ainsley's place to apologize.
17:04What?
17:04An argument broke out.
17:06One thing leads to another, and...
17:07No, there were cops at the apartment,
17:08so I left.
17:09Well, I hope you have someone
17:10to corroborate that,
17:11because as far as we know,
17:12you're the last person to see Ainsley alive.
17:15Me and a bunch of other people.
17:16She was drunk.
17:18Dorian Sharp kicked her out himself.
17:19Well, I mean, you being such a nice guy,
17:21but you walked her out and got her a cap?
17:23I was working.
17:23You got proof?
17:25Photos from the after party.
17:26Well, let's see them.
17:30Sign an NDA.
17:31Oh, well, then.
17:32Riley, you're going down
17:33for distributing pornography without consent.
17:36That's sex offender registry.
17:38Worry about us, not the NDA.
17:43That necklace.
17:45She wasn't wearing that when she was found.
17:47Who's the guy?
17:48Frank Maddox,
17:49cosmetic surgeon to the elite.
17:52He walked her out of the party
17:53and never came back.
17:54Yeah, I was chatting with her
17:55until the altercation.
17:56I offered to get her a cab,
17:57but she wanted to walk.
17:58Where'd you go after that?
18:00Home.
18:01To my wife.
18:02Good boy.
18:03I'm not stupid.
18:04The sort of girls at these things,
18:05it's a child support lottery.
18:07Gosh, all these poor, wealthy men
18:09getting taken advantage of
18:10in VIP rooms all across the nation.
18:12Well, that's the epidemic of our times.
18:15These sharp parties sure look wild.
18:17Wilder than the ones
18:18that TPDs throw at Christmas.
18:20That's how we got wild.
18:22Yeah, no, we don't get that wild.
18:24These girls know what they're signing up for
18:25when they walk through that door.
18:27And they're pulling each other's hair out to get in.
18:29And your wife is cool with that?
18:30You staying so late at these parties
18:32all by your lonesome.
18:33I met my wife at a sharp party.
18:35Oh, yeah?
18:35Years ago.
18:36He flew me down when he had his place in Honduras.
18:38Introduced me to a pretty girl from back home.
18:41She was a model.
18:42Oh, so you and Sharp are close.
18:45I'm his doctor.
18:46An artist with a Botox brush.
18:49Sharp doesn't like aging.
18:50Oh.
18:51Now what else, um, stops aging?
18:54Seriously, I'd like to know.
18:56You know, what do you do for these guys?
18:58You do the, uh, PRP hair regrowth?
19:01Testosterone.
19:02Uh-oh.
19:03Looks like we hit a nerve.
19:04You know, what are the side effects of testosterone treatment?
19:08Uh, aggression, hypersextrose.
19:10Not at a legal dose.
19:12Right.
19:12Because if you were to inject a man with more than a legal dose,
19:16and that man were to, say, uh, hurt a woman,
19:20that would make you, uh,
19:21an accomplice.
19:25Did you ever inject yourself?
19:28Puzzleark.
19:32Do I need to call a lawyer?
19:33No.
19:34That one's on me.
19:36I crossed the line.
19:37All right, bring it in.
19:38I'm sorry.
19:42Yeah.
19:43Okay.
19:45So are we giving out hubs now?
19:47Ain't that he fought back?
19:49Why else would the killer have clipped and cleaned her fingernails?
19:52There's no scratches on his face and neck,
19:54and given how she was pinned down,
19:56the only place she could reach would be there, or...
19:59his back, and he didn't even win this.
20:01Not once.
20:03Only when I mentioned the testosterone treatment.
20:06So who are you thinking?
20:07Grandiose sends hisself as the trait of the power control serial killer above the rules.
20:12We've been looking at the players.
20:14It might be time to consider who built the playground.
20:16You're talking about Dorian Sharp.
20:20There he is.
20:22Dorian.
20:24I didn't see you on the schedule.
20:26Yeah, the girls fit me in.
20:27Fashion week's really doing a number on my energy.
20:29Need a little pick-me-up.
20:30Sure.
20:31We can do a milligram of B12.
20:32Yeah, B12.
20:33It's not really what I was thinking.
20:36Well, if you want to do testosterone,
20:38we're going to need to stay below 200.
20:39Why is that?
20:41I'm concerned.
20:43About your heart.
