- il y a 2 jours
Traduction littérale du titre : "Weekend à un million de dollars"
Écrit, réalisé et joué par Gene Raymond avec Osa Massen et Francis Lederer.
Écrit, réalisé et joué par Gene Raymond avec Osa Massen et Francis Lederer.
Catégorie
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Court métrageTranscription
00:00:00.
00:02:57Well, my boy, the market looked better this morning.
00:03:00If it opens as well as this on Monday, we can start liquidating some of that million dollars in securities
00:03:05we've been hanging on.
00:03:07Yes, Dave.
00:03:08Well, have a nice weekend.
00:03:39Oh, nice.
00:03:39Oh, don't make any change in account of me.
00:03:41Have a good time.
00:03:42I'll see you Monday.
00:03:44Monday.
00:03:48Goodbye, Dave.
00:03:49Bye, Nick.
00:04:12Overseas reservations.
00:04:13I want to confirm my ticket on today's flight to Shanghai.
00:04:17Oh, what is the name, please?
00:04:20Henry Nicholas.
00:04:22I made the reservation a week ago.
00:04:24Oh, just a moment, Mr. Nicholas.
00:04:31Hello.
00:04:32Yes, Mr. Nicholas.
00:04:33Everything is in order.
00:04:35You're on flight 649 from Municipal Airport.
00:04:37Your ticket is at the reservation.
00:04:39Your ticket is at the reservation desk there.
00:04:40Departure time is 1030 o'clock.
00:04:42Thanks very much.
00:04:44You're welcome.
00:04:56I am the resurrection and the light, saith the Lord.
00:05:00He that believeth in me, though he were dead, yet shall he live again.
00:05:05Whosoever liveth and believeth in me shall never die.
00:05:17We brought nothing into this world, it is certain we carry nothing out.
00:05:22The Lord gave and the Lord hath taken away.
00:05:25Blessed be the name of the Lord.
00:05:50The Municipal Airport, Thompson.
00:05:52Yes, madam.
00:06:05Municipal Airport.
00:06:19We're flying the northern route around this low-pricey area.
00:06:22That 16,000 feet will be nice and smooth.
00:06:25And you'll have a 56-mile-an-hour tailwind, which will take you across in a hurry.
00:06:29Good deal.
00:06:30You figured the time yet?
00:06:31Here she is.
00:06:32Figures eight hours plus 30 minutes.
00:06:34I'm going to have to slow up to come in on schedule.
00:06:37I'll find it for us, honey.
00:06:39You run out to the airplane and check the equipment.
00:06:41They should be loading the dining service by now.
00:06:42Will do.
00:07:00I'm going to have to go through the tunnel in gate 16.
00:07:06Don't forget to wire me as soon as you reach Kansas.
00:07:14Do you charge Dexter for overweight?
00:07:17Only on boxes and bags.
00:07:18Your name, please.
00:07:22United Flight 649 for Honolulu and connections to the Orient.
00:07:27Now loading at gate 7.
00:07:29All aboard, please.
00:07:54Your ticket and bag is checked, Mr. Marker.
00:07:56The flight is loading at gate 7.
00:08:04Los Angeles Tower.
00:08:06This flight 649, ready for taxi instructions.
00:08:09It's over.
00:08:26Happy honeymoon.
00:08:27Happy honeymoon.
00:08:28Happy honeymoon.
00:08:28Don't let Ruth Mel Sula dancers say this.
00:08:30Send us some pictures if I give you, Dean.
00:08:32Yeah, have a good time.
00:08:33Happy honeymoon.
00:08:34Happy honeymoon, Dean.
00:08:35Have a good time.
00:08:56Have I time before takeoff to move to the rear compartment?
00:08:59I have a friend there.
00:09:00I think we can manage that if we hurry.
00:09:02Thanks.
00:09:16Here you are, sir.
00:09:17I'll take your hat and coat.
00:09:30Hello, Cynthia.
00:09:33Helen, what are you doing here?
00:09:36Traveling with an old and very close friend.
00:09:40Namely you, Cynthia, my dear.
00:09:43I don't understand.
00:09:44How could you suddenly leave town in your business?
00:09:49Being here is the most important business I have.
00:09:54What do you mean?
00:09:57Big business, Cynthia.
00:09:59Very big business.
00:10:05Besides being a very lovely woman, you are a very fortunate one.
00:10:11Go on.
00:10:12I happen to be fortunate, too, because I am the only one who knows you murdered your husband.
00:10:48What do you see?
00:10:49Oh, boy.
