- 15 hours ago
High Potential S02 - Episode 7
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00:01Now there's always some growing pains when a new person joins a team.
00:04I remember nothing but absolute delight when I came on board.
00:09You may have heard that I was up for the captain's chair.
00:12Turns out you're stuck with me.
00:14Nick Wagner, your new captain.
00:15Why are you being so cool right now? I hate this.
00:17I'm pissed. It should have been me.
00:19Root beer on an unprotected lip? You're a madman.
00:22The stress is getting to her.
00:24If she goes rogue and something happens, she's not a cop.
00:27You okay?
00:27I told you it was a clean shot. IA will clear me.
00:30I'm not worried about your badge. I'm worried about you.
00:32I just heard some rumors you don't respond positively to authority.
00:36Sometimes I forget what it's like to have somebody looking out for me.
00:39See you tomorrow, Guillory.
00:39Hey, any news? We found Roman.
00:41I'm sending you a photo now.
00:42That's not Roman.
00:43Roman asked me to put eyes on you and Ava just to make sure you two were okay.
00:47I actually let myself believe they didn't abandon us.
00:50I still believe that.
00:51Arthur, I want that backpack.
00:52So you think that whatever's in that bag will give you answers and not just more questions?
01:23Huh. That's weird. You see that?
01:26Hmm. It's not coming back.
01:29I'm gonna go check it out.
01:30Knock on the door, knock on the door, knock back.
01:33Joke never gone no further than that.
01:36All clear so far.
01:38Match back down the stack.
01:41Puzzle and cut, lick on the dust.
01:44Puzzle and cut, lick on the dust.
01:49Puzzle and cut, lick on the dust.
01:52We good?
01:53What's your 20?
01:57Hustle and cut, lick on the dust.
02:02Hustle and cut, lick on the dust.
02:02You're hustling, cut, lick on the dust.
02:08You're hustling, cut, lick on the dust.
02:11Nice.
02:15We got a guard down.
02:16I don't want to let go!
02:18Oh, I don't want to let go!
02:46I don't want to let go!
02:49Good morning!
02:50Morgan! Hey! Hey!
02:51Are you and Ava okay?
02:53Yeah, we're good. What's up?
02:54I'm gonna ask you straight up.
02:56You have somebody following me again?
02:57What? No. What are you talking about?
02:59I don't know. I think someone's been on my tail the past few days.
03:02Maybe it's nothing.
03:03Arthur, if you feel like you might be in danger, you should call the police.
03:07Oh, I don't think that's a good idea.
03:08Roman wasn't too keen on the cops, remember?
03:10What does this have to do with Roman?
03:12That's what I'm trying to figure out here.
03:13I mean, were you able to learn anything about what was inside that backpack of his?
03:22No, not yet.
03:24Alright, well look, maybe you should just hide the bag for now.
03:27Because whoever Roman's running from might not want what's inside that bag getting out, you hear me?
03:34Yeah, hey, I gotta go, okay?
03:36Alright, well look, just... just be careful.
03:39Alright, you and Ava. Keep your head on the swivel.
03:42You too.
03:49Ava and I didn't glove up at home. Is that gonna be a problem?
03:51Only if you think you two might be suspects in Roman's disappearance.
03:54I think you can count us out.
03:56And nothing in the bag looked familiar? Rang any bells?
03:58No. Also, Roman's not a huge fan of law enforcement, so if we could just keep this between us.
04:03We'll keep the circle small.
04:04No, thank you.
04:10What's going on?
04:12Just revisiting an old case.
04:16Call came in, pretty high profile. I want these two on it.
04:20Go, I got this.
04:22Close the door.
04:32She only arrived here last week.
04:34She have a name?
04:35Young girl leaning on a windowsill.
04:37You guys are saying she a lot. We are talking about a painting, right?
04:40Painted by Rembrandt in 1645. Up until last night, she was here with our other Dutch masters.
04:45This intimate portrait captures the most fleeting moments of human expression.
04:50Sorry, I missed it.