20:44Your liver.
20:44Oh.
20:45Okay.
20:46Well, I appreciate the concern, Frank.
20:48I really do.
20:49But let's just stick with the regular doses, okay?
20:51We can discuss cutting back another time.
20:58Here, a girl was killed after your party.
21:01Same girl you asked to leave.
21:04I did.
21:05Yeah.
21:05Jeez.
21:06Cops brought me in to talk about it.
21:11I think you had something to do with it, or...?
21:13They didn't say that, but it's...
21:18It's how they make me feel.
21:25Frank and his friends party with part-time babysitters
21:28like a gang of delusional vampires.
21:31But...
21:32Frank is harmless.
21:34Yeah.
21:34What about Sharp?
21:35Is he harmless?
21:36I met Sharp when I was down in New York on a shoot.
21:40And did he ever...
21:42No.
21:43At, uh, 22,
21:45I was a little long in the tooth for him.
21:48But I heard stories about the kind of sex he was into
21:50that it could get rough.
21:52Are we talking consensual?
21:54You know, we used to let men tell us
21:56that truly liberated women were down with anything they wanted,
22:00but, uh, consensual wouldn't be the first word
22:03that comes to mind.
22:03You think Sharp's capable of murder?
22:07Up, Wendy.
22:09Dorian Sharp has a life that gives him access
22:11to an unlimited supply of young women.
22:13When we enable men like that, they lose perspective.
22:16When we enable him?
22:18Women are as victims, detective.
22:21And then it's up to us to come forward,
22:23even when that's a very dangerous thing to do.
22:26We can offer you protection.
22:28We can protect anyone you connect us to
22:29who corroborates your story.
22:31There is no protection
22:32against that kind of money and power.
22:34You know, I always got a bad vibe off Sharp,
22:37but he wasn't dangerous
22:40until he was in an expensive suit.
22:43An expensive suit?
22:45And what was he wearing before that?
22:47Cup rolls, I suppose.
22:48He started out in some textile mill
22:50on the north end of the city.
22:52Crawled his way off the factory floor.
22:58Your first job in the industry
23:00is right here in Toronto
23:01at Walsh's textile mill.
23:03Was that a tough job?
23:04We drove past it on the way here.
23:06What a dump.
23:08Right.
23:08Well, I wasn't there long.
23:10No, you were poached by Atelier X
23:12off to the Big Apple.
23:14Five years later, you were creative director,
23:16so why'd you leave?
23:17Atelier stripped my designs
23:19of their most interesting aspects,
23:21so, uh, yeah, I left.
23:23Came home.
23:24Started my own empire.
23:25Do you know this woman?
23:28No, I don't think so.
23:29No?
23:30Because you asked her to leave your party.
23:31Well, I asked lots of young ladies
23:33to leave my parties.
23:34There's a certain decorum
23:35that I think might have skipped this generation.
23:37Huh.
23:38What about her?
23:39Have you ever seen her before?
23:43No, doesn't look like a model.
23:44No, I don't think so.
23:46Her name is Freya Klein.
23:47She was also found in the landfill.
23:49Are you sure?
23:50Detectives.
23:51A bead?
23:52What, from a necklace?
23:54Yeah, probably from a dress,
23:56I would imagine, yeah.
23:57Seamstresses aren't what they used to be, I guess.
23:59Seamstresses?
24:00Young ladies?
24:01I bet you long for the good old days
24:03down in Honduras.
24:05Your botulism guy, Frank,
24:07you told us that you used to fly people
24:08down there quite a bit
24:09for some pretty wild parties.
24:12Did those women display
24:14appropriate decorum?
24:16He flew Frank down to Honduras
24:18to help set up his stem cell research center.
24:20Anti-aging research center.
24:22That's right, yeah.
24:23Is there a problem with that?
24:26Looking for more beads, detective?
24:30You know, buttons.
24:33See, I love buttons,
24:34and what would happen if I pushed that one?
24:37Well, if I pushed that button,
24:38it locks my office door
24:40so people can't come in and bother me.
24:42Hmm.
24:42So you don't want people to come in
24:45or to get out?
24:46Tell you what, detective,
24:48I'll wait to push that button
24:49until after you leave.
24:51How's that?
24:58You think that's our killer?
25:00I think we just walked out
25:02of the crime scene.
