- 6 hours ago
Bridgerton - Episode 8
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00:00:10¡Suscríbete al canal!
00:00:36¡Suscríbete al canal!
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00:06:02¡Suscríbete al canal!
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00:06:05¡Suscríbete al canal!
00:06:09¡Suscríbete al canal!
00:06:09Gracias.
00:06:39The Duke is choosing to nurture some grudge against his father
00:06:44instead of allowing himself any... any kind of happiness.
00:06:48However am I supposed to forgive that?
00:06:51However are we supposed to move forward from there?
00:06:55Grace.
00:06:58I do hope you're finding everything you need for Friday's pool.
00:07:02It will certainly be the event of the season.
00:07:06Of course, my young ladies will have to hear about the wondrous festivities the next day.
00:07:12Seeing how they did not receive an invitation.
00:07:16Prudence, in particular, is in tears about it.
00:07:18Is she not, Mrs Varley?
00:07:21Oh, absolute worship, not that one.
00:07:24Then perhaps you might explain to your young ladies, Lady Featherington,
00:07:27how they ended up in such an unfortunate situation and who exactly put them there.
00:07:31Or perhaps we can make room.
00:07:35I certainly would have no problem extending my invitation,
00:07:39as I am sure all of us would like to forgive the errors of the past and move forward.
00:07:44Yes, ma'am?
00:07:47That is what you wish.
00:07:49How long?
00:07:51Apologies, ma'am.
00:07:52But it seems a carriage has arrived back at the house.
00:07:55A Mr Crane is there.
00:07:58I beg your pardon, but did you say Crane?
00:08:02Would that be a Sir George Crane?
00:08:09Miss Crane, how delightful to make your acquaintance.
00:08:12I had no idea soldiers such as yourself was coming to town.
00:08:16And, well, Miss Thompson has not received any correspondence from you in quite some time.
00:08:22Nor would I have expected her to, my lady.
00:08:25I beg your pardon?
00:08:26That man is not who you believe him to be, Lady Featherington.
00:08:29It is not George, but his brother, Sir Philip.
00:08:35I have come bearing grim news today.
00:08:39My brother George died on the battlefield
00:08:45several weeks ago.
00:08:47And, er...
00:08:49Marina.
00:08:51Marina, please, wait.
00:08:56He was writing to me.
00:08:59George.
00:09:01To tell me he loved me.
00:09:05To tell me we could run away together
00:09:07and marry
00:09:08and have our child.
00:09:13Sir Philip found this half-written letter
00:09:15amongst George's belongings after he, um...
00:09:22If it were not for your
00:09:23recent inquiries,
00:09:26Sir Philip never would have known
00:09:27I was here.
00:09:29And I never would have known George.
00:09:33He loved me.
00:09:37All this time, he loved me.
00:09:43I thought him a villain
00:09:45when he was not.
00:09:53He had a perfectly reasonable explanation
00:09:56for not writing back to me.
00:10:03And I was wrong.
00:10:21Rizé-Louis,
00:10:23you should come back another day
00:10:24when the shop is open.
00:10:25Oh, I had hoped you'd make an exception
00:10:27for me.
00:10:28I need a dress
00:10:29for my sister's ball.
00:10:32You already have a dress
00:10:33for your sister's ball.
00:10:34I need another one.
00:10:35A young lady can never have
00:10:37too many dresses.
00:10:43Oh, perhaps this one
00:10:45would make me look
00:10:46quite in fashion.
00:10:47The eyes of the Featheringtons,
00:10:49I rather think.
00:10:50Unfortunate young ladies.
00:10:51They are still quite stung
00:10:52from Lady Whistledown's
00:10:53recent exposé.
00:10:55How I wish the author
00:10:56would write something
00:10:57flattering about them.
00:10:58Perhaps she will.
00:11:00What makes you say that?
00:11:01Because she knows
00:11:02what is good for her business
00:11:04and angering loyal customers
00:11:07is not good.
00:11:09No.
00:11:10No, it is not.
00:11:12Whether those loyal customers
00:11:14be Featheringtons
00:11:15or Bridgertons, even.
00:11:18Lady Whistledown might wish
00:11:19to examine what she writes
00:11:20about both.
00:11:21Indeed.