04:51We'll need a list of museum employees, anyone with access.
04:53Of course. Then I should call the Fosters so they hear it from me.
04:57The Fosters?
04:58Linda and Greg Foster loaned us the Rembrandt.
05:00Any idea how much it's worth?
05:02I believe they paid over $20 million at auction a few years ago.
05:07I'll get you that list.
05:10Uh, we are major crimes, right? I'm not really seeing what's major about this.
05:15Well, theft of major artwork carries a penalty of up to ten years before the DA tax on possession,
05:19conspiracy, breaking and entering. Why, for a dead body?
05:21No, I've just seen actual missing girls get less attention.
05:25Well, like it or not, every news outlet's gonna run with this story tonight.
05:27Captain's probably trying to keep this thing from blowing up in our faces.
05:30One guard said there was too much smoke for her to get a look at the thief.
05:33Second guard took a blow to the head, but I hear she'll be okay.
05:36So this is our point of entry?
05:37Yeah, an exit as far as we can tell. We had whatever this is sent over to the lab for
05:42testing.
05:42I'll put a rush on the results and see if we can get a log of visitors the past few
05:45weeks.
05:46Okay.
05:48So, the thief entered here, but the Rembrandt's all the way over there.
05:51Most thieves prefer not to bust through the wall like the Kool-Aid man.
05:54Okay.
05:55So, this person took the time to cut out the window, toss down a rope, slide down right here,
06:01and then just walks right by Vermeer, Caravaggio, Turner, Rubens, Delacroix, and Goya.
06:09Do you have any idea how much all of those are worth?
06:12I'm sure you're going to tell me.
06:13A lot more than the Rembrandt.
06:15If this heist was about money, the thief would have taken the most valuable piece he could.
06:23Our guy would have known that this Goya was the real jackpot.
06:28Maybe they didn't do their research.
06:29Every single detail of this thing was planned.
06:31I mean, look at the frame.
06:32That perfectly straight line down the inside scene.
06:35Removing this canvas took precision and time.
06:37Somebody wanted this painting for a reason.
06:40Whoever the thief was, they were not in it for the money.
06:42This was personal.
06:44They wanted her.
06:49Did you say 22 million?
06:51Yeah.
06:52But if Morgan's right, we need to find out more about the Rembrandt to figure out who might have taken
06:55it.
06:55And what their real motivation was.
07:08Excuse me.
07:09Is this major crimes?
07:10You must be Mr. Eastman.
07:12I'm Captain Wagner.
07:13We spoke on the phone.
07:14Of course.
07:14Please, call me Rhys.
07:15Rhys just flew in from Mexico City this morning to help us find our missing girl.
07:19Yeah, I had a lead on Carlos' La Mesa Herrida, but it didn't pan out.
07:24Uh, help us how?
07:25I'm an art recovery specialist.
07:27I recover lost, missing, or stolen art.
07:30You cram all the info right there in the title, huh?
07:32That's helpful.
07:32And you are?
07:33Guillory works with us as a consultant.
07:35She does.
07:35And she really feels as though this painting has enough attention without flying someone in.
07:40Did the Foster send you?
07:41No, their insurance company did.
07:43If I can recover the Rembrandt safely, the insurance company can avoid cutting a rather large check.
07:47Oh, good.
07:49Good.
07:49What a relief.
07:50Okay, so this entire investigation is about saving an insurance company money.
07:55That's awesome.
07:55Right, guys?
07:56Just wanted to make sure you guys heard that.
07:58Go on.
07:58Morgan believes that the Foster's Rembrandt was targeted for a reason other than money.
08:03I mean, anything's possible, but in my experience, it's always about money.
08:08Mm.
08:09Wow.
08:09Not this time.
08:10I mean, thieves don't steal masterpieces to hang on their walls, Miss Gary.
08:14Maybe this one did, Mr. Eastman.
08:18Morgan and Al go see what the Foster's gonna tell us about their painting.
08:21Great.
08:22Phil and Reese on the way.
08:26Shall we?
