- 22 minutes ago
مسلسل Dracula مترجم - Episode 1
Category
📺
TVTranscript
00:00:28Transcription by CastingWords
00:00:59Transcription by CastingWords
00:01:28Transcription by CastingWords
00:01:43Transcription by CastingWords
00:01:54Transcription by CastingWords
00:02:24Transcription by CastingWords
00:02:40Transcription by CastingWords
00:02:44Transcription by CastingWords
00:02:58Transcription by CastingWords
00:03:15Transcription by CastingWords
00:03:23Transcription by CastingWords
00:03:37Transcription by CastingWords
00:03:54Transcription by CastingWords
00:04:00Transcription by CastingWords
00:04:13Transcription by CastingWords
00:04:14I think so
00:04:17I'm asking Mr. Harker if you had sexual intercourse with Count Dracula
00:04:50Transcription by CastingWords
00:05:16Mr. Harker, Mr. Harker,
00:05:50Yeah! Yeah! Hey!
00:05:53Yeah! Yeah!
00:05:57My darling Johnny.
00:06:02You are to travel to a distant land,
00:06:05and I shall miss you very much every single day.
00:06:10It seems to me likely that you will meet some very exciting women
00:06:13as you travel across Europe to Transylvania.
00:06:16And I wanted to assure you that should you fall prey to temptation,
00:06:20I, as your dutiful fiancé, will completely understand.
00:06:25The certainty of our coming wedding
00:06:28is all the consolation a young woman could require.
00:06:31Well, apart from the very handsome Dr. Homeward,
00:06:34your friends Reggie and Barnaby, who always seem so pleased to see me,
00:06:37lovely Edwin from your office,
00:06:39the butcher's boy who's filled out quite deliciously in recent months,
00:06:42and should I want for variety,
00:06:44the adorable barmaid of the Rosencrown,
00:06:47who I know you have also admired.
00:06:52I feel certain we shall be mindful of each other
00:06:54at all times during our separation.
00:06:57All my love, and I hope all yours,
00:07:01your adoring Mina.
00:07:22Actually, driver, could you help me with my cases?
00:07:29Charming.
00:07:30I'll be fine.
00:07:31I'll get a look at me on the right side.
00:07:42No!
00:07:59I'll do it.
00:08:26Hello?
00:08:45Hello?
00:08:46Hello?
00:08:47Hello.
00:08:48Hello.
00:09:10Anyone at home?
00:09:14Hello?
00:09:28Hello?
00:09:40Hello?
00:09:41Hello?
00:09:52Hello?
00:09:54I'm sorry.
00:09:56The wine was open.
00:09:57I assumed perhaps I could pour you some, Count.
00:10:01I do not drink wine.
00:10:05I bid you welcome, Mr. Harga.
00:10:09I am Dracula.
00:10:33Your employer speaks highly of you, Mr. Harga.
00:10:40Yes, the property has been purchased in your name.
00:10:44Everything is in order.
00:10:45I need only your signature on a few documents.
00:10:48And Carfax Abbey will be yours.
00:10:50I am looking forward to England, Mr. Harga.
00:10:54People here, they are so narrow.
00:10:57I wether among them.
00:10:59I am...
00:11:00They are without...
00:11:03They are without flavour.
00:11:07Perhaps you mean character?
00:11:10Perhaps.
00:11:13This is good, Mr. Harga.
00:11:15You must correct my English at all times.
00:11:18From you, I shall learn to pass among your countrymen as one of their own.
00:11:23Your English is already excellent, Count.
00:11:28You flatter me.
00:11:30I don't, I don't.
00:11:32However, I'm afraid I will be leaving here tomorrow.
00:11:35I have to return to England immediately.
00:11:41No.
00:11:44Sorry?
00:11:45Your apology is unnecessary.
00:11:49You are staying.
00:11:51It has already been agreed.
00:11:54With whom?
00:11:56Your superiors.
00:11:57You will remain with me for one month and assist me with my English and my understanding of your culture.
00:12:06Count, I...
00:12:06Do not...
00:12:08No.
00:12:09Please.
00:12:10Do not look so concerned, Mr. Harga.
00:12:14You are most welcome.
00:12:18Count...
00:12:19Count Dracula.
00:12:20I...
00:12:20I'm a lawyer.
00:12:22I'm not a teacher.
00:12:23There will be no need to teach you.
00:12:27Simply remain on my side and I shall...
00:12:32Absorb you.
00:12:39That word.
00:12:41Absorb.
00:12:43He said that.
00:12:45Yes.
00:12:49Absorb.
00:12:59You will not find my home easy to navigate.
00:13:04No.
00:13:04It is a rising labyrinth of stairs and doors and shadows.
00:13:11Yes.
00:13:12Quite remarkable.
00:13:14One would almost need a map.
00:13:15There is no map of my castle.
00:13:19No complete design was ever committed to paper.
00:13:25It is said many souls are lost in the tangle of the corridors.
00:13:32Reserata...
00:13:33Casarim.
00:13:35The prison.
00:13:37Without locks.
00:13:42Ha ha ha ha ha ha ha ha ha ha.
00:13:45Perhaps you have heard of the architect Petrovio the Widower?
00:13:51No.
00:13:52This castle was the Widower's final work.
00:13:57A monument to his lost love and the sunlight to which he could never return.
00:14:05Legend has it that he died here.
00:14:10In the arms of his wife.
00:14:15If he was a widower, surely she died before him.
00:14:23It must have been a cold embrace.
00:14:41Do not be impatient with those sweet little things.
00:14:46They are man's companion to the end and beyond.
00:14:51Where there is flesh, there are flies.
00:14:57In the morning, you will find the sunlight will be streaming through this window.
00:15:06Fortunately, the drapes are very thick.
00:15:11Please excuse the absence of my staff.
00:15:17They are not here at night.
