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00:24You know it's kind of ironic to happen being involved is the only thing that's
00:29broken our way. How could that possibly be a point in our favor? Because I know how he
00:34operates. A deal with a dictator only lasts as long as they want it to. Once you become
00:41inconvenient they take you out. Tapping lights will take that option off the table. What do you
00:47mean? Tapping lights to you is a dead man's switch. I couldn't be more supportive of your
00:53goals. What I'm talking about is how you achieve them. You can take control at the barrel of
00:59a gun but you'll never be able to put that gun away or you can have everything you want
01:05handed to you in response to tragedy. I believe the phrase is what's in it for you. Once your
01:11control is permanent and secure you'll be able to aid in regional matters that will ultimately
01:16help me elevate my own position. Tapping tells his partners that not only has he collected
01:21and recorded evidence of their crimes but that if anything happens to him that that evidence
01:29gets automatically released to the press and law enforcement all around the world. That
01:33means they can't take him out without taking themselves out. But if I eliminate Tapping that
01:39triggers his dead man's switch and Carmo and Solis goes down when whenever he had over them comes
01:45out. We can't be sure he made this kind of agreement. Tapping was the man on the motorcycle. Poe saw
01:50his face
01:51that makes him a liability. If he didn't have anything over them he'd be dead already. Well that's all well
01:56and
01:57good but how are you planning to take out Tapping if you can't even go out for a soda? I
02:02turn myself in.
02:07I see how that gets you killed. They won't get rid of me until they have Poe. If I get
02:14into a
02:14room with Tapping I can take him out. Even if that were true how are you planning to get out
02:19of the room?
02:19You can't go in there just to sacrifice yourself. That's not your decision to make. That doesn't mean
02:24I'm gonna sit here and watch you make the wrong one. Can you come with me please? Why? Because I
02:30fear I
02:30I might yell at you and I don't want to wake up the others.
02:40You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation
03:00and that made him nervous. And so he blew up his building.
03:06Everybody around me keeps dying. And I keep on making it out. And I don't know why.
03:18Listen to me.
03:19Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone
03:32and don't come back to Paul
03:35she will suffer
03:37all over again.
03:40Because she needs you.
03:43Not just to finish this
03:47but your survival comes after.
04:05This idea that for Rosberg ordered a tape isn't true but Carmel doesn't know that.
04:09So?
04:11So we make our own
04:12and use it to lure them out.
04:15Osip says he could definitely get something on the tape
04:17but nothing strong enough to kill them.
04:19It doesn't need to kill them. It just needs to be strong enough to scare them.
04:22I'll take care of the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company.
04:30We could use that as a honeypot for the tape.
04:35That's good.
04:36My samba não fez juramento
04:38Mas serve pra me confessar
04:41Hello, gentlemen.
04:41My samba não é de lamento
04:43É muito grande
04:44I know this isn't a voice that you were expected to hear
04:46I'm sorry for a porta bandeira
04:47My samba não é pla...
04:48And that's just the beginning of all your problems.
04:50My samba não serve pra rodas
04:51Daqui pra outros a pista a catar
04:53My samba tem sua maneira
04:55My samba é do jeito que dá
04:56O meu samba é do jeito que dá
05:00O meu samba não é pla...
05:01O meu samba não é pla...
05:05O meu samba não fez juramento
05:11No
05:29O meu samba não fez juramento
05:36that applying pain to you isn't improving your answers.
05:40So we're gonna start applying it to your family.
05:44Is that what you want, huh?
05:47For them to suffer so that you can what?
05:51Huh? Protect Greasy?
05:54Come on.
05:57Huh?
05:58I don't know. I told you it was...
06:03I don't know. What the fuck are you doing?
06:05What are you doing here?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:23He's been white with us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid
06:31to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Greasy helped him.
06:37And while he's at us chasing ghosts,
06:40Greasy had the time to plan almost anything.