08:39The moment we saw her at auction, we knew we had to have her.
08:44I mean, honestly, we would have paid even more.
08:48We think she's priceless.
08:51Greg and I started a hedge fund right out of college, and we worked 80 hours a week for decades.
08:57So by the time we even thought about kids, we couldn't imagine chasing a baby around here, making a mess.
09:03So we often thought of the girl in that painting as our daughter.
09:07Can you think of anyone who may have wanted to steal from you?
09:09No.
09:10You think this was personal?
09:12So why share her?
09:14I'm sorry, what?
09:16Hmm.
09:17Oh, just, you're talking about this painting like your daughter, and I've never put my daughter in a museum.
09:21I'm just wondering why you wouldn't keep it to yourself.
09:23Loaning out a masterpiece increases its visibility and its reputation.
09:27And its value.
09:28Spend some time in a museum, jacks up the price, you can sell it to the highest bidder.
09:31She's not for sale.
09:32Hmm.
09:33Well, in my experience, thieves are two things.
09:35They're greedy and chatty.
09:37And these masterpieces, they don't fetch the same price on the black market as they do at an auction.
09:42So these thieves, they like to talk to people.
09:44They ask around.
09:45And all it'll take is one of these people to call me, and I can help negotiate the return of
09:50your lovely servant girl.
09:52Do you call her a servant girl?
09:55It's not a servant.
09:56Excuse me?
09:58She's leaning out the windowsill, looking for business.
10:01That's a working girl.
10:02Well, there's speculation that the subject was a courtesan, but widely believed that she was either a servant girl or...
10:07A servant girl with a gold braid? Come on.
10:09Look at the way she leans. It's domestic, not provocative.
10:12It's upsetting, is what it is, because she looks like a child, but she's working.
10:17She's contemplating life.
10:18Is this important to the investigation?
10:20No, it's not.
10:21What else can you tell us about the Rembrandt itself?
10:23The details about her providence are all in here.
10:34This girl in the windows traveled all over the world.
10:38Paris, London, Berlin. She's lived a much more exciting life than me.
10:42Except now she's probably rolled up in the back of somebody's van.
10:45Well, let's hope she got it all out of her system first.
10:50This is interesting.
10:51You got something?
10:52Maybe.
10:53Right after Rembrandt painted the young girl in 1645, he sold it.
10:58At that point, it sort of bounced around for a few hundred years.
11:0117th century Paris kind of skimmed this part until it was purchased by a Prussian nobleman
11:06who kept it until he died.
11:09And his family kept it until 1932 until Franz von Poppen dissolved the free state of Prussia.
11:14I thought you said this was interesting.
11:16Look, I'm trying to care about this case, okay?
11:18Which at the moment is really just saving an insurance company from having to pay money
11:22to a couple of people who seem to be doing just fine.
11:24Where did she go next?
11:25To a Polish businessman in Krakow, and he hung it in his family home.
11:31Then it just kind of bounced around from collection to collection
11:34until little Greg and Linda paid a fortune for it.
11:38Why is any of this important?
11:39I don't know yet.
11:41Lab results came back on those slags we found on the museum floor.
11:44Tested positive for aluminum oxide, so I did some research.
11:47When aluminum combines with ferric oxide, it creates a thermite reaction, hot enough to melt glass.
11:52That would explain why we didn't find any glass shards under the skyline.
11:54It also came up in a report on another museum heist.
11:57Two years ago, a Matisse was stolen from the Kunsthalle Museum in Rotterdam,
12:01and aluminum oxide was found under the museum skylight.
12:03Which might mean this isn't our thieves' first rodeo.
12:06You and Daphne look for others.
12:07So far, we've found 19 heists around the world with the same MO.
12:11Always a masterpiece stolen from a gallery.
12:13Always worth 10 to 30 million in traces of aluminum oxide at every scene
12:17under a window or skylight just like ours.
12:19Do you have any idea who it might be?
12:21Well, the internet seems to think so. Some call him Jean Baptiste.
12:24He's French?
