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  • 18 hours ago
First broadcast 21st October 2016.

An American traveller short on cash signs up to test a revolutionary new gaming system.

Wyatt Russell - Cooper Redfield
Hannah John-Kamen - Sonja
Wunmi Mosaku - Katie
Ken Yamamura - Shou Saito
Elizabeth Moynihan - Cooper's Mum
Jamie Christofersen - Rick Peters (as Jamie Paul)
Jessica Neil - Scared Girl on Plane (as Jessica Nell)
Jade Francine - Pub Local
Alessandro Neri - Tourist
Deborah Rock - Airline Passenger
James Tufnell - Lab Technician

Category

📺
TV
Transcript
00:00I don't know.
00:35I don't know.
01:17I don't know.
01:31I don't know.
02:23I'm going to have to ask you to switch that off for now.
02:25Oh, okay. Thanks.
02:40You know, it's kind of like, it's kind of like a roller coaster.
02:45You know what I mean?
02:46It's like a roller coaster.
02:47You know, it's kind of like a roller coaster.
03:22How tall is the high?
03:30How tall is Big Ben?
03:36You know, it's kind of like a roller coaster.
04:04Since then, I've been working as a technology correspondent for about two years now.
04:08It's been great.
04:09Cool, that's awesome.
04:10So you do like TV reports and you're like...
04:13No, just the website.
04:14Oh, just the website.
04:15I mean, there's some video stuff, but tech industry pieces mainly.
04:19Cool, tech, tech.
04:20Tech's awesome.
04:21So wherever you've been so far, traveling around the map like Indiana Jones, Brazil.
04:26Oh, yeah.
04:26Red Adventure Line goes zigzagging all over the place.
04:29Yeah.
04:30Actually, I'm almost done.
04:32But I started off, flew into Sydney, went to Thailand.
04:37Wow, jealous.
04:37India.
04:38Yeah.
04:39Did Rome.
04:40Went to Rome.
04:41Did the whole Europe vacation.
04:43Even I haven't done that.
04:44Oh, really?
04:45It was awesome.
04:47I went to Pamplona in Spain.
04:49Why is he going to do the bull runs?
04:50Ran with the bulls.
04:51You ran with the bulls?
04:51I ran with the bulls.
04:52That's how I got this.
04:54Look at that.
04:55You really are Indiana Jones.
04:56You got your whip in your bag and your hat.
04:57Yeah.
04:58I saved the world from the Nazis.
04:59That was pretty cool.
05:00Like, you know, just kind of do, you know, shit I've never done before.
05:05I mean, is that what you're doing on this trip?
05:06You, like, finding yourself?
05:09Yeah.
05:10Um, in a way, I mean, I, I, really, to get away from the family home is what I'm doing.
05:17And, um, yeah, that was, whatever.
05:22That's boring.
05:22Yeah.
05:23Well, I'm definitely, Britain's pretty tame as far as daredevil opportunities go.
05:27Yeah.
05:27It's all right.
05:28It's the last leg of the trip.
05:29Anyway, so, I'm, unfortunately, home next week.
05:34Not much time.
05:37It's not very long.
05:38No.
05:39No, it's not.
05:41Mm-mm.
05:42So, I could use, uh, some suggestions on fun shit to do.
05:48Oh, fun shit to do.
05:50Fun shit to do.
05:52Fun shit to do.
05:53Fun shit to do.
06:01Ow, ow, ow, ow, ow, ow, ow, ow.
06:04Jesus.
06:06Hello.
06:07What up?
06:08Good morning.
06:09Good morning.
06:13Oh.
06:14Another battle scar.
06:17Kinda, kinda.
06:18Let me guess.
06:19You were, like, totally shark fishing in Cape Town, dude.
06:25Is that your best American accent?
06:27Yeah, that's great.
06:28That's pretty good.
06:29No, um, no, it's courtesy of, uh, Josh Peters.
06:34High school dick.
06:36He, uh, he and I got into a fight in shop class,
06:39and he made this, like, metal rod thing.
06:41What an arsehole.
06:44What an arsehole.
06:46That's terrible.
06:47I'm sorry.
06:49Are you or me?
06:53No, it's gotta be you.
06:55Mom.
06:56Mm-hmm.
06:56You're so American.
06:57Mm-hmm.
06:58Yes, I am.
06:59You know what I get?
07:01Mm-hmm.
07:02Okay, that was a little impersonal.
07:06What?
07:06You...
07:06I'm gonna talk to her now?
07:08You wanna talk to my mom?
07:09I'll call her back.
07:10That point.
07:12I don't think so.
