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Recreating Air Force One for television is no small feat. This behind-the-scenes look at Pluribus breaks down the extensive planning, research, and practical craftsmanship that went into building one of the series’ most ambitious sets. Created by Vince Gilligan and filmed in Albuquerque, the post-apocalyptic sci-fi drama follows novelist Carol Sturka (Rhea Seehorn) navigating a world reshaped by an alien hive mind. Pluribus Season 1 is now streaming on Apple TV.

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Transcript
00:00One of the scenes I was proudest of this year was a scene set on Air Force One.
00:06It was available to whoever asked.
00:09Big scene with Air Force One.
00:11Yeah.
00:11Built this giant set. It's 100 feet long.
00:14Pretty incredible.
00:16It's nuts on accurate down to...
00:18Crazy.
00:19It's funny, you call up the White House and you say,
00:21we'd like the complete blueprints of Air Force One.
00:23They don't like that much.
00:25Not so much.
00:26But there's so many photos.
00:28Our construction department created a superstructure for a section of a fuselage of a real 747.
00:38Our producers went down to the boneyard.
00:41They've got a bunch of old planes.
00:43And they bought a big section of door and the surrounding skin of the fuselage of a 747.
00:52Mounted this thing in the air exactly how high up the door of a 747 would be.
00:58They surrounded it with green fabric.
01:03Ah! Hello! Hello!
01:05And then we shot this scene with people going in and out of this real door of a 747.
01:11The big thing with these specific shots are the fact that, you know, the three parts of it.
01:17The foreground layer that we're shooting now, the CG plane that goes in the background,
01:20and the fact that the background is actually going to be shot two months from now in Bilbao,
01:25which may have different lighting conditions.
01:27And we'll have to make sure that the cameras are in the exact same place that we have them here
01:31in relationship to the airport at Bilbao.
01:34And all three of those different worlds have to align together.
01:37So we have to make really precise measurements about where everything is.
01:42That's the outside of Air Force One. The inside was all created on a sound stage.
01:47They built this thing from scratch.
01:49Ready? And action!
01:53Bonjour! Enchanté! I am Kumba Diabaté.
01:56This is all based on extensive research. We tweaked the colors a little bit.
02:03We did a lot of research, but we decided to go with, like, blue instead of all these browns that
02:09they usually have.
02:10And then we did do these stairs. We actually got this railing out of the 747 that we bought pieces
02:18of to build the exterior.
02:20And then we have our conference room. A lot happens in here.
02:24We manufactured these ourselves, and then, you know, built the walls, cut them in.
02:29These little foam cradles, also another real thing.
02:33All that woodwork is scenic finished.
02:36We wanted to get the perfect shine and sheen, and we found with stains we couldn't do that.
02:42You guys are, I'm telling you, I'm so impressed with the work we did.
02:46That's it. Like I say, we tried to get it as close to, like, the real Air Force One as
02:50possible.
02:52And, uh, and I think, I think we did it.
02:54Oh, I like that. Give me a couple more like that.
02:56I could not believe it when I walked onto the Air Force One set.
02:59It looked so realistic, just with all the details of the chairs down to the seat belt with the emblem
03:06of the president.
03:06And it really helped me just step into this guy who has the most epic entrance of all characters, I
03:12believe.
03:13Just coming on Air Force One filled to the brim with supermodels.
03:16Thank you so much!
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