00:11:24I have heard people say
00:11:26that men, such as my brother,
00:11:28if you will,
00:11:29can withstand
00:11:30rumour and gossip.
00:11:32But
00:11:34I'm not always so sure.
00:11:37I know where you are here,
00:11:39Miss Eloise.
00:11:41You're very smart
00:11:42and you care very much
00:11:44about the people in your life
00:11:45as you should.
00:11:47But you must know
00:11:48I have no intention
00:11:51of compromising
00:11:52anyone.
00:11:56That is good.
00:11:58Because the Queen
00:11:59is enraged.
00:12:00So whoever
00:12:01Whistledown is
00:12:01should be careful.
00:12:03I would hate
00:12:04her to be silenced
00:12:05before she has a chance
00:12:06to change her ways
00:12:07and make things right.
00:12:08I believe
00:12:09Whistledown
00:12:10is smart enough
00:12:11to take care
00:12:11of herself.
00:12:13Yes.
00:12:14She certainly is.
00:12:17Charming
00:12:17chatting with you,
00:12:18Madame Delacroix.
00:12:20Thank you.
00:12:24Lock
00:12:25the door.
00:12:28Lock
00:12:28the door.
00:12:31Lock
00:12:32the door.
00:12:32Lock
00:12:32the door.
00:12:33Lock
00:12:35Lock
00:12:35the door.
00:12:36Lock
00:12:36the door.
00:12:37Lock
00:12:39Lock
00:12:39the door.
00:12:49Lock
00:12:54the door.
00:12:54Lock
00:12:55the door.
00:12:56Lock
00:12:56the door.
00:12:58Lock
00:12:58the door.
00:13:02Lock
00:13:02the door.
00:13:03Lock
00:13:03the door.
00:13:03Lock
00:13:03the door.
00:13:04Lock
00:13:05the door.
00:13:05Lock
00:13:05the door.
00:13:06Lock
00:13:06the door.
00:13:06the door.
00:13:07Lock
00:13:07Lock
00:13:07Yo, Grace.
00:13:08Yo, Grace.
00:13:11Heading to Will's boxing match.
00:13:13Will he be accompanying me?
00:13:15No. I have much to do for the ball.
00:13:18But of course you should go and express your support.
00:13:24Simon.
00:13:28What did your father do to make you take that vow in the first place?
00:13:33We do not need to have this conversation.
00:13:35Do I not deserve an explanation, as your wife?
00:13:38I deserve more than that, indeed.
00:13:44You may not understand this now, but Daphne, you must know.
00:13:47I am doing this for your own good.
00:13:50I can decide for myself what is...
00:13:51You would be better off without me.
00:14:09I am going to win!
00:14:31¡Vamos a win!
00:14:32¡1-2 en favor de la vida!
00:14:34¡Vamos a win!
00:14:38¡Vamos a win!
00:14:38¡Win este fight!
00:14:39¡And perhaps we leave this city!
00:14:41¡We can take our exhibitions all over England if we wish!
00:14:44¡To continue living fight to fight!
00:14:46¡We should be planning for our future, Alice!
00:14:49¡I cannot fight forever!
00:14:51¡Our circumstances solely dependen
00:14:53on how well I can pander
00:14:54and grovel to the max of...
00:14:56¡Them!
00:14:59¡Will, what are you saying?
00:15:01¡Perhaps we lose!
00:15:05¡Perhaps that purse will be enough to keep us happy!
00:15:24¡Thank you for meeting me!
00:15:26¡Always interested in a good fight!
00:15:28¡Why did you want us here?
00:15:29I want to place a sizable wager on this match
00:15:32and I'm told you two can manage serious transactions
00:15:38my money's on the beast
00:15:40with Mondric heavily favored
00:15:42there's only one reason a flash cold lord
00:15:44would come to us for such a bit
00:15:46anyone who knows you
00:15:47must know your word
00:15:49is worthless
00:15:52you don't need to take my word
00:15:55instead
00:15:58you can take the deed to my house
00:16:00should I use it's yours
00:16:03I know him
00:16:04you don't need auju
00:16:06I know them
00:16:07but that's it
00:16:09we don't need a 쪽
00:16:10to the extent
00:16:10every time
00:16:11we don't take it
00:16:11you don't need a picture
00:16:12so we're fine
00:16:19I can't eah
00:16:19but that's who
00:16:24to the extent
00:16:24and keep moving
00:16:25because
00:16:25absolutely
00:16:25understanding
00:16:26not
00:16:26a Rep enable
00:16:26or
00:16:26not
00:16:26you
00:16:31because
00:16:31I'll
00:16:32I figured you'd have been here an hour ago.
