Fabri juega su última carta para obtener la fórmula de Sanem, poniendo a Can en una situación imposible.
La tensión en la oficina alcanza niveles insoportables cuando la lealtad de cada empleado es puesta a prueba.
Una promesa hecha en silencio obliga a Sanem a sacrificar lo que más ama para salvar el honor de Can.
▶ Ver siguiente capítulo:
https://www.dailymotion.com/video/ID_PROXIMO
▶ Lista completa:
https://dailymotion.com/playlist/x9p4j6
A veces, para proteger a quien amas, debes convertirte en la persona que él más desprecia.
#PajaroSoñador #ErkenciKus #Cap46 #PajaroSoñadorCap46 #SanemYCan #CanYaman #DemetOzdemir #NovelasTurcas #SeriesTurcas #RomanceTurco #DobladoAlEspañol #CapituloCompleto #Series2026 #Viral2026 #Tendencias #CineEnCasa #AmorTurco
La tensión en la oficina alcanza niveles insoportables cuando la lealtad de cada empleado es puesta a prueba.
Una promesa hecha en silencio obliga a Sanem a sacrificar lo que más ama para salvar el honor de Can.
▶ Ver siguiente capítulo:
https://www.dailymotion.com/video/ID_PROXIMO
▶ Lista completa:
https://dailymotion.com/playlist/x9p4j6
A veces, para proteger a quien amas, debes convertirte en la persona que él más desprecia.
#PajaroSoñador #ErkenciKus #Cap46 #PajaroSoñadorCap46 #SanemYCan #CanYaman #DemetOzdemir #NovelasTurcas #SeriesTurcas #RomanceTurco #DobladoAlEspañol #CapituloCompleto #Series2026 #Viral2026 #Tendencias #CineEnCasa #AmorTurco
Categoría
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TVTranscripción
00:00:28Thank you!
00:00:57Thank you!
00:01:17Thank you!
00:01:30Of course, that was the one who donated half of the library.
00:01:33It's lined.
00:01:34Very well-off.
00:01:35In fact, I've been told that he eats raw fish.
00:01:38Can you believe it?
00:01:39Only very rich people do that.
00:01:42Oh, Salem.
00:01:44She seemed like a goody-two-shoes, but look, wake up.
00:01:47Sun was right.
00:01:48Well, but Sun is such a gossipy old woman.
00:01:50All he does is talk about other people.
00:01:52And I don't like that, everyone should do what they want.
00:01:55Are they getting married? Is Nillo in the photo?
00:01:58Let's see, I don't remember that he was taking Nillo.
00:02:01It looks like he's not wearing Nillo on his finger.
00:02:03But come on, when they get engaged, we'll definitely find out.
00:02:06Because he'll give her a diamond ring so big we'll be able to see it from here.
00:02:10And we won't need to wear glasses.
00:02:14All you do is gossip and gossip.
00:02:17They're all going to hell.
00:02:19How stupid you are.
00:02:20How stupid you are.
00:02:21You keep us up to date on everything.
00:02:22Oh, of course, go ahead.
00:02:24People in the neighborhood only want to talk about others.
00:02:26Yes, and I don't like it at all.
00:02:28They do nothing but talk nonsense.
00:02:30What are you doing here?
00:02:31Do you sell newspapers?
00:02:32No, I don't sell newspapers.
00:02:33I buy them.
00:02:34I'm buying up the newspapers that published the story so that people won't read them.
00:02:38She's from our neighborhood and there's no need for her to be embarrassed.
00:02:42But that won't do you any good because the news is on the internet.
00:02:45And everyone can read it on their mobile phone too.
00:02:48People find out everything in a second because that's how the internet is.
00:02:51Oh, you don't understand anything.
00:02:53You're right, nowadays everyone has a smartphone in their pocket connected to the Internet.
00:02:58They are like you, Melahat.
00:03:00By the way, what do you think of the news?
00:03:02Do you think they're really together?
00:03:03You can't imagine how upset I am.
00:03:05Grab a chair, go on.
00:03:06The chair.
00:03:07I'm going to update.
00:03:08Come.
00:03:10I don't know what to think anymore.
00:03:12Each one tells you something different.
00:03:13Some say they are together, and others say it's a lie.
00:03:16Look, they're just a handful of rumors and nothing more.
00:03:19But...
00:03:19Melahat, is what they say about Sanem true?
00:03:21Are they together?
00:03:23I asked him the same thing.
00:03:25Okay, calm down.
00:03:26Well, the night in question.
00:03:28I was sitting in front of the window.
00:03:38You're missing something important.
00:03:40David.
00:03:41Let's see what you've got.
00:03:44Mr. Jan, I already have the text.
00:03:46Don't interrupt me, I'm doing something else.
00:03:48That's right, excuse me.
00:03:49Calm down, you can't go around speeding.
00:03:51We are writers.
00:03:53Already.
00:03:54Well, I'll wait.
00:03:54Very good.
00:03:56Use Harrington in cursive and ask the client for the color scheme.
00:03:59Wait, there's a red one.
00:04:01That's not the case.
00:04:01That color is not right.
00:04:03I've reviewed the text and changed the punctuation for you.
00:04:06Periods and commas.
00:04:07And I've included some comments for you to take a look at.
00:04:10Okay, Sanem, what was so important?
00:04:13Give it to me.
00:04:16Oh.
00:04:18Okay, okay, okay, okay, okay, okay, okay, okay.
00:04:21Deren.
00:04:23Ten.
00:04:24Put it on the board and hang it in a visible place.
00:04:26If you'd like, we can put this one up too, Mr. Jan.
00:04:30But I'm embarrassed.
00:04:32I'll be so embarrassed if he posts it.
00:04:34But you shouldn't be ashamed.
00:04:36Look, Deren, this is the perfect example of how not to write ad copy.
00:04:40Oh, is it that bad?
00:04:43It's worse.
00:04:44What have you written?
00:04:45Wait a minute, I'm going to read it.
00:04:52Jan, with all due respect, but I don't think it's that bad.
00:04:55That.
00:04:56Come on, Deren.
00:04:57Even the interns aren't that mediocre.
00:05:00Mediocre?
00:05:02Mediocre.
00:05:02Before you give the texts to Deren, bring them to me.
00:05:05But don't waste my time, please, don't give me any work.
00:05:08Of course, but it's still new.
00:05:11He'll learn with time.
00:05:12I will help you with all my experience.
00:05:16Don't be discouraged, woman.
00:05:18I'm going to have some tea and it will help me think.
00:05:21Focus.
00:05:22Grab a pen and let the ideas flow.
00:05:25That's what I do.
00:05:34Oh, mother.
00:05:36Why are you making that face, huh?
00:05:38Are you angry?
00:05:39You've gone a little too far.
00:05:41You've gone too far.
00:05:44But you didn't tell me to scold you in front of everyone.
00:05:47Well, you only forgot to fire me.
00:05:49You're enjoying it, aren't you?
00:05:51What are you saying?
00:05:51I'm just doing what you asked me to do.
00:05:54I remind you that the idea was yours.
00:05:56All I've done is improvise a little.
00:05:58Yes, you're absolutely right.
00:05:59But my script is very good.
00:06:01That's right, it's perfect.
00:06:03I like it a lot.
00:06:05In fact, it's incredible.
00:06:06Huh? So?
00:06:08You write it again.
00:06:11Because that's how the rules are, right?
00:06:14Are you laughing at me?
00:06:16I don't.
00:06:17Are you laughing?
00:06:18No.
00:06:19Yes, you're making fun of me.
00:06:21What are you saying?
00:06:22What, I don't laugh at you?
00:06:24Don't know.
00:06:26Jan! Mr. Jan!
00:06:27He looks like a three-year-old child.
00:06:29He's spilled all the tea.
00:06:30But I'm paying a little more attention
00:06:32And on top of that, I have to clean it myself.
00:06:34He'll think it's nice to make a mess of everything.
00:06:37I have an eye infection.
00:06:39and I can't see very well.
00:06:40That's why I spilled the tea.
00:06:43I'll clean it myself.
00:06:44It's not necessary.
00:06:45Because I'll take care of it.
00:06:47Okay.
00:06:49And he always does the same thing.
00:06:51Look, he might be the boss,
00:06:53But I am nobody's servant.
00:06:54It's clear he's very spoiled.
00:06:56There are glasses everywhere.
00:06:58And please, you can open the door for yourself
00:07:00That's what doorknobs were invented for.
00:07:02Also, he grabs the glasses like an octopus.
00:07:04and leaves them dirty.
00:07:05Who has to clean them?
00:07:06Me.
00:07:07Because Sanem can handle anything.
00:07:08Well no.
00:07:09Sanem can do it all.
00:07:10I'm coming.
00:07:11What are you doing?
00:07:13I'm tired.
00:07:14Sanem, what are you doing?
00:07:15Be quiet, please, calm down.
00:07:17What's the matter?
00:07:17It's because you've drunk the perfumes you make at home.
00:07:20You can't yell at your boss in front of others.
00:07:23It's very ugly.