00:15:23Forgive me.
00:15:25I am Clown Thiel.
00:15:29Of course, Count.
00:15:30Though perhaps you could lend me a replacement.
00:15:32I am afraid I do not possess such a thing.
00:15:36You don't have any mirrors?
00:15:39Bubbles of vanity.
00:15:41What is the purpose of a mirror?
00:15:43Hm?
00:15:44One will find no enlightenment in one's own gaze.
00:15:49Ah!
00:16:01Are you all right, Miss Lorna?
00:16:04No, I'm fine.
00:16:04It's a...
00:16:05It's a scratch.
00:16:06Please, be careful.
00:16:09We cannot return you in any way damaged to your beautiful Mina.
00:16:14It's nothing as to...
00:16:17Did I mention Mina?
00:16:21I think you spoke of her beauty at dinner.
00:16:29Don't recall that.
00:16:30Perhaps it was the wine.
00:16:36No, I barely drank.
00:16:39My sympathies.
00:16:41Please, attend to your hand.
00:16:43It's really fine. It's nothing.
00:16:45Blood is not nothing.
00:16:50Blood is lives.
00:16:52Lives?
00:16:54You are quite certain he did not say blood is life.
00:16:57He said blood is lives.
00:16:59He did.
00:17:01Yes.
00:17:02It struck me as odd.
00:17:04But there were other oddnesses that preoccupied you.
00:17:08How could he know my thoughts?
00:17:10I never mentioned Mina at dinner.
00:17:13I'm certain of it.
00:17:15A dog can sniff stories on the slightest breeze
00:17:18while we are blind in the wind.
00:17:20You could smell my thoughts in the air.
00:17:23No, Mr. Harker.
00:17:24That would be ridiculous.
00:17:26But perhaps in your blood.
00:17:28Perhaps stories flow in our veins.
00:17:30If you know how to read them.
00:17:33Blood is lies.
00:17:34Yes.
00:17:37You will not see me till tomorrow evening.
00:17:40I have several appointments.
00:17:45Till then, please treat my home as your own.
00:17:52I beat you good night.
00:17:55Good night night.
00:18:08I'm coming to the sun and your water.
00:18:09Well, the gatherings on top of the sun.
00:18:10I'll由 you to the sun.
00:18:11I'll see you good night.
00:18:13See you guys, hello?
00:18:13Bye-bye.
00:18:14Hi, hello.
00:18:18Bye-bye.
00:18:20Good night.
00:18:25Bye-bye.
00:18:26Bye-bye.
00:18:26Bye-bye.
00:18:28I don't know.
00:18:59There's someone in the castle!
00:19:05Hello?
00:19:09Hello?
00:19:21So there was another guest in the castle.
00:19:25Perhaps also a prisoner.
00:19:28I didn't realize I was a prisoner at the time.
00:19:31That night, then?
00:19:33I slept.
00:19:34You dreamed.
00:19:36I awoke early.
00:19:38No, wait, wait.
00:19:39You dreamed?
00:19:41After a day of such incident and color, how could you not?
00:19:47Was it Mina you dreamed of?
00:19:50You longed for her.
00:19:52One longs for the solace of home.
00:19:56One longs, certainly.
00:19:59Tell me more about your dream.
00:20:01It is private.
00:20:03You ache for her.
00:20:05You were together in your dream.
00:20:07I...
00:20:07I don't...
00:20:09This is not...
00:20:28There is no shame in it.
00:20:33Dreams are a haven where we sin without consequence.
00:20:36Believe me.
00:20:37I know.
00:20:39Some mornings, I can hardly look Sister Rosa in the face.
00:20:46What do you...
00:20:48Asked before...
00:20:50If I'd...
00:20:51If I'd...
00:20:51If you'd ever had sexual intercourse with Count Dracula.
00:20:54Hmm.
00:20:56Why did you ask that?
00:20:58Clearly, you have been contaminated with something.
00:21:01Any contact you've had with Count Dracula, sexual or otherwise, is therefore relevant.
00:21:12Continue.
00:21:36Help us.
00:21:39So it struck you as strange, of course.
00:21:42Well, clearly there was someone trapped in the castle.
00:21:45No, no.
00:21:46The writings.
00:21:47Help us.
00:21:48It was upside down.
00:21:50Well, yes, of course.
00:21:51Because whoever wrote it was obliged to hang that way.
00:21:54But even that extraordinary physical feat is surely not the point of interest.
00:21:58And what is?
00:21:59What is remarkable, Mr. Harker.
00:22:02What is convenient...
00:22:04Is that the words were in English.
00:22:09Oh.
00:22:13I didn't think of that.
00:22:14Of course not.
00:22:15You are an English man.
00:22:17A combination of presumptions beyond compare.
00:22:23Proceed.
00:22:31I knew I had the day to myself.
00:22:35So I determined to find the room above mine and see if anyone required my assistance.
00:22:41Tell me.
00:22:43How did you feel?
00:22:46Different.
00:22:47Older.
00:22:49But very curious.
00:22:52At least I knew I was not alone.
00:22:55The Count hadn't been exaggerating about his castle.
00:22:59Hello?
00:23:03Whatever way I turned, it never took me where I expected.
00:23:07Every door I opened led to two more.
00:23:10And then three.
00:23:14Every step I took, I made the wrong choice.
00:23:19I was lost in the Architect's Labyrinth.
00:23:28I wasted most of the day until I found myself too tired to go on.
00:23:39Sorry.
00:23:40Didn't mean to startle you.
00:23:41No.
00:23:41I think you've been working too hard.
00:23:44No.
00:23:46Please.
00:23:47Relax.
00:23:49Have a glass of wine.
00:23:52Your voice.
00:23:54You sound different.
00:23:56I've been working on my English.
00:23:59Do you approve?
00:24:01It's almost perfect.
00:24:03The credit is all yours.