25:07You found this bead
25:09in Sharp's office?
25:10Yeah, we did.
25:10We believe it matches the necklace
25:12Ainsley Scott was wearing
25:13the night she died.
25:14Well, anyone with an RBC Cub card
25:16can buy one of those on Instagram.
25:18And no CCTV footage
25:20from the night of the murder.
25:21No.
25:23What about your first kill theory?
25:25What does our timeline tell us?
25:26Well, in 2010,
25:28after his career took off in New York,
25:30Sharp bought an estate
25:31on Roatan Island in Honduras.
25:33It was fast becoming
25:34a medical tourism destination
25:36for the wealthy.
25:37In 2013,
25:38he funded an anti-aging lab there
25:40that was doing some pretty
25:41questionable legal things
25:43with stem cells.
25:44He even bragged to the New Yorker
25:45that he discovered
25:46the fountain of youth.
25:47But no missing women in Honduras.
25:49Nah, please say no,
25:50but we're gonna keep digging.
25:51Then in May 2021,
25:53Sharp leaves New York
25:55and returns to Canada
25:56to go out on his own.
25:58But we haven't found
25:59any other murders
26:00that match his M.O.,
26:01at least non-connected fashion.
26:02Wait, wait, I was wrong.
26:03We do have murders
26:04that match his M.O.?
26:05No, about when
26:06he came back to Canada.
26:09According to this article,
26:10after he left Atelier X,
26:12he leased a building
26:13in Manhattan
26:13for his new headquarters.
26:15In May 2021.
26:18May 2021?
26:21When did he start
26:22his operation in Toronto?
26:23Not until August 2021,
26:26three months later.
26:27Oh.
26:27So why the sudden change of plans?
26:29Why'd he cut and run
26:30for the border?
26:32Because she's there.
26:33Our primary victims
26:35in New York.
26:36These are the unsolved homicides
26:38in New York City
26:39from 2021.
26:40Remove anything
26:41after August 21.
26:44Remove anyone under 16.
26:47Remove all the men.
26:49Remove any females
26:50over 30.
26:51And narrow it to deaths
26:53that occurred in the month
26:54before Sharp left
26:55his New York City headquarters.
26:58If one of these women
26:59were his first victim,
27:00there's a chance
27:01he left DNA.
27:03Detective Sergeant Michaels,
27:04thanks for meeting with us.
27:05Laura was found
27:06on the lower level
27:07of the plaza.
27:07We have no idea
27:08how she got there
27:09or who she was with.
27:10Were there any parties
27:11or events at the hotel
27:12that night, Detective Michaels?
27:13Uh, yeah,
27:14there was a bar mitzvah
27:15and a fashion show reception.
27:17We couldn't find anyone
27:18who remembered seeing her.
27:19Crime scene was a mess.
27:20She had a bloody nose
27:20and a crushed larynx.
27:22Tell us she got DNA.
27:23Male DNA blood sample
27:25coming your way.
27:26Obviously,
27:26we have no match.
27:28Look, Detective Sir,
27:29her mother, Barbara,
27:30and she's been, uh...
27:33Yeah.
27:34I'd love to find this guy for her.
27:36Of course, Detective Michaels.
27:37You'll be your first call.
27:39Appreciate it.
27:40Okay, we need a warrant
27:41for Sharp's DNA.
27:42It's bound to be a match.
27:43To get a DNA warrant
27:44on someone like Sharp,
27:46you'll need at least one woman
27:48to corroborate Wendy Maddox's
27:49sexual assault implications.
27:51We're gonna be dealing
27:51with fear, intimidation,
27:53and...
27:53Stop, stop, stop.
27:55I have complete faith
27:56that if anyone could cause
27:58that first domino to fall,
28:00it is you guys.
28:06No, I haven't heard
28:08that Sharp assaults woman,
28:09but maybe I wouldn't.
28:11Your clients wouldn't come to you?
28:13They might be afraid
28:13that what I would do
28:14would cost them work,
28:15like get him arrested,
28:16which I would.
28:17Misley, of all the models
28:19we contacted,
28:20there were three that we couldn't reach,
28:21and they were all your clients.
28:23Uh, Anna, Trident,
28:25Joy Williams,
28:26and Lucy George?
28:27Becca, remember,
28:28in the fridge, okay?
28:29Not in the bin.
