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00:09I am exhausted, but I am so happy that I made it through the Lollaparooza, because that
00:16was a lot.
00:18I just knew Jasmine's message was going to be long.
00:21Hell yeah.
00:23This Jasmine somehow manages to continue talking to us from beyond the grave.
00:28Dear ladies, I'm so happy to have found new sisters in all y'all.
00:32I don't know if there's even like enough cleaner to get this shit off the mirror.
00:35Hope y'all the best.
00:37It just makes me love her more.
00:39P.S. Angie, Deja, Georges, go all the way.
00:42My forever sisters, love, Jasmine, canna die.
00:47Angie, Deja, Georges, you better go all the way.
00:52I'd be more offended if you were here saying it, but you're gone.
00:55So, I guess I can't be that offended.
01:00They really made both of us do three lip syncs.
01:02And she had already been at, what, three?
01:04So she is the most lip synced diva of all time.
01:06Drug race history.
01:07Yeah.
01:08Work.
01:09But when it comes to a competition between like being a giant hoe, you're not going to beat
01:13me.
01:14So, doodles.
01:16I may have had to lip sync the most times last week, but I don't think that is indicative
01:21of me being a lesser performer than the other girls.
01:24I still have the most wins tied with Angie.
01:27And if anything, being at the bottom just gives me residual anger that I'm just like using
01:32to fuel me.
01:34Was there anything that you guys truly took away from it except for I will never want
01:37to do Snatch Game again?
01:38I think I learned that you, Rue wants to see more of you than the person you're trying
01:42to be.
01:43Yeah.
01:43Yeah.
01:44I didn't learn shit.
01:52Hey, showgirls.
01:54I see Paris.
01:55I see France.
01:57I see queens who sing and dance.
01:59But the greatest thing you'll ever learn is just to keep your can-can turnt.
02:06Are we going to Paris?
02:09Hello, hello, hello.
02:13Everybody, say L'Amour.
02:15L'Amour.
02:17For this week's Maxi Challenge, you need to take us to Gay Paris.
02:22Yeah.
02:23As you star in the most romantic Rue-sicle of all time, Moulin Rouge.
02:31Inspired by Moulin Rouge, the musical on Broadway.
02:36Yay.
02:36I'm really excited for a Rue-sicle challenge.
02:38Rue-sicle is one of my favorite challenges to watch.
02:40This is going to be an opportunity to show the judges that she's a performer.
02:45Set in an iconic Paris drag club, the Rue-sicle features several many iconic roles.
02:52Ooh.
02:53There's Saltine, the tragic showgirl torn between love and money.
02:58There's Mama Z, a bearded queen and the owner of the Moulin Rouge.
03:02There's the Green Fairy.
03:03Think of her as a genie in a bottle of absinthe.
03:06Oh, okay.
03:07And last but not least, there are four scene-stealing Moulin Rouge girls.
03:12Charisma, uniqueness, nerve, and talent.
03:16Yeah.
03:17Now, I'll let you decide who plays which part.
03:20Oh.
03:22Oh, my God.
03:22Here we go.
03:23I don't know how this is going to go, but I know that I better get the fucking part I
03:27want.
03:27That's all I know.
03:28Now, later today, you'll rehearse with Moulin Rouge composer Leland.
03:33Oh.
03:34Oh.
03:35Choreographer, Miguel Cerate.
03:36Yeah.
03:38Plus, a mystery guest director.
03:42Then, tomorrow, you will debut Moulin Rouge on the main stage.
03:46Oh, my God.
03:47Oh, my God.
03:47So don't, pardon my French, fuck it up.
03:51Okay.
03:51Oh, yeah.
03:52I speak French.
03:53Uh-huh.
03:54I am ecstatic.
03:56This feels like it very much aligns with who Bosco is as a performer, and I have the opportunity
04:01to really blow their socks off with the next week.
04:03Razors, start your engines.
04:05And may the best drag queen win.
04:09What are we doing?
04:12I feel like this time around, choosing roles is going to be a little more difficult.
04:16Let's listen to this.
04:18Because we're getting to the point of the competition where the judges have to notice you.
04:22I would love to do this one.
04:24I really want the talent role because, girl, show-stopping, very X-Dina vibe, and that's
04:30very me because, girl, show-stopping.
04:32Oh, I think I want this one.
04:34That was hot.
04:36The salty.
04:36Saltine.
04:37Yeah.
04:38Yeah.
04:39The role of saltine is the lead role.
04:42She is a cabaret, burlesque, courtesan, superstar.
04:48That is Bosco.
04:50I know what I've got my eye on.
04:52I have my heart set on getting saltine.
04:54After the feedback from Michelle about being quiet and stuffy and bacon.
04:58Your softness and your shyness will affect you in this competition.
05:02I feel like this is kind of the opportunity to do it.
05:05Fix.
05:08I know what I want.
05:10I know what I want.
05:11I want uniqueness, period.
05:13I think I've established that compromise is for losers.
05:17I was the winner of last week's challenge and the last 60s challenge.
05:22I gave up whatever the fuck I wanted to.
05:23You guys, correct?
05:24Correct.
05:24Let me have nerve.
05:27Does anyone want nerve?
05:29Perf!
05:30Kudos to Miss Deja, but I don't think winning Snatch Game is a good reason to decide that
05:34you could have a role, but I didn't want that role, so work.
05:38I like talent and green fairy.
05:40I like green fairy because I feel like if you think of a little green absinthe fairy,
05:44it's me.
05:45I do think of Willow.
05:46And I really want to have that moment.
05:48Willow can have the green fairy.
05:49That's fine.
05:50But I got my foot on this talent role.
05:53I want talent because, which I think I am showstopping and I definitely showed that in
05:57the last lip sync.
05:58And I've been the team player for almost all the challenges and now I'm putting my fucking
06:02foot down.
06:02I mean, there's been a lot of us who've just been very courteous of other people this entire
06:07competition.
06:08So it's about right here and right now.
06:11Does anyone want charisma?
06:12I don't think anyone's spoken on charisma yet.
06:14It's the gold digger who likes sugar daddy.
06:16No, that role would not be good for me and it does not fit me whatsoever.
06:21Girl, you know what?