00:24:07Your presence has invigorated me.
00:24:12Fresh blood.
00:24:33Help us.
00:24:41Hello?
00:24:47Hello?
00:25:03Excuse me?
00:25:05Please, I intend you no harm.
00:25:11However fleeting the sight, surely this was proof that I wasn't going mad.
00:25:39Count Dracula.
00:25:43Are we alone in this castle?
00:25:46Yes.
00:25:49Except for the servants, of course.
00:25:52I never see any servants.
00:25:54They aren't here at night.
00:25:56I don't see them in the daytime either.
00:26:01In fact, apart from the driver, I haven't seen anyone working here at all.
00:26:12Ah, yes.
00:26:14The driver.
00:26:21What I'm asking is, aside from yourself, is there anyone living in this castle?
00:26:38No.
00:26:40No.
00:26:42There's no one living here.
00:26:46No.
00:26:47No.
00:27:03No.
00:27:04No.
00:27:06No.
00:27:07younger while the opposite was true for you did you understand what was happening to you
00:27:29no not then I thought I was sick just sick turn your head to the side why show me
00:27:49you have been very strong mr. hacker in your circumstances I don't
00:27:54think I could have been half so brave I wasn't brave what way was I pray you trapped in that
00:27:59place you were afraid and yet you spent your day searching the castle because you thought
00:28:04someone needed your help well my help had been requested it would have been difficult
00:28:09to refuse that difficult unacceptable so your search continued tell us
00:28:27my every exploration let me deeper and deeper into the labyrinth
00:28:47eventually I made a remarkable discovery
00:29:20I'm sorry
00:29:26what had become of these people
00:29:30were they my predecessors
00:30:07oh
00:30:09oh
00:30:10oh
00:30:11oh
00:30:11oh
00:30:12oh
00:30:13oh
00:30:13Oh, Magrima!
00:30:21Oh, Magrima!
00:30:31Oh, Magrima!
00:30:34Oh, Magrima!
00:30:43Oh, Magrima!
00:30:52Oh, Magrima!
00:31:13Oh, Magrima!
00:31:15Oh, Magrima!
00:31:19Oh!
00:31:22Oh!
00:31:24Oh!
00:31:43Stop!
00:32:30Please.
00:32:32Help!
00:32:35Please.
00:32:35Help!
00:32:35Please.
00:32:37Please.
00:32:44That's all I remember.
00:32:47Fear I may have passed out.
00:32:49Quite understandable.
00:32:51Omar Omar.
00:32:53Do you know what that is?
00:32:56It sounded like a curse.
00:32:58It's Romanian.
00:32:59It means kill me.
00:33:01You look dead already.
00:33:03Dead and walking.
00:33:06Undead.
00:33:10Tell me.
00:33:12Oh, man.
00:33:14There is a contagion.
00:33:17A corruption passing through this world from one sufferer to the next.
00:33:22For those unfortunates who fall victim to it, life becomes incurable.
00:33:26They lose the divine ability to die.
00:33:30As their bodies rot, their consciousness persists.
00:33:34Even as dust, their pain goes on.
00:33:38It is a secret every gravedigger keeps.
00:33:41There are those among us destined to scratch at our coffin lids for all eternity.
00:33:49If you work among the dead, it's not death you fear.
00:33:55It's the alternative.
00:34:01Is there any salvation for such creatures?
00:34:04I don't know.
00:34:06Have faith.
00:34:07Faith is a sleeping draft for children and simpletons.
00:34:11What we must have is a plan.
00:34:16Dracula is one of them, isn't he?
00:34:19Undead.
00:34:21Undead, certainly.
00:34:22But from your account, I think he is much more complicated.
00:34:43Johnny.
00:34:46There you are.
00:34:48I thought we'd lost you.
00:34:50What am I doing here?
00:34:52I found you downstairs, asleep on the floor.
00:34:59I could be wrong, but I think you were having a nightmare.
00:35:03You do look rather pale.
00:35:09You said you didn't drink wine.
00:35:13Now, listen.
00:35:16Listen, I need you to do something.
00:35:21Let's put yourself down.
00:35:22There you go. That's the ticket.
00:35:25Now, take this.
00:35:26I need you to write three letters.
00:35:33What was that?
00:35:34That's nothing.
00:35:35Sounded like a baby.
00:35:36No, no, no. There's no baby.
00:35:38Now, Johnny, Johnny, concentrate.
00:35:40Three letters.
00:35:42No one calls me Johnny.
00:35:44No one.
00:35:46No one.
00:35:50Company for you while you work.
00:35:52Who is she?
00:35:54Don't you recognize her?
00:35:57Why would I?
00:35:58I took it from your room.
00:36:00It's Mina.
00:36:02Your fiancée.
00:36:04Mina Murray.
00:36:07Huh.
00:36:11Huh?
00:36:12Huh?
00:36:13Huh?
00:36:18How can I not recognize her face?
00:36:21Well, you do look rather drained.
00:36:26You look young.
00:36:30And I owe it all to you.
00:36:34Thanks.
00:36:36Now, it's almost time for you to go.
00:36:38So, three letters, all to Mina.
00:36:40The first saying you have nearly finished your work here and will be leaving within the week.
00:36:46The second saying that you have now completed your work and will be leaving the following day.
00:36:52And the third saying you have now left the castle and have arrived safely in, what shall we say?
00:36:57I'll be stripped, hmm?
00:36:59I will send the letters at the appropriate times.
00:37:02I'll forward the last one to be stripped so it can be sent from there.
00:37:06But why, why, why would I, why would I do that?
00:37:09So that Mina will know that you're coming home.
00:37:12But why would I write the letters in advance?
00:37:16Because the post here is very erratic.
00:37:18It's a precaution.
00:37:20For whom?
00:37:22If, if something were to happen to me and those letters had already been sent.