06:42Well, then what? We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy,
06:50you've worked out for yourself,
06:51you received the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for creatures...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you,
07:09he's looking out for himself.
07:10As long as your death puts him at risk,
07:12he's not taking any chances.
07:14So, you can be escorted to safer quarters,
07:18or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those tears.
07:39You have one of two of them.
07:58Where's the saw?
08:01Where's the saw?
08:05Rico was supposed to grab him.
08:14What happened?
08:18What happened?
08:40I Parks...
08:55…L, E...
09:02...S...
09:05...S-R...
09:09What?
09:23Hey.
09:25I thought you might be thirsty.
09:30Nothing.
09:34You getting ready?
09:36Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:45But I remember the way I'm doing it.
09:50What is...
09:51What is less...
09:54or what? Lesser one?
09:57It's left, straight forward, stereo on the right, first floor.
10:02Well, my dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic.
10:10Made out of the first letters of all of our names.
10:14Because, you know, we moved around a lot.
10:17So...
10:18He always said, no matter where we are,
10:21as long as we're together,
10:24we're always...
10:26we're always in the studio.
10:56What was the best possible way?
10:57I don't know.
11:31I don't know.
11:57I don't know.
11:58I don't know.
12:06I don't know.
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38Que foi?
12:39I don't know.
12:50I don't know.
12:56I don't know.
13:07I don't know.
13:21I don't know.
13:40I don't know.
13:41I don't know.
13:41I don't know.
13:42I don't know.
13:57I don't know.
14:08I don't know.
14:09I don't know.
14:10That way it's not going to work!
14:14What's the doing?!
14:16Pico!
14:18Go, go, go!
14:19No!
14:22Oh, fuck!
14:23Wait, wait, wait, wait, wait, wait!
15:01ÅŸu SPEAKER 1
15:02Não atira! Não atira para o arma!
15:05Coxa a mala.
15:06Váller!
15:09Está morto! Segura, segura!
15:12Fechou! Fechou!
15:29Are you okay?
15:30Yeah, fine, fine, fine.
15:36Shit.
15:38Where's Vico?
15:39I jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:46No, I could have handled that.
15:49I could have handled that.
15:50I'm sorry.
15:54Fuck.
15:58It's the way.
16:03It was supposed to be the easy part.
16:13Where's Paul?
16:41You can't just keep me here like a prisoner.
16:45David, take a look here.
16:48Chrissy hit this place earlier today.
16:52Middle of the city in broad daylight with the entire world looking for him and he robes an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money.
17:02I could think of 20 other ways he could get his hands on cash.
17:07Well then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit,
17:24you don't seem to be any better at figuring out his next move than the rest of us.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39You wanna get out of this room, come talk to him and get some actionable information
17:42because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show us.
17:47And I don't think we're gonna like it.
17:50Bora.
18:10OK.
18:11What's going on?
18:14I got in.
18:17You found the password?
18:19Yeah.
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29Thought it would make me feel better, but...
18:37I suspect all the memories that have been pleasing them.
19:00I'm not a bad one, I'm a bad one.
19:01I'm not a bad one, I'm not a bad one.
19:04I'm not a bad one.
19:05I'm a bad one.
19:09I'm not a bad one.
19:14I'm not a bad one, I'm a bad one.
19:18I have to cry, but I don't want to die.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take a picture?
19:30Yeah.
19:33It's supposed to be a Christmas card.
19:39My dad thought we only needed a camera and a tripod.
19:43My brother is out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started...
19:56We started arguing, and...
20:01My mom took the camera and just...
20:04She just gave it to a stranger.
20:06Mm-hmm.
20:09That's all I did.
20:15And at the end, when he gave the camera back...
20:19He said we were a beautiful family.
20:38That's not poison.
20:40Mm-hmm.
20:49Everything you care about, we saw still in it.
20:56And that doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03Mm-hmm?
21:04Yeah.