00:10:50Oh.
00:10:52Oh.
00:10:53Let's go.
00:10:54Let's go.
00:11:22Let's go.
00:11:25Unfortunately, Cynthia, I was there.
00:11:28And my word is better than yours because I didn't hate George.
00:11:32I merely tolerated him so that I could be close to you.
00:11:36I can't listen anymore.
00:11:39Think back, Cynthia.
00:11:42Think back five days and nights.
00:11:45The three of us were there.
00:11:52That's right.
00:11:54You'll remember.
00:11:56You'll always remember.
00:12:05Yes, Cynthia, I know what you were thinking.
00:12:08You see, I hadn't really gone.
00:12:11I went inside and watched because I knew how dangerous George could be and I wanted to protect you.
00:12:18After it happened, I left and waited.
00:12:25Waited for what?
00:12:27The insurance company's decision to pay off.
00:12:30But they haven't.
00:12:32They were.
00:12:33And then...
00:12:34What?
00:12:35I want half of it.
00:12:37And you.
00:12:42I thought George Strong was rotten.
00:12:44He was.
00:12:46If it pleases you to think it, so am I.
00:12:49But that's of little consequence.
00:12:51I've made you a proposition that has but one answer.
00:12:55I'll give you until one hour after we reach Honolulu to accept it.
00:12:58If you don't...
00:13:00Your dinner?
00:13:01No, thank you.
00:13:14Your dinner, sir.
00:13:24Your dinner, sir.
00:13:27Your dinner, sir.
00:13:43This food is really delicious.
00:13:45It's amazing what they can do on these planes.
00:13:49What a nuisance.
00:13:52What a nuisance.
00:14:02Excuse me.
00:14:04Excuse me.
00:14:12Excuse me.
00:14:14When I speak to you, I'm sorry to bother you, but I'm in trouble.
00:14:19Terrible trouble.
00:14:22Trouble?
00:14:23Yes.
00:14:25Please help me.
00:14:27You see the man sitting next to me.
00:14:30What about him?
00:14:32He's been threatening me.
00:14:36What can I do to help?
00:14:39Pretend that you know me.
00:14:45Please.
00:15:05Oh Alan, I'd like you to meet Mr. Nicholas.
00:15:08He's an old friend of mine.
00:15:10I haven't seen him for a long time.
00:15:14And here he was sitting right opposite us.
00:15:17It's a small world, isn't it?
00:15:19Yes, it is very tight.
00:15:21Mr. Nicholas.
00:15:23That's right.
00:15:24Strange how old friends meet, isn't it?
00:15:27An old friend, Mr. Nicholas.
00:15:29Yes, Alan.
00:15:30You can't imagine how glad I am to see him.
00:15:33Oh, this is Alan Marker.
00:15:37How do you do?
00:15:39Hello, Mr. Marker.
00:15:40Enjoying the flight?
00:15:42I was.
00:15:59Pardon my mentioning it, but for old friends, you seem to have very little to say.
00:16:07The most enduring kind of friendship is the strong, silent type.
00:16:13Traveling on business?
00:16:15Yes, my own.
00:16:17What's your line?
00:16:18Oh, any number of things.
00:16:22Right now I'm busily engaged in the process of thinking.
00:16:26Thinking?
00:16:27Thinking?
00:16:28Thinking how perfectly obvious it is you've never met before.
00:16:33Can you prove that?
00:16:35Yes.
00:16:36What was her maiden name?
00:16:38Well, I never bothered to find out.
00:16:41You know, when she was little I used to call her Snooks.
00:16:45Now that she's grown up, I just call her Spook.
00:16:51At least you know the answers better than you do the girl.
00:16:55The stewardess?
00:16:55Yes, sir.
00:16:56I feel the need of a drink.
00:16:58Is that possible?
00:16:59Certainly, sir.
00:16:59What would you like to have?
00:17:01Cynthia?
00:17:02Nothing for me.
00:17:03I'll have a Manhattan, please.
00:17:04I'd like a brandy.
00:17:06Napoleon brandy.
00:17:07Oh, I'm sorry, sir.
00:17:08We don't have Napoleon brandy.
00:17:09Would you care for something else?
00:17:10I never drink anything else.
00:17:14Very well, sir.
00:17:23Let's do something to pass the time.
00:17:26How about some Ginwami?
00:17:27Make it poker and I'll join you.
00:17:30After all, we are old friends, aren't we?
00:17:33Perhaps you can use Mr. Nicholas briefcase as a table.
00:17:38Works fine.