00:37:26Then Mina wouldn't think to come looking for you here.
00:37:33Do you want her to come here?
00:37:42That's a baby.
00:37:43I can hear it crying.
00:37:45There is no baby.
00:37:48Right?
00:37:49The letters or don't write the letters.
00:37:52It's up to you.
00:37:53I'm only thinking about Mina.
00:37:55Now, if you don't mind things to do, see you tomorrow evening.
00:37:58Leave the letters on the table.
00:38:01The dates, the dates.
00:38:05The dates for the letters, huh?
00:38:08How should I date them?
00:38:10Well, let's see.
00:38:12Er, the twelfth for the first.
00:38:15Er, for the second, the nineteenth.
00:38:17And for the third, um, what shall we say?
00:38:25Twenty-ninth?
00:38:29Twenty-ninth.
00:38:31As good a day as any, Johnny.
00:38:34Good night.
00:38:43What if I leave?
00:38:45What if I leave this place right now?
00:38:47No one is stopping you.
00:38:51I don't have the strength.
00:38:52No, I know.
00:38:55It's not your fault, Johnny.
00:38:57You mustn't blame yourself.
00:39:04Please.
00:39:07Please.
00:39:09Please.
00:39:10Please.
00:39:10The baby.
00:39:12Johnny, there is no baby.
00:39:21I knew in that moment that I had a choice.
00:39:24I'd been told the span of my life, the limit of my existence, the twenty-ninth.
00:39:30Now I could stay here, dying piece by piece, till I found myself nailed into one of those boxes.
00:39:40Or?
00:39:42Or I could kill Count Dracula.
00:39:47Not an easy task in the circumstances.
00:39:50No, but I had certain advantages.
00:39:53I should be fascinated to know what they were.
00:39:56I was enfeebled and trapped.
00:39:58Well, indeed.
00:40:00So Dracula did not consider me a threat.
00:40:02That's true, yes.
00:40:04But on the negative side, you were enfeebled and trapped.
00:40:09I had a potential ally.
00:40:11One who could climb the castle walls.
00:40:14One you couldn't even find.
00:40:16That was because I was looking for the wrong thing.
00:40:20I should have been looking for a map.
00:40:22Of the castle, but there wasn't one.
00:40:24That's what Dracula believed.
00:40:26But in telling me that, he'd also told me where to find it.
00:40:29What did he say?
00:40:31I told you.
00:40:35I missed it.
00:40:36You did.
00:40:38Then you're much quicker than me.
00:40:40I'm not quick.
00:40:41I've always been slow.
00:40:44But the thing is, when you're slow, you know you need to pay attention.
00:40:47It's the clever ones who never listen.
00:40:51You've read all this already in my account.
00:40:55It's vague in certain crucial regards.
00:41:01Continue, please.
00:41:04It occurred to me that night that Dracula said more than he intended.
00:41:10And more than he knew.
00:41:16As he was a creature of the night, I had to wait until morning to test my theory.
00:41:29The Count said there was no map, but Petruvio was an artist, and artists always wished to be understood.
00:41:38The castle was a monument to the architect's lost love, and the sunlight to which he would never return.
00:41:47And what else is sunlight but the face of one's beloved?
00:42:11It was clear from the castle maps that Petruvio had created within his design a system of shortcuts through the
00:42:18maze.
00:42:45How many times have I looked at that picture and not seen it?
00:42:50Petruvio's wife was the sunlight, and he stood guard at the door.
00:43:17Petruvio's wife was the sunlight, and he stood guard at the door.
00:43:27Petruvio's wife was the Quiet Frodo greeting today.
00:43:28I don't know it.
00:43:28I don't know it now.
00:43:42I don't know.
00:44:32He doesn't know I can get out of the box.
00:44:35Don't tell him.
00:44:37What?
00:44:39Are you his friend now?
00:44:42No, I work for him.
00:44:46I'm a lawyer from England.
00:44:50I think he's made you his friend.
00:44:54Why?
00:44:57What's England?
00:44:59It's where I'm from.
00:45:02You know it.
00:45:03You're speaking English.
00:45:05I learned it.
00:45:08How?
00:45:10It tasted funny.
00:45:13Tasted?
00:45:14Once you are the counsellor and all languages are the same.
00:45:21I'm hungry.
00:45:24There's a huge window.
00:45:26You left the message.
00:45:29I smelled you.
00:45:31You're trapped here.
00:45:33You're trapped too.
00:45:35I want to help you.
00:45:37Tell him I'm hungry.
00:45:39He only gives me scraps.
00:45:42Tiny little tears.
00:45:45Tell him I finished the last one.
00:45:48I finished it really quickly.
00:45:51I'm hungry!
00:45:55Look at it.
00:45:56Look at it!
00:45:57It is the sign of the cross.
00:46:00The symbol of our Lord.
00:46:02I know.
00:46:05It's pretty.
00:46:17You assumed, I suppose, that the cross would ward off evil.
00:46:24Why are you smiling?
00:46:26Your faith.
00:46:27I think it's touching.
00:46:30What happened to yours?
00:46:31I have looked for God everywhere in this world and never found him.
00:46:36Then why are you here?
00:46:37Like many women of my age, I am trapped in a loveless marriage,
00:46:40maintaining appearances for the sake of a roof over my head.
00:46:44Now then, we proceed to your miraculous escape from Castle Dracula,
00:46:49about which you have been so vague.
00:46:59I love you.
00:47:23Somebody, please, help!
00:47:42Whatever it does.
00:47:44Let's try!
00:47:44All alone!
00:47:53What do I find you?
00:47:55Look, I can't do that.
00:47:56Let me leave you alone!
