- 6 hours ago
Cross - Season 2 - Episode 03: Feed
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00:06Previously on Cross...
00:07I finally got a real name for two fingers.
00:09Lincoln Esteban.
00:10What does it say about Esteban that he created his own personal female deity?
00:14I'm the daughter of Dr. Gariela Alejandra Porras.
00:17And I'm here to come to death.
00:20I'm trying to figure out why Nana would lie about my mother being dead.
00:23Maybe she thought it was better.
00:24You're not knowing.
00:25Did you know?
00:26Since we were kids.
00:28Now it's my absolute pleasure to introduce you to Paul Hartsfield,
00:31the former assistant deputy secretary at the Department of Labor.
00:35Margaret, no! No!
00:37Mastermind is looking to clean the slate and I can't do this alone.
00:39You're in Nebraska on this one.
00:40There's no cavalry.
00:41What can I do?
00:42Let me be there for you.
00:43There's someone else who I think can help with this.
00:45What's got you so rattled that you ready to release?
00:50Don't crack in.
00:51Does it matter?
00:52Nope.
00:53The FBI lab is processing the burned documents.
00:55The scan showed a list of dates and numbers.
00:58These 10-digit numbers, they have to be coordinates.
01:00College and Texas.
01:01We gotta get to Texas.
01:16Go, baby.
01:26Alex, this is John.
01:30John, meet Alex.
02:03Let's go.
02:03Let's go.
02:36Let's go.
02:38Let's go.
02:39Let's go.
02:48Let's go.
02:58Let's go.
03:07Let's go.
03:12Let's go.
03:18Let's go.
03:35Let's go.
03:50Let's go.
03:54Let's go.
03:59Let's go.
04:05Let's go.
04:08I could barely take it.
04:09And the longer I didn't tell you, the harder it got.
04:12But would you have told me, John, even if you knew it would break me?
04:20I would.
04:22I would.
04:22Because I'd be right there to pick up the pieces and put you back together.
04:29Well, fuck it.
04:30Let's go to Texas.
04:31Let's go.
04:34Let's go.
04:54Let's go.
04:57me now, I'm loud and proud, and to those who fear leads them to hate, what a pity to
05:07be locked in my place, I know, you'll see me down, some of us, some of us are brave.
05:35It's been six hours, maybe blowing up Esteban's hideout spooked him, so he decided to abort.
05:42He'll show, he wrote everything in code, there's no reason for him to believe we cracked it.
05:46Yeah, another text to Elle, is that a thing again?
05:55Uh, I thought it was for a second, I was wrong.
06:02She's at your house, right? Just watching your kids?
06:08It's a temporary situation.
06:12I'm trying to keep a straight face, I'm sorry.
06:15Don't stop.
06:16I'm sorry.
06:17Say it, no, come on.
06:18You're the one who was making fun of my dating life for years.
06:20Well, if the avoidant personality disorder fits...
06:23Oh, come on, if I was a man, no one would say shit about me putting my career first.
06:29Oh, you can't have both?
06:30Work and love?
06:30Yeah.
06:32Uh-huh, until the next guy stumbles up on, you know, a stack of crime scene photos or,
06:36oh, I don't know, it throws a hissy fit because I'm not texting him back fast enough when I'm on
06:40a stakeout.
06:41There are people who understand.
06:43Yeah, there was one.
06:44Oh.
06:45You married her.
06:50I did?
06:51Yeah.
06:54You know, I would have made a move on that.
06:57I just like dick too much.
06:58Wow.
07:00You are a terrible person.
07:02Just...
07:03I know.
07:04I know.
07:07Shit.
07:15Okay.
07:16Nature calls.
07:17Hmm.
07:19Is it nature or dick?
07:22Don't run.
07:27Yo, 2-John, you still awake over there?
07:29Yeah.
07:30I just found out that Sheriff Teddy grew up in Arkansas.
07:32He over here trying to tell me that Nolan Richardson ranks as a better college coach than John Thompson.
07:36I'm sorry, what?
07:39What?
07:39Yo, Ewing?
07:40Iverson born in Mutombo.
07:42Coach Thompson all day.
