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The Arsenal Stadium Mystery (1939) Full Movie | Murder Mystery | Leslie Banks, Greta Gynt, Ian McLean [Full Movie] [Trending Drama]Full EP - Full
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00:00:27Gracias por ver el video.
00:00:57Gracias por ver el video.
00:01:00Gracias por ver el video.
00:04:01Programme, program, official program and team, thank you. Programme, here you are, Trojan or Arsenal?
00:04:10Trojan, Trojan.
00:04:11Trojan's in the corner. Wear your colours.
00:04:13What the Alison do you think I'm wearing?
00:04:15Up the Arsenal.
00:04:17Up the Trojan's.
00:04:17Arsenal!
00:04:19Above all, boys, you must respect this amateur side.
00:04:23They're one of the finest amateur teams we've seen for years.
00:04:26They don't play your game.
00:04:28They play the attacking game.
00:04:30All their five forwards go up at once.
00:04:33And their right half and left half, they go through at every possible chance.
00:04:37And when those two wing half backs go through, I want our inside forwards, left and right, go after them.
00:04:43Don't let them get away with it.
00:04:45Now, that's important.
00:04:47You get that, Eddie?
00:04:48Yes, we got it.
00:04:49The prestige of the Arsenal's at stake.
00:04:52I am more keen to win this match than I am to win 90% of our games during the
00:04:58season.
00:04:58Time for the boys to change, Mr. Alisson.
00:05:00Oh, okay, Tom. Carry on, boys. Get on.
00:05:03It could be easy this afternoon, boys.
00:05:05Who is this, Dewey?
00:05:06Oh, it'll be a warm room.
00:05:07Oh, good afternoon, Mr. Kindler.
00:05:08Not gonna find it too easy, boys, you know.
00:05:14Hello, Tim.
00:05:15Hello, Bill.
00:05:16Everyone here, Carter?
00:05:17All except Mr. Moring, sir, and Mr. Deuce.
00:05:19Oh, Deuce will be here.
00:05:20He won't miss this game.
00:05:21And Phil Moring's probably new with this fiasco.
00:05:24The rail.
00:05:25You'd better get changed any case.
00:05:26Never know where you are, the fellow like Deuce.
00:05:29Well, there are only 20 minutes to go.
00:05:32Now, really, Gwen, you're not upset about that schmozzle at the flat, are you?
00:05:35What, you expect me to be tickled to death?
00:05:37Well, I can explain about that girl, all right, but it's rather a long story.
00:05:41I'll tell you tonight.
00:05:42Tonight's off.
00:05:44Oh, are you thinking of Phil Moring?
00:05:46Perhaps.
00:05:48Have you met his family yet?
00:05:49No.
00:05:50Were there away traveling?
00:05:51I thought you hadn't.
00:05:53They're nice people, but a bit stuffy.
00:05:55They've got a great deal of that, you know, and he won't see a penny of it if he marries
00:05:59you.
00:06:01Love in an attic.
00:06:02Oh, well.
00:06:03Not touching.
00:06:04I'm marrying Phil, not his family.
00:06:06You're not telling me.
00:06:08Dear me, I do believe we're quite annoyed.
00:06:11We'll soon settle that.
00:06:18It's the last time, Jack.
00:06:20Of course.
00:06:21I'll see you tonight.
00:06:23So sorry, Jack, but it's all over.
00:06:25The key will still be on top of the door.
00:06:34I'm so sorry, Inga.
00:06:36I know I'm late, but the traffic was awful.
00:06:39Hello, Phil.
00:06:40Hello.
00:06:41Well, I tried to get you last night and this morning.
00:06:43Hello, Inga.
00:06:44How's the cousin from Sweden?
00:06:46You think you go home, no?
00:06:47You always make the same joke, Phil.
00:06:49But, Gwen, why didn't you tell me you couldn't see me last night?
00:06:52I couldn't.
00:06:53It was too sudden.
00:06:54My Aunt Bessie was taken home.
00:06:56Darling, I'm so glad to see you.
00:06:58Have you missed me?
00:06:58Have I?
00:07:00Come on, Gwen.
00:07:00We never get to our seats.
00:07:02Lord, I must fly.
00:07:03I'll see you after the game, Gwen.
00:07:04Yes, darling.
00:07:05Here we go.
00:07:10Better take Deuce's shirt, George.
00:07:14That's a good girl.
00:07:15Isn't she lovely?
00:07:16Ooh!
00:07:19Break away, Setchley.
00:07:20You won't be fit for the match.
00:07:21Deuce!
00:07:22About early time.
00:07:23Look here, Deuce.
00:07:24You're part of this team, you know.
00:07:25I expected you here hours ago.
00:07:26Sorry, I was in conference.
00:07:28Anyway, I see Phil Morring isn't here yet.
00:07:30Oh, perhaps when everybody is here,
00:07:31we may be able to play some football.
00:07:32You shouldn't wonder.
00:07:35Let's go.
00:07:40Sorry, Rel.
00:07:47Heavens, Eddie.
00:07:48What's this?
00:07:49I haven't got a shirt.
00:07:53Shut up.
00:07:54Just a second.
00:07:55No shirts anywhere.
00:07:58Bunch!
00:08:00Where are these boys' shirts?
00:08:01There's none of them here.
00:08:02I left every player's shirt on his own hook.
00:08:05There he is.
00:08:06You got them?
00:08:15He's got them all on.
00:08:16It's going to be cold out there with nothing to do in gold.
00:08:20Cranky.
00:08:21Don't tell me the jolly old rules let you down.
00:08:23Yes, old boy.
00:08:24I had to abandon it.
00:08:25Tut, tut.
00:08:26Now, come on on, Mr. Deuce.
00:08:27You're next on the table.
00:08:28Sir, she won't let you alone, eh, Phil?
00:08:30Why don't you mind your own business?
00:08:32Why don't you grow up?
00:08:33Now, get a move on, boys.
00:08:34Only ten minutes to go.
00:08:55Good afternoon, everybody.
00:08:57This is George Ellison calling from the Arsenal Stadium London.
00:09:01The great day has arrived at last when we were to see this long-anticipated charity match between the Trojans,
00:09:08the famous amateur team, and the Arsenal.
00:09:11We have been fortunate in securing the services of a very famous commentator.
00:09:16And I'm perfectly certain you will all recognise the well-known voice of Mr. E.V.H. Emmett, who is
00:09:23appearing today by kind permission of the German British News.
00:09:27Now, Mr. Emmett, it's up to you to give us all the thrill for the match.
00:09:30Well, I certainly will do my best, and I'm sure it will be a thrilling match.
00:09:34I certainly hope so, because there's a record crowd here, an enormous crowd.
00:09:37The stadium's absolutely packed.
00:09:42What are you pressing, George?
00:09:43Come on.
00:09:44He's trying to get the right number, the right side up.
00:09:46Come on, lads.
00:09:46Come on, George.
00:09:52And the teams are coming out now.
00:09:54Arsenal coming out first.
00:09:55Led by their captain, Eddie Hatfield.
00:10:05And now the Trojans, led by Charlie.
00:10:11I like to look at that full of dice, don't you?
00:10:13Yes, yes, Tom, I do.
00:10:14I'm keen to see how he gets on this afternoon.
00:10:18The band has blown itself out, and the referee's just bringing out the ball, so it won't be long now.
00:10:25The two captains are trotting up to the centre to shake hands with everybody in sight and toss for choice
00:10:29of ends.
00:10:30Eddie Hatfield has the coin, Charlie calls to it, but yes, Trojans are defending the clock end of the field.
00:10:37Arsenal kick off, Drake to Bryn Jones, and out to Bastion on the left wing.
00:10:44Now back to Bryn Jones, Torben punches away.
00:10:49Drake has it on the right, and he's going to shoot.
00:10:53But Torben saves it nicely again, then clears.
00:10:57Doyce hits it.
00:10:58That boy certainly looks good.
00:11:01Now the Trojans are getting the ball away into the Arsenal half.
00:11:05Welcock has it, passes to Brown.
00:11:08Hatfield tackles him.
00:11:09Brown still has it, and he shoots.
00:11:12But Swindon clears.
00:11:13Terrific excitement as the game swings away from the Arsenal goal.
00:11:21Play in the Trojans' half.
00:11:22The ball goes back.
00:11:24Arsenal left back has it.
00:11:26He bangs it up.
00:11:27Up it goes, and Jörner and Bremler jump forward.
00:11:30Ten impenny.
00:11:31Ten impenny.
00:11:32Oi!
00:11:33Oi!
00:11:33Cut the grass.
00:11:34The ref can't see.
00:11:37The game is on again, up in the centre of the field.
00:11:39And now it's Arsenal's turn to attack.
00:11:41Ball goes up to Kirshen.
00:11:43He's racing on.
00:11:45He shoots.
00:11:46And a grand save.
00:11:48Corner against Trojans.
00:11:50Oi, ref!
00:11:51Oi!
00:11:51Don't keep blowing that whistle.
00:11:52Blow your nose down.
00:11:53Yeah!
00:11:55Kirshen takes it.
00:11:56Nicely in, but the amateur boys are onto it like lightning.
00:12:01Now Bryn Jones has it.
