Solo para hombres 1960 - HD 1080 - Completa - Analía Gadé, Fernando Fernán Gómez - Vídeo Dailymotion

Retroscreen Movies Revival - Español - Spanish

Reparto: Analía Gadé, Fernando Fernán Gómez, Elvira Quintilla, Juan Calvo, Manuel Alexandre, Joaquín Roa, Rosario García Ortega, Erasmo Pascual, Ángela Bravo, Emilio Santiago, Antonio Queipo, Carola Fernán Gómez, José María Lado  Dirección: Fernando Fernán Gómez  Sinopsis: Finales del siglo XIX. El hecho de que la joven Florita decida dejar de buscar a un marido que la mantenga y se ponga a trabajar en una oficina de un ministerio haciendo el trabajo de un hombre provoca un gran escándalo social. Además, muy pronto demuestra que es más eficiente que la mayoría del personal masculino de la oficina. El hecho no deja a nadie indiferente y provoca infinidad de reacciones que van de la envidia a la admiración. Los cimientos de la sociedad machista comienzan a resquebrajarse bajo los pies de una dama decidida. Todo ello en una época de inestabilidad política en la que los cambios de gobierno son constantes y afectan a los trabajadores públicos.

Transcript

00:00:11We are in the Madrid of our grandparents

00:00:13Or rather, from your grandparents

00:00:14Since I am a boy from back then

00:00:16A normal boy, with no remarkable characteristics

00:00:19And maybe one of my grandchildren is sitting there in the living room

00:00:22In my day, as you know, there were no cinemas.

00:00:25What you do in today's comfortable settings

00:00:28We had to do it on park benches

00:00:31The same in summer as in winter, like this unfortunate couple

00:00:34For entertainment we had parliament

00:00:39The political situation was very unstable.

00:00:52And with politics being so unstable

00:00:54The stew made up of public officials was also unstable.

00:00:58There was other fun

00:00:59Going to a café like this

00:01:01But that was only within reach of a select few

00:01:10Ah, danger zone

00:01:12Personal matters don't start with fists.

00:01:15But with the cane

00:01:16And we resolved them all on the field of honor

00:01:25However, we still didn't attach much importance to the football field.

00:01:29As for the young ladies

00:01:30Her main source of amusement was now criticizing her friends.

00:01:33Always speaking of them with a sarcastic tone

00:01:37Have you noticed, Mom?

00:01:39It's strange that the neighbor girl isn't leaning out onto the balcony.

00:01:42It's too cold to be looking out.

00:01:44Yes, cold

00:01:45Yeah, yeah

00:01:46So what?

00:01:48No, nothing

00:01:49It's not sarcasm.

00:01:50But this was just for fun.

00:01:52The true occupation of young ladies of our time

00:01:55It was a boyfriend hunt.

00:01:58Two procedures were used

00:02:00One was the pass

00:02:21The other procedure was the balcony

00:02:33The balcony of this honest family was useless

00:02:36He was no good at seducing anyone

00:02:39Because it faced the walls of a convent

00:02:41And another custom from that time that was also very fun

00:02:44And that you are about to see disappear

00:02:46It was the moving company.

00:02:52How quickly

00:02:54How easily

00:02:55With what almost frenetic enthusiasm

00:02:57We Madrileños of that time were really into moving.

00:03:03And look at this gentleman again

00:03:05Now beaming with excitement

00:03:06He has found an empty apartment

00:03:08And its balconies overlook a customs academy.

00:03:11Florita and her sister

00:03:13They will spend their lives outdoors

00:03:17And you should know that this story begins in the month of January

00:03:21Month in which a woman made a decision

00:03:23The decision to do something

00:03:25That all young ladies were forbidden

00:03:32Thank you!

00:03:34Thank you!

00:03:40Thank you!

00:03:54Thank you!

00:04:06Thank you!

00:04:19Thank you!

00:04:22Thank you!

00:04:38Thank you!

00:04:50Thank you!

00:05:12It was cold and my street was deserted and freezing.

00:05:16And the north wind from the mountains roared around the corners!

00:05:20There were hardly any people to be seen walking down the street

00:05:23And like every day of harsh winter

00:05:26There was an abandoned child in a doorway.

00:05:30But as in the other portals, there were others

00:05:32People didn't care about this.

00:05:35And they walked past him indifferently, talking about their own things.

00:05:40I looked out onto the balcony every day

00:05:44The game was always the same

00:05:55One day

00:06:00Has CUCH passed it?

00:06:08Thank you!

00:06:14Here?

00:06:21Here?

00:06:37And that time I left the balcony, never to look out from it again.

00:06:41She had made a decision that would cause the biggest scandal of all time.

00:06:48And he didn't even come out to chat with the visitors, who would be talking about such interesting and captivating things.

00:07:04Nightly?

00:07:05Sure, sure.

00:07:07Naturally.

00:07:08Absolutely.

00:07:09Has it gotten up here yet?

00:07:10I think he's already graduated.

00:07:15Thank you.

00:07:39Music

00:07:44Well, certainly

00:07:45Sure, sure

00:07:47Naturally

00:08:07Florita

00:08:09Florita

00:08:11Dad comes in

00:08:14Have you heard what the visitors have said?

00:08:16Yes, Dad.

00:08:17You will then understand that your attitude is causing a scandal

00:08:20You don't walk through Recoletos

00:08:22You leave the balcony at academy hours

00:08:24You don't attend to visitors

00:08:28And study arithmetic

00:08:31Tell me the truth, my daughter

00:08:33You've become a modernist.

00:08:35No, Dad.

00:08:36I'm still an honest lady

00:08:37This chronic cold I caught on that damned staircase

00:08:41He'll finish me off any minute now.

00:08:43The savings we had

00:08:44We've spent them on medicine and herbal teas

00:08:48I've been laid off

00:08:50And as if that weren't enough

00:08:51You give me these headaches

00:08:53You don't understand that I'm going to die

00:08:55Don't be ordinary, Dad.

00:08:57That's not something you say.

00:08:57The doctor told us that I will get better by taking broth and chicken.

00:09:01And after the hat your sister bought

00:09:03We have enough money left for chicken.

00:09:04Thanks to that hat, she's found a suitor.

00:09:06But you remain, my daughter

00:09:07And you're not doing anything to get a boyfriend.

00:09:09You don't look out from the balcony

00:09:11Why don't you take a look?

00:09:12Hey! Look out! Look out! Good heavens!

00:09:14Oh, I've already peeked out

00:09:15And it was so cold

00:09:16And what does it matter in the cold and snow?

00:09:18Can you find us a boyfriend who will buy us chickens?

00:09:20Hey! Look out! Look out! Good heavens!

00:09:26Whatever happens

00:09:28I will never look out from the balcony again.

00:09:30Well, I'm telling you, Mrs. Rosa

00:09:31I hope they come back here.

00:09:32We'd be delighted.

00:09:35Well, we certainly don't.

00:09:36Oh! Oh!

00:09:38What's wrong with him?

00:09:39A heart attack!

00:09:40That's a fit!

00:09:43Could it have been the cold?

00:09:45Sure, sure

00:09:46Okay, we won't bother you anymore.

00:09:47For God's sake

00:09:48You don't bother us

00:09:50And do you send your regards to your husband, Doña Venancia?

00:09:53Thank you

00:09:53For her part, Cecilia

00:09:55Until next time, Mrs. Rosa

00:09:56Goodbye, Doña Matilde

00:09:58I hope it's nothing serious, Doña Carlota!

00:10:00Get well soon! Goodbye, Valentina!

00:10:02Poor Cecilia

00:10:03He will die tomorrow

00:10:05To think that three have already died

00:10:07Saying goodbye on that landing?

00:10:08How long will this labeling cause so many victims?

00:10:11Until when will visits not be prohibited?

00:10:14Under the penal code?

00:10:15Could that be a sign of malnutrition?

00:10:18I think it's because he doesn't have a boyfriend, Dad.

00:10:20Little girl

00:10:20Don't say vulgar things

00:10:22And go finish getting ready

00:10:23Florita

00:10:24I don't know what ideas are going through your head

00:10:26But this is the reality

00:10:28Your father is an old codger

00:10:29And with that bronchitis, he'll most likely die any minute now.

00:10:33And you and I will be left in utter misery.

00:10:36Poor daddy

00:10:37Your sister Cecilia, at least

00:10:39She's already caught a suitor

00:10:41I'm fed up with suitors who never intend anything.

00:10:44Don't interrupt your aunt, girl

00:10:45Sorry, Dad

00:10:46Keep going with your rant, Matilde

00:10:47Thank you, José

00:10:49We don't have a single penny left.

00:10:50And what if you, in turn, don't get a boyfriend?

00:10:52The situation will be desperate.

00:10:55But if they don't turn out right, Auntie

00:10:56Because you don't know how to charm them

00:10:59And we must catch men who tell lies.

00:11:03Pretending to be something you're not

00:11:04Pretending

00:11:05Winning battle after battle

00:11:07Like Napoleon Bonaparte

00:11:08Learn from him.

00:11:12Now they're messing with the doorman's cat, Mom.

00:11:15You're right, daughter.

00:11:16Something strange is happening in that house.

00:11:17Why did she happily go to buy pasta and anise?

00:11:19Why doesn't Florita leave her room all day?

00:11:22And why are they making the cat dizzy?

00:11:23Oh, Mom

00:11:24I can't stand the curiosity anymore.

00:11:26I'm going crazy

00:11:27But a woman has no other solution for living than to get married

00:11:30Nothing else has been invented yet, my daughter.

00:11:32And we're in 1895, which is already quite something.

00:11:34Yes, Aunt Matilda

00:11:36Something else has been invented

00:11:39What I'm going to do

00:11:40What are you going to do?

00:11:42Okay, sweetheart, stop with the nonsense.

00:11:43Tomorrow we will begin the hunt for the man along the Paseo de Recoletos

00:11:47Tomorrow I may be free.

00:11:49And the world will be different for me

00:11:51I will walk the streets alone

00:11:54Without you by my side

00:11:56Without pretending to blush when I don't feel it

00:11:59He's crazy.

00:12:01What will Almighty God do?

00:12:02What will he do?

00:12:03Here, there's no sleeping tonight.

00:12:04And Cecilia?

00:12:05Getting dressed

00:12:06Dressing as what?

00:12:07What her suitor liked most about her was the hat

00:12:10And I told him to put it on.

00:12:11How to wear a hat at home?