21:07I was gonna be there.
21:24I will.
21:29Really?
21:31Yes, ma'am.
21:36Okay.
21:46I...
21:53What now?
21:58He's bouncing a signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but...
22:04Nothing closer.
22:05Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Mom.
22:38Well?
22:41His name is Vico from a local favela.
22:44He hasn't said much, and I haven't let the locals ask.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53What's happening and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity.
23:02Making a mockery off...
23:03I'm sorry, sir.
23:04Don't interrupt me.
23:07But I'm in a connection here that I think you'll want to help.
23:10It's John Chrissy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately.
23:44When I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatna.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity
24:07that the Redburns and all the other families in that building didn't have.
24:11the opportunity to say goodbye to the people that you love.
24:15Because I am coming to see you, Mr. President.
24:20And by then it will be too late.
24:35I just called to make sure that you have the opportunity that the Redburns and all those other families in
24:40that building didn't have.
24:42The opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:02But...
25:04I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's gonna kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:19We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:33Sir, we will get this handled.
25:35I can assure you.
25:49Flores.
25:51Sit down.
25:53What the fuck?
25:56I don't have any money to pay for this.
26:00Pay?
26:02Tell me.
26:03Answer me.
26:05They paid me to buy a coffin.
26:07What did they have in the coffin?
26:09There was only a key to a bank box.
26:13I'm sure.
26:13I opened it.
26:16I opened it.
26:16I opened it.
26:17I took the key from there.
26:18I'm asking myself how they'll pay with this shit.
26:22They were hoping to find money in the coffin.
26:26And now they're hoping to find money in this box.
26:31It wasn't money.
26:32It was something they want to sell.
26:36Like?
26:38I don't know.
26:40But I heard them talking about a recording.
26:41It's an example.
26:43A fita.
26:45Yeah.
26:47From the guy talking to the President.
26:49The president of Carmo?
26:51It was the president of Carmo?
26:52Yes, yes.
26:54What was the guy?
26:55Ferraz.
26:58Ferraz.
26:59Look at me.
27:00Are you sure that it's a recording of the President Carmo with Ferraz?
27:05Yes.
27:05What?
27:06What's up?
27:08Now, join the whole team and send them to the BCI Cofre 4488.
27:20Go!
27:24Don't worry about him.
27:35Go!
27:38Go!
27:40Go, go, go!
27:59Go!
28:01Go!
28:10Go!
28:11Go!
28:15Go!
28:22Go!
28:35Go!
28:39Go!
28:41Go!
28:57Hello, gentlemen.
29:00I know this isn't the voice that you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening,
29:12to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:17What?
29:21Now, you might be feeling a slight burnish insulation in your nostrils.
29:25I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:34It's toxic! Let's go now!
29:51Let's go!
29:54Mello, come in.
29:56Yeah.
29:57Chrissy.
29:58Go in.
30:00Our success targets are incoming.
30:03Copy that.
30:19You know your part?
30:21Yeah.
30:22I go in, I make sure they see me, and draw security so we can get it to happen.
30:28I don't know.
30:33Everyone in place?
30:35Yeah.
30:36You and I are set.
30:47Hey.
30:48I'll be okay.
30:59Chrissy, check in.
31:03All right. We set. We set. We set. We set.
31:26Oh.
31:26I think we need me.
31:29No!
31:35We're here.
31:43Faster, you perimate.
31:44No.
31:45No.
31:45No.
31:46No.
31:47No!
31:48Yeah!
31:49Let's go!
31:53Let's go!
31:56What are we doing here?
31:59This equipment will be violent.
32:01We need to take care.
32:15Shit!
32:19Oh, come in.
32:22Someone found me, but they're not here yet.
32:26Alright, just walk away. We'll find something else.
32:28Just give me a second, okay?
32:36No.
32:39I can do this.
33:10Fuck you.
33:25What's the location for?
33:44Poe, that's your location, Poe.