07:19You're hungry?
07:24Wow.
07:25Look at all these games.
07:26You're like a gamer.
07:28Cool.
07:30Of course I am.
07:31For my job.
07:33A girl never beat you at Street Fighter.
07:35Is this, uh, like, this is, like, your dating manual?
07:41Well, the singularity is when computers learn to outsmart man like women did years ago.
07:47Oh!
07:48Wow.
07:50Um, what I was doing, it was like a joke, you know?
07:54Really?
07:54Yeah.
07:55Well, that's what you call a joke.
07:57Mm-hmm.
07:57Yeah, you guys have those here, right?
08:00Yeah, yeah, we do at the moment.
08:02Ow!
08:04That was a good joke.
08:06That was a good joke.
08:12Enjoy your Marmite.
08:15Whoa!
08:16Oh, my...
08:17You guys seriously eat this shit?
08:20It's...
08:20Okay.
08:22All right.
08:24All right, saved by mom.
08:25I mean, the best way to actually just stop her from calling is, I don't know, answer it.
08:31Yeah, it's just kind of like a can of worms.
08:33I just don't want to open right now, so...
08:36She's worried.
08:37You're her son.
08:38You've been traveling.
08:40And I just think if you speak to her, then...
08:42Yeah, well, um, I still live at home with her.
08:45Back in Syracuse.
08:47That's...that's cool.
08:48That's fine.
08:49Yeah.
08:51Um...
08:53I was taking care of my dad.
08:55Oh, shit.
08:56Is he...
08:57Uh, no.
08:58He died.
08:59Yeah.
09:00Oh, my God.
09:00Last year.
09:01No, it's okay.
09:02It was coming for a while.
09:03It was early onset Alzheimer's.
09:06Oh, God.
09:07That must have been really, uh, tough.
09:10Yeah, he was, uh, my best friend.
09:15Um...
09:16Sometimes he'd just look at me and wouldn't even know who I was.
09:24When my mom, like, I don't even...
09:26I don't know how to talk to her.
09:28You know, like, I don't have that connection.
09:31I don't even know where to start.
09:34So that's...
09:35That's why I left.
09:37That's why I went on this trip.
09:41Just to get away and make, you know, all the memories that I can.
09:48While I can.
09:51And I know I gotta talk to her and I gotta just...
09:56But not on this, you know?
09:58I just...
09:59I'll deal with it.
10:00I'll deal with it when I get...
10:01I'll get back, you know?
10:02And I'll just...
10:09You're a good guy, Kipa.
10:16Call you mom.
10:30Call up to 25 annum.
10:37Call.
11:0000193929, no, I did not buy a pair of sandals in Koh Samui last night because I'm in, and
11:07how long, and how long does that take? Because I need to buy a ticket back to America. Oh, oh
11:19my God.
11:51Uh...
11:58Can I just say, this is the most blatant cover story for a second hookup ever. Yes! Yes! Oh my
12:04God, thank you. Thank you, thank you.
12:07All right. Let's get your bag. Bag, yeah. All right, you are a top bird. I don't know what that
12:14means,
12:14but I heard somebody say it once, and you're it. I got a plan. Yeah, it's, um, Odd Jobs. A
12:24who? For, like,
12:25it's an app. You can kind of, like, I've used it all over when funds were low, so pretty cool.
12:31Oh, that's some interesting ones. Thrill Seekers Wanted. Ooh! This looks right out of your sheet. Okay.
12:40Okay. Okay. Four pound signs. That's a biggie. That's good. Uh, it's a little out of town. And, uh,
12:48some kind of playtest deal for a company called Saito... Saito-gu... Saito-gamu. Saito-gamu.
12:57Yeah. They're huge. They're really big. Really? Horror games.
13:05Have you heard of... Oh, what's one of those? Uh, Harlick's Shadow.
13:10Harlick's Shadow. Yes, I have. I used to play that in my buddy David Ludwig's basement when we were,
13:14like, seventh grade. But that's, that's Saito. It's his company. He's, like, this genius.
13:19Okay. Super secretive. And apparently they're working on this new project. Big money involved,
13:24groundbreaking, but nobody knows anything about it. Well, maybe if I play my cards right,
13:28I can get you an exclusive for the show. Hmm? Fo-show. Huh?
13:37You should take a photo. Seriously, if you get a photo of anything that they're working on,
13:45that's a fuckload more money than four pound signs. Cool. Um, well, where is this place?
13:58Not ever.
14:13I was just kidding.
14:14You won't know what I mean like that.
14:14Oh yeah.
14:17I can get it.