00:12:13Just leave me

00:12:14Is Felisa still on the balcony?

00:12:15But the poor girl must be freezing cold.

00:12:17Look, see if he's still alive

00:12:18Felisa

00:12:19Are you there?

00:12:21Yes, yes, ma'am

00:12:23He lives, José

00:12:24I'm here, aunt

00:12:25Does it work well?

00:12:26Is that how he met you?

00:12:27Yeah

00:12:27The best thing is not to change.

00:12:28And say the same things you said the afternoon he fell in love with you

00:12:32In the same words

00:12:33That's the secret

00:12:43There they are

00:12:45Yeah, yeah, yeah

00:12:46They are entering the portal

00:12:50Come on, soon

00:12:51Take out the bottle of cognac

00:12:53Yes, Aunt Matilda

00:12:54It has frozen

00:12:58You'll see how he reacts.

00:13:01Baby Felisa

00:13:04It doesn't get warm

00:13:05Take another drink

00:13:07Let's see if it goes to my head

00:13:08He has to open the door, one way or another.

00:13:11Otherwise, they'll think we don't have a maid.

00:13:20Are you feeling better?

00:13:23Yeah

00:13:24I think I could get to the door

00:13:29I'm feeling very hot now.

00:13:44The lady

00:13:46Wait

00:14:00Lady

00:14:00There are four gentlemen there asking for Miss

00:14:04Four?

00:14:05Yeah

00:14:05There used to be two

00:14:07But now there are four

00:14:09That's funny, isn't it?

00:14:12Stupid

00:14:13But happy

00:14:14She's caught a nasty one

00:14:20We'll have to take it to the kitchen

00:14:44Good afternoon, Cecilia

00:14:45Good afternoon, Manolo

00:14:49Come this way

00:14:50Please

00:15:00I'm going to introduce you to my dad and my aunt

00:15:02Please, what is your friend's name?

00:15:04Pablo Meléndez

00:15:05Well, Pablo Meléndez and Manolo Estevez

00:15:07The boy I've already told you about

00:15:09It is an honor for me to welcome you to this house.

00:15:11Delighted

00:15:12Allow me, my gentlemen

00:15:14Let this beautiful piece by Chopin end.

00:15:16Keep turning the pages for me, Cecilia

00:15:18Cecilia has just arrived from a visit to the home of the Dukes of Montpellier

00:15:21That's why you catch her dressed and with her hat on.

00:15:24It doesn't matter

00:15:25It's such a pretty hat.

00:15:28You turn the pages so well, child.

00:15:30You are admirable

00:15:31Please, aunt

00:15:35How wonderful

00:15:38And well, my friends

00:15:39Cecilia had given me so many compliments about you, Mr. Estevez

00:15:43And I see that it fell short, didn't it, José?

00:15:45I've never seen such a nice gentleman

00:15:47And so arrogant

00:15:49But sit down, sit down

00:15:51Thank you very much, ma'am.

00:15:52I met Cecilia at the house of the rebellious young ladies

00:15:56Ah, yes, some rather wild girls

00:15:58In my opinion, right, José?

00:16:00Yes, and quite dirty, they say.

00:16:02We, on the other hand, are the complete opposite.

00:16:06Lovers of order

00:16:07From home

00:16:08From the music

00:16:10Of the cats

00:16:11A cat on a man's knees

00:16:14It represents...

00:16:15Hello good

00:16:24Hello good

00:16:25Bye

00:16:27Bye

00:16:30Bye

00:16:31We're very liberal with our service.

00:16:33And one day a week they go out partying.

00:16:36Oh, that, and...

00:16:37In the kitchen you have them all having a feast

00:16:49Well, I've been told that Santa Cruz de Tenerife is very nice.

00:16:53What are you saying, girl?

00:16:55Were you saying something, darling?

00:16:56Yes, I was saying that I've been told Santa Cruz de Tenerife is very nice.

00:17:02Ah, yes, you also said that the afternoon we met.

00:17:05And I liked those words so much

00:17:07Considering that my mother was from there

00:17:10Cecilia always says very nice things

00:17:19I used to really like dolls, but now I like them less.

00:17:25It's true

00:17:27You said that too that afternoon

00:17:28And I liked it so much

00:17:30She's just so ingenious

00:17:32Okay, little girl

00:17:33Why aren't you offering these nice gentlemen some pastries?

00:17:38You're right, aunt.

00:17:39How absentminded I am

00:17:40And here's your friend

00:17:41Do you know our language or perhaps...

00:17:43Yes, of course, I'm Spanish.

00:17:44Ah, since he wasn't talking, I thought...

00:17:47It's just a bit short

00:17:48And besides, since it's so cold, I'm afraid to open my mouth.

00:17:51Cold?

00:17:52But I'm sweating buckets!

00:17:54Yes, but that might be because of the cat.

00:17:56Ande

00:17:57Have a little pastry and you'll warm up.

00:18:03They are delicious

00:18:04Do you like them?

00:18:06Well, Cecilia made them.

00:18:07Don't tell me

00:18:09It's impossible

00:18:10Nobody can beat my niece Cecilia when it comes to baking.

00:18:14And if you saw how she cooks

00:18:15Today he made us a rabbit

00:18:17Go on, José

00:18:18Give these gentlemen a glass of that liquor the girl makes.

00:18:21From the monkey anise?

00:18:22Yeah

00:18:23Of that

00:18:24Don't move, Dad

00:18:25I will go

00:18:26Well, and speaking of everything a little bit

00:18:28What did you intend to do by coming here, Mr. Estevez?

00:18:31Well, I wanted to introduce myself to you in case my friendly relations with Cecilia

00:18:35Someday they will change their shape

00:18:36Like someday?

00:18:38Right now

00:18:39I don't know if you're that nice, are you, José?

00:18:43I'm growing very fond of him

00:18:45And you, sir, if you don't mind me asking?

00:18:47Uh... I'm a friend of Manolo's

00:18:50She told me that Cecilia had a sister

00:18:52And I've come because if she's free, maybe it's convenient for me and I'll keep her.

00:18:55What do you mean she's keeping it?

00:18:56Your way of expressing yourself, my dear sir

00:18:58Pablo would like to get married too.

00:19:01Ah, in that case you express yourself very well

00:19:04Divinely

00:19:05Yes, Cecilia has a sister, but she's feeling a bit under the weather today.

00:19:08It's definitely in your best interest because she's very good and very skilled.

00:19:12She made that chair

00:19:16Well, if I could see it, in case it's convenient for me.

00:19:18Of course you can see it

00:19:20Go on, go tell her, Cecilia

00:19:21I'll try

00:19:22But she's acting so strange today.

00:19:26Do you want to come, Florita?

00:19:27Manolo has come with a friend

00:19:28Oh, really?

00:19:29He's a great guy and he's looking forward to meeting you.

00:19:32Excellent!

00:19:33And your financial situation, sir?

00:19:35What do you do for a living?

00:19:37I am rich because of my house

00:19:38And I don't need to work.

00:19:40So if something suits me, I'll keep it and that's that.

00:19:43Of course, of course, you're doing very well.

00:19:46Look, the gentlemen I told you about

00:19:47Manolo Estevez and Pablo Meléndez

00:19:49She also wants to get married

00:19:50Oh, how nice!

00:19:51How formal

00:19:53Please sit down.

00:20:10So what?

00:20:13Have they looked at me properly yet?

00:20:15Do I keep going straight ahead or turn sideways?

00:20:17Miss

00:20:18Do I suit you or don't I suit you?

00:20:19Will it stay with me or not?

00:20:21Florita

00:20:21But daughter

00:20:22Did you hear the words I said earlier?

00:20:24Yes sir

00:20:25I'm always listening behind closed doors

00:20:28I really enjoy hearing customers talk nonsense.

00:20:30Florita!

00:20:31Little girl

00:20:31And I don't know if it would be convenient for you

00:20:33But you certainly don't like me.

00:20:34Because he has a face like a coat rack

00:20:35On a coat rack?

00:20:36But Florita

00:20:37I didn't mean to offend her in any way.

00:20:39Well, fewer compliments

00:20:40Are you staying or not?

00:20:42You'll understand that I can't waste time

00:20:44Because maybe a gentleman from Barcelona will come.

00:20:46And it's decided before you do.

00:20:47But miss

00:20:48Go to your room, girl

00:20:49So why did you call me?

00:20:51You're completely crazy

00:20:52No, I'm the crazy one for expressing myself in terms I shouldn't have.

00:20:55But it's not my fault

00:20:56Because my father is a vegetable vendor at the market

00:20:59And he buys and sells whatever suits him best.

00:21:01And I have learned his way of speaking from him.

00:21:03And I'm not ashamed.

00:21:05Because thanks to expressing oneself in those terms

00:21:07Today he is a millionaire and I am his only heir

00:21:09I suppose we'll have a chance to talk more slowly another day

00:21:12And I hope what happened today doesn't happen again.

00:21:14And now, Manolo, I think we should leave.

00:21:17So you're not keeping it?

00:21:19Will you be quiet, girl?

00:21:20Madam, sir, gentlemen

00:21:23Go with them, Cecilia

00:21:50Have you ruined everything?

00:21:51It was a good match

00:21:52A millionaire, an animal

00:21:54What must your sister's boyfriend have thought?

00:21:56He's not a boyfriend

00:21:56She doesn't like it, but she does like her hat.

00:21:58So what?

00:21:59They treated us both like cauliflowers

00:22:01What is the difference between this and what happens in a slave market?

00:22:05You're going to make us all miserable.

00:22:08Now anyone would look at them again

00:22:10What a tragedy, my God!

00:22:11What a misfortune!

00:22:12The first one we caught

00:22:13He wasn't just there for a snack

00:22:15Yes, ma'am

00:22:16I am rich because of my house and I don't need to work.

00:22:19Therefore, if something is convenient for me

00:22:21Well, I'll keep it, and that's that.

00:22:22Money is a powerful gentleman.

00:22:24What pasta, what pasta?

00:22:26Did you make them, miss?

00:22:28Wouldn't your daughter have a little friend?

00:22:30Just to take a look and see if it's right for me?

00:22:40What are you doing, Felisa?

00:22:41I'm peeling the potato

00:22:43Take the shawl, it has to come with me

00:22:45Are you finally going to do it?

00:22:47Yes, Felisa

00:22:49I'm going to do it

00:22:50Does the gentleman know?