00:17:40Now what's the limit?
00:17:41Or perhaps that's a superfluous question.
00:17:44I think they're all playing for the same stakes.
00:17:48Cynthia?
00:18:18On Lulu Tower, this United Flight 649, 10 miles east of the field.
00:18:23Landing instructions, please.
00:18:25Flight 649, you're cleared into traffic.
00:18:28Landing on runway 8, over.
00:18:30Roger.
00:18:39We're coming into Honolulu, sir.
00:18:41Will you please fasten your seatbelts?
00:18:51Very pleasant game.
00:18:53Now that it's over, I can tell you I could have won a lot more.
00:18:57How?
00:18:58I still have an ace up my sleeve.
00:19:06Where are you staying in Honolulu?
00:19:09I haven't decided.
00:19:11Oh.
00:19:12And you, Cynthia?
00:19:14Same place.
00:19:44Flight 649, clear to make right turn.
00:20:14ready
00:20:18Just a moment, ma'am.
00:20:23You dropped your glove.
00:20:24Oh, thank you.
00:20:26You're welcome.
00:21:12You're checking in for only a few hours, sir?
00:21:15That's right.
00:21:16I just want to freshen up a bit before I catch tonight's plane for Shanghai.
00:21:20Front.
00:21:22Room 643.
00:21:24Oh, uh, I'd like to put this in your hotel safe until I leave.
00:21:28Why, certainly, sir.
00:21:29But you'll have to claim it before 10 o'clock.
00:21:31You see, the office safe can't be open between 10 p.m. and 8 a.m.
00:21:35Oh.
00:21:38Never mind, I'll keep it with me.
00:21:54Did you have a reservation, sir?
00:22:35THE END
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00:27:22THE END
00:27:28THE END
00:27:28SINCE WE'RE SUPPOSED TO BE SUCH GOOD FRIENDS
00:27:30HOW CAN YOU EVEN THINK OF SUCH THINGS
00:27:34I NEED MONEY SENTHIA
00:27:35I'VE ALWAYS NEEDED MONEY
00:27:39SO HAVE YOU
00:27:45THAT'S WHY YOU MARRIED GEORGE
00:27:48THAT'S WHY YOU KILLED HIM
00:28:03Trouble again?
00:28:43I got your note.
00:28:47You weren't coming, were you?
00:28:50No.
00:28:53I guess I can't blame you.
00:28:56I had no right to involve you in the first place.
00:29:01I sent you the note because I wanted to thank you for your help on the plane.
00:29:06Did it do any good?
00:29:08So much.
00:29:10For the time.
00:29:14No, I don't know.
00:29:25All right.
00:29:26You've thanked me.
00:29:27Now maybe I'll thank you if you'll tell me what it's all about.
00:29:31Who is Alan Marker?
00:29:33And why are you afraid of him?
00:29:38I can't explain all that.
00:29:42I wish I could.
00:29:45But I've got to wait.
00:29:54Will you continue to act the role of an old friend?
00:29:59I don't know.
00:30:01What does it entail?
00:30:06Let's walk.
00:30:10All right.
00:30:12God.
00:30:26Good morning, sir.
00:30:26No, woo-hoo.
00:30:29I don't follow from going back to theihi viper.
00:30:29Thank you, Father.
00:30:32Let's take care.
00:30:32Come back.
00:30:32Come back.
00:30:32Look at this, pine tree.
00:30:32Come back, заг yes.
00:30:32Кар-tang.
00:30:41Grad karma.
00:30:41Greatcias is right here.
00:30:41So, girl!
00:30:47THE END
00:31:20THE END
00:31:42THE END
00:31:43THE END
00:31:43THE END
00:31:44THE END
00:31:50IT'S A BEAUTIFUL ISLAND, ISN'T IT?
00:31:53UH-HUH
00:31:55JUST LIKE A PAGE OUT OF A TRAVEL FOLDER
00:31:59DIAMOND HEAD AND THE LONG SERF
00:32:01MUSIC THAT SOFT AS THE SAND
00:32:05and tall palms that bowed at the sea.
00:32:10Very pretty.
00:32:15You're sorry you made this trip, aren't you?
00:32:19No, I wouldn't say that.
00:32:22This is just a stopover for me.
00:32:24I still have a long way to go.
00:32:27Where to?
00:32:30Shanghai.
00:32:32Why?
00:32:35What do you mean, why?
00:32:38Oh, nothing.
00:32:39I just had a feeling you're running away from something.
00:32:43You're not very happy about it.
