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00:00:17Grazie a tutti.
00:00:42Grazie a tutti.
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00:10:15Grazie a tutti.
00:17:22Grazie a tutti.
00:19:17Grazie a tutti.
00:27:18Grazie a tutti.
00:28:21Grazie a tutti.
00:28:23Grazie a tutti.
00:32:58Grazie a tutti.
00:32:58Grazie a tutti.
00:35:28Grazie a tutti.
00:47:03Grazie a tutti.
00:49:04Grazie a tutti.
00:49:29Grazie a tutti.
00:49:52Grazie a tutti.
00:49:55Grazie a tutti.
00:49:59Grazie a tutti.
00:50:07Grazie a tutti.
00:50:09Grazie a tutti.
00:50:10Grazie a tutti.
00:50:15Grazie a tutti.
00:50:27a tutti.
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00:53:18a tutti.
00:53:19a tutti.
00:53:20All the blistones and all hunky-dory.
00:53:23Here, what do you think you're playing at, Knott's and Croce's?
00:53:26They're quaint little places, isn't it?
00:53:28You know, I always come here to study human nature
00:53:31and to drink the best coffee in London.
00:53:34Oof.
00:53:35Which one do you like, Guy?
00:53:37I don't know, really. Which do you like?
00:53:44This one for my money, or rather yours.
00:53:48Trust a woman to pick the best of the bunch, eh, Mr. Jones?
00:53:52How much?
00:53:53Well, as a matter of fact, it's a bit of a bargain.
00:53:57Fifty pounds, and no purchase tax to you, old man.
00:53:59Oh, that is generous.
00:54:01Isn't it a beauty, Guy?
00:54:04Yes.
00:54:05But, you know, I think my young lady would like this one best.
00:54:09It's quiet, I see.
00:54:11It's too quiet, Mr. Jones.
00:54:13It's not nearly such a good stone, and it's dearer. Sixty quid.
00:54:16Really?
00:54:17Really.
00:54:19But this is more refined, like...
00:54:22Well, what's wrong with this?
00:54:26All right. I'll take it.
00:54:34You'll never regret it, Mr. Jones.
00:54:36There's not another like it in the whole of Hatton Garden.
00:54:40Lucky I happen to have it on me.
00:54:41Of course, we don't open on Saturdays.
00:54:44There you are, then.
00:54:46Better count it.
00:54:47No need for that, old man.
00:54:49Pretty trusting for a businessman, aren't you?
00:54:51Ah, that's the secret of good business, to know who to trust.
00:54:55Yes.
00:54:57Well, no hard feelings now, but I think I'll take a look at this by the daylight.
00:55:01Yes, excellent idea. You'll appreciate its beauty, all the better.
00:55:05Is it safe?
00:55:06Yes. Best fakering ever.
00:55:09Who's the mug?
00:55:10On a big prize.
00:55:12Fifty-fifty.
00:55:14Okay.
00:55:16Sorry, but Bron would like this one best.
00:55:19I feel it in my bones.
00:55:29Well, that's that.
00:55:31Now I'll just go and pay the bill, and then we'll get going, shall we, Joe?
00:55:35Do you know what?
00:55:36He's gone and paid 60 quid for a ring that's worth 60 quid.
00:55:41I'll get it back and the rest.
00:55:43We'll make sure of that. I know you.
00:55:45Take him to your flat, and I'll creep at half past eight.
00:55:47Look how, Barney, there's...
00:55:48Never mind that, Barney. I'm gonna make sure you're on the street.
00:55:50Well, goodbye, Mr. Barney, and thank you very much.
00:55:54You've done me a real good turn.
00:56:01Let's go!
00:56:16Let's go!
00:56:17Thanks, Monsieur.
00:56:19Come on, you bar.
00:56:23That's better.
00:56:33What's the result, mister?
00:56:35Result?
00:56:37Who won, ma...
00:56:38You, Cambrian, 16 points to 5.
00:56:41Wales?
00:56:41Wales!
00:56:45But weren't you at the match?
00:56:47Well, no, not quite, see?
00:56:48Funny old day I'm having a no mistake.
00:56:51Come to collect my prize, I did, but did I get it?
00:56:54No.
00:56:54Come to see the match I was, but did I see it?
00:56:56No.
00:56:57You haven't lost a brother by any chance?
