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Euphoria S03E04

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Transcript
00:00:08Are we gonna find any drugs in your vehicle?
00:00:11No, sir.
00:00:13People love to argue about the truth.
00:00:20Some say it's just the facts.
00:00:26Others say it's what's right.
00:00:32Some even claim there's no real truth at all.
00:00:35Just opinions.
00:00:39The funny thing is,
00:00:43while we may disagree about what the truth is,
00:00:55we all know when we're telling a lie.
00:01:18This is all the canine unit fun.
00:01:24You seem surprised.
00:01:26Nope, not at all. I told you guys I wasn't lying.
00:01:29Where are you coming from and where are you going?
00:01:32You know, it's funny. I was actually headed to a wedding.
00:01:35At 10 p.m.?
00:01:36Yeah, well, I was headed back.
00:01:38What do you mean, back?
00:01:40Yeah, I was at the wedding earlier.
00:01:41Why did you leave?
00:01:43I was a friend. It was like an emergency thing.
00:01:45What kind of emergency?
00:01:47She wasn't invited to the wedding, you know?
00:01:49So it was like a whole thing, and I don't really want to get into the details, but yeah.
00:01:54What is your relationship with Lori?
00:02:03Um, is that the monotone lady?
00:02:05The monotone lady?
00:02:07Yeah, she, like, talks like this.
00:02:08So you do know her?
00:02:10I mean, like, not like that.
00:02:13I know her, kind of.
00:02:14So you and Lori don't call each other?
00:02:16No. Oh, God, no.
00:02:18Have you ever been to Mexico?
00:02:23Um...
00:02:23Nope. Nope.
00:02:27Never been...
00:02:29Is it nice?
00:02:32Some parts.
00:02:33Hmm.
00:02:33So if I had a photo of you in Mexico, would you say it wasn't you?
00:02:39Me?
00:02:40In Mexico?
00:02:41Would you say never been?
00:02:42You have a photo of me?
00:02:43So it's not you.
00:02:44In Mexico?
00:02:45Yes.
00:02:46I'd have to see the photo then.
00:02:48I don't have it.
00:02:49So it's a hypothetical scenario.
00:02:50Well, I can tell you with absolute certainty that I have never been to the moon.
00:02:54Have you been to the moon?
00:02:55I've never been to the moon.
00:02:56Are you sure?
00:02:56Positive.
00:02:57Well, if somebody comes and say they have a photo of you in the moon...
00:02:59It wasn't me.
00:03:00Why not?
00:03:00Because I've never been to the fucking moon.
00:03:03Make sense?
00:03:04So far.
00:03:05So if I had a photo of you in Mexico, what would you say?
00:03:10Like, we're in Mexico.
00:03:12Ha-ha!
00:03:13So you've been to Mexico?
00:03:14I mean, I've, like, I've been to the border.
00:03:16I-I drive for Uber and Lyft.
00:03:18Oh, but you've never driven into Mexico.
00:03:20I mean, I may have gotten lost or turned around or some shit, you know?
00:03:23Like, I used to be an addict.
00:03:25It gets fuzzy sometimes.
00:03:27But we-but you will remember if you drove 20 or 30 minutes into Mexico.
00:03:30Absolutely.
00:03:36I said you didn't have a photo.
00:03:39I lie.
00:03:41Do you remember meeting this guy?
00:03:44I mean, uh, I don't...
00:03:45He's a cartel member.
00:03:47His name is Uno.
00:03:48He operates a club 20 minutes from the border.
00:03:50I don't know what this is, but I-
00:03:51Post statement to a federal agent.
00:03:5318 U.S.C. 1001.
00:03:55Five years in federal prison.
00:03:59So you guys can lie to me, but I can't lie to you?
00:04:01Correct.
00:04:01That seems fucked up.
00:04:02Apparently, we have different definitions of what constitutes fucked up.
00:04:06Ha, ha, ha.
00:04:09Ugh.
00:04:09Ugh.
00:04:29We also lie to you when we say we didn't find any drugs in your car.
00:04:34Recognize this?
00:04:41Yeah.
00:04:42This is 20 years in federal prison.
00:04:44And federal inmates don't get parole.
00:04:46We know who you work for and what you've been doing.
00:04:48We know the fentanyl you've trafficked has killed people.
00:04:51For each death we can link to you, it's an additional 20 years.
00:04:55You may never see the light of day again.
00:04:58Look at me.
00:05:00I can see it deep down that you're a good kid in a bad situation.
00:05:04Our job is to take the drugs off the streets,
00:05:07because too many lives have been destroyed.
00:05:10Don't you agree?
00:05:13Yeah.
00:05:14So this can go two ways.
00:05:16We can either take you into federal custody,
00:05:18or you become a confidential source,
00:05:21and help us take these people down.