00:22:52I haven't dared to tell him.

00:22:53Oh my God, my God!

00:22:55To me, all of this seems like a real mess.

00:22:57Come on

00:22:58Hurry up

00:22:59I'm going to see Don Cosme

00:23:00To Don Cosme?

00:23:02Yes, Felisa

00:23:04I have to do it

00:23:07Even if I lack the strength

00:23:11How I had the courage to defy my father's guardianship

00:23:14And to commit such an atrocity

00:23:15How could I have made such a decision?

00:23:18How an honest young lady of my class

00:23:21He addressed an old man like Don Cosme

00:23:23And he proposed to her as bluntly as I had proposed to her.

00:23:27I still don't know, and I tremble with shame when I remember it.

00:23:30What did you say, miss?

00:23:32That...

00:23:33I want to be a public works employee like you.

00:23:35And to earn my bread and that of my family

00:23:37Being an employee, you

00:23:38A woman working in an office

00:23:41My family and I have to eat.

00:23:42Street, street

00:23:43But do you realize what you're doing?

00:23:46Apply for a job

00:23:47As if he were a revolutionary

00:23:51Think about it carefully, Don Cosme

00:23:52If you don't get me this job

00:23:54He will have made me

00:23:57A rogue

00:24:03Don Cosme was the first to join my cause

00:24:06He spoke with Mr. Marquis

00:24:08Mr. Marqués with the Undersecretary

00:24:12The undersecretary with the minister

00:24:15The minister with the whole country

00:24:19And that's when all hell broke loose.

00:24:45A woman will never be able to live together

00:24:47With people of the opposite sex

00:24:49Without causing serious conflicts

00:24:51Of public order and morality

00:24:52And even if that were the case

00:24:54Women are naturally capable

00:24:57For intellectual work

00:24:58Can a woman be capable of doing math?

00:25:02Or write an envelope in serious handwriting?

00:25:05We doubt it.

00:25:14They're knocking at the window, Mr. Hernandez

00:25:16Do you think I can't hear you?

00:25:18They've called several times and it's already time

00:25:20It will be their time

00:25:21But not for me

00:25:27What's wrong with you?

00:25:28Let's see

00:25:29You couldn't just stand there and do nothing.

00:25:31Instead of tapping the window so much

00:25:32The Ministry of Public Works?

00:25:34Yes sir

00:25:34Of course, this is the Ministry of Public Works.

00:25:36Didn't you see it when you came in?

00:25:37But it's not the time

00:25:38And even if it were

00:25:40I'm busy

00:25:40Can't you see it?

00:25:41Well then

00:25:42But the thing is...

00:25:42Be quiet!

00:25:44What an unpleasant guy!

00:25:46A rude person

00:25:51Do you want the newspaper to clean yourself?

00:25:53Instead of doing it with today's mail?

00:25:55No, I still have to read the newspaper.

00:26:00Good morning, gentlemen

00:26:01Good morning, Mr. Claudio

00:26:03Good morning

00:26:11Good morning

00:26:12I went outside to get some fresh air.

00:26:20It seems you're feeling better from your cough today.

00:26:28I've taken a new bachambo

00:26:31It's been wonderful for me

00:26:34You should put some coal in the stove

00:26:36You have it stored in your desk drawer

00:26:39And the catcher too

00:26:40That's right, Ramón

00:26:42Indeed

00:26:44Thinking about having to store the coal from the stove

00:26:46So that the employees don't take it.

00:26:49In the end

00:26:51Let's get to work

00:26:52Have you got my order ready for me, Pablo?

00:26:54Yes sir

00:26:55Here you have it

00:26:56The quarter of a tobacco bar

00:26:57Rolling paper

00:26:59And the mat

00:27:00Thank you, Pablo

00:27:02Thank you

00:27:02Shouldn't you have been working so much, Don Claudio?

00:27:05There's no other way, Pablito

00:27:06I cannot let the CEO down

00:27:09Thanks to my skill at rolling tobacco

00:27:11I have become head of department

00:27:14Which at my age is a good leap

00:27:16And it's already being said that you're going to get the minister involved too.

00:27:21Rumors

00:27:23Rumors

00:27:24You send my boots to be repaired

00:27:26Yes sir

00:27:26And I've already said how you want the midsoles

00:27:31Don Claudio

00:27:32From the CEO

00:27:33Go and see him

00:27:34Go see him

00:27:36Ah

00:27:36I wonder if he's already fixed the dining room clock I brought him yesterday

00:27:40But he says to go with everyone in the business.

00:27:43With everyone

00:27:45Gentlemen, the entire country will be watching your business for a few months.

00:27:50Because her business has been chosen for the working woman experiment

00:27:56I want to clarify that Miss Flora Sandoval is here as a test case.

00:28:01And since I consider the experiment my risky

00:28:04I don't think it will last between us

00:28:06But how long do you expect it to last, Mr. Director?

00:28:07If that is immoral

00:28:09And above all, Mr. CEO

00:28:11That takes bread away from a man who has to feed a family

00:28:13And that's not right

00:28:14May I continue speaking?

00:28:16Yes, sir, go ahead.

00:28:17She wants this job to honestly earn her bread and that of her family.

00:28:21Well, let her get married.

00:28:22She doesn't have a boyfriend

00:28:23Then he should look for it.

00:28:24It doesn't work for him

00:28:25Then let him die.

00:28:26He doesn't want to die

00:28:27Okay, okay

00:28:28They can return to their business.

00:28:35A female civil servant

00:28:36But what kind of country do we live in, Mr. Claudio?

00:28:38I want you to know

00:28:39Although the minister and the marquis have shown interest in her

00:28:43I was the first to oppose it.

00:28:45Because I think it's a disgrace

00:28:47Well, naturally

00:28:48Absolutely.

00:28:49Listen, Pablito

00:28:50And his uncle, Mr. Borrajo, the deputy

00:28:52I couldn't do anything

00:28:53At least send her to another department.

00:28:56I don't think I can turn to my uncle for something like that.

00:28:59No, right?

00:29:00On the other hand, to have a job as a scribe without knowing how to write in cursive

00:29:03And to be loafing around while the rest of us pull our weight

00:29:06For that, you can resort to

00:29:08That wouldn't do any good, Hernandez

00:29:10Because our CEO

00:29:12He is a man of progressive ideas

00:29:14And that he was once in London

00:29:16He's the one with the most interest in making this happen.

00:29:19And that the apparatus also takes shape

00:29:21The device?

00:29:22And what device?

00:29:23Miss's device

00:29:25Because the young lady who is coming

00:29:28It has a device

00:29:29But on one leg?

00:29:31I don't know

00:29:33Hey, Meléndez, do you know anything?

00:29:35What you have missed out on

00:29:36What have they told you?

00:29:37That the young lady who is coming

00:29:38She is a protégé of the minister and the marquis.

00:29:41Atiza

00:29:41And she's also allied with the CEO

00:29:44I already figured that out.

00:29:45And that's not the worst part.

00:29:46What's more

00:29:47It comes with its device.

00:29:49With what device?

00:29:50Anyone knows

00:29:51The director wants the whole thing to work.

00:29:56Exactly! You're not measuring!

00:29:58Okay, okay, less violence.

00:29:59I'm dying of jealousy.

00:30:02Because of that woman, of all people

00:30:04That woman?

00:30:05No, not tomorrow's.

00:30:06From the young lady employee

00:30:08Are you going to start like before?

00:30:09But can you imagine what will happen?

00:30:11As soon as that woman is known?

00:30:13Leave me alone

00:30:14You know I'm the first enemy

00:30:15That women work

00:30:16But I can't do anything.

00:30:18Promise me you won't be suggestive.

00:30:20Go on, promise me.

00:30:22Women used to be

00:30:23They were on tenterhooks

00:30:24If they married a merchant seaman

00:30:26Or with an opera tenor

00:30:27But now the poor things

00:30:29They won't be able to get married

00:30:31Not even with a land registry employee

00:30:33Oh!

00:30:33It's outrageous.

00:30:35Of course, of course, ma'am

00:30:36That's what I say.

00:30:37No, no, no

00:30:44Anarchist

00:30:44Libertine!

00:30:47Good evening, gentlemen

00:30:54Well

00:30:55It's already twelve o'clock.

00:30:57I'm going to have to leave, Buddy

00:30:59So soon?

00:31:00I have to get up early

00:31:01The office opens at nine

00:31:03You already know

00:31:03But you're the boss, kid.

00:31:05That's not a reason

00:31:06To arrive late

00:31:07It would be the first time

00:31:08What's happening to you is that tomorrow

00:31:09She joins the workforce.

00:31:10That!

00:31:11Happy, Little Bud

00:31:12Content

00:31:13A woman working in an office

00:31:15What a lack of shame!

00:31:17You heard me, right?

00:31:19Or request a leave of absence

00:31:20Or you'll never see me in heat again

00:31:21That

00:31:22And we live off your rent, right?

00:31:24We will live on flies and fried bread

00:31:25But if you keep going to the ministry

00:31:27After that

00:31:27Te deslom!

00:31:28They were breaking their backs

00:31:29And shut up if you don't want to.

00:31:30May I shut your mouth with a punch

00:31:33Rascal, tern

00:31:34That's why you voted for the liberals, huh?

00:31:40You, Soli

00:31:41Place them at the back door

00:31:42Watch out for the amount

00:31:43And you, Arpeche

00:31:44Stand at that door

00:31:45Keep it slightly ajar

00:31:46And as soon as they direct the intruder

00:31:47Raise the word about prevention

00:31:48To go see her

00:31:53Well, I've been told

00:31:53She's blonde, Mr. Hernandez.

00:31:55But that's a provocation.

00:31:56My wife hasn't been able to sleep

00:31:57All night long

00:31:58Because you already know me.

00:31:59And you know what happened to me

00:32:00At a masquerade ball

00:32:01How could I not know?

00:32:02They surprised you

00:32:03Giving him a pinch on the arm

00:32:05To a Galician woman

00:32:05That's how it was

00:32:06But without exaggerating

00:32:07Not a hair

00:32:08She was going up the stairs

00:32:09Dressed up as a Galician

00:32:10And I was following behind.

00:32:11And then I started

00:32:13And I told him

00:32:15Wow, Galician woman

00:32:15What a Galician woman!

00:32:17That

00:32:18Wow, Galician woman

00:32:19And I pinched her.

00:32:21You're quite something!