33:53Poe, you get him on one more way?
33:58Stand down, Chrissy. I've got her. Security's been drawn off.
34:00You have the green light for Tapping Velo.
34:02We're headed to the staircase.
34:04Okay, go.
34:05Hey.
34:28We're moving to the meeting point.
34:35Hey, if Poe's here...
34:37The insult is crazy.
34:40This is a fucking shame.
34:44I'm over on Tapping.
34:50All right, lock it down.
34:51Get on the radio, lock it down.
35:05Get back.
35:06Let's go.
35:19Let's go.
35:21Get out of here.
35:22I andar...
35:24Ah!
35:26Ah!
35:27Ah!
35:28Ah!
35:30Ah!
35:31Ah!
35:32Ah!
35:33Ah!
35:34Oh, oh, oh, oh, oh, oh, oh, oh, oh.
36:05Give him the blood!
36:08Fuck it!
36:12Get back!
36:14God for it!
36:14Let's go, let's go!
36:17Anyway, let's go.
36:22Okay.
36:26Let's go.
36:39Headed up now.
36:41Shit!
36:43Major!
36:45Action blown. Poe 9, Floor 2.
36:47Headed northwest. We will get assistance.
36:49Okay. We're on our way.
37:04Oh, fuck.
37:19Stop fucking shooting!
37:33Get out of the way!
37:35Get out of the way!
37:42We're with the girl.
37:44Kill everyone.
37:56Are you okay?
37:58Go! Go! Go! Go! Go! Go!
38:15Are you okay?
38:16Yeah.
38:16Stay here.
38:25Come on.
38:28Chrissy. Chrissy.
38:29We're pinned to the second floor reception area.
38:31We're gonna run out of ammo before they do.
38:33Can you get to us?
38:47Are you okay?
38:48Yeah.
38:51We're gonna run out of ammo?
38:52Oh, fuck!
38:52Oh!
38:52Ah!
38:54Oh!
38:55Ah!
38:56Oh!
38:58Oh!
39:00Oh!
39:02Oh!
39:03Oh!
39:04Oh!
39:05Oh!
39:06Oh!
39:07Oh!
39:12Oh!
39:15Oh!
39:23We can either hold them or the grenade! We can't do both!
39:26Come with me, Melo! Now, go! Go, go!
39:29Come on, Melo!
39:42Follow, follow!
39:44Get! Follow!
39:46Hold on, hold on!
39:48He says that's fire!
40:14I gotta give it to you. That tape? That tape was some inspired shit.
40:20Yeah, that's the greasy I used to know. You know? The one who I had high hopes for.
40:25Mexico City got you all fucked up. So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with him?
40:41Yeah, I think you should be.
41:04There she is behind me!
41:15Oh, my God!
41:20Hello there's the faculties!
41:21Oh, damn it!
41:22Elsie, as you gotta hurt me!
41:23They're bezos!
41:24P number, pig!
41:25noches greyself!
41:25Oh, I'm gonna win.
41:34I don't want to die.
41:37Get back up!
41:38Pass up!
41:39No!
41:42No!
41:43No!
41:44No!
41:46No!
41:47No!
41:49No!
42:27No!
42:32Get back!
42:33Get back!
42:59This is for me, bro.
43:05Come on.
43:15What's up?
43:19What?
43:22What?
43:45Get out of here!
44:10Shed her mouth.
44:40Shed her mouth.
45:02Shed her mouth.
45:44Shed her mouth.
46:13Shed her mouth.
46:45Shed her mouth.
46:46Shed her mouth.
46:52Shed her mouth.
46:58Shed her mouth.
47:01Shed her mouth.
47:07Shed her mouth.
47:24Shed her mouth.
47:28Shed her mouth.
47:30Shed her mouth.
47:32Shed her mouth.
47:36Shed her mouth.
47:38Shed her mouth.
47:41Shed her mouth.
