- 12 minutes ago
مسلسل The Chelsea Detective مترجم - Episode 1
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00:00:20I could collapse on the pavement, and Royal could explain that I've had an episode, rush
00:00:27me home.
00:00:27Benny, please.
00:00:28You promised.
00:00:30I know.
00:00:30I know.
00:00:32Biggest smile.
00:00:34Best behavior.
00:01:57What a scintillating conversation about earthquakes in Chelsea.
00:02:01Now, I did suggest it had something to do with her townhouse being on top of the district
00:02:04line, but still, pre-champagne.
00:02:06I think we can survive the night.
00:02:08Oh?
00:02:08Stand to attention, knave.
00:02:10The Queen of Chelsea has arrived.
00:02:27Good job.
00:02:29Sensation.
00:02:30Oh, thank you.
00:02:32Oh, so proud of you.
00:02:34Congratulations.
00:02:50Cassie.
00:02:52Save me.
00:02:54I thought these were your people.
00:02:56Oh, you've seen Gulliver's latest.
00:03:00I know that we're getting older, but is it my imagination, or are the hyenas getting
00:03:05younger?
00:03:05Well, asking their jackal husbands for a second opinion on the rumors about your boob job.
00:03:10Ooh.
00:03:10What's the consensus?
00:03:12Relax.
00:03:13Genetics.
00:03:14Fire a landslide.
00:03:17Now, Cassandra, if you're about to suggest I find myself a horny rich jackal.
00:03:21Actually, I was going to say some of those trays need replenishing, but I can see your
00:03:25way ahead of me.
00:03:26I shall return to my people.
00:03:44I'll see you guys once again.
00:03:45Bye.
00:03:52Bye.
00:06:10How was your weekend with Priya and Nittin?
00:06:12Yeah, she ever sold us on that sea view.
00:06:14Oh, yeah?
00:06:15If I stood on tiptoe in the nursery, I could just about make out a thin slither of sea.
00:06:20Obviously Brighton Central aren't as exciting as us not.
00:06:22Mainly seagull-related thefts.
00:06:25Yeah, that'd be good.
00:06:26Yeah, that'd be good.
00:06:28Yeah.
00:06:41Morning, Ashley.
00:06:43Morning.
00:06:45Have you seen my new DS, Layla Walsh?
00:06:48Yeah, she fingerspelled her name. Nearly got it right, too.
00:06:53Does he have a name?
00:06:55Mm-hmm.
00:06:58Christopher Milton Elvis.
00:07:01Are you saying Elvis? It's our wife's gallery manager.
00:07:0632, lives on Markovis Street.
00:07:10What's the dried blood on his fingers?
00:07:12Yeah, it's likely from the facial laceration.
00:07:17Looks like a clean, flat blade.
00:07:21But cause of death at this stage, 90% certainty.
00:07:26Manual strangulation.
00:07:30I found this in his jacket pocket.
00:07:37Tickets for the Eurostar.
00:07:39Departing at 12.15 today.
00:07:44He's gonna miss his train.
00:08:08Hi, Max.
00:08:12Morning, Layla.
00:08:14So.
00:08:15A botched heist in a high-end art gallery.
00:08:19Yup.
00:08:20Welcome to Chelsea.
00:08:22What is it? What have you found?
00:08:26This used to be a restaurant.
00:08:28Mr. and Mrs. Zintillis.
00:08:33A Greek family.
00:08:35I can't for the life of me remember what it was called.
00:08:42No.
00:08:46Right.
00:08:48Shall we crack on with the case?
00:08:50Yeah.
00:08:53Uniform arrived at 2318 in response to the gallery's silent alarm.
00:08:57Point of entry is this rear door.
00:09:00Looks like it's been jimmied.
00:09:05Multiple paintings believe stolen.
00:09:07I'm thinking the deceased was in the wrong place at the wrong time.
00:09:10Ashley found two tickets for the Eurostar in his pocket for later today.
00:09:15Oh, so what are we thinking?
00:09:17The victim is robbing the place and the owner's husband catches him in the act?
00:09:21Could work.
00:09:22There's a camera at the back of the gallery, but it's broken.
00:09:26Presumably as gallery manager, that was his responsibility.
00:09:30Could he and Benoit Chaban be in on it together?
00:09:32What did Mr. Chaban say?
00:09:34Claimed he got here mere minutes before our officers says he found the body.
00:09:38Nothing more.
00:09:38Ah, always nothing more.
00:09:41OK.
00:09:42What have we got on Chris Milton Elwes?
00:09:44Nothing on the victim's phone so far, but I found a Chris Elwes on PNC.
00:09:49Checking to see if it's the same one.
00:09:50He has a file.
00:09:51Marked NFA.
00:09:53Shoplifting when he was 12.
00:09:55Once a thief.
00:09:57Twelve, though.
00:09:59Well...
00:09:59Can you check the guest list and cross-reference it with our files?
00:10:04Searching for crooks among the Chelsea elite.
00:10:05Might be a long list.
00:10:09Do we know what was taken?
00:10:10Four paintings in total.
00:10:13Not the slickest eyes.
00:10:14The canvases were cut from their frames.
00:10:17There's spotting on here.
00:10:19Expecting it to be the victims of the same blade that cut him
00:10:22was used to cut the canvases.
00:10:25You said there were four pictures, but there's only three frames.
00:10:28The fourth painting was only so big, small enough to take intact.
00:10:32Do we know the value?
00:10:33In total, just over two million pounds.
00:10:37Here is the big ticket.
00:10:40Purchased by Rebecca Shaban at Sotheby's last year for 1.3.
00:10:45The artist is Friedrich Gustaf in Blauenzimmer.
00:10:50My ex is a big fan.
00:10:52And the other three?
00:10:53Two canvases by Christian Fessel.
00:10:56And the small one is Louisa by Conrad Muller.
00:11:00Each valued between two and three hundred thousand.
00:11:02You're very well informed.
00:11:04I don't like to make a thing of it, but I do know a fair bit about art.
00:11:07Has she looked it up on Wikipedia?
00:11:10I looked it up on Wikipedia.
00:11:12Yeah.
00:11:17What time did you and your wife leave the gallery?
00:11:19It had all finished by ten.
00:11:21But you returned later?
00:11:23Yes.
00:11:24Around a quarter past eleven.
00:11:25Why did you return?
00:11:27My wife asked me to check the alarm had been set.
00:11:30I would have thought people like you have people to do that for you.
00:11:33People like me?
00:11:35I don't appreciate your tone.
00:11:37At 2318, responding to the gallery's silent alarm, police arrived to find you leaving via the rear door.