00:05:24Oh, fuck.
00:05:26The fuck is accurate.
00:05:28If you want to turn a curse into a blessing,
00:05:32I would say this is your opportunity.
00:05:41And that is how I became a snitch.
00:05:48They swapped out the drugs for sugar pills and laxatives.
00:05:54Told me to stay cool, and I'd be in touch.
00:06:06Give me a little twirl.
00:06:08Get it, get it, get it.
00:06:11What do you think of that booty?
00:06:13It's all right.
00:06:14Could be a bit juicier, huh?
00:06:16We don't want to scare off the whites, though.
00:06:18In my mind, I'm picturing a tasteful tush, you know?
00:06:22Commercial, classy ass.
00:06:25Bitch, you look like shit.
00:06:30Me?
00:06:31Ain't nobody else in here looking like shit.
00:06:33Oh, sorry.
00:06:34I was just a little hungover, that's all.
00:06:38Well, I'm gonna need you to smile.
00:06:41Not you.
00:06:42You!
00:06:43Oh, me. Again. Sorry.
00:06:45Are you hungover or fucking retarded?
00:06:47I'm just confused.
00:06:49Smile, bitch.
00:06:49Oh, yeah.
00:06:53Never see those fucking pearly whites.
00:06:56That's what I'm talking about.
00:06:58Now that's a fucking smile.
00:07:00Yeah.
00:07:01Come on, it's Sammy Davis, too.
00:07:02Let me see that.
00:07:06You know why you're fucking smiling?
00:07:09No, sir.
00:07:10Because I gave that bitch, Lori,
00:07:15a taste of her own medicine.
00:07:19My God.
00:07:20You know, I got a feeling
00:07:22that's the last fucking pickup you'll ever do.
00:07:25Then who are we buying from them?
00:07:27You think there's a fucking shortage of dealers in L.A.?
00:07:30Not in this L.A., partner.
00:07:34Right.
00:07:37So I'm in the mood to celebrate.
00:07:40Yeah.
00:07:42Luckily, I got me a newfound friend, Kitty.
00:07:45Come on over here, baby.
00:07:48Look at that.
00:07:53And Kitty likes to dance.
00:07:58Who's gonna do a lot of that money when you sell me?
00:08:03The beach can dance?
00:08:05She's from Kansas.
00:08:06Cut her some sledding.
00:08:09What is Kansas?
00:08:24You look like death warmed up.
00:08:29Yeah, I think it's just like a tummy thing.
00:08:33Yeah.
00:08:36Plan on taking that off?
00:08:38Hmm?
00:08:45Okay.
00:08:45Okay, so what happens when they find out the drugs are fake?
00:08:47I assume they will call Lori and ask her to correct the mistake.
00:08:51Okay, but aren't they just gonna blame me?
00:08:53Why would you swipe out the drugs?
00:08:55It's not like you're a snitch.
00:09:05They also installed an app on my phone.
00:09:11We added a new number under your mom's contact.
00:09:14Tap it, and the ball goes hot.
00:09:18Can I just keep it in my pocket?
00:09:20It can get muffled. It's better in the open.
00:09:24Isn't that suspicious?
00:09:25Sometimes.
00:09:26Sometimes not.
00:09:33You guys are gonna give me a fucking heart attack.
00:09:49I can, uh, pack it.
00:09:52No, no.
00:09:52I can, uh, start-up.
00:10:28the toe is a metaphor what the toe it's a metaphor you know i thought that i'd lost it forever
00:10:41but we were smart and we put it on ice and we took it to the hospital
00:10:46and they were able to put it back on what's the metaphor when you break something you got
00:10:51to pick up the pieces right you got you got to be real careful with it and you got to
00:10:55glue it back
00:10:56together so the toe is us in a way toes never going to be the same how do you know
00:11:13because the doctor said so he said the toe will never feel the same i think you're misinterpreting
00:11:18the metaphor no the metaphor doesn't mean what you want it to mean
00:11:23you can look at a scar as a sign of weakness or you can look at it as a strength
00:11:28okay so now
00:11:29you're changing the metaphor no i'm not first you said that we're the toe and now you're saying
00:11:34we're the scar are you an english teacher i'm talking about our relationship when i look at
00:11:40my toe it motivates me to build back better everything you've built is built on a lie
00:11:46not everything some things yeah well just our relationship this house our finances your business
00:11:55business you didn't say our love
00:12:07how much do you owe this guy somewhere between a little and a lot what's the number you know
00:12:14it depends on the interest you know how quickly we can what's the number nate you know a million
00:12:21ish
00:12:27i feel sick i am going to fix this you have to keep faith in what me us our life
00:12:41the fairy tale's over
00:12:53what's that even mean
00:12:57cassie called the one person who could actually help her
00:13:19where are you going
00:13:25to work
00:13:47thanks
00:13:48this is something about your look
00:13:52okay
00:14:15hey what are you doing
00:14:18uh just working nice okay well i have a really cool opportunity that i think you might be good
00:14:25for you interested
00:14:28really at an art show maybe two to three hundred people will see your work but ellie night's average
00:14:33is seven million a week what that would be life-changing i mean thanks for getting it done
00:14:40today by the way thank you so much for thinking of me
00:14:42okay
00:14:43it's just right up here the character oceanna is inspired by george serra so we were thinking
00:14:49sort of a sunday in the park picnic
00:14:51kind of feel okay yeah like the woman with umbrellas thing well you don't need to copy anything like it
00:14:58should feel distinct
00:14:59okay okay yeah sure basically do whatever you feel it'll be great i have to go
00:15:17bye
00:15:18this is cassie hi
00:15:21the goal is to take her from the suburbs to the city
00:15:25cool
00:15:27cool
00:15:27cool
00:15:28cool
00:15:28cool
00:15:28cool
00:15:29cool
00:15:29cool
00:15:39cool
00:15:41cool
00:15:41cool
00:15:42cool
00:15:42cool
00:15:43cool
00:15:43cool
00:16:46Yeah, we have an emergency.