07:44You gotta come stronger than that, fam.
07:46You ever heard the term 40 minutes of hell?
07:48Oh, there he goes.
07:48Case closed.
07:50Hey, man.
07:51They had a run.
07:51Georgetown had a dynasty.
07:53A'ight?
07:54Case closed.
07:56Yo, John.
07:57Check in with DHS.
07:59Larson's posted up behind the mini-mart.
08:01Hasn't seen anything.
08:03Teddy, I'm thinking this day is a bust.
08:05What say we call it?
08:06What's Larson's problem?
08:08DHS always looking to punch out early.
08:11FBI's dime.
08:12FBI's called.
08:21Madeline, you got hands like Mary from the Bible.
08:25Treatment like this definitely makes her brother wanna raise the dead.
08:35I'm here.
08:37Did you find Ibrahim?
08:39I know you're feeling some pressure, but you's gonna want to have the mind.
08:43Your tongue.
08:45Good afternoon, Bobby Trey.
08:47I hope you're having a wonderful day.
08:49Now, could you please answer the fucking question?
08:52Did you find Ibrahim?
08:53I'm close.
08:54How close are you?
08:56Well, fucking asshole.
08:58They're all assholes, honey.
09:21Can I tell you something?
09:23Ein hawks.
09:23Okay?
09:25Holyغilis��라 vitality.
09:26Do you got your back home?
09:28What's your side before life is?'
09:30Daddy's فيها born with الاiceps.
09:30As of all these its trying to be recognized,
09:30they haven't been in your right house.
09:40Y'all saying this?
09:41The guy that just happened to the produce truck isn't the original driver.
09:46Drivers switch out on long hauls all the time.
09:49Without talking to each other?
09:52Something's off.
09:53I see you're something's off and raise you a possible suspect.
09:55Orange hoodie and camouflage pants.
09:57Southwest corner of the lot.
09:58Does that look like Esteban?
10:00Yeah, that's him.
10:03What's he holding?
10:04I got him.
10:05Hey, stand down.
10:07Don't want to spook.
10:09I'm headed his way.
10:36Don't shoot!
10:37Hold the fire!
10:38Stand down, Larson!
10:39Shut the camera!
10:40Shut the camera!
10:40Stand down!
10:44What does that look like to you?
10:45It's like a fucking Glock!
10:46It's a fucking camera!
10:47Why does it get your shit together?
10:48I don't need to help them!
10:49Help who?
10:50No!
10:52Go!
10:53Go!
11:03John, you see anything?
11:04No.
11:05Not yet.
11:06But we'll be there a minute.
11:07Hang tight.
11:21Who's in the truck?
11:22There's kids in there!
11:26Let's go!
11:27Get him out!
11:28Let's go!
11:30Come on!
11:32Move it!
11:33Move it!
11:33Let's go!
11:37Hey, still, don't move.
11:38Head down!
11:38Don't move!
11:39Don't move!
11:44Come on, get up!
11:44We have to go!
11:46Oh, shit!
11:48Alex, you good?
11:49There's people on the truck.
11:50You have to help them!
11:54Tunjian, what's your situation?
11:55Pulling up quick.
11:56Head to your way.
12:01We gotta get to the produce truck.
12:03There's kids in there.
12:07All units in the vicinity of Buck Speed and Seed at mile marker 52.
12:11Officer requires immediate backup.
12:14Westbound.
12:15Request an air and emergency medical support.
12:18If fired upon, do not return fire.
12:20I repeat, do not return fire.
12:23Truck is carrying human cargo.
12:40Oh, shit.
12:41Do not return fire.
12:53Oh, shit.
13:19Come on.
13:20Come on.
13:21Come on.
13:21Come on.
13:22Are you OK?
13:24Is everybody OK?
13:25You OK?
13:26There you go.
13:26There you go.
13:28Good.
13:28There you go.
13:29Shoot her!
13:30Shoot her!
13:31Whoa, whoa, whoa, whoa!
13:32You're dying with me today if you don't let me go!
13:35No problem.
13:36If you have anything you want, just give me the boy.
13:42John, you good?
13:43Yes, sir.
13:44I'm good.