00:16:34No, it would have been.
00:16:36As long as if you needed me here to wish you luck.
00:16:38You ready?
00:16:42As I shall ever be.
00:16:48Ladies and gentlemen, take your seats.
00:16:51The match is about to begin.
00:16:55Our credit at the mode East, it is still rather precarious.
00:17:01Yes, as in it is non-existent.
00:17:03Well, the young ladies will just have to wear something they've worn before.
00:17:07Before? Mama, I would rather not attend.
00:17:09Do you want to even wear a dress for before?
00:17:15I beg your pardon, my lady.
00:17:17But it seems my business here is not quite finished.
00:17:20I would very much like to speak to Miss Thompson.
00:17:24I have a question for her.
00:17:26Marry you?
00:17:29I do not understand.
00:17:31After my brother clearly took liberties with your virtue,
00:17:36I would merely be doing my duty.
00:17:42Respectful marriage.
00:17:43Miss Thompson.
00:17:45What a fine thing.
00:17:47Sir Philip inherited the Crane title.
00:17:49He has a perfectly adequate estate to support you
00:17:53and perhaps your distant cousins too.
00:17:56I cannot...
00:17:58I do not know this man.
00:18:00I do not love this man.
00:18:03I cannot marry this man.
00:18:11George cared for you very much, Miss Thompson.
00:18:14And that will never change.
00:18:16But he would have wanted you to be looked after.
00:18:19He would have wanted you to be supported.
00:18:22Allow me to realize my late brother's wishes.
00:18:32I thank you for your offer, Sir Philip,
00:18:35but I believe you should now take your leave.
00:18:40Very well.
00:18:43I wish you all the best, Miss Thompson.
00:18:59What have you done?
00:19:02That was a perfectly acceptable proposal.
00:19:07I am no longer with child, Lady Featherington.
00:19:10So it is neither necessary nor acceptable for me
00:19:13to participate in any more unwanted arrangements
00:19:15or disingenuous schemes.
00:19:17No.
00:19:21No.
00:19:32No.
00:19:34No.
00:19:36No.
00:19:38No.
00:20:04¡Gracias!
00:20:26¡Gracias!
00:21:08¡Gracias!
00:21:11¡Gracias!
00:21:47¡Gracias!
00:21:49¡Gracias!
00:21:49¡C um, ¡Gracias!
00:21:51¡C um, Sniper!
00:22:00¡Gracias!
00:22:14¡Suscríbete al canal!
00:22:41Your Grace
00:22:43Lady Danbury
00:22:45Did you forget we were to come and help with preparations for your mall?
00:22:49Your mamá is waiting in the parlour
00:22:51I shall be there momentarily
00:22:56Lady Danbury
00:22:59Did you know about these letters?
00:23:02The ones that Duke seems to have written to his father as a boy
00:23:06I did
00:23:08And now apparently so do you
00:23:10I had no idea
00:23:12That Simon had trouble speaking as a child
00:23:15What could you have done?
00:23:16He worked so very hard to eliminate the difficulty
00:23:20He was...
00:23:23Well, he was so very proud
00:23:24It is why he wrote those letters in the first place
00:23:26To keep his father informed of his progress
00:23:31So late Duke never even deigned to read them
00:23:35How could...
00:23:37What kind of father...
00:23:38One that not only expected but demanded perfection in his son
00:23:44And when that was not achieved
00:23:50Well...
00:23:50I shall leave it to you to imagine
00:23:55Simon cannot be any more different from a man such as that
00:23:58Of course
00:23:59We know that to be true, Your Grace
00:24:03You helped him
00:24:06Overcome his...