00:07:24I put it in my ears.
00:07:26From now on, everyone should get their own tea, okay?
00:07:29It is not my obligation to serve tea to anyone.
00:07:31Did you hear me?
00:07:32Yes, of course, you're right.
00:07:34Come on, everyone get to work.
00:07:48Come on, grandpa.
00:07:50Come on, move aside.
00:07:52Did you buy your license at a store?
00:07:53Leave me alone.
00:07:54And yes, I got my license at a store.
00:07:56And I'm the owner.
00:07:57Strip!
00:07:58It's true.
00:07:59He drives too slowly.
00:08:00I could speed things up a little.
00:08:01Look, this is how I drive.
00:08:03Get off if you want, I'm not going to charge you anything.
00:08:05I don't want to get off here.
00:08:07We haven't arrived yet.
00:08:08The place he's going to is three bus stops from here.
00:08:10And it has a bus stop right here.
00:08:12Take the bus and you'll see how it goes at the speed you like.
00:08:15I'd never been treated like this in my life.
00:08:17How shameful, for God's sake!
00:08:18You are absolutely right.
00:08:19Get out of the car.
00:08:22I'm going to file a complaint.
00:08:23Of course, ma'am.
00:08:24Do whatever you want.
00:08:25Out!
00:08:43Hello, Gamze.
00:08:46No, it's just that I got up a little late.
00:08:49No, what's wrong?
00:08:51They don't even know anymore.
00:08:52What are you saying?
00:08:55Okay, I'll hang up and look at it.
00:08:57I'm hanging up.
00:09:15Xanem, can you come?
00:09:16Where is?
00:09:17Mr. Yan, he is working on the file right now.
00:09:21Perfect.
00:09:21All I ask of him is to write a script, and on top of that, he hands it to me late.
00:09:24This can't be.
00:09:25It's inconceivable.
00:09:26Is it in the file?
00:09:27Yeah.
00:09:28That's true, you're right.
00:09:30Did you know?
00:09:30I wouldn't be surprised at all if he ended up firing Xanem.
00:09:34Hang up!
00:09:34Don't say those things.
00:09:36Also, what will you do?
00:09:37Will you throw a party to celebrate?
00:09:39Will you be wearing a special outfit?
00:09:41And will you start dancing?
00:09:43I'm just saying what I see.
00:09:44You haven't noticed.
00:09:45You're super angry.
00:09:46The boss's perfume is still in the air, so let him talk to you like that.
00:09:50But the truth is, it smells good like cinnamon.
00:09:53It sticks to your nose.
00:09:54I think they say that cinnamon is an aphrodisiac.
00:09:58Yeah?
00:09:58I'll ask which one it is.
00:09:59Maybe I can use it too.
00:10:01Well then, you go smell the air and leave me alone.
00:10:04Let yourself be gossiped about.
00:10:05Am I right or wrong?
00:10:07Look at her, she looks like she's writing the Constitution.
00:10:09I only asked you for a script.
00:10:11Oh, Mr. Jan, I'm almost finished.
00:10:13Let me review it.
00:10:14Leave it, I feel terrible.
00:10:15I can't treat you like this.
00:10:16I can't go on with this.
00:10:17I can't take it anymore.
00:10:18Me neither.
00:10:22What's happening?
00:10:23What's happening?
00:10:23They're looking at us.
00:10:24Who's watching us?
00:10:25The camera.
00:10:26Where is?
00:10:27I don't see it.
00:10:28Where is the camera?
00:10:29It's behind you.
00:10:31Don't look for her.
00:10:32There are cameras everywhere here.
00:10:34Because?
00:10:35Why did I have to install cameras?
00:10:37Oh, so where do we go then?
00:10:40Look, that corner seems to be out of the camera's view.
00:10:44It's going to become our little corner of love.
00:10:47Yes, you go there, but slowly, don't run.
00:10:51Do you know if the camera records sound?
00:10:53I have no idea, but go there.
00:10:55And now I'm going with you.
00:10:57We were having such a good time in the elevator,
00:10:59How have I missed those moments?
00:11:01Go there and now I'll go.
00:11:03It's like a game.
00:11:04Three, two, one.
00:11:07Ah, Mr. Jan.
00:11:09Exact.
00:11:10Hey, look, the documents you asked for are there.
00:11:13On that corner...
00:11:13Okay, where did you say that?
00:11:14He doesn't see them here.
00:11:16Are those documents there safe?
00:11:19Yes, I think so.
00:11:24Can you help me?
00:11:25I don't know if everyone is here.
00:11:26I'm coming now, I'm coming now.
00:11:28Good.
00:11:29I think that's it.
00:11:30Come on.
00:11:30That file over there.
00:11:31Sure?
00:11:33Yes, I think it's this one here.
00:11:36Let's see...
00:11:37This?
00:11:38Yeah.
00:11:38Can you see us here?
00:11:39No, it's this one.
00:11:40He doesn't see us.
00:11:41Yeah.
00:11:42I don't think so.
00:11:42Let's see, I don't think he can see us.
00:11:44I'm going to put it like this, just in case.
00:11:50They call you.
00:11:52Who is he now?
00:11:53Very good.
00:11:56Yes, put it on speakerphone.
00:11:58Hi, Jan.
00:11:59How are you?
00:12:00Good, and how are you?
00:12:02Well, working, as you can see.
00:12:04I imagine so, I have news.
00:12:06Max has invited us to have dinner with him tonight.
00:12:09Oh, really?
00:12:10Dinner only.
00:12:11Yes, he called me.
00:12:12He says he wants to talk to you in person.
00:12:15Great, that's great.
00:12:17You'd better show up, or he might get offended.
00:12:20Yes, of course I'll go.
00:12:22Okay, that's settled.
00:12:24Well, I'll send you the address and the time.
00:12:26Okay, see you.
00:12:28Kisses.
00:12:30Kisses?
00:12:30Thus, in the plural.
00:12:32Yes, where were we?
00:12:33Ah, yes.
00:12:34I was going to kiss you.
00:12:35It seems he's already kissed you, Yeida.
00:12:37I feel like he kissed me too.
00:12:39Very good.
00:12:39Uh, what kind of dinner is it and where?
00:12:41A dinner with McKinnon.
00:12:43With McKinnon?
00:12:45Sanem, McKinnon is a very important man.
00:12:48Why doesn't he call you himself, and why does that woman call you instead?
00:12:51We can only be together for a couple of minutes.
00:12:54Do you want to waste time talking about that?
00:12:56It's true.
00:12:57And will we also have three minutes to be alone tomorrow?
00:13:01Clear.
00:13:03Jan!
00:13:05There's an earthquake!
00:13:07Ah!
00:13:08Ah!
00:13:08Ah!
00:13:08Ah!
00:13:08What's happening!
00:13:09Even everything!
00:13:11That's what happens when you come in shouting.
00:13:13Do you see it?
00:13:14Do you see it?
00:13:14What do you want me to do?
00:13:15I have a phobia of earthquakes and it makes me very anxious.
00:13:18What are you two doing here?
00:13:21That's what I'd like to ask you, but it wouldn't be appropriate, so I'm going to change the subject.
00:13:25Jan, we've just been told that they're going to cut off the power for 24 hours and we have to deliver the campaign.
00:13:31So if we can't work, we won't make the delivery on time.
00:13:34So what are we going to do?
00:13:35No problem.
00:13:37Notify the entire team.
00:13:38Those from the campaign can come to my house, and the rest can work at their own.
00:13:42Notify everyone and that's it.
00:13:44Understood?
00:13:44Is the problem solved?
00:13:46Exact.
00:13:47Mr. Jan, is this the file you were looking for?
00:13:49No, Sanem.
00:13:50It's not the file I was looking for.
00:13:52Can you tell me where your head is?
00:13:53Do you want to be tempted?
00:13:55I'm telling you.
00:13:56I can't take it anymore!
00:13:57I'm ready!
00:13:58I want to quit my job.
00:14:00I don't understand why everyone has to yell at me.
00:14:02Do whatever you want.
00:14:03Don't think about me, I'll survive without you.
00:14:06But you don't know what I've suffered here.
00:14:08And on top of that, they watch us all day with cameras.
00:14:11It's impossible to feel free!
00:14:21Let's see, who knows what your mother saw.
00:14:24We all know each other already.
00:14:26And Aisun is a bit of an exaggerator, you know?
00:14:28I know, it's unbelievable that you don't know my mother.
00:14:31You know that he likes to embellish all the stories he tells.
00:14:35Oh my God, what's going on in the store?
00:14:38Oh!
00:14:38All I know is that this isn't the first time Mr. Yan has brought Saint Emma.
00:14:43Castro.
00:14:43I saw it with my own eyes, but it always seemed like a friendship to me.
00:14:47I didn't think...
00:14:48Exactly, exactly.
00:14:49I also tell you that if she were my fiancée I would have given her a piece of my mind.
00:14:54And well, let's not even talk about that fancy car he has.
00:14:56It's not like I eat every night.
00:14:58They say he worked in advertising.