00:11:43I heard a car door outside.
00:11:46And I assumed it could be whoever was responsible.
00:11:49So I went to look for them.
00:11:50Were you going to confront this person?
00:11:52I don't know.
00:11:53I was acting on instinct.
00:11:55Pity your instinct didn't include dialing 999.
00:11:58After all, there were clear signs a robbery had taken place.
00:12:01Did you touch the body? Check for a pulse?
00:12:03No.
00:12:04Why not?
00:12:07Okay.
00:12:09You say your wife asked you to check the alarm.
00:12:11You drove there. What then?
00:12:12You walked in to find Chris helping himself to your wife's collection?
00:12:16What?
00:12:17No.
00:12:18I...
00:12:19I walked in.
00:12:20I saw Chris on the floor and before I could do anything else or even think, I heard a noise.
00:12:25And fled the scene?
00:12:26Yes.
00:12:27No, I...
00:12:28Oh.
00:12:29My God, it's not possible.
00:12:32From July 2006.
00:12:34Berlin-born Rebecca Vidic, 23, married Benoit Chaban in a lavish ceremony in Monaco.
00:12:40Looks like the Chaban wealth stems from the husband's side.
00:12:44His family's in international fleet services.
00:12:46Whatever that is.
00:12:50How much do you reckon Benoit Chaban is worth?
00:12:52Uh, that is he happy, Connor.
00:12:55I won a tenner on the lottery two weeks ago.
00:12:57I was dancing round the kitchen.
00:12:59Forbes estimates it at around $400 million.
00:13:03Bought a bottle of wine, chocolate bar as long as my arm.
00:13:06$400 million.
00:13:08Can't buy that kind of happiness.
00:13:11Gun of a bower.
00:13:13Dealer, high-end art, eventually convicted on tax evasion charges.
00:13:20He holds the record as the richest inmate at Belmarsh.
00:13:24Knocked Geoffrey Archer down to second place.
00:13:38I know the last thing you want is us asking questions, but what time did you leave the gallery event?
00:13:45Around ten.
00:13:47And you came straight home?
00:13:49I got back at about twenty past.
00:13:52On your own?
00:13:54Chris stayed behind to tidy up.
00:13:56He wanted to get everything ready for today's public opening.
00:13:58I was the last to leave and he was on his own.
00:14:04At the opening, did you or Chris notice anyone acting suspiciously?
00:14:08No.
00:14:10Anything that you think might help?
00:14:15There was one man I spoke to, I don't know his name, but he was quite hostile toward me.
00:14:21Can you describe him?
00:14:23I mean, thirties, short, dark hair, like...
00:14:28Tell us about Chris.
00:14:31How was he last night?
00:14:34Why are you asking about Chris?
00:14:36We're keeping an open mind.
00:14:39You don't think he was involved?
00:14:41That's absurd.
00:14:42This morning, when you woke up and Chris hadn't come home, what did you think?
00:14:47That he'd hit a snag and it had turned into an all-nighter.
00:14:50Did you call him?
00:14:50I was going to, this morning.
00:14:52But then, the police arrived.
00:14:54You must have been worried.
00:14:57Not really.
00:14:58When Chris was working on the gallery, he would sometimes work through till morning.
00:15:02This was nothing out of the norm.
00:15:04I meant worried that you might miss your train.
00:15:08What train?
00:15:09The Eurostar to Brussels, leaving St. Pancras at quarter past noon today.
00:15:15Sorry, I...
00:15:16Two weeks ago, Chris purchased two tickets.
00:15:19He found them in his jacket pocket.
00:15:22I don't know anything about that.
00:15:23One of them was in your name?
00:15:29Last year, on my 40th, I woke up to find plane tickets on the kitchen table.
00:15:34We flew to Venice later the same day.
00:15:37A couple of years before, Chris sprung a surprise trip on me for our anniversary to Rome.
00:15:41Is today your birthday or anniversary?
00:15:46My husband has spent the last year renovating that gallery, planning the exhibition.
00:15:52So it's not out of the question that he wanted to mark the occasion.
00:16:14Well, let's go.
00:16:23Let's go.
00:16:26Can you see your birthday?
00:16:34I'll wait for him.
00:16:37Hey.
00:16:38Hmm.
00:16:39Hey!
00:16:45I'm blam zimmer, proof that somebody in the form of GDR
00:16:50once saw an Eve Klein.
00:16:53Two vessels have a certain depressing charm.
00:16:57Oh, Mueller's Louisa, terribly twee,
00:17:01reminds one of one's grandmother framing her embroidery.
00:17:05Might be interrupted.
00:17:07We're here investigating the suspicious death
00:17:10of Christopher Milton Elwes.
00:17:12Of course.
00:17:13Please.
00:17:16Did you know him?
00:17:18No, no, not personally.
00:17:20What about the Chabans?
00:17:22You had any dealings with them?
00:17:23I have dealings with everyone.
00:17:25I have brokered several sales for them over the years.
00:17:29All of our Ford?
00:17:30Of course.
00:17:31Don't suppose you've heard anything on the Chelsea Art Scene grapevine
00:17:35about stolen paintings?
00:17:37Nothing.
00:17:382.3 million, wasn't it?
00:17:40Your tax bill.
00:17:43I've learnt from my mistakes.
00:17:45Remind me how it works.
00:17:47You find an artist, the more obscure the better.
00:17:51Then you get an expert, in your case, you,
00:17:54to value one of this artist's paintings for a few million.
00:17:59Say, 2.3 million?
00:18:02Then you hang it in a gallery and claim its value back
00:18:05as a charitable donation.
00:18:08Bye-bye tax bill.
00:18:10Virus non penitat.
00:18:13Oh, dear.
00:18:16Oh, dear.
00:18:16Public schoolboy quoting Latin alert.
00:18:19After the gallery, my fiancée and I stopped off at the Connacht.
00:18:25We were there until midnight.
00:18:27We'll check.
00:18:27Oh, good-o.
00:18:30May I suggest a good place to start?
00:18:33Public toilets.
00:18:36Public toilets?
00:18:37The Whitworth Gallery heist, 2001, 2002.
00:18:40Four million pounds worth of paintings were stolen.
00:18:43And while the police were busy pushing warrants
00:18:47under the doors of every dealer
00:18:48and private collector in town, including yours truly,
00:18:51a cleaner found the missing paintings
00:18:54a few yards from the gallery,
00:18:56stashed in a public lavatory,
00:18:58complete with an apology letter.
00:19:01Thank you for your time.
00:19:03Call us if you hear anything, Mr Bower.
00:19:20I didn't know you knew Latin.