00:12:03Don't muck it about.
00:12:04Pass to Bastion.
00:12:05And the boys away.
00:12:10The centre.
00:12:12Shoo!
00:12:13No, another grand save by Torben.
00:12:16This is a terrific game.
00:12:18Amateur, professional, they're all playing like heroes.
00:12:20Now Mayer is onto it.
00:12:22And he passes up.
00:12:23But Garrow has it.
00:12:25Joyce takes it away.
00:12:27Keep an eye on Joyce.
00:12:29He shoots.
00:12:29And Swindon tips it over, giving a corner against Arsenal.
00:12:32How do you like that, Mr. Ellison?
00:12:34Oh, it's not a goal yet.
00:12:35Don't hold the ball so much, Joyce.
00:12:36You're not all that good.
00:12:37I don't need your advice.
00:12:41Setchley takes the kick.
00:12:42But Arsenal defence have got it away.
00:12:44Now Maring has it.
00:12:46Look out there.
00:12:47Hey!
00:12:47Joyce and Maring in collision.
00:12:48Maring's hurt by the look of it.
00:12:59Oh, he banged his head.
00:13:10Oh, he banged his head.
00:13:10And the referee drops the ball.
00:13:12And the game is on the game.
00:13:14Arsenal have it.
00:13:15That's Drake coming down now like a hurricane.
00:13:17Shoot!
00:13:18And Torben saves the game.
00:13:23the end of the first half now.
00:13:25And there's no score yet.
00:13:27Here's Arsenal pressing again.
00:13:29Drake has it.
00:13:29Out on the left to Bryn Jones.
00:13:31Bryn runs in.
00:13:32It's dangerous now, back to Drake.
00:13:34Drake's on to it.
00:13:35Over to Kirshen.
00:13:37este momento es un gol
00:13:39el primer plato para el Arsenal
00:13:401-0
00:13:41y cerca de 30 segundos para la mitad
00:13:45sí, este juego está viviendo
00:13:47a toda la promesa de thrill
00:13:48un verdadero dogfight
00:13:49y cuando considera la reputación
00:13:53entre los equipos profesionales
00:13:53debemos darle a estos trojans
00:13:55que están poniendo un maravilloso show
00:14:02la parte de la parte de la parte de la parte
00:14:27Stay in position, next half, Jack.
00:14:32Who's that for?
00:14:33Mr. Doyce of the Trojans. It's marked urgent.
00:14:37How are we going, Sarge?
00:14:39One up, son.
00:14:41Hippie!
00:14:44Here, listen, boys.
00:14:46Look here, all you've got to do is to quicken up in this second half
00:14:49and you've got to absolutely beat.
00:14:50I know you're all a bit nervous, but there's nothing in the world to worry about.
00:14:53See?
00:14:57Oh, I say, Doyce, try and remember you're part of a team.
00:15:00Don't be so selfish of a ball.
00:15:02For heaven's sake, will you let me play my own game?
00:15:04No, no, don't do that. We don't want to lose the match.
00:15:06Right.
00:15:10Now, let's have a look at this.
00:15:13Do you need to sit, Jimmy?
00:15:14No, no, sir. This just agrees.
00:15:16I'll do this. You go and look after that.
00:15:18Right, sir.
00:15:28Telegrams, you gentlemen.
00:15:30Congratulations from your girlfriends.
00:15:32Mr. Tully.
00:15:33Setsley.
00:15:35Garrow.
00:15:37Torben.
00:15:38Helen.
00:15:39Who's Helen?
00:15:41Women are not allowed here, you know.
00:15:43Ah, but that's Helen of Troy, the face that sank a thousand ships.
00:15:46Say thank you, Helen.
00:15:47And, Aga?
00:15:48I almost thought Helen was a horse.
00:15:50Oh, there's a pass for Mr. Doyce.
00:15:56To you, Mr. Doyce.
00:15:57One of your admirers, I suppose.
00:15:59Mr. Setsley.
00:16:00Thank you.
00:16:20Come along now, boys. On your toes.
00:16:22If you're only one down, you'll get them this half.
00:16:31Where's Kindleit?
00:16:32Went out the other way, I think.
00:16:38Come on, champs.
00:16:39Get a move on.
00:16:49Come along, Mr. Murray.
00:16:50For heaven's sake, get a move on.
00:16:54Teams are coming out now for the second half.
00:16:56Here we go.
00:17:02It all depends on the first 15 minutes, Jimmy.
00:17:04Whether our boys can hold them.
00:17:05No, they'll do it all right, Mr. Kindleit.
00:17:09Trojans kick off this time.
00:17:11Bredge kicks off to Doyce.
00:17:12And Doyce snaps it out to the left wing.
00:17:15Setsley has it.
00:17:16And he's racing ahead in the best bastion style.
00:17:19It's a goal.
00:17:20It must be.
00:17:20No, Swindon dives.
00:17:21He's got it some other quick.
00:17:23He's up.
00:17:23And he's cleared beautifully.
00:17:25Bravo, Swindon.
00:17:26Bravo.
00:17:26I couldn't have done it better myself.
00:17:28Trojans again attacking.
00:17:29They're going all out to wipe off that odd goal.
00:17:33Sensational.
00:17:34Here's an appeal for hands in the penalty area.
00:17:38Yes, the referee's allowing it.
00:17:39This is serious.
00:17:40You're telling me.
00:17:42The first line man off the seat was out of the door.
00:17:44What a wreck.
00:17:45Cut it pretty, Robson.
00:17:48Doyce is taking the kick.
00:17:50Is this the equalizer?
00:17:59Yes, he's scored.
00:18:00Like a bullet in the top corner.
00:18:02The crashing drive.
00:18:03Doyce scored from the penalty.
00:18:04And it's Arsenal 1, Totten 1.
00:18:07Oh, what a rasket.
00:18:09What's that you saying?
00:18:10I said, what a blaster, sir.
00:18:11Didn't I?
00:18:12I've had me eye on you all the match.
00:18:14That's what I thought.
00:18:15You've had me done the game.
00:18:16No!
00:18:16No!
00:18:18No!
00:18:19No!
00:18:24Just waiting now, Whistle, to kick off after that goal.
00:18:28There it goes.
00:18:29Drake to Bryn Jones and over to Bremner.
00:18:30Arsenal are pressing now.
00:18:31They're racing forward to the Trojans' goal.
00:18:34Bastien has it.
00:18:36And he shoots.
00:18:37And Torben saves.
00:18:38He's playing a wonderful game, that Trojan goal.
00:18:45Look, look.
00:18:46What's the matter with Doyce?
00:18:47By Jove, he does look bad.
00:18:50Doyce has just collapsed like a log.
00:18:52It must be some sort of a change or something.
00:18:53I didn't see him get hit.
00:19:11This is a most unlucky accident for the Trojans.
00:19:14Those amateur boys have been playing really magnificent football.
00:19:17Now to lose their crack inside right at a critical time like this,
00:19:20it's appalling luck.
00:19:22Doyce looks pretty bad, too.
00:19:23But nobody seems to know what's the matter with it.
00:19:27Inga, he's dead.
00:19:47Doyce is being carried off now by the ambulance men,
00:19:50and the whistle goes to resume the game.
00:19:56What's up, Tom?
00:19:57Can't tell, Doctor.
00:20:10I don't like the look of him at all.
00:20:40Trojans are playing wonderfully plucky football.
00:20:47Ladies and gentlemen, I'm sorry to have to announce to you a piece of bad news.
00:20:51Jack Doyce is very seriously injured.
00:20:54It has been decided to abandon the match.
00:20:56But both sides are naturally anxious for a decision so there will be a replay next Wednesday afternoon at 3
00:21:01o'clock.
00:21:02Ah-ha-ha-ha!
00:21:30Just a minute, boys, please.
00:21:34How did it happen?
00:21:36It's a bad business.
00:21:37You can change, but you'll have to stay in your dressing rooms.
00:21:39Frank, I've got to get away for a minute.
00:21:40I'll be back.
00:21:41I'm sorry, Philip. It's out of my hands now.
00:21:43All right, boys, get in the bath.
00:21:45Listen, boys, you can change now, but you've got to remain behind a bit.
00:21:48What's his orders?
00:21:49Come on, now. Let's get going.
00:21:52I can't tell you anything, gentlemen.
00:21:54You've got to wait and see Mr. Alice.
00:21:55Well, where is he?
00:21:55I don't know if I knew I could tell you.
00:21:59You've got to get to see Joe.
00:22:02Please, what's happened to Mr. Doyce?
00:22:03I'm sorry, young lady. I'm afraid he's dead.
00:22:12Sorry, boys. You'll get the story later.
00:22:15Who was that girl? Did she give her name?
00:22:16No, sir. Her face seemed familiar, though.
00:22:18That's what I thought.
00:22:19Why, George, what's the big idea?
00:22:22Get me Scotland Yard, please. Whitehall.
00:22:24One, two, one, two . . . .
00:22:42Now, stop. Stop.
00:22:43¡Ah!
00:22:46¡Ladies, ladies!
00:22:49Estas escursas no están por la naturaleza.
00:22:52Están para mejorar tu belleza.