06:24I'm going to go ahead and call charisma.
06:25I am an entertainer and Angie's going to do what Angie does.
06:30So this is frustrating.
06:32I don't want to get lost in the crowd in this number, but somebody had to eat the boo-boo
06:37in this moment.
06:39I want saltine.
06:40I also want saltine.
06:42It feels like very much my vibe.
06:44I embody saltine and I am also putting my foot down for her.
06:48Okay, yes, there is a sexiness to it, but I feel like I showed the other side of saltine,
06:53which is the romance and the love story.
06:54And I feel like I proved that to the judges as I beat you in that lip sync.
06:58That is a good point.
06:59Do you think you would have beaten me in swept away?
07:02Yes, I do.
07:04That's a bold opinion.
07:06Yeah.
07:06It's okay to be wrong sometimes.
07:09I know that she wants me to be knocked down a peg so that I will crumble in and give
07:13her the part.
07:14And that's not happening.
07:15So right now we don't have anybody looking at Mama Z.
07:19Yeah.
07:19I mean, I think it's only fair that one of you takes Mama Z if you're both so set on
07:23getting
07:24saltine.
07:24Saltine has loads of lines and I feel like I'm going to have no problem with that.
07:28You sure aren't because you're not going to have them.
07:31You'll just have to watch and see.
07:32What the fuck, Bosco?
07:33Like, it's rude, honestly.
07:35Lady Camden is more versatile to pull off saltine or Mama Z.
07:40I don't know if I could make Mama Z work.
07:42Telling me I could do both.
07:43I just don't feel like that's fair to sway me that way, you know?
07:46I'm getting the role of fucking saltine and they're going to have to drag my goddamn body
07:51out of here before I leave without it.
07:55We're literally just wasting time, guys.
08:02Yeah.
08:04Well, it sounds like neither of us are budging, so I feel like we're going to have to flip
08:07a coin for it.
08:08Yeah.
08:09I would like to see what the room thinks, if we could do a vote.
08:13Okay.
08:13And see what people would say for a role.
08:16Or you could close your eyes, put your hand up.
08:18No, I want to know.
08:20I don't feel like a vote is fair.
08:22It's not up to the other queens to cast this.
08:25I'll go first.
08:26Saltine, I'm seeing Bosco, because it's something about Mama Z that I really think you would
08:32really do well.
08:34I'll keep Tali.
08:37Georges?
08:38I would totally see Lady Camden.
08:40One for one, ladies.
08:42I think Camden as Saltine.
08:45Okay.
08:46Willow.
08:47I don't know.
08:49I can tell you what I think in the evening.
08:51What do you think?
08:51I think Bosco, so that ties it.
08:53Oh, fuck you, bitch.
08:56I mean, based off of watching lip syncs yesterday, I would have to say Camden.
09:00But Bosco served a lot of sex.
09:02So your final answer.
09:05So suddenly it's all on my shoulders.
09:07Who gets this role?
09:08Oh my God.
09:09One of you is going to hate me.
09:09You're the RuPaul, so what's the tea girl?
09:11I don't want that responsibility, because somehow they're going to blame it on me if they
09:15fail.
09:17So your final answer.
09:21Willow.
09:23Okay, I see them equally for Saltine, but for Mama Z, I do see Camden more.
09:30So your answer is Bosco for Saltine.
09:33So my answer would be Bosco for Saltine.
09:36Ugh, I hate this so much.
09:38I really think I only said Bosco, because I knew Bosco would take it harder if she didn't
09:41get the role.
09:43So Bosco, Saltine, final answer?
09:45I don't want to fuck you over, but at the same time, I'm standing my ground and I got
09:52the majority vote.
09:53You know what?
09:54Fuck all of you.
09:56You better fucking turn this shit out, and if you don't, I'm going to be pissed, because
09:59I wanted that part.
10:01That was my opportunity to stand my ground and be strong, but I just feel really disappointed
10:07in myself that I let myself get pushed over.
10:10But you can verme me for $5,000.
10:13Guys, I don't want none of this energy going through into the rehearsal, because it will
10:18fuck us up.
10:18I personally would like to take a quick moment away.
10:23That was intense.
10:24Yes.
10:29I don't take pleasure in, like, standing in my friend's way, but my priority in this
10:34competition is me.
10:35It's all your fault.
10:37Oh my God.
10:38No one is going to put this on me.
10:41Camden looks pissed.
10:42It's like when you get in a fight with your brother or sister, and then you just, like,
10:46go into the other room.
10:47Camden is like, I'm going into my corner, nobody fucking touched me, and I'll let y'all
10:51know when I'm going to come out.
10:54I really don't like doing what I just did, because by nature, I'm a very accommodating and
10:58chill person.
11:00Oh, I'm going to have to do some fucking damage control with Lady after this.
11:04She'll be fine.
11:05You got to do it.
11:05You got to get through the content.
11:06That's what I've been saying the whole fucking time, and people were thinking I was being
11:09a bitch about it, but that's why I did it from the beginning.
11:12So do what you want to fucking do.
11:14I take a moment, sit with the unpleasantness of fighting with the front, let myself feel
11:19like an asshole, and then I move the fuck on.
11:25How you feeling?
11:26I'm okay.
11:26How are you?
11:27I'm good.
11:29I just want to say that I really do think that this part would be significant for you.
11:35It's just hard to take comfort from people when everyone's really cushy with what they
11:39got, and they're all like, oh yeah, you would do so great at this.
11:42It's like, no, I don't think you even think that.
11:44I feel like everyone just is really happy with what they got.
11:46The part that I have is not a part that I wanted.
11:50I know what Lady Camden is going through in this moment, and it doesn't always feel good
11:55to make the tough decision or be the bigger person or whatever.
11:58But that does not mean that you won't knock the role that you got out of the part.
12:03And it's hard because I feel like I would just do such a better job at it, to be honest.
12:06Yeah, but I feel the same.
12:08I feel the same.
12:09I could have murdered this part.
12:11I do.
12:11I feel like it's more me, but this could possibly be me too.
12:14So now the name of the game is making what we have work.
12:19Yeah.
12:20We've seen you be very funny.
12:21That's why I think that this part, you can handle it.