00:16:49What kind?
00:16:50It's hard to explain.
00:17:04Has your friend lost their mind?
00:17:06I don't know.
00:17:06It's insane.
00:17:07It's not like there's one penis.
00:17:09There's 14.
00:17:10What were you thinking?
00:17:12I told her to paint a picnic.
00:17:14Does this look like a picnic?
00:17:15I don't know what happened.
00:17:16I don't think my character would paint something like this.
00:17:19I agree completely.
00:17:20Did you say George Soros?
00:17:22Yes.
00:17:23Women with umbrellas?
00:17:24Yes.
00:17:24Children sailing boats?
00:17:25Yes.
00:17:25Is she trying to sabotage the show?
00:17:27No, of course not.
00:17:28Who in their right mind would paint something like this?
00:17:30It's insane.
00:17:31Well, she's...
00:17:32What?
00:17:34Trance.
00:17:34Jesus Christ, Lexi.
00:17:36We're gonna have to handle this.
00:17:38Delicately.
00:17:41Hey, I think I'm outside.
00:17:43Yeah, we're on set.
00:17:43Just come in.
00:17:44Okay.
00:18:01So nice to meet you.
00:18:02Nice to meet you, too.
00:18:04Yes, thank you so much.
00:18:05Thanks for having me.
00:18:06Very talented.
00:18:10So, I don't know if Lexi told you,
00:18:12but this is a network show,
00:18:15which means that we have to answer
00:18:16to standards and practices.
00:18:18Ugh, and they are like the censors.
00:18:20Okay.
00:18:21Uh-huh.
00:18:23The penises are too much.
00:18:26How many peni do you want me to get rid of?
00:18:29Let's say all of them.
00:18:31Like paint clothes over them?
00:18:33That could work.
00:18:34Or you could make them into bread loaves.
00:18:36Bread loaves.
00:18:37To stay in theme with the picnic.
00:18:41And, uh, I'm just, like, struggling
00:18:43with how many limitations there are?
00:18:46The only limitation is
00:18:47we have to get rid of the penises.
00:18:49Okay.
00:18:50But the breasts are okay.
00:18:53Let's just get rid of the nudity in general.
00:18:56Put some clothes on them.
00:18:58Blankets.
00:18:59You know, I'll leave that
00:19:00to the interpretation of the artist.
00:19:03How long do you think that'll take you?
00:19:05Like a couple hours.
00:19:07Just punt the scene.
00:19:08We'll move it till next week.
00:19:10Thanks.
00:19:22It's...
00:19:40I'm so sorry.
00:19:42I feel horrible.
00:19:45Well, that makes sense.
00:19:47Mistakes happen.
00:19:48Some are just more expensive than others.
00:19:52I know.
00:19:55Do you?
00:19:56Because I'm not sure that you do.
00:19:58We lost an hour and a half of shooting.
00:20:02$56,000.
00:20:05I have to hold stage nine for another week.
00:20:08That's Grips Electric Rentals.
00:20:11Your failure to communicate.
00:20:16What do you think that costs us?
00:20:18$56,000?
00:20:21No.
00:20:22It's $191,000.
00:20:32Don't be a net negative, Lexi.
00:20:36I won't.
00:20:38Okay.
00:20:41No, thank you.
00:20:44Okay.
00:20:46Close the door.
00:20:56Close the door.
00:21:00Close the door.
00:21:04Close the door.
00:21:07Close the door.
00:21:08Close the door.
