- 14 hours ago
مسلسل Get Shorty مترجم - Episode 1
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00:02:37Thank you, sweetheart.
00:02:39You treat our ladies so nice.
00:02:42Yeah.
00:02:52And it's kind of a feeling that never disappears.
00:03:10You didn't like it.
00:03:11I did. I did, yeah.
00:03:13You didn't.
00:03:15How do you know I haven't said anything?
00:03:17That's how I know.
00:03:21You just didn't buy it.
00:03:22Which part?
00:03:26Yeah.
00:03:35Yeah.
00:03:40I remember when we wanted to see Steve McQueen in The Great Escape.
00:03:42And that was real motorcycles, no computers.
00:03:44You only like old movies.
00:03:46That's not true.
00:03:49Hey.
00:03:50Hey.
00:03:50How was it?
00:03:51Well, I liked it.
00:03:52Well, you know.
00:03:52Well, I liked it.
00:03:54All right, I'm banking it up.
00:03:55Hold on.
00:03:56Is anybody hungry?
00:03:57Thought maybe we could go to the Terrace Cafe.
00:03:59Well, that's fancy.
00:04:01I'm feeling a bit fancy.
00:04:04I should get her home.
00:04:05Uh, I got you something.
00:04:09What is it?
00:04:11Um...
00:04:12Mom, just open it.
00:04:14I want to know what's going on.
00:04:17Okay.
00:04:19As of today, it's been six months.
00:04:22What has?
00:04:25You said you needed a break.
00:04:26I asked how long.
00:04:27You said six months, so...
00:04:29I don't remember that.
00:04:31But if I said it, I didn't mean it.
00:04:32Things are better between us.
00:04:34Are they not?
00:04:36We should celebrate.
00:04:37I got flowers in the car.
00:04:40They probably will do.
00:04:41Emma, would you wait in the car?
00:04:42Ugh.
00:04:42Why?
00:04:43Please.
00:04:51Whatever I said six months ago,
00:04:53I didn't mean that we would take a break
00:04:54and everything would go back to how it was.
00:04:56We should be a family again.
00:04:58We can't keep having this conversation.
00:04:58You know, for Emma?
00:05:01She is why we can't do it.
00:05:04And you know that.
00:05:05Can you just take this?
00:05:06It's a necklace.
00:05:07It matches your grandmother's ring.
00:05:09Close as I can remember.
00:05:13No.
00:05:14What the fuck am I supposed to do with it?
00:05:16I'll see you Saturday.
00:05:17All right.
00:05:18All right.
00:05:44You ever watch Rachel Ray?
00:05:47It's a talk show?
00:05:49Yeah.
00:05:49Uh, I don't make a point of it.
00:05:52Oh, she's good.
00:05:54Perceptive.
00:05:55She had a therapist on with her this morning
00:05:57with a book about how to maintain healthy relationships.
00:06:00Okay.
00:06:01She said, you gotta work on communication.
00:06:04You gotta learn how to love yourself.
00:06:06Love yourself.
00:06:06Okay.
00:06:09And you gotta take responsibility.
00:06:12And it got me thinking.
00:06:13Give me a hand, will you?
00:06:14Yeah.
00:06:16You know, I've been trying to change Katie's mind
00:06:18about our situation, you know?
00:06:21But what if I need to be responsible?
00:06:23You know?
00:06:24What if it's me that needs to change?
00:06:27How?
00:06:27Well, that's the problem.
00:06:29I mean, there's so much she wants changed.
00:06:31I don't know where to start.
00:06:35Two, three.
00:06:52Thing I don't feel great about is lining my kids, you know?
00:06:55Sure?
00:06:56Yeah.
00:06:56Saying I run a warehouse.
00:06:58Not even an exciting conceit.
00:07:00What am I gonna say?
00:07:01Look, everybody lies to their kids, right?
00:07:04Fucking Santa Claus.
00:07:06And Katie doesn't like it.
00:07:07Doesn't like Emma hanging out with the people I work with.
00:07:12Me?
00:07:13Yeah.
00:07:14I mean, if you were kids, will you want them hanging out with people like you?
00:07:17How you spend your day?
00:07:19Same as you.
00:07:20Fucking exactly.
00:07:30The people we hang out with.
00:07:34Predators.
00:07:36Knuckleheads.
00:07:38You mean Iago?
00:07:40Will you do me a favor, please?
00:07:42And show a little respect?
00:07:48No.
00:07:49He gets an online college degree and now he runs the day to day.
00:07:52And we're supposed to take him serious?
00:07:54Always trying to prove how hard he is.
00:07:57He's insecure.
00:07:59He's a fucking maggot.
00:08:00That's what he is.
00:08:02Yeah, but he's also Amaro's nephew.
00:08:04And you piss him off.
00:08:10Yeah, I cut his tongue out.
00:08:13You know, the guy saw me do it.
00:08:15I told him, I was like, Jason,
00:08:18give me one good reason to let you go,
00:08:20and I'll open the door, you know?
00:08:23You know what he says?
00:08:25Call me for my mama.
00:08:27Call me for my mama.
00:08:33I was like, come again.
00:08:34I didn't get that.
00:08:37Right, you, uh, you offended?
00:08:40Laughing on the inside.
00:08:49Well, Amaro wants you to make a collection in L.A.
00:08:55If the guy doesn't pay, close the account.
00:08:59We don't really close accounts.
00:09:01Oh, on this one you do.
00:09:05She knows people in L.A., right?
00:09:08Maybe she could give one of them a show.
00:09:10Yeah, why don't you make a list of jobs that you'd rather not do?