00:32:22For the women, Mr. Hernandez

00:32:23Because I can't help it

00:32:24Because I'm a real man

00:32:45How much do I owe you, coachman?

00:32:46Auntie, you're leaving the little package behind.

00:32:48Oh, that's true.

00:32:48I'm so nervous

00:32:49The Ministry of Public Works?

00:32:51Yes, miss

00:32:51The public works racket?

00:32:53On the first floor

00:32:54I'm the new employee

00:32:55Yeah, yeah

00:32:59Where is the country headed?

00:33:01If he sees this

00:33:02King Philip II

00:33:07Would you do me a favor?

00:33:08The public works business?

00:33:10Attention!

00:33:11The young lady employee!

00:33:15It is a hospital

00:33:17Excuse me, Mr. CEO

00:33:18The new employee has arrived

00:33:21Sorry, sorry

00:33:21In a moment

00:33:22I'll be right back

00:33:22The young lady employee!

00:33:41Good morning

00:33:42Good morning

00:33:43Good morning

00:33:44Good morning

00:33:45Well

00:33:49What on earth is wrong with him?

00:33:51Where has this man gone?

00:33:52I dropped a pencil

00:33:57Don Claudio López

00:33:58Is this it?

00:33:59It's not there

00:34:00Ah

00:34:01Will it take long?

00:34:02It is unknown

00:34:03The CEO called him

00:34:05Can we wait until he comes?

00:34:07Yes, for me.

00:34:08Thank you so much

00:34:09Because I am Miss

00:34:10Who comes to work here

00:34:11And I'm the aunt

00:34:12And I am the father

00:34:13To her sister and the girl

00:34:15We left them in the hallway

00:34:16In case they were bothering us

00:34:17Do you know?

00:34:18Well, maybe so

00:34:19So that you know

00:34:21That man is the orderly.

00:34:22And I am the first officer

00:34:24And my name is Mr. Hernandez

00:34:27Justo Hernández

00:34:28Nice to meet you

00:34:29Justo Hernández de la barquera

00:34:31Then much more enjoyable

00:34:33Pleased to meet you

00:34:34You seem like a very nice person

00:34:36And very pleasant.

00:34:36Well, I'm not, ma'am.

00:34:37That's a shame.

00:34:38Because you have the conditions

00:34:39Of course

00:34:40If you would like

00:34:41I just don't want to

00:34:42Well, in their case I would

00:34:43With those abilities

00:34:44Okay, that's enough.

00:34:45Go find Don Claudio Ramón

00:34:47And tell him what's happening

00:34:48Yes, Mr. Hernandez.

00:34:49Immediately

00:34:53We already know that chicken

00:34:55Right, Florita?

00:34:57I don't remember

00:34:58Yes, yes

00:34:59I believe I had the pleasure

00:35:00On one occasion

00:35:01We certainly didn't go back.

00:35:03Let's see his hair

00:35:03Neither you nor your friend

00:35:05Did he find another hat?

00:35:06What did he like best?

00:35:08Shut up, aunt

00:35:08We must forget about that.

00:35:10And what about his millions?

00:35:12Did he lose them in Monte Carlo?

00:35:14But it can be known

00:35:15What's wrong with this man?

00:35:18One moment

00:35:22What gut has broken in you?

00:35:24Is this delivered here?

00:35:26Yes sir

00:35:26This is where these documents are submitted

00:35:28But to deliver these documents

00:35:30It's not the time

00:35:30But

00:35:31Isn't it...?

00:35:32No sir

00:35:33The time is when we've closed.

00:35:34Well, I don't understand it.

00:35:35Don't you understand?

00:35:36Hey?

00:35:36Could it be an animal?

00:35:37Yes sir

00:35:38And he's telling you, an official, that.

00:35:40And he's telling you to go to hell.

00:35:41You should see what they have to put up with.

00:35:44You to the public

00:35:45You don't know that very well, ma'am.

00:35:47I don't know how you have the patience.

00:35:49To be so kind to them

00:35:51Hey?

00:35:52But since so many have come

00:35:54For God's sake

00:35:55I am the father

00:35:57I am the aunt

00:35:58I didn't want to

00:35:58But they persisted

00:36:01Please understand what this means to us

00:36:03Come on, lady.

00:36:04Come on

00:36:04They shouldn't worry.

00:36:05Nothing will happen

00:36:06It's just so hard for me

00:36:08Separating from my niece

00:36:09Couldn't you sit in a small chair next to me?

00:36:12No no

00:36:12By no means

00:36:13Come on, lady.

00:36:14Come on

00:36:15I would bring him a little snack.

00:36:17Please, aunt

00:36:18You're going to end up angering these gentlemen.

00:36:20Go home

00:36:21I'm excited to go back alone.

00:36:23If Matilda

00:36:24It's best if we leave

00:36:25Goodbye my daughter

00:36:27A hug

00:36:32Goodbye, Lord of the boatwoman

00:36:35And I beg you, please

00:36:38Don't say naughty things

00:36:41Goodbye, Dad

00:36:44Goodbye aunt

00:36:44Goodbye little flower

00:36:46Don Claudio

00:36:48Go with them, Ramón

00:36:49And give them a glass of water

00:36:51To calm her nerves

00:36:52Yes, Mr. Claudio

00:36:53Good morning, gentlemen

00:36:55And you forgive me

00:36:57Good morning, gentlemen

00:36:59And your little flower

00:37:00Never forget

00:37:01That your father has always been

00:37:03An honest man

00:37:05Come on

00:37:15Would you like a coffee with milk?

00:37:17No, thank you very much.

00:37:22Did you bring anything to sew?

00:37:24No, no sir

00:37:24I didn't bring anything with me

00:37:27You'll tell me what I have to do

00:37:28Hey?

00:37:29What do you have to do?

00:37:31Oh, right.

00:37:31Well, it's true

00:37:33Let's see

00:37:34Let's see

00:37:36Mr. Hernandez

00:37:37Have you finished writing?

00:37:38The envelopes I gave him the day before yesterday morning

00:37:41How could I finish it if you gave me fourteen?

00:37:43I'm missing six

00:37:44Sure, sure

00:37:46Please forgive me

00:37:48You are right.

00:37:49Well

00:37:49Well, in that case

00:37:51Everything is resolved now.

00:37:53Give this young lady the list

00:37:55With the missing addresses

00:37:56And some envelopes

00:37:57The list with the missing addresses

00:37:59And some envelopes

00:38:00Yes, that's right.

00:38:00Well

00:38:01As you wish

00:38:04There's nothing here.

00:38:06Come on, you won't find anything.

00:38:09We've been lucky.

00:38:10Here is the list

00:38:13And some envelopes

00:38:15Come here, miss.

00:38:17Yes sir

00:38:17As you wish

00:38:20Look, miss

00:38:22It involves putting these six names and addresses.

00:38:25In these envelopes

00:38:26The city where they are headed

00:38:28At the bottom

00:38:29In larger print

00:38:30But don't get nervous

00:38:32You know?

00:38:33You can rest.

00:38:34He has the morning and afternoon to do it

00:38:36At that desk

00:38:38You will find a pen and inkwell

00:38:40No, I don't need to.

00:38:41I brought my device

00:38:43Ah, the device

00:38:44This is it

00:38:45A pen without end

00:38:47A what?

00:38:48A pen without end

00:38:49Look at her

00:38:50And what is that?

00:38:51A new thing that has ink inside

00:38:53And that it shouldn't get wet

00:38:54Let's see

00:38:54The ink inside says

00:38:56Yes sir, try it

00:38:57You'll see.

00:38:59Leave me my

00:39:00Yes sir

00:39:01Yes, yes

00:39:03Careful

00:39:06He doesn't write anything.

00:39:07Okay, give me

00:39:10It's because it's a modern invention

00:39:12You have to do it this way

00:39:13Ah, of course, of course

00:39:14And do we have to do it like that for a long time?

00:39:16Yes, quite a lot.

00:39:16Until the ink falls to the ground

00:39:18And then do you take it?

00:39:19No, there's always some left.

00:39:20Ah

00:39:20That's it

00:39:21You write

00:39:24Hey

00:39:25Well, it's true

00:39:26Yeah

00:39:27Yes, he writes.

00:39:28Yeah

00:39:28You have to see it

00:39:30Where are we headed?

00:39:31Well

00:39:32Well then

00:39:34Start writing those envelopes

00:39:35Let's see how they turn out

00:39:36Yes sir

00:39:37Start writing those envelopes

00:39:39He doesn't write anything.

00:39:39I don't usually

00:39:40He doesn't write anything.

00:39:42I don't usually

00:39:42Already

00:39:42Why not?

00:39:51I don't usually

00:39:56I don't usually

00:39:57I don't usually

00:39:58I don't usually

00:39:59I don't usually

00:40:11The general manager told me to bring you this watch, as he has already repaired it.

00:40:18Very well, thank you very much.

00:40:19I've already written the envelopes

00:40:22What did you say, miss?

00:40:23I've already finished the envelopes

00:40:25Impossible, let's see, let's see

00:40:31Huh? Yes

00:40:33Well, it's true

00:40:35And with very clear writing

00:40:38Congratulations, miss, congratulations

00:40:40Very good, very good, very good

00:40:42Thank you very much, Mr. Claudio

00:40:53Okay, so what do I do now?

00:40:56Now, look, I'm going to see the CEO to tell him you're here.

00:41:02And in the meantime, Mr. Hernandez will tell you what you have to do.

00:41:05Yes, of course, I'm not going to just sit here doing nothing.

00:41:08I, who tell him

00:41:12Well, let me think for a moment

00:41:14Let's see if I can think of something to give him.

00:41:17What are you doing, Pablito?

00:41:19Multiplication

00:41:20The one that never comes out

00:41:22It's just very difficult

00:41:23Well, maybe this young lady who is so clever

00:41:26Yes, give it to me.

00:41:27No, this, this is not a job for a woman.

00:41:30Who knows?

00:41:30Maybe I'll get it.

00:41:31Not at all, don't bother.

00:41:33Give it to her, Pablo

00:41:34And so we tested

00:41:35And you, meanwhile, go open your email.

00:41:38Yes, sir, as you wish.

00:41:41Here you go, miss.

00:41:43And I'm so sorry

00:41:44Don't worry

00:41:56Okay, the account is done.

00:41:59The check?

