- 7 hours ago
Igra sudbine - 1767 epizoda NOVO
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TVTranscript
00:00.
00:20Hello.
00:22Hello, this is for you.
00:25What is inside?
00:26You don't need to know.
00:27Okay.
00:29Where do you need to bring?
00:31You need to bring to business club.
00:34Right.
00:36You have one thing.
00:37I'm so sorry.
00:39I'm so sorry.
00:41When are you shaking?
00:45Are you shaking me?
00:48Do you want me to talk about this situation?
00:52Nothing is happening.
00:53It was not, mother.
00:54Wow.
00:59Why are you taking care of us?
01:01You're wasting something schle irregularly.
01:03Never in life.
01:07That's what you want on?
01:09I like it.
01:11I ask you?
01:12That's what you want on.
01:13And the Earth is calling me on.
01:14That is what you want to see.
01:19I just have to find a solution for that.
01:22Yes.
01:23You have to find a solution for that.
01:26But you don't go to solarium, friends.
01:29What solarium? Where will I go to solarium?
01:32Where will I go to solarium?
01:40Let's try to stop thinking.
01:42I don't think it will be easy.
01:44Did you succeed?
01:46Unfortunately, not.
01:48What do you think I'll call Nadu to help?
01:51It's not a bad idea.
01:53Nadu came to ask for a vrtić.
01:55She wants to work.
01:57I'll call her.
01:59Let's hear it later.
02:02Diana?
02:04I'm here to tell you to understand your friend
02:06because she's in front of her hand
02:09and she won't be able to go.
02:12And now I don't believe anything.
02:15I'll wait to hear you.
02:17There's a connection with Lengi Velicki.
02:22Why?
02:24And then I'll call her.
02:26I'm trying to find her.
02:28I'm trying to find her.
02:30I'm trying to find her.
02:33I'm trying to find her.
02:35I'm trying to find her.
02:37I'm trying to find her.
02:40This one's a great deal.
02:40Listen to me.
02:42This one's a little bit of a doubt.
02:46Don't forget it.
02:47Don't give her a hand.
02:47Let me tell you Raspinable.
02:49In the church!
02:50God will you be here!
02:51Anonymous alcohol.
02:52God will you be here for today.
02:55Find out the church on Raspinable.
02:58So I'm going to find my hand.
03:03Yes. You found me, yes?
03:08Good.
03:11Good.
03:14I'll do everything, as you said,
03:17and for you, and for Mr. Velibor.
03:20Mr. Velibor?
03:22Yes.
03:24What are you talking about?
03:27What did you know?
03:30Nothing.
03:33I've asked myself what I want.
03:38Someone, someone needs something to know.
03:42No one knows anything.
03:47You're a bit nervous, dear.
03:49Something doesn't go well on the job.
03:51Everything goes as it needs.
03:52It's nice to hear.
03:54And for me, everything is ready.
03:56Why?
03:57For our success, of course.
03:59I don't know.
04:01I don't know.
04:02I don't know.
04:02I'll leave the money.
04:03I'll leave the money.
04:17I'll leave the money.
04:19I'll leave the money.
04:20How do you think?
04:21What do you think?
04:23For the beginning, you will sleep on the couch.
04:27I?
04:28You?
04:28On the couch.
04:29I'll leave the money, I'll leave the money.
04:30What?
04:31I'll leave the money.
04:33I'll leave the money on the couch.
04:37Put him there, behind the scenes so no one can see him.
04:40Okay.
04:41Someone will come to him.
04:44Wait, I'm not going to fall in love because of you.
04:47Take the cover, bro.
04:49Believe me, it won't fall into your body's head.
04:53Don't worry about it.
04:54Take it there and don't ask more.
05:05Hello?
05:07My brother is in the business club.
05:29The lives are in the space of the land.
05:34They say that life is not fair.
05:38Sometimes it's a good time, but often it's a good time
05:43And everything is not clear, but it's a good time
05:52Like in love and in war, there is no way to do it
06:02You have one life, only one chance
06:05To become one of the people, because it's a good time
06:13I play a game like a circle of happiness
06:19Someone wants, someone doesn't want to
06:24Like in the sea, the world will be changed
06:28And we are all the ones who are looking
06:33So you should be there
06:35You are all the one who is
07:15Do you know the name of Velibor Topić? Do you know anything about him?
07:22I don't know who he is.
07:26Do you read the news? Do you know what is happening around you?
07:29I don't know. Is it a known personality?
07:38In the rubric of Crne Chronique, it's true.