00:15:00Well, look, in this photo you can see that they are in a very green place, in a park.
00:15:04Maybe they went out to eat and then he took her there to propose.
00:15:08And he gave her a ring with a huge diamond.
00:15:12Seriously, nobody makes up neighborhood stories like you do.
00:15:15What things?
00:15:17I have to go.
00:15:18Have a good day.
00:15:20See you later.
00:15:25Run, run.
00:15:26What a pity.
00:15:27But you all look so pathetic, really.
00:15:29I entrust you with the care of my store, and you spend your time gossiping about my family.
00:15:33How dare you, Melahat?
00:15:35Why are you telling me that?
00:15:37It hurts a lot.
00:15:37We were talking calmly.
00:15:39What's wrong with that?
00:15:40Yes, from us.
00:15:42Behind us.
00:15:43I hope you get married, Mrs. Medtibé.
00:15:45The groom is loaded today.
00:15:47What a mess, don't you think?
00:15:48Yes, now I'm going to be quiet.
00:15:51Step aside.
00:15:51Go on, shut up.
00:15:52Just so you know, I'm very angry.
00:15:54My head is about to explode.
00:15:56Silence, please, and let me speak.
00:15:58Okay, I'm going to give you an explanation.
00:16:00Speak, darling.
00:16:01I come from Mr.'s office.
00:16:03What am I saying?
00:16:03And what did he say to you?
00:16:04That it's all fake, that the paparazzi made it up.
00:16:07I told you it was a lie.
00:16:09Me too?
00:16:09Me too.
00:16:10No, sorry, I said it.
00:16:11He's going to sue the press for telling lies and he's going to ask them for a lot of money.
00:16:16And that's how the rich get even richer.
00:16:19My God.
00:16:19Well, it's good that they pay him.
00:16:21You can't go around telling lies.
00:16:23So this will be settled in court.
00:16:26Good.
00:16:26And I don't want to hear another word about the matter.
00:16:29Since I found out you were talking about it, I am not responsible for my actions.
00:16:33No, no, no.
00:16:34Don't worry, you won't hear another word.
00:16:37All for home.
00:16:38Yes, come on.
00:16:39Well, thank you very much.
00:16:39Yes, let's go.
00:16:40Come on, go back home.
00:16:42See you later.
00:16:43Of course you have many things to do.
00:16:44Bye bye.
00:16:44Honey, I'm leaving too.
00:16:46But you'll come see me later, right? To tell me everything in detail and all that.
00:16:51Oh, come on, God, darling.
00:16:53Go away, go away now.
00:16:54Okay, I'll see you at the hairdresser's.
00:16:56Leave.
00:16:56And now you tell everyone what I just explained to you.
00:16:59That's what you have to do.
00:17:00Come on.
00:17:01Sure, darling, although it's not my style.
00:17:03Since you insist, I'll do it for you.
00:17:06I'm going to tell everyone, okay?
00:17:07See you later, darling.
00:17:10Take.
00:17:13Why are you giving it to me?
00:17:15You'll see, eat something, my president.
00:17:17So it's all false, there's no relationship.
00:17:19Go away, yes, ma'am.
00:17:24My God.
00:17:25It's too much.
00:17:27It's too much.
00:17:28That?
00:17:29Have you seen it?
00:17:30I've seen it, my hat.
00:17:32My love, sit down so I can tell you everything.
00:17:35Sit down.
00:17:37Today I went to Mr. Jan's office.
00:17:41And if I sell it, that'll be about three thousand.
00:17:48J.J.
00:17:49What's happening?
00:17:49Well, everyone is delighted because they don't have to come to work in the office tomorrow.
00:17:53What's with that face?
00:17:54Tell me, what's wrong?
00:17:56Well, a relative from my town called me.
00:17:59From your town?
00:18:00And tell me, where exactly is your town?
00:18:02Is that all you're interested in?
00:18:04Sorry, you're right.
00:18:06What happened?
00:18:07My grandmother has fallen and broken her leg.
00:18:10She needs surgery urgently.
00:18:12There you go, I hope he recovers soon.
00:18:15Thank you.
00:18:16She will be operated on by a good doctor, but the procedure costs a lot of money.
00:18:20Lot.
00:18:21Calm down, how much are we talking about?
00:18:2315,000 lire.
00:18:24I need them now.
00:18:26Come with me.
00:18:27Where to?
00:18:27Where to?
00:18:28Come with me, let's go.
00:18:29Where are we going?
00:18:33Mr. Jan.
00:18:34What's happening?
00:18:34Do you have any problems?
00:18:36We've come in case you need anything.
00:18:38Jay Jay needs money.
00:18:40Oh really?
00:18:41Okay.
00:18:42Go talk to the accounting department and they'll help you get the money.
00:18:46I cannot accept being given more money than my salary, Mr. Jan.
00:18:49I just have my principles.
00:18:52Very good.
00:18:56Listen.
00:19:00We've been thinking about it a lot.
00:19:03And we've decided that you're not going out for a while.
00:19:06What do you mean we're not going out?
00:19:08Me neither.
00:19:08Callaos.
00:19:09This goes for both of you.
00:19:11There will be no more...
00:19:13No way I'm sleeping at Aihán's house tonight, no.
00:19:16No "I'm going to the movies or the theater" stuff, no.
00:19:20Mom, I'm working late today, no.
00:19:22Okay.
00:19:23Mom, we have to work.
00:19:25Well, that's it.
00:19:26Your parents won't let you.
00:19:27If they don't accept it, it's because they don't deserve you, but you have to come back on time.
00:19:32And it is forbidden to return home in someone else's car.
00:19:35But I thought everything was sorted out.
00:19:38And you, when Mr. Enred tells you he wants to take you home, you tell him you don't want to and you go back.
00:19:43by bus.
00:19:43Whatever you say.
00:19:44Okay.
00:19:47We don't want to see you in the newspapers anymore.
00:19:50I'm asking you, please.
00:19:52Oh, my hat!
00:19:54I'm giving them a piece of my mind.
00:19:56Don't act all nice.
00:19:57Slam your fist on the table to show you're angry.
00:19:59Thanks to you.
00:20:00I feel like a lion, Mekibé.
00:20:03What do you want?
00:20:05I love my daughters.
00:20:07They are the most beautiful thing in my life.
00:20:12When I saw your picture on a lady's mobile phone, I felt embarrassed.
00:20:17Did I really...?
00:20:18I know, daughter.
00:20:19Your mother told me earlier.
00:20:24I know it's not your fault.
00:20:25But he acknowledges that it is not an easy situation.
00:20:29Life isn't that simple.
00:20:33The world is cruel and we have to protect ourselves.
00:20:37And defend your reputation.
00:20:40To live with honor.
00:20:43You must respect each other.
00:20:44And to respect each other.
00:20:46They are not like us.
00:20:48That's clear.
00:20:50They're used to these things.
00:20:53Fake news and such.
00:20:56They live life the way they want.
00:20:58And nothing ever happens to them.
00:21:00But we could lose our reputation.
00:21:05We are decent and honest.
00:21:08It's all we have.
00:21:09Please don't embarrass us.
00:21:11We're not asking for anything more.
00:21:14Okay, Dad.
00:21:16I promise you.
00:21:18Ah.
00:21:18And if you go somewhere and want to come back, let me know.
00:21:23Now we have a taxi.
00:21:25So I can take you and pick you up anywhere without any problem.
00:21:29You just have to ask me.
00:21:30Clear.
00:21:31You don't need any Jan or Emre to go out.
00:21:34That.
00:21:34You have your father.
00:21:36Ah.
00:21:38They're calling from the main office.
00:21:40Hello?
00:21:41Yes, good evening.
00:21:44Yes, at home.
00:21:50Have they complained?
00:21:52I asked him to get out because of an urgent matter.
00:21:59OK.
00:22:00Good night.
00:22:01Bye bye.
00:22:01What's happening?
00:22:02I've been told not to come back.
00:22:04Because?
00:22:06They have complained about me.
00:22:07Because?
00:22:09When I saw your photo, I was upset and I kicked a customer out.
00:22:15I just needed to get home.
00:22:17In the end.
00:22:18Don't worry.
00:22:20The job wasn't for you.
00:22:21Don't worry, my love.
00:22:22Yes, what can we do?
00:22:24Exact.
00:22:26Enjoy your meal.
00:22:36Mr. McKinnon, thank you very much for inviting us.
00:22:40You are welcome.
00:22:41The pleasure is all mine.
00:22:43I'm just as excited as you are.
00:22:45I am sitting between an eminent figure and a young man with extraordinary talent.
00:22:50Thank you so much, Jada.
00:22:51I appreciate the compliment, but I think you're exaggerating.
00:22:54Kayan?
00:22:56I admit that before Jada told me about you, I had already heard about your work before.
00:23:02Oh really?
00:23:03Thank you so much.
00:23:04Well, know that I've learned a lot from you.
00:23:07Above all, I was impressed by his first commercial work.
00:23:10I thought it was great, very, very, very good.
00:23:14And I find his black and white work impressive.