13:45Everybody's good.
13:47Everybody's going to live today.
13:48I want a car!
13:49And some money!
13:50OK.
13:51We can make that happen.
13:52We're going to talk this through.
13:53I just need your name first.
13:55I'm Alex.
13:56What's your...
14:00Come on.
14:02What the hell?
14:03Come on.
14:08What did you do?
14:09You had this.
14:39I guess this isn't much of a tourist town.
14:43It's good.
14:44Makes it easier to find people.
14:46We're looking for a man called Francisco Herrera.
14:49Do you know him?
14:50I don't know any Francisco.
14:53We should be going after Paul Hartsfield right now.
14:56Not off on some side quest in Mexico.
14:59Hartsfield runs in Morgan Park every day between 5.12 and 6.02.
15:03When we're ready to take him out, he'll be easy to find.
15:08Mr.
15:09One, please.
15:12No, one.
15:13Ah, one.
15:16We're looking for a man called Francisco Herrera.
15:19Do you know him?
15:20I'm sorry, Mr., but I can't help you.
15:26We're paying for the information.
15:28Look.
15:28We're paying.
15:29Ah, out of the way.
15:31We really don't even know if this Frankie guy's alive,
15:33let alone remember the names of the kids who died.
15:35He lived with them, okay? He's gonna remember their names.
15:39Señora, una pregunta, por favor.
15:41You've already asked her.
15:44Also asked the butcher, the baker,
15:46the kid that sells fireworks on the corner.
15:49Either Frankie ain't here or,
15:51and I sympathize with this entirely,
15:54he doesn't want to see us.
16:01That guy's been off the grid almost 20 years.
16:04You've done your best.
16:05It's not enough.
16:06Those kids' families are out there somewhere,
16:08probably not even knowing what happened to them.
16:10So if we're not gonna find them, who the fuck will?
16:27Well done.
16:28Good night.
16:28Come on in.
16:31For you, mistress.
16:39I think we found Frankie.
17:07Arriba las manos donde las pueda ver.
17:10¿Francisco?
17:11¿Quién los mandó?
17:14¿Quién los mandó?
17:16La doctora Gaby.
17:23Tiene sus ojos.
17:27Tu mamá me salvó la vida.
17:30¿Y mi mamá Juana?
17:32Quiero terminar lo que ella empezó.
17:36No puedo rectificar lo que les hicieron,
17:37pero tal vez puedo ayudar a mejorar las cosas.
17:42Darle algo a las familias de los niños asesinados
17:44por los monstruos de Crestbrook.
17:48¿Sabes sus nombres?
17:50¿De dónde venían?
17:52De aquí.
17:54Todos somos de aquí.
18:09¿Qué pasa?
18:37¿Qué pasa?
18:52¿Qué pasa?
18:52¿Qué pasa?
19:04¿Qué pasa?
19:04¿Qué pasa?
19:05¿Qué pasa?
19:11¿Qué pasa?
19:15¿Qué pasa?
19:18¿Qué pasa?
19:42¿Qué pasa?
19:42¿Qué pasa?
19:43¿Qué pasa?
19:56¿Qué pasa?
19:56¿Qué pasa?
19:56¿Qué pasa?
19:58¿Qué pasa?
20:00¿Qué pasa?
20:00Yo estaba enfermo ese día.
20:01Por eso andaba lento.
20:04Lalo se enojó.
20:05Me empujó y caí en una máquina para cortar carne, hueso.
20:10Tu mamá me coció de nuevo y me escondió.
20:13Pero mis amigos y Hernán...
20:15Los mataron para que no lo contaran.
20:23Trajimos una foto de Hernán.
20:28Lo que estas personas han hecho no solo roban a los padres de sus hijos,
20:34roban a los niños su herencia, a las comunidades su futuro.
20:40Por eso significa tanto que hayas vuelto al hogar de tu madre.
20:47Mi madre, ella venía de aquí.
20:50¿No lo sabías?
20:51Eso significa que eres parte de la familia.
20:53Tienes que ir a mis quince.
20:56Ah...
20:56Lo siento, no puedo.
20:58Tengo que regresar a mi trabajo.