00:19:22I don't.
00:19:23My old man's a Spurs fan.
00:19:25Written on a scarf.
00:19:33Please, come in.
00:19:37We're beside ourselves on the news.
00:19:39Do you have any idea what happened?
00:19:41We're still filling in the gaps.
00:19:44I did the catering last night.
00:19:46Did you know Chris well?
00:19:48We were friends.
00:19:50We worked closely for the last few months
00:19:53organising the exhibition.
00:19:56Please.
00:20:00Were the Shaban's happy with Chris's work?
00:20:04Oh, Chris was good at managing his own PR.
00:20:07If it was good news,
00:20:08he couldn't wait to tell Mr Shaban.
00:20:10But for the bad news,
00:20:12he used me as his mis-go-between.
00:20:15Last night at 11, where were you?
00:20:18Home.
00:20:19Well, if you need to check,
00:20:21my flatmate was still up when I got in.
00:20:25Mr Shaban,
00:20:26the police are here to see you.
00:20:33It was around 10.15.
00:20:35If you want to see any CCTV,
00:20:37ask my driver, Roy.
00:20:38He installed the security system.
00:20:40And later you asked your husband
00:20:41to return to the gallery?
00:20:43Call it
00:20:45opening night paranoia.
00:20:47I wanted to make sure the alarms were set.
00:20:51We're running through the guest list
00:20:53and the only person
00:20:54we're struggling to identify
00:20:56is this gentleman.
00:20:57This photo is from an Instagram account
00:21:00of one of your guests.
00:21:02Do you recognise him?
00:21:06Mr Shaban?
00:21:13Toby Hansard,
00:21:15my personal trainer.
00:21:17Cassie, would you...
00:21:18Oh, yes.
00:21:19I'll find his details for you.
00:21:24Miss Lawson is your housekeeper?
00:21:28My executive PA.
00:21:30My girl Friday.
00:21:33She's a bit of a charity case,
00:21:34but we're old friends, so...
00:21:36Are we right in thinking
00:21:38you insured in Blauensimmer
00:21:39by Friedrich Gustav
00:21:41for three million pounds?
00:21:42You've done your homework.
00:21:43Yeah, the market value is 1.2.
00:21:45That's a tidy profit.
00:21:48Obviously, I masterminded this whole thing.
00:21:50For a miserable two million.
00:21:53I insured the painting
00:21:54for what I judged to be its resale value.
00:21:57Should it be stolen?
00:21:59Quite.
00:22:00This coffee tastes of tamarind.
00:22:05There are tamarind trees on our reserve.
00:22:08In Indonesia.
00:22:09Ridiculously lavish process, but worth it.
00:22:12And all ethical.
00:22:13I'm strict about that.
00:22:16That's very good.
00:22:20These are two of the missing pictures.
00:22:22The Christian vessels.
00:22:24Prints, obviously.
00:22:26Obviously.
00:22:28Rebecca hangs them here
00:22:29so I never forget her one true love.
00:22:32Art.
00:22:35We'll need to see your collection
00:22:37to help with our inquiries.
00:22:40I'm afraid that won't be possible.
00:22:41My paintings are kept
00:22:42in a secure, climate-controlled vault.
00:22:44So we will need prior notice.
00:22:46Or a warrant.
00:22:52Dung.
00:22:53Hmm?
00:22:54Dung!
00:22:55Oh, no, that's what I thought you said.
00:22:57Is that your opinion
00:22:58on Ben-Mush-Jabat, or...?
00:23:00A pound of that coffee
00:23:02is worth around £1,000 sterling.
00:23:06Is there a point to this?
00:23:08On their reserve,
00:23:09elephants eat the coffee beans.
00:23:11The beans are then harvested
00:23:12from the elephant dung.
00:23:15And you still drank it?
00:23:17The point is,
00:23:19was that a deliberate ploy
00:23:20to make us think they had money to burn?
00:23:22For a miserable two million.
00:23:28Roy Colan?
00:23:33Leila Walsh.
00:23:34Well, you're looking well.
00:23:35Well, you know me.
00:23:36Butter side up.
00:23:37Well, what are you doing here,
00:23:38hobnobbing with the posh folk?
00:23:39Yeah, well,
00:23:40I'm the glorified taxi driver.
00:23:43So, um,
00:23:44you call this one, then?
00:23:45Business up at the gallery?
00:23:46D.I. Max Arnold.
00:23:48D.I. Roy Colan.
00:23:49Pleasure.
00:23:50Likewise,
00:23:51former D.I.
00:23:52Gave Walsh here
00:23:53a first leg up
00:23:54into serious crimes.
00:23:55You made D.I. yet?
00:23:57Rick and Annes.
00:23:58Did you drive Mr. and Mrs. Chabon
00:24:00to the gallery last night?
00:24:02Yeah.
00:24:02When did they leave?
00:24:03Oh, well,
00:24:0410, thereabouts.
00:24:05And later,
00:24:06around 11,
00:24:07did you accompany Mr. Chabon
00:24:08back to the gallery?
00:24:09No, no.
00:24:10I was tucked up in bed by then.
00:24:12Can you prove that?
00:24:15Oh.
00:24:17Exploring all the avenues,
00:24:18are we?
00:24:20Not going to defend my character.
00:24:23No change there, then.
00:24:26Look,
00:24:27as far as I know,
00:24:28Mr. Chabon
00:24:29drove himself back
00:24:29to the gallery.
00:24:31As soon as I dropped
00:24:31them both back here,
00:24:32I clocked off.
00:24:33I was home half an hour later.
00:24:35Feel free to check
00:24:36with the missus.
00:24:38Well, nice to meet you,
00:24:39D.I. Arnold.
00:24:41See you again,
00:24:41D.C. Walsh.
00:24:42D.S.
00:24:46Of course you are.
00:25:02In Exeter,
00:25:03he was known as
00:25:04Cookie Jar Colon.
00:25:06Rumor was,
00:25:07he was dipping into the cash
00:25:09from a money laundering op.
00:25:10The higher-up
00:25:11started asking questions.
00:25:13Roy asked his team to back him.
00:25:14Everyone did,
00:25:16except me.
00:25:17How strong was the evidence?
00:25:19Roy insisted
00:25:20it was all hot air
00:25:21and hearsay.
00:25:23But you thought
00:25:24they had a case?
00:25:25I don't know.
00:25:27Either you did
00:25:28or you didn't.
00:25:29I didn't have any proof.
00:25:31Did they charge him?
00:25:33He fell on his sword
00:25:35before they could
00:25:35push him onto it.