00:23:18He deserves all the awards he has received.
00:23:20I am a big fan of his.
00:23:22Wow, thank you so much for your kind words, Jan.
00:23:25So let's raise a glass to the future successes that may come to us together.
00:23:33Well, think positive.
00:23:35At least they let you go to work.
00:23:37Yes, thank goodness.
00:23:39I can't even go to your house just to work.
00:23:42I'm not comfortable at home.
00:23:44Whenever I try to talk to JJ, my brother suddenly appears out of nowhere.
00:23:47And what's more, he won't even let me talk to him in peace.
00:23:52Oh, I have an idea!
00:23:54What kind?
00:23:55I'm going to call JJ now that my brother isn't here.
00:23:59Is that your idea?
00:24:01Well, that's not bad.
00:24:03Come on, I'm going to take advantage of this.
00:24:08How are you, my love?
00:24:11Hi, JJ.
00:24:13He answered the phone so quickly!
00:24:17He said he was waiting for my call.
00:24:19You're just so cute.
00:24:21What, what do I do, huh?
00:24:24Well, what am I going to do?
00:24:25At Sanem's house.
00:24:27Talking.
00:24:28Well, look, he's set some very strict rules for Mebkibé.
00:24:31So things are a bit tense right now and you can feel it in the air.
00:24:35It's a state of siege.
00:24:37Exact.
00:24:39We had conversations for a while.
00:24:41And that's why they later asked me to be their advisor.
00:24:45Thanks to you, the brand has reached great heights.
00:24:48Why don't you tell us about your partnership with the Dutch company?
00:24:51The one that's going to be a huge hit in the Turkish market.
00:24:54Well, that's another very interesting story, but a very different one.
00:24:59It opened a new path for me and broadened my horizons.
00:25:02Okay, I'll see you in my dreams tonight, alright?
00:25:06And I hope you do too.
00:25:08Yes, okay, okay.
00:25:10I don't want to take up any more of your time.
00:25:14Hey, what are you going to have for breakfast tomorrow?
00:25:16Eggs.
00:25:17Like everyone else.
00:25:19He says eggs.
00:25:20I know, I'm going to have eggs for breakfast too.
00:25:22So it will be as if we were both having breakfast together.
00:25:29I don't want to keep you any longer.
00:25:31I'll leave you so you can watch a movie.
00:25:33Well, have a good night.
00:25:36Should I hang up?
00:25:37No, you hang up.
00:25:39No, you hang up.
00:25:41I don't want to hang up.
00:25:42Oh no.
00:25:43Hanging.
00:25:44Okay, then I'll hang up.
00:25:49But you haven't hung up yet.
00:25:51Oh, how cute.
00:25:52Download it.
00:25:53I have a great idea.
00:25:55Come.
00:25:55Okay, but you hang up.
00:25:57What do you want?
00:26:00Did you hang up on him?
00:26:01Well yes.
00:26:02Because you weren't going to hang up.
00:26:04Hang up, hang up, it's ridiculous.
00:26:06What's happening?
00:26:07Yours hasn't called you.
00:26:09He has to see it.
00:26:10I don't expect him to call me.
00:26:12He is working.
00:26:14So you don't care.
00:26:16Of course.
00:26:17A man needs freedom.
00:26:19He has to be there for you, but he shouldn't be clingy.
00:26:22Of course.
00:26:24Are you finished?
00:26:25Laura.
00:26:26What do you want?
00:26:27The one with the sunflower seeds.
00:26:29The product is simple, but it depends on the culture.
00:26:32And working with cultural differences is one of the keys to success.
00:26:36So you're suggesting doing the opposite.
00:26:39Dude, you say we should focus on emotions.
00:26:43Why not?
00:26:44That could be a very good idea.
00:26:46And with your permission, I'll be right back.
00:26:52Jan, I think you've impressed him.
00:26:55Your ideas are difficult for him to understand.
00:26:57You had already paved the way by speaking so highly of me.
00:27:00Why do you insist on being so humble?
00:27:03I want to thank you because it is thanks to you that I can sit with one of my idols.
00:27:07You're welcome, Jan.
00:27:10That's Jan D. Vito over there.
00:27:12Yeah.
00:27:16It seems this guy changes girlfriends as often as he changes shirts.
00:27:19Should I take a picture of them?
00:27:20So that?
00:27:21Well, for a magazine.
00:27:23Step aside.
00:27:24A friend of mine works there and will be delighted.
00:27:26He's going to be amazed.
00:27:35Why won't you answer me?
00:27:37I may have sent a message, but it didn't reach me because I don't have an internet connection.
00:27:47I'm worried.
00:27:56Why won't you answer me?
00:28:27I may have sent a message, but he's not replying.
00:28:27I just got home.
00:28:28Sorry.
00:28:29It woke me up.
00:28:33OK, honey.
00:28:39Come before everyone else in the morning.
00:28:44Okay, my love.
00:28:49Is it that cute?
00:28:51Is it that cute?
00:28:53Oh!
00:29:01Good morning.
00:29:02Good morning.
00:29:03What an early riser.
00:29:04It looks amazing.
00:29:05I arranged to meet Sanem a little earlier.
00:29:07And we're going to have breakfast together before the others arrive.
00:29:10Oh excellent.
00:29:11Enjoy!
00:29:12Leave.
00:29:23We have to go to work.
00:29:25Okay, but wait a minute.
00:29:27Do you have everything clear?
00:29:28You remember what we were talking about, right?
00:29:30Yes, we will be careful.
00:29:32And we'll go straight home from work.
00:29:35That is.
00:29:35Direct to home and always on time.
00:29:37And tell Mr. Jan that you're returning the motorcycle.
00:29:40I don't want to see her around here.
00:29:41Have her come and pick it up.
00:29:42It wasn't Jan.
00:29:43It wasn't Mr. Jan who gave it to me.
00:29:45It was a gift from work because I won an award.
00:29:48Mom is right.
00:29:49Sanem created the campaign slogan and the motorcycle was the prize they were giving away.
00:29:53You don't have to return it.
00:29:54You don't say.
00:29:56So, what have we been talking about, huh?
00:29:57I already told you that I don't intend to allow anything to tarnish your reputation.
00:30:01Okay?
00:30:01And you don't need to go around bragging about all your successes.
00:30:05So tell Mr. Jan to come and pick it up or it will rot in the basement.
00:30:09Come on.
00:30:09Don't make me angry.
00:30:10Please, Mom.
00:30:10I want to keep it.
00:30:12Gather all of this before you leave.
00:30:14Don't make me nervous.
00:30:16I don't want to return it.
00:30:18You'll see how all this will pass.
00:30:20We just have to be patient and wait.
00:30:22Okay, so why are you here?
00:30:24Jan said that everyone could work from wherever they wanted.
00:30:27Sanem.
00:30:28I've arranged to have lunch with Emre.
00:30:30And if I stay home, Mom won't let me go out.
00:30:33So I'll go to a cafe in the port and start working from there.
00:30:37Well, I have to go.
00:30:38I'm meeting up with Jan before the others arrive.
00:30:40Okay.
00:30:41I feel like grabbing the tablecloth and throwing everything away.
00:30:43No, woman, have a little patience.
00:30:44With my motorcycle.
00:30:47What are we going to do, Jan?
00:30:48Are we acting as if we know nothing?
00:30:50Of course not, Guli.
00:30:52That's how the press is.
00:30:53Yesterday it was Sanem, today it's Yeidah's turn, and tomorrow who knows who it will be.
00:30:57Namely.
00:30:57Look, this news isn't reliable.
00:31:01Listen to me.
00:31:02Let that be very clear before you enter.
00:31:05I want you to leave all the nonsense and gossip here, at the door.
00:31:08We just bring our ideas and our creativity.
00:31:11And it's very early, so don't make me shout.
00:31:14Calls.
00:31:15Okay.
00:31:18Breakfast?
00:31:22Yes, I see it now.
00:31:25My friends, go ahead.
00:31:28Breakfast is ready.
00:31:30Good morning, Jan.
00:31:32Come in.
00:31:33Good morning, Mr. Jan.
00:31:40Well, our neighborhood is at the center of the news.
00:31:44Have you read it, Sucran?
00:31:45Although I admit that this has made me feel terrible.
00:31:48He's a scoundrel.
00:31:48What are you guys on about, kid?
00:31:50Phew, it seems like today has started early.
00:31:52My goodness, Melahat's behavior is very contagious.
00:31:55Get everyone gossiping.
00:31:57Yes, I saw you.
00:31:59Ah, Sanem, come here.
00:32:02My daughter, you don't know how sorry I am.
00:32:04I don't know if you've seen the press.
00:32:06Of course I've seen it, but you shouldn't make such a big deal out of everything either.
00:32:10You're right, you could change the subject.
00:32:12Please, Melahat, try to keep this from being discussed.
00:32:15Besides, that was yesterday.
00:32:16Let's forget about everything and live in peace.
00:32:18What are you saying?
00:32:19Girl, I'm not talking about yesterday.