21:14Lo siento.
21:15You have got to be kidding.
21:16Agent Larson, who approved this?
21:17Your boss.
21:19No hard feelings, though.
21:20Who wants to play good cop?
21:31I'm Detective Alex Cross.
21:33This is Agent Kayla Craig.
21:36How you doing, Lincoln?
21:37I have a right to counsel in my own language.
21:39Would you believe I'm a certified translator?
21:44I speak Nahuatl.
21:46Your ignorance is expected, Federale.
21:48Okay. It's okay. It's coming.
21:50In the meantime, while we wait,
21:52you want to tell us why you're here?
21:52I'm here for justice.
21:54What are you here for?
21:55What's the connection between Richard Helvig and Lance Durant?
22:02They both deserve to die.
22:04Sounds like a confession to me.
22:07How did you know there'd be children in the back of that truck?
22:10They trained you well, didn't they?
22:13A slave to the law.
22:14If you were interested in what's right,
22:16you'd be helping me not standing in my way.
22:18Helping you what?
22:19Take pictures of illegal kids?
22:21Those undocumented children are victims of your depravity.
22:25Separated from their families.
22:27Ferry from factory to factory like animals working in dangerous conditions.
22:31They feed this country, but who feeds them?
22:34Not you.
22:35Not any of you.
22:37Helvig was missing three fingers.
22:39Is that what this is, Lincoln?
22:40Eye for an eye, finger for a finger.
22:42Machines eat the fingers of children.
22:45And spit out the food you eat.
22:47Eladio Molino Zavalas!
22:49Irma Galinda Barrio!
22:50Still missing!
22:51You want to disappear me, silence me, but it doesn't matter.
22:56Because I'm more than ready to die.
22:59Why?
23:00Why are you ready to die, Lincoln?
23:02I don't matter.
23:03Not anymore.
23:06The light will avenge us all.
23:14Light, the light, the loose.
23:20What is the light, Lincoln?
23:22What does it say about Aceban that he created his own personal female deity?
23:25Women are the first protectors, givers of life.
23:28His fingers are a sacrifice.
23:30Loyalty to his goddess.
23:32The loose means the light, the goddess of light.
23:34Just stay on your own side of the wall.
23:37Hey.
23:37Hey!
23:40You need to leave.
23:43Damn East Coast bullshit.
23:46Don't wanna enforce the law.
23:49You don't deserve to wear the badge.
23:51You wanna try and take it from me?
23:56That's what I thought.
24:05Lincoln.
24:09Who's the light?
24:15Fuck you, Federale.
24:18Bring me a lawyer who speaks my language.
24:30Not one of those families got their child's body back.
24:33You think Crestbrook has a burial ground somewhere?
24:37What?
24:37What, we're really not gonna talk about it?
24:43Come have a drink and tell me about your mom.
24:50Okay, you win.
24:53My mother, she talked about growing up in Mexico.
24:58She told me the story of Xochitlan.
25:01She said one day when I was older she would teach me how to make arroz con pollo.
25:05By the time I was older, she was gone.
25:18We would walk in the fields together.
25:21The sound of her voice caressed me like leaves of corn.
25:25She would tell me stories about Xochitlan and her courage.
25:30I always wondered if I could be that brave.
25:33If I would sacrifice myself for my people the way she did.
25:40If I had grown up somewhere like here,
25:43surrounded by her people, her community, I could have kept some part of her alive.
25:47That's what we're doing.
25:48We're helping the people that she came from.
25:51We're punishing the guilty, the high and the low.
25:54This could have been my home and instead I'm a stranger here.
25:57Because those monsters stole your culture, your history,
26:00just like they stole it from those little kids.
26:02But the difference is, you're still alive.
26:05And you have a chance to get some of it back.
26:08What are you saying?
26:09I'm saying go to the quinceañera.
26:12I got Paul.
26:18Do you have any idea how rare it is to be offered a piece of your soul back?
26:22Take it.
26:27I have been into, uh, community development since Little League.
26:32When I saw the baseball diamond on the white side of town
26:35and realized we could do more.
26:38I own my own home.
26:40I got a 401K.
