00:02I can't see myself yet.
00:04I haven't analyzed it because I haven't had time to see me in the mirror.
00:09But while I was making my hands, I saw them and it impacted me a little.
00:21We're in New York.
00:22I'm ready for the Met.
00:23I like the New York days.
00:26It doesn't have a difference today or the next month.
00:30I enjoy being in New York.
00:32I'm relieved, I would say.
00:33I'm more relieved from all the responsibilities of the Super Bowl at that time.
00:38In the middle of the era, the Grammy, there was a lot of tension.
00:41It's a relaxed day.
00:44It's a calm day.
00:47I would interpret it as a classic look and elegant look.
00:52It's always been a dream to go to the Met with a custom look by me.
00:58It's something that I feel happy and proud of.
01:03Conting stories sometimes transmits feelings, but it depends.
01:07It depends on the moment.
01:09It depends on what we want to do.
01:11If I look well.
01:12And beyond that, we always seek to add details that identify us,
01:19or tell stories, or tell something about us.
01:22As you mentioned, it's personal.
01:29Benito is very easy to make look handsome.
01:31The theme of our look is using the body, fashion, and art.
01:37Throughout the museum, you will see so many portraits of people at the time.
01:43I think Benito's look mirrors a giant portrait that you'd see on the wall at the Metropolitan Museum of Art.
01:50His look is a distinguished older man, someone who's lived a life.
01:54So, I think using the skin, using the body, using the face as art is where we're landing in a
02:01canvas.
02:02He's a masterpiece.
02:04Key to these things is subtlety.
02:06If it's an alien or a creature or something like that, no one knows what that looks like.
02:10But when you're looking at something hyper-realistic, everyone knows what that looks like.
02:14So, this is the hardest makeup to pull off.
02:17So, these are meticulously glued on while he's sitting in the chair.
02:20I've enhanced the cheekbones, making this look a little bit sunken.
02:24I've added an eye bag in here.
02:29On the day, we glue that on.
02:31So, that's about a three-hour process.
02:33Then, looking and cutting the hair.
02:34He did his hands.
02:35We added knuckles and veins and a translucency of color through the veins.
02:40Sometimes, makeups look like makeup.
02:42You know, they look fake.
02:43Our goal is to keep it so translucent and so realistic.
02:47I designed something to where I use as much of the actor's face as possible.
02:52When they move, it's not just something that looks aesthetically pleasing.
02:56It's a moving art.
02:57I think once all the pieces are glued on, and we start painting the face,
03:02and we start adding reds, and adding little blood vessels, adding little shadows,
03:07that's when it really starts coming to life.
03:08And that's when, today, Benito's eyes lit up.
03:11He's very quiet, but I saw him go, oh, yeah.
03:15I was looking in the mirror.
03:16I saw him light up a bit.
03:23I saw him, just tell you, that's when it comes to beauty,
03:25and it's true to God who is not true.
03:30So, you know, what will happen to you and me see that it's like acting is the birthright?
03:33Like it's funny look.
03:36It's funny, if you've seen it, what has started with a golden age.
03:38You know what it looks like.
03:40You know, what we've seen and what got into it, right now,
03:42you Trapped thepunkt or that got rich and what love,
03:47and how do anything we eat?
03:48including the music, with the intention that each one feels something different, something personal.
03:57So, if we are following the right path,
04:04that at the end nobody knows what is the right path,
04:06but that at least you are doing the things you feel,
04:10so that when you reach this age, you don't regret it.
04:13So, I feel good.
04:17Like if I'm going to be right now and I die,
04:20I'll go to the sky.
04:22Bye.
04:43Bye.
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