00:32:21I'm talking about what came out in the newspaper today.
00:32:24Oh, and how could he do something like that to such a good girl?
00:32:27But what has he done to me?
00:32:28Oh, since you ask.
00:32:31And listen to me, darling, even though you have no relationship.
00:32:34It wasn't necessary for me to do something like that to you.
00:32:36Hey, you're making me hysterical.
00:32:38What happened?
00:32:41Have you read the news, Sanem?
00:32:43Did you hear?
00:32:44Today there are more photos and he's out with someone else.
00:32:46Have you seen it?
00:32:47Our cowboy with his pecs and the curly-haired girl.
00:32:50Sanem, we are here for whatever you need.
00:32:53If he makes you suffer, we will make him suffer too.
00:32:55Good, Moussafe.
00:32:56Well said, yes.
00:32:57You're getting even dumber by reading this news.
00:33:00Yes, instead of reading this, you should go to the library and read books, seriously.
00:33:05Daughter, what a temper.
00:33:06Sanem, aren't you even a little bit jealous?
00:33:10I?
00:33:11He's only my boss because I was going to be jealous.
00:33:13That's because it was going to be.
00:33:14It's his professional life and he's not all that great, you know?
00:33:18I don't know what to tell you.
00:33:19By the way, the girl is gorgeous, slim, and has long legs.
00:33:23It's true?
00:33:24Well, I'm very happy for her.
00:33:25I don't care.
00:33:27What do I tell people when they ask me?
00:33:29Mr. Jan has a girlfriend.
00:33:31Tell everyone, yes, let everyone know.
00:33:34So, is the news true?
00:33:35Well, I'm going to tell everyone about it.
00:33:37I tell them.
00:33:38Sukran, I have to tell you something!
00:33:43Sanem, are you alright?
00:33:45My jaw hurts.
00:33:47What's that?
00:33:48That's because you're squeezing it.
00:33:49Oh, I made meat-filled pastries!
00:33:52Come in.
00:33:53Guliz, do you know if we've spoken with the new public relations firm?
00:33:57It's your home.
00:33:59There's your food.
00:34:00We have fruit juices, tea, and coffee.
00:34:02Take whatever you want.
00:34:03I want you to be comfortable.
00:34:04That you're like you are at the agency, okay?
00:34:06I think working in a different environment will be good for all of us, okay?
00:34:09You can work wherever you want, feel at home, okay?
00:34:13If you prefer to rest before starting, go ahead.
00:34:16No problem, that sounds good to me.
00:34:18Okay.
00:34:20Guys, you're still asleep.
00:34:22What's wrong with you?
00:34:24A little movement, please.
00:34:26What do I always tell you?
00:34:27Life is action, my friends.
00:34:29Come on, let's go.
00:34:31Action, Deren.
00:34:31Can you come here for a moment?
00:34:33Clear.
00:34:34You guys get to work.
00:34:35Don't make me angry.
00:34:36Don't worry.
00:34:41Deren, what's wrong with these people? They look like they've come to a funeral.
00:34:44Why are they so quiet?
00:34:45They look like zombies, do you know why?
00:34:48Maybe.
00:34:49They are asleep.
00:34:50Maybe they haven't had their morning coffee yet.
00:34:53You know perfectly well that I am nobody until I have a coffee.
00:34:56Maybe it happens to them too.
00:34:58Come on, Deren, please.
00:34:59Don't take me for a fool.
00:35:00What's happening?
00:35:01Tell me the truth.
00:35:03Well, I can't control everything.
00:35:05You've been in the press again.
00:35:07Again?
00:35:08Yes, I have sent them a correction denying it.
00:35:10This time you went out with Yeida.
00:35:12With Yeida, that's all we needed.
00:35:13Isn't that true?
00:35:14Of course not.
00:35:15Wait, I'll show you.
00:35:17Here it is.
00:35:18Look.
00:35:18Do you see it?
00:35:19I can't believe it.
00:35:20McKinnon went to the bathroom for two minutes and they took our picture when we were alone.
00:35:24I'm fed up.
00:35:28Listen.
00:35:29Okay, guys, it seems I've been in the press again today, and it seems you have too.
00:35:34seen.
00:35:34I just found out.
00:35:35Please don't believe anything, okay?
00:35:37Let's try to concentrate on the work.
00:35:40Turn on the computer.
00:35:41Come on.
00:35:42I'll be right back.
00:35:43Come on, come on, let's go.
00:35:45It's a lie.
00:35:47He is not with Yeida.
00:35:49Is it a lie?
00:35:58He looked very happy with Yeida.
00:36:01It was just business.
00:36:03And you believe that?
00:36:04Come on.
00:36:05Why don't you leave me alone?
00:36:07That's why I was so busy and couldn't answer you.
00:36:10Of course he answered me.
00:36:12As soon as he got home.
00:36:14I really want to punch you in the face.
00:36:24Surprise!
00:36:26Sanem!
00:36:27Gulid!
00:36:28Hello!
00:36:29What a surprise!
00:36:30Because?
00:36:31Because you opened the door.
00:36:33Have you heard yet?
00:36:35There's new gossip in the office.
00:36:37No, what happened?
00:36:39They caught Mr. Jan with Yeida.
00:36:41Wow, the press is really going after Mr. Jan.
00:36:45Are you home?
00:36:46I'd like to see him to ask how he is.
00:36:50Hey, Sanem, we've come to work at your house.
00:36:53Of course it is.
00:36:54Yes, yes, it's shocking.
00:36:56Let me through.
00:36:59Hello!
00:37:01Take it away, take it away.
00:37:01Sanem, come here.
00:37:02Look, come see the photos.
00:37:04Look.
00:37:07Jeida is obsessed with Mr. Jan.
00:37:10It's very noticeable.
00:37:11I'm telling you.
00:37:12I think she knew they were taking pictures of them.
00:37:14She was the one who invited Mr. Jan to dinner.
00:37:16Can't you see how well he's doing?
00:37:18We can't start working.
00:37:19She was the one who did the press.
00:37:21Yes it's true.
00:37:22And I think they make a good wall.
00:37:23They are both handsome, rich, and businessmen.
00:37:26Gulid.
00:37:26You shouldn't work with Mr. Jan.
00:37:28And you, eat and be quiet.
00:37:30We have eaten.
00:37:31Look at them.
00:37:31They make a really good wall.
00:37:33It's important for a relationship, isn't it?
00:37:35Yes it's true.
00:37:36It is.
00:37:37Come on, drop the subject.
00:37:39Yes, let's drop the subject.
00:37:41Deren is there!
00:37:42Deren is there!
00:37:43Deren is there!
00:37:43Deren is there!
00:37:44But let's see.
00:37:46What did we say before entering this house?
00:37:50That?
00:37:51Do you remember?
00:37:52Mr. Jan is famous and you have to get used to him being in the press because it will happen again.
00:37:57One day he'll go out with one, another day with another, and so on.
00:38:00That is.
00:38:01We all have to get used to this kind of thing.
00:38:05Understood?
00:38:05Yeah.
00:38:05Okay, they're leaving.
00:38:06They also published lies about you, so who knows who they'll catch him with now.
00:38:12Exactly.
00:38:14Can you believe it?
00:38:15As if there were no other women in the world.
00:38:17They took my picture.
00:38:18They caught him with you.
00:38:20Yes, they caught him with me.
00:38:21Yes, they caught him with you.
00:38:22That's it, that's it.
00:38:23They caught him with me.
00:38:24Okay, we've had a laugh.
00:38:25Let's get to work.
00:38:26Here it is.
00:38:26Mr. Jan.
00:38:28This is the catalog.
00:38:29I want you to take a look at it.
00:38:30It will be useful as a reference.
00:38:32Okay.
00:38:33Good morning.
00:38:34Ah, Sanem, are you here too?
00:38:36Let's get to work.
00:38:46The whole neighborhood is talking about that news.
00:38:49In some ways, that's a good thing.
00:38:51It seems they've already forgotten about Sanem.
00:38:53Already.
00:38:54My brother is upset.
00:38:56Normal.
00:38:56He must be fed up with fake news.
00:38:59Sanem's story wasn't fake.
00:39:02It's true.
00:39:05What if it happens to us, Mr. Emre?
00:39:07Oh, my parents.
00:39:10As long as you keep calling me, Mr. Emre, we'll be safe.
00:39:14Sorry, Emre.
00:39:15Is it the custom?
00:39:17And after so many years?
00:39:19Well, you don't have to do it anymore.
00:39:26The light here is terrible.
00:39:27I can't work there because I won't be able to see the screen.
00:39:31A beautiful design.
00:39:32I love it.
00:39:34Beautiful and comfortable.
00:39:36But now the trees are blocking my view.
00:39:39And I don't have enough space.
00:39:41And the light is still not good.
00:39:44Well, you just keep wasting time while people can't work because you're there.
00:39:50Besides, there are two of us.
00:39:51Okay, no problem.
00:39:52I'm going now.
00:39:53Oh really?
00:39:54Good.
00:39:56Sorry, I didn't mean to bother you.
