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En esta nueva entrega de la serie “Los microcosmos del arte”, la artista de origen argentino abrió las puertas de su estudio y dio detalles sobre su rutina y las historias que este espacio guarda.

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Transcripción
00:00The art for me is all my life, everything.
00:03The art for me is all my life.
00:25I don't have a lot of people.
00:28I don't have a lot of people.
00:47I came to the workshop after a few hours,
00:53but that trip to me means a lot
00:56because I'm constantly looking at what happens around me.
01:01I'm starting by the mountains.
01:03I go and the landscape is incredible.
01:07As you are nublado, as you are soleado,
01:12whatever it is,
01:13the mountains change constantly.
01:16The color, the shape, everything.
01:19So, that's what inspired me a lot.
01:21It's like my first vision that I have.
01:23I just go from the workshop and I love it.
01:25Then I go to the workshop and I go to the stairs,
01:30I put my blusa to paint,
01:34I change my shoes,
01:36and it's like if I turn on a switch.
01:38I go in onda completely,
01:40I put my music and I go to work.
01:45I don't know how much time it is.
01:48If it's not for my daughter,
01:49she calls me and tells me,
01:50I said,
01:51I said,
01:51I said,
01:52I said,
01:53I said,
01:53I said,
01:55I said,
01:55I said,
01:55I said,
01:56I said,
02:00I said,
02:02I said,
02:02I said,
02:03I went around 4,
02:06between 4 and 5.
02:07And so,
02:08it's my daily routine.
02:16When I arrive,
02:17I start to look at my paintings,
02:19I look at the drawings I work on,
02:24sometimes,
02:24I make a painting there,
02:26and sometimes,
02:26sometimes,
02:27I make a painting there,
02:29because I have a lot of ideas,
02:32and it goes out,
02:34I can't tell you exactly what is the detonator,
02:38but I think the workshop itself is the detonator,
02:43and a little bit of the journey,
02:46it goes to one as an inspiration.
02:53And as a photo of台灣,
02:54And the first job I took was in university,
02:57when I was in my second semester at university.
03:01I was in my second semester at my university,
03:04I was studying art,
03:07and I was studying art where I was at,
03:09at the UR.
03:10of the Andes, and then she came from Egypt, and she told me that I was a painter and I
03:18had a study there,
03:20and I ended up talking to Mario de la Serna, who has a building in the center,
03:25close to the university, and it has big lofts, and that I have one.
03:33So she told me, Monica, do you want to enter there?
03:36I said yes, and she told me to get another friend, so the other one was Maria Carrizosa,
03:41which we were studying together.
03:42This was in the 12th grade, almost to the 19th grade.
03:49That was really my first study that was fabulous.
03:59We arrived from New York, where we were living 10 years old,
04:04and I had a post-grading in NYU,
04:08already old, from 40 years old,
04:12and we gave each other a job,
04:17and it was a small job,
04:21and then one had to start working and do everything,
04:25and I did my thesis, everything.
04:26So, when we arrived, when we arrived at that trip,
04:35every one had their work in the house,
04:40but I used to go out of the house,
04:44and while I was this time in New York,
04:47I was working outside.
04:48I realized that I could focus on much more.
04:50and I got one in Santa Bárbara,
04:55which was a apartment,
04:56and there I was like a year,
04:58and in every room,
04:59the room, the room, the room,
05:01the big space for painting.
05:04It was small the space,
05:07but they asked me,
05:09and then I said,
05:11no, I have to find a space,
05:12I can't change it,
05:15and I was very clear that I wanted to have a space outside of the house.
05:32So, we went to the house,
05:33and there was a young girl who opened the door,
05:35who lived here,
05:37and she showed us the house.
05:42She lived here.
05:43And I said,
05:44why did she go?
05:45Why do I have to go to a apartment
05:47that would be more comfortable,
05:49with my family here?
05:50And I said,
05:51no.
05:52So, well,
05:52she went.
05:54And when we came to the house,
05:56they gave us the keys,
05:58they gave us the keys,
05:59we entered,
06:00and I said,
06:01oh, my God,
06:02what was that I bought?
06:03It was horrible.
06:05So, I said,
06:07well, now,
06:08let's see that wall
06:09that divides my workshop
06:11to make a single space,
06:12because there were two stairs.
06:14And here,
06:15there was another stairs,
06:17there was a corridor,
06:18another bathroom,
06:19and a bathroom room,
06:22there was a bathroom room.
06:23So, we went to the house,
06:25and we did it all.
06:26We got a master of works,
06:27and we came to the house,
06:30And, well,
06:32there was everything perfect.
06:33And, the space was good.
06:35And all the rain began.
06:40And, all the rain began.
06:48When I'm here I have much more concentration, I'm in full of my work, I don't think about anything,
06:55I don't answer calls, I don't call anyone, I don't answer anything.
06:59I don't know if I call my wife or my family, I don't answer my son.
07:05But in general, I'm in full of my work.
07:09I'm totally dedicated to that and I come every day,
07:12one totally concentrates on what he's doing and works and works.
07:19A veces they come, other times they are not so proliferous.
07:21There are moments in which one is stopped,
07:29or that they don't have any ideas,
07:31and other moments in which one is very fertile, that one has many ideas.
07:36All those moments are very interesting,
07:38because one is taking advantage of many things.
07:41In those moments in which one is a little bit of a frenzy,
07:45the best is to see art, to see art, to see museums, books,
07:53I see many books, many things that inspire me.
07:57All my environment me inspire a lot.
08:00Me inspire, yes, in general, to all.
08:03For the people.
08:07I don't know, the house, my workshop.
08:10But in my workshop, I come here and...
08:14And that's what I tell you, I enter and...
08:16I forget everything.
08:30I've got this one in the house,
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