00:22:55¡Suscríbete a un poco y hacer que se vean. ¿Puedo?
00:22:58Sí, señor.
00:22:59¡El nombre de la Metropolitan Police de la Comunicación!
00:23:04¡Puedo hacer que se vean!
00:23:06¡Puedo!
00:23:09¡Se vean aquí!
00:23:12¡Puedo hacer que se vean!
00:23:13¿Qué es, Clinton?
00:23:13¿Qué es?
00:23:14Yo pensaba que estaba en el jardín.
00:23:16¿Qué es?
00:23:17Un caso, Inspector.
00:23:19Un caso?
00:23:19Pero tengo cuatro días para hacer esto.
00:23:21No puedo tomar un caso ahora.
00:23:23La Comunicación dice que podría ser un caso.
00:23:30No, no debería ser así, señor.
00:23:32No debería ser así.
00:23:33¡Oh, eso es algo para ser agradecido!
00:23:35¿Dónde está el...
00:23:36¿Dónde está el equipo?
00:23:37No, no debería ser así.
00:23:37Ya lo voy a hacer.
00:23:40¡Rosón, el equipo de Arsenal!
00:23:43¡Se vean aquí!
00:23:44¿Están en esta vez?
00:23:46¡Ya no!
00:23:47¿Tú no cheijos de antes, por lo que usted le dice?
00:23:47¡No por un par de 10, Bob!
00:23:48¡Guaranteed!
00:23:48¡Pueda poner cualquier desastre a la primera vez!
00:23:51¡Hue un poco de falta!
00:23:53¡Ó, seguro!
00:23:54¡Oh, esos amigos con los dinos!
00:23:57¡Aca, ¿qué es?
00:23:58¡Hue un buen amigo!
00:23:58¡ honesto, John Doyce!
00:24:21¿Qué pasa?
00:24:53¿Qué pasa?
00:25:04¿Qué pasa?
00:25:29¿Qué pasa?
00:25:34¿Qué pasa?
00:25:35¿Qué pasa?
00:25:38¿Qué pasa?
00:25:39¿Qué pasa?
00:25:40¿Qué pasa?
00:25:41¿Qué pasa?
00:26:24¿Qué pasa?
00:26:28¿Qué pasa?
00:26:37¿Qué pasa?
00:26:39¿Qué pasa?
00:26:42¿Qué pasa?
00:26:45¿Qué pasa?
00:26:59¿Qué pasa?
00:27:01¿Qué pasa?
00:27:13¿Qué pasa?
00:27:15¿Qué pasa?
00:27:25¿Qué pasa?
00:27:30¿Qué pasa?
00:27:43¿Qué pasa?
00:27:52¿Qué pasa?
00:27:57¿Qué pasa?
00:28:04¿Qué pasa?
00:28:08¿Qué pasa?
00:28:10¿Qué pasa?
00:28:13¿Qué pasa?
00:28:16¿Qué pasa?
00:28:18¿Qué pasa?
00:28:20¿Qué pasa?
00:28:24¿Qué pasa?
00:28:26¿Qué pasa?
00:28:35¿Qué pasa?
00:28:38¿Qué pasa?
00:28:39¿Qué pasa?
00:28:40¿Qué pasa?
00:28:42¿Qué pasa?
00:28:44¿Qué pasa?
00:28:46¿Qué pasa?
00:28:51¿Qué pasa?
00:28:57No, no, no, no, no.
00:29:23How long are you going to keep us here, Inspector?
00:29:25Oh, not very long.
00:29:26Oh, Clinton.
00:29:27Yes, sir?
00:29:27We're looking for a small, sharp, pointed object.
00:29:31And if you find it, be very careful.
00:29:33Very good, sir.
00:29:36I'm handy if I can understand it.
00:29:38Sounds a bell one moment and his heart stops the next.
00:29:41Have you looked at his left thumb?
00:29:46I missed that.
00:29:47Don't take it to heart.
00:29:48You were meant to.
00:29:51Poison.
00:29:52Alkalide, by the action.
00:29:53What now?
00:29:54Well, first find out what was in that parcel
00:29:56and who that girl was.
00:29:57Eh?
00:29:58Just a moment, Meadows.
00:29:59Bring your things.
00:30:02Come on.
00:30:08All right, Sergeant.
00:30:10You can stop playing sandcastles.
00:30:12Eh, Doctor?
00:30:13Oh, there you are.
00:30:15Oh, hello, Mr. Kindlet.
00:30:17Where have you been?
00:30:19Well, I don't even keep you any longer, gentlemen.
00:30:22Dr. Meadows rather thinks that death was caused by an obscure form of ketanus.
00:30:26Contracted through a scratch on the thumb.
00:30:28Isn't that so, Doctor?
00:30:29Eh?
00:30:29Oh, yes, quite so.
00:30:30Yes, yes.
00:30:31But we must find the object on which Doys injured himself,
00:30:34owing to the risk of infection.
00:30:36Therefore, in your own interests,
00:30:37Dr. Meadows thinks we ought to have a search.
00:30:40Eh, Doctor Meadows?
00:30:41Yes, absolutely essential.
00:30:44Very tactful of you, Inspector.
00:30:47Why not say Doys was murdered and have done with it?
00:30:49Keep your head rail.
00:30:50What the Inspector suggests is only common sense.
00:30:52Oh, thank you very much.
00:30:53Of course, if you object to being searched...
00:30:55Not me.
00:30:56Go right ahead.
00:30:57Yes, let's get it over.
00:30:59Good.
00:31:00Well, I've sent a couple of men to help Sergeant Clinton.
00:31:03Oh, would you mind staying with the team?
00:31:05Eh, Mr. Allison.
00:31:10Now, look, Allison.
00:31:12Rail was right.
00:31:13So Doys was murdered.
00:31:15Yes, that search was a blind.
00:31:16Clinton won't find a thing.
00:31:17Whoever killed Doys got rid of whatever it was ages ago.
00:31:20He's lying about the stadium somewhere,
00:31:22waiting till the murderer sees his chance to get it back.
00:31:25Oh, good heavens.
00:31:26I suppose you'll want half the yard down here now looking for clues.
00:31:29Not on your life.
00:31:30I wait for the clues to come to me.
00:31:32Now, listen, George.
00:31:33Do you mind me calling you George?
00:31:34Not at all.
00:31:34Now, about this girl, what did she look like?
00:31:37Oh, she was tall, fair, very pretty.
00:31:40And you know, both the commissioner and myself
00:31:41are convinced we've seen her somewhere before.
00:31:44What is she wearing?
00:31:46Oh, a long white coat with blue trimmings.
00:31:49A funny sort of hat with a feather in it.
00:31:51Well, like you have there.
00:31:54I thought this is a model.
00:31:56I beg to report, sir.
00:31:57I know, not a thing.
00:31:58No, sir.
00:31:59Oh, bear up.
00:32:00Look, I want to see these men again,
00:32:02but informally at their own convenience.
00:32:03Can you arrange that?
00:32:04Well, we've fixed a game of golf for him with the dyke tomorrow.
00:32:07Would that do?
00:32:08Fine.
00:32:08I'll be there.
00:32:09Clinton, the carriage waits.
00:32:11Adios.
00:32:12Goodbye.
00:32:15And I say to myself,
00:32:16young lady, you're up to something.
00:32:18What time is this?
00:32:19It was about five o'clock.
00:32:20She thought I didn't see her.
00:32:22Ha, ha.
00:32:22But see her I did.
00:32:24Yes.
00:32:24And I saw her last night, too.
00:32:26She was here last night?
00:32:27With him.
00:32:28Very late, it was.
00:32:29They came here in a taxi
00:32:30and left together again today in one,
00:32:32about two o'clock,
00:32:33and it's my opinion
00:32:34she was here all night.
00:32:36You're telling me.
00:32:38Have you ever seen her here before?
00:32:39No, sir.
00:32:40For I have it in my mind,
00:32:41I've seen her face somewhere,
00:32:43often,
00:32:43but I can't think where.
00:32:44What is she wearing?
00:32:45She had a long white coat on
00:32:47with blue ornamentations.
00:32:49I think someone's been here before, sir.
00:32:52I believe you've hit on something, Clinton.
00:33:03Looks as if this fellow
00:33:04was in the advertising business, sir.
00:33:06Yeah, what they call a layout man.
00:33:10What's that?
00:33:13Sounds like a piano, sir.
00:33:15Next flat, sir.
00:33:15That's the composer.
00:33:17Yeah, that's what he thinks.
00:33:19Mr. Deuss is evidently fond
00:33:20of the ladies.
00:33:21He was no end of a nuisance, sir.
00:33:23The neighbours were always
00:33:24complaining about him.
00:33:25Would you recognise
00:33:26the girl in the white coat
00:33:26from any of these?
00:33:27I don't know, sir.
00:33:28She was far better looking
00:33:29than any of them.
00:33:32Here's his diary, sir.
00:33:34Now then, she did miss some.
00:33:38Perhaps Padresky can help us.
00:33:46Will you stop that row?
00:33:53Live and net live, Deuss.
00:33:55How about that stinking row
00:33:56you kicked up this morning
00:33:57with your friend?
00:33:58If you don't shut up,
00:33:59I'll come in and wring your neck.