12:25No, but the first painting he stole was.
12:28White Duck by Jean Baptiste Oudry.
12:30Stolen in Paris 12 years ago.
12:32Tell me somebody's got eyes on him.
12:34Only once.
12:36He tried to steal a Picasso in Madrid five years ago, but a guard shot him in the left shoulder,
12:40and he fled empty-handed.
12:41Okay, so why can't anybody find this guy?
12:43Because he might not exist. He could be a myth.
12:46What do you mean?
12:46I mean, it's impressive work, but the name Jean Baptiste comes up whenever there's a heist unsolved.
12:51You know, the thief got in and out without a trace, escaped to another masterpiece.
12:54Must be Jean Baptiste.
12:56But is he real?
12:57Maybe.
12:58It could be 10 different guys.
12:59Check this out.
13:00I searched public records.
13:02Someone sued claiming to be the Rembrandt's rightful owner.
13:04We have a name?
13:05Yeah, and Ari Weissman.
13:07But it looks like the records are sealed.
13:08Ari would be the first guy to take matters into his own hands when the court ruled against him.
13:12We got an address?
13:12Yeah.
13:13Looks like he's local.
13:15Captain, I could use a hand from Detectives Austin and Forrester for a bit.
13:19Is this about that cold case?
13:22It is.
13:25You heard the lieutenant?
13:28Can I help with anything?
13:30No, I'm good.
13:31I'll keep you posted.
13:34Why don't you guys go find out if this Ari Weissman responds to the name Jean Baptiste?
13:46We just wanted the painting back.
13:48How badly?
13:50Enough to sue, not steal.
13:53Sorry, you think that painting belonged to you?
13:56Not me.
13:56My grandma.
13:57My father bought that painting in 1932.
14:02I remember the day he hung it up on the wall.
14:07Whenever we all got together, there was the girl smiling down to us.
14:13She felt like part of the family.
14:16Your father had a wonderful taste.
14:18It's a very special piece.
14:21One of my favorites.
14:22We lived in Krakow.
14:24My father, my mother, and my two brothers.
14:28Jacob and Samuel.
14:30I was the youngest.
14:37The only one in our family that survived.
14:42When the Nazis came, they took everything.
14:54I'm so sorry.
14:57We're still here.
15:01I'm guessing you searched the auction catalogs for years.
15:04I thought you'd never find it.
15:06And then one day there it was up for sale.
15:08The owners, they wanted to sell it to us.
15:12Huh?
15:13For $20 million.
15:16We don't have $20 million.
15:19The court said we couldn't prove it was stolen.
15:24Is that all?
15:29Actually, Ari, we have to ask.
15:31Where were you last night?
15:33I was here with my grandma.
15:37I saw your name on the museum visitor logs.
15:39You were there a couple days ago.
15:42I wanted to take a photo to show to her.
15:45Have you traveled outside the country the last few years?
15:47No. No.
15:49But she keeps asking me to take her to Poland.
15:51And she wants to visit the house where she grew up.
15:54She's not doing much traveling now.
15:56That painting was the closest she'll come to going home.
16:00Please.
16:14Thanks for the assist, you guys.
16:16Once every item is tagged, photographed, and packaged for forensics...
16:20I'll get TID to get started on data extraction on this phone.
16:23Hopefully we uncover text messages, call logs...
16:25You want fiber analysis on the backpack?
16:27All of it. I want the works.
16:28With this much activity, people are going to start asking questions.
16:31What are we saying if the captain asks what we're doing?
16:33Tell him to talk to me.
16:35And let's run this stack of photos through facial recognition.
16:38Okay?
16:45Okay.
16:45Okay, let's go over it one last time.
16:47Mom, I got it.
16:48Trust me.
16:48I do trust you. That's why I'm paying you a premium instead of hiring a babysitter.
16:52You've literally rejected every babysitter in California, and I wouldn't say you're paying me a premium.
16:56It is a perfectly reasonable wage based on current market conditions.
17:01Listen.