00:21:09Close the door.
00:21:10Close the door.
00:21:50I'm so sorry.
00:21:51My perfect little guy.
00:22:00How do you want to deal with this?
00:22:03I want to kill them all.
00:22:06But I don't know if that's painful enough.
00:22:19The reason you're walking free is so you can set up a buy.
00:22:23What the fuck do you want me to do?
00:22:24He killed her bird.
00:22:25They're never going to do business together again.
00:22:27Then we got no use for you.
00:22:29We might as well put your ass in prison.
00:22:32Listen, what if I can set up a buy with a different dealer?
00:22:36What dealer?
00:22:42Lexi had agreed to let Cassie stay at her place for a while.
00:22:45Yeah, put your chin up.
00:22:47Toke the ass up.
00:22:48I need a smile.
00:22:49Come on.
00:22:50You're about to be here.
00:22:52You're here.
00:22:54Yeah, yeah, yeah, yeah, yeah.
00:22:56Can you turn that back on?
00:22:58I don't know why it went off.
00:23:00We'll just turn it back on.
00:23:01What a great idea.
00:23:03Wait, hold that pose.
00:23:04When she gets the door working, I'll pose.
00:23:06I just feel like you're worth more than your body.
00:23:09My body's worth a lot.
00:23:11Man, these girls are out here making millions.
00:23:13Who?
00:23:14Like Bad Baby.
00:23:16Bad Baby?
00:23:17Yeah.
00:23:18She was on Dr. Phil.
00:23:19She cussed him out and got super famous.
00:23:21Then when she turned 18, she made an OnlyFans and made like 53 million in a year.
00:23:2753 million?
00:23:28We're not making this up, Lexi.
00:23:30This is the business world of today.
00:23:32I mean, if I do this...
00:23:46I need to get some drugs.
00:23:48You relapsed?
00:23:49No, no, it's not for me.
00:23:50Don't worry.
00:23:51Is this blower ever going to fucking work?
00:23:53I don't know.
00:23:54I'm not a gardener.
00:23:55Wait, I thought you were clean.
00:23:56I am.
00:23:57It's not for me.
00:23:58It's for my boss.
00:23:59Okay, well, what kind of drugs do you need?
00:24:01Uh, Coke, Molly, heroin.
00:24:03Heroin?
00:24:04For your boss?
00:24:05Or for you?
00:24:06No, not for me.
00:24:07And I don't have time to explain this shit.
00:24:08Is this machine really important?
00:24:10Yes.
00:24:10I need hair movement.
00:24:12It brings energy to the shot.
00:24:13Listen, Maddie, you can just give me the contact and I'll do rest.
00:24:15Well, I don't feel comfortable helping you get drugs.
00:24:17Okay, but it's not for me.
00:24:18My hair is not with cells, okay?
00:24:20It's my body.
00:24:21And my body doesn't need wind.
00:24:23It needs a photographer.
00:24:23Do you guys hear yourselves right now?
00:24:27Like, what is wrong with you people?
00:24:30You're looking for drugs.
00:24:32You're selling your body on your porn site.
00:24:35And you're like some internet pin.
00:24:41It's sad.
00:24:42And it's pathetic.
00:24:43And it's really disturbing, honestly.
00:24:46Oh, Jesus.
00:24:47Who would have thought we would have come in?
00:24:49Did you shut that fucking thing off?
00:24:51It's so annoying!
00:24:52Yeah!
00:24:54Yeah, yeah, yeah, yeah.
00:24:56Yeah, yeah, yeah.
00:24:57Yeah, yeah, yeah, yeah.
00:24:58Yeah, yeah, yeah.
00:25:22Nathaniel Jacobs' son, Suttler's Corp.
00:25:27Nate knew this was definitely his last chance.
00:25:38I believe everything happens for a reason.
00:25:43The discovery of these endangered flowers on my land happened for a reason.
00:25:51It was a sign.
00:25:54And in all my excitement and passion for the elderly,
00:25:59I had overlooked the greater meaning of the sun settler mission.
00:26:04God said to Adam,
00:26:07For dust you are,
00:26:09and to dust you shall return.
00:26:12This is a fundamental human truth known all too well by our senior citizens,
00:26:16so I'd like to propose a new design for sun settlers.
00:26:21Imagine our hospice wing,
00:26:23where families can gather in the final days of their loved ones' lives
00:26:26and look out at a beautiful garden of white fritillaries.
00:26:30These flowers should not be dug up and moved.
00:26:33No.
00:26:35No, we should move around them
00:26:39with an elegant curve design done by our A-plus architecture team.
00:26:44Motion denied.
00:26:46When the environmental studies come back,
00:26:48we can discuss.
00:26:50Motion denied for now.
00:26:55I have put my entire life on the line for this.