28:31Uh, yes, Anna.
28:33She got cancer.
28:34Poor thing.
28:35Uh, Joy, she tragically
28:37took her own life,
28:38and Lucy George.
28:39Uh, I haven't heard
28:41from her in ages.
28:42I'm really sorry, detectives.
28:44Should I cancel
28:45your call at two?
28:46Rebecca, would you happen
28:47to have an emergency contact
28:49for Lucy George?
28:50I would have that.
28:51Give me a minute.
28:57Lucy wanted to tell the world
28:58what a creep that Sharp was,
29:00but I warned her against it.
29:02I mean, she was saying
29:02some wild stuff,
29:03and I was wondering
29:04if she was hearing stuff right,
29:06you know?
29:06I mean, Lucy has pills,
29:07but she doesn't always take them.
29:08Wild things like what?
29:14Look, Doris,
29:15anything you say
29:16might help us.
29:17Oh, Lord.
29:18Uh, stuff like
29:20he was forcing pregnant women
29:22to get rid of their babies
29:23so he could steal
29:24the fetus's stem cells?
29:26I told her Lucy
29:27to sound crazy as a loon.
29:29And you didn't want her
29:31to speak out.
29:31I wanted her to talk
29:32to a psychiatrist,
29:34but instead,
29:34she stopped talking to me.
29:36Said she was going out
29:37to California,
29:38try her luck out there,
29:39you know,
29:39get in the movies.
29:41I don't have a Los Angeles
29:42phone number.
29:43Keep looking for her
29:43on the TV,
29:44but I haven't seen her yet.
29:46No, she's not on social media?
29:47No, she shut all that down.
29:48She thought Sharp
29:49was stalking her.
29:50You know, if you find her,
29:52you might want to tell her.
29:53Her mother would love
29:53to hear from her.
29:54Of course.
29:55Do you have a photo
29:56of Lucy that we can see?
29:58Yeah.
30:05Gap,
30:05those crooked old tees.
30:07Couldn't afford braces.
30:08Wouldn't you know
30:09it's the look now?
30:10I'll get the kettle.
30:14It's quite this while.
30:16We've seen that gap before.
30:19Lucy is our Jane Doe.
30:21I'm sorry.
30:23Lucy George's mother
30:23is not an eyewitness.
30:26Theo.
30:26It's just not enough
30:27for a DNA warrant.
30:28Come on,
30:29the dental records prove
30:30that Lucy George
30:31is our Jane Doe.
30:32Lucy knew what Sharp
30:33was all about.
30:33She wasn't afraid to talk
30:34and then she's just gone.
30:36It's a credible theory,
30:37but I need this to be tight,
30:39airtight.
30:39This guy has a huge team
30:41of lawyers.
30:41Yeah, well,
30:42our laws apply
30:43to the rich as well.
30:44We all seem to forget that.
30:45Billionaires get a free pass,
30:46yet over and over again,
30:48we bear witness
30:49to the horrific misconduct
30:51of unchecked wealth.
30:52That's why I'm being
30:53extra careful.
30:54Which is why
30:54I'm done with careful.
30:55We don't need a DNA warrant
30:57for Sharp.
30:57Frankie.
30:58We need to get this guy.
30:59Frankie.
31:00Frankie.
31:03Well, you're about
31:04to be very, very busy.
31:06Cheers.
31:08Roach will talk
31:08to your agent
31:09and we'll start booking you.
31:11Hey, kid.
31:12Take your break.
31:16Put that down.
31:19Oh, my goodness.
31:20What's happening here, folks?
31:22Detective Graff
31:23was just about
31:24to forfeit his career.
31:25Ah, you really should
31:26listen to my lawyer.
31:27That tracks.
31:29Do not spend time alone
31:30with this man.
31:30Tell your friends.
31:31What do you mean?
31:32Oh, it's all right.
31:33She has a contract.
31:34He likes the invisible ones
31:36that nobody will miss.
31:37The ones with big dreams
31:39and no chance.
31:40But you know what's
31:41got me wondering
31:42is what happened
31:43in New York.
31:45What pushed you
31:46over the edge
31:46of the murder?
31:48Did something humiliate you
31:49to make you want
31:50to go further?
31:51Did Laura Johnson
31:52reject you?
31:53Tell you that, uh,
31:54you're old enough
31:55to be your dad.