00:56:59Haven't lost a brother by any chance?
00:57:01Well, yes, I have.
00:57:03That's extraordinary.
00:57:04Extraordinary.
00:57:04Go on.
00:57:09Oh, my, look.
00:57:12There's not much choice, is there?
00:57:14Ha, ha, ha.
00:57:15Come on.
00:57:30Oh, hello.
00:57:32Oh, it's about the dress in the window.
00:57:34I know it couldn't be more fun, could it?
00:57:37Well, look, I'd like to try it on, please.
00:57:40Would you?
00:57:41Oh, good.
00:57:42Miss Carpenter?
00:57:46Yes, Mrs. Pardieter?
00:57:48Miss Carpenter, this lady wants desire under the elms.
00:57:52Such fun, the names, aren't they?
00:57:55Miss Carpenter, will you take Madam into one of the French fitting rooms?
00:58:00I'm all for French fitting, aren't you?
00:58:03Look, do come and sit down, won't you?
00:58:08Hello, how amusing of you to come in.
00:58:11Dear Mrs. Pardieter, I'm at my wit's end.
00:58:14I've nothing to wear for the blood sports ball.
00:58:17Oh, kill tragedy.
00:58:19Mrs. Simmering, take Madam's measures, will you?
00:58:24Thank you.
00:58:28Oh, dear.
00:58:30Now then, bust, 34, with uplift and gay deceivers.
00:58:36Waist, 23, 23, with waspy.
00:58:39Hips, 36, with two-way stretch.
00:58:44Sir, mortem's ready now.
00:59:00Do you like it?
00:59:02Like it?
00:59:03It's a wonderful fit.
00:59:04Look.
00:59:05Here, look.
00:59:06See?
00:59:06Well, of course, it's just the one dress in the whole of London for you.
00:59:10I mean, it couldn't be more you, could it?
00:59:12Let's face it, it is you.
00:59:14Oh, but I wasn't thinking of it for this lady.
00:59:17It was for another lady, see?
00:59:21And it wouldn't do for her at all.
00:59:24I can't imagine this at the chapel social.
00:59:27No.
00:59:47Did you like me in that dress, Di?
00:59:50Not half.
00:59:51You looked lovely.
00:59:53It fitted perfectly, too, didn't it?
00:59:58Well, what shall we go and do now?
01:00:00Anything else you'd like to see?
01:00:02No.
01:00:04Couldn't we go somewhere quiet, like?
01:00:07Just you and me, on our own sim, see?
01:00:10We could go and have a cup of tea at my flat.
01:00:13It's not very far from here.
01:00:16It's not very far from here.
01:00:17Then what are we waiting for?
01:00:27Now, this is what I call cozy.
01:00:32Where's this picture of?
01:00:34One over the fire?
01:00:36Switzerland.
01:00:37I cut it out of a magazine at the hairdressers.
01:00:40Looks a bit like Money the Marchog.
01:00:41Only Money the Marchog's green.
01:00:43What is?
01:00:44Your valley?
01:00:45No, Money the Marchog.
01:00:46It's a mountain back home.
01:00:48Oh.
01:00:51Tell me about your home.
01:00:54Oh, a tidy little house we've got.
01:00:56And a tidy little place as Harvard.
01:00:58Plenty going on, you know.
01:00:59So, you'd like it.
01:01:03Would I?
01:01:04Ah, you'd like the mountain.
01:01:07Old Money the Marchog.
01:01:09Rises right up into the clouds,
01:01:11straight out of our backyard.
01:01:14Grand place for whippets up on the top there.
01:01:17Sounds lovely.
01:01:20Fresh somehow.
01:01:22Tom and I go up the river for trout.
01:01:24Early on a Sunday, before chapel.
01:01:28That's when you hear the lark.
01:01:31Gee, there's glory for you
01:01:33when he's singing in the morning.
01:01:38Joe.
01:01:40Hey, Joe, what is it?
01:01:42What's the matter?
01:01:43Don't look at me like that, darling.
01:01:47You'll have me coming back to
01:01:49have it and watch it with you.
01:01:52Well, there's an idea.
01:01:54Why don't you come?
01:01:56Come tonight.
01:01:59I was only joking, darling.
01:02:03Were you?
01:02:05Mom.
01:02:11What about it now?
01:02:13Tomorrow morning we could be home.