00:26:58Motion's denied.
00:26:59Every penny I have.
00:27:03My marriage is in shambles because of you.
00:27:07Sorry, is this a personal thing, Bill?
00:27:10Do you have a personal problem with me, Bill?
00:27:13Is that what this is?
00:27:14I don't.
00:27:15Are you trying to ruin my life?
00:27:17What do you want from me, Bill?
00:27:19Well, tell me, what do you want from me?
00:27:22You want me on my hands and knees begging you
00:27:25to give me my life?
00:27:27Is that what you want?
00:27:29Sir, your time is...
00:27:30I'll do it.
00:27:32We have other people waiting and...
00:27:45Here it is.
00:27:50I'm begging you, Bill.
00:27:52Bill, I want my hands and knees.
00:27:54I'm begging you.
00:27:55I'm trying to do a good thing.
00:27:58This is a good thing, Bill.
00:27:59This is a good thing.
00:28:00This is...
00:28:00Okay.
00:28:01This is good.
00:28:01Okay, that's enough.
00:28:02This is good for the world.
00:28:04Mr. Jacobs.
00:28:06Please, just let me see this through.
00:28:08I can't be bad.
00:28:09Mr. Jacobs.
00:28:09This is a good thing.
00:28:10I'm trying to do a good thing, Bill.
00:28:15For the last time, motion denied.
00:28:21Sir, just get your things together and pack them up.
00:28:25You can go.
00:28:29Let's take a five-minute recess.
00:28:40Cassie had pawned her wedding ring,
00:28:42took the cash,
00:28:43and invested it in herself.
00:28:54As Nate would always say,
00:28:56it takes money to make money.
00:29:01Do you accept cash?
00:29:05Just so happened,
00:29:07her new place
00:29:09was across the pool from Lexi.
00:29:18A raise.
00:29:20A dollar.
00:29:21And that's a hundred dollars.
00:29:22You didn't hear from Lori yet, did you?
00:29:24Not a little bull, Pete.
00:29:25Ain't on a scale to one to ten.
00:29:27How sad you think that bitch Lori is?
00:29:29I feel like an 11.
00:29:31Well, I have a hundred and eleven.
00:29:33He was a beautiful bird.
00:29:35Nigga, you said that like he didn't kill his ass.
00:29:38I didn't want to,
00:29:39but I was told to.
00:29:40This nigga looking at me
00:29:42like he looked at the damn pair.
00:29:45Call.
00:29:46Call.
00:29:47Call.
00:29:47Oh, shit.
00:29:49We got a three-hander.
00:29:52Nice.
00:29:52So when we run low at the club,
00:29:55where am I supposed to pick up from?
00:29:56Goodbye with you, little lady.
00:29:59I'm focused on this hand right here.
00:30:09I was just, uh,
00:30:10I was just thinking
00:30:11because, you know,
00:30:11I saw my connects in New Mexico
00:30:14and, uh,
00:30:16I could always, like,
00:30:18do a pick up
00:30:18and then sell at the club.
00:30:20Bet 175.
00:30:22I mean,
00:30:22we could make a lot of money.
00:30:24You could make a lot of money.
00:30:26Y'all just a little too fucking rich
00:30:27for my blood.
00:30:34Call.
00:30:36Didn't you say
00:30:37you wanted to get out of that world?
00:30:39Now you just want to get back in?
00:30:43Let's see the time.
00:30:44I-I was just thinking that.
00:30:45That's all.
00:30:53You know,
00:30:55something don't add up.
00:30:57Bet 200.
00:30:58Why in the fuck
00:31:00would you ask me
00:31:01something so catastrophically dumb?
00:31:05I don't know.
00:31:06Nah, see.
00:31:07You didn't just think it.
00:31:09You thought to say it.
00:31:11And then you said it.
00:31:13So I'ma need a much better explanation
00:31:16than a motherfucking I don't know.
00:31:19I'm sorry.
00:31:20I shouldn't have overstepped.
00:31:22Nah, that don't cut it.
00:31:29I just figured, like, at the club,
00:31:31the more people that do drugs,
00:31:33the more money they spend.
00:31:34You know?
00:31:35Are you gonna call
00:31:37or not?
00:31:38Nah.
00:31:40See, you had something.
00:31:43Oh?
00:31:45Why the fuck are you sweating?
00:31:48I just know I have a good hand,
00:31:50that's all.
00:31:52Call.
00:31:54I've seen that look before.
00:31:57See, you got that look in your eye.
00:32:00like a motherfucking rat
00:32:03trying to figure out
00:32:05where it's gonna go next.
00:32:07Yeah.
00:32:10Where you gonna go next?
00:32:18Let's see the river.
00:32:20Shut the fuck up, nigga.