00:39:59Bye bye.
00:39:59You can work here.
00:40:01Where do you sit?
00:40:03Ah, here.
00:40:04In the fireplace.
00:40:07Okay.
00:40:08It's a romantic place, but I have to work.
00:40:10Look, what a coincidence.
00:40:13Tell me, Ayhan.
00:40:14Well, I'm working, of course.
00:40:16I'm not in the office, I'm in a coffee shop.
00:40:18The gentleman has already given us permission.
00:40:20Yeah.
00:40:22Come here if you want, of course.
00:40:23Look, I'll send you the address right now.
00:40:26I'm talking.
00:40:28Excuse me.
00:40:29Okay.
00:40:31I'll send you the address now.
00:40:33Yes, goodbye.
00:40:35A coffee with milk and a croissant.
00:40:38I don't have to go to the office today.
00:40:40This...
00:40:41But don't go throwing my things on the floor.
00:40:44Excuse me.
00:40:45I am a very cosmopolitan man.
00:40:48Very cosmopolitan.
00:40:50OK.
00:40:51I'll bring you your order now.
00:40:52Cosmopolitan.
00:40:53Yes sir.
00:40:58Well...
00:40:58A coffee.
00:41:00That's right, yes.
00:41:01I think I'm going to have to clean the table, even if it's cosmopolitan.
00:41:05Well, it's okay.
00:41:07Yeah.
00:41:08Yeah.
00:41:10Yeah.
00:41:17Is this how you greet me now?
00:41:20I love it when you get like this.
00:41:22How would you like me to greet you?
00:41:23Would you prefer that I do this to you?
00:41:25Or would you prefer that we hug?
00:41:26Let him inhale your perfume like this?
00:41:28What do you want me to do?
00:41:29Do you like it more or not?
00:41:30Would you prefer me to say good morning to you like this?
00:41:32What do you say, huh?
00:41:33What do you say?
00:41:34No no.
00:41:35Remove.
00:41:35That?
00:41:35Yeah.
00:41:36Well, just so you know, I don't care about kissing you in front of everyone.
00:41:41But people could misunderstand it.
00:41:44Yeah.
00:41:44There are many misunderstandings.
00:41:46And it seems that all those misunderstandings are just happening to you here.
00:41:50You seem a little annoyed.
00:41:52What's happening?
00:41:53Well, I just saw you very close to Lleida in today's photos.
00:41:57We were having dinner with McKinnon.
00:41:58He went to the bathroom for two minutes and we were left alone.
00:42:00And then they took our pictures?
00:42:03No.
00:42:07Make it clear that you are the only one who matters to me.
00:42:10Yesterday, today, and always.
00:42:12Yeah.
00:42:12I can't be without you.
00:42:14Me neither.
00:42:16Now I have to go to work.
00:42:18Okay.
00:42:18I need to concentrate on my work to be able to perform, you know?
00:42:22I'm going to...
00:42:22I'm going to have some tea, okay?
00:42:24Have mine, if you want.
00:42:25She's a delight.
00:42:27Thank you so much.
00:42:30Bye bye.
00:42:41I get the feeling that I'm in your way here.
00:42:44No, Aijan.
00:42:45But why do you say that?
00:42:47Because?
00:42:48I already told you I was working.
00:42:50And what do they say?
00:42:51Hey?
00:42:52Business before love.
00:42:54Yeah?
00:42:55Is that what they say?
00:42:57Is that what they say?
00:42:59Wait, now you've made me doubt myself.
00:43:01It's the other way around.
00:43:02Love before...
00:43:04Ha ha!
00:43:05Pause!
00:43:07Let's take a picture.
00:43:09Yes, let's take a picture.
00:43:11Okay, but where?
00:43:12In the fireplace?
00:43:13Yes, that's it, we'll do it from there.
00:43:14I'll pretend to work.
00:43:16Do you want to be alone in the photo?
00:43:18No, let him come out.
00:43:19Let the background be visible.
00:43:20Sure, okay.
00:43:22Sometimes I forget how original you are.
00:43:24Good.
00:43:25I'm ready.
00:43:27I'm going to take the picture, okay?
00:43:28Come on.
00:43:29Smile.
00:43:30No, I can't.
00:43:30I'm supposed to be working.
00:43:32OK.
00:43:33Well, get serious.
00:43:34That's it.
00:43:34Tell me, what do you want me to do?
00:43:36Stay like this.
00:43:37It went really well.
00:43:39Let's see.
00:43:40How beautiful.
00:43:41What text should I put on it?
00:43:43You could put,
00:43:44Meanwhile, I'm ignoring my girlfriend.
00:43:46No, that's not it.
00:43:47Because?
00:43:48It's true?
00:43:50Are you ignoring your girlfriend?
00:43:53Oh, Jan.
00:43:55Look at this.
00:43:56What's happening?
00:43:56Look at this.
00:43:57What is this?
00:43:58What is it?
00:43:59Romantic dinner by Jan Dibit and Jeida Sanjak.
00:44:02But what?
00:44:03He's supposed to be my best friend's boyfriend.
00:44:05Can you explain what all this means?
00:44:07Don't know.
00:44:08I only saw them kissing once in the forest.
00:44:10And that was it.
00:44:11Do you think Salem and Jan have seen this?
00:44:13Poor Salem.
00:44:14I don't even dare to call her.
00:44:15Well, I'm a little curious.
00:44:17What am I going to say to him?
00:44:18Let's go.
00:44:18Please bring the bill.
00:44:20Thank you so much.
00:44:21What are we going to do?
00:44:24Oh, my poor little thing.
00:44:25No no.
00:44:27Hey Jay, what are you doing?
00:44:28We are not rushing into anything.
00:44:30We arrived late.
00:44:31Oh, mother.
00:44:32Mr. Ebrecht is there and he hasn't seen us.
00:44:34He came in holding Leila's hand.
00:44:36What are you saying?
00:44:36What you hear.
00:44:37Seriously, move aside, I want to see them.
00:44:40Yes, they are together.
00:44:42Don't shout.
00:44:43Why are you shouting?
00:44:43Be quiet and observe them in silence.
00:44:45Don't shout, don't shout, don't shout.
00:44:47Wow, look at her.
00:44:48That's why he ignores my brother.
00:44:51But do you really think they're together?
00:44:52In a relationship?
00:44:53Why is everyone getting confused at our company?
00:44:56Hey?
00:44:56But why?
00:44:57Is there an offer?
00:44:58Why do I see these things?
00:44:59Why does everything happen to me?
00:45:01Always me?
00:45:02I'm serious.
00:45:02I feel panicked.
00:45:04Another secret that I won't be able to keep as if I were seeing it.
00:45:06Give me your hand and see if I can calm down.
00:45:08What do we do?
00:45:09What I do?
00:45:10Calm down.
00:45:10Okay, listen to me.
00:45:11We've seen it together, so you're not alone in this.
00:45:14You observe and remain silent.
00:45:15Calm down.
00:45:15We need to get out of here.
00:45:18The check.
00:45:20Give it to me.
00:45:21No, I'll pay for it myself.
00:45:22I'll pay for it.
00:45:23Yei, Yei, I'll pay, I'll pay.
00:45:24I don't feel like arguing.
00:45:25I'll pay, Ayhan.
00:45:26I'll pay, period, Ayhan.
00:45:29Good.
00:45:30Okay.
00:45:31Come on.
00:45:32Thank you, Yei, Yei.
00:45:33Thank you for coming, but what are we going to do now?
00:45:35Shall we go to the waiters?
00:45:36Oh no, no, no.
00:45:37It wouldn't work like that, crouching down.
00:45:39Okay, cover your face with the filing cabinets.
00:45:41I already tried it once and it didn't work.
00:45:43Let's hide behind the tree and we'll go, chin, chin, chin, chin, chin, chin, chin, chin, dragging it.
00:45:48As?
00:45:49A tree of life?
00:45:50Which path am I on?
00:45:51Ah, yes.
00:45:52At least they won't see us.
00:45:53Think about it.
00:45:54What are you saying?
00:45:54How clever.
00:45:56Yes, how clever.
00:45:58Thank you so much.
00:46:00Thank you.
00:46:06Lila, you seem a little nervous.
00:46:10It's because of work.
00:46:13No, that's not it.
00:46:14I was thinking about something else, Emre.
00:46:16In what?
00:46:17In the news about Jan and Sanem.
00:46:19What if they did the same to the two of us?
00:46:23Don't worry.
00:46:25I'm not that well-known.
00:46:27I know, but who would have imagined they'd be in the newspapers?
00:46:31What if they publish something about us?
00:46:33It gives me a heart attack.
00:46:34Well, if you're so worried, let's go.
00:46:36No, I didn't mean that.
00:46:39I'm very happy with you.
00:46:41I'm delighted, that's the truth.
00:46:43Me too?
00:46:45Did you know?
00:46:47It had been a long time since I felt so calm being with someone.
00:46:51I feel safe and at peace with you.
00:46:54I have a surprise for you.
00:46:57Oh really?
00:46:58What is it?