12:24I feel like Anjuria sees something in me that I don't always see in myself, honestly.
12:28And when she's saying, bitch, you can do this, I'm kind of going, I think you're right.
12:33I can.
12:33I feel like that weird kind of like crazy energy that I had when I was doing Freddie.
12:39I feel like I'm going to bring some of that kooky weirdness.
12:42I feel like you're doing it.
12:44You know, there's a switch in my mind where I go, I could never possibly.
12:47Oh, fuck it.
12:49I'll do it.
12:51No such thing as small roles.
12:53Only small boobs.
12:56I'm feeling like, fine, Bosco, you can be happy with the part that you got and you fought
13:01so hard for.
13:02Thank you for cheering me up.
13:04But I'm very capable of catching up behind you.
13:08Just watch out.
13:15Wow.
13:17Wow.
13:17Welcome, ladies.
13:19Hello.
13:21Oh, my fucking God.
13:23Leslie Jordan.
13:24This is wild.
13:25My grandma's a giant Will & Grace fan and I used to watch Will & Grace with her growing
13:29up and he's so funny.
13:31Four, five, six, seven.
13:33Leslie Jordan's videos were one of my favorites, getting through quarantine.
13:37It's still March.
13:39How many days in March?
13:42She just says what's on her mind.
13:44She don't give a fuck.
13:45What are y'all doing?
13:46Screwing.
13:48I am going to be your director.
13:52Say hello to Leland, our composer.
13:55And Miguel Zarate, our choreographer.
13:58Hi.
14:00Now, listen.
14:01Here's a secret you may not know.
14:03I was doing drag in Atlanta before RuPaul.
14:07Oh, my God.
14:10I was the sweet and petite Miss Baby Wise.
14:16Leland, what do the girls need to know about Moulin Rouge?
14:19The majority of you are on stage for most of the Rusical.
14:23So you have to stay in your character from the second the Rusical starts to the second
14:28it ends.
14:28You better pay beforehand.
14:32Very important.
14:33Let's just get it started.
14:35Cool.
14:36Saltine.
14:37A lot of pressure is riding on me to impress because I just fought like a fucking animal
14:42for this role and I got to deliver.
14:44Saltine, she's the one that everyone wants and no one can afford.
14:47Let's just bring that bitch out.
14:48Okay.
14:49And you're going to go one and two and three and four, five and six and seven and eight.
14:55Beautiful.
14:55You take direction well.
14:57As Bosco is picking up the choreography, I'm remembering that Bosco is a talented dancer.
15:02Five and six and push, push.
15:05Nice.
15:06Wow.
15:06I don't want Bosco to do bad.
15:08I just want to do better than Bosco.
15:11Angeria as charisma.
15:12I'm right.
15:13Get up there.
15:14It's your turn.
15:16We're going to start off cue.
15:18One and two.
15:19Then you're going to go three and four.
15:21Okay, hold on.
15:23Three and four.
15:24Two.
15:25Right.
15:27Remember, you need to be focusing on lip syncing and doing the choreography and playing the character.
15:33You know, there's a lot to balance in this one.
15:34So, what advice would you give Angeria to learn those moves?
15:38Attaching something to the move outside of the count.
15:41Like, shake the dice, lick it up.
15:44Shake the dice and lick it up.
15:47Shake the dice and lick it up.
15:49I know that me and choreography ain't the best of friends.
15:53But I'm just hoping I'm able to shake the dice and lick it up.
15:57Thank you so much.
15:58Thank you so much, girl.
15:59Willow, my green fairy.
16:01Here's the gag.
16:02It's a full sequence.
16:04And then it gets so fast that it's funny.
16:06But you actually have to keep up with it.
16:07Okay, here we go.
16:08Punch and punch and hit and hit.
16:10Punch and punch and hit and hit.
16:12Two.
16:13Five.
16:13Six.
16:14Seven.
16:14I'm a little faster.
16:14One, two, and three, and four, five.
16:18She's like, hold up, hold up.
16:19Let's try that again, Willow.
16:21Oh, shit.
16:22What have I gotten myself into?
16:24This talent.
16:27How tall are you?
16:28I'm five foot two.
16:29You are not, you liar.
16:30I am.
16:31There's only one way to find the truth.
16:34I'm 4'11".
16:35Oh, my God.
16:37You're five foot two.
16:40Before I even teach you anything, I just want you to show me.
16:43Okay.
16:43What you think talent would give.
16:46Okay.
16:46One, a, hey, hey, hey, spice it up.
16:49And spice it up.
16:50Yes.
16:50Punch the ghost, punch the ghost.
16:52Yes.
16:53And she's not even warm yet.
16:55Oh, yes, yes.
16:56Okay.
16:56So when you're working in a group, of course, you want to take as much attention and spotlight
17:01when it's your turn.
17:02It's also equally important to blend in with the group and know how to support the other cast
17:07members.
17:07Absolutely.
17:08Georges is really good at just randomly dancing, not choreography.
17:12Two.
17:13One, two, three, pop.
17:14Oh, wait a minute.
17:15I'm very interested to see when it comes to lots of choreography, one song after another,
17:19how it's going to retain in her head.
17:21One, two, three, kick, four, step, passe, hit, passe, hit.
17:24Nice.
17:25Georges, your passe is on fire.
17:31Mama Z, I'm just going to throw you a couple of eights and we're just going to see where
17:35you go with it.
17:36Great.
17:37My goal is to really flip this around and find some way to make this character pop.
17:41N-A-N.
17:43Great.
17:43And I'm going to give you a little bit more because you can handle it.
17:45Miss Camden, she has that ballet background and Rich Camden is eating it right now.
17:49Wow.
17:52Momma Z is also like really nitty gritty and rough.
17:55She actually has a beard.
17:56Yeah.
17:56Okay.
17:56You're so naturally poised from all the ballet training.
17:59It's going to have some more grit and some more masculinity within the femininity.
18:03So bring more of that to the table.
18:04Okay.
18:05I'm going to bring my newfound butchness.
18:08I'm going to bring a little bit of Shakespeare, a little bit of Freddie.
18:10What is happening to me?
18:11I'm becoming a man.
18:13Out and move.
18:15La Rue.
18:16May the best person win.
18:18Yay!