00:09:13That has someone else to take care of.
00:09:14Well, uh, what if
00:09:18we wait until things cool down?
00:09:21I mean, Jason was talking to the feds,
00:09:23and they know that he handled our cash,
00:09:25and now he's gone, so...
00:09:28Probably watching.
00:09:29Yeah, like someone's gonna tell you assholes to California.
00:09:31Don't flatter yourself.
00:09:33Why do you sweep the place,
00:09:34if you're not worried?
00:09:40This came from Amaro.
00:09:42Yeah, who'll handle it?
00:09:45Come on, I've never been to Hollywood.
00:09:47It's in Hollywood?
00:09:48Yeah.
00:09:48Then make a trip out.
00:09:50See some celebrities.
00:09:52Yeah.
00:09:52Sandra Bullock will personally give you a handjob.
00:09:55If I even think we're being tailed,
00:09:57we come straight home.
00:09:59All right?
00:10:00Sounds like a plan.
00:10:13Have fun.
00:10:25Here.
00:10:28Drink this.
00:10:29It'll help.
00:10:36That's funny.
00:10:37I know we only met a few days ago.
00:10:43After everything we've been through,
00:10:47I don't know,
00:10:48it feels like I've known you my whole life.
00:10:51Me too.
00:10:52Yeah?
00:10:55Here.
00:11:14Where'd you go?
00:11:18I'm here.
00:11:19Now.
00:11:22You're a million miles away.
00:11:28I can't help it.
00:11:34I hope you know how grateful I am for everything.
00:11:39Can we cut?
00:11:42Lydia, I'm sorry.
00:11:44I hate being that guy,
00:11:46but I'm just bumping on this.
00:11:49Yeah?
00:11:50Yeah?
00:11:51Look,
00:11:51I saved her life twice.
00:11:54She keeps pulling away.
00:11:56You know,
00:11:56I don't ask her why she's doing it.
00:11:58You know,
00:11:58she doesn't tell me.
00:11:59It's like,
00:12:00honestly,
00:12:01I feel like,
00:12:02just peace out.
00:12:05All right.
00:12:06Let's talk about it.
00:12:07Cut the ring.
00:12:08Cut the ring.
00:12:09Cut the ring!
00:12:10Cut the ring!
00:12:11Why'd we stop?
00:12:13Tyler.
00:12:16How long till lunch?
00:12:1720 minutes.
00:12:21Oh, fuck,
00:12:21I got a meeting.
00:12:22Listen to me.
00:12:23You tell Lydia,
00:12:25I don't care if she does the next three scenes in one shot.
00:12:27We're making a day.
00:12:28Yeah, yeah.
00:12:29Cut this, cut this.
00:12:30Fuck.
00:12:31We gotta make a day!
00:12:32I felt pretty good about that last time.
00:12:45Mr. Moorweather,
00:12:47Nathan Hill.
00:12:48Uh,
00:12:48we met?
00:12:49No.
00:12:50No,
00:12:50I,
00:12:50I,
00:12:50I just wanted to say hi.
00:12:52I know Tyler.
00:12:53Okay.
00:12:54I,
00:12:54I looked up some of your other films,
00:12:56Out for Blood and Day of Reckoning.
00:12:57I,
00:12:57they just have really,
00:12:59really great energy.
00:13:00You know?
00:13:01Yeah.
00:13:01See,
00:13:02I'm,
00:13:03I'm an actor.
00:13:04Really?
00:13:04Yeah,
00:13:05I study at Still Adler,
00:13:06so.
00:13:06Okay,
00:13:06well,
00:13:07I,
00:13:07I gotta go.
00:13:07Yeah,
00:13:08I just wanted to say hi.
00:13:09Yeah,
00:13:10all right,
00:13:10take care.
00:13:10Okay.
00:13:12What?
00:13:14I think your battery's dead.
00:13:16Yeah,
00:13:16yeah,
00:13:16I could go get help if you want.
00:13:18I don't have time,
00:13:19fuck.
00:13:20Oh,
00:13:20come on.
00:13:21Really great meeting you.
00:13:22All right,
00:13:23thanks.
00:13:24I don't want a fucking sneakers,
00:13:25I was going to wear the fucking sneakers.
00:13:31It's Nathan.
00:13:32Come in.
00:13:35Hey,
00:13:36man.
00:13:37Hey,
00:13:37what's up?
00:13:38So,
00:13:39uh,
00:13:40I just had a good talk with Rick Moorweather.
00:13:42I told him I dig his movies.
00:13:44The script is a joke.
00:13:46Yeah?
00:13:46I mean,
00:13:47it's genre,
00:13:47I get it,
00:13:48but,
00:13:50you gotta give the audience
00:13:51something to believe in,
00:13:52right?
00:13:54I'm sorry,
00:13:54it just,
00:13:55it just doesn't feel real.
00:13:57I haven't read it.
00:13:57You know what it is?
00:13:58They don't want me and Phoebe hooking up
00:14:00to the big scene at the end.
00:14:02So for the whole movie,
00:14:03she kind of pushes me away,
00:14:05which she's not even into me.
00:14:06I guess
00:14:07I can play unattractive,
00:14:10if that's what they want,
00:14:12or I can do sex appeal.
00:14:14But it's like,
00:14:14I mean,
00:14:15you can't have it both ways.
00:14:17Yeah,
00:14:17you can't.
00:14:22Tell me if I'm being a prima donna.
00:14:24No,
00:14:25no,
00:14:25you,
00:14:25look,
00:14:26you're just trying to.
00:14:27Trying to play a human being.
00:14:28Just trying to play a human being.