00:34:01Oh, you will, will you?
00:34:04Oh.
00:34:05Okay.
00:34:05Okay.
00:34:06Okay.
00:34:07Okay.
00:34:08Now, how'd you do?
00:34:09I beg your pardon.
00:34:10I thought it was young Deuss.
00:34:11Who are you?
00:34:12I'm Inspector Slade
00:34:13of Criminal Investigation Department.
00:34:14Can you tell me
00:34:15who the man was
00:34:16that Deuss had the row with?
00:34:17Well, as a matter of fact,
00:34:18I didn't catch a word,
00:34:19but I think it was something
00:34:21about some girl.
00:34:22When was this?
00:34:23In the middle of my prestissimo.
00:34:25Now, what time is it?
00:34:27Oh, just before lunch,
00:34:28about one.
00:34:28Oh, thank you so much.
00:34:29And by the way,
00:34:30will you tell young Deuss from me
00:34:31that if there are any more
00:34:32of these infernal rows,
00:34:34I'll tell him when I see him.
00:34:38Did you see anyone come here
00:34:40at about one o'clock?
00:34:41No, I thought not.
00:34:42Where's the phone?
00:34:42On the writing desk, sir.
00:34:44What are you going to do now, sir?
00:34:46Get the yard
00:34:46to find that girl
00:34:47with a white coat.
00:34:48Where's the W?
00:34:51If she was here
00:34:51at the time,
00:34:54she, uh,
00:34:56she must have heard something.
00:34:58Hello?
00:34:59Scotland Yard?
00:35:01Inspector Slade speaking.
00:35:02Give me the information bureau.
00:35:04Sergeant Smithers.
00:35:07Oh, there's no prestissimo again.
00:35:09Oh, Smithers!
00:35:10I want this information
00:35:11to go to the evening papers at once.
00:35:37You're welcome.
00:35:45You're welcome.
00:35:46You're welcome.
00:35:52You're welcome.
00:36:06¿Qué estás haciendo, Gwen?
00:36:27¿Qué estás haciendo?
00:36:28¿Por qué me haces aquí?
00:36:29¿Por qué me haces aquí?
00:36:31¿Por qué me haces aquí?
00:36:33¡Pero por Dios!
00:36:35¿Qué importa?
00:36:46¿Cómo estás diciendo?
00:36:48¿Por qué lo quieren?
00:36:49¿Por qué le quieres decir?
00:36:50¿Por qué?
00:36:52¿Por qué le dijeron que Jack Doyce was dead?
00:36:54Pero no.
00:36:56¡Claro!
00:36:57¡No!
00:36:58¡Gren, te damos!
00:37:00¿Qué pasó?
00:37:01No puedo decirles.
00:37:02¡Oh, ¡pues a ser una cosa!
00:37:04¡No puedo decirles algo también!
00:37:07Pero, Inga, debes andar conmigo.
00:37:08¿Entendrías?
00:37:09Y no te puse me preguntas.
00:37:14Si es Phil, no puedo verlo.
00:37:16No puedo verlo.
00:37:18Inga, make him go away. Make it all right with him.
00:37:30Hello, Inga. Is Gwen in?
00:37:33Yes, Phil, but she's not well. She's so upset.
00:37:37About Joyce?
00:37:38Of course, we're all upset about Jack.
00:37:41She's not feeling very well,
00:37:42and I shouldn't bother her tonight if I were you.
00:37:45Oh, you think I go home, eh?
00:37:46Yes, I think you do.
00:37:48Okay. Well, I'll be playing golf in the morning with the boys.
00:37:50I'll pop round when I get back.
00:37:51That's right. I tell Gwen.
00:37:54Enjoy, sir.
00:37:55Bye, Inga.
00:37:56Bye.
00:37:59Now, where's Joyce's diary?
00:38:00I must put my thinking cap on.
00:38:02Oh, just the thing.
00:38:04A headgear peculiarly conducive to thought, eh, Clinton?
00:38:09Let's have a look.
00:38:14Very interesting.
00:38:15You know, Sergeant Smithers getting a bit broad on the hips.
00:38:19That's the second time he's split that.
00:38:22Very interesting and illuminating.
00:38:24There's an entry here for February the 24th.
00:38:27120 pounds.
00:38:28Somebody called S.
00:38:31Now, give me a girl's name, beginning with S.
00:38:33Sylvia, Sybil, Sitch.
00:38:35Sitch?
00:38:35That psyche, you fool, begins with a P.
00:38:41Now, here's another.
00:38:42March the 19th.
00:38:4475 pounds S. Cash.
00:38:46Now, why cash?
00:38:47Blackmail, sir.
00:38:48Maybe.
00:38:49Hello?
00:38:50All right. I'll meet here. Go on.
00:38:54Inspector Slade's office.
00:38:56Home office pathologist speaking, sir.
00:38:58Hello?
00:39:00Hello?
00:39:01Slade speaking.
00:39:02Yes.
00:39:03Yes.
00:39:04Well, keep right on with it.
00:39:06Right. Thank you.
00:39:07Goodbye.
00:39:08It was poison.
00:39:09They don't know what yet.
00:39:09One of the digitalian groups.
00:39:11Setsley's a chemist, sir.
00:39:13Hello? Yes.
00:39:14Yes.
00:39:15Slade speaking.
00:39:17What?
00:39:19They did.
00:39:21They didn't, huh?
00:39:23All right.
00:39:23Keep a close watch and don't touch a thing.
00:39:26All right.
00:39:26Goodbye.
00:39:27That's the stadium speaking.
00:39:29Somebody tried to break into the treatment room,
00:39:31was disturbed and got away.
00:39:32The treatment room, sir?
00:39:33Yes, Clinton, you asked.
00:39:34Don't you see?
00:39:35Now we know it's murder.
00:39:41I've left everything as it was, sir.
00:39:43Excellent.
00:39:46What are we looking for, sir?
00:39:48Hang to find her, but we've got to find it.
00:39:50The only thing is, mind you don't prick yourself on anything
00:39:52and replace everything exactly where you find it.
00:39:59We've got to finish this job in three days.
00:40:00Why?
00:40:03Because of the replay.
00:40:04No, because of the concert.
00:40:07You know, Clinton is heartbreaking to be a producer.
00:40:09All my life I've longed for the glamour of the footlights,
00:40:12the applause of the audience.
00:40:14Yes, sir.
00:40:14And here we are, just a couple of plain policemen
00:40:16and we don't even know what we're looking for, sir.
00:40:21Clinton?
00:40:26Sterilized horse hair.
00:40:28Oh, this is too easy.
00:41:07Well, you've got to hand it to our murderer.
00:41:10No es un malo.
00:41:12Pero no esperaba que la sala de tratamiento se desvanezó.
00:41:16Y eso es donde vamos a ir.
00:41:22¡Como!
00:41:27¡No hay un palabra para nosotros!
00:41:30Muy bien, señor.
00:41:32¿Alcintón? ¿Dónde está tres días?
00:41:34¡Sí, señor!
00:41:36¡Nos vamos a ver cómo los chicos jugadores jugadores.
00:41:43No, no, no, no, no, no, no, no.
00:42:09Come, have a drink.
00:42:10Thank you so much. I'll have a whiskey and soda, if you don't mind.
00:42:11Morning, Slade. Just waiting for the rain to stop as usual.
00:42:13Have a drink, Sergeant.
00:42:14Well, it's all right, Sergeant. We're off duty.
00:42:16Thank you, sir. I'll have the same.
00:42:18Good morning, Inspector. Have you decided who to arrest yet?
00:42:20That's all I've been waiting for.
00:42:23What do you mean you've been waiting for?
00:42:24Don't you touch me!
00:42:25Hey, hey, hey!
00:42:27Please, please, go around!
00:42:31I want to wear Tommy's. Excuse me, Slade.
00:42:33Let's go, sir.
00:42:34And all unconscious of that doom, a little victim's play, Slade.
00:42:37Yes.
00:42:38But, of course, that was equally true of Doysse, you know, Kindler.
00:42:41Yes, I know.
00:42:41This is a rotten business, Slade.
00:42:43I know my men, and I like them.
00:42:45I've built this team up from absolutely nothing.
00:42:47If one of them turns out to be a murderer,
00:42:49it smashes up everything we've worked for.
00:42:51Yes, I understand.
00:42:53Tell me, was anybody hurt at the game on Saturday?
00:42:55Hmm?
00:42:56Yes, Maureen was.
00:42:57Doys got out of position and barged him, and Maureen grazed his head.
00:43:00And I suppose he had it dressed in the treatment room?
00:43:02Mm-hmm.
00:43:03Yes, it is, as a matter of fact.
00:43:08Excuse me, will you?
00:43:16Oh, good shot.
00:43:17All alone?
00:43:18Sometimes I prefer my own company.
00:43:20I had a chat with most of the others, so I thought perhaps I'd, uh...
00:43:23Have a go at me?
00:43:24Fire away, Inspector, but I'm afraid I can't help you very much.
00:43:27Oh, well, one never knows, one never knows.
00:43:30You knew Doys pretty well, didn't you?
00:43:32No more than the others.
00:43:33He didn't exactly hate the fair sex, did he?