18:20Amazing!
18:21Are y'all shitting yourselves?
18:24I would be.
18:24You're great.
18:25You're phenomenal.
18:26Lady Camden nails it.
18:27So it's up to me to really deliver is the only way to win at this point.
18:31Okay, ladies, so take five, and when you come back, I'm going to teach you some square
18:35dancing moves that I learned when I was at the Grand Ole Opry.
18:39Ooh!
18:41Yee-haw!
18:41Yee-haw!
18:42Yee-haw!
18:43The only queen that I'm very, very concerned about is RuPaul because, honey, she's got to
18:50make a decision amongst all these queens, and I don't know how that's going to happen.
19:02Today, we debut Moulin' Rue, the Rusical, America, get ready.
19:06This is going to be epic.
19:09So, did you guys rehearse last night?
19:11Heck yeah!
19:11Aww.
19:12Yes.
19:12That was a must.
19:13Baby.
19:14I have rehearsed this choreography over and over and over again.
19:20I have to debut Moulin' my own self.
19:22I'm telling myself, fame, cause, and death is where you start paying in sweat.
19:31How are you feeling after everything?
19:33Honestly, after everything, I feel a little bit embarrassed that I even went as far as
19:38to start an argument with someone over it.
19:41I don't like to get messy and shit, cause I am, after all, a fucking lady, you know?
19:46I don't know if being stubborn is worth it to me, to be like, to win an argument.
19:52So much as I want to be a loud voice and put my foot down, it's not in my nature
19:56to be
19:56a mean, aggressive bitch about it.
19:59You know what I mean?
19:59This might have been a blessing in disguise because I'm really kind of getting into Mama
20:04Z.
20:04It's kind of fun to imagine that I own this club, you know?
20:07Come to my club!
20:08Pay me money and watch my bitches dance!
20:11There's a way to just kind of go, okay, how can you make lemonade out of juice or whatever
20:16it is?
20:17Make lemons out of lemonade.
20:18What?
20:19No.
20:20What's something?
20:20Make tea out of lemonade.
20:22Yes.
20:24I'm excited.
20:25Me too, my love.
20:26I grew up doing like musicals and plays and stuff.
20:28That's kind of really where I felt the most comfortable when I was in school.
20:32I never really got into that whole musical theater kind of stuff because I just think
20:35it's so annoying to me.
20:36I'm not going to lie.
20:38What was that, Miss Georges?
20:39It's like so annoying to me.
20:41What's annoying about it?
20:42Just like the whole singing and like happy and shit.
20:47Just like, no.
20:49I don't want none of the musical theater gays to come after me, but honestly, I'm not a
20:53fan whatsoever.
20:55Sinking all the time.
20:55I'm just like, no.
20:56No.
20:56I like that club ratchet shit.
21:00Vasco.
21:00Yeah.
21:01Star of the Moulin Rouge.
21:04Are you nervous at all?
21:05No.
21:06I don't know.
21:07This just feels like what I've like been working to do.
21:11Didn't you grow up dancing?
21:12I did.
21:13So I grew up doing like tap dancing when I was younger.
21:16And like my grandma was also my first dance teacher.
21:19Oh, I love that.
21:20She was trained to be a Radio City Rockette type of thing.
21:23Like she's like.
21:24So she was like a dancer.
21:25Like Fosse and all that good stuff.
21:27Oh, this is just great for you.
21:28Granny's going to love this.
21:30I know.
21:31My grandma was very invested in that dance scene.
21:33So I grew up watching dancers.
21:35I was taught that Ginger Rogers had to do everything that Fred Astaire did, but backwards
21:40and in heels.
21:41And I always thought that that was so much more impressive.
21:44I never had like a dance background.
21:46I just did it in like my living room.
21:47That's so wild to me because you are such a fucking dancer.
21:50Yeah, you are.
21:51Do you know Crouching Tiger, Hidden Dragon?
21:53Yeah.
21:54No.
21:54No, you don't?
21:55I don't.
21:55You don't?
21:56Crouching Tiger, Hidden Dragon.
21:59Yeah.
21:59What is it?
22:00It's a Chinese film.
22:01Yes.
22:01And like they do like splits and it's just like they're always like moving and shit.
22:04You've watched that like a million times.
22:06Yes.
22:06When I was younger, my mom has a video of me like doing it with a sword.
22:10So that's pretty much how I started to like learn how to use like my body.
22:13I think as gay people, we teach ourselves a lot of talents because we're too scared
22:18to learn in group settings.
22:21Sometimes we're really self-conscious about things.
22:24So I think it's really cool that the thing that Georges is so great at, she taught herself.
22:29I have a similar story.
22:30I actually have never taken a dance class.
22:31I could tell.
22:32Oh.
22:34Remember, you get one of those and you just catch that shit in, bitch.
22:37Oh my god.
22:40It feels so weird not having Jasmine here to fight with.
23:02Come on, Waze.
23:04Oh my god.
23:06Welcome to the main stage of RuPaul's Drag Race.
23:08Hey sister soul sister, it's Michelle Visage.
23:12Now Visage, is that French?
23:15Yes.
23:15It means, uh, she who loves leopard print.
23:20I thought it was slut who loves leopard print.
23:24And the hilarious Ross Matthews.
23:28Hi Ross.
23:28Do you want to sleep with me today?
23:32Wait, what did you just call me?
23:33I don't know.
23:36And it's the amazing Andra Day.
23:40Welcome to the show.
23:41Thank you so much for having me.
23:43I am so excited to be here.
23:45Are you ready for a rousical?
23:47Absolutely.
23:48I'm not sure.
23:51Now this week we challenged our queens to put on a show.
23:53in the all dancing, all lip syncing, rousical, Moulin Rouge.
23:59Racers, start your engines.
24:01And may the best drag queen win.
24:04Michelle, I gotta tell ya, these are great seats.
24:07It must have caused you a fortune.
24:08Oh, um, Ross is treating us.
24:10Oh, shh, shh, it's starting.
24:15Moulin Rouge.
24:19Moulin Rouge.
24:22Moulin Rouge.
24:23And to the ones I love, know that you're the reason why.
24:26I dare to live my life, dare to liberate my mind.