00:32:26You've been using it again, ain't you?
00:32:39Daniel.
00:32:43Yeah, I had a slip-up.
00:33:02Check.
00:33:05All in.
00:33:08Oh, shit got real.
00:33:09Call.
00:33:16Oh, my fuck.
00:33:18You been setting that shit up
00:33:20the whole time.
00:33:21Let me make one fucking thing
00:33:22clear to you.
00:33:25You fuck with hard drugs.
00:33:28They're likely to wind up
00:33:30killing your black ass.
00:33:34Got it.
00:33:36What'll happen again?
00:33:39Damn, Bishop.
00:33:41Well, you got BTA.
00:33:42I ain't built a motherfucking ass.
00:34:00Andrel's not coming back?
00:34:03No, that's not at all.
00:34:05She ran away from rehab.
00:34:07Disappear.
00:34:08Damn.
00:34:12It's, uh...
00:34:13The life goes on.
00:34:22This is yours.
00:34:25I dreamed about the age bomb
00:34:27Where the bomb went off
00:34:30And I was caught
00:34:31I was the only girl on the ground
00:34:41There were thirteen men and me
00:34:43The only girl in town
00:34:47There were thirteen men and me
00:34:49The only girl in town
00:34:53And as funny as it may be
00:34:56The one and only girl in town
00:34:59Was me
00:35:00Thirteen men and me
00:35:02Thirteen men and me
00:35:02The only girl in town
00:35:06There were two men and every morning
00:35:09Seeing that I was well fed
00:35:12And believe in you
00:35:14Maybe once with my teeth
00:35:15While the other woman left the door
00:35:17I just know you
00:35:22It's almost like Angel knew she was never coming back
00:35:29And just like Tish
00:35:30Everyone would soon forget
00:35:51Maddie told Cassie to put on her best outfit
00:35:55She was gonna introduce her to some friends
00:36:03The stash was running low
00:36:05And I was running out of time
00:36:16You look good, bitch
00:36:21Sir, let's go
00:36:23Sir, let's go
00:36:37This is Brandon Fontaine
00:36:47He's got 20 million followers
00:36:50The goal is simple
00:36:52Get him to post a video of you looking hot tonight
00:36:56Tell him that he is
00:36:58No
00:36:59No
00:37:00Hey
00:37:17And who knows if the DEA would even protect me.
00:37:42All he cares about is pussy.
00:37:45You're gonna tempt him with pussy, you're not gonna give him pussy.
00:37:48The moment you do, he'll never speak to you again.
00:37:52Don't trust these girls, these bitches are dogs.
00:37:55Stray dogs.
00:37:56And they're looking at you like a fucking Pomeranian.
00:37:59The cute new bitch.
00:38:00So stay sharp.
00:38:02Stay focused.
00:38:04Let's fucking win.
00:38:06Feels like we're going to war.
00:38:10Come on.
00:38:53So what would you like?
00:38:54We're going to war.
00:39:19We're going to war.
00:40:50What do you think I'm doing?
00:41:23How do you know Brandon Fontaine?
00:41:26Oh, my best friend's, like, best friends with him.
00:41:28Oh, who's your best friend?
00:41:30Maddie Perez?
00:41:31She's, like, a manager to all these super famous actors.
00:41:34Yeah, I know Maddie.
00:41:35I love Maddie.
00:41:36Hey, is she here?
00:41:40She's...
00:41:42She's somewhere.
00:41:44Oh, my God.
00:41:46What's up?
00:41:47What's up?
00:41:48Hi.
00:41:50You guys want to have some more fun?
00:41:52I have some Coke.
00:41:54Oh, my God.
00:41:55I love Coke.
00:41:56She loves Coke.
00:41:58All right, come on.
00:41:58Come on.
00:41:59Come on.
00:42:59How's she doing? Making the money's worth?
00:43:02Yeah.
00:43:13Make yourself at home.
00:43:15Casa su casa.
00:43:17I can't believe you actually live here.
00:43:19It's dope, right?
00:43:21How long have you guys known each other?
00:43:24Forever.
00:43:28Does Maddie rep you?
00:43:30Yeah.
00:43:32That's weird.
00:43:55Come and get it.
00:44:00did you test this it's my usual plug it's fine are you sure yeah okay no sorry i don't want
00:44:08to die or anything i love my life too much you know
00:44:14um you're not gonna offer it to me first i thought you were a gentleman
00:44:24ladies first thank you
00:44:28yeah
00:44:40oh
00:44:41oh
00:44:41oh
00:44:41oh
00:44:42oh
00:44:51my god
00:44:59Do me, do me, do me, do me.
00:45:05Right here, right here.
00:45:06Right there?
00:45:07Right there.
00:45:08I think it's my turn.
00:45:10His turn.