00:48:12Johnny this is interesting I've never seen it work with a baby before never I think I might
00:48:19keep it on for a while I hope this doesn't mean that I'm getting sentimental
00:48:30why did you kill who oh because I wanted to see if she would die I suppose
00:48:40Johnny don't get me that look you were a child once you know the feeling didn't you break your
00:48:45toys apart to see how they worked you're a monster and you're a lawyer nobody's perfect
00:48:52uh snake through the heart you see sometimes the legends are right this is not one you can test
00:49:00too often though I only ever have three brides at a time right right yes I think that's the right
00:49:07word
00:49:08for it you see I am trying to reproduce which frankly can be a bit of a challenge when there
00:49:18is only one of you ah Johnny you're just about done aren't you she was a thirsty little thing
00:49:27and to think that she was going to keep you in that box all to herself are you going to
00:49:32kill me
00:49:32of course I'm going to kill you why does death always come as such a shock to mortals
00:49:49you took everything from me
00:49:52well of course I did you are the high road that leads me to England
00:49:58why why England ah
00:50:04the people all those sophisticated and intelligent people as I've been trying to tell everyone
00:50:11for centuries you are what you eat
00:50:36now
00:50:40if you don't mind I need you to do
00:50:42one last thing for me I haven't seen her in hundreds of years describe her to me
00:50:50oh I've had artists paint her and poets capture her in words and Mozart wrote such a pretty little
00:50:58tune I I really should have spared him but what does a lawyer see Johnny in my memory she sets
00:51:08behind the
00:51:09second highest peak at this time of the second highest peak at this time of year and she's quite red
00:51:15is she red Johnny
00:51:36it will be the last time you see her there is a box waiting for you in case you walk
00:51:45yes
00:51:46but most people I feed off just die so you'll probably be fine don't you see
00:51:53an end is a blessing dying gives you sighs it's the mountaintop from which
00:51:59your whole life is at last visible from beginning to end death completes you
00:52:08spare me how answer me Johnny how how do I spare you how indeed mr. Harker mr. Harker mr. Harker
00:52:25you're about to explain how you escaped from the castle
00:52:34yes you've read my account yes it will help to refresh your memory
00:52:55Dracula will be served
00:52:59what is this dracula is my master dracula will be a babe dracula is the beginning
00:53:07of the end dracula is all things dracula is God I I didn't write this when you were
00:53:14first brought here you asked for a pen and paper you're up all day and all night if
00:53:19this is what you wrote no no no no no no no I I thought I'd you thought you'd
00:53:24written an account of your stay at castle dracula the only account you've given the account you're
00:53:30giving right now
00:53:39it's time to finish your story
00:53:44tell me how do I spare you how
00:53:50let me go you know why I'm going to England you know that I'm going to kill people a lot
00:53:56of them
00:53:56as many as many as I need and perhaps even more
00:54:04you won't watch oh you won't tell anyone about me or try to stop me you'll just let me slaughter
00:54:11all
00:54:11you know all those innocents no questions asked so oh yeah you don't have to be
00:54:17Johnny I swear I swear I swear I swear I swear I swear I alright then do that
00:54:33I'm going to England to destroy everything and everyone you love but if you give me your word that
00:54:40you won't try to stop me I'll spare you give me your word you're going to kill me anyway look
00:54:52me in
00:54:53the eye and give me your word come Dracula I give you my word if you let me out of
00:55:10this place
00:55:13if you let me live then I will do everything in my power to stop you
00:55:25quite right
00:55:29that's my Johnny
00:55:32welcome to the mountaintop
00:55:41I'm not breathing
00:55:42sometimes you do but I think it's mostly habit
00:55:45you have no heartbeat either
00:55:50I'm dead
00:55:52undead but apparently not yet a vampire
00:55:57one must cling on to any good news that there is
00:56:06I do not serve Dracula
00:56:09no but he's in your mind
00:56:10the question is why are you not in one of his boxes
00:56:15I don't know
00:56:18it's not something one ever anticipates asking
00:56:20but what happened after you were murdered
00:56:36oh my goodness that was quick
00:56:44Johnny Johnny Johnny Johnny
00:56:47usually people have a lie down first
00:56:52you're going to be a lively one aren't you
00:56:57you came back so quickly that was impressive
00:57:01you even have the beginnings of a will of your own
00:57:03but none of the others had much beyond hunger but look at you go
00:57:11well don't you see this changes everything
00:57:17stay stay you could be my finest bride
00:57:25the others just became beasts but you've kept your spirit
00:57:30Johnny you're like me
00:57:31I am not like you
00:57:35you're like me
00:57:50it's everything it's
00:57:53it's all I remember
00:57:55but why did he scream what did you do nothing I did nothing I looked at him the next thing
00:58:01I
00:58:01remember was that I was here oh yes yes never mind that we know what happened next no I
00:58:06I don't I don't remember the river bore you out to sea and the fishermen found you caught in their
00:58:15net a drowned man walking and talking aroused a certain amount of curiosity and you're brought
00:58:20to me babbling of a girl called Mina whose face you had forgotten and an evil count who had stolen
00:58:25your soul why was I brought to you I am known to have some expertise in the realm of witchcraft
00:58:32in the occult you're a nun we can discuss my imperfectly suppressed fascination with everything
00:58:39dark and evil another time for now we will focus on why Dracula screamed
00:59:02you are facing the sun yes I have sought to find God all my life and never found a sign
00:59:11of him
00:59:12anywhere why now why you why him I don't understand then think
00:59:30count Dracula fears to cross he fears the symbol of our lord the girl didn't
00:59:38never mind the girl she was nothing Dracula prince among vampires fears the cross
00:59:46do you understand what that means no tell me
00:59:53God is real
00:59:56God is real and I found him at last
01:00:01you have found the devil if it takes the devil to bring me to my lord then I say bring
01:00:06on the devil
01:00:09I don't
01:00:10I don't
01:00:10then why not God saved you for a reason don't you think
01:00:15I'm not saved
01:00:19I'm nothing
01:00:21would Mina think that
01:00:23if she could see me yes she would
01:00:29look at me
01:00:33I can't even remember her face yes I think you have proven that to her satisfaction
01:00:44Mr. Hacker I apologize for the deception it was necessary she heard the story from your own lips
01:01:06you may have forgotten your fiance's face
01:01:14but I have not lost you yet
01:01:22hello Johnny
01:01:25your eyes are still blue at least
01:01:28having established your identity it was not difficult to trace you back to England and find your worried fiance
01:01:34I have a detective acquaintance in London
01:01:41Nina
01:01:42did you really think even in your darkest moment that I wouldn't come for you
01:01:50did you think it was even possible that I could abandon the man I love
01:01:58I am no longer that man
01:02:01you
01:02:02dearest one
01:02:05we are to be married
01:02:07so let me be plain
01:02:10who you are will always be my decision
01:02:14yeah
01:02:15shh
01:02:17Sina
01:02:18me
01:02:20Dracula
01:02:21Sina
01:02:23how exciting
01:02:32look after Mina
01:02:34shh
01:02:35shh
01:02:38shh
01:02:39shh
01:02:39shh
01:02:39shh
01:02:40shh
01:02:46shh
01:02:49shh
01:02:50shh
01:02:52No!