00:32:46What makes you say that?
00:32:51I suppose it's that unreliable feminine instinct called intuition.
00:33:00While we're on the subject of travel,
00:33:03what are you doing here?
00:33:08I don't know.
00:33:11I wanted to get away from something, and I failed.
00:33:15Miserably.
00:33:16You mean Alan Walker?
00:33:19I was part of it.
00:33:23I had hoped that I could forget everything that's past.
00:33:29I was looking forward to the beginning of a bright, new life.
00:33:37Let's pretend it that way.
00:33:39Take me to dinner tonight, and cocktails, and we'll dance under the stars.
00:33:49I'm not...
00:33:49Am I asking too much?
00:33:54Sounds very enticing.
00:33:57But I'm catching my plane tonight.
00:34:05Come on, I'll take you back to the hotel.
00:34:35Let's go.
00:34:51Going somewhere?
00:34:54Well, someone without any plans, you seem to be packing in a hurry.
00:34:57Do you usually enter people's rooms without knocking?
00:35:00Skip that.
00:35:01What are you packing for?
00:35:02I'm leaving.
00:35:03With marker?
00:35:04Of course not.
00:35:07Feel it.
00:35:09I've got to hurry.
00:35:11Now, just a moment.
00:35:13I'm in a little trouble myself now, and it might be you know the answers.
00:35:17I don't know what you mean.
00:35:18Maybe not, but I think you know someone who does.
00:35:21This whole deal smells a little of halibut to me.
00:35:24First, you pick me up on an airplane.
00:35:26You could phrase that a little better.
00:35:28You tell me you're being threatened by a man, but you don't tell me why.
00:35:31But I can't tell you why.
00:35:32Then I find you sitting at a bar drinking with him.
00:35:35Of course you did slap his face.
00:35:37But that could be part of the act to arouse my interest.
00:35:41To get me to take a nice long walk on the terrace, for instance, while marker...
00:35:44Just what are you getting at?
00:35:45Plenty.
00:35:48Where are you going?
00:35:49I don't know.
00:35:51You don't know.
00:35:52You dumb up at just the right times, don't you?
00:35:55I think you've got a plenty smart mind.
00:35:58A million dollar mind.
00:36:01Where's marker and where were you going?
00:36:03Or is he already gone and you're going to meet him somewhere?
00:36:05On the contrary, my dear fellow.
00:36:07I believe she intended avoiding me completely.
00:36:10Well, this is really a cozy little scene.
00:36:14If you're trying to hold Cynthia's hand, you'll find it much lower down her arm.
00:36:18Leaving so soon, Cynthia?
00:36:21Oh, don't bother answering.
00:36:23It's getting so no one can trust anyone.
00:36:25Can one?
00:36:26Let's skip all the small talk.
00:36:28Where's my briefcase?
00:36:29Your briefcase?
00:36:31Why should I know where it is?
00:36:33Because I've got a pretty good hunch you came to my room and took it.
00:36:36And if you did, you're liable to find yourself in plenty of hot water.
00:36:39And if I do, I won't be the only one who gets boiled.
00:36:44Do you think Alan came to your room and stole something?
00:36:48You're the only two people I've had contact with.
00:36:53And if it wasn't Alan, it could have been me?
00:36:56Certainly.
00:36:57I find him here in your room.
00:36:58There's no reason why you couldn't have been in his.
00:37:04Oh, uh, by the way, what was in the briefcase?
00:37:08It was filled with...
00:37:11...valuables.
00:37:11Oh.
00:37:12Well, why don't you report it to the police?
00:37:14Yes.
00:37:15Why don't you?
00:37:22Oh, I see.
00:37:24Well, I don't blame you for not calling in the police.
00:37:27They are such inquisitive devils.
00:37:30Well, personally, I'm bored with the whole thing.
00:37:33Oh, uh, Cynthia.
00:37:35Regarding my proposition, I've extended the time another hour.
00:37:39Generosity is one of my many faults.
00:37:45I'll be in the bar if you get tired of renewing your old friendship.
00:37:54What's the proposition he wants an answer to?
00:37:57Like what's in your briefcase?
00:38:00I can't tell you.
00:38:02I still think he stole it.
00:38:04Then why don't you make him admit it?
00:38:06He said he'd be in the bar.
00:38:10Yeah.
00:38:12I think I will.
00:38:14But I think I'd better keep you with me.
00:38:17All right.
00:38:23Yes, sir, what do you have?
00:38:24Have you seen that fellow who got his face slapped earlier this evening?