24:30You're running through my veins, won't you make me come alive?
24:34Give me one shot, one shot of adrenaline.
24:38Moulin Rouge, start your engines.
24:42Moulin Rouge, it's about to begin.
24:46Welcome to the Moulin Rouge, where drag rules as king, queen, and everything in between.
24:55Moulin Rouge, start your engines.
24:59Moulin Rouge, it's about to begin.
25:04Yeah!
25:06Rock-a-ti-ti-ti-ta-ta.
25:08Moulin Rouge!
25:13This is a story about love.
25:16My love for a queen named Saltine.
25:20Poor penniless fool.
25:22People don't come to the Moulin Rouge looking for love.
25:24They come for charisma, uniqueness, love, and line.
25:32Fallen!
25:33Fallen!
25:34Now performing the hit single, Jaloux de Marjoli.
25:38Or as you Americans would say, don't be jealous of my jelly.
25:46I like the guys that are sweet.
25:49By that I mean sugar daddies.
25:52Any here tonight boys?
25:53This one's got cash to the skies.
25:57And I'm gonna get it when he dies.
26:00You don't need tricks when you're young.
26:03But when you're like me, you need some.
26:06One or two.
26:07I've got a few up my sleeve.
26:10Hey, anyone wanna see?
26:13Don't be jealous of my jelly.
26:15Jealous of my jelly.
26:17That means don't be jealous of my jelly.
26:24I treat men like the dogs they are.
26:26And if they try to bite meat, tie them up in the yard.
26:28I don't take no shit.
26:29I don't play no games.
26:30No Monopoly board.
26:31I want whips and chains.
26:32Like, uh, do it just like that.
26:34Uh, move it just like that.
26:36Walk on his back like my name, click, clack.
26:39The rhythm.
26:42Yeah, yeah, yeah.
26:43Oh, I don't do tricks, don't do pain.
26:49I give.
26:50The love that others ever gave.
26:52Oh, and too comfy pillows to sleep.
26:57Well, if that's what they need.
26:59Don't be jealous of my jelly.
27:01Jealous of my jelly.
27:03That means don't be jealous of my jelly.
27:07Yeah, yeah, yeah.
27:16And now, the Moulin Rule proudly presents the star of our show, Saltine.
27:24L-U-C-K-Y, honey, honey.
27:29A little twist and sly.
27:33You're so lucky tonight.
27:36Cause I'm giving you the show that you want.
27:44Kiss me like you miss me.
27:46Huff me like you hate me.
27:48Shoot a movie on my face.
27:52Take another picture.
27:54Put it on my Insta.
27:56Come give me another chance.
27:58Get your way.
27:59I'm a kitty girl.
28:00Get your way.
28:01And it's my world.
28:02I'm a kitty girl.
28:03I'm a kitty girl.
28:04Get your way.
28:05And I want money, money, money, money, money.
28:09L-U-C-K-Y.
28:11L-U-C-K-Y.
28:13And I want money.
28:14Money!
28:15Money!
28:19Money!
28:22Saltine!
28:23The rich Duke was in the audience and he wants to meet you.
28:26With his money and your beauty, the Moulin Rouge will be saved.
28:31Wait here.
28:33Saltine.
28:34You're the most beautiful woman I've ever seen.
28:36Come away with me and I will love you forever.
28:39Wow!
28:40This is all happening so fast.
28:41What could go wrong?
28:43Achoo!
28:45Are you okay?
28:47Um...
28:47It's just...
28:48Allergies?
28:55A little bit of love goes a long, long way.
29:00Lifting you up to a brighter day.
29:03A little bit of love goes a long, long way.
29:07Turn it around when you up and say...
29:11Gonna love you as you are.
29:13Gonna love you.
29:16You're a superstar.
29:18To, to, to, to the moon.
29:21To the moon.
29:23To the moon.
29:25To the moon.
29:27I'm in love.
29:31I'm in love.
29:32I'm in love.
29:34I'm in love.
29:36I'm in love.
29:37I'm in love.
29:38I'm in love.
29:39I'm in love.
29:40Jason, my moha!
29:41Oh wait! No, you, sorry.
29:43That's okay.
29:43I'm in love. I'm in love. I'm in love. I'm in love. I'm in love with you.
29:57Saltine, may I present to you the wealthy and generous Duke of Dickington.
30:03Oh, Chante.
30:05Hey, I thought you said she was single and looking to mingle.
30:10Saltine, you have a choice to make. And don't fuck it up.
30:24Cover Girl, put the bass in your book. I know what's best for you and you do not.
30:31Cover Girl, don't you wanna be rich?
30:35Well, here they are to give you their pitch.
30:38Hey, I'll give you runways. I'll give you paydives. Covers of magazines.
30:45He doesn't love you the way that I do. We'll be a family.
30:52Ding, ding, ding, ding. Sing, sing, sing. Ding, ding, dong.
30:56Cover Girl, put the bass in your book. You'll be a star. Isn't that what you want?
31:03Lover Girl, go with what's in your heart. Leave with me and we won't be apart.
31:11Cover Girl, Lover Girl, Cover Girl, Lover Girl, Cover Girl, Lover Girl.
31:16Ding, ding, ding, dong. Sing, sing, sing. Ding, ding, dong.
31:20Can't decide what is right, what is wrong.
31:23Lover Girl, Lover Girl, Cover Girl, Cover Girl.
31:30Why does life have to be so binary? Can't I have both?
31:37You should really get that checked out.
31:39It's just allergies.
31:41Saltine, the answer to your problems is in his little bottle of absinthe.
31:46Bottle's up, bitches.
31:50Are you my inner saboteur?
31:51No, my dear. I'm your hell-alucination.
31:56A one, two, three, and this is the beginning.
32:00The beginning.
32:01This is the beginning of the rest of your life.
32:04You're a champion.
32:06Greatest of them all.
32:08You're a champion.
32:09Never gonna fall.
32:13If you dream everything you want to be.
32:16If you dream all the possibilities.
32:21Choose you.
32:22You're a miracle.
32:24Choose you.
32:25And who you want to be.
32:28Now do you get it?
32:29No.
32:30Can I?
32:31Hear it again?
32:31Fine.
32:32One, two, three, and this is the beginning.