07:43Topić, I don't know.
07:47I read some of the members about him.
07:51What does he write?
07:54He writes about food.
07:57He writes that it was a very big and important event.
08:02Is it interesting?
08:05There is no one photograph.
08:07That's good for you. It's normal for people like this.
08:10He writes that he left his family.
08:14Okay.
08:15His son and his daughter.
08:17Okay, that's good for you.
08:18It's a weird thing that someone has a family.
08:20It's not a weird thing.
08:22But it's obvious that this family is hidden.
08:26I think they didn't want or they didn't want to participate in the food.
08:33Do you know why?
08:36No.
08:36No.
08:38I have the only part to crack a piece of food that is linked to work.
08:43Is it possible to crack the pieces?
08:46No.
08:48No.
08:50No.
08:51You don't care.
08:52You will have time to understand it.
09:11I don't understand.
09:13I don't know what to do.
09:14The money is found in the business club in Shanka.
09:18Listen, tell me, where are you from?
09:21It's not important.
09:23What is it?
09:24It's important.
09:24It's important.
09:24It's important, it's important.
09:25It's important that the whole amount is here.
09:28Where are you now?
09:29In the business club.
09:31Take the car.
09:32Yes, the car has a number.
09:34Really?
09:35The most important.
09:37Don't worry about the number. Just take the car.
09:57What?
09:58I'm sorry.
10:01Give me a car.
10:02What car?
10:04A car that I gave you.
10:07How do I give you a car?
10:08Give me a car.
10:11You're doing all that.
10:12I'm going to go with the car.
10:14I'm going to go with the car.
10:16Don't give me a car now.
10:19I'll do it again.
10:21Give me a car.
10:27ökif wollte.
10:32You're making more mangoes,
10:33understanding about it?
10:37This is what I start making mangoes.
10:44You're all kind of mangoes...
10:45Those are some mangoes.
10:59What do you want to say?
11:02The name is Topic. Is it known to you?
11:07The only one who I know is that name is Suna.
11:12It's interesting coincidence, isn't it?
11:15It's not a common name, but...
11:18It's strange that they have the same name, but they are not in trouble.
11:20Okay, maybe you're right, maybe it's like you're saying,
11:24but when I take all the other details, it's strange.
11:29I don't understand what you think.
11:31Did you meet his brother?
11:33Yes, he was in the visit.
11:35I heard that he was talking about.
11:37Is he the same name?
11:39I don't know, I didn't ask him.
11:42Okay, there's a better way to do it.
11:45Listen to Valja,
11:47Do you have to come back to contact with the former employees?
11:51No, it doesn't come up.
11:53Why?
11:54Because I don't need to mix them up in whatever it is.
11:58In other words, Suna does a good job.
12:00Is that not the most important thing?
12:01You're saying.
12:03That's interesting.
12:05Why did you do that, Valja?
12:07Why did you do that?
12:19Okay.
12:21I don't know who he is.
12:23How did you do that?
12:24Because then, you have to come back.
12:25To be honest, that's not his hand.
12:26If he comes back with his hand and he's like,
12:27he's taking away from the other side.
12:27I'm sure he's taking away from his hands.
12:30And then he's just making his hand.
12:33He's got to go to bed.
12:34He's trying to make his hand and do it.
12:34Then he's stepping back to his hand to his hand.
12:35He's taking him immediately after he's walking back.
12:36And then his hand will change up in a way.
12:38And now it's very important to shoot, always shoot, and now because we don't have to count on the strength,
12:44it's important to be precise.
12:45So shoot, shoot into the plexus, and then you get out of the air, understand?
12:50Yes, not from the strength, but from the globe.
12:54That's right, so you take it, take it, shoot and shoot.
13:00Let's do it.
13:00Yes, I ask you, I don't want to do it.
13:04I don't want to do it.
13:06You have to try it.
13:08Practical?
13:08Yes.
13:10Asija, God will never use them.
13:15Yes, I think that if I do not do it, I want to be prepared.
13:23What will you do?
13:25What will you do?
13:27I'm going to go on to the training for the same.
13:30I don't want to do it.
13:33They really like me.
13:34Well, I'm happy because of you, but...
13:38I...
13:39I...
13:39I...
13:40I've got to do one...
13:42One...
13:42One...
13:43One...
13:44One...
13:45One...
13:45One...
13:45One...
13:46One...
13:46One...
13:47One...
13:47One...
13:48One...
13:48One...
13:48One...
13:50One...
13:54One...
13:55One...