31:57Or maybe
31:57he had some
31:58performance issues.
32:00Is that why you started
32:00taking testosterone?
32:01Whatever it is
32:03that made you snap,
32:04it awoke something
32:05in you, didn't it?
32:06Something dark,
32:07something you like.
32:08Oh, please.
32:09You know,
32:09you really didn't need
32:10to resort to, uh,
32:11burglary here, detectives.
32:13If you want my DNA,
32:15I'll give it to you.
32:18I don't know
32:19any Laura Johnson
32:20and I have nothing
32:21to hide.
32:32Huss, huss, huss, huss!
32:34Sharp, we need to talk.
32:36I'm listening.
32:36The cops are asking
32:37questions about Ainsley.
32:40Come on.
32:41Huss, huss, huss, huss!
32:48Sharp, get off him.
32:51Sharp, get off him!
32:53Hey!
32:54What?
32:56What the hell, man?
32:57Good job, bro.
33:04Sonoya,
33:05you need to stop worrying.
33:07Worrying causes wrinkles.
33:10Look at me.
33:12I feel like a teenager.
33:13You know why?
33:14Because I have nothing
33:15to worry about.
33:16Okay?
33:21I think we should
33:21get down there.
33:22He knows where
33:22we're coming from.
33:23It's okay.
33:24I just parked a spin team
33:25outside his headquarters
33:26the second we get
33:27confirmation that the DNA...
33:29What?
33:31It's not a match.
33:33How is that possible?
33:35Blood sample from the body
33:36in New York
33:36didn't match Sharp's
33:37cheek swab.
33:42Come on.
33:42You can't be serious.
33:43I reviewed your evidence.
33:45You have no prosecutable case
33:46at this time.
33:47Dio, everything points to Sharp.
33:49Sharp willingly gave you
33:50a cheek swab and the DNA
33:52did not match the blood
33:53left at the murder scene
33:54that you claim
33:55was his first kill.
33:56He did, didn't he?
33:58Did what?
33:58He gave us a cheek swab.
34:00Willingly.
34:01Handed it right over.
34:05Yeah, Lucy, you in the building?
34:07Okay, can you meet us
34:08in the kitchen ASAP?
34:11Hey, you, uh,
34:12you want to fill me in?
34:13Well, this is going to sound
34:14a little weird,
34:15but just bear with me.
34:16I always do.
34:17Doris George's statement
34:18to fetuses, um,
34:20they're full of stem cells.
34:21Yeah, yeah, yeah.
34:21I'm not so sure how reliable
34:23the rest are.
34:23Sharp willingly gave us
34:24his DNA.
34:24Why?
34:26Because he knew
34:27it wouldn't match.
34:29Wait, so you're saying
34:30it wasn't Sharp's DNA
34:31at the crime scene
34:32in New York?
34:33Well, it was his DNA,
34:35his blood DNA,
34:36because Sharp is a chimera
34:39from Greek mythology.
34:40The lion and the serpent
34:41together, two beings
34:42in the same body.
34:43Chimerism in humans
34:44refers to somebody
34:45who's had a stem cell transplant,
34:47something that Sharp
34:48was experimenting with
34:49in his fight against aging.
34:50Okay, I'm with you.
34:51Just take it back
34:52a little bit.
34:52Here.
34:55When somebody has
34:56a stem cell transplant,
34:58their DNA is mainly
34:59replaced by the donor's DNA.
35:04Take it away, Ms. Hilma.
35:06It's true.
35:07But only the DNA
35:09in the blood.
35:10He has two sets of DNA.
35:12The other cell's skin
35:13or saliva from a cheek swab
35:15won't change.
35:16So he gave us his saliva
35:18because he knew
35:20it wouldn't match
35:20the blood found
35:21on Laura Johnson
35:21in New York?
35:22Which contained
35:23his donor's DNA
35:24and that's why he cut
35:25and cleaned their fingernails
35:26because the skin cells
35:27underneath would have
35:28Sharp's original DNA.
35:30At that lab in Honduras,
35:31he took the stem cells
35:33and changed his blood.
35:34We need to find
35:34the donor or the records.
35:37This has got to prove it.
35:39You can start in the hallway.
35:40Thanks.
35:41Oh, and mix some bleach
35:42into the floor cleaner for me.