00:42:01Yes sir

00:42:02I've already multiplied it

00:42:03With the test by nine

00:42:04Look at this

00:42:06Yes of course

00:42:07That's why the test is there

00:42:09Very well, miss

00:42:11Very good

00:42:12Come on, put it back in its place while I watch.

00:42:14Yes sir

00:42:19Come closer, Pablito

00:42:20Did you see how well it looks with that test?

00:42:23It's extraordinary.

00:42:25What talent!

00:42:26Very well, miss

00:42:27We are very happy with you

00:42:29And now rest for a while while I read the newspaper

00:42:34Well, Mr. Hernandez

00:42:35But while you're reading the newspaper

00:42:37What do I have to do?

00:42:42What are you doing, Pablo?

00:42:44Opening the mail

00:42:45I've already opened the letter

00:42:47Because there's only one

00:42:48Yes sir

00:42:48I'm not closing it again

00:42:49That way he won't be idle.

00:42:51Or better

00:42:53You are in charge of finding him a job

00:42:55To this young lady

00:42:58Okay, Ander

00:42:59Tell me what I have to do now

00:43:02Why don't you take a walk around the corridors?

00:43:04And that's how he gets to know the ministry?

00:43:05Leave it

00:43:06I'll get to know him little by little.

00:43:09And water

00:43:10Why don't you go and drink some water?

00:43:11Very good, Pablo

00:43:12Very good

00:43:14Oh, how silly.

00:43:15But if I'm not thirsty

00:43:16Oh, how silly.

00:43:18Well, even if you're not thirsty

00:43:21He's going to drink tap water right now.

00:43:23And he stays in the hallway for a while, looking

00:43:26Understood?

00:43:27Well, yes, sir.

00:43:28As you wish

00:43:29But if they need me for anything

00:43:31We don't need it at all, for goodness' sake!

00:43:33Okay, I'll be right back.

00:43:34Don't come back right away

00:43:36Well then, until now

00:43:38See you later!

00:43:40Okay, I'll be right back.

00:43:51Look at that beautiful handwriting!

00:43:53It's true

00:43:54And without a single mistake

00:43:55Of course, in this one he put "come back" with an H

00:43:58But we're not going to pretend either

00:43:59That a woman has good spelling

00:44:01Before I return

00:44:02Look at your desks

00:44:04Let's see if they have any overdue accounts.

00:44:05Or some bagpipe we can give him

00:44:07Yes, sir, I'll be right there.

00:44:08I've already searched, but I can't find anything.

00:44:09Me neither

00:44:10People will think that we don't work in this ministry

00:44:12It will drive everyone crazy

00:44:13If it weren't also a recommended one

00:44:18See if the director will be interested

00:44:19Regarding this young lady

00:44:21He even made me clean and tidy up the shop.

00:44:23From top to bottom

00:44:25No, I can see it now.

00:44:26This is getting effeminate.

00:44:33Okay, so what do I do now?

00:44:35Do you want me to open the window?

00:44:37Yes, that's it, open the window.

00:44:39But close it immediately.

00:44:40How intracurrent!

00:44:44Good morning, sir

00:44:45How can I help you?

00:44:46This is the public works department.

00:44:48Yes, sir, this is the business.

00:44:49So, can I explain?

00:44:51Naturally

00:44:51You can tell me whatever you like.

00:44:53Is this presented here?

00:44:54Let's see, he has the kindness

00:44:56Yes, this is where this document needs to be submitted.

00:44:59But you have to do us the favor of taking out a policy

00:45:01You'll find it at any tobacconist's.

00:45:02I am very grateful

00:45:03We are here to serve you

00:45:05Thank you very much, sir.

00:45:08Well

00:45:09What do I have to do now?

00:45:13Look at this

00:45:15Now go ahead and sharpen this pencil.

00:45:17While I go to look for Don Claudio

00:45:19And I tell him to come right away.

00:45:21Very good, Pablito

00:45:22Very good

00:45:28Oh, Felisa!

00:45:29But what are you doing here?

00:45:30The man told me to wait for her.

00:45:32What a mania!

00:45:33Didn't I tell you I want to come back alone?

00:45:34Alone, miss?

00:45:35Take this, stop the tram

00:45:36But Miss Florita

00:45:38Are they going to see you?

00:45:39Goodbye, I say!

00:45:39Oh, Lord, Lord!

00:45:46Florita!

00:45:49Florita!

00:45:51I wanted to thank you

00:45:53Because?

00:45:53For not having said anything about that in the office

00:45:55That wasn't important, Pablo

00:45:57Yes, she had it.

00:45:58I lied to you

00:45:59I told him about my father's millions

00:46:01And you see what I am

00:46:03A poor pen-pusher

00:46:04We lied to him too

00:46:06Because the truth is that neither my sister nor I know how to make sweets.

00:46:08And that happy atmosphere, with a cat and everything, is not ours.

00:46:11We spent our lives there seething with rage.

00:46:13But you lied to find a boyfriend and to get married

00:46:17We, on the other hand, take advantage of these visits to the homes of marriageable girls to have a snack

00:46:21Because the truth is, we're hungry.

00:46:23Yes, you ate all the pasta.

00:46:25They were really good

00:46:26They were custom-made.

00:46:27Of the faces

00:46:29Because we bought those pastas, we went without dinner.

00:46:32And to buy my sister's hat, my father almost died from lack of food.

00:46:37You have no idea how sorry I am.

00:46:39Don't worry

00:46:40Would you like to have some brambles with us?

00:46:42Just for a little while

00:46:47Two brambles

00:46:48Oh, how happy I am!

00:46:50Because?

00:46:51Because I'm sure that in just a few years you'll run out of pasta and the

00:46:54anise

00:46:54And if they don't have fun with that new game called football

00:46:57I think they're not going to have much fun with us.

00:47:00Florita, I beg your pardon.

00:47:02He is forgiven

00:47:03What happened to your friend?

00:47:04Manolo is still in love with Cecilia

00:47:06What more original way to be in love?

00:47:08We never saw him again after that day.

00:47:10Manolo works in another ministry and he's poor like me.

00:47:13Your father gave us the impression that he had a lot of money

00:47:16Her aunt said that Cecilia came from the Duchess of Montpellier's house

00:47:19Look

00:47:20This made him feel inferior and he never returned

00:47:23But I know he loves her

00:47:24But did his friend believe all of that?

00:47:26Of course, just like me

00:47:27Oh, how awful!

00:47:29My poor aunt prepares everything very well.

00:47:31But I've already told him that sometimes he goes too far

00:47:33I assure you that Manolo, if it hadn't been for that...

00:47:35Because he loves her

00:47:36And he looks for a humble girl like himself.

00:47:39And when we left there that afternoon

00:47:44What happened?

00:47:46We both realized your personality, you, and your charm

00:47:50And that he was right about everything he told me

00:47:52And I've thought about you a lot, Florita

00:47:54That's why seeing her in ministry today...

00:47:56I don't know what my heart has felt

00:47:58But what are you saying, Pablo?

00:48:00Don't you think we should continue seeing each other?

00:48:02Would that bother you?

00:48:03If we're going to see each other every day

00:48:05No, I mean seeing each other outside of the ministry

00:48:07Alone

00:48:08What do you say, Pablo?

00:48:09Alone

00:48:10Doesn't he realize that he's offending me?

00:48:18Goodbye, Florita

00:48:19Goodbye, Valentina

00:48:24Florita, would it be too much to ask if you would allow me to accompany you?

00:48:27No, Pablo, don't ask me that

00:48:28I fired Felisa because I have the desire to return home alone.

00:48:31Excuse me

00:48:42Parallel

00:48:43The return of my reason

00:48:46The land

00:48:50The return of my reason

00:48:55From the Alcarria River

00:49:06Bye

00:49:11Bye

00:49:29Thank you!

00:50:09Thank you!

00:50:16Thank you!

00:50:54Thank you!

00:51:12Now everyone will start coming, right?

00:51:14Yes it's true.

00:51:15Our solitude will last a very short time.

00:51:17The orderly will be here at five o'clock.

00:51:20Well, what you have to do is find me some work.

00:51:24Okay, okay, I'll find something for you.

00:51:41Where did you get that from, Pablito?

00:51:43It's from the other businesses.

00:51:44You have no idea.

00:51:45I spend all day searching, searching.

00:52:01It's amazing.

00:52:02Wow, that was fast!

00:52:03In barely two months, he has processed the files from the last five years.

00:52:07Of course, since he doesn't have to dip it in the inkwell, he can do it that way.

00:52:11Don Arturo, do you have anything for the devourer?

00:52:13No, son, there's nothing left here.

00:52:15Why wouldn't you open a little tobacco?

00:52:16No, no, she wants an office job, an office job.

00:52:28Excellence, they call for development.

00:52:30Because the young lady employee works so often, she has finished everything.

00:52:32If we have something to give him.

00:52:38And I'm feeling more and more comfortable.

00:52:39As the good weather arrives,

00:52:41You have no idea how kind and courteous those gentlemen are becoming to me.

00:52:45Truly, my daughter, do not deceive your father.

00:52:48No, really, daddy.

00:52:49And above all, that boy, Pablo, is very kind to me.

00:52:52The poor man is desperate to give me a job.

00:52:54At all hours, he keeps bringing me things, he keeps bringing me things.

00:52:59What do I have here, Florita?

00:53:01What do I have here?

00:53:02Oh, well, I don't know.

00:53:04From the Ministry of the Navy, Florita.

00:53:06From the Ministry of the Navy.

00:53:07How exciting!

00:53:09The goal is for me to produce a detailed report.

00:53:11of the number of cannons that all these ships have.

00:53:14You put the starboard ones in one column and the port ones in another.

00:53:18And what about these ones here in the front?

00:53:20Well, you put them on another sheet of paper.

00:53:23It is to clarify the causes of the defeat at Trafalgar.

00:53:25Just in case it happens again, understand.

00:53:27I don't know if I'll be able to do it.

00:53:28What can't you do?

00:53:29With those hands.

00:53:31With those eyes.

00:53:32I wanted to tell you something, Pablo.

00:53:34I am very grateful to you for everything you do for me.

00:53:37I'll do it for you, Florita.

00:53:38Because I couldn't care less about the administration.

00:53:40But for you, for being close to you,

00:53:42to see her, to hear her,

00:53:44I am even capable of working.

00:53:46Pablo.

00:53:47I have to confess something to you.

00:53:49I've stopped having my afternoon snack.

00:53:51Pablo, don't talk to me like that.

00:53:53I wouldn't want them to be right.