13:55One...
13:56Two...
13:56One...
13:56One...
13:58One...
14:11No, I don't want to stop any contact with Vitamira, any kind of contact.
14:17What? Why is he not a job?
14:20He has just used the situation, he has just used the situation.
14:23I don't want to think he can return to his life.
14:26That's right, you won't have to do it.
14:31You've already done a lot of this for this company.
14:34Some of you would say that you would do it.
14:35Some of you?
14:37But not the teaser.
14:40I'll stop.
14:43Everything is okay, I'll finish with Vitamira.
14:45He will surely tell me everything we need to know about him.
14:50You can go home, you're free.
14:52Thank you, Gabriel.
15:05He will be crazy.
15:06Come on, Morton, hello!
15:10Come on.
15:11Come on.
15:13Come on, Matilda's room!
15:14Come on!
15:19Watch it, Jug.
15:21Can we finish the university of the city?
15:25Well, you're right all.
15:26Yes.
15:27Where are you now, Asija?
15:29I'm thinking about it and I think it's great to talk with Vukashir.
15:33Please, Vukashir, what is this?
15:37What?
15:38I'm sorry.
15:39You work in the police?
15:41Yes.
15:42You're doing it.
15:43What am I doing?
15:44I like it.
15:45But why, Asija?
15:46What's wrong?
15:48I don't understand.
15:48You work in the police.
15:49No, nothing.
15:52I just want to take care of myself.
15:57Do you want to tell me that I don't want to start with you?
16:01No, I don't have to say that.
16:05Only, life is different.
16:09You've suffered a lot of torture.
16:12You didn't want to fight with you and protect yourself.
16:17I don't want to experience your life.
16:19And if something happens, I want to be prepared.
16:23I physically and mentally.
16:27I hope you understand me.
16:29Sorry.
16:31Wait, Mom, I didn't think so.
16:40I'm sorry.
16:42I'm sorry.
16:44I'm sorry.
16:44I'm sorry.
16:46I'm sorry, my brother.
16:47Don't ask me.
16:48What's wrong with you?
16:50You're right.
16:51How do you know? Did you know something about Velibor?
16:55Of Velibor, unfortunately, I don't know.
16:58Nothing.
16:59Nothing new.
17:00The relationship with everyone already knows.
17:02You know, a man is dead, but he is dead.
17:04There is no one here. God knows what to know.
17:06The situation is quite unpleasant.
17:08In which sense?
17:10I can't do that via the phone.
17:12How do we go?
17:14We need to see each other so we can see each other.
17:17Okay. Then we will do that.
17:46So, that's all.
17:48So, it's done.
17:49I don't know.
17:51I have given the money to the owner.
17:53And?
17:56They didn't have any information or anything.
17:58Wait, wait, wait. Is everything done?
18:02I don't know.
18:04He gave him the money to the owner,
18:08but he didn't have any information.
18:10Do you think that something happened?
18:12I don't know.
18:13Do you think that something happened?
18:15I don't know, I don't know.
18:16You can understand it.
18:18Someone is asking me to be nervous.
18:19What is this?
18:21I have to ask you something.
18:37Are you ready for the time?
18:40Yes, yes.
18:42I don't know if you want to go back then.
18:44Is your professor Olga?
18:46You live in the village of Žegovic.
18:49Yes, that's where you live.
18:52My professor Olga is the place.
18:57She lives in Žegovic.
19:00She lives in Žegovic.
19:01I understand you?
19:02I understand.
19:04Bebice, there's no need to be loved.
19:07I'm going to go. I'm going to go quickly.
19:09I'm going to finish.
19:11Okay, take this one.
19:12No, you don't have to do that with your hands.
19:15You have to take your hands.
19:18You have to take your hands.
19:20Take your hands and take your hands
19:22and take your hands to your professor Georgi.
19:25Hands?
19:26Yes.
19:30What am I going to say about you?
19:34All the single ladies.
19:36All the single ladies.
19:39All the single ladies.
19:41All the single ladies.
19:42All the single ladies.
19:43Here are your hands.
19:44Great.
19:46Yes.
19:47Put them on your hands.
19:49Okay.
19:50I'm putting them.
19:51Here.
19:53One.
19:55Here.
19:58The second.
19:59Here.
20:01Now hold the piano.
20:02Okay.
20:03And you'll be able to write the paper.
20:06And you'll be able to write the paper.
20:08What do we do?
20:19Let me tell you.
20:20What do you want to ask?
20:23What do you want to ask?