35:45That's oddly nostalgic for me.
35:46My mother used to use it
35:47to keep the neighbor's pig farm at bay.
35:51You know we could have
35:51fought the DNA.
35:53Are you kidding me?
35:54I miss all the fun.
35:55I wish I could see
35:57the look on that detective's face
35:58when he saw the results.
35:59I mean, priceless.
36:01You know,
36:01if I thought I was
36:02going to live forever,
36:02I'd try to avoid
36:03life in prison, Sheriff.
36:05Well, here's an idea.
36:06Why don't you fix it, Roach?
36:08Or don't.
36:09Whatever.
36:09I'm on a plane
36:10in a few hours anyway.
36:11It says here
36:12the lab burnt down
36:13nine years ago.
36:15The records were incinerated,
36:17it was arson,
36:17and they never solved it.
36:19What about permits?
36:20I mean,
36:21he must have detailed
36:22the procedures he'd be doing.
36:23Well, I'm getting the impression
36:24that Honduran law
36:25is, uh,
36:25lax to those with means.
36:30Wait a minute.
36:33We had a sexual assault complaint
36:35against Sharper
36:36from 2012, McGrath.
36:37We could testify
36:38on his behalf
36:39to quash the charge.
36:40I knew she was
36:41hiding something.
36:42You think she knows
36:43what happened to the lab?
36:44I think she knows everything.
36:48Ah, Miss Lee,
36:50thanks for coming.
36:52Hey, would you like
36:53to finish that at all?
36:54The rest of your meal?
36:55Yeah, my eyes
36:56were bigger than my stomach.
36:58It's just I noticed
36:58how you saved that, uh,
37:00that salad.
37:01It was a bit of a tell.
37:03My grandfather,
37:03he grew up during
37:04the Depression.
37:05He never left anything
37:06on his plate.
37:07And even the way
37:08dentures were back then,
37:09it wasn't a pretty sight,
37:10let me tell you.
37:11No, I knew poor,
37:13just like you.
37:15Excuse me?
37:16No hint of an accent.
37:18I never thought
37:18to look for you
37:19in Honduras.
37:21Hmm.
37:24One second.
37:25Sorry.
37:26It's my partner.
37:29She says there's a,
37:30there's a cleaning van
37:31outside Sharp's office.
37:33I wonder what that's about.
37:34You said you had information
37:35on Lucy George?
37:36Oh, yes, I do.
37:38Please take a seat.
37:45Uh, first, I would, uh,
37:47I'd like to talk to you
37:48about, uh, your home
37:50in, uh, Honduras,
37:51or, well, your lack thereof.
37:53Detective,
37:54I don't like your tone.
37:55What about Dorian Sharp?
37:56You like him?
37:57I mean, he hired you
37:59from off the street.
38:00You were homeless, correct?
38:01Sleeping rough?
38:02Yes, actually, I was.
38:04At that point in my life,
38:06I was lucky
38:06if I could sleep
38:07in a public bathroom.
38:08And then you had
38:09your own bathroom.
38:10Sharp lifted you
38:11out of poverty
38:11and offered you opportunities
38:13beyond your wildest dreams.
38:14How could you say no to him
38:16to anything he asked?
38:18So when he needed you
38:20to, uh, discredit
38:21a woman's sexual assault
38:22allegation...
38:23I told the truth.
38:24That woman was lying.
38:25I understand.
38:26You were just a kid,
38:29and you cared about him,
38:30and he was more
38:31than just an employer.
38:33He was a savior of sorts.
38:34But that does not
38:35give him the right
38:35to exploit you,
38:37to abuse you.
38:37Detective Graff,
38:39the relationship
38:40that I have with Dorian Sharp
38:41is purely professional.
38:42It's okay, Sonoya.
38:44I know what happened
38:45in Honduras.
38:47Dorian Sharp's
38:48the bad guy here,
38:49and for that,
38:49I'm sorry.
38:54Does this feel familiar?
38:56What's happening here?
38:57What I just did.
38:58A couple of low blows
38:59and build you back up again
39:01and make you feel safe.
39:03Because that's what
39:03monsters like Sharp do.
39:05They break you down,
39:07and then they put you
39:08back together.
39:08Okay, I want my lawyer.
39:10Oh, what, uh,
39:10Vincent Roach?
39:11Yeah, sure.