00:43:36I don't know anything about Doys' women.
00:43:38Well, at any rate you use the plural.
00:43:40There was a girl called Stella, or Sheila, or something.
00:43:43She used the stadium last Saturday.
00:43:45I fancy she and Doys are pretty friendly, weren't they?
00:43:48I tell you, Slade, Doys' love life is a blank, as far as I'm concerned.
00:43:51Okay, okay, it's just an idea.
00:43:53I said, you, um...
00:43:56Do you mind if I have a pot of that?
00:44:08Oh, Dick!
00:44:11He's all wet.
00:44:12He always was.
00:44:13Is this old Dickie Bird?
00:44:15He looks good out of the wash.
00:44:16Now what's happened, boys?
00:44:18He's got a bit wet.
00:44:19Someone put him in a puddle, sir.
00:44:21You look a different girl now.
00:44:23Very funny, very funny.
00:44:26Where are my trousers?
00:44:27They're drying.
00:44:27You don't want to catch gold, do you?
00:44:29Where are my trousers?
00:44:30Essentially, don't move.
00:44:32One moment.
00:44:32The girl.
00:44:33Hi, Inspector.
00:44:34Please.
00:44:34The girl with the white coat.
00:44:37So that's the girl that went to Doys' flat.
00:44:40No wonder everybody recognised her.
00:44:42She's an advertisement model.
00:44:44Clinton, check up on her.
00:44:45Right, sir.
00:44:46Great Scott, that's Phil Morring's girl.
00:44:48Morring!
00:44:54So that's why Doys' wasn't at the pictures on Saturday.
00:44:57She was with him at his flat.
00:44:58Shut up, Setzlin!
00:45:03Brighton police traced her as easy as falling off a log, sir.
00:45:05Her name's Gwen Lees, 6 Welford Mews, Baker Street.
00:45:08All right, hop in.
00:45:09Right, sir.
00:45:10What time did Phil say he'd be here?
00:45:12Well, he didn't tell.
00:45:13He said he'd try and come back quick.
00:45:15You tell him, Gwen?
00:45:17Yes?
00:45:17Do you think I'm a fool?
00:45:19If the police want me, they'll have to find me.
00:45:20Maybe they do.
00:45:22And then what do you tell Phil?
00:45:23Phil loves me.
00:45:24He'll believe me.
00:45:25Anyway, I can handle Phil.
00:45:27I always have done.
00:45:31I'll go.
00:45:40Hello, Phil.
00:45:41No, it's not Phil.
00:45:42It's Inspector Slade.
00:45:43Anthony Slade, Criminal Investigation Department.
00:45:46This is Sergeant Clinton.
00:45:48May we come in?
00:45:49Yes, sir.
00:45:51What do you want?
00:45:52Oh, just a word.
00:45:53Would you mind closing that door?
00:45:54It's rather chilly after the rain.
00:45:55Oh, what a delightful room.
00:45:58Oh, Madame Butterflies.
00:46:01Delicious.
00:46:02Oh, I beg your pardon.
00:46:05Would you mind introducing her?
00:46:06I heard your name.
00:46:07I'm Inge Larsson.
00:46:09Please.
00:46:10What do you want?
00:46:11I should love a cup of tea.
00:46:12I made you coffee.
00:46:14Oh, if you could find a piece of cake,
00:46:15I should be sorry.
00:46:18Well?
00:46:18You can't about Jack Doyce, I suppose.
00:46:20No, not at all.
00:46:20We don't want to dwell on that.
00:46:21We've all been indiscreet in our time.
00:46:23Now, won't you sit down?
00:46:25You see, the trouble with little lapses like these
00:46:28is that they make other people jealous.
00:46:30Now, what we have to do in a case like this
00:46:31is to find out the motive for the murder.
00:46:33Someone to whom Doyce did an injustice.
00:46:35That covers a lot of people.
00:46:36Yes, you'll pardon my saying so, Miss Lee,
00:46:38but I think he treated you very badly.
00:46:41You're not suggesting that I have?
00:46:42Oh, no, not for a moment.
00:46:44Oh, by Jove, what a lovely ring.
00:46:46Oh, of course, I was forgetting.
00:46:47You and Morring are engaged, aren't you?
00:46:49Yes.
00:46:50Yes, a charming fellow.
00:46:51Very well to do, I believe.
00:46:53Tell me, was he very jealous?
00:46:56When?
00:46:56Ah.
00:46:57Oh, no coffee.
00:46:59Do not listen to him.
00:47:00He's trying to trap you.
00:47:02No, no, no, young lady.
00:47:03Don't tell him anything.
00:47:04He can't make you.
00:47:06What's the matter with you?
00:47:06I can look after myself.
00:47:08But, Gwen.
00:47:09It isn't you.
00:47:10It's Philip.
00:47:14The kettle is boiling.
00:47:16Would you mind?
00:47:18Clinton, help her, will you?
00:47:19Very good, sir.
00:47:26You were at Doyce's flat on Friday night.
00:47:28You know who came to see him on Saturday morning.
00:47:31Somebody who had a quarrel with Doyce.
00:47:33Was it Morring?
00:47:34I tell you, I don't know anything.
00:47:36Now, it's no good trying to shield a murderer.
00:47:37That won't help at all.
00:47:38It's much safer to come out of the truth.
00:47:40Who should I be shielding?
00:47:42Well, that's what I'm here to find out.
00:47:43Now then, was it Morring?
00:47:45Now, you look here, miss.
00:47:47Now, listen, young lady.
00:47:48Gwen is not shielding anyone.
00:47:50I tell you the truth.
00:47:52Inga.
00:47:52It's because she knows her job,
00:47:54if people know she is with Doyce.
00:47:55Yes, that's very clever,
00:47:56but I still want that cup of coffee.
00:47:57Clinton.
00:47:58Yes, sir.
00:48:00See that she makes it this time.
00:48:01She won't make it for me, sir.
00:48:03I make it.
00:48:06Is that true?
00:48:08Yes.
00:48:08But, my dear Miss Lee, why on earth didn't you tell me?
00:48:11You are quite human, you know.
00:48:13The trouble is that people don't trust the police.
00:48:15I've known of dozens of cases where the police...
00:48:18Don't tell me the coffee.
00:48:26What?
00:48:26Only two cups?
00:48:27Oh, no, but I insist that...
00:48:28We don't want any, thank you.
00:48:29Oh, well, Clinton, will you join me in?
00:48:31I'd love it, sir.
00:48:32Oh, and a real Swedish cake.
00:48:34How delicious.
00:48:36I oughtn't, but I really must.
00:48:38All right, Clinton, I'll go.
00:48:45Oh, hello, morning old chap.
00:48:47You come in just in time.
00:48:49Excuse me.
00:48:51Sure.
00:48:52I'm afraid I've beaten you to it.
00:48:57Oh, that's the most amazing thing.
00:48:59Look who's here.
00:49:01We were just talking about you.
00:49:03Just having some coffee.
00:49:05Won't you join us?
00:49:07No?
00:49:08Well, do sit down, everybody.
00:49:11Oh, I see.
00:49:12Morning, I can see that you're at a loss.
00:49:14You're wondering why I'm here.
00:49:15Well, we've had the most interesting little chat.
00:49:17You know, women are the most extraordinary difficult people to understand.
00:49:21Uncertain, coy, and hard to please.
00:49:23Sugar, sir.
00:49:24One, please.
00:49:25What are you doing here?
00:49:27Oh, purely social.
00:49:28As a matter of fact, I wanted to invite these charming ladies
00:49:29to the concert on Wednesday, the Metropolitan Police Follies.
00:49:33I'm the producer.
00:49:34Could I interest you in a ticket?
00:49:35No, you couldn't.
00:49:36Oh, no, of course.
00:49:37You may be detained elsewhere.
00:49:40Well?
00:49:44Skol.
00:49:51So the Swedes make coffee with Epsom salts.
00:49:54Well, under the circumstances, we'd better be running along.
00:49:58No, no, no, please don't get up, anybody.
00:50:00I expect you two won't have a chat together.
00:50:03I'll be seeing you quite soon.
00:50:04Come along, Clinton.
00:50:24Well, I know where I am now.
00:50:27You and Doyce must have thought I was a fool.
00:50:30Phil, let me explain.
00:50:31I had hoped that you'd come to your senses.
00:50:34Oh, I know I've been a fool, but these things just happen,
00:50:37and all the time they don't mean anything.
00:50:42We love each other, Phil.
00:50:44Can't we forget it ever happened?
00:50:46It's a bit late for that now, isn't it?
00:50:48Late?
00:50:49Doyce is dead.
00:50:50But I don't understand you.
00:50:52No, you wouldn't.
00:50:57Phil, you've got to listen to me.
00:50:59We used to be so happy together.
00:51:02We could be again.
00:51:03I'm sorry, Gwen.
00:51:04I'm through.
00:51:05But, darling, I promise you, everything's all right, pal.
00:51:08Please, Phil, listen to me.
00:51:16What's happened?
00:51:20Gwen, come, sit down.
00:51:27You.
00:51:28You.
00:51:29That's what you wanted, wasn't it?
00:51:31You're in love with him.