01:02:54No!
01:03:00No!
01:03:02No!
01:03:07No!
01:03:09Take it, please.
01:03:11Why?
01:03:13Because you're bleeding.
01:03:16And I can't stand it.
01:03:20Take it!
01:03:31No!
01:03:36Mother Superior on no account invite that creature in.
01:03:40That is not the temptation with which I was struggling.
01:03:45What is happening? What is this?
01:03:47We are under attack from the forces of darkness.
01:03:51Why would the forces of darkness wish to attack a convent?
01:03:54Perhaps they're sensitive to criticism.
01:04:04I know who you are.
01:04:06I've studied the legends.
01:04:07I am fully aware that I am addressing Count Dracula.
01:04:14The bats are a little noisy. Would you mind?
01:04:18No!
01:04:20No!
01:04:23No!
01:04:26No!
01:04:28No!
01:04:32No!
01:04:36No!
01:04:43No!
01:04:45No!
01:04:55No!
01:04:57No!
01:04:58It's me.
01:05:03Look.
01:05:06See me.
01:05:08My blue-eyed Johnny.
01:05:19No, Johnny.
01:05:22Don't.
01:05:24Oh, please, don't.
01:05:28You don't need to do that.
01:05:30I know you don't.
01:05:33Don't!
01:05:36The sun is down. You don't need to hide anymore.
01:05:39Or are you too afraid to step from the shadows?
01:05:56No.
01:06:01No.
01:06:06No.
01:06:13No.
01:06:25Howl!
01:06:35Let me kiss you.
01:06:39Jonny.
01:06:40Let me please.
01:06:42Jonny.
01:07:16I'm sorry.
01:07:22Somebody help!
01:07:38This is devilry.
01:07:40It's worse than that.
01:07:43It is the devil.
01:08:09I don't know about you girls, but I do love a bit of fur.
01:08:23Suffer unto me.
01:08:31I'm not sure what legends you've been reading, but bells don't have any effect on me.
01:08:37This one will.
01:08:39Ooh.
01:08:40Sister Agatha, have you been up to one of your secret projects again?
01:08:43You better hope so.
01:08:45This is exciting.
01:08:46This will be the most nonsense I've heard in one sitting.
01:08:50Sisters, present arms.
01:08:52Ooh.
01:08:54I see.
01:08:55My arrival was anticipated.
01:08:57I was aware of the possibility.
01:08:58Sister Agatha, what have you brought down upon us?
01:09:00Cooey!
01:09:01Oh!
01:09:02Hello!
01:09:04Hello, ladies!
01:09:07I don't want to worry you, but the army of the faithful can't seem to look me in the eye.
01:09:12You're naked, and they're nuns.
01:09:14It isn't your eye they're not looking at.
01:09:15Well, isn't anyone going to invite me in?
01:09:18I've come a long way to see you.
01:09:20Certainly not.
01:09:22Sister Rosa, the key.
01:09:24You can't be serious.
01:09:25I'm more than serious.
01:09:27I'm completely confident.
01:09:28How did you know that I was coming?
01:09:30There's a man here you consider to be your property.
01:09:33My bride.
01:09:34Here's what drew you here, I think.
01:09:36A bee can always find nectar.
01:09:39And a trap always needs honey.
01:09:41I don't think this is a trap.
01:09:43Well, it wouldn't be a very good trap if you did.
01:09:48Thank you, sister.
01:09:54Count Dracula, please attend my world's with care.
01:10:04This is St. Mary's convent of Budapest, and you are not welcome here.
01:10:09You are most specifically not invited in.
01:10:25So it's true then.
01:10:27That's interesting.
01:10:28What is?
01:10:29A vampire may not enter any boat unless invited in.
01:10:32I wasn't sure about that one.
01:10:34A vampire?
01:10:35You unlocked the gate, and you weren't sure.
01:10:37A vampire?
01:10:38Oh, the iron wasn't keeping you out.
01:10:40You could have torn it apart like Metsch would.
01:10:42I could tear you apart.
01:10:44Not from out there you couldn't.
01:10:45But what's stopping you?
01:10:48A feeling?
01:10:50A force?
01:10:51Is it physical or mental?
01:10:53Why do you need an invitation?
01:10:55You expect me to tell you?
01:10:56Oh, I don't even expect you to know.
01:10:58A beast can follow rules.
01:11:00I don't expect it to understand them.
01:11:05I am more than a beast.
01:11:07In what way?
01:11:09But by your own account, you've been on this earth for hundreds of years, and you can't
01:11:13even walk into a nunnery?
01:11:15An ox could do it.
01:11:17How are you more than a beast?