47:47Shed her mouth.
47:48Shed her mouth.
47:49Shed her mouth.
47:50Shed her mouth.
47:53Shed her mouth.
47:54Shed her mouth.
47:55Shed her mouth.
47:56Shed her mouth.
47:56Shed her mouth.
48:01Oh, my God.
48:28Oh, my God.
49:09Oh, my God.
49:11Oh, my God.
49:12Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17You're okay.
49:18No, just stay with me, it's okay.
49:21Oh, my God.
49:23Oh, my God.
49:23Oh, my God.
49:25Oh, my God.
49:29Oh, my God.
49:33Christy! Oh, my God!
49:42Stunning developments tonight as Brazilian President Joao Carmo was arrested
49:46after the release of documents and video evidence linking him,
49:50his Minister of Defense, Prado Suarez,
49:52and a rogue American CIA agent named Henry Tappet,
49:55took a conspiracy to use the FRP as a front to conduct the bombing of a residential tower in Rio.
50:00John Christy, at one point implicated in the bombing,
50:03instead turned out to have been coordinated with a girl orphaned by the bombing,
50:06and a small group of Brazilian citizens in a high-risk effort to expose the conspiracy.
50:10Ah, até agora eu nem acredito.
50:12Ei, mãe, olha quem eu achei.
50:13Tudo bem? Tudo bem, e você? Tudo bem, bom te ver.
50:17Tava falando pra MarÃlia que eu não acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura é essa?
50:24Você acha uma loucura? Imaginei eu.
50:26Escuta, e que boato é esse que vocês estão indo embora?
50:29Ah, não. A gente não vai pra lugar nenhum.
50:32Então vocês acham que as coisas vão melhorar com a saÃda do Carmo?
50:35Acho difÃcil de acreditar, hein? Tô preocupado.
50:38Eu também. Mas se todo mundo ficar preocupado, as coisas vão melhorar, né?
50:42Grandes merdas.
50:44Vem pra ação.
50:46Não foi pra ser Flamengo de Carmo, não.
50:49Ivan disse que você precisa trabalhar em inglês antes de qualquer coisa.
50:55Você que não fala porra nenhuma de inglês.
50:58E vagabundo tá cagando pra isso.
51:00Eu prefiro aprender russo.
51:03Eu prefiro aprender russo.
51:03Então eu vou ter mais de inglês.
51:07Manda!
51:21A última vez que eu vi minha famÃlia, eu não estava atiolando o bem.
51:28E às vezes, é que o desculpe vai me derrubar.
51:33me whole because of what happened to them I have nothing to bury no ashes to
51:42spread but I've come around to the idea that because they raised me the way they
51:50did my family ultimately left me with all that I could have asked for you
51:58you don't always realize what you have until somebody tries to take it away
52:08and you don't always realize what you need until you're facing something too
52:15big to tackle alone
52:20what my family has given me is the strength to go on and what I've learned
52:28from my friends is that I never have to do so alone
53:02hey hey you know if you want you can just stay here have lunch with anybody else
53:15no no I want to go I could use some time away from grandma's house
53:20yeah
53:28give me a minute
53:31okay
53:35yeah John director Malcrieff
53:38how are you I've already done two debriefs and I'm not answering any more questions
53:42John that's not why I'm calling look I have tremendous respect for what you were able to do and a
53:47fair amount of egg on my face and one of our guys
53:49that was the reason you had to do it
53:51okay well I
53:55I accept your apology
53:56not an apology John
53:58it's an invitation
54:00I got a situation developing I'd like you to take a look at
54:04pretty sure you already have guys for that
54:06I don't but they're actually long listen to that
54:09no one else has had uh first-hand experience with these guys
54:13and I do
54:15yeah you ran into them in Mexico City
54:19I guess the only question is
54:21if that's something you're ready to revisit
54:27tell me what you got
54:28yeah
54:40yeah
54:42yeah
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