00:24:08Impediment
00:24:09I merely showed him what he was capable of all along
00:24:13And if he needed some encouragement
00:24:15A push from time to time
00:24:17That was something I was happy to provide
00:24:20But, at the end of the day
00:24:23The Duke's triumph was his and his alone
00:24:28It had to be
00:24:47It appears I could have used that luck of yours today
00:24:50Your Grace
00:24:51Indeed
00:24:53I think he still managed to put on quite a performance
00:25:01If you needed another investor or more money, Will
00:25:04You could have come to me
00:25:05I appreciate the offer, friend
00:25:06But I do not need your charity
00:25:09What happened to your honour?
00:25:10My honour
00:25:13Tell me, Your Grace
00:25:14Whatever could be more honourable
00:25:17Besides taking care of one's family
00:25:20Besides doing what needs to be done
00:25:22Is that what you hope to tell Alice?
00:25:23You truly believe she will come to understand your deceit?
00:25:26Perhaps you should stop worrying about my marriage
00:25:28And instead put your mind to your own
00:25:30And that is not what this is about
00:25:32Is it not?
00:25:32Because I'll be willing to wager your wife says differently
00:25:35Watch yourself
00:25:39You're angry
00:25:41But not with me
00:25:43So take it somewhere else
00:25:46And finally do something about it
00:26:01What is this?
00:26:02More importantly, how did you get it?
00:26:05I had an inside tip
00:26:06What kind of tip?
00:26:07Good kind
00:26:08But where did you get it?
00:26:09Does it matter?
00:26:09Portia, our problems are solved
00:26:11And this is only half the winnings
00:26:14Well, where's the other half?
00:26:16I used it to pay off my man
00:26:17No matter
00:26:18Because this is more than enough
00:26:25Farley!
00:26:27We're off to the modis
00:26:28Straight away in the morning
00:26:29The young ladies shall have new dresses
00:26:31After all
00:26:47I thought you enjoyed breakfast in the morning room
00:26:49I wish for different scenery today
00:26:53I can go if you would like
00:26:55No
00:26:56You've already begun
00:27:26I'm going to be with you
00:27:31Gracias.
00:27:57Gracias.
00:28:27Gracias.
00:28:27I do not share my food...
00:28:29You are not to do what you did the other morning ever again.
00:28:31Do you understand that, Louise?
00:28:33Ah, you mean visiting my new acquaintance with Dame Delacroix?
00:28:35She's not your...
00:28:35I was wrong about her, brother.
00:28:37She's wonderful. You have nothing to worry about.
00:28:38I was not worried about anything.
00:28:40Not worried about what?
00:28:44I...
00:28:46I have a friendship with Genevieve Delacroix.
00:28:52The...
00:28:54Modiste.
00:29:01Good for you, brother.
00:29:03You deserve contentment. We all do.
00:29:05If the lady contributes to that, then I'm happy for you.
00:29:07Your piano forte is quite interesting.
00:29:10Join me, brother.
00:29:11Yes, how do I not have a song?
00:29:13If I must.
00:29:14Whatever is in those candies.
00:29:15Let, let mother bound
00:29:18And let the catch and toast go round
00:29:21And then the catch
00:29:24And then the catch
00:29:25And then the catch
00:29:37And then the catch
00:29:38And then the catch
00:29:39And then the catch
00:29:39And then the catch
00:29:40And then the catch
00:29:40And then the catch
00:29:41And then the catch
00:29:41And then the catch
00:29:41And then the catch
00:29:43And then the catch
00:29:43And then the catch
00:29:44And then the catch
00:29:46And then the catch
00:29:49And then the catch
00:29:52And then the catch
00:29:53Y ella va a printar algo en su familia favor, Penn.
00:29:56Ella me dijo que.
00:29:57Bueno, eso es un gran esfuerzo para rellenar dos negocios.
00:30:00Ojalá que ambos aspira a ser como ella.
00:30:03Unmarried, earning su propio dinero.
00:30:04Mira, estoy feliz que encontré ella, pero no creo que nunca pueda ser así.
00:30:10¿No hay una duchess para una hermana?
00:30:12Que hace lograr la vida que desea todo el mejor.
00:30:15La historia de mi familia, o ever, es una historia completamente diferente
00:30:19que no estará cambiando en el futuro futuro.
00:30:21La historia de mi familia, ¿verdad?
00:30:54Y...
00:30:56Y...
00:30:57Y...
00:30:57¿Y do you realise it is only made of paper?
00:31:00¿Es it?