00:14:30Sorry.
00:14:31Yeah,
00:14:31I can relate.
00:14:34To,
00:14:34what are you,
00:14:35to the story?
00:14:37As an actor.
00:14:38You know,
00:14:38I'm doing the scene in class.
00:14:40I play this ex-cop
00:14:42who's fired because he's an alcoholic.
00:14:44But his scene partner,
00:14:45he's...
00:14:45Same as last week?
00:14:46Huh?
00:14:47Sorry,
00:14:48I just caught a peek at the time
00:14:49and they're going to want me on set.
00:14:50Yeah.
00:14:51Yeah,
00:14:51thanks.
00:14:53Thanks,
00:14:53bro.
00:14:54No worries.
00:15:00I don't know.
00:15:24Hey, Bellars!
00:15:26Who is that?
00:15:32It's like a kitty!
00:15:33Come here, come here, come here!
00:16:17Gladys, have I got a shirt?
00:16:21Not to my knowledge.
00:16:26And April Queen is here.
00:16:28Okay, just tell her to wait.
00:16:30By here, I mean here.
00:16:34Hello, hello, hello.
00:16:36April, come in, come in.
00:16:38I would've came to you.
00:16:39No, this is perfect.
00:16:41I have a meeting around the corner in ten minutes.
00:16:42Oh, okay.
00:16:44Thank you, Gladys.
00:16:45Sorry, I keep rescheduling lunch.
00:16:47It's just working with Vin Diesel.
00:16:49You can imagine.
00:16:50I can.
00:16:52What's the budget on that project?
00:16:53180 million.
00:16:55I know, it's ridiculous.
00:16:56400 grand for fake snow.
00:16:58How are you?
00:16:59I'm doing fairly good.
00:17:00Of course I still have no personal life.
00:17:03I mean, zero.
00:17:04Mom got me tropical fish.
00:17:05I didn't have time to feed them.
00:17:06Every morning there was another one just floating on top.
00:17:09I'm rambling.
00:17:10Had a double latte.
00:17:12Come to think of it, I never had a personal life working for you either.
00:17:16Right.
00:17:16Six years ago.
00:17:18Isn't that insane?
00:17:22Sit, sit.
00:17:23Uh, I'm shooting a movie.
00:17:25Okay.
00:17:27Yeah.
00:17:28Tyler Mathis, he's the lead, and we're behind schedule.
00:17:31The problem is, he leaves in two weeks to shoot a very small part in your film.
00:17:36Lethal limit, what?
00:17:37Three?
00:17:38Four.
00:17:38Four.
00:17:40Which means I'm screwed.
00:17:42Unless you can schedule his shooting days later.
00:17:46You understand?
00:17:48Of course.
00:17:51Oh, no, no.
00:17:52I mean, I understand.
00:17:53But that's not my call.
00:17:54That's Brandon's call.
00:18:00Will you talk to Brandon?
00:18:02All the time.
00:18:04How about this?
00:18:05I mean, I'll do my best.
00:18:07Sorry, I gotta go.
00:18:08Okay, yeah.
00:18:09So, it was really good to see you.
00:18:11You too.
00:18:11We'll do lunch next week, okay?
00:18:15Or soon!
00:18:21This guy's been on us a while.
00:18:26Is he tailing us?
00:18:29Nah, we're good.
00:18:31But I'm jumpy.
00:18:32Fucking jumpy now, I hate that.
00:18:35Here.
00:18:38It's a condo I'm looking at.
00:18:40Oh, yeah?
00:18:41How'd you find it?
00:18:42One of the elders of the church is the building manager.
00:18:46A lot of Mormons there.
00:18:49Well, you'll be right at home.
00:18:51One big Mormon block party.
00:18:53You gotta be kidding me.
00:18:55This is the Hollywood Walk of Fame?
00:18:59That's what it says.
00:19:00This?
00:19:00It's a walk.
00:19:01It's not a fucking cathedral.
00:19:02I know, but compared to Vegas?
00:19:04This is embarrassing.
00:19:06I thought they made big movies here.
00:19:07Nah, the studios are all in Burbank.
00:19:09Oh.
00:19:10Well, how do you know?
00:19:12At the end of the movie, it says we're to film them.
00:19:15Well, I don't think Burbank is better than this,
00:19:16because this is bullshit.
00:19:21Oh.
00:19:22U.
00:19:33Oh.
00:19:36Oh, dear.
00:19:38Oh, dear.
00:19:40Oh, dear.
00:19:42Well, we're friends of Owens from back in the day nice. Yeah, I'm Barry and this is Vernon. That's right
00:19:48Yeah, we thought we'd swing and say hi seeing that we were in town. Cool. Yeah
00:19:53She's probably with his girlfriend. I'm not sure. Well, we don't want to impose you can text him. Yeah
00:19:58Maybe just find out where he is don't tell him that we're here. That's right. We'd love to keep it
00:20:02a secret
00:20:03Okay, cool. Well, what do you want me to say exactly? Oh god, I don't know. Maybe tell him that
00:20:08you got a spare ticket for
00:20:10Dodgers game and maybe if he was free. Ah, we don't really hang out a lot
00:20:15So I mean he might not get back to me right away
00:20:22Wait, okay
00:20:27You want to wait inside yeah, yeah, yeah, um, yeah, so I'll text him
00:20:34um
00:20:35See what he says
00:20:37I'm Nathan by the way. Oh
00:20:40Yeah, then you a model or something no and an actor headshots
00:20:45No kidding. Yeah, five minutes in Hollywood and already we know an actor
00:20:48So you're you're friends with Owens right you from Houston or with something smells good
00:20:55That chili or snow it's stir-fry. Ah
00:20:58Yeah, I check it out. Yeah, that is. Yeah, Barry's a real foodie. Oh, oh
00:21:08Oh
00:21:08Yeah, what are the uh white things there? Uh, what are chestnuts? That's sharp
00:21:12See, I would never think to do that. I would never think to cook with chestnuts. You want some?