00:25:37I was a new D.C.,
00:25:38a new team,
00:25:40new station,
00:25:40new boss,
00:25:41but I had to be the rebel.
00:25:43I had to stand apart
00:25:44from the crowd.
00:25:46Damage it did.
00:25:48Should have backed him.
00:25:49That's what you're supposed
00:25:50to do, isn't it?
00:25:52Have each other's backs.
00:26:12Chris was an honorary O.C.
00:26:15I'm not about his German history.
00:26:17Especially its art.
00:26:19Did you go to the opening?
00:26:21I was busy.
00:26:24And the real reason?
00:26:28I pitched for the exhibition.
00:26:32Even suggested the title
00:26:33they ended up using.
00:26:35The Lost Pieces.
00:26:37And it was all going well
00:26:38until Rebecca Bloodish-Bann
00:26:40decided she wanted to do it
00:26:42in her own gallery.
00:26:43Only she didn't have
00:26:44her own gallery.
00:26:46So she did what
00:26:47they always do.
00:26:48Rich Wessie.
00:26:50Bought up the olive branch
00:26:51and gutted it.
00:26:52The olive branch?
00:26:53That's it?
00:26:54I loved that place.
00:26:55Oh, me too.
00:26:58Do you think Chris
00:26:59had anything to do with this?
00:27:00No.
00:27:01If he was,
00:27:01the paintings and the frames
00:27:02would be pristine.
00:27:04He wouldn't want
00:27:05to damage them.
00:27:06What about the gallery owner?
00:27:08Chris always spoke highly
00:27:09about Rebecca Ashman.
00:27:11And Implau and Zimmer.
00:27:13How would all of this
00:27:14affect its black market value?
00:27:16Through the roof.
00:27:17Collectors love notoriety.
00:27:19I bet they do.
00:27:23What you should be asking.
00:27:27I shouldn't be saying it.
00:27:32Why did Rebecca Ashman
00:27:33have it on show
00:27:34in the first place
00:27:35with minimal security too?
00:27:36You might as well
00:27:37wave a red rag at a bull.
00:27:39By bull you mean...
00:27:40Collectors.
00:27:40Unscrupulous collectors.
00:27:42The Chelsea art scene
00:27:42is full of them.
00:27:43So Chris was collateral damage?
00:27:45And if Rebecca Ashman
00:27:46had a conscience,
00:27:48his death is on it.
00:27:52Poor Chris.
00:28:01You're okay?
00:28:02I'm fine.
00:28:06Asti.
00:28:06Max, I'm okay.
00:28:15Chris loved my tales
00:28:17about growing up
00:28:17in East Germany.
00:28:25I'll miss him.
00:28:32Did you text me last night
00:28:34so you could rant?
00:28:36Of course.
00:28:41Did you think I was asking
00:28:42you to be my plus one?
00:28:43No.
00:28:46You know how much
00:28:46I love your lectures
00:28:47on East German art.
00:28:52Is there anything else
00:28:53you need from me?
00:28:56Uh, no.
00:29:03See you.
00:29:08Bye then.
00:29:11Bye then.
00:29:29THE END
00:29:53I don't know.
00:30:20I don't know.
00:30:48I don't know.
00:31:22I don't know.
00:31:48I don't know.
00:32:20I don't know.
00:32:21Hello?
00:32:21Hello?
00:32:29Hello?
00:32:42Hello?
00:32:44Hello?
00:33:15I don't know.
00:33:48I don't know.
00:33:52I don't know.
00:33:54I don't know.
00:34:02I don't know.
00:34:10I don't know.
00:34:20I don't know.
00:34:52I don't know.
00:35:09I don't know.
00:35:22I don't know.
00:35:35I don't know.
00:35:37I don't know.
00:35:59I don't know.
00:36:02I don't know.
00:36:02I don't know.
00:36:13I don't know.
00:36:14I don't know.
00:36:33I don't know.
00:36:37I don't know.
00:36:39I don't know.
00:36:41I don't know.
00:36:42I don't know.
00:36:43I knew Chris better than anyone, and he was the biggest blabbermouth.
00:36:48He'd tell his life story to a stranger at a party.
00:36:53Ask any of our friends.
00:36:54If you want everyone to know your deepest, darkest secrets,
00:36:59you tell it to Chris.
00:37:02That's why we all loved him.
00:37:22Oh, are you heading off early?
00:37:27It's Otto for supper, and it's on the kitchen table.
00:37:30Thanks. Is everything okay?
00:37:34The charity case.
00:37:36Oh, God, Cassie, I... I was babbling. I was nervous.
00:37:40You know I didn't mean anything by it.
00:37:43There but for the grace of God go I, the flipping of coins.
00:37:46That's all this is.
00:37:47While you're on that side and I'm what I am, it was you who told me that.
00:37:51Cassie.
00:37:51Do you know why I do all this?
00:37:53Why I run things for you, cook, tidy up, tell you what appointments you have.
00:37:59It's not for pride, it's not for the money, it's because you're my friend.
00:38:06That's why it hurts so much.
00:38:07Please, will you stay? We can eat together, we can talk about it.
00:38:10My resignation's in the kitchen.
00:38:11Cassie, no.
00:38:13Enjoy your supper, Mrs. Shaban.
00:38:15You can eat.
00:38:23Now, Maria, for paul.
00:38:52I don't know.
00:39:22I don't know.
00:39:52I don't know.
00:40:05Benny?
00:40:06Benny?
00:40:06Is that you?
00:40:16Benny?
00:40:24Benny?
00:40:33Benny?
00:40:48Benny?
00:40:49Benny?
00:40:49Benny?
00:40:50Anyone?
00:40:52Benoit?
00:40:54Benoit?
00:41:01Benoit?
00:41:02Benoit?
00:41:03Benoit?
00:41:05Help me!
00:41:08Help!
00:41:13Benoit?
00:41:15Benoit?
00:41:19Benoit?
00:41:22Benoit?
00:41:27Benoit?
00:41:41Morning.
00:41:42Morning.
00:41:43She's still locked inside.
00:41:45Benoit Chabank called the fire service and they flagged it to us.
00:41:49Can you stand by?
00:41:50Good.
00:41:51Signs indicate someone locked her in and cut off the air supply.
00:41:54How long has she been in there?
00:41:55I don't know.
00:41:56Her PA was the last to see her.
00:41:58That was around half five.
00:41:59I wonder where the husband was last night.
00:42:01Found out something interesting about him.
00:42:05Looks like the security system's up this morning.
00:42:07We were under the impression you set it up for them, Mr. Colin.
00:42:10Yeah, I did.
00:42:11Which is why I'm here to help.