00:38:27No, sir, not since the lady put a finger print on his cheek.
00:38:48Come on.
00:38:53Mr. Marker just checked out?
00:38:55Why, yes, sir, just a few moments ago.
00:38:56Come on.
00:39:00Come on.
00:39:04Come on.
00:39:11Come on.
00:39:12Follow that car.
00:39:32There's a car following us, and I want to lose it.
00:39:34Put your foot to the floor, and your fare will be done.
00:39:47Faster!
00:40:02Back road to the airport.
00:40:03Yeah, but it's a long ways around.
00:40:05Well take it, I've got to lose that.
00:40:06Look out for that car.
00:40:17Pass him and head him off.
00:40:20Look out for that car.
00:40:56Look out for that car.
00:41:14Which way do these roads go?
00:41:15To the left is the beach.
00:41:16To the right is the airport.
00:41:17Go right.
00:41:37This United Flight 648 ready to taxi.
00:41:40What's the line this flight?
00:41:41Cranking off two late passengers 648.
00:41:44Roger Tower.
00:41:46This is the last call for Flight 648 leaving for San Francisco.
00:41:49Now loading at gate 2.
00:41:51This is the last call.
00:41:52All aboard please.
00:42:14Get out.
00:42:20I'm youщ品.
00:42:35I'm not leaving.
00:42:36Wow.
00:42:36Wow.
00:42:37Wow.
00:42:43Wow.
00:42:52Wow.
00:42:53Wow.
00:42:54Wow.
00:42:54Wow.
00:43:01Wow.
00:43:04Doing, old boy.
00:43:05I went to considerable trouble to take it away from you.
00:43:08How low can you get?
00:43:11Blackmail is bad enough, but a common thief.
00:43:15I so far have taken nothing from his case, except this gun.
00:43:22Did you say blackmail?
00:43:24That's what he's following me for.
00:43:27Now, like a fool, I let you bring me right back to him.
00:43:30For the moment, Cynthia, I've lost interest in you.
00:43:34Financially, that is.
00:43:36Did she by chance tell you what inspired me to, forgive the word, blackmail her?
00:43:44No.
00:43:47And I bet he didn't tell you what's in this briefcase either, did he?
00:43:52No.
00:43:57There should never be secrets between old friends like you.
00:44:08All halfway boat, the 648 overhead.
00:44:11Oh, I think.
00:44:12Seen any mermaids lately?
00:44:13Over.
00:44:14Hello, 648.
00:44:16Last mermaid I saw was swimming toward Frisco.
00:44:18Give him my love.
00:44:19Over.
00:44:19Roger.
00:44:27A million dollars.
00:44:32That's a lot of money, isn't it?
00:44:35It's very fortunate that it's in my hands for safekeeping.
00:44:38Because, you see, my dear, I found out that the briefcase belongs to a Mr. Nicholas Lawrence.
00:44:45Now, if Mr. Henry Nicholas takes it from me, why?
00:44:50Naturally, I'd be forced to have the captain radio ahead to the San Francisco police.
00:44:54Because, you see, my dear, your friend, Henry, stole it.
00:45:05San Francisco Tower, this United Flight 648, 15 miles west of the field, landing instructions, please.
00:45:121648, cleared into traffic, landing runway 2, Vancouver.
00:45:17Thank you, Tower.
00:45:18Look, Marker, I'll make a deal with you.
00:45:20Name it.
00:45:2350-50.
00:45:27On that basis, I'll still have to collect from the Accenture to make up the deficit.
00:45:34Yes.
00:45:35It's agreed.
00:45:37We'll arrange the details on the ground.
00:45:46The Golden Gate.
00:45:49They must have made that bridge for me.
00:46:06Would you all kindly remain in your seats until the Agricultural Inspector comes through?
00:46:10He just wants to make sure you aren't carrying any forbidden flowers or fruits onto the mainland.
00:46:18Are you bringing in any flowers, fruit, seeds, or anything like that?
00:46:22No, sir, we aren't.
00:46:23Thank you. You'll get off the plane now.
00:46:25Are you bringing in any fruit, flowers, seeds, or anything like that?
00:46:28No, I'm not.
00:46:30No, no fruits, flowers, seeds.
00:46:47Just a moment.
00:46:49I was told that you're bringing in a species of Vandicerelia.
00:46:52Now, I'm awfully sorry, mister, but we have strict orders against allowing any Vandicerelia into the States.
00:46:57I wouldn't know a...
00:46:59What did you call that?