00:46:59Well, I shouldn't be asking you.
00:47:01It would cease to be a surprise.
00:47:04I'm so excited, man!
00:47:06I feel so happy to be able to be with you.
00:47:09It's like a dream.
00:47:11I'm the one who's dreaming.
00:47:15Because I love you.
00:47:25Usman, do you understand the scene?
00:47:27Yes sir.
00:47:28Once we repeat the scene, I'm sure I'll nail it.
00:47:30Okay, remember, you enter the scene.
00:47:33And then you threaten them all.
00:47:35You are surrounded by enemies.
00:47:36And you get rid of them one by one.
00:47:38Do you have the choreography clear?
00:47:40Yes, of course.
00:47:41Are you ready?
00:47:42Prepared.
00:47:43Prepared!
00:47:44What are you doing here?
00:47:45They told me to come, there's a slip of paper for me.
00:47:47I got my clothes and came here.
00:47:49I'm talking to Usman.
00:47:50What are you doing here?
00:47:51What role do you have?
00:47:52I've been preparing at home.
00:47:53I've worked a lot on the role and on my character.
00:47:55But what if you don't have lines?
00:47:56What do you mean, no?
00:47:57Where's my paper?
00:47:58They told me they had a role for me.
00:48:00Go and get it, because I'm not leaving the set until I get my part.
00:48:04Hey, come here!
00:48:05Yes sir.
00:48:06The boys who play the bad guys, the ones they're going to beat up, well, put this one with them.
00:48:11Oh really?
00:48:12Thank you.
00:48:12I'm ready for any role.
00:48:14If they have to hit me, let them hit me.
00:48:15Okay, okay, okay, okay.
00:48:17Sir, I am very sorry.
00:48:19Just concentrate.
00:48:21He has no idea what awaits him.
00:48:22Go get ready.
00:48:31I have no idea what awaits me.
00:49:09Look in the living room, in the photo catalog.
00:49:30I will divide you into days, I will divide you into months, I will divide you into years and centuries.
00:49:36And my request will always be the same.
00:49:40Ignite this old soul, which now gives you its heart forever.
00:50:21Thank you!
00:50:25First shelf, fifth book.
00:50:41The poems are recited and finished.
00:50:44You should look for where we hid our love.
00:50:47In those brown eyes.
00:50:50Or in that ochre light that damages everything.
00:50:53Edith Hatchelor.
00:51:03We managed to get out.
00:51:04And it was thanks to my idea.
00:51:06Yes, the truth is that I thought they could catch us at any moment.
00:51:10But they haven't seen us.
00:51:12There was a moment when I thought so, but we did it, right?
00:51:15Hey, it's a film shoot.
00:51:17It's a film shoot, maybe for a series.
00:51:19I'm an advertising professional, so I know about these things.
00:51:24But what are you doing?
00:51:26What are you doing?
00:51:27Osman?
00:51:28Osman, no.
00:51:30What are you doing?
00:51:31But what are you doing?
00:51:33What I do?
00:51:33What do you mean, what do I do?
00:51:34Well, I'll help you because you're doing it wrong.
00:51:36That's not how it's done.
00:51:37Oh my God!
00:51:42What are you doing?
00:51:43What are you doing?
00:51:43Osman!
00:51:44How are you?
00:51:46Good.
00:51:47But what are you doing here?
00:51:49And the butcher shop?
00:51:50I was bored and went out for some fresh air.
00:51:53I also wanted to see you because I missed you, brother.
00:51:56Well, that way you'll see how I do it.
00:51:58I'm sure you'll do great.
00:52:00I am convinced.
00:52:01Of course.
00:52:01Let's begin.
00:52:03Go.
00:52:03Brother, come here.
00:52:05Well, I think you should listen to me a little more because you're not doing it right.
00:52:09See you later.
00:52:10Now you continue on your own, okay?
00:52:12Look closely.
00:52:12Osman!
00:52:13See you later!
00:52:17I hope he didn't notice.
00:52:20JJ?
00:52:21JJ, where are you?
00:52:23Osman leaves the premises.
00:52:24You have to surround him.
00:52:26It's very simple.
00:52:27Then you pounce on him.
00:52:29Director, I'm sorry to interrupt, but I have to go and get my hair touched up.
00:52:32You have the means to not shine so brightly.
00:52:33Son, don't worry so much.
00:52:34If you're already well.
00:52:36I'm fine.
00:52:36Oh really?
00:52:37Let's see if I can get nominated for best supporting actor.
00:52:39Musafer, that's enough.
00:52:41Osman.
00:52:42You will be surrounded by enemies.
00:52:44And Musafer attacks you first.
00:52:46One moment.
00:52:46In the film, my name is also Musafer.
00:52:48I should have another name because I play a supporting role.
00:52:51Look, you have no name or dialogue.
00:52:54When I say attack, you attack.
00:52:55Sir, attacking like Musafer is something else entirely.
00:52:58Each one has their own way of attacking.
00:52:59In other words, Nemectin does not attack like Camille.
00:53:01I am a method actor.
00:53:03You wanted a piece of paper and you got it.
00:53:04Your character does Kung Fu.
00:53:06Oh really?
00:53:06Okay, I'm going to nail this role.
00:53:08I intend to do better than...
00:53:09Let's begin!
00:53:10Everyone ready.
00:53:11Are they filming a series?
00:53:14Let's see.
00:53:23What is this?
00:53:24Ah, it's a rotation.
00:53:29You must be freezing.
00:53:30Yeah.
00:53:35Ah, Emre, you have to sign some papers.
00:53:38Shall we go to the office?
00:53:39OK.
00:53:40Okay.
00:53:41We recorded!
00:53:42Everyone ready!
00:53:44Three, two, one, action.
00:53:47He said action.
00:53:48I'm going to hit you.
00:53:50I'm going to punch you.
00:53:52Osman, Osman.
00:53:55Osman, what am I going to do?
00:53:56I'm going to hit you.
00:53:57I'm going to hit you with all my might.
00:53:59Osman, what are you doing?
00:54:04Muse.
00:54:05Cut!
00:54:06Fast!
00:54:07Musa, are you okay?
00:54:12Excuse me, Mr. Jan.
00:54:15David, is that good?
00:54:16What, Mr. Jan?
00:54:17That lovely smell.
00:54:20Do you notice it?
00:54:22No?
00:54:24It's the smell of a great idea in the making.
00:54:27I really like your work.
00:54:28Very good.
00:54:28You're doing great.
00:54:30Thank you so much.
00:54:35Hello.
00:54:38Surprise.
00:54:40Hi how are things?
00:54:41Hi how are things?
00:54:42No kisses, I'm a little sick.
00:54:43I have an eye infection and they itch terribly.
00:54:46It's very annoying, so don't get too close.
00:54:50Wow, I see you've brought the agency home with you.
00:54:53I called Emre and he gave me your address.
00:54:55I have great news.
00:54:56We need to talk now.
00:54:57If you like, let's go to the kitchen and I'll make you a coffee.
00:55:01Brilliant.
00:55:07The fashionable couple is back together.
00:55:09That's intense, isn't it?
00:55:10What's wrong with you?
00:55:11Are you not comfortable?
00:55:12Why are you all huddled together in a small group?
00:55:15Why can't I hear anyone typing?
00:55:17I don't see the sparkle in your eyes either.
00:55:19I don't agree with any of your ideas.
00:55:22Get to work!
00:55:23I can't just go and tell him, Mr. Jan, they've caught you again.
00:55:26What am I going to say to him?
00:55:27I can't tell him anything.
00:55:28I bet you don't!
00:55:29I can't, but I should.
00:55:30I should tell him.
00:55:31It's better that you hear it from me, but I'll only tell Mr. Jan.
00:55:35I'll go in and tell him directly, but only him.
00:55:37When they open the door, I'll say I want to speak to Mr. Jan, and no one else.
00:55:40And after talking to him, I'll leave here immediately.
00:55:42Yes, I'm going to talk to him directly and no one else.
00:55:46I'm just going to talk to him.
00:55:48Did you hear that they published a photo of Mr. Jan with Yeida?
00:55:52Oh, yes, that's not news anymore.
00:55:53What are you saying? Everyone already knows that.
00:55:55Yes, yes, but we don't know if it's true or not, although I'm sure you know the truth.
00:55:59And why? Why are you asking me?
00:56:01I'm sure you know that.
00:56:01Why do you think that if something silences you, it stops asking me questions? Leave me alone!
00:56:05Okay, I'll leave you now.
00:56:05To everyone?
00:56:06Yes, everyone, it happens.
00:56:24I'll get the folder and be right back, okay?
00:56:34I'm going with you.
00:56:35I've missed you.
00:56:40But if we go in together, the security guard will get suspicious.
00:56:43Okay.
00:56:45Hey, Leila.
00:57:04I'll be right back.
00:57:19Female!
00:57:25What are you doing here?
00:57:27What are you doing with that girl?
00:57:29Do you want to know?
00:57:31I like it, Leila.
00:57:32Foolishness!
00:57:33What are you doing with her?