00:45:11My turn, baby.
00:45:12My turn.
00:45:12Your turn.
00:45:16Yo, smile.
00:45:18Get the fuck up here.
00:45:23Oh, I like it too.
00:45:25Oh, fuck.
00:45:26He really likes it.
00:45:28I can't open the door.
00:45:33I need to get in there.
00:45:37I think it's my turn.
00:45:41Oh, no, I got it.
00:45:45You're a fucking crazy bitch, aren't you?
00:45:47Fucking wild.
00:45:48You're no good.
00:45:50I'm no good.
00:45:54I'm dealing with the locked door here.
00:45:57Oh, fuck.
00:45:59Oh, fuck.
00:46:06Oh, fuck.
00:46:09Oh, fuck.
00:46:11I have to go viral.
00:46:19I need to get some water.
00:46:21Okay.
00:46:22You good?
00:46:25Oh, no.
00:46:29She's sick.
00:46:30She's fuking.
00:46:31She's fuking.
00:46:34Oh, fuck.
00:46:38I want to fuck your brains out.
00:46:41Really?
00:46:42Really.
00:46:42Really.
00:46:43Right now?
00:46:44Right now.
00:46:50Hey, Brandon, who's your new friend?
00:46:52Yo, yo, yo, yo, yo, yo.
00:46:54It's just me, Cassie, and that's my handle.
00:47:10Hey.
00:47:18Yeah?
00:47:19Can I help you?
00:47:25Do you have any more kids?
00:47:26What are you trying to mean?
00:47:29You doing okay?
00:47:33Okay.
00:47:35Those guys, did they, did they hurt you?
00:47:56Um, you know, I saw what happened.
00:48:01Are you sure you want to be doing this?
00:48:06It's like, are you, are you being forced?
00:48:14I like to dance.
00:48:34Uh, we're pretty good.
00:48:43I'm sure it's a lot.
00:48:44Whatever it feels so weird.
00:48:49Let's go.
00:48:52It's real fun.
00:48:54Let's go.
00:48:55Hey, I love you.
00:49:00You are looking for a lot of autumn.
00:49:03It's not being peaceful, but it's not being full.
00:49:04You are looking for a long time.
00:49:23You good?
00:49:25Yeah.
00:49:27Just making a phone call.
00:49:34Oh, fuck.
00:49:53Speak English.
00:49:55She asked it if someone was forcing her to work here.
00:49:59No, no, no, no, no, no, no.
00:50:29No, no, no, no, no, no.
00:50:53Hey.
00:50:57I, um, I just forgot my phone.
00:51:09I'll let you break one of my rules.
00:51:17Nobody enters my office alone.
00:51:32I, I don't know why she's calling you.
00:51:34Must be important.
00:51:40Do, do you mind if I...
00:51:52Mom?
00:51:53Listen very carefully.
00:51:54Pretend I'm your mom.
00:51:55Ask me about grandma.
00:51:58Wait, what happened?
00:51:59What did you say about grandma?
00:52:00Your compromise.
00:52:01The girl in there just told your boss that she thinks that you're a snitch.
00:52:05You gotta find a way to discredit her.
00:52:12Okay.
00:52:21Well, I'm glad she's okay.
00:52:25Love you too.
00:52:29Close the door.
00:52:30We need to talk.
00:52:45You got their attention.
00:52:47Now you gotta keep it.
00:52:54No, I think it's very clear what the fuck is happening here.
00:52:57Because this Spanish hood rat is jealous of you.
00:53:00Hood rat, what a hell of a bitch.
00:53:02Hood rat, hood rat, that's what you are.
00:53:04You're a liar, you're a liar, you're a liar.
00:53:10I don't know what you're saying.
00:53:11I don't, I don't know what you're saying.
00:53:24I don't know what you're saying.
00:53:30I can't understand.
00:53:31Okay, okay, okay.
00:53:33Hey, so you're just saying you never spoke to Kim?
00:53:36No, I fucking, I spoke to her, but I just said, like, you know, are you okay?
00:53:41Which is my job.
00:53:41Is it not look after the girls right bullshit? Look if you want to believe this fucking drug addict, that's
00:53:47up to you
00:53:59Because I know what the fuck I saw
00:54:03One of you bitches is lying
00:54:11That's hilarious, honestly
00:54:14Whoa, whoa, whoa, I wouldn't do that, motherfucker
00:54:17Take a seat
00:54:17Hands, hands, hands where I can see them
00:54:22Now, I imagine you got a safe in there
00:54:25You have any fucking idea who you robbing?