00:42:12Mr. Chabank, where were you last night?
00:42:14I was at my office.
00:42:15What time did you leave?
00:42:16Around 2am.
00:42:18I didn't want to wake Rebecca, so I slept in one of the guest rooms.
00:42:21I didn't realise what had happened after I woke up.
00:42:23Jess?
00:42:24The manufacturer's talking me through a system reset.
00:42:28I take it we've tried shouting.
00:42:29It's four-inch ballistic steel.
00:42:32What is she protecting herself from?
00:42:34Her husband?
00:42:35What did you find on him?
00:42:36Multiple calls between Benoit and Gregory Milton Elwes,
00:42:40and as he's a solicitor specialising in family law...
00:42:43Divorce?
00:42:44Reset complete.
00:42:45We're in.
00:42:46Hold on.
00:42:47Door controls.
00:42:49Now.
00:43:01Get the medic in.
00:43:07This is your man.
00:43:12We're all right, yeah?
00:43:15We're all right.
00:43:16We're all right.
00:43:18Blood oxygen was dangerously low.
00:43:21Mr. Chaban?
00:43:25Can this wait?
00:43:27I need to get to the hospital.
00:43:28Did you lock your wife in the vault?
00:43:31What?
00:43:32Of course not.
00:43:34What happened here was an accident, a glitch in the security system.
00:43:37Do you mind?
00:43:38Tell us about your contact with Gregory Milton Elwes.
00:43:41Why, you telephoned him several times in the last month.
00:43:46No comment.
00:43:52No comment.
00:43:53Taking advice from a disgraced ex-copper.
00:43:57That's not a good look.
00:43:59What happened here was an accident, a glitch in the security system.
00:44:04When I check with the front desk at your office, will they remember you leaving at 2am?
00:44:10No, they won't.
00:44:11Because I collected Mr. Chaban from the pickup port at the back.
00:44:18Thank you, Mr. Chaban.
00:44:21Um...
00:44:22It's finished set.
00:44:25We might need to secure the seat.
00:44:27Mm-hmm.
00:44:30Roy?
00:44:34Copper to copper.
00:44:35Ex-copper.
00:44:36Oh, there it is.
00:44:37What do you want?
00:44:38An apology?
00:44:39No.
00:44:40Layla, that is all water under the bridge.
00:44:44I understand.
00:44:45You knew what you were doing.
00:44:47Got you on the radar, didn't it?
00:44:48Excuse me?
00:44:49Well, you make DS younger than me.
00:44:51Because I'm a better detective than you are.
00:44:54Roy, we have a dead man, a robbery, now a possible attempted murder.
00:44:57What the hell is going on here?
00:45:01Look, egos aside, I drive this lot from A to B.
00:45:04It's an easy job.
00:45:06I'm not part of their rarefied world.
00:45:08I'm a tourist.
00:45:10And copper to copper, there's a reason I advised against a hard reset of the security system.
00:45:15And that's because doing that wipes it clean.
00:45:19Footage, logs, complete reset.
00:45:22Well, our priority was saving Mrs. Chaban's life.
00:45:25Well, Walshy, I thought I'd talk to you better than that.
00:45:35Bit of an arse, you're Mr. Colon.
00:45:37You think?
00:45:39Mm, sloppy too.
00:45:42Failed to advise his boss that now the house is a crime scene.
00:45:47We don't need his permission to search it.
00:46:05Wouldn't you want to show these off?
00:46:09Keep them locked away behind a bulletproof door.
00:46:17No sign of the stolen pieces, but they didn't want us poking around in here.
00:46:23Hmm.
00:46:25Something tells me they don't have the receipts for all of these.
00:46:31I think we should call in an expert.
00:46:56Will you give us a moment, please?
00:46:57Of course.
00:47:03My love, just taking on you.
00:47:08Do you need anything?
00:47:17The truth.
00:47:20Was this an attempt at a poetic death?
00:47:24Suffocate me amongst my treasures.
00:47:27What are you talking about?
00:47:28Oh, please.
00:47:30Stop.
00:47:35I was going to save you.
00:47:38But I don't know how the controls of your precious room work.
00:47:41The truth, Benoit.
00:48:06Did you even look for an alternative explanation?
00:48:17You left me in that room to die.
00:48:20I'm sorry.
00:48:23Let me get things right.
00:48:24There must be something I can do.
00:48:27Leave.
00:48:29I don't care where you go, but I want all and any part of you gone.
00:48:40I'm not familiar with this one.
00:48:45I don't know.
00:48:46And this one.
00:48:50This, I think, is Luke Morbury.
00:48:53A British artist.
00:48:54Is it stolen?
00:48:56Mm-mm.
00:48:58Interesting composition, though.
00:49:00On to the next one.
00:49:03I'm here to help.
00:49:04And we appreciate it.
00:49:08Yes.
00:49:09On to the next one, please.
00:49:22this is wonderful
00:49:26oh this is beautiful
00:49:29it's Rinsla
00:49:31portrait of Emilia
00:49:32was it stolen or do you just like the picture
00:49:341998
00:49:36from an exhibition in Madrid
00:49:38it's never been recovered
00:49:44the highlighted items on this list
00:49:47have been seized by the art and
00:49:48antiquities unit
00:49:49they'll want to speak with you separately
00:49:51we believe those items have all been previously
00:49:54reported stolen
00:49:55how did they end up in your collection
00:49:57I'm certain I'm not the only collector
00:50:00in Chelsea with a few controversial
00:50:01pieces in her hoard
00:50:03so you knew they were stolen
00:50:05I am protecting these pieces
00:50:08from entering the black market
00:50:09and never being seen again
00:50:10very noble
00:50:13my father made his fortune buying and selling paintings from East Germany
00:50:18I'm trying to right a wrong
00:50:23excuse me
00:50:26Jess
00:50:27Gulliver Bauer received a call from Benoit Chabin
00:50:30Benoit got an anonymous text
00:50:33offering him the return of the stolen paintings
00:50:35in exchange for a hundred thousand in cash
00:50:39Benoit assumed the message came from Gulliver
00:50:41but it didn't
00:50:42someone's scamming him
00:50:44well that's what I thought
00:50:45but looks like he's going along with it
00:50:46at ten o'clock tonight
00:50:49thanks Jess
00:50:53let me get this right
00:50:54you think I facilitated the whole thing
00:50:58in order to boost the value of Imblau and Zimmer
00:51:02why would I do that
00:51:04to raise funds
00:51:05why would I need funds
00:51:07for a solicitor
00:51:09what are you talking about
00:51:10in order to leave your husband
00:51:15did Benoit lock you in your vault last night
00:51:20no
00:51:20was he trying to punish you
00:51:22no
00:51:23did you know your husband had engaged a solicitor
00:51:26Gregory Milton Elvis
00:51:28no marriage is a sunlit utopia
00:51:33presumably if he has asked for a divorce
00:51:36you would need money
00:51:41oh
00:51:44former teacher marries billionaire
00:51:46I remember that headline
00:51:49I was 19
00:51:51I did one year of teacher training
00:51:54then my father died
00:51:56and left me 5% of his estate
00:52:00at the time
00:52:01I was sleeping with a wonderfully handsome messed up man
00:52:04who wanted to start a software company
00:52:08I wanted him to stay interested
00:52:11so I gave him my cash
00:52:15by the time that chapter ended
00:52:17I was 22
00:52:19and my stake in his company
00:52:21was worth 400 million pounds
00:52:27when Benoit and I met
00:52:30he was broke
00:52:32working hard
00:52:33to try and keep his failing family business afloat
00:52:38your business I now own
00:52:41but still
00:52:44former teacher marries billionaire
00:52:57Jess just spoke to Gulliver Bauer
00:53:00Benoit set up an exchange for tonight 10pm
00:53:05do you think she knows her husband's trying to buy the painting back
00:53:08I doubt it
00:53:09okay we'll get some eyes on him
00:53:12unless
00:53:14no
00:53:14you have plans
00:53:15yes I have plans
00:53:17of course I have plans
00:53:48what's he doing
00:53:51it's pacing
00:53:54pacing and waiting
00:53:55pacing and waiting
00:53:56pacing and waiting
00:54:23From Connor, text sent to the target from unknown number.