17:02Chloe's routine has changed since she's down a nap, so can you just indulge me?
17:05Nap time from one to three, classical music on low.
17:08For lunch, she gets half a grilled cheese and mushed up zucchini.
17:11After that, she can play with her blocks, and if she gets frustrated, then distract her with the singing giraffe.
17:16I want to be very clear about something.
17:17She's going to get frustrated, and she will throw those blocks.
17:21I'll be prepared.
17:22Okay.
17:22Perfect.
17:23Oh, wait. Mom, hold on a sec.
17:25Can this wait? I gotta go.
17:26I know, but I just wanted to know what the cops are doing with Dad's stuff from his bag.
17:30Did they find anything yet?
17:33These things take time.
17:34I know, but can't you push them to make it go faster?
17:37Can't you be patient, please?
17:39Listen, there's a reason I gave his stuff to them, okay?
17:41They're going to find something, and when they do, I'll let you know. I promise.
17:44Okay.
17:44All right. Thank you.
17:46Also, I'm pretty sure that singing giraffe is broken, so best of luck to you. Bye.
17:50Is it really?
17:51Love you.
17:51Mom!
17:52Mom!
17:54And what is your job at the museum?
17:57I'm a gallery attendant.
17:58I've been the assistant curator at the Harbaugh for almost 20 years.
18:01I just collect tickets and a paycheck.
18:03I don't know anything about that painting getting stolen.
18:05Did you notice anything out of the ordinary the past few weeks?
18:07Maybe a visitor lingering around?
18:08Mmm.
18:09One sneezed on a Vermeer last week.
18:11So, I showed him Coravaggio's Judith beheading Hall of Fernese.
18:15That's a warning.
18:17Did you get that bruise on your face?
18:19Took a nap on the floor?
18:22Hmm.
18:23Are you sure you haven't seen anything out of the ordinary?
18:25I noticed a guy hanging around the Rembrandt a few days ago.
18:28He looked familiar.
18:30Like, I'd seen him a few times, but, I mean, we see a lot of faces.
18:33Do you remember anything specific about him?
18:35I remember thinking he looked like he went for a run.
18:37Oh.
18:42Yeah.
18:43That's him.
18:49Oh, come on!
18:50We have to consider Ari a suspect.
18:52He has means, motive, and his alibi wants the Rembrandt just as much as he does.
18:56Yeah, because the painting belongs to her, am I right?
18:58I don't disagree, but...
19:00No, but nothing.
19:01Listen, the Weissmans are the victims here, not the suspects.
19:05Are you picturing Miriam Weissman rappelling through a skylight?
19:08Well, Ari's a gymnast.
19:09I can totally picture him doing it.
19:11Look, all the museum employees that we've talked to so far have alibis.
19:14Morgan, what are you doing?
19:16I am fixing our crime board and correcting the timeline to include the first time that the painting was stolen.
19:22In 1939.
19:23Well, why confine ourselves to solving crimes in the 21st century?
19:26If we find the young girl, we should be returning it to Miriam Weissman, not the Fosters.
19:32I better take this.
19:34Morgan, it's not that simple.
19:36I don't know what to tell you. There's gotta be something we can do.
19:38Well, even if we had the jurisdiction to resolve a crime from 80 years ago, it's just not how the
19:42system works.
19:43I really wish there was more we could do.
20:04Who was that?
20:07Excuse me?
20:08Who was that?
20:13Who was that?