00:21:19You sure? Yeah
00:21:20You sure?
00:21:20Yeah, thanks, man
00:21:23You're a prince
00:21:31Looks fun
00:21:36Jolt and I hear you're the focus of a terrible investigation
00:21:40Is that true? I like this ride. You want to take me?
00:21:45This is the escalonis is not under investigation
00:21:48Then why not londer?
00:21:50Invest your money through your own casino
00:21:53Wouldn't that be easy? My casino is small, but I have a lot of money. My banker
00:21:57He don't work for me anymore
00:21:59I have three parks
00:22:01Attendance is phenomenal concessions merchandise half the ticketing is cash based
00:22:06We can handle any amount you bring us
00:22:09but
00:22:11We have to be compensated 12% eight our bottom line. I talked to him
00:22:18You know this business my business. I know
00:22:23You and me have a drink tonight. We decide how to work together. Okay
00:22:35It's gotta be fun to be an actor
00:22:37You're doing movies or just tv. I know i'm taking classes, you know studying
00:22:43But I was on a movie set at gravity studios today. No shit. Yeah, yeah
00:22:48I know i'm friends with this actor. His name's tyler mathis. You know him?
00:22:53No, he's good. Um, then I hung out with rick moorweather. He's a producer
00:22:57They're making a film. It's called the hunting. Oh, that's a good title. Yeah
00:23:01The script has a few problems. Oh, is that right? Yeah
00:23:05It's about a guy and a girl in a motel. They don't get together till the very end
00:23:09But like she pushes him away for no reason. Oh, I hate when movies do that. Right?
00:23:15Yeah
00:23:16The guy in the story, what's his job? Kills aliens
00:23:21Okay
00:23:24So his life is dangerous. Yeah
00:23:29Maybe the woman wants to be with him, but she can't be
00:23:33Because she has a 12 year old daughter has to put the kid first
00:23:40It's good a little complicated but
00:23:43Why is this fucking complicated shitpost?
00:23:46Duh, he's at his girlfriend's. Where's she live? I don't know
00:23:51Well, uh, that's her right there with him
00:23:54Oh, there's owen and his girlfriend
00:23:57Well, I guess we gotta be going
00:23:59Oh, yeah, so fun. Yeah, so fun. Yeah, well listen
00:24:04Oh, that's great. Hey
00:24:08Look, we're gonna be in town for a bit. Yeah, uh, but we still want to surprise him so
00:24:13Mom's at work. Gotcha. Yeah
00:24:16Cool. That's all right. Oh, awesome. Best of luck with the whole acting thing. Yeah, thank you. Lovely meeting you
00:24:22Have a good one. Bye
00:24:53Jesus, get some air in here, will you? Two price, two price, deodorant
00:25:03Oh, my God, come home
00:25:06Might have while we were sleeping
00:25:08Oh, why didn't we get a hotel on the fucking neck?
00:25:12Do you find this job meaningful?
00:25:16What?
00:25:18Fulfilling, spiritually
00:25:21It's the job, man
00:25:22In a tough economy
00:25:24When I started off, I convinced myself that this was temporary
00:25:28Katie was 19
00:25:30Back when she thought it was sexy to be with a tough guy
00:25:32But it's not fucking sexy
00:25:34Limping back to your apartment and scraping blood from under your nails
00:25:38Opening a beer and watching fucking storage wars
00:25:43She was okay with it
00:25:45Until Indian springs
00:25:51I freaked her out
00:25:54If I change my job
00:25:56She might take me back
00:25:58Yeah
00:26:00Just tell Amara you want to quit
00:26:03See how that goes
00:26:12Maybe I skipped town
00:26:14With the family in
00:26:17You know, I have a cousin who sells carpets
00:26:19And he's convinced if you have even a basic understanding of fiber density
00:26:22Like polyester versus nylon and whatnot
00:26:24You can move anywhere and make a living
00:26:26Even if Amara didn't find you
00:26:30Six months of fiber density
00:26:33You jump off a fucking roof
00:26:56Everything cool, dude?
00:26:58Sorry
00:26:59Uh
00:27:00That's cool
00:27:01You want to, uh
00:27:04Commence?
00:27:06In the movie you're doing right now
00:27:08What if
00:27:10The girl wants to be with you
00:27:13Only she can't
00:27:14And the reason is
00:27:16She's got a daughter
00:27:17What?
00:27:19She's got a 12-year-old daughter
00:27:21That way, even though she's aching to be with him
00:27:24I mean, obviously
00:27:26She's got to put the kid first
00:27:27Doesn't make sense
00:27:28Other than rewriting and reshooting the entire movie
00:27:30But it's doable
00:27:32We lose him in two weeks
00:27:34Yeah, but only for a month
00:27:35Oh, okay
00:27:36Okay, so we just wait until you're available
00:27:38And then reassemble the sets, the crew and locations
00:27:41If that's what we got to do, yeah
00:27:44In order for you to track your character's motivation
00:27:47While you run from aliens
00:27:49Rick, Rick, Rick
00:27:50Um, I have script approval
00:27:53All right, we don't need to go there, right?