00:54:27Leave money, paintings will be delivered to you tomorrow.
00:54:33I think he's going for it.
00:54:54I'm going for it.
00:55:09Oh, I need sugar.
00:55:15Luckily, I've brought snacks.
00:55:17Oh.
00:55:21They're carrots.
00:55:25Yeah, carrots.
00:55:27That's not a stakeout snack.
00:55:34That is a stakeout snack.
00:55:41If you're five.
00:55:58Have you got flying saucers?
00:56:00I have a wide selection.
00:56:04Thanks.
00:56:05This is bad sugar, though.
00:56:07That's a myth.
00:56:08Mm.
00:56:10Mm.
00:56:14Mm.
00:57:02He didn't take it.
00:57:08Layla.
00:57:33Police!
00:57:34Stop!
00:57:49Hold on!
00:57:50I am holding on.
00:57:52Come on, come on!
00:58:20Come on!
00:58:29Come on!
00:58:48Come on!
00:58:51Come on!
00:58:53Come on!
00:58:55Come on!
00:58:59Oh!
00:59:02Oh!
00:59:04Oh!
00:59:05Oh!
00:59:06Oh!
00:59:07Oh!
00:59:08Oh!
00:59:15Oh!
00:59:19Oh!
00:59:25Oh!
00:59:50Oh!
00:59:50Oh!
01:00:05Oh!
01:00:07Oh!
01:00:09Oh!
01:00:13Oh!
01:00:15Oh!
01:00:17Kindly tell your client not to leave the country.
01:00:35Shit.
01:00:36Yeah, shit.
01:00:39Jealous husbands, what can you do?
01:00:42So, Mr Chaban was right.
01:00:44You are having an affair with Rebecca Chaban.
01:00:47She just let me in.
01:00:50Cassie.
01:00:52I'm in a relationship with Cassie Lawson.
01:00:54Her PA.
01:00:56Then why are they sneaking around?
01:00:58And why not tell us?
01:01:00Because I have a girlfriend.
01:01:03Sarah.
01:01:04And Sarah happens to be Cassie's flatmate.
01:01:08Very chivalrous.
01:01:13Benoit's divorce wouldn't have left him penniless.
01:01:15So why would he work with Chris to steal the paintings?
01:01:20What if it's more personal for Benoit?
01:01:23If he staged the robbery to teach Rebecca a lesson?
01:01:27Hmm.
01:01:28Then there's the Eurostar ticket.
01:01:30Yeah.
01:01:34She doesn't match anyone from the gallery opening.
01:01:37Let alone the art world.
01:01:41But say she is from the Chelsea art scene.
01:01:45Might your ex, Astrid isn't it, might she recognise her?
01:01:49That's a good idea.
01:01:53It's good for you.
01:01:54Thanks.
01:01:59What the...
01:02:00I know, I know.
01:02:01No personal stuff delivered to work.
01:02:03But the last one got nicked off my doorstep, so...
01:02:13I know.
01:02:14Are you preparing for the zombie apocalypse?
01:02:16Off hiking.
01:02:21Are you camping?
01:02:22Or staying in a hostel?
01:02:25I have a tent.
01:02:26Hmm.
01:02:30Peaceful.
01:02:30Hiking.
01:02:32Living off the land.
01:02:33Well, hardly Bear Grylls.
01:02:35I take tins and a colour gas stove.
01:02:37Have you called her yet?
01:02:39Some sort of training...
01:02:40Are you training for something?
01:02:42You're right now, I feel like I'm an interrogation training.
01:02:53If you must know why other half snores and heading off to the wilds with a tent is the only
01:02:57way I can guarantee a night's sleep.
01:03:00That's not the real reason.
01:03:02Nope.
01:03:02Your other half lives in Devon.
01:03:05Well remembered.
01:03:06What's her number? I'll call her.
01:03:08Alright.
01:03:09I'll do it, I'll do it.
01:03:14I'll do it.
01:03:25It's a shame you don't have subtitles.
01:03:44Oh, Max.
01:03:48You're brilliant.
01:04:16Ashley, hey.
01:04:21Beastie Boys.
01:04:25What do you want?
01:04:26Love the Beastie Boys.
01:04:29A favour.
01:04:30Tiny, tiny favour.
01:04:32I have a surveillance video.
01:04:35I was wondering, you read lips, right?
01:04:37You want me to lip-read something?
01:04:38Is that okay?
01:04:40So this gives me super-suming powers of observation?
01:04:44Oh, uh...
01:04:46No, I...
01:04:48Shit.
01:04:49Shit.
01:04:50Sorry.
01:04:52Alright, calm down, deep wax.
01:04:55I was joking.
01:04:57I thought you were serious.
01:04:59I thought you were gonna pass out.
01:05:01Bloody draft, you asked.
01:05:13No, it's like, no, something, something.
01:05:18My boyfriend's...
01:05:20A number, an address.
01:05:26First bit's...
01:05:2850...
01:05:3152...
01:05:37Ample...