20:14people calling a man called claims he knows where the painting is he wants to
20:20meet with me to discuss where you don't want to tell me because you're worried
20:28if the police get involved they're gonna ruin it if we spook whoever this guy is
20:31we may never recover the painting
20:36fine then I'm coming with you I can't show up with the cops I don't see any
20:49cops do you
20:49where is this guy he's late why exactly is he calling you we're not to sound
20:56insufferable but I'm the only person that does what I do sorry you were trying to
21:00not sound insufferable well from what I gather you're the only person that does
21:04what you do too it's a little different but sure well I think we have some time
21:10to spare see how this guy got in knock yourself out come on you come with me I
21:18need your insufferable talents on that roof
21:27if I could just hello
21:34lieutenant you got a second good news only
21:37uh well TID's backed up Hobson says cracking that blackberry could take weeks
21:41too many phones not enough text
21:43remind her of the parking ticket I got her mother out of in front of the van
21:46nice courthouse she owes me you know the difference between good news and bad I
21:50ran those photos in the backpack through facial recognition no criminal record on
21:54the ones we could match parking tickets traffic stops nothing major and the
21:57ones we couldn't match only one
22:04I'll take it from here
22:18did you know there's a German diaper derby competition it's held annually in Bavaria
22:23contestants are judged on speed efficiency and the artistic flourish of the diaper application
22:29I'd do well is Chloe napping or not yes which brings me to my next point since I'm helping you
22:36babysit and not being babysat I'll give you 10% of my pay
22:46fine 20% deal and I won't tell mom you're going through her clothes how generous of you
23:11what if we promise not to touch anything that works for me
23:20have you ever stolen anything nothing with a provenance do you yeah stole a
23:25classmate's trainers once in primary school Scotland Yard know about this hey
23:31you deserved it used to kick this kid Gideon in the shins with those shoes at recess
23:37did you wear them to school no I donated them to a thrift store right by the bus stop that
23:42way
23:42you could see them every time you look through the window you monster this glass is reflective
23:50what do you mean these skylights all have a one-way window film on them the thief wouldn't be able
23:54to
23:54see in there's a risky little game breaking glass not knowing who's down there excuse me we were just
24:02leaving the guard saw you come up here are you mr. Eastman yeah why one of my docents found this
24:09at
24:09the front they didn't see who left it so you go back to the crime scene on your own without
24:31a police
24:31escort well detective Keredick did you know about this know about what sir the museum director just
24:36called me and told me that your partner took mr. Eastman on a tour of the crime scene ducked right
24:42under the tape cut the seal are you trying to sabotage this investigation you made it quite
24:47clear how you feel about this case no I'm not trying to sabotage anything okay I was trying to help
24:52he
24:53was going anyway would you prefer I just let him go by himself neither of you should have been there
24:57in
24:57the first place okay I understand that and I'm sorry but if we didn't we wouldn't have gotten this
25:01whoever left this wants to meet at 1 p.m. that gives us less than two hours our Forrester and
25:09Osdell still with the lieutenant you thinking our surveillance up yes and we need to see the museum
25:13security cameras maybe we can get eyes on whoever dropped this off don't you think that Reese should
25:17take the lead on this why would we do that because I'm who they want to speak to great idea
25:21I'll send
25:22Morgan with you and you can tamper with more evidence hey I'm sorry okay I'm sorry I went to a
25:26building without your permission first I see now that that was a bad idea bad idea how about reckless
25:33and insubordinate I just said I'm sorry I know that you don't like rules but when you're in my
25:40precinct I expect you to follow my command you practice that in a mirror Morgan calm not tell me to
25:50calm down we need to grab someone from the SIS the sooner that we get to the ransom's location the
25:57sooner that we can start surveillance okay great Reese and I'll follow you no detective Karatek and I can
26:02handle it from here our consultants have done enough are you kicking me off the case I walked up on
26:10a roof