00:27:55We'll work something
00:27:56Look, man, it's in my contract
00:27:57So you guys just let me know
00:28:00When there's something to approve
00:28:01Okay
00:28:04Oh, shit
00:28:04I just thought the edge
00:28:05Shut up, Lydia
00:28:18Hey
00:28:18What the hell is that?
00:28:21Local warm-ups
00:28:24I got home and I saw your note
00:28:26I can't read your writing
00:28:27Does it say
00:28:29Barry and Vernon?
00:28:31Yeah, they didn't want me to tell you
00:28:33But I was afraid they'd leave town and you'd miss them
00:28:36I don't know how many friends named Barry and Vernon
00:28:39Really?
00:28:41Maybe they're from the showcase
00:28:43What'd they look like?
00:28:45Uh, big guys, one of them Irish
00:28:48You know, but really nice
00:28:53I don't know
00:28:56Owen?
00:28:59I hope you're not pissed
00:29:00They want to surprise you
00:29:02I gotta go
00:29:26I don't know
00:29:27I don't know
00:29:28I don't know
00:29:30I don't know
00:29:30I don't know
00:29:30I don't know
00:29:30I don't know
00:29:31I don't know
00:29:32I don't know
00:29:33I don't know
00:29:33I don't know
00:29:34I don't know
00:29:35I don't know
00:29:35I don't know
00:29:36I don't know
00:29:41I don't know
00:29:47I don't know
00:30:00Would you like a hand or a hand?
00:30:24Do me a favor and just scoot over that way.
00:30:28Why?
00:30:28Well, cleaning your brains off that bookcase is gonna be a hassle.
00:30:32Whereas there, all I need are paper towels and garbage bags.
00:30:35You got paper towels?
00:30:38That's the real question.
00:30:40Yeah.
00:30:42Alternatively, you pay what you fucking owe
00:30:44and no one has to clean up your, you know, bits.
00:30:48I just... I don't have it right now.
00:30:51That must be some money you can get from somewhere.
00:30:5320 grand, even.
00:30:55He owes 50.
00:30:56I realize that, Barry. I'm not saying he's off the hook.
00:30:58My car.
00:30:59Which is?
00:31:00Honda Civic.
00:31:032004.
00:31:04Well, that's 500 bucks. You only got 49,500 to go.
00:31:07What were you thinking, taking a marker for 50 grand?
00:31:10I'm such an idiot.
00:31:13Trying to finance a movie playing blackjack.
00:31:17What's that? A movie?
00:31:19Ten years writing.
00:31:20I couldn't catch a break.
00:31:22Then I write that.
00:31:26It puts everything else I've ever written to shape.
00:31:29And my stupid agent dumps me.
00:31:34I can't sell it.
00:31:35But if I can produce it, I'm telling you, it's gonna win a fucking Oscar.
00:31:40And we give a shit.
00:31:41What's it about?
00:31:44It's about, uh, Georgian England.
00:31:48Huh?
00:31:49A love story.
00:31:51It rips your heart out.
00:31:54Hey.
00:31:56Hey.
00:31:57You want something of value?
00:32:00I'll make you both producers.
00:32:03Movie sells.
00:32:04You make ten times what I owe.
00:32:08Just cut it out, man.
00:32:09You either got the money or you don't.
00:32:11Just hold it.
00:32:11Hold it.
00:32:13What does that mean, producers?
00:32:15Your name's in the credits.
00:32:18You beat all the award shows.
00:32:20You get points on the back end.
00:32:26The fuck?
00:32:27What?
00:32:29We were having a conversation, man.
00:32:32I thought you were finished.
00:32:33He was fucking mid-sentence.
00:32:37How great of a writer can you really be living in this shit hole?
00:32:40He said he had paper towels.
00:32:50He's got trash bags.
00:32:52There we go.
00:33:18You've been working for Amara too long.
00:33:21He's a lull in a conversation and you think, well, might as well shoot him.
00:33:26Jesus.
00:33:30Text from Iago.
00:33:32Wants us to check in at the casino.
00:33:34Huh?
00:33:35Drive an extra 40 minutes.
00:33:36You may not just call him.
00:33:38I'm telling you what it says.
00:33:42Oh, his roommate, Nathan.
00:33:44He said he knew a producer over at Universal.
00:33:46A guy called Rick something.
00:33:48Why didn't he just give the script to him?
00:33:53To who?
00:33:54I guess Owen and Nathan weren't too tight.
00:34:04Is it any good?
00:34:05I don't know.
00:34:07I get car sick if I read while I'm driving.
00:34:10Also, the pages are stuck together.
00:34:19How hard can it be?
00:34:22What?
00:34:24Producing a movie.
00:34:25Oh, Jesus.
00:34:26You're still talking about this?
00:34:27We've got a script.
00:34:28Get out of Reddit.
00:34:29Owen said it was good.
00:34:32You need money and actors and, you know, lights.
00:34:39I mean, you can't just go to Home Depot and pull that shit off the shelf.
00:34:43We don't know the first fucking thing.
00:34:46So we find someone who does.
00:34:49Okay.
00:34:49You know, you talk to a writer for three minutes and suddenly you're Marvin Scorsese.
00:34:55Martin.
00:34:56Huh?
00:34:57Martin Scorsese.
00:34:58Whatever.
00:34:59Well, forgive me for thinking I can do something meaningful.
00:35:01Something that lasts.
00:35:02What are you rambling about?
00:35:04The old movies I used to watch as a kid.
00:35:06I watch the same movies now with Emma.
00:35:08Whereas all you and me do is bury shit.
00:35:13Now, maybe in a movie, digging a hole would be exciting.
00:35:18There'd be a soundtrack and actors and a plot.
00:35:23It would lead somewhere.