26:43A kickball rec league.
26:45What I don't have is my Michelle Obama.
26:49That is a tall order, sir.
26:51Yeah.
26:51I thought so too.
26:53Until I met you.
26:56Look.
26:59I know we've only been going out for a minute.
27:03But I think this could be something.
27:10Sorry.
27:10Sorry, just the school.
27:11I need a son of permission sent for Jannie.
27:14Jannie?
27:15Your ex's daughter?
27:18Yeah, I got real close with the kids when Alex and I were together.
27:21Oh.
27:22And I won't drop out of their lives just because we broke up.
27:26I'm only staying there until Alex gets back from Texas.
27:30You're staying at his house.
27:32It's easier.
27:35For the kids.
27:38All right.
27:38I thought you were looking away.
27:44I thought you were looking away.
27:48Shhh.
27:53So.
27:55You heard it up?
27:57Yeah.
27:57Vega called.
27:58I gotta get back to D.C.
28:00Madonna's grand jury convenes in less than a week.
28:03So if there's something out there that's gonna clear her,
28:07it's gotta come out now.
28:09You okay?
28:14I've been better.
28:18Those kids.
28:22Yeah.
28:26Sugar, I'm gonna need a favor.
28:31It's a big one.
28:56It's a big one.
29:02Berto.
29:03Este señor quiere hablar contigo.
29:05Hi, Berto.
29:08I'm Alex Cross.
29:09My friend John asked me to come and check in on you.
29:12Hola, Berto.
29:13Mi nombre es Alex Cross.
29:15Mi amigo John me pidió que viniera a ver cómo estabas.
29:17Te vi con la policía.
29:20I saw you with the police.
29:22Yes, I am a police detective, yes.
29:24But more importantly, I'm a father.
29:29Soy detective de la policía.
29:30Pero más importante, soy papá.
29:34Si.
29:37This is my son.
29:39His name is Damon.
29:40He loves video games.
29:42I mean, he loves them a little bit too much.
29:44Es mi hijo, Damon.
29:46Me gusta demasiado los videojuegos.
29:49And this is my daughter, Jannie.
29:51Now, she's about your age.
29:52She is the smartest person I have ever met.
29:55It's almost a little bit scary.
29:58Es mi hija, Jannie.
29:59Tiene más o menos tu edad.
30:01Es la persona más inteligente que he conocido.
30:04Ambos parecen agradables.
30:06They both look very nice.
30:09Oh, uh, gracias.
30:12Gracias.
30:16So, I love my children more than anything on this earth.
30:19And if, God forbid, they were ever stuck in a foreign country all alone,
30:23I wouldn't want them to be locked in a place like this.
30:26I'd want somebody to look out for them.
30:43So, Berto, if I can get approved, would you like to come and stay with me and my family for
30:50a while?
31:00Yeah?
31:01Oh, um, uh, how do you, um, how do you say I'm so happy?
31:06Estoy muy feliz.
31:07That's what she said.
31:09All right.
31:13Principal Brock asked me to go last for the debate.
31:15For real?
31:16For real, for real.
31:18Elle said that must mean they think I'm the best.
31:21I bet she's right.
31:23So what did she do today?
31:25Great work, Agent Gray.
31:26We get a confession?
31:27Not yet, but we'll have another run at him tomorrow.
31:30I'm telling you, keep this up, and the sky's the limit for you.
31:33We're talking SAC territory, you hear me?
31:37From your lips.
31:38But not if this other thing catches up to you.
31:41I know, I'm, um, I'm working on it.
31:56Who the fuck are you?
32:02A guest in your mama house, Ibrahim.
32:08Is that how you talk to her friends?
32:10Hmm.
32:11She doesn't have friends like you.
32:12You know, someone more sensitive than me could take that the wrong way, son.
32:17Mom!
32:17Hey!
32:18I'm gonna have to ask you to keep your voice down.
32:23Cause that kind of sleep, it don't come easy.
32:28Now listen, we's having breakfast for dinner.
32:32Hmm?
32:32You want eggs?
32:33I don't want eggs.
32:34I want you out of my house.
32:42So this is your house now?