00:47:01Vandicerelia.
00:47:02I wouldn't know one of those if it bit me.
00:47:04Did that black-haired foreign fellow tell you I was carrying one of those things in?
00:47:08Well, yes, he did.
00:47:10It was just a joke, officer.
00:47:12He's a very old friend of ours.
00:47:15Isn't he, dear?
00:47:16Yes, very old.
00:47:17It was just a joke, officer, believe me.
00:47:19May we go now?
00:47:20I'm sorry to detain you, but I'll have to look through your bags.
00:47:23Bags? Well, we don't have any bags.
00:47:25No bags?
00:47:27Nobody ever flies this run without no bags.
00:47:30Just keep your seats a moment, please, while I let the rest of the passengers off.
00:47:35Are you bringing in any flowers, fruit, seeds?
00:47:49I'll find him if I have to comb every street and hotel in San Francisco by hand.
00:47:56Driver, how many streets are there in San Francisco?
00:47:59Lady, did you ever count the wrinkles on a prune?
00:48:04Come on, get going.
00:48:15No, sir. There's no Mr. Marker registered here.
00:48:25I'm sorry, sir. There's no one by that name registered here.
00:48:29I'm getting awfully hungry.
00:48:32There's a nice new restaurant.
00:48:34We haven't time. Keep going, driver.
00:48:46Marker. Marker.
00:48:48Marker. Sorry he's not registered.
00:49:02No, sir. There's no Mr. Marker registered here.
00:49:04Oh, may I help you, madam?
00:49:17No, sir. There's no Mr. Marker registered here.
00:49:21I know just the place down near Fisherman's Wharf.
00:49:24Good food, soft candlelight, and sweet music.
00:49:28Any place to relax for a few minutes.
00:49:48Good evening, sir.
00:49:50Good evening.
00:49:51Table for two?
00:49:52Yes, please.
00:49:53This way, please.
00:49:55One moment with you means more than all eternity.
00:50:01The rarest of wines I've tasted at times
00:50:09Have thrilled me, but never filled me with such inspiration
00:50:16Still hungry?
00:50:18Are you?
00:50:19No.
00:50:20Thirsty?
00:50:22Champagne, cold and dry.
00:50:24Yes, sir.
00:50:25Until I'm here insane with your fascination
00:50:30You are my destiny
00:50:35The loveliness you possess
00:50:40Gets the best of me
00:50:43Our fate was kind
00:50:47It showed me the way to find
00:50:50My destiny
00:50:56In you
00:51:01Well, I hate to admit it
00:51:04I'm licked
00:51:08This is very funny
00:51:11This whole incident
00:51:14Very funny
00:51:16I make perfect plans
00:51:18A magnificent future
00:51:21And out of all the boats
00:51:23Planes and trains in the world
00:51:25I buy a ticket on the one plane
00:51:27And sit in the one seat
00:51:28That could get me into trouble
00:51:32Very funny
00:51:34I don't think it's so funny
00:51:37You don't, huh?
00:51:40You know, for a casual acquaintance
00:51:42You're a pretty expensive girl
00:51:45You cost me just exactly one million bucks
00:51:52There are a few questions I'd like to ask you
00:51:54And I think you owe me a few answers
00:51:57What would you like to know?
00:51:59What has marker got on you?
00:52:04He says it
00:52:09I murdered my husband
00:52:14Did you?
00:52:25Don't blame me for not wanting to talk about it
00:52:28But I do want to talk about it
00:52:30I find myself wanting to tell you
00:52:34Everything about me
00:52:37I'm sorry
00:52:39I hate weeping women
00:52:47My husband was a winner
00:52:52He won every game he played
00:52:55Including the one he played with me eight years ago
00:52:58When we were married
00:53:03He was a great surgeon
00:53:06His patients all survived
00:53:09And their scars healed
00:53:11And their scars healed
00:53:14With me it was different
00:53:17His operations on me were mental
00:53:20And my scars never healed
00:53:25You must have known what you were getting into beforehand
00:53:29I didn't
00:53:31His charm disappeared after the marriage
00:53:34He hated everything and everyone
00:53:37Including me
00:53:38Including me
00:53:45Did you hate him?