00:35:25But in real life, digging a hole is pointless and unpleasant and boring and a pain in the arse.
00:35:33Are you okay?
00:35:35I'm not usually this quiet.
00:35:36What kind of an idiot drives a car like that?
00:35:39Think maybe he's compensating for something?
00:35:42Look at this.
00:35:44He needs to drive out here to check in and he wasn't even gonna fucking wait for us.
00:35:48Easy.
00:35:49You know, if I'm around, definitely invite me to that shit.
00:35:51You told us to check in.
00:35:52And you did.
00:35:54Where are you going?
00:35:55Where am I going?
00:35:57To your mother's for a rim job and a slice of pie.
00:36:00Thanks for asking.
00:36:05What a cunt.
00:36:07See that?
00:36:09What was that?
00:36:09Huh?
00:36:14You wanna tell me something?
00:36:18Not a big deal.
00:36:19What's not a big deal?
00:36:20The scratch you put on his truck.
00:36:22Guys, I don't even care.
00:36:23He was already scratched.
00:36:24Doesn't matter.
00:36:24Oh shit.
00:36:25That little mark?
00:36:27Did I do that?
00:36:28Yeah, you hit it with your clown car.
00:36:30So maybe I should give you the papers to my insurance company.
00:36:34Or maybe I should get on my knees and buff it out.
00:36:36Is that what you want?
00:36:39Up to you.
00:36:39Okay.
00:36:41Okay.
00:36:43Come on, man.
00:36:45Who the fuck you think you are?
00:36:47Don't bite that at me.
00:36:49Mm-mm.
00:36:50You don't tell me what to do.
00:36:52Yo!
00:36:53Yo!
00:36:54Ah!
00:36:55Shit!
00:36:57Motherfucker!
00:36:58You're a dead man.
00:36:59You're a dead man.
00:37:01You're a dead man.
00:37:03For when he calms down, yeah?
00:37:07Get off!
00:37:11What'd I say?
00:37:12We should probably go over here.
00:37:14What did I say?
00:37:14What did I say?
00:37:15What did I say?
00:37:16Treat him with respect.
00:37:17Just show him respect.
00:37:18You don't have to respect him.
00:37:19Just show him respect.
00:37:22Is that so hard?
00:37:24Motherfucker!
00:37:25I'm the one out of lines?
00:37:26Yeah, you're out of lines!
00:37:29I'll smooth things over tomorrow.
00:37:31Yeah, sure.
00:37:37Please don't be offended if I preach to you a while.
00:37:44Tears are at a place in eyes that were meant to smile.
00:37:50Here's a way to make all of your biggest troubles small.
00:37:55Here's the happy secret of it all.
00:38:03Look for the silver lining
00:38:08Whene'er a cloud appears in the blue
00:38:14Remember somewhere the sun is shining
00:38:19And so the right thing to do
00:38:23Is let it shine for you
00:38:26A heart full of joy
00:38:29You're this whole other person up there.
00:38:32I forgot who I was watching.
00:38:33Oh, come on.
00:38:33I did. I'm serious.
00:38:35It's a real talent.
00:38:37You look so great.
00:38:40Hey, kiddo.
00:38:41Hey.
00:38:43Fantastic.
00:38:45Hi.
00:38:46Jeffrey.
00:38:47Miles.
00:38:49Did you have a kid in the play?
00:38:51No.
00:38:52He came with me.
00:38:54Can I talk to you please?
00:38:55Just a second, sweetheart.
00:38:57Oh my gosh.
00:38:59You brought a date?
00:39:00I thought you were out of town.
00:39:02You banging this guy?
00:39:03None of your business.
00:39:04No, fuck it's not.
00:39:07I-I know him through friends at work.
00:39:10And I-I have started seeing him.
00:39:13I should have told you.
00:39:14It's just it's still now.
00:39:15You brought him to our plane.
00:39:17He wanted to come.
00:39:18As far as Emma knows, he is a friend.
00:39:25Miles.
00:39:27Nothing happens to him.
00:39:28Okay? Nothing.
00:39:30He gets hit by lightning?
00:39:31I will know it's you.
00:39:32Listen.
00:39:34I'm making changes in my life.
00:39:37Career changes.
00:39:39Exciting ones.
00:39:39I mean, it's-it's all a bit hush-hush right now, but...
00:39:43Katie.
00:39:47Okay.
00:39:49Well, I think that's great.
00:39:52For your sake.
00:39:53I think...
00:39:54We left Emma standing there.
00:39:59Sh.
00:40:00Do you want to go?
00:40:01It's a sh.
00:40:02Yeah.
00:40:02It's a sh.
00:40:03Thanks, man.
00:40:03Bye.
00:40:04Bye.
00:40:06Bye.
00:40:07Bye.
00:40:08Bye.
00:40:09Bye.
00:40:11Bye.
00:40:12I don't know.
00:40:45You want to eat something?
00:40:48A shrimp you like.
00:40:49I am fine.
00:40:54So, let's agree on the number.
00:40:56We're asking for 12.
00:40:58You are going to sleep on it.
00:41:00No sleep for me.
00:41:03We did our homework.
00:41:05Attendance at your park is excellent.
00:41:07Problem is the water quota.
00:41:09Since the drought, you get fined by the county every month.
00:41:13They're raising the price per gallon and you're losing money.
00:41:16Which means you need us.
00:41:20Hold on.
00:41:27Nine percent on the walk.
00:41:29Can't go above five.
00:41:30Five?
00:41:31No, no, no, no, no.
00:41:32You promised.
00:41:33Sweetheart.
00:41:34He does numbers.