00:51:32You turned him against me.
00:51:35Gwen, you're mad.
00:51:38I've never seen you like this.
00:51:40He thinks he's finished with me, doesn't he?
00:51:43Well, I haven't finished with him.
00:51:46I could put Phil in such a tough spot if I wanted to.
00:51:50They think he did it, don't they?
00:51:54Well, supposing he did.
00:51:56Supposing they're not so far wrong.
00:51:58What do you mean?
00:52:01Gwen!
00:52:02He hated Jack.
00:52:04I'm so jealous of him.
00:52:08You've had the most awful rows with him.
00:52:11They don't know about that, do they?
00:52:14Well, supposing I tell them.
00:52:17He didn't.
00:52:18You couldn't.
00:52:21Couldn't I?
00:52:33Phil!
00:52:34Phil!
00:52:36He's not here, I'm afraid.
00:52:38But if you have a message for him, I'm sure to be seeing him.
00:52:41No, thank you.
00:52:44Only too glad, you know.
00:52:48Clinton.
00:52:50Things are beginning to hum.
00:52:53You will pardon my saying so, sir, but do you think we shall let him get away?
00:52:56Yes.
00:52:57Neither of them are ready to talk yet.
00:52:58When they are, we'll be waiting for them.
00:53:00I see.
00:53:01You don't, but you will.
00:53:02Yes, sir.
00:53:02Well, what do we do now, sir?
00:53:03Well, first to call to the yard.
00:53:05I want Monning trailed.
00:53:06I want to know absolutely everything he does.
00:53:10Clinton, we're like cabinet ministers in a crisis.
00:53:12We're going barking up another gum tree.
00:53:27Sorry, miss.
00:53:46You've been the deuce of a time, Clinton.
00:53:48Well, I had to get in quietly, sir.
00:53:50Yes, sir.
00:53:50You're all right.
00:53:52Oh, I like this.
00:53:54I was always fond of stinks.
00:53:57I hope you didn't do this, Clinton.
00:53:59Don't think so, sir.
00:54:02Do you suppose it's quite all right, sir, breaking in here without a warrant, sir?
00:54:06Oh, yes.
00:54:07It's a heaven sent chance.
00:54:09We can have a good look around in peace and quiet.
00:54:14You know, everybody has two sides to their nature.
00:54:17For instance, who'd have thought...
00:54:20Who'd have thought that a clown like Setchley...
00:54:23Who'd have thought that...
00:54:25Don't take any notice of me, sir.
00:54:27Thank you very much.
00:54:29What I was going to say was,
00:54:30Who'd have thought that a clown like Setchley could have a place like this?
00:54:34However, that's the policeman's life, isn't it?
00:54:36Seeing what a fella looks like on the other side.
00:54:40Sometimes it's not a very pleasant sight.
00:54:42No, sir.
00:54:47Ah!
00:54:47What's the matter?
00:54:50A f...
00:54:52A frog?
00:54:55Why a frog?
00:54:56Come on, let's get it.
00:54:58Got it straight to the right of it.
00:54:59Got it!
00:54:59Don't get your dead hands on it.
00:55:01Get out with all heart-stalkings.
00:55:03Don't do anything.
00:55:04Slowly, does it.
00:55:07Genky.
00:55:10Got him!
00:55:15There.
00:55:16Visitors.
00:55:17Better open the door, then, Clinton.
00:55:19Here, Freddie, go in there.
00:55:21And stay put.
00:55:32Hold you, Mr. Rayle.
00:55:48Hello, Inspector.
00:55:49What are you doing down here?
00:55:50Well, I might ask you the same thing, Rayle.
00:55:52Well, I think Setchley was a bit upset about that ragging today.
00:55:54I just came down to tell him there was no ill feeling.
00:55:58What's that?
00:55:58Oh, that's just Freddie.
00:55:59Nobody you'd know.
00:56:00Hmm.
00:56:03You, um...
00:56:03You come here often?
00:56:04Yes, off and on.
00:56:05We've known each other a long time.
00:56:08Isn't this a bit against regulations, Inspector?
00:56:11Only slightly.
00:56:13I wanted to have a talk with you, Rayle.
00:56:15I'm glad of this opportunity.
00:56:16I was wondering when you'd get round to it.
00:56:18You know I hated Doyce, don't you?
00:56:20I did imagine something of the sort, yes.
00:56:24No doubt you thought I resented his taking my place in the team.
00:56:26Well, I did.
00:56:28But Doyce was a better player than I, and we wanted to win.
00:56:30And I'll tell you something else, Inspector.
00:56:34Doyce deserved to die.
00:56:35He was rotten through and through.
00:56:39Whoever did it, did an executioner's job.
00:56:42Why?
00:56:43You didn't know Doyce.
00:56:45He only wanted what other people already had.
00:56:48Gwen Lee, for instance.
00:56:50You knew that she and Doyce...
00:56:51No, she didn't say a word.
00:56:53I merely guessed.
00:56:55Moring's a good sort, Inspector.
00:56:58I watched Doyce play his filthy game.
00:57:01He only did it to show his power over women.
00:57:05It gave him some sort of distorted pleasure to take Gwen away from Phil.
00:57:10He ruined two lives.
00:57:12He deserved to die.
00:57:16But I don't think you'll ever find out who did it.
00:57:19Oh, why?
00:57:20Well, you're up against team loyalty.
00:57:23It's not business, something you don't often meet.
00:57:25You knew Setchley well, and you were a friend of Moring's.
00:57:28Didn't you know? We used to play together.
00:57:31It was a team called Sax and Rovers.
00:57:33And Doyce played in it too.
00:57:37Yes?
00:57:38Quiet.
00:57:40Is that Freddy again?
00:57:41Yes.
00:57:44It's Setchley.
00:57:53Hello, Setchley.
00:57:54Oh, what, sir?
00:57:55I hope you don't mind.
00:57:56We just dropped in.
00:57:57At least, um...
00:57:59Clinton did.
00:58:01Well, what do you want?
00:58:03Oh, nothing much.
00:58:03We just want to see the sort of place you worked in.
00:58:06Microchemistry, isn't it?
00:58:07Yes, I do analysis for various firms.
00:58:09Quite a paying job, I believe.
00:58:11Not bad. I get along.
00:58:12With the money Doyce gave you?
00:58:15Who told you that?
00:58:16Freddy did.
00:58:18He told me you were carrying out research in alkaloids.
00:58:21There's money in that, isn't there?
00:58:29Where is it, Setchley?
00:58:31I don't know what you're talking about.
00:58:33Now?
00:58:34You have to know a bit of everything in my job.
00:58:36This thing measures the heartbeats of frogs, doesn't it?
00:58:39You don't need vivisection for microchemistry.
00:58:42You've got Doyce to back you.
00:58:44Maybe he persuaded Kindler to put him in the team for the big match.
00:58:47You knew Doyce wanted that.
00:58:49You told him there was a fortune in this research.
00:58:51He gave you money.
00:58:52Clinton, you've got the figures.
00:58:53Yes, sir.
00:58:57February 24th, S, 120 pounds.
00:59:00April 19th, S, 17...
00:59:02Never mind the rest.
00:59:03The gram totals 875 pounds.
00:59:05Perhaps Doyce was getting worried about his money.
00:59:08Wondering how long it'd be before he'd see a return.
00:59:10He had nothing to worry about.
00:59:12Well, I knew I could do it.
00:59:14And you did.
00:59:15You produced a new drug that nobody's heard of yet.
00:59:18That's baffled the police analysts.
00:59:21Well, Setchley, where is it?
00:59:29It's gone.
00:59:30I've made a sample. Digital and six.
00:59:33It's deadly stuff.
00:59:34You're telling me.
00:59:35Don't be a fool, Dick.
00:59:36Can't you see what he's trying to do?
00:59:38Anyone might have taken it, Inspector.
00:59:40Most of the Trojan team have been down here at one time or another.
00:59:43Team loyalty, eh, Rayl?
00:59:45Now, listen, Setchley.
00:59:46You owe Doyce money.
00:59:47You're onto something worth a fortune that Doyce would have shared.
00:59:50Doyce was killed by a new and deadly poison.
00:59:54Your Digitarian six is missing from your laboratory.
00:59:58Well, you're an intelligent fellow.
00:59:59There's no need for me to tell you of the spot you're in.
01:00:02Your only way out is to find it, Setchley.
01:00:04And find it quick!
01:00:12I told you it'd be Setchley, sir.
01:00:14Setchley, my foot.
01:00:15Has anybody reported Mulling's movement yet?
01:00:19Oh.
01:00:22There he is!
01:00:24There he is!
01:00:29Mr. Philip!
01:00:31Mr. Philip!
01:00:33Mr. Philip!
01:00:33Come on down.
01:00:34The young lady's here to see you.
01:00:37Oh, Gwen.
01:00:39Good old, what are you doing here?
01:00:41Here.
01:00:42Oh, Budge, be an angel and clear out for a moment.
01:00:44I'll go along with you.
01:00:50Is it about Gwen?
01:00:52Yes, but...
01:00:53Oh, can't we forget about her, Inga?
01:00:55Oh, please, Phil.
01:00:57When you went, she was saying such...