00:54:28Well, that's the exciting part
00:54:31I open that safe, I'm dead
00:54:32You die here or you die later, don't seem like a fucking tough decision to me, boy
00:54:36You kill me, you never get that shit open
00:54:43And shoot the girls
00:54:47Alright
00:54:48Come here
00:54:56Oh, look
00:54:57Two birds, one stone
00:55:00You got five seconds, boy
00:55:02Five
00:55:02Four
00:55:04Three
00:55:06Keep praying, baby
00:55:07Two
00:55:08Two
00:55:09You a cold motherfucker
00:55:11One
00:55:13One
00:55:26Move
00:55:36Did you hear that?
00:55:38What?
00:55:42A big bang?
00:55:45No.
00:55:57What do we got to do to convince you to open the safe?
00:56:03How about we blow off that donkey dick?
00:56:08How about we blow that thing off?
00:56:10Whoo-whoo!
00:56:14It's either your balls or the motherfucking safe, man.
00:56:18What's it gonna be, Doc?
00:56:21Huh?
00:56:22Behind the painting.
00:56:24What's that?
00:56:28Behind the painting.
00:56:29That wasn't so hard now, was it?
00:56:32Open it.
00:56:33It's all I'm getting.
00:56:41It's gone.
00:57:01Proceed.
00:57:03Looks like you shit your drawers.
00:57:26How we looking?
00:57:29Jackpot.
00:57:33Door, door, door, door!
00:57:35Door!
00:57:37Oh, yeah.
00:57:38Fuckin' up now.
00:57:41My wife!
00:57:45Motherfuckin'!
00:57:50Yo, Bishop, I think we need to get him to the hospital, man.
00:57:52He can wait.
00:57:54Rewind the footage.
00:57:55Hey.
00:57:59Dana, pick up truck.
00:58:02There's a woman on the plates.
00:58:06Hey, yo, man, come on, come on, stay up, bro.
00:58:12There are no plates.
00:58:14Can you see anyone's face?
00:58:17They're masked up.
00:58:19Even the driver?
00:58:27I think I got it.
00:58:28What do you see?
00:58:32It's a woman.
00:58:34She has gigantic lips.
00:58:44You know her?
00:58:47It's a girl named Faye.
00:58:51She works for Lori.
00:58:53She's a girl named Faye.
00:58:55No, I've been in this open, man.
00:58:57I have been in this open house.
00:58:57Is it cause you've been out?
00:58:57You know that you are.
00:59:09Oh, shit!
00:59:11You're as cold as night
00:59:13Yeah!
00:59:14You're willing to sacrifice
00:59:15Yeah!
00:59:17You're as cold as night
00:59:19You're willing to sacrifice
00:59:22You're as cold as night
00:59:24You're willing to sacrifice
00:59:28You're as cold as night
00:59:30You're willing to sacrifice
00:59:32I like to welcome motherfuckers to the back of the mine of beer
00:59:36See, I'm for real
00:59:37When delivering these M.O.P. tactics
00:59:40I'll bury you bastards
00:59:42I custom make cash
00:59:44It's the B.G.
00:59:45The Y.G.
00:59:47Even the O.G.
00:59:50I may come with my gun in my hand
00:59:52To make sure you motherfuckers understand
00:59:54Pardon me
00:59:55How the fuck you gonna stall with me
00:59:58I'm a heavyweight in this game
00:59:59You just small with me
01:00:01You get laced down from your face down
01:00:03Drop your shit
01:00:03Niggas throw them on P.S.
01:00:05Stand for mopping shit
01:00:06Dump, dump, dump
01:00:07Get it twisted
01:00:08I told you that we top of the line
01:00:10Design realistic
01:00:11For instance
01:00:12Mess up, I say
01:00:14When come through and clear your ass out
01:00:16Dump and hear your ass out
01:00:17Jump, we cold
01:00:18You're as cold as night
01:00:20You're flurred
01:00:21You're willing to sacrifice
01:00:24You're as cold as night
01:00:26You're willing to sacrifice
01:00:28Come on
01:00:29You're as cold as night
01:00:31You're willing to sacrifice
01:00:35You're as cold as night
01:00:37You're willing to sacrifice
01:00:39A predicate gun buster
01:00:41I passed all classes
01:00:43One of the fastest at blast and flashes
01:00:45You've seen my work
01:00:47You know my stings
01:00:48It's a slip chance that I'ma hesitate to squeeze please
01:00:51Money never made me
01:00:52Money never played me
01:00:54And money better not make me
01:00:56Rack his ass
01:00:57Subtract his ass when I step through his hood
01:00:59Fuck dropping you
01:01:01I'm into stopping you for good
01:01:02Stop him if you could
01:01:04You're as cold as night
01:01:05And you'll be stiff as a log in a suit
01:01:07Looking for you
01:01:08You're as cold as night
01:01:09You're as cold as night
01:01:10You're as cold as night
01:01:10You're as cold as night
01:01:10You're as cold as night
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