00:41:38I have built this company over 20 years.
00:41:40I am not about to risk it over this bullshit.
00:41:44And you.
00:41:48You can go fuck yourself.
00:41:51Because from now on, I sure as hell won't.
00:42:11We could go higher.
00:42:13He don't want to do business with me.
00:42:15That's okay.
00:42:38How could she be so blind?
00:42:51Driver's license.
00:42:58Oh.
00:42:59My assistant forgot to put the appointment in my phone and now I can't reach her.
00:43:03She just got back from honeymoon.
00:43:06I think her head's still between the sheets.
00:43:11Anyway, I'm meeting a producer called Rick something.
00:43:14He's making a film called The Hunted.
00:43:15Hold on.
00:43:16Yeah.
00:43:18Rick Moorweather.
00:43:19That's it.
00:43:20Okay, his office is just past the water tower.
00:43:24But I'm not seeing your name here.
00:43:26Do you have a drive-on?
00:43:27I do.
00:43:31What's a drive-on?
00:43:33Okay, sir, you're going to need to pull around the booth and exit this side.
00:43:37What are they doing?
00:43:39How's it they're all getting in?
00:43:40They're here to see Rachel Ray.
00:43:42Shut up.
00:43:44Rachel Ray sent her.
00:43:45Yeah, West Coast taping.
00:43:46But, sir, there's people behind you.
00:43:48Can I get a ticket for Rachel Ray?
00:43:50Okay, there's a standby list.
00:43:51But right now, you're going to need to make a U-turn.
00:43:55Sir, there's people behind you.
00:44:00Hi.
00:44:01Miles daily for Rick Moorweather.
00:44:03Do you have an appointment?
00:44:05Nobody called about you.
00:44:08Oh.
00:44:11You know what it is?
00:44:14My assistant, Clarissa, she's going through a breakup.
00:44:18It's messed up my whole week.
00:44:21You think there's any way that Rick might be able to see me since I'm here?
00:44:25Well, he's got a full schedule.
00:44:29But have a seat.
00:44:30I'll check.
00:44:31Mr.
00:44:32Miles daily.
00:44:50Are you an actress?
00:44:53Me?
00:44:55God, no.
00:44:59I just figure anyone attractive in L.A. is an actress.
00:45:02But not in your case.
00:45:04No.
00:45:10What do you do?
00:45:12I'm an executive.
00:45:14Oh, shit.
00:45:15Yeah.
00:45:18What does that mean?
00:45:21What's an executive?
00:45:22Mm-hmm.
00:45:24Well, I oversee producers who make films for my studio.
00:45:29Which is?
00:45:30Gravity Pictures International.
00:45:32Oh, right.
00:45:38What do you do?
00:45:42I'm a film producer.
00:45:46As of three hours ago.
00:45:51And how's that going?
00:45:53Good.
00:45:54Yeah?
00:45:56Miss Quinn, you can go on in.
00:45:58Great.
00:46:01Well, good luck.
00:46:05Maybe we'll work together sometime.
00:46:07You never know.
00:46:08It's a small town.
00:46:12Ah, what a happy surprise.
00:46:14Come on.
00:46:15Let me have a seat.
00:46:15Oh, no.
00:46:16I'd love to stay, but I can't.
00:46:17I just wanted to tell you I tried to move Tyler's work.
00:46:20Made a dozen calls.
00:46:22At least two calls.
00:46:24And?
00:46:25So many moving parts.
00:46:27We've got a location in Mintz.
00:46:29The Pentagon is loaning us a submarine.
00:46:32So, you know, we've got to get that back.
00:46:34Sit, sit, sit, sit.
00:46:34I can't.
00:46:35No, no.
00:46:35Just for a second.
00:46:36Come here.
00:46:36Come on.
00:46:37Sit down.
00:46:38All right.
00:46:40Okay.
00:46:40I'm not happy saying this, but just as your friend, you don't want Tyler in your movie.
00:46:47Why not?
00:46:49Did you know he brings gay prostitutes into the trailer?
00:46:53Yes.
00:46:55Okay.
00:46:55And?
00:46:57He does hard drugs.
00:47:00What kind?
00:47:02What kind?
00:47:03Opium.
00:47:05Yeah, he smokes it.
00:47:07I know when you're bullshitting, Rick.
00:47:10I worked for you.
00:47:11I'm not bullshitting.
00:47:11I got to go to this screening now.
00:47:13Let's get lunch next week.
00:47:14No, no, no, not next week.
00:47:16I'm going to have Marsha set it up, okay?
00:47:17It was great to see you.
00:47:19Well, wait!
00:47:24I, uh, I spent three years getting this film going.
00:47:29I have nothing in development.
00:47:32If, if I shut down now, I lose investors.
00:47:43April.
00:47:46Please.
00:47:50I'm sorry.
00:47:54I am.
00:47:55But you'll figure it out.
00:47:59I know you will.
00:48:07Take care.
00:48:10See you.
00:48:12Bye.
00:48:20Any word?
00:48:22Like I said, he's got a full schedule.
00:48:23Oh.
00:48:25I'll give him a try.
00:48:27I appreciate that.
00:48:38Is that him?
00:48:40Uh.
00:48:41Okay.
00:48:50Mr. Morwetter.
00:48:52I'm sure you're really busy, but I have a script I just know you're going to love.
00:48:55Leave it with Gladys.
00:48:56Please.
00:48:57It's quicker if I just tell you about it.
00:48:58So the story takes place in the old days in Europe.
00:49:01And there's this young guy, an Irish guy, actually.
00:49:03And he's in love with this beautiful girl.