01:02:15Walking up from the station.
01:02:17You and me and Tom.
01:02:20It's a pipe dream, darling.
01:02:22But why is it?
01:02:24I've got the money for your fare and everything.
01:02:28Well, that would be wonderful, but, uh...
01:02:31Well, I can't just leave like that.
01:02:35Tonight?
01:02:36Oh, I see.
01:02:39Well, then I've got it.
01:02:40I leave the money with you.
01:02:42And you come on when you can.
01:02:47You're very sweet, darling.
01:02:50She'll get much too fond of you.
01:02:54I don't look out.
01:03:01Now, look here, mister.
01:03:03I'm not complaining, mind.
01:03:04But I've been chucked out of your office.
01:03:07I've missed the match.
01:03:08I've had to pawn my dad's gold watch.
01:03:10And I've lost a brother.
01:03:11And if it's the same to you,
01:03:13I'd like you to start finding him, see?
01:03:16Because him and that gold watch
01:03:17have got to catch the 925, see?
01:03:20A very funny position you could be in.
01:03:22Claim for damages, I shouldn't wonder.
01:03:24There's no need to take that, Tom.
01:03:40Well, look where we are.
01:03:42Come on, time for a quick one.
01:03:44Quite, Jane, quite.
01:03:45But have you got the address?
01:03:47I was to have done a story on her.
01:03:50Yes, here she is.
01:03:51Wait a minute.
01:03:54Suffolk Gardens.
01:03:56Oh, blow, the number's torn off.
01:03:58Very well, number something,
01:03:59Suffolk Gardens.
01:04:00So, what's going on?
01:04:01That girl with the wealth minor,
01:04:03she's a wrong'un.
01:04:04But our Mr. Wimple's on the trail.
01:04:06Well, now, Wimple, that's the stuff.
01:04:08The echo protects his prize winner, eh?
01:04:10And the other brother?
01:04:11Sitting safe in my car right this moment, sir.
01:04:14Two pints of bitter, please, governor.
01:04:16And a couple of large gins, governor.
01:04:17Right.
01:04:19Oh, well.
01:04:20Good night, all.
01:04:21Hey, hey, that's my hat.
01:04:22No, it's my hat.
01:04:23Made a mistake, man, my hat.
01:04:24Oh, well, give me mine.
01:04:25Leave it alone.
01:04:26That's my hat.
01:04:27Hey, which is your hat?
01:04:28Don't be daft, man.
01:04:29Give him his hat.
01:04:30I haven't got his hat.
01:04:31He's a liar.
01:04:32Who are you calling a liar?
01:04:36No, no, no, no, no, no, no, no, no, no, no.
01:04:39Give him a Cena.
01:04:41Give him a supper.
01:04:51Oh, keep in the Không Sris.
01:04:53Shut it up, will you?
01:04:54Keep in the lows.
01:04:55Don't take him loose.
01:04:57No, no, no, no, no, no, no.
01:05:01No, no.
01:05:01No, no, no, no.
01:05:02No, no, no, no, no, no.
01:05:02No.
01:05:11Excuse me, does a young lady called Jo live here?
01:05:15Yes, I'm Jo.
01:05:25You'll have to leave me your address.
01:05:28We won't pick out the best train.
01:05:31Right.
01:05:33Oh, and be sure you're in the station to meet me.
01:05:36I don't want to get lost in the jungle.
01:05:39I'll be there.
01:05:43Don't sound very enthusiastic.
01:05:45I'm going back on your invitation.
01:05:48No, no, of course not.
01:05:50Oh, we'll have a wonderful time.
01:05:54Is there a cinema?
01:05:56Yes.
01:05:58We go every Friday.
01:06:00You and your brother?
01:06:03What?
01:06:09Gone all strong and silent.
01:06:20Plenty of time. What's the matter?
01:06:25Perhaps it was a pipe dream, Jo, like you said.
01:06:29It wouldn't really work, you know. You're coming back to Harvard.
01:06:33A few minutes ago you were all for my coming.
01:06:36Now you say it won't work.
01:06:38Why won't it?
01:06:42Why won't it?
01:06:46Why won't it?
01:06:46Well, it wouldn't be fair in the first place.
01:06:50You see, there's bronze.
01:06:54You've remembered her all of a sudden, have you?