39:12Isn't he on, uh,
39:13Sharp's payroll, too?
39:15I mean, he's a...
39:16He's a paid servant,
39:17just like you.
39:17I'm not a servant.
39:18Oh, what are you, then?
39:19I'm a survivor.
39:20No, you're a chimera,
39:21just like Sharp.
39:22Except for you,
39:23it's part predator,
39:25part prey.
39:25It's how you survived.
39:27You needed those young women
39:28to shoulder the burden
39:30of what he was doing to you.
39:31I didn't know such thing.
39:33Sure you did.
39:35No, you didn't write the menu,
39:37but you served those women
39:38up on a plate.
39:39You fed the beast.
39:40And as the world changed,
39:42as women's eyes were opened
39:43to the horrors
39:44that waited for them,
39:45behind closed doors,
39:46you were the lure Sharp needed.
39:48A false beacon
39:50calling vulnerable young women
39:52to their deaths.
39:54Laura Johnson,
39:55brutally murdered in New York.
39:56And bingo,
39:57you have your own modeling agency.
39:59Freya Klein,
40:00a stranger to this country,
40:02tossed into a dumpster.
40:04He met Freya
40:05about an ad campaign.
40:06Campaign that, uh,
40:07poof,
40:08magically disappeared
40:09along with her.
40:11And, uh,
40:12where's Lucy George?
40:13Lucy went to California.
40:15No, Lucy went into landfill
40:17and it broke her mother's heart
40:19when we identified her remains.
40:21Take a look.
40:22How did you describe
40:23Ainsley Scott again?
40:25Starry-eyed.
40:27Reminded you of yourself.
40:29He said
40:29he saw spirit
40:31in her.
40:32So I drove her
40:33to his office.
40:35I was helping her.
40:36Oh, you were helping her.
40:37You drove her to a meeting,
40:38a go-see,
40:39in the middle of the night.
40:40Didn't she find
40:41that a little odd?
40:42Was she scared?
40:44What did you tell her
40:45to ease her fears,
40:46to get her to cross
40:47that dark threshold?
40:50Imagine those, uh,
40:52whose starry eyes, yeah?
40:54As he pushed
40:55his elbow down
40:56onto her throat
40:57and stole her last breath.
40:59Stop it!
40:59Oh, that man,
41:01he loves a pack.
41:01I didn't know
41:02what he was doing!
41:03You gonna bring on
41:03the waterworks?
41:04Sure, go ahead.
41:05Hey, okay.
41:06There's one for Lucy,
41:07there's one for Laura,
41:08and there's one for Freya,
41:10and both!
41:10Damn it!
41:11Take them all!
41:11You earned them!
41:12I was helping them.
41:14Were you?
41:16I was helping them!
41:18No, you weren't.
41:21But you can.
41:22You can help them.
41:23Right now,
41:24I need to know
41:25how Sharp changed
41:25his blood.
41:26It was a stem cell
41:28transplant, wasn't it?
41:29At the lab in Honduras.
41:31I don't...
41:32Sonoya, I need proof.
41:33I need the name
41:34of the donor.
41:35I don't have...
41:35It's the only way
41:36we can connect Sharp
41:37to the bloody left
41:38on Laura Johnson.
41:39I can't!
41:39Why?
41:40Because...
41:40Because what?
41:41Because the donor died!
41:47He made me get rid
41:49of my baby.
41:54And he used the stem cells
41:57to heal himself.
42:12But you can't help
42:13those women now.
42:15You can bring them justice.
42:17You can bring justice
42:18to the women he killed.
42:21You can bring them to the
42:22Shenoyah.
42:24Your blood is your testimony.
42:32Toronto police.
42:33I need you to stop
42:34what you're doing.
42:35Now!
42:38Dorian Sharp.
42:39You're not going anywhere
42:40this time.
42:42Are we really going to go
42:43through this charade?
42:44Excuse me, I'm late.
42:51How's that feel?
42:53We're going to need
42:54another sample.
42:55Blood this time.
42:58Should be a 50% match
43:00for Sonoya.
43:09I updated Detective
43:11Michaels in New York.
43:12Thanks.
43:13Sharp made his fortune
43:14making women's clothes.
43:16And he used it
43:17to steal their boys.
43:19Well, four of those women
43:20finally got a chance
43:22to say something about it.
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