14:21Please do it.
14:22Oh yeah.
14:22Wow.
14:47Mr. Copper.
14:49Oh, hi.
14:51Um, just Cooper.
14:53Mr. Cooper, I apologize.
14:56Just Cooper's fine.
14:58Then in that case, I'm just Katie.
15:01Hi.
15:02Hi.
15:03Follow me?
15:04Oh, yeah.
15:05I'll just get my pack here.
15:06Rav will take care of that.
15:07Oh, Rav will take care of it.
15:09Okay.
15:10Great.
15:11That's good.
15:11I don't want to carry him there anyway.
15:13Rav kind of reminds me of, like, an end-of-level boss.
15:17How are you going?
15:19Just...
15:24How was your journey?
15:25Great.
15:26Thanks.
15:28The car pick you up, okay?
15:29Yeah.
15:31So, is it still clean?
15:34Wow.
15:35Yeah.
15:40This way.
15:46Are they...
15:48...seem?
15:49Cool.
15:50Very cool.
15:55Wow.
15:56Yeah.
15:56That's great.
15:57That's great.
16:00Come on.
16:10I feel like I'm going to go meet Dumbledore.
16:13Hope we get...
16:14Hope we get Gryffindor.
16:20I'm going to need your phone and anything else you might use to send and receive.
16:25A little paranoid, don't you think?
16:27Can't be too careful.
16:29Okay.
16:30There you go.
16:35You really are paranoid.
16:37Whoa!
16:38Oh!
16:40It's white!
16:42Um, okay.
16:45So, I'm guessing this says, like, I agree to have my kidneys harvested?
16:49Actually, it's a pretty standard NDA disclaimer thing.
16:52Okay.
16:53It's important that you realize there is a small medical procedure involved.
16:58Sorry, for a game?
16:59Nothing permanent, and we don't harvest your kidneys, I promise.
17:03Okay.
17:04It's no more invasive than having your ears pierced.
17:06Information, nine, down to the game, duration, termination.
17:11Um, the signature page.
17:14Where do I sign?
17:16Oh.
17:16Signature.
17:17Yeah.
17:18There's a page missing.
17:19Okay.
17:19Just a moment.
17:20All right.
17:22I'll just wait here.
17:26Here.
17:46All good?
17:47All good.
17:48What we're working on is an interactive augmented reality system.
17:54Like VR?
17:55More like layers on top of reality.
17:58Oh.
18:00Okay.
18:02Um...
18:07Um...
18:08What's that?
18:10We call this a mushroom.
18:15Like Mario Brothers?
18:17If you like.
18:18Uh, you're qualified to do this, right?
18:21I haven't killed anyone yet.
18:23May I?
18:25Yeah.
18:27Okay.
18:31Well done.
18:34That was it?
18:36See?
18:36I told you I'm good.
18:37Huh.
18:43Now, don't worry.
18:44It's not permanent.
18:47Um...
18:48Okay.
18:49What is this, like some kind of like a memory test or something like that?
18:53You'll find out.
18:54Oh.
18:55Okay.
18:55You might feel a slight twinge as it initializes.
18:59Oh.
19:01Okay.
19:03Um...
19:03Commencing at 5.38.
19:07You ready?
19:08Yes, sir.
19:09Yes, sir.
19:23Nearly there.
19:28Turn that off.
19:37All done.
19:38Feel okay?
19:39Uh-huh.
19:41Feel great.
19:43Watch the targets.
19:45Okay.
20:03What do you think?
20:07Like a, um...
20:09Like a video game gopher?
20:12It's in more detail now.
20:14Yeah.
20:15Yep.
20:15Yeah.
20:18And now?
20:19Holy fuck.
20:20Holy shit.
20:22Fuck.
20:22He's right.
20:23He's right.
20:24He's right.
20:25Can I...
20:27He's not real.
20:28He's a sort of mental projection.
20:30You can see him.
20:30I can't.
20:31You can't.
20:33The...
20:35Wow.
20:37Oh.
20:38Okay.
20:40Give him a whack.
20:41Give him a whack?
20:43Oh.
20:44Okay.
20:44All right.
20:48Oh.
20:49Stop.
20:52Okay.
20:53All right.
20:54So just like whack-a-mole.
20:55I've played it a million times.
20:56Okay.
20:58All right.
20:59Here we go.
21:01Come on up.
21:03Oh.
21:04Oh.
21:05Oh.
21:05Are you coming off?
21:08Okay.
21:08Oh.
21:09Oh.
21:11Oh.
21:13Oh.
21:15Oh.
21:16From where you go.
21:19Oh.