00:57:35What can that give you?
00:57:37Something you didn't give me.
00:57:39Trust, love, and sincerity.
00:57:42For the first time, I feel loved.
00:57:44I'm very comfortable with her, okay?
00:57:46Female!
00:57:47Enough!
00:57:48Enough!
00:57:49You need to break up with her.
00:57:51You can't leave me like this.
00:57:53You can't leave me!
00:57:55Aileen, I don't love you anymore.
00:57:57We're not together.
00:57:59You're wrong.
00:58:00We are the perfect couple.
00:58:03We are soulmates.
00:58:05And we will always be accomplices.
00:58:08You're not going to return your shares.
00:58:11But it will be enough for our plan.
00:58:17You are going to appoint Aileen as your representative.
00:58:21Aileen will become part of the company and the rest will be easy.
00:58:25Hembre and I will take care of everything!
00:58:28As usual.
00:58:30Don't worry.
00:58:32But what about Yan?
00:58:34What will happen when he finds out?
00:58:36He won't find out.
00:58:38And so?
00:58:39My brother will be so angry when Aileen joins the company as your representative
00:58:43who will make one mistake after another.
00:58:45Don't worry.
00:58:46I know him very well.
00:58:48And Aileen and I will take care of the rest.
00:58:51Do you see it?
00:58:52You and I are the same, Embre.
00:58:54You're the one speaking.
00:58:55What will happen when Jan finds out?
00:58:57Your mother will never speak to you again.
00:59:00And what will happen to Leila?
00:59:01She will be devastated.
00:59:04Don't involve her in this.
00:59:05I don't want to see you again.
00:59:07Long!
00:59:07You're the one who got Leila involved in all this.
00:59:10Give me one reason why I shouldn't send this recording to Jan and Leila.
00:59:15You can't.
00:59:17That's why you're going to break up with her this afternoon.
00:59:21Or I'll tell you everything tomorrow.
00:59:50See you later.
00:59:55Female?
00:59:57I couldn't find the file.
00:59:59I'm so sorry to have kept you waiting.
01:00:01Peaceful
01:00:02Let's go
01:00:13Are you OK?
01:00:15Yes, yes
01:00:19The transfer
01:00:20I think a home office is ideal.
01:00:23Giving employees a leave of absence is fantastic.
01:00:26Exact
01:00:27These changes are always positive and inspiring
01:00:29And they give good results.
01:00:31Always being in the same environment
01:00:33It ends up being tedious for the workers
01:00:35To fuel your creativity
01:00:36It's very important to change your environment from time to time
01:00:39They appreciate it very much.
01:00:40Well, your employees are very lucky.
01:00:43The truth is, they have a boss who's a gem.
01:00:45It's true, we're lucky to have a boss like Mr. Yanna
01:00:49Yes
01:00:49Of course
01:00:50It's important that our boss knows how much we value him.
01:00:53I'm sorry I didn't mean to interrupt you today.
01:00:55Sanem, Yeida has come to give us good news
01:00:57McKinnon likes my ideas
01:00:59And we're going to collaborate with an international company
01:01:01She is a consultant for
01:01:02So it seems that everything is going well.
01:01:05Didn't you leave him any alternative with your talent?
01:01:08Sanem, stay calm
01:01:09Well, you...
01:01:10Stop squeezing, Sanem
01:01:12Hey, since I've brought you good news, invite me out to eat.
01:01:15Of course
01:01:17But breathe, Sanem
01:01:20We'll talk later.
01:01:21See you
01:01:22I'll go with you
01:01:26Bye
01:01:28Bye
01:01:28Bye
01:01:29Bye
01:01:29Where are you going?
01:01:30I'm going to make myself some tea or I'll go crazy and throw this table on the floor.
01:01:34Well, have some green tea.
01:01:35It will suit you well
01:01:36Green tea is the best
01:01:38Yeah
01:01:43That's nerve!
01:01:44It's up to you to choose your relationship.
01:01:46But Yeida can invite Jan to dinner in front of everyone
01:01:49I know
01:01:50Jan shouldn't accept every invitation just like that.
01:01:53Because?
01:01:54She's also gorgeous
01:01:55Why would I be with you?
01:01:57Because he loves me
01:01:58I wouldn't be so sure.
01:02:00Will you please be quiet?
01:02:01I'll throw a knife at you.
01:02:02Well, then, hide.
01:02:04It seems that this works perfectly for everyone else.
01:02:07Clear
01:02:09It's true
01:02:10Why can't I express my feelings?
01:02:12I'll tell everyone
01:02:15I'll tell my mother first.
01:02:17I agree with my inner voice
01:02:21Sanem
01:02:23Jan
01:02:24That?
01:02:25Well, nothing.
01:02:26I'm fine
01:02:27I'm angry
01:02:29Yeida is coming for you
01:02:30I know
01:02:31AND...
01:02:31Do you want to have it?
01:02:32Something about you
01:02:33Ah
01:02:34That's it
01:02:36Do you know how difficult it is not being able to get close to the person you love?
01:02:40Yeah
01:02:40Uh-huh
01:02:41Everyone is talking to you
01:02:43They're all interested in you
01:02:44But I can't say anything.
01:02:45I hide
01:02:46I'm so fed up I'm going to tell everyone
01:02:49To my mother first
01:02:50That is
01:02:51You have my full support in my life.
01:02:54First to my mother
01:02:55Leave
01:02:56Bye
01:03:00Good luck
01:03:03Go talk to your mother
01:03:04You read my mind
01:03:11Leave me here so you don't enter the neighborhood
01:03:13Okay
01:03:21Emre
01:03:22Are you OK?
01:03:24You seem worried.
01:03:26You haven't said a word the whole way
01:03:28Tell me
01:03:30Leila
01:03:33Can't
01:03:34Can't you do what?
01:03:36No
01:03:37No
01:03:38We can't be together
01:03:40In the end, the two
01:03:42We are going to suffer
01:03:44The humors
01:03:46The work
01:03:47The family
01:03:48All that was missing was the press
01:03:52It's best if we leave it at that now.
01:03:55And let's continue being coworkers
01:03:58What are you saying?
01:04:00You kissed me just now
01:04:03I know
01:04:05And I'm sorry
01:04:07But I don't understand it
01:04:10It will be best for both of us.
01:04:21Okay
01:04:22Good
01:04:26Whatever you want.
01:04:28You kissed me
01:05:03Mother
01:05:09What are you doing?
01:05:10Well, preparing the food
01:05:11So you have something to eat.
01:05:14No?
01:05:15TRUE
01:05:18Tell me
01:05:20Can we talk?
01:05:23Of course
01:05:26Has the cat got your tongue?
01:05:31Were you right?
01:05:33Of course
01:05:34Whatever it is
01:05:35Mothers are right
01:05:37And in what?
01:05:38He
01:05:39Mr. Jan
01:05:44Mother
01:05:47Speaks
01:05:51I'm in love
01:05:55I love him very much
01:05:56And he to me
01:05:57The news
01:05:58The news
01:05:59He was telling the truth.
01:06:02Mother
01:06:04Mother
01:06:16Mother
01:06:17Water, water, water
01:06:19Drink a little
01:06:20We love each other
01:06:21And we are together
01:06:21Mother
01:06:22I spend the day
01:06:23Thinking of him
01:06:24I'm serious.
01:06:25Look, I think about him during the day
01:06:26And I think of him at night
01:06:27And we are always
01:06:28Writing poems
01:06:36Mother
01:06:46Mother
01:06:48Am I being honest?
01:06:52Dad!
01:06:53Come here, I'll kill you!
01:07:08Leila
01:07:11Leila, how are you?
01:07:13Okay, I'm going home.
01:07:15Have you been crying?
01:07:19Because?
01:07:20You're welcome, Osman
01:07:22I'm an idiot.
01:07:23I'm very stupid
01:07:25Leila, today I'm talking to you about Emre.
01:07:26Is it because of him?
01:07:27I don't even want to hear his name.
01:07:28Emre has ceased to exist
01:07:30Leila, what has he done to you?
01:07:31No, nothing
01:07:32But you were right
01:07:34It's not good
01:07:39Let's go for a drink if you want
01:07:40It will sell you well.
01:07:42No, thanks
01:07:43And you shouldn't leave her alone
01:07:45The butcher shop
01:07:46Don't talk nonsense
01:07:47You worry me much more
01:07:49If you go home like that
01:07:50Your mother will ask you questions
01:07:51It's best if you take a walk
01:07:53You're right
01:07:54That would suit me well.
01:07:56But now I need
01:07:57Being alone, Osman
01:08:00Thank you so much
01:08:02Bye
01:08:16Mother
01:08:17Mother
01:08:18Mother
01:08:32Mother
01:08:33We've made fools of ourselves.
01:08:34Debunking it
01:08:35Really, daughter
01:08:36You should have thought about that before.
01:08:37And you shouldn't
01:08:37Really, daughter
01:08:37You shouldn't
01:08:37You shouldn't
01:08:38You should have thought about that before.
01:08:38Thank you.
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