32:45You pay the mortgage?
32:52I ain't think so.
33:02You work in data management for Green Vault Storage, pulling 100k a year, and you're still living in your mama
33:09house.
33:10We need to discuss your future, Ibrahim, cause I've got some plans for you.
33:15But first, I need you to tell me where I can find these files.
33:28I can't.
33:29These belong to dangerous people, okay?
33:31Don't kill me.
33:33I get you.
33:34You don't want to piss people off, but man to man, it's better to be pissed off than pissed on.
33:39So I'll make it a trouble-free decision for you.
33:43Put me under them files.
33:45And I'm gone.
33:47You don't.
33:48You dead.
33:49You understand?
33:51Yeah, yeah, yeah, yeah.
33:53Yeah, yeah, yeah, yeah, yeah.
33:54Now take your ass on those stairs, wash up, boy.
33:56Go.
33:57Let's go.
33:57Hurry up.
34:00Old light-skinned ass nigga.
34:09Here, here.
34:10Here, here.
34:11Here, here.
34:13during the day.
34:14I'm on my bike riding you.
34:19And I pull this patch of car into my mug.
34:22Had a good time waiting on me.
34:27Well, I'm not holding that all, really.
34:31Great.
34:31You're wearing a dress?
34:32Why?
34:34Oh, God.
34:35Why?
34:35Oh, God.
34:36No, no, no, no, no.
34:38Oh, you should have known.
34:39I stress shop, all right?
34:40Really?
34:41Sue me, yes.
34:41That's what this is?
34:42You must have been real stressed.
34:43Yeah, it was a fucking hell of a day, okay?
34:45It was.
34:46Yeah.
34:46Well, it's good to see you.
34:48Good to be seen.
34:49Mm-hmm.
34:52Ooh, yeah.
34:55It's nice.
34:56I'm gonna need about four more of these, though.
34:57You game?
34:59I mean, if that's all you can handle, all right?
35:00Don't tap me, Alex Cross.
35:02Let's go.
35:03Uh, yeah. Good morning.
35:04All right.
35:06Is there any news that you think?
35:07Yeah.
35:10The Uncle Sam special.
35:12I'm trying to think about that already.
35:13Got you.
35:14Okay?
35:14Mm-hmm.
35:16Have you heard from Elf?
35:18I'm not trying to think about that either.
35:20Yeah.
35:21I'm learning to accept the new normal.
35:25Cheers.
35:29You know what?
35:30From this moment, we're gonna be drinking.
35:34We're gonna be partying.
35:35Mm-hmm.
35:36Or we're not gonna be thinking about all the fucking bullshit that's outside that door.
35:39I'm with it.
35:40Sweet.
35:41Yep.
35:41All right.
35:43Time to dance, detective.
35:46Ma'am.
35:47Do I look country or you?
35:48Beyonce can do it.
35:49You can do it.
35:50Beyonce?
35:50Come on again.
35:51I have the chair.
35:53How many of me do you see?
35:55Come on.
35:55Yeah.
35:56Come on.
35:56This is her favorite song.
35:58You know, right?
35:59I ain't even, I didn't come for this.
36:01I didn't even got my shoes.
36:05Oh, she's taking a beer now.
36:07Here she comes.
36:08Here she comes.
36:09Left.
36:10Left.
36:11Left.
36:12Left.
36:12Right.
36:13Left.
36:15Woo!
36:18Hustlers shooting eight ball.
36:20Throwing arch at the mall.
36:22Feeling down there ten feet tall.
36:24Here she comes.
36:25Lord help us all.
36:26O.T.W.'s girlfriend done slapped him out his chair.
36:30Oh, boy, it ain't it.
36:32It's so hard to stare at that honky-ton.
36:36Pa-donky-ton.
36:39Keepin' pervy rhythm.
36:40Make you roll and swing along.
36:43Got it going on.
36:44Like Donkey Kong.
36:47And oooh.
36:48Shut my mouth.
36:49Slap your grandma.
36:51They're all of me alone.
36:53Get the sheriff on the phone.
36:55Lord have mercy.
36:57How she even gets the benches on.
36:59Like a honky-ton.