26:10oh great the fosters are on their way up they want an update talk to them I'll be waiting
26:15downstairs just make it quick what is going on Morgan what were you thinking I get it
26:26this is why I walk alone
26:32do you drink alone I prefer to have company
26:35great good luck
26:46you believe that guy kicking me off the case so he can go follow a lead that we found
26:51he knows how I work I do my thing and then cases get solved right what's wrong with that
26:56nothing's wrong with that Reese that's the answer to that question you have every right to be upset
27:00yeah I know I do because he called me out like I'm a child I have kids I don't even
27:04talk to them like
27:07that what boys girls mix mix don't change the subject I got to get this out and why are we
27:14still driving shouldn't we be eating and drinking by now hey suggesting I go faster look at the kind
27:20of car you're driving we just got passed by a Subaru should be ashamed of yourself
27:29where did you get this our consultants came across it the good news is your painting doesn't appear to
27:33be damaged what happens now what we're supposed to pay the ransom that's not what I said sir
27:38the LAPD never pays ransom we don't suggest that you do either I don't believe this okay
27:41so what do you suggest that we do are we just going to sit here and do nothing detective we
27:46have
27:46been waiting by the phone we have heard nothing and now now thank you this do you have any leads
27:52anything we're assembling a team to follow that lead and recover your painting and how long does it
27:57take to assemble this team of yours they're assembling in the war room right now and I should be with
28:02them instead of here detective we just want her back I understand sir let us handle the response
28:09we'll get back to you when we find out more thank you for keeping us informed detective of course
28:20just a little bit more yes sir thanks bro
28:25this is Arthur hi this is Ava Sinquera your boss you want us to hello
28:34um I just wanted to call you because there's something I didn't get an answer to at the diner
28:39because my mom flipped out well how's your mom feel about you calling me oh this call never happened
28:45actually I should probably tell her so she won't grab me again yeah well it sounds like a wise move
28:51look Ava I'm in the middle of working right now so you said that I reminded you of my dad
28:59what was he like
29:05hello
29:09look I won't bother you again I promise I just
29:14I'm sorry maybe this wasn't such a good idea I'll just leave you alone
29:17no no just hold on a second if you want to have a serious talk about your dad then we
29:23have to do it
29:24the right way I don't know maybe me you and your mom we could I don't know find ourselves back
29:31at that
29:31dying at some point how does that sound to you sure yeah listen Ava until that happens you and I
29:39we can't
29:46look Roman didn't know we do things the easy way but he always did things the right way I mean
29:52he had a
29:53a lot to do with me getting my life together and believe me he saved my ass more than once
30:01he's a stand-up guy through and through
30:07look Ava I gotta get back to work
30:09hey Arthur yeah
30:13thank you thank you of course we don't
30:34everything all right detective something on your mind
30:40you know I read somewhere carrying around unexpressed frustrations is like carrying a
30:44heavy backpack every unspoken thought adds another stone to the load making your journey
30:50much more difficult she's confused sir yeah so am I you're confused
31:00sir is there something you want to tell me
31:04I can't protect you if I don't know where you are I have to be in a position to help
31:11if things go south
31:13I need to know everything and that's not because I don't trust her but because I do
31:24still confused no good because the same applies to you and everyone else understand yes sir
31:37next time you lose your cool with her I'd suggest you find a different approach
31:41oh yeah why is that because if you don't it's going to put me and you in a position where
31:45things
32:01will definitely go south
32:04all clear
32:13just getting a little impatient
32:14don't worry the ransomware will turn up soon enough
32:17with you detective
32:19you're impatient with me
32:20why
32:20we're sitting here nice and quiet nothing but time for you to read me in
32:25read you in on what
32:29Roman Sincera
32:34oh come on Adam
32:36you don't think I see things
32:40what do you want to know
32:46oh we don't have time for this
32:48it'll blow our cover
32:51or spook our ransomware
32:53we're here for the panty not some car thief
32:56leave it alone