00:31:08Oh, astonishing, Madame de la Croix.
00:31:12Well, because you were able to pay in advance this time,
00:31:15and since I happen to have some fabrics no one else seemed to want.
00:31:19There are two others just like it, Lady Fezzerington.
00:31:23Mine will have to be taken in, of course.
00:31:25Mine's perfect.
00:31:27And mine is yellow.
00:31:28Is he, young ladies?
00:31:30Everything works out in the end.
00:31:32Oh, and Philippa,
00:31:33perhaps Mr Finch might even reconsider his proposal,
00:31:36now that, um, you have your dowry again.
00:31:40Again?
00:31:40Again?
00:31:41Well, did I lose it somewhere the first time?
00:31:58Miss Thompson?
00:32:00Miss Thompson?
00:32:01What is it?
00:32:04I believe I need a doctor.
00:32:07The final ball of any season
00:32:09is distinguished by one of two things,
00:32:12anticipation or dread.
00:32:45The final ball of any season
00:32:45Those who have been successful in the year's marriage market
00:32:48look forward to flaunting their perfect, joyous unions.
00:32:54Others shudder at the thought of spending one last night
00:32:59before the discerning eyes of the ton.
00:33:04As they know indeed just what the evening signifies,
00:33:09that their time is officially up.
00:33:15So does that mean...
00:33:16You truly believed a tea would rectify the situation, madam?
00:33:21As if that ever works.
00:33:25And yet, to those who may still find themselves
00:33:28out of both choices and hope,
00:33:31fear not.
00:33:32For who knows when and where
00:33:35one's fortunes may change.
00:33:36He was completely in his cups.
00:33:42I'd wait if the both of you were.
00:33:44Well, I would take her, but...
00:33:54Well, we must pass.
00:33:56I should prepare for my show.
00:33:58And you...
00:33:59Well, I believe there is a bull somewhere
00:34:03requiring your presence.
00:34:05The last one, yes?
00:34:06Of the season.
00:34:09Though, unfortunately,
00:34:11not the last of mine.
00:34:12Does that mean you'll dance tonight, my lord?
00:34:16Perhaps the cordial?
00:34:19Oh, do not tell me you shall find some young lady
00:34:22to lead in a waltz all evening.
00:34:23I shall not be anywhere near that dance floor.
00:34:29At least not if I have a say in it.
00:34:30No, whatever is the fun in the house.
00:34:41I shall come with me.
00:34:45Tonight.
00:34:48Sienna, I am a Viscount.
00:34:50My sister is now a Duchess,
00:34:52and the Duke, my brother-in-law.
00:34:55There is no-one that would dare say a thing.
00:34:58No, not to you.
00:35:01This is preposterous
00:35:04and fantastical.
00:35:07And you know it.
00:35:08I want you there by my side.
00:35:14Come with me.
00:35:17Come with me.
00:35:20Come with me.
00:35:24Come with me.
00:35:27Come with me.
00:35:52A good likeness.
00:35:54Indeed.
00:35:56Mr Granville did seem to admit the grey hair or two I surely gained from the emotions of the past
00:36:00few weeks.
00:36:04Perhaps a few wrinkles, too.
00:36:06Oh, you wound me.
00:36:10We should discuss the order of events this evening.
00:36:13Naturally.
00:36:14I think it wise for us to engage in three dances, would you say?
00:36:19Two.
00:36:20It is our ball, Your Grace.
00:36:22I do fear two dances may leave our guests terribly, but unexcited.
00:36:27Much better than the opposite, I rather think.
00:36:28Leaving them overly excited and terribly unruly.
00:36:30Two dances, at most.
00:36:41You were wonderful today.
00:36:44With Gregory and Hyacinth.
00:36:47They adore you.
00:36:51Children always have done.
00:36:53It still does not mean I want any of my own.
00:36:58Of course.
00:37:01Your graces, your guests are arriving.
00:37:09One last dance, it is.
00:37:16One last dance, it is.
00:37:17One last dance, it is.
00:37:27One last dance, it is.
00:37:34One last dance, it is.
00:37:36One last dance, it is.
00:37:37One last dance, it is.
00:37:39One last dance, it is.
00:37:40One last dance, it is.
00:37:41One last dance, it is.