01:06:57Yes.
01:07:03You know, Jo, you're the sort of girl that blots everything out of a fellow's mind, for the time being.
01:07:12For the time being.
01:07:15Thanks very much.
01:07:21You're so lovely, see.
01:07:25But Jo...
01:07:26Get out.
01:07:29Do you hear me? Get out.
01:07:33Okay.
01:07:36I'm sorry.
01:07:44Don't be an idiot.
01:07:46I didn't mean it, darling.
01:07:49I was disappointed. I've lost my temper.
01:07:53No, no, no, no.
01:07:54Come and help me to wash up, and then we'll get going, eh?
01:08:11No hard feelings?
01:08:14Really?
01:08:15Of course not.
01:08:24Oh, it can't let you spoil your best Sunday go-to meeting.
01:08:27There.
01:08:27Thank you.
01:08:32Here, I'll tie it for you.
01:08:34There you are.
01:08:37Well, you could always get a job as a nippy, couldn't you?
01:08:42My dear, it's the one apron in the whole of London for you.
01:08:45Well, it couldn't be more you, could it?
01:08:48Well, let's face it, it is you.
01:08:51Well, I'll go and get the cup.
01:08:53Or you'll have to let the water run a bit before it'll get hot.
01:09:10Jo!
01:09:14Coming!
01:09:17Is the water hot yet?
01:09:18That dress you tried on.
01:09:19Uh, the one they called, um...
01:09:21Love on the Dole.
01:09:23Take these.
01:09:25Well, I'd like you to have it.
01:09:27You looked a proper picture in it.
01:09:29Did I?
01:09:30Really?
01:09:32The young lady said that it might have been made for you.
01:09:35I bet she says that to all the girls.
01:09:39Anyhow, it wasn't.
01:09:41Was it?
01:09:42Well, I want you to have it.
01:09:44Something to remember me by.
01:09:50What?
01:09:51Just like a taffy.
01:09:53Never open-handed till the shops are shut.
01:09:58Well, I know they are.
01:10:01But it doesn't matter.
01:10:02I'll give you the money, see?
01:10:03I'll give you the money now.
01:10:10No.
01:10:10No time for washing up, after all.
01:10:13But you said that...
01:10:14All we'll talk about as we go along.
01:10:15Here we are.
01:10:16Yes, but look now, it won't take...
01:10:17Oh, you can't go out with that thing on, can you?
01:10:22No.
01:10:22But look, I want to give you the money.
01:10:23Well, you can give it to me at the station.
01:10:29No time for anything, all of a sudden.
01:10:34It's time for this.
01:10:53It's a creep.
01:10:58What in the name of goodness do you think you're doing?
01:11:01Am I in time?
01:11:02Well, you have plenty.
01:11:03It trains 925.
01:11:04Let go.
01:11:06Well, what about her?
01:11:08Nothing but a confidence, trickster.
01:11:10Where's your money?
01:11:11Here.
01:11:22What did I tell you?
01:11:25No, no. Let her go.
01:11:27But your brother's money.
01:11:29My tombs.
01:11:53No, no.
01:11:54Two or three only.
01:11:59Hey!
01:12:00Sorry, sir.
01:12:01Get your ticket, please.
01:12:03How much?
01:12:04Two or three only.
01:12:10Get your ticket, sir, please.
01:12:13Righto, then.
01:12:14Sorry.
01:12:15House full.
01:12:16Queue in all parts.
01:12:29Millions of hearts have been broken
01:12:35Just because these words were spoken
01:12:41I love you, yes I do
01:12:44I love you
01:12:47If you break my heart
01:12:51I'll die
01:12:54So be sure it's true
01:12:57When you say I love you
01:13:03It's a sin to tell a lie
01:13:09It's a sin to tell a lie
01:13:09I love you, yes I do
01:13:10I love you, yes I do
01:13:23I love you, yes I do
01:13:28Tom!
01:13:33Tom!
01:14:03No, no!
01:14:09No, no!
01:14:35I'll hear live with me on Tawelu
01:14:42Are you alone?
01:14:53Love, fear not, if sad thy dreaming
01:14:59All through the night
01:15:07Orcast bright stars are gleaming
01:15:12All through the night
01:15:16Joy will come to thee at morning
01:15:24Night will smile, the hope of morning
01:15:30Those that dreams may give the morning
01:15:38All through the night
01:16:10One at two and three, sir
01:16:29And so, ladies and gentlemen
01:16:31I have great pleasure in presenting these valuable, handsome boxes of cigars
01:16:38Cigars? Never use them!