32:35The beginning.
32:36This is the beginning of the rest of your life.
32:39You're a champion.
32:40Greatest of them all.
32:42If you dream everything you want to be.
32:45Choose you.
32:47You're a miracle.
32:48Choose you.
32:49And who you want to be.
32:52Now you have to get it.
32:53I am so sorry I wasn't listening.
32:56Oh God.
32:57One, two, three, four.
32:58This is the beginning.
32:59The beginning.
33:00You're a champion.
33:01Greatest of them all.
33:02If you dream.
33:03Choose you.
33:04Choose me.
33:05Choose you.
33:06Choose me.
33:07Choose me.
33:10Choose me.
33:13You get the point.
33:15Huh?
33:15You still talking to me?
33:16Oh God.
33:19Saltine's consulted with the green fairy.
33:22But the final decision is hers to make.
33:25I choose myself.
33:28Achoo!
33:29Saltine, I swear if she dies, I'm out of here.
33:33She's dead.
33:35I'm out of here.
33:36A little bit of love goes a long, long way.
33:41Lifting you up to a brighter day.
33:45You're alive.
33:45I told you.
33:46It was just allergies.
33:49Na-na-na-na-na-na-na-na.
33:51Na-na-na-na-na-na-na-na.
33:53Giggity, giggity, ha, ha.
33:55Giggity, giggity, giggity, ha, ha.
33:56Akane, honey.
33:57Akane, honey.
33:58Akane, honey.
33:59Akane, honey.
34:00Nik to the nik to nik-nak.
34:01I'm back with a pretty money click-click.
34:03Ah.
34:03Mool-a-mool.
34:05Start your engines.
34:07Mool-a-mool.
34:08It's about to be.
34:10About to be.
34:10About to be.
34:11About to begin.
34:15Mool-a-mool.
34:22The world is your own way.
34:26The category is Mirror, Mirror.
34:29First up, Lady Camden.
34:31You know if you break a mirror you get seven years of bad tuck.
34:35I am serving you shooting star.
34:38I'm drawing some inspiration tonight from The Little Prince.
34:42I am sparkly as fuck.
34:44I feel like a goddess from outer space made completely out of gas.
34:48This is Jack Frost's sister.
34:50Jackie Frost.
34:51Ooh, Jackie Frost.
34:53Ooh, Jackie.
34:54Ooh, maybe.
34:55Bosco.
34:56She's what you call a promosexual.
35:00My look is Mugler meets Soriyama meets Tin Man Slam Piece.
35:06I'm giving them a whole lot of Linda Vandalista meets just like the sexiest little toaster oven you ever did
35:11see.
35:12I am oiled up to the point that I am my own slip and slide.
35:16Things are moving.
35:17No foam here.
35:18You know you're a whore.
35:19You got mirrored knee pads.
35:22Willow pill.
35:23Now this queen is a real firecracker.
35:26The inspiration for this look was kind of like Elton John, Joan Jett, and Evil Keneal getting into a bunch
35:31of fireworks.
35:32It's very like late 70s rock.
35:34I want to wear this every day for breakfast, lunch, dinner, and dessert.
35:39She's illegal in 14 states.
35:41Let's light this bitch up.
35:43Okay.
35:44And cheerio.
35:46More like Hoseaic.
35:49Baby, I am giving you a galactic mermaid queen adorned in all of these reflective scales.
35:58So I'm making sure everything catches the light.
36:01She's giving you a beautiful side cutout so you can see this shape, honey, that all the girls be mad
36:06at.
36:06I'm catching the eyes from Andre Davis, and I'm like, yes, girl, you see it.
36:10Oh, she's shattering the ass ceiling.
36:14Diabetic.
36:16Oh, she wants to rock and roll all night.
36:19And party every day.
36:21I have chosen to do a kiss-inspired runway.
36:25I kind of feel like a shiny metallic porcupine right now.
36:28The base of this outfit is actually made from a reflective vinyl, so I hope I'm just blinding the judges
36:34at this point.
36:35In a good way, of course.
36:36She's a queen that makes you want to hug her.
36:40Deja Skye.
36:42Someone's been self-reflecting.
36:44Yes, honey, you better narcissistic that walk.
36:48Am I beautiful?
36:50Yes, I am.
36:51I'm walking out with regalness, with confidence.
36:54I have a holographic kind of cage moment with big shoulders.
36:57You know I love big shoulders.
36:59I am serving the evil queen of the futuristic glamazonia.
37:04Deja, you have a little right there in your tooth.
37:09Gorgeous as Liza Miarelli.
37:13This look is inspired by Miss Cardi B, and it has a really short scissor kind of look, and it's
37:18like my ribcage dress.
37:20I'm wearing latex boots, latex gloves, wet hair.
37:23I wanted to give the judges something very edgy, dark, and mysterious.
37:28Bitch, I'm stomping it out.
37:30Oh my God, you guys, she sharted.
37:32Rock!
37:34Ooh, check out her rearview mirror.
37:36Yes, honey.
37:37Objects in the mirror might appear smaller than they actually is.
37:44Well, ladies, the reviews are in.
37:46Moon LaRue is a smash hit.
37:50You've proved that you're all stars with bright futures.
37:54But this is a competition, so we're going to have to split some hairs here to really decide who is
38:01top and who is bottom.
38:04First up, Lady Camden.
38:07Lady, you have the MC role, which can be sort of a throwaway role, and establishing a character can be
38:13difficult.
38:14Somehow, you did it.
38:16Because you were slithering across that stage in a way that I totally knew who you were.
38:21We've kind of been waiting this whole competition for you to be able to show us some ballet, and you
38:25gave us what you do and what you do so well.
38:28I actually danced for like 22 years, so I can recognize.
38:31I'm like, oh, I see the posture, I see the point, I see the bevel, and I love this look.
38:36I love the top.
38:38You know I always say that.
38:40I'm right here, Rob.
38:44When I go like this, oh, I love it.
38:46Thank you so much.
38:47Up next, it's Bosco.
38:49Did you ever see Moulin Rouge?
38:51Okay.
38:51First of all, you were playing a character, so I was kind of wishing that you didn't do the Bosco
38:56eyebrows.