01:11:19Do you want me to show you?
01:11:20Of course.
01:11:21I'm waiting.
01:11:23Come here.
01:11:24Come here.
01:11:25Come here.
01:11:26Come here.
01:11:26Come here a moment.
01:11:27Come closer.
01:11:31Look at them.
01:11:33Look at your sisters.
01:11:35Armed and ready.
01:11:36You're not looking.
01:11:37I don't need to.
01:11:41One of them.
01:11:42That's all I need.
01:11:44If just one of your pretty little army beckons me in, I will tear your world to pieces.
01:11:52And I will drink my fill.
01:11:54Why would they invite you in?
01:11:56What do you have to offer?
01:11:58Eternal life.
01:12:00Well, they have that already.
01:12:02Thanks.
01:12:03Starting tonight?
01:12:04Because the first one to invite me in stays at my side.
01:12:09The others I will tear apart.
01:12:11And ladies, I will take my time.
01:12:16One should never rush a nun.
01:12:19Your words are not welcome here.
01:12:21Well, if you find you're not tempted by my offer, ask yourself this.
01:12:29Who is?
01:12:32Who's weakest?
01:12:33Who's the most afraid?
01:12:35Who will break first?
01:12:37Is there still time for it to be you?
01:12:42What's that?
01:12:43What are you doing?
01:12:45You wanted to know who's weakest?
01:12:47I'm showing you.
01:13:07Oh, go on.
01:13:08Help yourself.
01:13:09This adult comes past here most days.
01:13:11We often give it scraps.
01:13:15Go on.
01:13:16You've come so far.
01:13:18I'm sure you could do with a drink.
01:13:26See, I'm not certain I see the appeal.
01:13:33Feature is own, I suppose.
01:13:36Do you think provoking me is clever?
01:13:42Yes, I do.
01:13:46I want to learn about you.
01:13:48I want to see the limit of your capability.
01:13:52The point of this experiment.
01:13:53You have no conception.
01:13:55Not the first, aren't you?
01:14:00Yeah, boy.
01:14:07This is contemptible.
01:14:09You are without shame.
01:14:11Be careful.
01:14:12What do you say to me?
01:14:13Don't speak with your mouth full.
01:14:16She has earned the right to express her contempt, you know.
01:14:19We all have.
01:14:20Each of these women in front of you has turned her back on earthly pleasures,
01:14:24resisting all forms of temptation.
01:14:27We have freed ourselves of appetite and therefore of fear.
01:14:32That is why you can't bear the sight of this.
01:14:36It speaks of a holy virtue you do not possess.
01:14:39It is goodness incarnate.
01:14:46For a moment there I thought you were clever.
01:14:51But no.
01:14:52No, that's not why I fear the cross.
01:14:55Goodness has got nothing to do with it.
01:14:58So you say.
01:14:59But how can a mere beast understand its own fear?
01:15:03No one will invite you in, Count Dracula.
01:15:06You'll just pity you right where you are.
01:15:08Who are you?
01:15:11Finish your scraps, it's all you'll be getting tonight.
01:15:15Agatha.
01:15:16That's her name, isn't it?
01:15:19Mother Superior used my name, you heard her.
01:15:21You'll have to do better than that.
01:15:23You're from somewhere else, I think.
01:15:27Um...
01:15:29Holland, right?
01:15:30Well, you can tell as much from my accent, I think.
01:15:33I bid you goodnight.
01:15:39Helsing!
01:15:42Van Helsing!
01:15:45What is your interest in me, Agatha Van Helsing?
01:15:51Who are you?
01:15:54You're every nightmare at once.
01:15:56An educated woman in a crucifix.
01:16:21Who?
01:16:34He was a brave man.
01:16:37He must have loved you very much.
01:16:39What is he?
01:16:42What is Count Dracula?
01:16:48In life, he was a prince of exceptional learning and attainment.
01:16:53In death, I suppose you could say he's the best of the vampires.
01:16:56The best?
01:16:57The most successful, I mean.
01:16:59Most are a feral, half mad, they rarely last long.
01:17:02And yet, somehow Dracula has found a way to retain his human form and intellect more or less intact for
01:17:07hundreds of years.
01:17:09By drinking blood.
01:17:10Ah, they all drink blood.
01:17:12Dracula has learned to do it well.
01:17:14I think by choosing his victims for the greatest of care.
01:17:19Even in death, he has retained the discrimination of an aristocrat.
01:17:26And so he took my Johnny.
01:17:31Come.
01:17:33The Mother Superior will want to lead us in prayer.
01:17:37I don't see the point in praying.
01:17:40God is nowhere.
01:17:43In which case, it is up to us to stop Count Dracula.
01:17:51And we will.
01:17:53Won't we?
01:17:54Yes.
01:17:55We will.
01:17:59Goodbye, Johnny Blue Eyes.
01:18:02I shan't ever love anyone else, you know.
01:18:06Quite right.
01:18:10Goodbye, Johnny Blue Eyes.
01:18:25I shan't ever love anyone else, you know.
01:18:39Johnny.
01:18:41Johnny Blue Eyes.
01:18:45The suicide doesn't work.
01:18:47Don't you think the undead have tried then?
01:18:51Stay through the heart, that's fine
01:18:53But someone else needs to put it there
01:18:57I'm willing to give it a try
01:19:00Do you want me to do that?
01:19:03Do you want me to kill you properly?
01:19:07All you have to do
01:19:11Is invite me in
01:19:18We face danger, we face evil
01:19:21Which stands at the gate of our most holy sanctuary
01:19:25God is with us, this we know
01:19:28God's love is eternal
01:19:31This we know too
01:19:34Tonight, in our most deadly hour
01:19:37Do we think our God will remember us?
01:19:40Will he reach down and save us from death's shadow?
01:19:47No
01:19:47No, he will not
01:19:50Where in our world is God to be found?