00:37:50Gracias.
00:38:12Perhaps you should like to meet a picture.
00:38:18Dearest, you must see this as a rehearsal.
00:38:22Until you are officially out, you need not feel so strange tonight.
00:38:26It's as if I shall feel anything with the inability to breathe in this corset.
00:38:29That's my dearest.
00:38:34For someone who hates ball gowns, you look exquisite in one.
00:38:40How?
00:38:44If you wish to go up to the library for the rest of the evening, I shall not say a
00:38:47word.
00:38:48Nor shall I blame you.
00:38:51I'm merely glad you came.
00:38:55Yes.
00:38:58I suppose I should thank you.
00:39:01Whatever for?
00:39:03For being so perfect.
00:39:05That's why I do not have to be.
00:39:20I'll see you.
00:39:23Thank you.
00:39:29Lady Featherington, what a pleasant surprise.
00:39:32We did not expect to see you here.
00:39:34What can I say?
00:39:35The Duchess extended an invitation personally.
00:39:39The circumstances change, ladies.
00:39:41Sometimes overnight.
00:39:43We hear your husband secured himself away the other day.
00:39:46Where is he?
00:39:47Still out celebrating?
00:39:48One circumstance that is most likely not changed, I imagine.
00:39:58Someone special in here for me, I presume?
00:40:00Only the best for you, my lord.
00:40:08Featherington.
00:40:09Join us.
00:40:20Join us.
00:40:22Join us.
00:40:28Join us.
00:40:34Julia from the couch.
00:40:37Here we go.
00:40:43Enjoy your evening?
00:40:44What?
00:40:46Are you enjoying your evening?
00:40:49Yes, I just came from the dance floor
00:40:50I did not see you
00:40:52I was in the back of the dance floor
00:40:55It was quite crowded, so...
00:40:59Colin
00:41:03I owe you an apology
00:41:05I did not see it at first, but
00:41:06I know you were only trying to prevent me from heartache with Miss Thompson
00:41:10And...
00:41:12And I was a fool
00:41:13You were not a fool
00:41:14You merely believed yourself in love
00:41:16One should never apologise for that
00:41:19One finds oneself in such an incredible position and, well...
00:41:22One should declare it...
00:41:25Assuredly
00:41:26Fervently
00:41:28Loudly
00:41:32Colin, I wish to tell you something
00:41:33I have something I wish to tell you as well, Ben
00:41:40I'm leaving
00:41:41First thing tomorrow morning, I'll begin my tour
00:41:44I'm just starting the Mediterranean
00:41:46It was actually you who inspired me
00:41:49You kept reminding me how much I longed for travel
00:41:53Oh, erm...
00:41:54What was it you wished to say?
00:41:55I don't remember
00:41:56I don't remember
00:41:57Should we dance?
00:41:58No, erm...
00:41:59I'm...
00:42:00All danced out for the night
00:42:01Colin
00:42:04Good luck on your tour
00:42:14Look...
00:42:14Look...
00:42:15Look...
00:42:15Look...
00:42:15The Queen
00:42:15She is here
00:42:17Now is my chance to find out her plans for Whistledale
00:42:21And is everything all right?
00:42:24Entirely all right
00:42:26Queen
00:42:27Go, or you miss your chance
00:42:36One does not approach Her Majesty
00:42:40I require an audience
00:42:41I require an audience
00:42:41Oh, well in that case
00:42:42No
00:42:46I only wish to thank her for the opportunity to investigate Whistledale on her behalf
00:42:50I imagine she must be coming close to unmasking the author's identity
00:42:54Especially now she has engaged such esteemed council
00:42:57You have no idea
00:43:00We shall unmask her this very night
00:43:02Of course
00:43:04Of course you shall
00:43:06That team of Bow Street Runners
00:43:07That was all your brilliance, was it not?
00:43:10Well...
00:43:10Her Majesty is lucky to have you
00:43:11A man of such talent, such...