20:23How do you know?
20:25How do you know?
20:25How do you know?
20:26They won't be able to give you the money.
20:30I don't know.
20:31That's why I hired him.
20:32That's why I hired him.
20:33He had to pay the money.
20:35And that we have to pay for the money.
20:37And that we have to pay for the money.
20:38And that we have to pay for the money.
20:43What is your name?
20:44What do you want to say?
20:46I want to say.
20:48That if you don't have to pay for the money,
20:52Then you will have to fall.
20:53On the way you have to fall in the job.
20:54What the job?
20:55The job.
20:56The job you have to save yourself.
20:58In the middle of this.
20:59In the name of this.
21:00The job.
21:01In the name of this.
21:06I told you to hear Viktora, not to take care of my face.
21:09Don't let me know what I said to you.
21:12I didn't think anything wrong. I told you to take care of what to do.
21:15To hold on to that.
21:29I hear you. It's very important to hear me now.
21:33I hear you.
21:34It's very important that you don't leave any pressure on that cover.
21:39Okay.
21:40I understand.
21:41I understand.
21:41I'll take that cover.
21:43Wait, wait, wait.
21:44What do you mean?
21:45What do you mean?
21:48What do you mean?
21:49What do you mean?
21:51What do you mean?
21:52Tell me that you have an infection in your hand.
21:55I don't want to tell you that you have an infection in your hand.
21:58Okay.
21:59Tell me that you have seen that different dancers wear it and then you try new style.
22:03as if you have an infection.
22:07Okay.
22:08It's not a bad idea.
22:09It's fine.
22:09Okay.
22:10What's going on with this letter?
22:11This letter will you leave somewhere in the village of Žegović.
22:14But it's very important that no one of the family doesn't see that you do it.
22:17You mean I'll save him?
22:19No.
22:19You don't have to save him.
22:20You have to leave him somewhere.
22:22I know he won't find him immediately, but he'll find him after some time.
22:28Do you understand?
22:28Okay.
22:29Is it possible to do that?
22:31I can.
22:34I can.
22:35I can.
22:47I can.
22:49I can.
22:50I can.
22:50I can.
22:50I can.
22:51I can.
22:52I can.
22:53I'm my pretty sister from Strnagore.
22:56She's not born, but she loves when we're born.
22:59She's nice.
22:59I can.
23:00She's nice.
23:01I have been so nice with my sister.
23:02She was really nice to meet you.
23:05Yes.
23:06Stella is a real face, you'll see.
23:08When you know yourself, you have to click on it.
23:11I'm almost there. We need to do some photography for Lenkin brand.
23:15Oh, great. Where is Lenka?
23:21What happened?
23:24Well, Lenka...
23:25Lenka didn't stop.
23:28How did she stop?
23:30We were together.
23:34Well, we didn't stop.
23:36I don't know how it happened.
23:38We were together.
23:40We ordered food.
23:42She came to take the food.
23:44And she didn't return.
23:46Are you serious?
23:48The most serious.
23:49How is it possible?
23:52It's possible.
23:54And the police?
23:56What are they saying?
23:56Do we have some doubt?
23:58No, no.
23:59No, no.
24:00My hope is...
24:01We're waiting here.
24:02We're waiting for any information.
24:03But now, for now...
24:04No.
24:06We didn't know anything.
24:08I'm calling you to the house.
24:10Let's go.
24:12Let's go.
24:13Let's go.
24:14ラッ
24:25What's up,お願いします?
24:26The Thing's very difficult and we don't haveád time for your reasons.
24:29Ok, let's write our own rights.
24:35Okay.
24:36What are the title?
24:38The title is to tell you about what you're doing.
24:41Why are we crying? Why are we wearing this letter?
24:45It's not time for that.
24:47It's not time.
24:49Then I won't.
24:52Why won't you?
24:53I won't wear a letter.
24:55I want to tell you what it is.
24:57I'm not an idiot who will look at you
25:00like the body of the door and listen to you.
25:03Do you understand?
25:07Okay.
25:09You just wanted to.
25:10I wanted to.
25:11Yes, I wanted to.
25:12Tell me.
25:13One woman is close to Alekseo Žegović.
25:19In that letter,
25:23there is a request for a purchase
25:25from Alekseo Žegović.
25:27Do you understand?
25:29Okay.
25:30And when he will pay the huge loan
25:33that is required from him,
25:35then you and I will go wherever you want
25:38and you will tell me
25:40if you want this,
25:42I will buy it.