32:57he's committing a crime
33:00I'll handle this
33:01detective
33:02hey
33:03hey man that's my car
33:05what are you doing
33:06bro
33:07get out of my car
33:08now
33:09whoa
33:10LAPD
33:11put the gun down
33:12now
33:13at your feet
33:14let's go
33:15put that gun down
33:17now
33:20drop it
33:21on the ground
33:25good
33:26keep your hands where I can see him son
33:30that's our guy let's go
33:48wait so now you still in the car
33:50that's right it's your lucky day
34:09detective
34:09you took my car sir
34:11yeah couldn't wait
34:12he was getting away
34:20well I'm right behind you
34:23what you stole that car
34:25no sir
34:26I accommodated a private vehicle
34:27in an emergency
34:28because you left me
34:29I had no choice
34:30I told you not to mess with that guy
34:34he was committing a crime
34:43get out of that car detective
34:46you hear me
34:52yes I hear you sir
34:58pull over right now
35:00pull to the side of the road
35:08need some help
35:09I got it handled
35:18that was close
35:19I'm well aware
35:23I'm gonna make my move
35:25what move
35:26no move
35:53let's pull a two vehicle box in
35:55just pull over and get a chopper in the air
35:57we need eyes in the sky
36:01just listen to me detective
36:15had we both been in one car
36:18I think
36:18never mind
36:28I'm not even convinced
36:29he should have the job
36:31I mean Lieutenant Soto
36:32was absolutely qualified
36:33well how did he get the promotion
36:35politics
36:36nepotism
36:37I guess
36:37you know what it might be
36:39he's tall
36:39data shows taller people
36:41get promoted faster
36:42did you know that
36:42but if you can't buy
36:43pants off the rack
36:44what's the point in living
36:45okay
36:46when's the last time
36:47you bought pants off a rack
36:48pretty sure there's a tailor
36:50in London
36:51who's got your inseam memorized
36:52well you know
36:53I do like clothes that fit
36:54mm-hmm
36:55I can tell
36:58you think you know me
37:00but you can't get past the accent
37:01can you
37:03I mean you do sound like
37:04you were born clutching a
37:05croquet mallet
37:07well
37:08let me share something with you
37:10my father
37:11he was a bin man
37:13always out collecting
37:14other people's rubbish
37:16all the kids at school
37:17they used to make fun of me
37:18they said that they could
37:20smell out of me
37:22but when I walked into a museum
37:24I was staring up at the same
37:26beauty as kings and queens
37:27like this kid from Stevenage
37:29it didn't matter who I was
37:31I mean the Mona Lisa smiled at me
37:33like she smiled
37:35at everyone
37:40I'm gonna be honest
37:40I'm still really pissed
37:41so I wasn't fully listening
37:43but I did hear bin man
37:45and Mona Lisa
37:46not exactly sure how they're connected
37:48but I bet it was poignant
37:49yeah
37:50it was
37:51I mean I'm glad you didn't hear it
37:53I mean you don't really strike me
37:55as a girl that's attracted to someone
37:56that's so sentimental anyway
37:59hmm
38:00what am I attracted to?
38:04I think you appreciate that challenge
38:11I think you need something exciting enough
38:13to get you out of the head of yours
38:15really?
38:17like what?
38:20I have a few ideas
38:30every day
38:32every night
38:34it's all the same
38:39hungry cries
38:40are calling out my name
38:43ooh yeah
38:45it's a wonder thing
38:47and through all the tears
38:49I can see it's so clear
38:53walk away
38:54walk away
38:58he tried to steal a Picasso
38:59in Madrid five years ago
39:00but a guard shot him
39:01in the left shoulder
39:01and he fled empty-handed
39:03I'm the only person
39:04that does what I do
39:0519 heists around the world
39:07with the same in-laws
39:08this isn't our thieves' first rodeo
39:09in my experience
39:10it's always about money
39:12if you had a stolen anything
39:13John Baptiste might not exist
39:15he could be a myth
39:16it's a very special piece
39:17one of my favorites
39:21I should get back
39:26hey, what's up?
39:27I'm down at the museum
39:28and you're gonna wanna see this
39:31our case just got blown wide open
39:33and through all the tears
39:36I can see it's so clear
39:39walk away
39:41walk away
39:43yeah
39:43every time I walk
39:45it's a wonder thing
39:46ooh yeah
39:47it's a wonder thing
39:49and through all in the air
39:51I can see it's so clear
39:54you walk away
39:56walk away
40:02I want to have faith
40:06I want to have faith
40:08I want to have faith
40:10who are you?
40:22where is it?
40:23I want that backpack
40:26I want that backpack
40:55I want it
40:55I want to have faith
41:03I want that backpack
41:04so fast
41:07oh
41:09go
41:09go
41:09You
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