00:43:14Genius
00:43:16We worked out that Whistledale delivers her missives to Apprentice Press on Lombard Street
00:43:20Or when the rest of society is distracted by big events
00:43:23Like this one
00:43:25It is how she operates
00:43:26She'll be seized there tonight
00:43:29Brimsley
00:43:30I need you
00:43:35Brother, you must see to Genevieve
00:43:37I'm sure she stays home tonight
00:43:38Not now
00:43:53I need you to take me somewhere straight away
00:43:55Miss Eloise
00:43:55I have pin money
00:43:58A great deal of it
00:44:24I have pin money
00:44:25A great deal of it
00:44:27Oh, apologies.
00:44:29My lord.
00:44:35Give me a moment, my love, when I shall return upstairs.
00:44:52I thought about coming with you tonight.
00:44:56I envisioned myself in your arm.
00:45:00Dancing the entire night away.
00:45:04But my imagination was the furthest I could allow myself to go.
00:45:08Sienna, what are you doing?
00:45:09What am I doing?
00:45:11What am I...
00:45:14I am doing the very thing I have always done.
00:45:19I am looking out for myself.
00:45:21I am ensuring my own future.
00:45:23Because I know...
00:45:27In my heart...
00:45:30I know that there is no one else who ever will.
00:45:35I tried.
00:45:38You must know.
00:45:39I...
00:45:40I tried.
00:45:41What I know is that you are lost.
00:45:46And I cannot allow you to set me adrift as well.
00:45:56You need to let me go.
00:46:02I know I've been unfair.
00:46:04Let me go.
00:46:10I am comfortable.
00:46:13I am content.
00:46:15That gentleman upstairs...
00:46:17He sees me for who I am.
00:46:21Unlike you, he does not wish for me to don some ridiculous gown and go with him to some absurd
00:46:28ball.
00:46:30He does not wish for me to change.
00:46:37And neither do I.
00:46:44You need to let me go.
00:46:55You're right.
00:47:00I'm sorry, Sienna.
00:47:04I'm so sorry.
00:47:07I'm so sorry.
00:47:08I'm so sorry.
00:47:49I really must get back to the party.
00:47:50For the moment.
00:48:07Lady Bispedal.
00:48:23Go!
00:48:24It's a trap!
00:48:26What do you think you're doing?
00:48:28I apologize.
00:48:29I thought you were someone else.
00:48:31Perhaps you might catch up with her.
00:48:37Oh, my God.
00:48:39Oh, my God.
00:48:40Oh, my God.
00:48:45Oh, my God.
00:48:49Oh, my God.
00:48:51Oh, my God.
00:48:53Oh, my God.
00:49:08i presume your plans to separate from her grace have not yet changed
00:49:13they have not
00:49:15neither it appears your ability to somehow hear every piece of gossip that transpires in this town
00:49:20when will you accept it i know
00:49:26pride your grace
00:49:28it'll cost you everything and leave you with nothing
00:49:31you must not allow it to happen to you too
00:49:44is it different for them
00:49:47men
00:49:48to know whether they are in love
00:49:52everything else seems different to them
00:49:57we agreed to one dance tonight
00:49:59a waltz
00:50:05i miss dancing with your father
00:50:09the very last time i danced was with him
00:50:12the ball
00:50:13there were peacocks present i believe real ones
00:50:22i suppose i miss everything about him really
00:50:25the two of you loved each other so very much
00:50:29it is a rarity i've come to realize
00:50:31but that is not to say it was without its trials
00:50:35your father and i faced many difficulties indeed but we overcame them we made a decision early on to do
00:50:43so
00:50:43mamma i do not think we chose to love each other every single day
00:50:50it is a choice
00:50:52it is a choice
00:50:53one that is never too late to make
00:50:57i may
00:51:00never be able to see your father again
00:51:02i may
00:51:04wake every morning and
00:51:06and touch the pillow
00:51:08he used to lay his head
00:51:10but knowing that the two of us made the choice to love
00:51:13and to do
00:51:15all that we could
00:51:18well
00:51:20i cannot tell you how much
00:51:22peace and comfort that brings to me
00:51:27i wish there was something wrong
00:51:29i wish i could do this
00:51:31you are a bridget
00:51:33there is nothing you cannot do
00:51:49you are a bridget
00:52:05the
00:52:05is
00:52:29Gracias por ver el video.
00:53:04Gracias por ver el video.
00:53:06Gracias por ver el video.
00:53:41Gracias.
00:56:42There is news.
00:56:44Where is the butter?
00:56:45It is your husband, Mom.