01:01:00such horrible things.
01:01:02Phil, I was frightened.
01:01:04What did she say?
01:01:05She said that you had quarrels with Jack Doyce.
01:01:09And if the police knew...
01:01:11Go on.
01:01:12If they knew,
01:01:14then they think you killed Doyce.
01:01:15Do you believe that, Inga?
01:01:17No, Phil, no.
01:01:21Please, Phil.
01:01:22Don't you see?
01:01:23You are in danger.
01:01:26Yes, you are.
01:01:27He's a very clever man, that Inspector Slade.
01:01:31He's making trouble, so Gwen should tell him everything.
01:01:34He'll think you did it.
01:01:35But, Inga, what can I do?
01:01:37Please come and talk with her.
01:01:39It's crazy to think that I killed Jack.
01:01:41It's fantastic.
01:01:47What's the matter?
01:01:48Oh, nothing.
01:01:53I go.
01:01:54You're not going back there.
01:01:56Well, I have nowhere else to go.
01:01:58Wait a minute.
01:02:03Budge?
01:02:03Oh, Budge?
01:02:04Yes, dear?
01:02:06Budge, can Miss Larson spend the night here?
01:02:08She's got nowhere else to go.
01:02:10Oh, never mind, darling.
01:02:12Come on.
01:02:12You can sleep in me own room.
01:02:14Oh, good old Budge.
01:02:15I shan't be lying.
01:02:16I'm going to put away the car.
01:02:21Inspector Slade's office.
01:02:23It's Thompson, sir.
01:02:24He was trailing Morring.
01:02:25What?
01:02:26Morring slipped his trail, sir.
01:02:28Give me that.
01:02:30You clumsy, blithering idiot.
01:02:33I suppose you were making out your expense list.
01:02:36Well, how long has he been lost?
01:02:38Well, find him!
01:02:41Morring's been lost for an hour.
01:02:43We've got to find him.
01:02:44We've got to bring in Gwen Lee.
01:02:45Come on.
01:03:02What the devil do you think you're doing?
01:03:04Waking all the place up.
01:03:05Police!
01:03:09No answer, sir.
01:03:11All right, break it in.
01:03:24No one here, sir?
01:03:26No.
01:03:27No.
01:03:46¡Gracias!
01:04:00Digitale in six, sir.
01:04:06There's no need to look any further, Clinton.
01:04:09We've come full circle.
01:04:12Oh, God, it's suicide, sir.
01:04:14Not on your life.
01:04:25Dice.
01:04:29Dice.
01:04:32She must have been in a hurry when she took these.
01:04:34Mostly bills.
01:04:36What's this?
01:04:41The body was found lying floating in the East Foss.
01:04:46That's all there is.
01:04:50Sounds like Thompson, sir.
01:04:56Oh, nice work, Thompson.
01:04:58Never mind the alibi.
01:04:59I'll put you in the chorus on Wednesday.
01:05:01He's back now, sir.
01:05:02I bet he is.
01:05:03He returned to his house ten minutes ago.
01:05:05That Swedish girl's staying there, too.
01:05:07Shall I have him brought in?
01:05:08No, we'll leave him till tomorrow.
01:05:10Very good, sir.
01:05:12Well, Clinton, at least we know why Gwen Lee was murdered.
01:05:16Because she knew who really killed Dice.
01:05:19She heard him quarrel with Dice on Saturday morning.
01:05:21And the murderer knew that for the first time at the golf club.
01:05:25Then it was Moring, sir.
01:05:27Moring must have quarreled with Gwen Lee after we left here this morning.
01:05:30And tonight, the Larson girl went to warn Moring that Gwen Lee was threatening to talk.
01:05:35It's a desperate job, Clinton.
01:05:37Two murders in two days.
01:06:00Of course, Mr Whitaker.
01:06:01Someone from the king and him took a dollar for himself was threatening to work.
01:06:04Di bending the drawing, he's dead on Friday floor cinema.
01:06:08Good morning, Mr Whitaker.
01:06:12Morning, Sergeant.
01:06:13Whererière John Marling?.
01:06:15In the shooting box.
01:06:17Where is that?
01:06:18Over there.
01:06:20Face.
01:06:32¡Suscríbete al canal!
01:06:43¡Suscríbete al canal!
01:06:44¡Suscríbete al canal!
01:06:45¡Pil!
01:06:46¡Pil, no te voy a venir aquí!
01:06:48¡Un momento!
01:06:59¡Un momento!
01:07:01¡Un momento!
01:07:07¡No!
01:07:14¡Rafónimo!
01:07:16¡Lo ha!
01:07:17Lo que fue lo que fue con el hombre que fue conmigo.
01:07:21¿Qué pasó last night?
01:07:23Gwenn Lee fue encontrado a la muerte.
01:07:33¿Gwenn? ¿Ded?
01:07:35No me mató, Slade.
01:07:37Quiero decirlo.
01:07:38Me dijo que era infortunado.
01:07:39Tu travesse contra Doyce.
01:07:42Tu travesse con tu fiancée.
01:07:44Y ella no duró mucho tiempo.
01:07:45No, no, no.
01:07:46Y no, no, no.
01:07:49Tienes que ver, Clinton.
01:07:50Highly incriminating, sir.
01:07:52Phil did not do it.
01:07:53Please, he did not.
01:07:55It was all my fault.
01:07:57I was frightened and I went to him and...
01:08:01Oh, Phil.
01:08:03Clinton, better take Miss Larson to a taxi.
01:08:06Very good, sir.
01:08:16Well, what are you going to do? Arrest me?
01:08:18I could, but I won't.
01:08:20No, I ain't going to let you play tomorrow.
01:08:22Fine, then I'll start picking out my next victim.
01:08:25No, I'll risk that.
01:08:27I know exactly how you feel.
01:08:29I got a show of my own coming off tomorrow.
01:08:31I should hate to miss it.
01:08:32What?
01:08:33Great Scott, you're almost a human being, Inspector.
01:08:35Oh, thank you.
01:08:38Have you ever seen that before?
01:08:39Looks like one of our team notices.
01:08:41Kindlet sends them out.
01:08:43Yes, that's his typewriter, the R jumps.
01:08:46You played for the Saxon Rovers at Weichester, didn't you?
01:08:48Yes.
01:08:50What's that got to do with it?
01:08:51I thought perhaps you knew.
01:08:58Look here, Inspector.
01:08:59Is this true about Gwynn Lee?
01:09:03It's terrible.
01:09:04Morning.
01:09:05You'd better get have a rub down.
01:09:07Yes, off you go, Philip. Practice is over now.
01:09:09We don't want to have you catching cold.
01:09:11Don't worry, Inspector. I shan't let you down.
01:09:13Come on, Frank.
01:09:18I've sent her home, sir.
01:09:20Oh, thanks.
01:09:22We know there were four men at Weichester.
01:09:24One was murdered and then there were three.
01:09:26I wonder if there was a fifth.
01:09:30Clinton, quick.
01:09:32Where's that match program for last Saturday?
01:09:36There it is, sir.
01:09:41It's been under our noses all this time while we've been barking up gum trees.
01:09:45Here we are.
01:09:47Mr. Francis Kindlett, the secretary of the Trojans, Mr. Francis...
01:09:50... of the Canadians.
01:09:52Kindlett also founded the well-known Saxon Rovers at Weichester in 1930.
01:09:57Did you get it, Sergeant?
01:09:58No, sir.
01:09:58The fifth man.
01:09:59That fellow was right.
01:10:00What's his name?
01:10:00Rail.
01:10:01He said we were up against team loyalty.
01:10:06Clinton, do you remember anything about Roman history?
01:10:08What, sir?
01:10:09The Romans colonized England.
01:10:10They built camps.
01:10:12Castra, Chester, Weichester.
01:10:15They surrounded them with motes.
01:10:18Posse.
01:10:18Posse.
01:10:19That cutting, sir.
01:10:20The East Fosse.
01:10:21Now, Dois received this the Thursday before the match.
01:10:24I bet every hat in my wardrobe which is sent as a warning.
01:10:27Get on to the Weichester police.
01:10:28Find out of that cutting is from a local paper.
01:10:30Get the details.
01:10:31We're getting nearer the motive.
01:10:32Hello?
01:10:34Revenge.
01:10:35Hello.
01:10:36Weichester police speaking.
01:10:38Right.
01:11:03The body was found lying floating in the East Fosse.
01:11:23At seven o'clock in the morning.
01:11:25I saw her in the East Fosse on my way to work.
01:11:28Directly eye to look, I knew it was Mary Kindlet.
01:11:30I couldn't have made any mistake, sir, because I passed quite close to the body.
01:11:34And I've often seen the young lady of her.
01:11:35Death was due to drowning.
01:11:38The dead girl had been in the fosse for several hours.
01:11:42Yes, I tried to cheer her up.
01:11:44That's why I took her to the dance.
01:11:46But she seemed very depressed,
01:11:48and about halfway through I found that she'd left.
01:11:52Later I heard that her body had been found.
01:11:55I found a ring on her dressing table.
01:11:58There was a chain attached to it,
01:12:00and I guess that she wore it round her neck.