37:01Pa-donky-donk.
37:03Keepin' pervy rhythm.
37:05Make you roll and swing along.
37:07Should've been a cowboy.
37:10Woo!
37:11I should've learned to rope a ride.
37:15I'm not going beyond get dry.
37:19Let's get it.
37:20Let's get it.
37:22Let's get it!
37:23Blow me on the drink.
37:24Just like jeans.
37:25Blow out the drink.
37:26Let's drink it.
37:32We're getting...
37:33What?
37:35What?
37:38Thanks for having my bag today.
37:40Yeah.
37:41Yeah, of course.
37:44I mean, you and I have known each other for...
37:47We've known each other for a long time.
37:49Yeah.
37:50Yeah.
37:57Can we work on those dance moves, please?
37:58I'm gonna work on those dance moves.
38:01You got me some good.
38:05Yeah.
38:05I'm gonna work on those dance moves.
38:12Oh!
38:17Oh!
38:19Oh!
38:19Oh!
38:19Oh!
38:22Oh!
38:23Oh!
38:24Oh!
38:25Oh!
38:27Oh!
38:27Oh!
38:28How many nights that we hung out together?
38:30Same little crowd, little bar, little town
38:33Rhoun this old band's floor
38:36And my boys are laughing, tapped me on the shoulder
38:40Making a motion like a jogget any closer
38:44They wanna know what's up, why I'm still holdin' you
38:47Even when the song is over
38:50There's a rumor going round
38:53About me and you
38:57Stirring up our little town
38:59For the last week or two
39:04So tell me why we even
39:06Trying to deny this feeling
39:08I feel it, don't you feel it too?
39:10There's a rumor going round
39:13And round and round
39:14What you say would make it true
39:16Would make it true
39:25Like I shut them down
39:26Tell them all the crazy
39:28I can do whatever you want me to do, baby
39:31Or you could lay one on me right now
39:40Thank you
39:58This is me
40:02Night, partner
40:04Night
40:21Take my heart
40:25It used to be so supple and sweet
40:29And now it's withered on the vine
40:37There's before
40:41And then there's after
40:44You were mine
40:52Take my faith
40:55So strong and full of fire
40:59Now it's cruised
41:02Broken down
41:04Down and blind
41:09There's before
41:12And then there's after
41:16You were mine
41:36Extra shot, extra sugar
41:37Which you can give me too
41:40After a shower
41:42You're smelling
41:44Manly
41:46Sure
41:48You found anything?
41:50Nah
41:50It's a waste of my damn time
41:53Witnesses said they saw LaDonna drive away
41:55After they heard shots
41:57Forensics found traces of the victim's blood
41:59In her car
41:59Her prints are all over the gun
42:02I don't know why she's still playing
42:04Maybe she's not playing
42:08I asked around about her
42:09Look, I know what you said
42:11But there's a lot of folks out there
42:12Talking about she's innocent
42:13A lot of folks think Tupac's alive and chilling in Cuba
42:16Something's not right about this, John
42:18Malika
42:18You know it's not right
42:19Or you wouldn't spend the night with this file
42:21You need to talk to her
42:23I need
42:24Oh, so you a cop now
42:26All right
42:26You must have got your badge while I was in Texas
42:28Oh, okay
42:31The evidence says she did it
42:32So that's why you're so angry?
42:34Because your mother killed somebody?
42:36I told you she's not my mother
42:37Look, I don't give a shit what that woman did
42:39You don't?
42:40Well, something pulled you out of that chair just now
42:42And I know it's not about me asking around
42:45I got work to do
42:46Thanks for the cause
42:49Don't
42:50I got shit to do
42:52You have every right to be angry
42:55But how are you going to feel
42:56If your mother winds up in prison on a bad rap
42:58Because you were too scared to talk to her
43:00Malika
43:00Please
43:02I need you out that door right now
43:04I'm not going anywhere
43:05I said leave
43:07I said no
43:20Just because she left you easy
43:22Does not mean I will
43:25No matter how mad you get
43:53Oh shit
44:02Hey.
44:05Hey.
44:11Are we okay?
44:13Yeah, of course.