01:16:40He wanted cash
01:16:41I have great pleasure
01:16:42Mr. Jones, you're trained
01:16:43Ah, there you are!
01:16:45Hey, where have you been all this time?
01:16:47I'm doing Mr. Sliplanker
01:16:48What about my watch?
01:16:49There's not much time
01:16:51Well, come on then
01:16:51There's only cigars here
01:16:55Where's the eye?
01:16:56He was here a minute ago
01:16:58Where's the girl?
01:17:09Oh!
01:17:29I can't
01:17:29My dad's gone
01:17:30Watch!
01:17:31This gentleman's got the money
01:17:33Closed, I tell you
01:17:34But I gotta catch my train!
01:17:41Thy...
01:17:42Thy...
01:17:42Let me explain
01:17:43It's a bit lit for that, isn't it?
01:17:49I saw you, you dirty backstatter
01:17:51You!
01:17:54Come on, you!
01:17:57Do you look at the time, man
01:18:03Come on, man, come on, come on
01:18:05Twenty-two pound ten
01:18:07Gentlemen's beg
01:18:10Stop!
01:18:11Stop, thief!
01:18:22My heart!
01:18:24My lovely heart!
01:18:25Talk to him!
01:18:27Why...
01:18:29If your rotten windows damage my heart
01:18:31Help!
01:18:33Help!
01:18:34Smash and grab!
01:18:35Police!
01:18:36999!
01:18:37Stop that man!
01:18:43Come on!
01:18:43I beg your pardon, boy, Bach
01:18:44Am I on the right route for parting to–
01:18:46Yes!
01:18:46Straight down
01:18:47Stop!
01:18:49Come!
01:18:51Come!
01:18:52Come!
01:18:53Come!
01:18:53Here, give her to me
01:18:54This way
01:18:59Hi, you!
01:19:00Stop!
01:19:01Hi!
01:19:02Stop!
01:19:06Stop!
01:19:14Stop!
01:19:17Stop! Stop!
01:19:20Stop! Stop!
01:19:21You are you, Geoff?
01:19:23Stop! Stop! Stop him!
01:19:37Sì, qui?
01:19:39Sì, qui?
01:19:39Sì, qui?
01:19:41Sì, qui?
01:19:43Sì, qui?
01:19:43Stop that man!
01:19:45Stop the backsnatter!
01:19:47He's got that lady's handbag!
01:19:48Get him out! Get him out! Stop!
01:19:52Stop the backsnatter!
01:19:54Oh, no, you don't!
01:20:00Well done, Tom.
01:20:02There goes your hundred quid.
01:20:07Goodbye, Taffy, dear.
01:20:16Oh, for crying out loud, what do you want to do that for?
01:20:18I don't know.
01:20:20You rotten little crook!
01:20:22Never mind, Barney.
01:20:23I won't do it again.
01:20:27It was worth it, anyhow.
01:20:30It's no good.
01:20:31It's no good. I saw you grab it.
01:20:32You can't arrest me, officer.
01:20:33I'm a gentleman of the press.
01:20:34You're not trying to tell me it was your bag, are you?
01:20:36No, of course not, but the money in it...
01:20:38Oh, I see. It was your money, was it?
01:20:41Well, no, it wasn't exactly, but...
01:20:43Not your bag? And not your money?
01:20:45I can explain everything.
01:20:47Really, I can. Oh, where are they?
01:20:51Where's who?
01:20:51Never mind, officer. Never mind.
01:20:55Have you a nice quiet cell where I could write my story in peace?
01:21:02Well, the next thing is, who can tell us about the match?
01:21:06Well, I.
01:21:07Let's get our story straight.
01:21:10Well, Tarot, what about poor old Hugh?
01:21:13He never even said goodbye to him.
01:21:42He never even said goodbye to him.
01:21:43For the best day of mine.
01:21:46For the world is so wonderful heavy.
01:21:50I'm so glad you were to be with you.
01:22:10Grazie a tutti.
01:22:34Grazie a tutti.
01:23:06Grazie a tutti.
01:23:28Grazie a tutti.
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