00:56:50You're saying he is dead?
00:56:53The Bow Street Runners have questions.
00:57:24You're saying he is dead?
00:57:25Oh, oh, oh, oh, oh!
00:57:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh!
00:57:51I do not want to be alone.
00:57:53I know that now.
00:57:57pero lo que yo no sé
00:57:59es cómo ser el hombre que me necesito ser
00:58:04el hombre que realmente mereces
00:58:07yo no sé cómo hacer esto
00:58:09sí, sí, sí
00:58:12Daphne
00:58:12sé que sí
00:58:16tú sigues
00:58:18tú sigues
00:58:20y nos sigues
00:58:22juntos
00:58:23juntos
00:58:25si tú lo haces
00:58:27si tú lo haces
00:58:28si tú lo haces
00:58:28entonces nada más
00:58:30no
00:58:56no
00:58:58no
00:59:07no
00:59:08no
00:59:18¿Qué pasa?
00:59:47¿Qué pasa?
01:00:08¿Qué pasa?
01:00:09¿Qué pasa?
01:00:10¿Qué pasa?
01:00:11¿Qué pasa?
01:00:12¿Qué pasa?
01:00:12¿Qué pasa?
01:00:14¿Qué pasa?
01:00:36¿Qué pasa?
01:00:43¿Qué pasa?
01:00:51¿Qué pasa?
01:01:15¿Qué pasa?
01:02:07¿Qué pasa?
01:02:09¿Qué pasa?
01:02:13¿Qué pasa?
01:02:14¿Qué pasa?
01:02:16¿Qué pasa?
01:02:17¿Qué pasa?
01:02:18¿Qué pasa?
01:02:20¿Qué pasa?
01:02:20¿Qué pasa?
01:02:23¿Qué pasa?
01:02:24¿Qué pasa?
01:02:27¿Qué pasa?
01:02:27¿Qué?
01:02:28¿Qué pasa?
01:02:30¿Qué pasa?
01:02:32¿Qué pasa?
01:02:33¿Qué?
01:02:34¿Qué pasa?
01:02:36¿Qué pasa?
01:02:38¿Qué pasa?
01:02:47¿Qué pasa?
01:02:49¿Qué pasa?
01:02:51¿Qué?
01:02:52¿Qué pasa?
01:03:04¿Qué pasa?
01:03:08¿Qué pasa?
01:03:14¿Qué pasa?
01:04:47I finally determined the difficulty
01:04:48love itself
01:04:50removing it from more romantic relations
01:04:52time may be all the better for it
01:04:53no more distractions from responsibly
01:04:55or being waylaid from the sensible path
01:04:59At any rate, enjoy your time
01:05:04Perhaps you will learn
01:05:06Perhaps not
01:05:12Give my regards to Madame Delacroix
01:05:14Bueno, en tu regardes, vamos a esperar. Se me hace una corta viaje a Francia.
01:05:18Ah. ¿Estás bien decirle a ella?
01:05:21Sí, lo hice, si lo conoces.
01:05:23Nosotros íbamos a una fiesta juntos. Muy buena fiesta.
01:05:26¿Estás con la señora de la Corte?
01:05:28Sí. No, no, no te decirle a mi hija que me dejó en el medio de la balla.
01:05:36¿Qué es?
01:05:38Si tú era con la señora de la Corte, no, no, no, no, no.
01:05:45¿Y justo?
01:05:46Y mientras no terminamos en la calla de la Corte, no, no, no.
01:05:50En todo el autor, quien recibe sucesión a su quien sea,
01:06:00¡No, no, no, no, no!
01:06:04¿Tú eres unaараquía invalida de la Corte?
01:06:07¿Quéierno, ¿tendrías?
01:06:10¿Vale?
01:06:14Though you must know, dear reader, that decision shall be left entirely up to me.
01:06:22Yours truly.
01:06:26Lady Whistendown.
01:06:40She'll need you to push, Your Grace.
01:06:50Push.
01:06:53Very well.
01:07:01Another.
01:07:03Push.
01:07:04Push.
01:07:04Push.
01:07:08Push.
01:07:10Push.
01:07:23Push.
01:07:24Push.
01:07:31¡Suscríbete al canal!
01:08:09¡Suscríbete al canal!
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