21:21All right.
21:22Stay down.
21:23Oh.
21:24Okay.
21:25Yeah.
21:25Got it.
21:26Got it.
21:26Good game.
21:27Very good game.
21:28You are so adorable.
21:31Oh.
21:31Okay.
21:32Bye.
21:33Bye.
21:34Is that it?
21:35Afraid so.
21:36Oh.
21:37Now, were the gophers two-dimensional or three?
21:39Three.
21:40No, no, no, no.
21:413D.
21:42Super 3D.
21:43Like, yeah.
21:45Now, this is just a limited test demo.
21:47That was a demo?
21:48I think you should be to test the full experience we're working on.
21:52There'd be more money in it, of course, if you're game.
21:54Yeah, yeah, yeah.
21:55Yeah.
21:55Uh-huh.
21:56I'm game.
21:57I'm game.
22:05You must be our latest volunteer.
22:07Hi.
22:09This is really great.
22:10Hi.
22:10Konnichiwa.
22:11Konnichiwa.
22:12Hi.
22:12Nice.
22:13Um, I just, I wanted to say that the mole game, super fun.
22:19Super fun.
22:21Fun.
22:24Fun.
22:25Fun.
22:25Fun is good.
22:26Yeah.
22:27Oh.
22:27Playing games is good.
22:29Mm.
22:30Your heart goes faster.
22:32You smile.
22:33Yeah.
22:34Yeah.
22:34Or, um, scream.
22:36Oh.
22:37Oh.
22:40I have always liked to make the player jump.
22:43Huh?
22:44Frightened.
22:45You get a scare.
22:46You jump.
22:47Afterwards, you feel good.
22:48Yeah.
22:49You glow.
22:52Why?
22:54Oh, um, because of the adrenaline rush.
23:00Yes.
23:01Yeah.
23:01But mostly because you are still alive.
23:06You have faced your greatest fears in a safe environment.
23:10It is a release of fear.
23:13It liberates you.
23:15Yeah.
23:16I mean, totally.
23:18Yeah.
23:19What we are working on now is the most personal survival horror game in history.
23:25Wow.
23:25Yeah.
23:26Cool.
23:27One that works out how to scare you by using your own mind.
23:31Whoa.
23:31That sounds crazy.
23:35I can't wait.
23:37I'm uploading a neural net package.
23:40Neural net package.
23:41Neural net.
23:42Hmm.
23:42Name could use a little word, I think.
23:44It's all 90s.
23:45I'm just kidding.
23:46It's a good name.
23:47It's state-of-the-art intelligent software.
23:50It learns and adapts on the fly.
23:52It'll monitor your brain activity and try and work out how best to frighten you and then adjust
23:57your experience accordingly.
23:58Whoa.
23:59Are you ready?
24:00Oh, yeah.
24:01Beam me up.
24:01Here we go.
24:02Lock and load.
24:03Eyes closed.
24:05Time is currently 6.17pm.
24:08Okay.
24:09It's uploading.
24:11Five.
24:11Four.
24:12Three.
24:14Two.
24:15One.
24:15One.
24:30How are you feeling?
24:38Um, I feel good, I feel normal.
24:41Okay, stand up, slowly.
24:53Are you ready to play?
25:09Isn't this the Harlick's Shadow House?
25:11Well, it's part of the estate.
25:13The Gamekeeper's Lodge, actually.
25:15But yeah, this was the model.
25:16The layout was replicated for the game,
25:18and the textures scanned.
25:21Wow!
25:23Very, very cool!
25:34So, uh, what's the game? What do I do?
25:36You don't have to do anything.
25:39You just stay in here alone,
25:41see how long you last until you're too scared to continue.
25:45So all I have to do is, like, stay here?
25:47And I get paid for that.
25:49I'll be back in the control room watching.
25:52There are cameras all over,
25:54so no stealing the silverware.
25:57And now there's this.
26:01Okay, and what's this?
26:03It's an earpiece.
26:05Oh!
26:06Yeah, just pop it in,
26:07and you and I will be in contact the whole time.
26:09Oh, cool!
26:10And I can, like, talk to you, and you'll hear it?
26:12Right. Great, great.
26:13That's great.
26:14Now, nothing you'll see can physically harm you.
26:16It's all just audio-visual, like the gopher game.
26:19Oh, okay.
26:20But if it does get too intense,
26:22we can pull you out at any time and stop the experiment.
26:24Okay.
26:25Is there a safe word you can think of?
26:27Something easy to remember in distress?
26:29Uh, how about the word stop?
26:33Good choice.
26:34Stop it is.