01:12:03Her mother had just died,
01:12:05and Mary knew that if she got married,
01:12:08I should be left alone.
01:12:10I think she wanted to keep it secret for the time being.
01:12:17There are many unsatisfactory features in this case.
01:12:20Why has the fiancé not come forward?
01:12:23Now, before giving their verdict,
01:12:25members of the jury must ask themselves,
01:12:27are they satisfied with the evidence?
01:12:29And the verdict? Accidental death.
01:12:31Then the gossips get to work. Suicide.
01:12:34Kindlet can't stand it.
01:12:35He leaves the place.
01:12:35He did it, sir.
01:12:36Deutsch drove the girl to suicide.
01:12:37Kindlet got him into the team.
01:12:39He knew suspicion would rest on morning rail and sedgeley
01:12:41because they all had motives.
01:12:42And then team loyalty would keep the story quiet.
01:12:44It was all set for him, sir.
01:12:45Kindlet's your man.
01:12:47Can you see a Mr. Kindlet, sir?
01:12:49Wouldn't it be funny if Mr. Kindlet called?
01:12:53Show him in.
01:12:54Coming, sir.
01:12:57Oh, hello, Kindlet.
01:12:58Glad to see you.
01:12:59Come on, Slade.
01:13:00Look here, Slade.
01:13:01There's something I've got to tell you.
01:13:02I care quite about it up to now,
01:13:03but since poor Gwen leaves...
01:13:05Was it about this?
01:13:07Oh.
01:13:08Oh, you know already.
01:13:10You'd better have a drink.
01:13:11What here, sir?
01:13:12Oh, I think so, Clinton.
01:13:14Purely medicinally, of course.
01:13:16Get some glasses, will you?
01:13:24Help yourself, Sergeant.
01:13:26Thank you, sir.
01:13:32Now, listen, Kindlet.
01:13:34You yourself say that you now hold Doyce responsible for your daughter's death,
01:13:38and yet you put him in the Trojan team for the Arsenal match.
01:13:40Well, I love football.
01:13:41It's my whole life.
01:13:42He was a brilliant player and the team needed Doyce.
01:13:44Does that make sense?
01:13:45Perhaps, but I'm only a policeman.
01:13:47What about the others?
01:13:48There were three Trojans in the old Saxon Rovers, apart from Doyce.
01:13:52Was your daughter particularly fond of anyone?
01:13:54The whole team adored her.
01:13:55Morring, Setchley and Rayl included.
01:13:57What do you mean?
01:13:58You said something in your evidence about a ring.
01:14:00Yes, on her dressing table.
01:14:01But your daughter didn't tell you that she was engaged.
01:14:04Oh, no, but...
01:14:04Then you can't be certain.
01:14:06You were the only person to see this ring, Kindlet.
01:14:09Are you quite sure that you didn't mistake it for something else?
01:14:13Well, I suppose it's possible.
01:14:14It was such a long time ago.
01:14:16I really don't know.
01:14:17Are you quite sure that this ring existed?
01:14:19But, sir, what are you getting at, Slade?
01:14:21This.
01:14:22The only reason we have for believing in the existence of the fiancée
01:14:24is your evidence about the ring.
01:14:28Give me another ring, Clinton.
01:14:30Yes, sir.
01:14:31One last question, Kindlet.
01:14:32We policemen sometimes have rotten jobs.
01:14:35We get to like people instead of treating them as chessmen.
01:14:38I want you to help me.
01:14:40Do you know who killed John Doyce?
01:14:43I've told you all I can, Slade.
01:14:45Tomorrow's the deadline.
01:14:46I shall have all the proof I need for an arrest after the match.
01:14:56But why the fishing hat?
01:14:58This is the hat I make my arrests in.
01:15:01All set, sir.
01:15:02Oh, let's go.
01:15:03Oh, George.
01:15:04Don't forget to do your stuff.
01:15:07Hello?
01:15:08That's for you, Inspector.
01:15:09Thank you.
01:15:11Hello?
01:15:13Yes?
01:15:15What?
01:15:17Good heavens!
01:15:19All right, over there.
01:15:20Goodbye.
01:15:22You may not know it, but this is going to be your big day, Sergeant.
01:15:27Look here, you fellows.
01:15:28Try and forget what happened, if you can.
01:15:30Play your usual game, but remember today we're not playing to beat the Arsenal or anything of that sort.
01:15:36Or to break a record.
01:15:38We're just playing to show that, well, whatever happens, the game still goes on, do you see?
01:15:43That's all.
01:15:44I know you'll all do your best.
01:15:45Oh, hello, George.
01:15:46I'll show up.
01:15:47Good luck.
01:15:47Oh, thanks.
01:15:48Good afternoon, Trojans.
01:15:53Oh.
01:15:54It's that man again.
01:15:56For the last time, I hope.
01:15:59Well, this business isn't cleared up yet, and maybe it never will be.
01:16:02All I want feelings about...
01:16:03Oh, Inspector, may we have the treatment room open?
01:16:06We always have to have them matched as you know.
01:16:08Yes, of course.
01:16:09No use to us.
01:16:10Thank you very much.
01:16:11Thank you.
01:16:18Come on, boys.
01:16:19It's time of your honor.
01:16:19Now, don't let them rush you at the beginning.
01:16:20Just play your usual game, and you'll be all right.
01:16:22Let's get stuck in.
01:16:25Coming, Frank?
01:16:27Yes.
01:16:39Oh, Clinton.
01:16:40Get the bow down.
01:16:41Very good, sir.
01:17:03Just a little trap, Clinton, to catch our murderer red-handed.
01:17:08Just let him try and get his ring back now without giving himself away.
01:17:20Put that away, please.
01:17:29What is that stuff, sir?
01:17:31Romophenol.
01:17:32What's it for?
01:17:33Take a glove off.
01:17:36We'll soon find out.
01:17:38And now, Sergeant, I want you to go to the trainer's box.
01:17:40I'll join you there in a minute.
01:17:41Very good, sir.
01:18:02Sergeant, sir.
01:18:03Thank you.
01:18:13Thank you.
01:18:16Thank you.
01:18:33Oh, good, sir.
01:18:37Thank you.
01:18:38You've done your program, miss.
01:18:39Here.
01:18:40Have mine.
01:18:43Oh, my God!
01:18:49Oh, my God!
01:18:51Yes, sir.
01:18:56Oh!
01:18:57Come on, Charles!
01:18:57Oh, my God!
01:18:59No, I've got a bridge!
01:18:59Come on, Charles!
01:19:00Oh, my God!
01:19:01Oh, my God!
01:19:22¡Suscríbete al canal!
01:19:33¡Suscríbete al canal!
01:19:41¡Suscríbete al canal!
01:20:00¡Suscríbete al canal!
01:20:06¡Suscríbete al canal!
01:20:37¡Suscríbete al canal!
01:20:38¡Suscríbete al canal!
01:20:43¡Suscríbete al canal!
01:21:10¡Suscríbete al canal!
01:21:13¡Suscríbete al canal!
01:21:15¡Suscríbete al canal!
01:21:16¡Suscríbete al canal!
01:21:17¡Suscríbete al canal!
01:21:18¡Suscríbete al canal!
01:21:36¡Suscríbete al canal!
01:21:46¡Suscríbete al canal!
01:21:49¡Suscríbete al canal!
01:21:51¡Suscríbete al canal!
01:21:54¡Suscríbete al canal!
01:21:58¡Suscríbete al canal!
01:22:09¡Suscríbete al canal!
01:22:12¡Suscríbete al canal!
01:22:22¡Suscríbete al canal!
01:22:43¡Suscríbete al canal!
01:22:46¡Suscríbete al canal!
01:22:48¡Suscríbete al canal!
01:22:53¡Suscríbete al canal!
01:22:55¡Suscríbete al canal!
01:23:05¡Suscríbete al canal!
01:23:07¡Suscríbete al canal!
01:23:08¡Suscríbete al canal!
01:23:09¡Suscríbete al canal!
01:23:11¡Suscríbete al canal!
01:23:13¡Suscríbete al canal!
01:23:14¡Suscríbete al canal!
01:23:15¡Suscríbete al canal!
01:23:16¡Suscríbete al canal!
01:23:18¡Suscríbete al canal!
01:23:19¡Suscríbete al canal!
01:23:34¡Gracias!
01:23:49¡Gracias!
01:24:25¡Gracias!
01:24:25Take it easy, Lale.
01:24:27I understand.
01:24:32Oh, good man, Clinton.
01:24:34I knew you could do it.
01:24:36Well, of course it was Lale.
01:24:37He was Mary Kindle's fiascée.
01:24:39He killed Deyce for driving Mary Kindle to suicide.
01:24:42And he killed Gwen Lee to stop her from talking.
01:24:45Yes, sir.
01:24:46I see, sir.
01:24:47Oh, and Clinton.
01:24:48Gracias por ver el video.
01:24:52Gracias por ver el video.
01:24:53¿Cómo sabía?
01:24:54¡Elementary, mi querido Watson!
01:24:56¡Arsen! ¡Vamos a ver el show!
01:24:58¡Bordero!
01:24:59¡Promps!
01:25:01¡Vamos a ver el show!
01:25:39Gracias por ver el video.
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