01:05:40Amble...
01:05:40Amble Road.
01:05:52Amble Road?
01:05:54Could be.
01:05:56That's amazing.
01:06:00Stupidest human powers, mate.
01:06:17What's this about?
01:06:18You've given us quite the run around.
01:06:21Me?
01:06:22You.
01:06:25This is from last night.
01:06:27You were seen collecting a bag of money.
01:06:30You were also talking to someone on the phone.
01:06:32Who was it?
01:06:33I was home all night.
01:06:35Oh, well, that clears that up.
01:06:37Can anyone confirm that?
01:06:40Boyfriend.
01:06:41Does boyfriend have a name?
01:06:48Great.
01:06:49You were a good place.
01:06:51If you prefer, we can get a warrant and search 52 Hamble Road.
01:06:57But it's so much less paperwork if you cooperate.
01:07:01And D.I. Arnold here, he hates paperwork.
01:07:05I really do.
01:07:09I was in my bedroom, on top of the wardrobe.
01:07:12He didn't tell me what was in it, I didn't dare look.
01:07:13Who?
01:07:14Pick it up and look after it for a few days, he said.
01:07:17Who?
01:07:21My dad.
01:07:22My dad.
01:07:40Thank you for coming in.
01:07:41I appreciate you calling me.
01:07:44Is she okay? Can I see her?
01:07:46After you explained why you asked her to collect a bag of money for you.
01:07:51What?
01:07:53Is that what she said?
01:07:54Money you were embezzling from your employers.
01:07:57Well, I'm so sorry about this.
01:08:00Let me speak to her.
01:08:01Roy.
01:08:02Please.
01:08:02I've questioned Kitty.
01:08:03She didn't even look inside the bag.
01:08:05She didn't want to know, but you know there's enough to charge her.
01:08:07Okay.
01:08:09Okay.
01:08:11Yeah, she didn't know anything about it.
01:08:14She was doing her own man a favor.
01:08:16Are you in possession of the stolen paintings?
01:08:18No.
01:08:19Because you sent a text to Benoit Chabin claiming you are.
01:08:22Am I under caution?
01:08:23We're just talking.
01:08:26I was going to give the money back.
01:08:29I was testing Chabin.
01:08:31You weren't testing him.
01:08:33No, I really think that he's involved in all this.
01:08:36You're carrying out your own investigation.
01:08:37Separate to ours.
01:08:39What am I going to say?
01:08:41Once a copper.
01:08:42You have any evidence you care to share?
01:08:50Were you in any way involved in the death of Christopher Milton Elwes?
01:08:54Oh, come on, Walshie.
01:08:56DS Walsh.
01:08:57What are you doing?
01:09:01No.
01:09:02Do you know who was responsible for that?
01:09:04No, of course not.
01:09:07Listen.
01:09:08All this business with the money.
01:09:10It was a big error of judgement.
01:09:12I messed up, I admit that.
01:09:15That's all this is.
01:09:20Okay, I think I'm leaving.
01:09:22Sit down, please.
01:09:24You said we were talking.
01:09:26Mr. Colin, as defined by Section 21 of the Theft Act 1968, I hereby place you under arrest for blackmail.
01:09:33I am trying to explain it.
01:09:34You do not have to say anything.
01:09:35There is no need for this.
01:09:36But it may harm your defence if you do not mention when questioned something which you later rely on in
01:09:40court.
01:09:41Come on!
01:09:42Anything you do say may be given in evidence.
01:09:46Layla.
01:09:48We're mates.
01:09:50Do you understand these rights?
01:10:03One of the first things you ever taught me in this job was the importance of patience.
01:10:09Whatever is in front of you, that's only part of the story.
01:10:14Sometimes it takes a long while for the rest to fall into place.
01:10:22Look at you.
01:10:25Look at me.
01:10:30Cookie jar of coaling.
01:10:34I wish I knew I'd come up with that.
01:10:37Because that's stuck.
01:10:41Do you know what the final straw was?
01:10:45Why I resigned?
01:10:53You.
01:10:56I had the whole nick in my corner.
01:10:59And all it took was one person to ask the right question.
01:11:05One person who saw what nobody else could see.
01:11:09Or maybe what everybody else could see but chose not to.
01:11:20Anyway.
01:11:24I didn't teach you that.
01:11:31Tim.
01:11:32Would you take Mr. Cullen down to the custody desk please?
01:11:36To be able to help?
01:11:52To be able to help use the right question
01:11:53But I'm sorry about his people.
01:11:53I'm sorry about Mikhail.
01:11:56I'm sorry about making my life choices.
01:11:57Go to a lot of children, their family.
01:11:57I'm sorry about making my life choices.
01:11:58I'm sorry about making my life choices.
01:11:59To be able to help you.
01:12:00And you wait for a while.
01:12:03Me and the others can make my life choices.
01:13:00Why are we at St Pancras?
01:13:02Five minutes before Benoit Chaban claims to have arrived at the gallery, Astrid took a photo on the same road.
01:13:12So I scoured the passing cars, hoping for a glimpse of the Chaban rolls.
01:13:18I catch Benoit and Roy Cogan out.
01:13:21Okay, so are we meeting someone here or...
01:13:24But I didn't see the Chaban rolls.
01:13:28However...
01:13:28However, what I did see...
01:13:32Was this car passing in the background.
01:13:37Okay.
01:13:38Wow.
01:13:39Good spot.
01:13:41According to his bank statement, he's been renting a locker here from the day before Chris's murder.
01:13:47Ah, yeah, that's why.
01:13:49At least you're not here to stick me on a train back to Exeter.
01:13:53Wrong station.
01:13:54Well, I know that.
01:13:55I was just checking if you knew that.
01:14:12Wow.
01:14:17This is Louisa by Conrad Muller.
01:14:20This morning, as part of our inquiries, we gained access to a locker registered in your name at the Eurostar
01:14:27terminal in St Pancras.
01:14:29It was inside.
01:14:31Here's a picture that was taken the night Chris died.
01:14:34Three minutes after the gallery's alarm had been tripped.
01:14:42That's your car passing.
01:14:44You lied to us.
01:14:46You told us you were home at that time.
01:14:51Chris knew he was dying.
01:14:55We both did.
01:14:58He was so scared.
01:15:03So, stealing Louisa was what?
01:15:06Chris's dying wish?
01:15:08To take it out of the hands of collectors.
01:15:11Return it to his family in Germany.
01:15:15Conrad Muller was his great-grandfather.
01:15:18Oh.
01:15:23Okay.
01:15:25Okay.
01:15:27Run us through the plan.