00:53:54those who criticized me when I started working.

00:53:56That shouldn't be a concern anymore.

00:53:58They have become convinced that they were wrong.

00:54:00In addition, the people in the office

00:54:01He treats her better each time.

00:54:02Don't you notice?

00:54:03Yeah.

00:54:04Since spring has arrived

00:54:05And I put on this little dress.

00:54:07Who knows what they're looking for.

00:54:09I can only tell you what I'm looking for.

00:54:13Good afternoon, Mr. Diaz.

00:54:23Good afternoon.

00:54:24Good afternoon.

00:54:24Are you here yet?

00:54:25It's four fifteen.

00:54:26You didn't used to come at a quarter past four.

00:54:28Neither do you.

00:54:29I am the first officer

00:54:31and I come whenever I want.

00:54:33Don't you have the right to treat me like this?

00:54:35What are you doing at that desk?

00:54:36Nothing.

00:54:37I was asking the young lady...

00:54:38Are you not in a position to ask this young lady anything?

00:54:41What, I'm not who?

00:54:41No, sir.

00:54:42And so that he knows.

00:54:43That you are Borrajo's second cousin

00:54:45I don't give a damn.

00:54:47Why aren't you at your desk?

00:54:48I didn't know you were coming so soon.

00:54:50Does it bother you that I arrive at the office on time?

00:54:52No, not me, but it surprises me.

00:54:54Well, don't be so surprised

00:54:55And go get me a little coffee.

00:54:57A little coffee?

00:54:58Yes, a little coffee with milk.

00:55:00Don't you know what a "cafelito" is?

00:55:02Yes sir, but to bring you the coffee

00:55:03You have the orderly.

00:55:04If I'm going to be here to run errands...

00:55:06You are there to do whatever your superiors tell you to do.

00:55:08Don't forget that I'm the first officer.

00:55:10and that you are the last monkey here.

00:55:12I am a scribe!

00:55:13Go there!

00:55:13Go get me the coffee

00:55:14And let's not talk about it anymore.

00:55:17Yes sir.

00:55:19That would be good.

00:55:20These young people nowadays...

00:55:23Influence me!

00:55:26How's that device working, miss?

00:55:29Well, okay.

00:55:31Since it's newly invented.

00:55:32As a regular, very good.

00:55:34Very good.

00:55:35And you also have very beautiful hands.

00:55:37Thank you so much.

00:55:38You are welcome.

00:55:40Cute.

00:55:41Have you never dressed up as a Galician woman?

00:55:44No, no, sir.

00:55:45What a pity.

00:55:46Because?

00:55:46Because if you were to dress up as a Galician woman,

00:55:49I would tell him...

00:55:52Wow, what a Galician woman!

00:55:53Clear.

00:55:54What if I dressed up as an Asturian woman?

00:55:55Well then I would tell him...

00:55:59Wow, what a Galician woman!

00:56:00Ah.

00:56:01Do you always say the same thing?

00:56:02Why change if it's been working well for me?

00:56:29Good afternoon, sir.

00:56:31We are here to serve you.

00:56:32I thought it was too soon.

00:56:33It's because we open earlier now.

00:56:35So, can I...?

00:56:36Yes sir.

00:56:37Give me that instance.

00:56:39That's great.

00:56:40She already has the policy.

00:56:41Everything is in order.

00:56:42Very good.

00:56:43Thank you very much, sir.

00:56:44You are welcome.

00:56:45You are welcome.

00:56:46You are welcome.

00:56:47No.

00:56:48Through the partition on the left.

00:56:49That.

00:56:50Bye bye.

00:56:51Thank you.

00:56:52Thank you so much.

00:56:53You're welcome, sir.

00:57:00You are welcome.

00:57:03And you, Florita, look more beautiful than ever today.

00:57:10Good afternoon, Zacharias.

00:57:18And that's why I told him...

00:57:19Wow, Galician woman.

00:57:20Good afternoon.

00:57:21What were you doing, Hernandez?

00:57:23I was learning how to handle the stop.

00:57:24This is not a school.

00:57:25He'd be better off working.

00:57:27Working?

00:57:28Go to the janitor and ask him to lend you this week's black and white paper; you haven't read it yet.

00:57:31You cannot send the orderly.

00:57:32Did you send it?

00:57:32Is something wrong?

00:57:34Go on, go find me the black and white!

00:57:35Yes sir.

00:57:36Well.

00:57:38These old codgers.

00:57:41The director...

00:57:42...he's given me carte blanche.

00:57:44Whether you stay or not is up to me.

00:57:48Good afternoon, Mr. Claudio.

00:57:49Bring me a little coffee, Ramón.

00:57:51And what is your impression?

00:57:53A phenomenal impression.

00:57:56But phenomenal.

00:57:56Good afternoon, Mr. Claudio.

00:57:58Bring me a little coffee.

00:57:59A little coffee.

00:58:01Don Cosme.

00:58:03You this way.

00:58:04Good afternoon, Mr. General Manager.

00:58:07It is an honor for me.

00:58:14Where are you going, Pablito, in such a hurry?

00:58:16To bring the coffee that Mr. Hernandez asked me to get.

00:58:18Mr. Hernandez brings the boss here.

00:58:20I'm the only boss here.

00:58:21With the director's permission.

00:58:22Other times I've ordered coffee and...

00:58:24Good afternoon, Mr. Director.

00:58:25Are you not the one to order anything?

00:58:26He did it to humiliate me, Mr. CEO.

00:58:28I did it because I felt like it.

00:58:31With the director's permission.

00:58:32And go find me another one.

00:58:34Well, I don't feel like it.

00:58:34Pablito, what kind of language is that?

00:58:35Yes, sir, I'm telling you I don't feel like it.

00:58:37And I'm fed up with their impertinence.

00:58:38And I'm going to break his face.

00:58:40My face.

00:58:41My face.

00:58:43Luck.

00:58:48Looks good and easy.

00:58:50Give it to me!

00:58:52Let me go!

00:58:52What's going on, folks!

00:58:54What extremes are we reaching?

00:58:55If that woman hadn't come in, she wouldn't have been at fault.

00:58:57I, ex-selencio.

00:58:58With Mr. Pibuti's permission...

00:59:00My opinion is that what happened, if it weren't for his rudeness...

00:59:02Those who devised this indecency are rude.

00:59:04Enough, gentlemen.

00:59:05I'm the one giving my opinion here.

00:59:06The entire country has the right to its opinion.

00:59:08And the opinion of the country is that women should stay at home.

00:59:11It is time for women to occasionally leave the prison of the home.

00:59:14You say that because you can't stand your own.

00:59:17He offered it to me, sir.

00:59:22Silence, gentlemen!

00:59:23To the field of honor!

00:59:24To the field of honor!

00:59:29Our officials, like corrupt aristocrats of pagan Rome...

00:59:33...they engage in the most frivolous of dances around a beautiful woman.

00:59:38There of gluttony, there of lust, there of the most shameful of bacchanals.

00:59:42Oh!

00:59:43Don't worry, Florita.

00:59:45People always take a dislike to those who do something new.

00:59:48Remember Christopher Columbus, who spent his old age in prison.

00:59:51And Socrates, who had to poison himself.

00:59:53And Miguel Servet, who was burned alive, I believe.

00:59:56Well, that's certainly something to cheer up about.

00:59:58I couldn't think of anything else.

00:59:59And couldn't you do anything?

01:00:00I?

01:00:01Your uncle, the congressman, has a lot of influence.

01:00:03If he were to speak to those journalists...

01:00:06I'm mortified, Pablo.

01:00:09Well, you wouldn't believe what I found out.

01:00:10About what?

01:00:11They call me the civil servant's boyfriend.

01:00:13Oh, you poor thing!

01:00:16You can't imagine how sad I feel when my father reads these things.

01:00:20Your uncle can help us.

01:00:22If you want, we can watch it together.

01:00:24No, Florita, it can't be.

01:00:26Because?

01:00:27Because it's not true.

01:00:28As?

01:00:28I am not Borrajo's second cousin.

01:00:31I made the people in the business believe it, to show off, so they wouldn't treat me like the lowest of the low.

01:00:35Pablo!

01:00:36Like your father the timber merchant?

01:00:38Equal.

01:00:38Oh, but that's awful!

01:00:40To deceive people like that!

01:00:42I don't have a father who's a landowner or an uncle who's a member of parliament.

01:00:45I live in an attic with my poor, elderly mother...

01:00:47...and my two little brothers who don't even have anything to eat.

01:00:51And I try to have a snack out so I can give them my dinner.

01:00:54And I make them believe in the business that I'm a distant relative of Borrajo...

01:00:58...to see if that way I can avoid being laid off.

01:01:02But I'll do something the way you want.

01:01:04I'll find that guy and make him eat his words.

01:01:06No, no, not that.

01:01:09I understand that writers are always in a cafe eating a couple of fried eggs.

01:01:16Which one of you wrote the article about working women?

01:01:19I am the signatory, sir.

01:01:20What can we offer you?

01:01:21Tell him that if he keeps messing with that young lady, I'll punch him in the face.

01:01:25You to me?

01:01:25Vote!

01:01:26Ah!

01:01:26The charlatan's boyfriend!

01:01:27That's what you and your cronies are!

01:01:29A bunch of charlatans!

01:01:30In the name of heaven, let me go!

01:01:32To speak about a woman like that without knowing her, without thinking about the harm it causes her...

01:01:35...you wouldn't say that face to face.

01:01:38Coward!

01:01:38Me, a coward?

01:01:40Insolent!

01:01:41Outrageous!

01:01:43Impertinent!

01:01:44That?

01:01:44Let me go!

01:01:45Let me go!

01:01:46Let me go!

01:01:47Let me go!

01:01:47To the field of honor!

01:01:49That?

01:01:50To the field of honor!

01:01:51Or not?

01:01:54It's so cold, it's already...

01:01:57And what does the cold of the early morning matter when one's blood boils with righteous indignation?

01:02:02But away with that rag, Requena, you come to duels without a scarf.

01:02:12Don't let that spirit falter, Mr. Meléndez.

01:02:14Do you know what my greatest aspirations are?

01:02:16A good girl and a duel.

01:02:18And off they went to enter their city through the main gate.

01:02:20Three pine trees and four top hats.

01:02:23That must be it.

01:02:35And above all, courage and aim, Riquena.

01:02:39Aim straight for the heart and don't let your pulse tremble.