00:53:49I don't know
00:53:52I was so unhappy and miserable that
00:53:54I thought I hated him
00:54:01Go on
00:54:02Go on
00:54:05It happened last week
00:54:08We were home
00:54:09Having supper after the theatre
00:54:13Alan Marker was there
00:54:15As usual George had been drinking too much
00:54:20As usual he was insulting me
00:54:30Well I think I better push along
00:54:32It's getting quite late
00:54:34Don't bother Cynthia I see myself out
00:54:36Good night George
00:54:38Good night
00:54:42Well Cynthia
00:54:43I recognize that expression
00:54:46I've seen it so often
00:54:47Combines reproach
00:54:49Anger
00:54:52And indignant humiliation
00:54:56Shall we have another
00:54:58Turbulent little scene?
00:55:00I rather enjoy them
00:55:01They compensate somewhat for certain
00:55:05Domestic deficiencies
00:55:07Where are you going?
00:55:09To my room
00:55:10To lock your door behind you as usual?
00:55:14No my darling
00:55:15I have some interesting information for you
00:55:19Tonight
00:55:21We're going to alter that routine
00:55:23Let me go
00:55:24Let me go
00:55:26You interest me far too much
00:55:28Please George
00:55:29Don't annoy me with your pleading
00:55:30I'm not going to let you go
00:55:54That's a story
00:55:56That's a story
00:55:57And it's a truth
00:56:03So you ran away
00:56:06Why did Marker follow you?
00:56:08He says he never left the penthouse
00:56:11He was watching through the terrace windows
00:56:14And insists that I planned it all
00:56:17He says that I pushed George over the terrace
00:56:21Purposely
00:56:26What does he want from you?
00:56:31Half the indemnity
00:56:33And me
00:56:38What has Marker been to you?
00:56:41Nothing
00:56:42Nothing
00:56:44I've known him a long time
00:56:45That's all
00:56:57I think I'd better go
00:57:00Why?
00:57:03Because everything I've told you is the truth
00:57:08And I don't think you believe me
00:57:14I believe you
00:57:20But I also believe you're a little fool
00:57:23You can't run away from something like that
00:57:28Do as I say
00:57:29Not as I do
00:57:32You seem to forget that I met you while you were running away
00:57:36You haven't told me why
00:57:39Okay, we're a pair of fools
00:57:45When I was a kid I used to watch the railroad tracks
00:57:48I wonder where they led to
00:57:50I used to watch ships sail over the horizon
00:57:53I wonder where they were going
00:57:55Then I grew up
00:57:58I came into my inheritance
00:58:02You were a little rich boy
00:58:03Not by a long shot
00:58:06My dad left me a raft of debts
00:58:09And the same kind of driving ambition that finally killed him
00:58:15He was a great guy
00:58:18Hard worker
00:58:20Spent a lifetime at a desk
00:58:24His ambition was to own one of the largest fortunes in the world
00:58:27And he did
00:58:29For a while
00:58:32One day he stood at his desk
00:58:34With a head full of worry
00:58:37An empty wallet
00:58:39And a sudden pain
00:58:45The obituaries were great
00:58:50So I pitched in, cleaned up the debts
00:58:52And soon I found myself working Saturdays, Sundays, holidays
00:58:56Slugging it out in the battle for the buck
00:59:00Took me fifteen years to realize
00:59:02I was walking step for step
00:59:05In the same exact tracks my father made
00:59:09One day someone would find me too
00:59:13Dead
00:59:13In Dad's tracks
00:59:21He didn't know it, but he died a little everyday
00:59:27I decided to reverse the procedure
00:59:30I decided to see for myself what was on the other side of the horizon
00:59:36And so you ran away
00:59:39Was the money yours?
00:59:44No
00:59:46It belonged to lots of people
00:59:49Tom the brute black
00:59:51Bertha the sewing machine girl
00:59:53And others
01:00:00You have this effect on everybody
01:00:03What effect?
01:00:06For the first time
01:00:10I feel ashamed
01:00:19What are you going to do now?
01:00:23I don't know
01:00:24I haven't thought that far
01:00:28Run away some more?
01:00:30Think I ought to get myself up?
01:00:34It isn't for me to say
01:00:38But I know what I'm going to do
01:00:42If anyone suspects me of murdering my husband
01:00:46I'm going back to face them
01:00:49I'm not going to spend the rest of my life running away from something
01:00:55I wish I could help you
01:00:59I've got a few troubles of my own to face
01:01:09We met at the wrong time in our lives, didn't we?
01:01:13Should have been much earlier
01:01:14Or much later
01:01:18With all the trouble you have ahead of you
01:01:20Do you think you could
01:01:22Save a little time to see me?
01:01:27I think maybe it would be better if we didn't see each other
01:01:31It would only complicate matters
01:01:37Maybe so
01:01:41I have an idea
01:01:45We didn't get much out of Honolulu, did we?