44:16I mean, I know we were both pretty drunk last night.
44:22But you and me...
44:23You and me were bound to happen.
44:26We just, uh, got it out of our systems.
44:34Uh, did we?
44:45How do we go get a coffee?
44:47See you outside?
44:51Yep.
45:12Thank you for coming to see me, John.
45:18Look, I know we gotta talk about this case, but I wanna tell you...
45:22Would you like an attorney present?
45:25With my son?
45:26I'm here in the capacity of a detective investigating a homicide.
45:29But that don't change what you are to me.
45:31Just tell me what happened.
45:35I walked out on my child.
45:40That's what happened.
45:43I...I wasn't ready for you.
45:45That's no excuse, but I wasn't.
45:47If I could've understood that somebody like me could've made somebody like you...
46:02I'd have made a different choice.
46:08I know it looked like I only asked for you because I'm in a situation.
46:14But after these years of me not being able to just force myself to pick up a phone...
46:32I had to drag myself over broken glass to give that detective your name.
46:52Where were you the night of the murder?
46:53No, I'm not going to take care of me.
46:56I'm not going to be comfortable waiting for you, connor.
46:57I'm not going to be comfortable waiting for you, connor.
46:58Thank you, Rafa.
47:00Hey!
47:02Don't say thanks, Rafa.
47:06Bye.
47:07What a day?
47:09Back, bye-bye.
47:15Bye!
47:16Bye.
47:17Bye.
47:21Bye.
47:23Do you want to go out and eat?
47:51Nada de llorar, eh?
47:52No, pura alegría.
47:54No se te vaya a salir la lágrima.
48:14Conocí a tu madre. Todos aquí la conocían.
48:18¿Quieres venir a sentarte un ratito con nosotras?
48:21No.
48:31Menudo estaba dando un concierto en el DF.
48:33Y era el último, eh?
48:34Que se iban de gira por todo un año, eh?
48:36Ninguno de nuestros padres nos llevaría.
48:39Pero Gaby tenía un plan.
48:43Tu madre era la persona más inteligente del pueblo.
48:48Fue.
48:48Y también la más valiente.
48:49Y mírate.
48:51Aquí estás dando la cara a la comunidad.
48:53Igual que ella.
48:59Disculpa.
49:06Música
49:37I have an update.
49:38Agent Larson signed Esteban out.
49:40Said he was taking him to the DHS field office for questioning.
49:43And the sheriff's letter?
49:45Gets worse.
49:48Motorists saw the vehicle through the trees.
49:50Thought they were stuck and stopped to render aid.
49:52Who authorized transport?
49:54We haven't determined that yet.
49:55How far are we from your field office?
49:57Agent Larson took the long road.
49:59Is that what you're asking?
50:01Goddamn right that's what we're asking.
50:03Your agent took our prisoner and drove out in the middle of nowhere.
50:06Has Lawson been in communication at all?
50:08Not as such.
50:10Where the hell is he?
50:12I'm getting to that.
50:16Oh.
50:19Your dirty agent killed our suspect.
50:22Actually, your suspect killed our agent.
50:28You're fucking at him.
50:48You're almost done.
50:50Calmate.
50:51Trying to keep you pretty.
50:54I should have gone with you.
50:55Damn straight you should have.
50:56I told her I could do it alone.
50:58Instead you're gallivanting around Mexico.
51:00No.
51:01We weren't around Mexico.
51:02We were in Huizache.
51:04Yeah.
51:04I found out.
51:05It's the place you and my mother grew up.
51:08She was your sister and you never talk about her.
51:10All I have are scraps of memories.
51:12You have all the information and you're hoarding it.
51:17Do you remember what it was like when I talked about her?
51:21If I said her name you would cry for days.
51:24If I showed you a picture or cooked a dish from home it was like I ripped open a wound.
51:28I couldn't bear to see you like that.
51:30I am not a child anymore.
51:32And yet you keep going back to the botanica looking for comfort or absolution.
51:37Stop.
51:37That is some big talk for the one person who never has any blood on her hands.
51:44I'll get it.
51:45No, no, no.
51:46I'll go.
52:12Luz.
52:16I found you.
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