25:44Then you say if you want this,
25:46I will buy it.
25:47I will buy it.
25:48If you want all this,
25:49I will buy it.
25:50I can't believe it.
25:50What do you want?
25:53What do you want,
25:54what do you want…
26:01What do you want,
26:03what do you want?
26:04What do you want?
26:15What do you want?
26:16What do you want, my sister?
26:20Good, baby.
26:22And wait, you don't want to wait for the next time.
26:25You're right.
26:26Come on, come on, come on, come on.
26:32Baby, please?
26:35A letter.
26:37Oh, yes.
26:38A letter.
26:40A letter, yes.
26:42Hi, baby.
26:46Hi.
26:46Wow.
26:48Let's do it.
26:49All the rich ladies.
26:52All the rich ladies.
26:54All the rich ladies.
26:57All the rich ladies.
27:11All the rich ladies.
27:15That's how it is.
27:16That's how it is.
27:17Now we are a little bit of Stella and I.
27:19Atelier.
27:20I truly hope that everything will be solved.
27:24The fact that now, no one has left.
27:27And we are all in the work that they are working every day, no.
27:30I can't really do it.
27:32I can't believe that how you are.
27:35You can believe that how you are looking at the jump.
27:51Yes, I am, but it wasn't.
27:54We are really necessary to help.
27:58I know that you want to do another job.
28:01I heard that you plan to play a game.
28:06But nothing needs to be changed.
28:08Yes, but just to decide.
28:09Yes, to decide.
28:11It's not necessary for someone to be able to save someone.
28:16Someone to be able to save someone.
28:20You are ready for our day.
28:37I'm ready for your birthday.
28:39I'm ready for your birthday.
28:41I'm ready for everything, Olga.
28:42Everything that you told me.
28:44Skale, dancing, tonalities, everything.
28:47Super, super.
28:47It's nice.
28:48You just don't need to be prepared for your voice.
28:51Don't be afraid.
28:52I'm ready for my own voice.
28:55Why are you on your hands?
28:57I hope you didn't start to emit your hands.
29:00No, no.
29:01I'll tell you, Olga,
29:04I'm ready for my first billboard.
29:06I can see you once.
29:08I'm ready for that billboard.
29:11I'm ready for the billboard.
29:13I saw you around here.
29:14Here are some small little sign signs.
29:18I don't know what I mean.
29:20I'm telling you,
29:21I, Ksenija, no need to get out...
29:23...mere to be in the body of your body.
29:27A botox ruku is the first time in my life.
29:31Yes, that's why I'm going to put my hands on my hands.
29:34I'm going to pay attention to my hands.
29:37I'm going to tell you that you are now generation.
29:40All right, I'm going to be nice as they are.
29:44Well, I'm going to know what you're doing.
29:48Let's start with the time.
29:48Let's start with the time.
29:50Moves.
30:05What is your name?
30:06Oh, boy.
30:07I was really upset about your demands.
30:11I even lost my hands.
30:13I think I'm not being amazed.
30:15We don't have anything else to do with this.
30:18I'm going to lose my head.
30:21But I can't even let myself do it now,
30:23I don't know what would happen to me now. I don't know what would happen to me now.
30:29Nada, you are the only one who is here.
30:31Ok, ok. Ok, ok.
30:37Ok, ok, ok.
30:38Ok, ok.
30:40Pristage?
30:40Pristage.
30:41To, Nada! Legend!
30:43Nada! Nada! Nada!
30:46Thank you so much. I won't forget it.
30:48There's nothing to thank you.
30:50I see that we are in chaos and we will do everything to do.
30:54And that's how Alex didn't have to tell us about this.
30:57So it's all about us.
30:59And we didn't have to tell us about it.
31:00No, no, no.
31:02But I'm going to go back to Lenko.
31:04I can't get it out of my head.
31:06Are you trying to give you information to the media?
31:11That they will bring us there?
31:26And then?
31:27And tell us, Pile Dekino.
31:30What!
31:31Tell us Pile Dekino.
31:32Why was she singing like a song on the rap?
31:34I don't know.
31:35She's getting a song in the wind.
31:38What!
31:39Yeah, it's going to be called by the voice.
31:44It's not a strong side.
31:47What's wrong, Dekino?
31:49Tell me, Dekino, what's going on?
31:52I think you can't do that before you have been listening to your video.
32:00Okay, don't let me get the best off your head, you know?
32:07I'm sorry.
32:11All at home are very difficult.
32:17They say that you are out of the fight and that you have to be left.
32:26But it's not like that.