01:02:44Why such malice, Count?

01:02:46It's not malice, dear Rodríguez.

01:02:48If he doesn't aim properly, he might hit us.

01:03:04No! Don't do it!

01:03:06Pablo!

01:03:06No! That's crazy!

01:03:08Pablo, please don't do it!

01:03:10Pablo!

01:03:11No, Pablo! Don't do it!

01:03:13What madness, Pablo! What madness!

01:03:14No, no, Evaristo!

01:03:16No, Evaristo!

01:03:18Pablo, man!

01:03:19And you too, Mom!

01:03:21Pablo, please don't do it!

01:03:23That's crazy, don't do it!

01:03:24Let's go! Let's go!

01:03:25You're back to square one!

01:03:27Hey! Just like last time!

01:03:29No, Dad!

01:03:30No, Dad!

01:03:33Reña planta is dissolution

01:03:35Where is the nation headed?

01:03:38It just can't be

01:03:40That in the Ministry of Public Works

01:03:43The woman earns her food

01:03:45It just can't be

01:03:47Yes, it's possible.

01:03:48It just can't be

01:03:49Yes, it's possible.

01:03:50No, no, no, no

01:03:51Yes, yes, yes, yes

01:03:52No, no, no, no

01:03:53Yes, yes, yes, yes

01:03:54That's outrageous!

01:03:57What a state the country is in!

01:04:02That employee

01:04:05It makes me angry

01:04:10It was my dream

01:04:13To be the first

01:04:18Working in an office

01:04:23Working in an office

01:04:24In the office

01:04:25Do you want to be quiet?

01:04:26Yours to be washed

01:04:28Making the beds and washing up

01:04:30And in August the village to dry out

01:04:32Let it dry!

01:04:34Let it dry!

01:04:37Well, we have to take on the powers that be.

01:04:40If they don't let women work

01:04:43You're delusional

01:04:45How ignorant you are!

01:04:47If you've been working for two months already

01:04:50But we have to take on those in power.

01:04:54What more could you ask, sir, than that I'm happy!

01:04:57Me too

01:04:59Why do I like to work?

01:05:06Well, I

01:05:08Because I like looking at her nose

01:05:10That's outrageous!

01:05:11How is the country?

01:05:12That's outrageous!

01:05:13How is the country?

01:05:17That's outrageous!

01:05:18That's outrageous!

01:05:27A contraption!

01:05:29The anarchists!

01:05:30The anarchists!

01:05:42And given the bad turn the problem is taking

01:05:45Has no decision been made?

01:05:47Yes sir

01:05:48The only decision that could be made has been made.

01:05:53Meme, what a stress!

01:05:58And silence!

01:05:59It's because Mr. Hernandez

01:06:00I am the first officer

01:06:02I said silence

01:06:10Florita

01:06:11It's very unpleasant for me to tell him

01:06:13What I'm going to tell you

01:06:14But

01:06:16Since you set foot in this office?

01:06:18This is a battlefield

01:06:20But I haven't done anything.

01:06:22It is not you, but your presence

01:06:24Her perfume

01:06:27No matter what they say abroad

01:06:29A woman will never be able to work alongside men.

01:06:33Therefore, only one solution remains.

01:06:37Let him leave

01:06:39But Don Claudio

01:06:40It wasn't her fault

01:06:41You, Pablito, shut up

01:06:43And you, Florita, are fired.

01:06:49Does this mean...?

01:06:50Yeah

01:06:52Gather all your things

01:06:53The sooner he leaves, the better.

01:07:03So, Don Claudio, I can't wait

01:07:05No, Florita

01:07:06I'm truly sorry

01:07:08Bye

01:07:36Bye

01:07:36Goodbye, Don Claudio

01:07:42Goodbye, Pablo

01:07:49Goodbye, Florita

01:08:03Goodbye everyone

01:08:32Goodbye, Florita

01:08:33Goodbye, Florita

01:09:04Couldn't you just take a look at your nose?

01:09:05No, sir, it's not the time!

01:09:07Go to hell!

01:09:08That would be good.

01:09:20Little bull!

01:09:21Little bull!

01:09:22Little bull!

01:09:25Good afternoon.

01:09:26Oh, sorry.

01:09:26Excuse me for coming in like this, but I'm nervous.

01:09:29May I sit down?

01:09:30Yes, of course, please sit down.

01:09:32I never get nervous, but when I do...

01:09:35May I get up?

01:09:36Yes, sir, please stand up.

01:09:38And the hat?

01:09:39But you too.

01:09:40Manolo told me that Pedro likes it too.

01:09:41I am a witness.

01:09:42Yes, but now he has to put it on because we're all going to be out on the street.

01:09:45I have a car down there.

01:09:46Out on the street?

01:09:46A car?

01:09:47Would you like to explain yourself?

01:09:49May I sit down?

01:09:50I allow you to sit down, but I do not allow you to stand up.

01:09:54The conservatives left, the liberals came in, and they raised everyone's salary.

01:09:58Three pesetas a month.

01:09:59I'll be able to marry Florita right away.

01:10:02Now I will be the one to maintain the house, as is my obligation.

01:10:04And we'll be able to furnish a fully equipped apartment and go on a honeymoon.

01:10:07Maybe even as far as Alicante.

01:10:08Naturally, with such an increase.

01:10:10And now I want to take you all out for a snack.

01:10:12I'll fix myself right now.

01:10:13I'm going to put on my hat.

01:10:16Florita, Florita.

01:10:17Pablo has just arrived.

01:10:19She's coming to get married.

01:10:20Now?

01:10:20No, woman.

01:10:21And he takes us out for a snack to celebrate.

01:10:23Oh no, what do I do now?

01:10:25Look at my face, I'm about to cry.

01:10:27Don't disappoint that boy, Florita.

01:10:29Pablo is in love with you and is determined to do anything.

01:10:31You love him too.

01:10:33And will I have to give up my ideals?

01:10:34Don't think about that now.

01:10:36For the love of God, daughter.

01:10:37Be cheerful.

01:10:39Picarona.

01:10:39May he see in you the woman who can bring joy to his life.

01:10:42Forget your sorrows and laugh.

01:10:44Yes, yes, aunt.

01:10:46I'll laugh.

01:11:02The liberals have come out.

01:11:04The conservatives have entered.

01:11:05And they've cancelled my raise.

01:11:07No.

01:11:07You've been laid off.

01:11:09Unemployed?

01:11:10You don't say.

01:11:11Yes, I'll tell you.

01:11:13The new government.

01:11:14Revenga came in and made a mess of things.

01:11:16Some have received a pay raise, and others have been fired.

01:11:19And you won't be able to get married?

01:11:21I don't know.

01:11:22For now, I have to go to the ministry to return the advance payment.

01:11:25Of course, things change so much, maybe by the time I get there Revenga will have fallen, right?

01:11:29And then I'll be able to get married.

01:11:30What if it doesn't fall?

01:11:31If he doesn't fall, he'll be able to get married.

01:11:32Thank goodness.

01:11:33Unless Mostazo gets promoted to Fomento, of course.

01:11:36Because if Mostazo gets promoted...

01:11:37Okay, what if neither Mostazo nor Baja Revenga gets promoted, but instead a new one comes out?

01:11:41Ah, so...

01:11:43Don't tell Florita anything.

01:11:45She believed that her visit...

01:11:48Don't tell him anything.

01:11:49Hello, Pablo.

01:11:50I'm so glad to see you.

01:11:51But how happy I am.

01:11:54And Don Claudio?

01:11:56And Mr. Hernandez?

01:11:57Oh, how cute they are!

01:12:00We all felt it was an injustice that you were fired.

01:12:03And that's what we've said.

01:12:04What a woman needs to do is stop with the paperwork and the gadgets and get married right away.

01:12:08TRUE?

01:12:09Of course, of course.

01:12:10Don't you think so, Dad?

01:12:11Sure, sure.

01:12:13And that's all there is to life.

01:12:14A man and a woman.

01:12:16And then to get married and laugh at everything.

01:12:20Do you like joy, Pablo?

01:12:21That's outrageous.

01:12:22Ah, well, I'm a bell.

01:12:29Okay, but what's wrong with you guys?

01:12:31No, nothing, nothing.

01:12:33We are listening to her.

01:12:34You're very serious, Dad.

01:12:36How can I be serious with you next to me?

01:12:38Don't lie, Dad.

01:12:40Something's fishy here.

01:12:41I can't take it anymore, Don José.

01:12:43I've been laid off and I won't be able to marry you anymore.

01:12:47Unemployed?

01:12:48But he wants to get married.

01:12:49And he says that when this is sorted out...

01:12:52Yes of course.

01:12:55Don't worry.

01:12:58I was so excited and then suddenly...

01:13:03Poor Pablo.

01:13:05Men's lives are something else too, by Jove.

01:13:08You don't know that well, daughter.

01:13:27How are things going?

01:13:28According to him, if I only read these two, everything is fine.

01:13:31But if I read these others, everything goes wrong.

01:13:34How easy it would be if all four newspapers said the same thing.

01:13:37Don't lose hope.

01:13:38We'll get married as soon as Mostazo gets elected.

01:13:41And we'll have a small house, with a cat like yours...

01:13:44As soon as Mostazo is finally kicked out, we'll live together forever and spend our summers in Pozuelo.

01:13:49And you will be the most elegant lady in Madrid.

01:13:52And we'll buy my mother a sofa, which is what she likes.

01:14:00Take a firm hand, gentlemen!

01:14:02I believe that only with energy and a firm hand...

01:14:06Benevolence, gentlemen!

01:14:08I only recommend this.

01:14:10Benevolence and a kind compromise!

01:14:20Benevolence and a kind compromise!

01:14:48Benevolence and a kind contemporary!

01:14:55What are you doing now?

01:14:56The same as before, smiling in front of the mirror.

01:14:59What an atrocity! What an atrocity!

01:15:01Give me the pair!

01:15:03There's barely a spoonful left in the bottle.

01:15:05But don't you think that if I spoke to him...

01:15:06Don't even try it, Pablito! It'll be useless!

01:15:12Go on, Cecilia! See what she's doing!

01:15:14But, Dad!

01:15:15Look, good heavens! Go on!

01:15:40It's still the same, but with one eye closed.

01:15:41With one eye closed?

01:15:42But why would he close that eye?

01:15:44What have I done, my God?

01:15:45What have I done?

01:15:46Calm down, Dad!