38:56Because you weren't Bosco, you were Saltine.
38:58That already took me out of a full commitment to the character.
39:01You could have gone so much further with it.
39:04Even the sneezes, the way you were sneezing was too delicate.
39:07It wasn't big enough.
39:07The thing about the Saltine role is that the story hinges on her giving that extra something.
39:14It was almost there.
39:15It just wasn't all the way there.
39:18This is beautiful in a Mugler type of way.
39:21It's stunning.
39:22It's gorgeous.
39:22But I think you know what I'm going to say.
39:24This is, I think, the fourth corset, panty, thigh high look.
39:28It's about versatility.
39:30Yeah, okay, we've seen corset and panties from you before.
39:32But, I mean, this is perfection.
39:38Don't try to give her no big pill.
39:39She want a well pill.
39:41Can I tell you how much I loved you?
39:43Please do.
39:43You were like Michelle Visage on the first date.
39:46You just kept doing it over and over and over again.
39:49I couldn't get enough.
39:50To play a character whose energy is dwindling while keeping your energy ascending at the same time is not an
39:57easy thing to do.
39:57So, I was very impressed.
39:59Tonight, I think this is adorable.
40:01It's really rocker chic 70s, 4th of July celebration.
40:05But mirror, mirror.
40:07I get the mirror, right?
40:08You're wearing reflective pants.
40:10You always manage to do it uniquely you.
40:13That's a gift.
40:14Up next.
40:15And here.
40:16Your part in the musical was not the biggest part, not the flashiest part.
40:21And I saw you keeping your head above water.
40:23Like, notice me, notice me, notice me.
40:25And I appreciate that.
40:26It could have been smoother.
40:27But it was really good.
40:29And this look is, you know, I have no words.
40:31It is perfect.
40:33With you, the word is always regal.
40:35And I think that's a pageantry thing.
40:36When you're wearing your crown and you're in your glory.
40:39And that's what I got from this.
40:40And it's just gorgeous.
40:41Drag queens take note.
40:42At home, this is what you wear.
40:43This is an iconic look for you.
40:46Up next, Diabetic.
40:48In the musical, you were amazing.
40:50It's one thing to be technically perfect.
40:52And then it's another thing to have the perfect amount of energy.
40:55And you really combine the two in a magnificent way.
40:58Small parts are a big risk.
40:59Because you can just get lost if you don't nail it.
41:02And you were able to find the little moments that just took it the extra level.
41:07And I love this outfit.
41:10I love how shiny it is.
41:12And of course, I'm a big Kiss fan.
41:14I totally agree with you.
41:15I think you look really sharp tonight.
41:17Oh, you need to stop it.
41:20Up next, Deja Skye.
41:22With these kind of ensemble productions, you need to really fight to be seen in these things.
41:27And we were kind of losing you.
41:29And then the rap came.
41:30And you came to life.
41:32Walking the dancers out on leashes just made me so happy inside.
41:35I'll probably practice it at home.
41:38Let's talk about your runway look.
41:39I don't get mirror so much.
41:41Okay.
41:42It's pretty.
41:43I did want to go up to you a few times and just go, uh.
41:45Right, the dress.
41:46Yes.
41:47And my eye keeps going to where it's bunched up.
41:49Right.
41:49I don't see much mirror.
41:50It's reflective, I guess.
41:52I'm getting Cher Sanctuary.
41:53Oh.
41:54But I think that about everything.
41:55Yes.
41:58Up next, George, yes.
42:00Hello, it is.
42:01You were talent.
42:02Yes.
42:03It started out strong.
42:04You had that funny little boom, boom.
42:06That was so funny.
42:07You had that moment and then it was like, bye.
42:10You faded away.
42:11And it's weird because when you come out here, nobody can take their eyes off of you.
42:16We've all said it week after week.
42:18The other girls are probably like, okay, we get it.
42:19But when it's not just you, you fade away.
42:22There was a disconnect from what your body was doing and what was on your face.
42:27I don't know who your character was.
42:30This look is beautiful.
42:31Body is beautiful.
42:32I'm so proud of you not wearing bra and panties.
42:35It's so different for you and I encourage you to all to keep challenging yourself to bring
42:40something different style-wise each week.
42:44All right, ladies.
42:46I want to hear from you.
42:48Who should go home tonight and why?
42:54Starting with Lady Camden.
42:56I feel like everyone's really fucking strong, which is annoying.
43:01Purely based off tonight, I would have to say Bosco.
43:06Bosco.
43:06Based off of tonight's critiques and track record, I would say Georges because she has been
43:12in the bottom the most out of the girls here.
43:15Willow.
43:15Bosco fought so hard for this role and it should have been what was expected.
43:21And Geria, same question.
43:22I am going to say Bosco.
43:26Diabeti, same question.
43:27I do unfortunately have to say Bosco as well.
43:31Deja Sky.
43:32I would have to say Bosco.
43:35Georges.
43:35I would have to say Bosco.
43:37She really, really wanted this role.
43:39And as she was trying to like why she should like win this role, she was trying to put Lady
43:43Camden down and it put a very bad taste in my mouth.
43:47And also, if we want to talk about track record, she was in the bottom three times in one episode.
43:54All right, ladies, I think we've heard enough.
43:57While you untuck in the workroom, the judges and I will deliberate.
44:03All right, now just between us squirrel friends, I want to know what you think.
44:07Starting with Lady Camden.
44:09Lady Camden in the Rusical was dynamic, enigmatic.
44:13You couldn't take your eyes...
44:14Wait, what did you just call me?
44:15Sorry.
44:15Had to be said.
44:16Couldn't take my eyes off of Lady Camden.
44:19Wove the whole story together like a master seamstress.
44:21She performs at such a high level, she probably would have been great at Saltine or any character
44:26she would have played.
44:27Lady Camden could do that on Broadway in Moulin Rouge, the musical.
44:31She was that good.
44:33Bosco.
44:34She was the star of the show.
44:35And all eyes should be on her at all times.
44:38And I kept looking away.
44:41I think the problem with Bosco as Saltine is she was probably gluten free.
44:47Tonight on the runway, yes, y'all, she looks amazing.
44:50But I've seen this look, amazingly, four times already.