32:30You would like me to not.
32:33Well, yes. If you are, I would be very, very upset.
32:40Well, then you will be trying to do not be upset.
32:46Oh, oh, oh, oh.
32:47You will see me.
32:59So, let's alarmise the media.
33:02I don't think it was a memory.
33:04We are here and we don't do anything.
33:06I don't think we have to do anything.
33:07I think we have to do anything.
33:10I think we have to do anything.
33:10We have to do anything.
33:10But they always have to do anything.
33:13Maybe it's the most famous option to the media.
33:17I think that's a great idea.
33:19Yes.
33:20Plus, people, I have really quite a lot of contact with the media.
33:23That's it.
33:25You can agree with me.
33:26Maybe someone will get it.
33:27What is the name of the media?
33:28I don't know how to take it out.
33:31Maybe we can give information.
33:33The length of hair, the hair, the hair, the hair.
33:35What is wearing, the photograph?
33:37Yes.
33:38You can tell me.
33:39What is wearing that day?
33:40Maybe you have a photograph of that day?
33:42Or a little bit more?
33:43Of course.
33:44Great idea.
33:45Great idea.
33:46So, I would like to see.
33:47But no matter.
33:49Wait, wait, wait.
33:50I don't know if we can get into this conversation.
33:54I don't know what I'm saying, but I don't know what I'm saying.
33:58Do you know what I'm saying?
33:59No.
34:00How?
34:00Maybe it's better to do something, but then you're sorry.
34:04That's the car.
34:06We're right, we're right. We're right.
34:08We're right now.
34:09We're right now.
34:10You're right.
34:33You're right.
34:33We were good at the work.
34:35And I'm really fine.
34:36You started to breathe, you better control your voice, your voice is stable.
34:42You're right, teacher.
34:44What did I say?
34:46You're a English teacher, a teacher.
34:49That's right.
34:50I don't know how it was, it doesn't matter.
34:53Thank you very much.
34:53Okay, nothing. That's it.
34:55We'll see you next time.
34:57Nothing, we'll see you next time.
34:58I'm sorry, but I think you're young.
35:01You don't need to do these interventions.
35:03There's time for that.
35:05Yes, I think.
35:07Let's go.
35:09See you soon.
35:30I'm just asking if everything is okay.
35:33Enjoy.
35:40Manja,
35:42I didn't call you so much for the evening.
35:46Ah,
35:48I'm happy that I heard you.
35:59You can't believe you in this room.
36:01You're the only one who is here.
36:02I'm happy that you are here.
36:03You can't believe me.
36:04I'm happy that I don't even know.
36:04Okay, Biljana.
36:06You want to go out and I'm going to get out of it.
36:08I'm really...
36:10I'm more than your flesh.
36:12You see here we're talking about something.
36:13I pray, stop it.
36:14So?
36:15I'm so crazy.
36:17I'm so crazy as you are.
36:19But you will see your God in one day.
36:32I'm sorry, but I'll repeat one last time.
36:35This is the duty of the police.
36:37I'm doing this job.
36:39I've told you more than it was needed.
36:43Our conversation will be finished.
37:04You're a part of this job.
37:07This is the same job.
37:07What kind of a lawyer do you have to do with the police?
37:08We've had other rules of the police.
37:11What's it working?
37:16What did you do?
37:16What is so funny?
37:17Good news, brother.
37:19We have reached Alex's house.
37:22Great.
37:23What is it for?
37:26Why do you want to be happy?
37:28Let me know what happens.
37:30Who will pay the money?
37:31Who will pay the money?
37:32Who will pay the money?
37:32Who will pay the money?
37:33Who will pay the money?
37:45Who will pay the money?
37:46Everything about my husband,
37:48immediately becomes my thing.
37:50I'm sorry.
37:51I really don't have time for you.
37:56Okay.
37:59What do you do here?
38:13What?
38:14What do you think of this all?
38:18I ask myself,
38:20this man who planned this,
38:22has he never had any codex?
38:24No.
38:26Codex?
38:26You've got a lot of your codex.
38:30You understand?
38:31All of this.
38:32What do we have from them?
38:33We lose the precious time,
38:35the catcher.
38:35Okay.
38:37And what would you do?
38:38What would I do?
38:39We will do this.
38:49We will do this.
38:52What happened, Viljana?
38:55What happened?
38:57I saw that Olga is holding a cover in his hands.
39:03What does he taste?
39:08He's doing something good.
39:28Oh, my God.
39:48Oh, my God.
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