01:01:49It was too soon
01:01:50About too late
01:01:53Let's set a sort of tentative rendezvous
01:01:57One month from tonight at 8.15
01:02:02If we both get our lives straightened out
01:02:04And we both feel the same way
01:02:08Let's meet again on the terrace in Honolulu
01:02:12Like my idea?
01:02:16I love your idea
01:02:23What is it?
01:02:24Your coffee, sir
01:02:37Good evening
01:02:45The woman I gave the order to was middle-aged
01:02:48Lumpy and...
01:02:49With a slight moustache
01:02:51That's Mrs. Garrett, the owner
01:02:55You're very pretty
01:02:57Thanks
01:02:57Is there anything else?
01:03:00Perhaps
01:03:02You might talk a little
01:03:05This coffee's rather weak
01:03:07Suppose you could find some stronger beverage
01:03:17Can I at least see you to a cab?
01:03:20I think it's better this way
01:03:24Maybe so
01:03:26Will I see you in Honolulu?
01:03:29I hope so
01:03:32If not
01:03:34I'll be thinking of you
01:03:39Goodbye
01:03:45Goodbye
01:03:47Goodbye
01:04:42A bottle of brandy, please.
01:04:44What kind do you want?
01:04:45Oh, any kind.
01:04:46Any kind, so long as it's Napoleon brandy.
01:04:49But it's expensive.
01:04:51He doesn't care.
01:04:53He never drinks anything else.
01:04:55Oh, I see.
01:04:59My last bottle of Napoleon.
01:05:02And the best.
01:05:20What?
01:05:21Change?
01:05:22Have a good time, honey.
01:05:48Thank you very much.
01:05:53Ihai.
01:06:22Come here.
01:06:25Come here.
01:06:26Well, you made it record time.
01:06:30Ah, that's wonderful.
01:06:36May I take your coat?
01:06:59Your bartender showed rare judgment, my dear.
01:07:02This brandy is the most delicate bouquet of all.
01:07:18Now, these are not exactly the most glamorous containers, but we will use our imagination.
01:07:26As we look at them, they will soon become the most beautiful bowls of crystal.
01:07:31Oh, my God.
01:07:33Oh, my God.
01:07:49Oh, my God.
01:08:07Oh, my God.
01:08:11Oh, my God.
01:08:15Oh, my God.
01:08:17Oh, my God.
01:08:18Oh, my God.
01:08:20Oh, my God.
01:08:26Oh, my God.
01:08:33Oh, my God.
01:08:35Oh, my God.
01:08:37Oh, my God.
01:08:39Oh, my God.
01:08:40Oh, my God.
01:08:41Oh, my God.
01:08:42Oh, my God.
01:08:44Oh, my God.
01:08:45Oh, my God.
01:08:46Oh, my God.
01:08:56THE END
01:09:34Good morning Nick
01:09:36Good morning Dave
01:09:37Have a good weekend
01:09:38Great
01:09:39You must have
01:09:40You look like a million dollars
01:09:41Yes patch and all
01:09:43How'd you get it
01:09:44You bump into a door
01:09:46Well not exactly
01:09:47I called you yesterday
01:09:49Your man said you weren't home
01:09:50No I wasn't home
01:09:52Dave
01:09:54Made a big decision last night
01:09:56I'm going to put in
01:09:57One good hard month's
01:09:58Solid work
01:09:59And then I'm going to
01:10:00Take a nice long vacation
01:10:01Fine
01:10:02Fine
01:10:02That's okay with me
01:10:04You need a vacation
01:10:05Where are you going?
01:10:07I'll send you a postal card
01:10:09You ready to go to work?
01:10:11Right
01:10:11Now what was that idea
01:10:12You had about liquidating
01:10:14Some of those securities
01:10:15Here's the plan
01:10:16But you have to be very careful
01:10:17With this
01:10:18A million dollars
01:10:19Is a lot of money
01:10:19I'll send you ancoins
01:10:35What's that God?
01:10:38I have to sell you
01:10:41You dude
01:10:44You Meredith
01:10:46Himself
01:10:47You of those
01:10:49The blue, the blue of a valley tree
01:10:56And the deep blue of ice
01:11:01With a million stars and shines
01:11:11With strange flowers and
01:11:16You are mine, always mine
01:11:24For heaven is the blue of a valley tree
01:11:32For heaven is the blue of a valley tree
01:12:00For heaven is the blue of a valley tree
01:12:02For heaven is the blue, the but Auction
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