44:52Obviously, I have not been here the entire time.
44:55But the entire time she was walking down the runway, I just kept thinking, beam me up,
44:58Naughty.
44:58Beam me up, Naughty.
44:59I just loved it.
45:00Willow Pill.
45:01Willow came out middle of the show and had a really long number that needed to work or
45:06we would have been bored to tears.
45:08And it didn't just work.
45:09It succeeded on a phenomenal level.
45:13And Jerria.
45:14In the challenge, those smaller parts can be as much as you make them.
45:18Yeah.
45:18And I think she did a good job, but I didn't think she was phenomenal.
45:23And I kind of am used to her being phenomenal.
45:25But on the runway, honey, she slayed it.
45:27I just loved, loved, loved it.
45:29Daya Betty.
45:30She was able, in this teeny tiny part, to find things that only existed because she brought
45:35them to life.
45:36I think context is so huge.
45:37And that's really the job of sort of these side characters is to really place you in the
45:41world.
45:42And she really did that for me.
45:44Deja Skye.
45:45Deja was a nerd.
45:46And I was like, girl power.
45:48Yes, bitch.
45:49It was amazing.
45:50When Deja was rapping, I was thinking to myself, she could win this whole week.
45:52And then she comes out in that on the runway.
45:55And I thought, well, she foiled that plan.
45:59I think she had a mirror challenge and she panicked and she put something over a really
46:02pretty bright dress.
46:04You know, and you try to sell it with the mirror.
46:05Oh, well, okay.
46:08Georgis.
46:09She is a firecracker.
46:10Oftentimes, for people who are shorter, it's harder to command attention.
46:13I have to tell you, I was jaw-dropped.
46:16Absolutely.
46:16She was captivating when it was her time.
46:18But I didn't get what her character was when she wasn't the focal point.
46:23Georgis was lost for me in this entire show.
46:26When she's amongst people that are as good, if not better, I think she gets inside of
46:30her head and that's what happens.
46:31Right.
46:31Silence.
46:33I've made my decision.
46:35Bring back my girls.
46:37Welcome back, ladies.
46:38I've made some decisions.
46:43Diabetic, you made us drunk with laughter.
46:46You're safe.
46:47Thank you, guys.
46:52Willow Pill.
46:53This week, you were completely hallucinating.
46:58You are safe.
47:04Lady Camden.
47:06This week, the race was tight.
47:09But you pulled ahead by a hair of your chinny-chin-chin.
47:15Congratulations.
47:15You're the winner of the Sweets Challenge.
47:17That's it.
47:20I won!
47:22Yes, bitch!
47:23You won a cash prize for $5,000 and a trip to New York City to see Moulin Rouge!
47:29The Musical on Broadway.
47:31Thank you guys so much.
47:33I can't believe I won.
47:34What feels good about this is that I didn't win the fight with Bosco.
47:38I might not have been the loudest voice in the room, but I turned that shit out, bitch.
47:44Good to New York.
47:47Angeria, you are safe.
47:50You may join the other girls.
47:56Bosco, your performance was nothing to sneeze at, but the judges wanted to see even more star quality.
48:04Deja Skye, as a rapper, you dominated, but your mirror-mirror look did not reflect well on you.
48:13Georges, you're a true talent, but you got lost in the chorus.
48:21Deja Skye, you are safe.
48:26You may join the other girls.
48:29I love you.
48:30I love you.
48:33Bosco, Georges, I'm sorry, my dears, but you are up for elimination.
48:40I do not particularly want to lip-sync against Georges.
48:43I'm pretty sure that RuPaul has put herself down as an organ donor for Georges.
48:48Like, she's obsessed with Georges, but I need to continue going forward in this competition.
48:52Two queens stand before me.
48:55Ladies, this is your last chance to impress me and save yourself from elimination.
49:06The time has come for you to lip-sync for your life.
49:16Okay, this isn't my first time at the rodeo, lip-syncing is what I do, and I'm ready to turn
49:21it.
49:22Good luck, and don't fuck it up.
49:26This is the Heartbreak Hotel.
49:30This is the Heartbreak Hotel.
49:33You said you'd be here by nine.
49:38You said you took your time.
49:42You didn't think you'd call me, but...
49:47Since you're not around for me to tell you, baby, face to face...
49:52I am feeling frustration, a sense of defiance, and just giving them these lyrics.
49:57As if I was the one that wrote them to myself.
50:00Oh, I really wonder what's the love you're trying to say.
50:04Tell me that there's someone else who's on the ground.
50:06Oh, you did what you want to be, baby.
50:10Did it to me.
50:11Didn't believe what you did to me, yeah.
50:13But if you were someone who would do me, you'd cry to me.
50:17And you'd find your emotions and you'd make me cry, but you didn't believe it.
50:21What'd you do it?
50:23I said, what'd you do it to me.
50:24You didn't think you'd have to do it to me, yeah.
50:27Oh, you said you said you'd be here by nine.
50:31Welcome to the Heartbreak Hotel.
50:33There are no weak moments in this lip-sync.
50:35Georgia is high-locking in.
50:36Bosco is giving me the energy that I need.
50:39It is a show.
50:40Oh, you said you said you'd be here by nine.
50:43Oh, you said you'll be here by eight, yeah.
50:59Oh, you said you've reached the heart, I'm so happy.
51:04I ain't gonna take it, no one.
51:15Ladies, I've made my decision.
51:25Georgias, Shantae, you stay.
51:30Let me join the other girls.
51:32Thank y'all so much.
51:33Thank y'all.
51:42Bosco, your fate now rests in the hands of the drag gods.
51:47If you have the gold bar, you will be saved.
51:53Now let's see what you've got.
52:06Oh, my goodness!
52:15You've got the gold bar!
52:21The drag gods have spoken!
52:25Bosco, congratulations.
52:27Condragulations, you are safe to slay another day!
52:33Oh, my God.
52:35To be given a second chance is wild.
52:37And to be given a second chance that wasn't even from RuPaul, it was just from the universe, is insane.
52:45Condragulations, ladies.
52:46And remember, if you can't love yourself, how in the hell are you going to love somebody else?
52:50Can I get an amen up in here?
52:52Amen!
52:53All right, now let the music play!