00:19From the noise that went up, I think it must be the MGM Lion.
00:24Is it possible that anyone in pictures could create such a roar?
00:28Are you in pictures?
00:37Yes.
00:39It is the lion.
00:41That was a yes.
00:43That was a yes, all right.
00:45Have you ever been in television?
00:51Yes.
00:53Uh, are you male?
01:02How are they going to know it's us if they've got their masks on?
01:05Well, they can't see us, Dean, and they're all covered up.
01:12They never guessed who we are now.
01:14Oh, never.
01:21I'm in it as deep as you are, so is the paper.
01:24You better try something, because in a couple of hours, the whole city of New York will be banging at
01:28the door, howling for your blood.
01:31Jerry?
01:32Huh?
01:34I'd like to run the scene once more.
01:36Oh, yeah, sure.
01:37New York is going to be banging at the door, howling for your blood.
01:41We ain't got enough for everybody.
01:45He isn't coming.
01:49I knocked on his door.
01:54Are you going to say something, or should I?
02:00I'll speak to him, okay?
02:02I apologize for that.
02:03Dean, he didn't mean it, so...
02:06Well, that's fine.
02:06He doesn't have very many lines anyway.
02:08Mostly just repeats what I say.
02:09Perhaps you could run the scene?
02:11Me?
02:11Sure.
02:12Sit down at that table, you dying swan.
02:14I want you to write.
02:16Write.
02:18Write what?
02:19Your suicide note.
02:20Your suicide note.
02:33Sir, your lunch is ready.
02:37Pastrami.
02:38That's perfect.
02:48Dean?
02:53We're running lines in the other room.
03:01I brought us some lunch.
03:09Look, I don't know what to say.
03:12But I guess we should talk about it, huh?
03:19You know, while this door jam is a wonderful conversationalist,
03:22I'd much rather be speaking with you.
03:32Come on in, let's go.
03:33All right.
04:04Well, what's the matter with you?
04:08Nothing.
04:10Say it.
04:15Is this about the review?
04:17Never is about the review.
04:21Look, you can shut me out.
04:23That's fine.
04:25All right, but at some point we will need to talk because that kind of thing can't happen.
04:28All right, we all still have a lot of work to do.
04:29Didn't you say you brought me lunch?
04:31I feel humiliated.
04:34The way you treated me out there, you know that?
04:39I think you're looking at this all wrong.
04:40Oh, do you?
04:41How am I looking at it?
04:43Like a child.
04:44Excuse me.
04:45You're not saying no to the direction.
04:47You're saying no to me.
04:49You're saying no to what I think, to the way that I think.
04:51Man, is that so bad?
04:55It's insulting.
04:56Maybe people ought to try that more often.
05:00Look, I know you don't want to be with me anymore.
05:03I'm not with you.
05:04We're together.
05:05That's different.
05:09You see, when you talk like that, when you talk like that, frankly, I get concerned.
05:14Oh, you get concerned.
05:15I get concerned about how the public will accept you.
05:19If they don't accept me, that's fine.
05:21You know, I'll adapt.
05:23But if they don't accept you as a single, if they reject you, it'll be my fault.
05:30It'll be your fault.
05:31It'll be my fault, and I'll never recover from that.
05:34Oh, I think you'll be just fine.
05:37Maybe it's none of my business.
05:39It is none of your business.
05:40Well, maybe it's none of...
05:40No, shut up about it!
05:41And I beat my brains out trying to make something of myself in this business, and you are no help
05:45to me at all.
05:47And when we're done with this picture, I'm out.
06:00And I wish you the best.
06:01Oh, shit.
06:02Why don't you try acting like a professional for once again?
06:04Professional?
06:05You call this professional?
06:07I have a whole studio of people waiting on you.
06:10You call this for shutting me out, shitting all over my direction in front of everybody?
06:14If you want to do a routine here, let me know so I can go get my shoes.
06:18That's it.
06:20I've had it.
06:21You know what?
06:21I'm so stuck in these contracts.
06:23Every goddamn lawyer tells me how stuck I am.
06:25You're not stuck.
06:26You're afraid.
06:27You're afraid that there's something unsaid between us.
06:30And you know what?
06:35I'm afraid.
06:37I'm afraid that without you, I'm nothing.
06:43And that makes me so angry.
06:52Are you angry with me?
06:56How could I be angry with you?
06:59You're not the one who overlooks me.
07:00You're not the one who cuts me out of pictures.
07:03Well, Dean, you know, if I was in your position, this would have been a long time ago.
07:08Oh, Jesus Christ, spare me the pity routine.
07:10I don't pity you.
07:12I understand.
07:14You know what I think?
07:16What?
07:18I think you should leave.
07:23I go out of my way to tell everyone I want to.
07:25I never asked you to do that.
07:27I don't need you to do that for me.
07:29And I don't need you.
07:37Fine.
07:38I'll go.
07:41Leave the lunch.
07:42It's in the trash.
07:45You know what I see when I look at you?
07:50All I see is a fucking money sign.
08:04Ready for the both of you?
08:12Try not to drink too much.
08:15And remember, we've got a show to do.
08:23Blow me a kiss from across the room
08:29Say I look nice when I'm not
08:34Touch my hair as you pass my chair
08:41Little things mean a lot
08:47Give me your arm as we cross the street
08:53Call me at six on the dot
08:57A line a day when you're far away
09:05Little things mean a lot
09:11Don't have to buy me
09:12And now we come to the very special feature of our program
09:15Are the blindfolds in place panel?
09:18Mystery Challenger
09:19Will you come in, please?
09:29Are you a famous figure in the sports world?
09:34No
09:36Are you a famous figure in the show business world?
09:41Yeah
09:43That was a, yeah
09:46Are you predominantly known for your work in motion pictures?
09:54Where'd everyone go?
10:02That would be a yes and a no
10:05Do you work alone?
10:12Yeah
10:14Are you about to work alone?
10:48What do you have you doing?
10:52Yeah
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