01:15:47Are you very nervous?

01:15:47What have I done?

01:15:48If only you didn't drink so much orange blossom water!

01:15:50I have to eat something!

01:15:51How simple!

01:15:52Go and see what's wrong with the girl's eye, Cecilia!

01:15:54Oh my God!

01:16:10Board!

01:16:10Where is?

01:16:11He's not here!

01:16:12He's fled!

01:16:13Don't talk nonsense! It'll be around somewhere!

01:16:15Congratulate!

01:16:16Have you seen Miss Florita?

01:16:18He was in his room!

01:16:20Florita! Florita!

01:16:21You never see her on the street!

01:16:24He's escaped! He's escaped!

01:16:26Well, go out and find her, man!

01:16:27Let's go right away!

01:16:29That girl is capable of doing something crazy!

01:16:58Florita!

01:17:04Florita!

01:17:06Florita!

01:17:07Florita!

01:17:07Where are you going?

01:17:08Let me!

01:17:09I don't want to see you!

01:17:10I don't want to see anyone!

01:17:16Florita!

01:17:19Florita!

01:17:21Forgive me!

01:17:22Forgive you for what?

01:17:23What I'm going to do

01:17:25What are you going to do?

01:17:27Where are you going?

01:17:30That coffee

01:17:32Just you?

01:17:33Yeah

01:17:34And what for?

01:17:35To wink

01:17:36To wink

01:17:37But I'm no good

01:17:38First I tried with one

01:17:40Then with another

01:17:41But nothing

01:17:41And why do you want to wink?

01:17:44Look

01:17:48That's what it's for.

01:17:50To dedicate myself to your nanta

01:17:52Are you Florita?

01:17:53No no

01:17:54But I can't

01:17:54Look how badly he winked

01:17:57Look at that!

01:17:58Open that eye, you shameless woman!

01:18:01Instead, those

01:18:02Look

01:18:04Look at the one who does it so well

01:18:10Yes, he doesn't do badly.

01:18:17I have read novels

01:18:18Where there are women

01:18:19These coffees are coming

01:18:20They wink

01:18:21And then a gentleman

01:18:22He invites them to dinner

01:18:23Those aren't novels

01:18:24Those are just stories.

01:18:25That exists

01:18:25And when you know how to wink

01:18:27The rest is easy.

01:18:28Not so easy, Florita

01:18:29That the night watchman told me

01:18:30The matter is extremely difficult.

01:18:33What is difficult

01:18:34It's like looking out onto the balcony.

01:18:35And flirting with a student

01:18:37And let him take you for a walk down the street

01:18:39And may you follow the Recollects

01:18:41And I will write to you

01:18:42And finish the race

01:18:44And place

01:18:45And save

01:18:45And talk to your parents

01:18:46And finally, she gets married

01:18:48Yeah

01:18:48It's not exactly easy.

01:18:49The game of guá

01:18:50On the other hand, the other

01:18:52Come, Paul

01:19:00Five minutes later

01:19:01To get scammed here

01:19:02With a gentleman

01:19:02You're already at their table

01:19:03Eating lobster

01:19:04And olives

01:19:05Lobster and olives?

01:19:07And veal in its own juices

01:19:08Look

01:19:12Yes, of course.

01:19:14The menu isn't bad

01:19:15Well, not even then

01:19:16Not even if there were

01:19:17So good between months

01:19:18I will not tolerate

01:19:19May you never eat

01:19:19That filth

01:19:20Nor will I ever, Pablo

01:19:21It has only been

01:19:22A bad thought

01:19:23What's it going to be?

01:19:24Two sarsaparillas!

01:19:26Very well, sir.

01:19:30You have to let yourself go

01:19:31Of fantasies, Florita

01:19:33Embroider a small cloth

01:19:34Sew on a button

01:19:38Go to the kitchen

01:19:39And look how it boils

01:19:40The water from a pot

01:19:41Add lettuce

01:19:42To the canary

01:19:44Wait for me in the afternoon

01:19:45And give me cookies

01:19:46With wine

01:19:46Do what they do

01:19:48All women

01:19:48And he thinks that

01:19:50The only way

01:19:50That a woman has

01:19:51It's getting married

01:19:52I love you, Florita

01:19:54I love you very much

01:19:55And as it seems

01:19:56What's going to happen

01:19:57A new ministerial crisis

01:19:58The unfortunate Paul

01:19:59Although the poor man

01:20:00His eyes kept wandering.

01:20:01After the delicacies

01:20:02He continued telling me

01:20:03Sweet words of love

01:20:04To console

01:20:05But if you go up to Gaceta

01:20:06There will be a partial readjustment

01:20:07From the budget

01:20:08But I didn't understand

01:20:09His words

01:20:10She looked faint

01:20:12As transported

01:20:13Partly because

01:20:15It lulled me to sleep

01:20:15The echo of her warm voice

01:20:17And partly

01:20:18Because it made me dizzy.

01:20:19The smell of food

01:20:24Pablo

01:20:24What, Florita?

01:20:26You're very good

01:20:26With you because I love you

01:20:28Pablo

01:20:29I would like that very much

01:20:30Meeting your mother

01:20:31Yes of course

01:20:31You have to meet her

01:20:32Now

01:20:33What are you saying?

01:20:34I want to see her now.

01:20:35To tell him how great you are

01:20:36But now it can't be.

01:20:39Because?

01:20:40Because?

01:20:41Because?

01:20:43Because it's not true

01:20:44Isn't that true?

01:20:46That I don't have a stable father

01:20:47Not a single uncle who's a member of parliament

01:20:49And for not having

01:20:50I don't even have a poor mother

01:20:51Not even hungry little brothers

01:20:52But Paul

01:20:54I live in a boarding house.

01:20:55Pablo

01:20:56And also at the boarding house

01:20:57I tell them that I am a great-nephew

01:20:58From General Prim

01:20:59So they can give me more fried eggs

01:21:00Another lie, Pablo

01:21:03But why are you doing this to me?

01:21:05I lied to you, Florita

01:21:06I lied to you to make you feel moved.

01:21:07To make you feel sorry for me

01:21:08Because I love you, Florita

01:21:10And you have to forgive me.

01:21:12I just forgave you

01:21:14And you have to forgive me too.

01:21:15And I forgave him

01:21:16And we made up again

01:21:18And we're still in a relationship.

01:21:20Because what could we do?

01:21:22We were two unhappy people

01:21:23Wait for them to readjust

01:21:25The national budget

01:21:32One creed and three Our Fathers

01:21:34Because the liberals are on the rise

01:21:35And get rid of Revenga for good.

01:21:37And among mustard in cultivation

01:21:39And four Our Fathers

01:21:42And two creeds

01:21:43And a salute

01:21:44Well, and a sinful self

01:21:46By Mr. Revenga

01:21:47And so they can add mustard.

01:21:49Hail Mary

01:21:51I believe, Hail Mary

01:21:52Saint Rita, advocate of the impossible

01:21:54Because national politics stabilizes

01:21:57And so my poor daughters can get married

01:22:00Or work

01:22:01Or whatever they want

01:22:03But that they can visit again

01:22:05And stroll

01:22:07And get some fresh air

01:22:08Without anyone pointing a finger at her

01:22:11Hail Mary

01:22:13And that of grace

01:22:14Do not save yourself, Mary

01:22:19News, Florita

01:22:20Great news!

01:22:22Florita!

01:22:25The new minister has decided to create a department

01:22:27Where only young women work

01:22:29And where you're the boss

01:22:30And with a good salary too

01:22:31You'll be happy, right?

01:22:33Thanks to Revenga

01:22:34Everything's been sorted out for us, Florita

01:22:35All!

01:22:37Don José!

01:22:37And what about you, Pablo?

01:22:38Are you getting a raise?

01:22:40No!

01:22:40I'm still unemployed

01:22:41Why are you so happy, Pablo?

01:22:43Why do you say that everything has been fixed?

01:22:45Because when you go up to Gazeta

01:22:46I'll work and you'll get fired

01:22:47And when Revenga goes up

01:22:48They're going to fire me.

01:22:49And you will work

01:22:50A secure future

01:22:51We can get married right away

01:22:52Don José!

01:22:53Doña Batil!

01:22:54No!

01:22:54Not right away, Pablo

01:22:56We'll wait a few months

01:22:57A few months?

01:22:58But first I need to dedicate myself

01:22:59I dedicate myself entirely to my work.

01:23:00I want to make this my first business deal

01:23:02For young ladies

01:23:03An exemplary business

01:23:04In which they always reign

01:23:06Work and silence

01:23:08Their surnames!

01:23:09Alvarez is dead!

01:23:10Think!

01:23:11And what are you going to start with!

01:23:13Your last names, please!

01:23:14I'm your sister, Florita!

01:23:15Oh, that's right!

01:23:16No!

01:23:23Even if it's just for sticking stamps, Florita

01:23:25I stick the stamps on

01:23:26Valentina!

01:23:27Forgive my relentless criticism

01:23:28My contempt

01:23:30Dad's been fired

01:23:31And things are very bad at home.

01:23:32My boyfriend has left me

01:23:34Because we no longer give out snacks

01:23:35And I don't find any doors.

01:23:37To search for another

01:23:37It's very difficult, Valentina

01:23:39Go on

01:23:39Put your first and last name there.

01:23:41Thank you, Florita

01:23:44Miss Florita

01:23:45Do we need to enter our age?

01:23:46No, woman

01:23:46That's a man's thing.

01:23:52Pablo had been right

01:23:53In their calculation

01:23:54About our future

01:23:56Sagaseta went up

01:23:57And they shut down our business.

01:23:58But they readmitted him

01:24:00And a few weeks later

01:24:02The opposite happened

01:24:05In which column

01:24:07Do they include surnames?

01:24:08Doña Flora!

01:24:10We continue like this.

01:24:11For a long time

01:24:12And we were happy.

01:24:13And we even had

01:24:14Extraordinary luck

01:24:15Right then

01:24:17Revenga fell

01:24:18And something unusual happened

01:24:20The Sagaseta government

01:24:22It was a stable government.

01:24:23And it remained

01:24:24More than nine months

01:24:25Followed in power

01:24:27More than nine months

01:24:28More than nine months

01:24:34More than nine months

01:24:56More than nine months

01:25:06More than nine months

01:25:09Thanks for watching the video.

Solo para hombres 1960 - HD 1080 - Completa - Analía Gadé, Fernando Fernán Gómez

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