01:19:56In our prayer, no
01:19:59In our song, no
01:20:01In our suffering, in our endurance, no
01:20:07Faith is not a transaction
01:20:09You do not barter with the infinite
01:20:12You align with it
01:20:16So then
01:20:18Where do we find our God?
01:20:21Sisters, I will tell you
01:20:23When you stand in the deepest pit
01:20:27Alone
01:20:28Without hope or help
01:20:30And yet still no right from wrong
01:20:33When there is only darkness and despair
01:20:37And yet you feel
01:20:39Humming in your blood
01:20:40The difference between good and bad
01:20:43When you are beyond rescue
01:20:45Or reward or judgment
01:20:48And you still look evil in the face
01:20:51And say
01:20:51No
01:20:52This far
01:20:54But no further
01:20:58No
01:21:02Whose voice
01:21:04Whose voice is that
01:21:04Whose voice is that
01:21:05Who is with you
01:21:06In that darkness
01:21:08Whose voice
01:21:09Keeps you
01:21:10To the path
01:21:13Darkness and evil
01:21:15May seem compelling
01:21:16To us all
01:21:17And I believe it is because
01:21:19In their presence
01:21:21We can feel God in our hearts
01:21:26No
01:21:26He will not reach down to save us
01:21:31We will rise to meet him
01:21:38Let us pray
01:21:52She was clearing her throat
01:21:55I think it's fine now
01:22:05Ladies
01:22:06Who's next
01:22:07Who
01:22:16Issues that I have a very hard time
01:22:18Deciding who's gonna be
01:22:21Here's an idea
01:22:25Catch
01:22:29This will be the safest spot
01:22:31What is this place?
01:22:32My workshop
01:22:33Here
01:22:34Here
01:22:35When the sunlight hits
01:22:36It's night time
01:22:37In the morning
01:22:38In the morning
01:22:39It's not morning for hours
01:22:41I know
01:22:45Who's got it?
01:22:46Who's caught it?
01:22:48Ah
01:22:48We have a winner
01:22:51What's that?
01:22:52Jesus
01:22:53Jesus
01:22:54Bread
01:22:57Sacramental bread
01:23:03Oh, of course
01:23:06Nuns
01:23:07You have those
01:23:08Things
01:23:09Which work
01:23:10Actually
01:23:11Even though
01:23:12You will
01:23:14You will
01:23:15Never
01:23:16Guess
01:23:18Why
01:23:19Why?
01:23:22So I suppose I'll just have to control myself
01:23:25But between you and me
01:23:28Controlling wolves is just so much more fun
01:23:35It's a question of who you'd rather have to tear you apart
01:23:37I suppose
01:23:39You have a choice, of course
01:23:41I'm undead
01:23:42I'm not unreasonable
01:23:43Whoa
01:23:44Oh, oh, oh
01:23:46That must have hurt
01:23:48Oh
01:23:53Oh
01:23:53Oh
01:23:54Oh
01:23:55Oh
01:23:56Oh
01:23:57Oh
01:23:57Oh
01:23:57Oh
01:23:58Oh
01:23:58Oh
01:23:58Oh
01:23:58Oh
01:23:58Oh
01:23:58Oh
01:23:58Oh
01:23:59Oh
01:23:59Oh
01:24:00Oh
01:24:01Oh
01:24:01Oh
01:24:02Oh
01:24:03Oh
01:24:04It's a clear paradise of my life.
01:24:21It's all right. The screaming has stopped.
01:24:34I don't know how you could be able to listen to that.
01:24:37I brought it on them. Listening was my punishment.
01:24:45Dracula's going to find us, isn't he?
01:24:47Of course.
01:24:49How is bread going to keep him out?
01:24:52Sacramental bread.
01:24:53But how?
01:24:54I don't know. None of the vampire legends make sense,
01:24:56and yet somehow they are proving to be true.
01:25:00He can't enter a home without being invited. Why not?
01:25:04The light of the day would burn him to death. Why?
01:25:07He's terrified of the cross, and yet he's no believer.
01:25:11Somehow, these facts are all the same fact.
01:25:15There's one thing that Dracula fears above all,
01:25:18and to destroy him, we must discover it.
01:25:24He got into the convent. How did he get in here?
01:25:27Clearly there was an invitation.
01:25:30Then someone invited him.
01:25:33He got in here.
01:26:01Binder?
01:26:04I thought you were... I saw you dead.
01:26:09I couldn't stop him, Milo. I let him inside.
01:26:13He's inside.
01:26:14We know, Johnny. He killed everyone.
01:26:21Do not cross that line. You can't come any closer.
01:26:24Let him in. We cannot trust him.
01:26:27He's strong. Stronger than you think. And if I'm with him...
01:26:30No-one is strong enough. No-one.
01:26:32Please! We can't just leave him out then.
01:26:34Do not invite him in.
01:26:40Laura!
01:26:47Come here, Johnny. Come to me.
01:26:54I am inviting you to be with us.
01:26:57You don't know what you're doing. He let Dracula in. He will do it again.
01:27:01You won't, will you, Johnny?
01:27:04Because I'm here with you.
01:27:06And I will give you strength.
01:27:08The two of us, together, we can be stronger than...
01:27:12It's...
01:27:17Johnny, your eyes...
01:27:20It's inside.
01:27:21It's inside.
01:27:23Why aren't your eyes blue anymore?
01:27:33Not...
01:27:34My...
01:27:37Eyes...
01:27:47No!
01:27:49No!
01:27:52No!
01:27:52No!
01:27:55Hello.
01:27:57No!
01:28:00I've been dying to meet you.
01:28:02No!
01:28:32No!
01:29:09No!
01:29:33No!
01:29:33No!
01:29:33No!
01:29:33No!
01:29:33No!
01:29:33No!
01:29:33No!
Comments