00:49:05But he loses her because he has to go to war.
00:49:08And he sees some terrible shit.
00:49:10And he does some terrible shit.
00:49:12And by the time he comes home looking for her, he's too fucked up in the head to connect.
00:49:17So he needs to find that part of himself that remembers how to love.
00:49:22And you know, there's funny bits.
00:49:27Who are you?
00:49:28Miles Daly.
00:49:32Did you eat off it?
00:49:34Look, Miles.
00:49:36It's a bad time.
00:49:37Thanks.
00:49:39Listen, Rick.
00:49:41I'd produce this myself, but I've never done it before.
00:49:44And I thought, who'd be into this?
00:49:46Rick fucking Morweather.
00:49:47So I do the legwork, you advise me, and we split the profits.
00:49:53Listen.
00:49:55I make straight to video movies.
00:49:57Budgets of five to ten million.
00:49:59Stuff that sells in Germany and Japan.
00:50:01I can't finance a period drama.
00:50:04If I did, I'd lose my shirt.
00:50:14Best of luck.
00:50:18I mean it.
00:50:41Hey, everything all right?
00:50:43I haven't seen Iago, but we've got work at the warehouse.
00:50:48Can I keep a few hours?
00:50:50I guess so.
00:50:52Tomorrow I met with a new business partner.
00:50:55Didn't work out.
00:50:56Who?
00:50:58Potential front for our cash now that Jason's gone.
00:51:01That's what Ed told me.
00:51:03That's what Ed told me.
00:51:04I don't know.
00:51:05Where are you, anyway?
00:51:07We're heading back from L.A.
00:51:08L.A.?
00:51:09How the fuck are you in L.A.?
00:51:11I'll tell you when I get there.
00:51:12What did you...
00:51:20What did you...
00:51:24But...
00:51:39I don't know.
00:51:39You went back from L.A.
00:51:40We're on the road.
00:51:41What did you even saw?
00:51:41I ran back from L.A.
00:51:42We went back.
00:51:42I ran back from L.A.
00:51:42We were on the centre of the house.
00:52:06Mara, it's about time.
00:52:11For what?
00:52:13I just wanted to talk over something with you.
00:52:16An idea.
00:52:18In the car.
00:52:30Huh?
00:52:32You're in front.
00:52:35Oh, I'm not angry.
00:52:38No?
00:52:39You swat under the bridge.
00:52:42Get him.
00:52:45You know, we can always do this later.
00:52:48I should really get to the warehouse.
00:52:51We drop you off.
00:52:52Let's go.
00:52:53Let's go.
00:53:01Let's go.
00:53:06Let's go.
00:53:34So?
00:54:01And I thought it could be a good way to make your cash flow legit.
00:54:10I don't understand.
00:54:20You'd finance one of his movies as a silent partner, and he'd sell it. You'd recoup.
00:54:27You'd pay tax on those earnings, but that money, all of that money would be clean.
00:54:40And this is your idea?
00:54:44Yeah.
00:54:52One movie.
00:55:04One movie.
00:55:07I thought it was two of those.
00:55:13I thought it was a long time ago.
00:55:13You've got to get into the movies ...
00:55:13...
00:55:23This was the movie.
00:55:24It's a horror movie.
00:55:34I like John Stamos.
00:55:40Excuse me?
00:55:42You know John Stamos?
00:55:46The actor.
00:55:48Go here, Bienes.
00:55:51Yeah.
00:55:52Definitely.
00:55:55Good idea.
00:56:04Now think about it.
00:56:09Great.
00:56:55It's such an unbelievably
00:56:58terrible idea I really don't know what to say you'll be in business with Amara
00:57:06maybe how'd that work out for him hey buddy do you think this is a good idea
00:57:21everybody in show business has a different story about how they broke in
00:57:25maybe this is our way our way yeah no no no you know what I don't even want to hear
00:57:32about this
00:57:35you know when it's you on that tarp I'm gonna be sad but it won't be me
00:57:45I'm gonna make a call
00:57:53hi
00:57:55hey just saying good night and how amazing you are in your play
00:57:59thanks
00:58:00speaking of which I told you I was going to Hollywood right
00:58:02well I met an actor and a writer and a producer
00:58:07where
00:58:08ah people like that are all over LA
00:58:11who's that
00:58:12it's dad
00:58:14well tell him you're going to bed
00:58:15bye mom
00:58:19hey um I gotta go
00:58:21and I'm sorry about Jeffrey I didn't know
00:58:24listen
00:58:26me and your mom are having a few little issues at the moment but I have a
00:58:29feeling that everything's going to work out fine
00:58:33night shorty
00:58:35love you
00:58:38love you too
00:58:48love you
00:58:55you always hurt
00:58:59the one you love
00:59:02the one
00:59:04you shouldn't hurt at all
00:59:09you always take
00:59:12the sweetest rose
00:59:16and crush it
00:59:18till the petals
00:59:19fall
00:59:23you always break
00:59:26the kindest heart
00:59:29with a hasty
00:59:32word you can't
00:59:34recall
00:59:34so
00:59:36if I broke
00:59:40your heart
00:59:42last night
00:59:43it's because
00:59:45I loved you
00:59:46most
00:59:47of
00:59:48all
00:59:51you
00:59:52always hurt
00:59:53the
00:59:54the
00:59:56you
01:00:00you
01:00:00know
01:00:03you
01:00:04you
01:00:05You always take the sweetest rose, crush it till the petals fall.
01:00:18You always bring the kindest heart with the hasty word you can't recall soon.
01:00:31Oh, if I broke your heart last night.
01:00:40Quality.
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