01:15:30Chris would stage a robbery.
01:15:32My part was simple.
01:15:34Meet him at the back of the gallery, take the painting, drive it to St Pancras in case the police
01:15:39search this place.
01:15:40The next morning, we'd pick it up on the way to Potsdam to Chris's family.
01:15:44So, what did he do with the other paintings?
01:15:48He was going to hide them.
01:15:49I don't know where.
01:15:51I don't know where.
01:15:51Once the dust had settled, he'd make an anonymous call.
01:15:54Make sure they were returned safely.
01:15:56We only took this one.
01:16:00How did you know about the locker?
01:16:03Did you find Chris's bag?
01:16:04What bag?
01:16:05He had it with him.
01:16:07With a duplicate locker key in it.
01:16:10It was never returned with his things from the gallery.
01:16:12I went back to look for it, but I never found it.
01:16:20You said Chris refurbished this place.
01:16:24He oversaw the whole thing.
01:16:32When this was a restaurant, there was a serving counter where a storeroom is now.
01:16:41And at the far end, there was a door leading down to a kitchen.
01:16:49There.
01:17:10Help me shift this.
01:17:19Hang on.
01:17:36Blue paint flecks, like the ones Ashley found on Chris's clothes.
01:18:04Careful.
01:18:05Mm-hmm.
01:18:24I need water.
01:18:26Someone could hide down here for a couple of days.
01:18:36The fessels.
01:18:43In blauen zimmer.
01:18:46Oh, there's a bag here.
01:18:51Locker key.
01:19:02That looks like blood on the collar, doesn't it?
01:19:05Well, there's only one person we know at the gallery wearing a grey jacket like this.
01:19:38So what's all this about then?
01:19:42In the basement of the Chabon Gallery found a bag belonging to Chris Milton Elwes containing
01:19:47a suit jacket which we believe belongs to you.
01:19:51Right.
01:19:52There was blood on it.
01:19:54But I was here. You know that.
01:19:57Mr Hansard, could we see the security footage from that night again, please?
01:20:02Yeah, of course.
01:20:05It's not very interesting. Just a couple of hours of me working out.
01:20:14Could you stand back, please?
01:20:36This video has a timestamp here.
01:20:40Whereas on there, it's at the bottom of the screen.
01:20:45I guess that's just how it exports.
01:20:47It's as if we see.
01:20:56I guess if you're alive.
01:20:57I'm not sure if I forget.
01:20:59I'm a figure of my head.
01:21:00Now, what about your hands?
01:21:01I'm being able to get out of the room for you.
01:21:06I'm feeling the way out of the room for you.
01:21:08I guess I'm asking.
01:21:10I'm running out of the room.
01:21:16I'm just looking at this.
01:21:20Isn't that Chris built in Elwes?
01:21:49So, you and Chris did know each other.
01:22:09When Chris was 12, he got into a bit of trouble with the police, shoplifting.
01:22:16File says he was with a bunch of mates, but they scarpered.
01:22:20Were you one of them?
01:22:23Did you plan this together?
01:22:27I didn't know what Chris was up to.
01:22:32He told me he was going out the back to make it look like the door had been jimmied.
01:22:36I didn't know he was taking a painting.
01:22:40When he came back, I was cutting the canvases from the frames,
01:22:44which made sense.
01:22:46We had to act fast.
01:22:47The alarm was going off.
01:22:49Plus, they're just paintings.
01:22:53Not to Chris, though.
01:22:56No.
01:22:59He went mad.
01:23:08What did he do?
01:23:13We had a fight.
01:23:16I pushed him, but I had the box cutter in my hand.
01:23:20I cut his cheek, which made things worse.
01:23:24I told him he had to calm down so we could work things out.
01:23:28What?
01:23:29What does it matter?
01:23:31If I have cut the paintings, we'll take them anyway.
01:23:33We'll sell them on.
01:23:38But he laughed at me.
01:23:42Laughed at the thought of someone like me mixing in his world.
01:23:45That's how he put it.
01:23:47Someone like you.
01:23:51Someone like you.
01:23:55The way he looked at me.
01:24:02That look in his eyes, I see that a lot round here.
01:24:07Like I'm nothing.
01:24:09Like I'm beneath them.
01:24:14Me and him.
01:24:15We're from the same place.
01:24:18We went to the same school.
01:24:21Our mums were friends.
01:24:22We knocked around with the same mates.
01:24:24But someone like you.
01:24:29Yeah.
01:24:32Someone like me.
01:24:43So what did you do then, Toby?
01:24:48I squeezed that look right off his face.
01:24:57Read him his rights.
01:25:05He's been bringing that idea.
01:25:11He was a little, he was beautiful.
01:25:14He's really a man.
01:25:14He was just a man.
01:25:14He's been doing his life.
01:25:15And he was just a man up to me.
01:25:20He'd be like he's going to play.
01:25:22He was just a man.
01:25:24They were just a man.
01:25:43Oh, Cassie.
01:25:49Rebecca.
01:25:51I assume you haven't replaced me.
01:25:54Oh.
01:25:58No.
01:26:02Good.
01:26:10How are you holding up?
01:26:18Cassie, I'm sorry.
01:26:22Please, can we start again?
01:26:42Astride?
01:26:45To what do I owe the pleasure?
01:26:47I heard you called the man responsible for Chris's death.
01:26:54We did.
01:26:57Good.
01:26:59That's good.
01:27:02Is that why you were calling?
01:27:06I suppose.
01:27:08And I was thinking of going, er, to Richmond.
01:27:12What's in Richmond?
01:27:14The Zindili's family who ran the olive branch.
01:27:18They've opened a new place.
01:27:20Who?
01:27:21Well, that's good to know.
01:27:25I thought I could pay them a visit.
01:27:30Well...
01:27:32Enjoy.
01:27:35You know, I haven't eaten yet.
01:27:40Oh, I'm sorry, I didn't mean...
01:27:43No.
01:27:44Yeah, of course.
01:27:46I read...
01:27:47I read the news and...
01:27:49I wanted to say something.
01:27:50I don't know.
01:27:51Well done.
01:27:57Well...
01:27:59Er, say hello to Mrs. Zindili's.
01:28:03Okay.
01:28:07I mean, if you wanted, I could pick you up in ten minutes.
01:28:13Why not?
01:28:16Can you make it twenty?
01:28:19You're impossible.
01:28:20Fine. Twenty.
01:28:33No, I don't know.
01:28:36Go.
01:28:41It didn't know.
01:28:41What happened to me?
01:28:49It was a long time.
01:28:49Oh, they didn't even notice.
01:28:50You're so scared.
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