26:35Yeah.
26:36Okay, we'll leave you to enjoy your evening.
26:38All right.
26:39You'll hear from me in a moment,
26:40and just make yourself at home.
26:42Okay.
26:43All right.
26:43Well, take her easy.
27:04Harlick shadow.
27:29It's real.
27:30Yeah.
27:30No, it's real.
27:31That's real.
27:32It's really dead.
27:37Cooper.
27:38Oh, hey.
27:39Are you hearing me?
27:40Loud and clear.
27:43Oh.
27:44Reaching for the virtual courage already, I see.
27:50I'm afraid that wine's non-alcoholic.
27:53Lame.
27:55Well, we need you with a clear head.
27:57Okay.
27:57Fair point.
27:58Fair point.
28:02It's high-quality craftsmanship.
28:04This is nice.
28:06Yeah.
28:07It's good woodwork.
28:15That's this place.
28:17Full marks for observation.
28:18Uh-huh.
28:20Yeah.
28:58There.
29:00All right, there we go.
29:03Oh, shit.
29:16What's up?
29:16I just forgot it on my phone.
29:18I keep going for it. I forget it's not in my pocket.
29:23Then there's, uh...
29:25no TV here, so...
29:27Welcome to the 19th century.
29:29No TV, no Internet, no Wi-Fi.
29:32Yeah, no wonder people were seeing shit.
29:36Probably were just bored out of their gourds.
29:38Well, that's the leading theory about ghost sightings.
29:40The mind plays tricks when less stimulated.
29:43Fewer distractions. People saw more ghosts.
29:45Isn't that a nice piece of info?
29:47Mm-hmm.
29:50Uh, they got literature, though.
29:53It's pretty sweet, right?
29:56All right, God, I can't even remember the actual last time
29:59that I've read a book.
30:01To think people used to do this on purpose.
30:04I know. Crazy. Why?
30:06You know, I don't think I...
30:08All right. Shh. All right.
30:10Need to get into some old-school shit here.
30:12Need to concentrate.
30:13Pardon me.
30:22Can I point out your heart rate just increased?
30:25Uh, yeah. Well, it should've,
30:27because there's a huge crazy spider.
30:29Just, uh...
30:30You see a spider?
30:32You don't... You don't see that?
30:33No.
30:36Don't...
30:37Don't walk. Don't...
30:43Don't...
30:47Holy shit!
30:48Tough guy like you, scared of spiders.
30:51Yeah, I'm just not fond of him.
30:53It's worked out you're in Iraq very quickly.
30:55It's probing for weak spots.
30:58God damn it.
31:01Fucker.
31:04Fucker.
31:05Yeah!
31:06Ha ha ha!
31:12Um...
31:12Okay.
31:14Yeah. Well, uh, yeah.
31:16A whole lot more, uh, realistic than the...
31:19Gopher game.
31:20It's good. It's good graphics.
31:22It's...
31:23It's good, uh...
31:25Yeah.
31:29Hey, weak sauce.
31:55Uh...
31:55What is it?
31:56Uh, just, uh...
31:58Nothing.
31:59Nothing.
32:00Here with the...
32:01Because there's a...
32:02Now...
32:03There's a light on.
32:05You know...
32:06In the...
32:06In the...
32:07Can you...
32:08Zoom in and...
32:10And, uh...
32:10Zoom in on it.
32:11And you can see what I'm talking about.
32:13Whoa!
32:14Creeper.
32:14And now there...
32:15Shh!
32:15There's a guy...
32:17In the window.
32:18That...
32:19And that wasn't...
32:19Ha!
32:20Ha!
32:21Ha!
32:23Yeah.
32:24Uh-huh.
32:27And now he's gone.
32:29And now...
32:29Now nobody's in the window.
32:30Which is...
32:33Those...
32:37Mm-hmm.
32:39Yeah.
32:41Here's the...
32:46Where's leaky pipes?
32:56I knew it.
32:59With leaky pipes.
33:00Like...
33:02Holy fuck!
33:03Oh!
33:05Ah!
33:06Oh!
33:07Fuck!
33:09Oh!
33:12Oh!
33:13Oh!
33:14Oh!
33:14Oh!
33:14Oh!
33:15Huh!
33:16Huh!
33:17That got me!
33:18You got me!
33:20Oh!
33:21What are you saying?
33:22Like a creepy...
33:23Fucking guy!
33:25Wow!
33:26Wow!
33:27Just...
33:30Oh my God!
33:32Oh my God!
33:33Oh my God!
33:35He kinda looks like Josh Peters!
33:37It's Josh Peters!
33:38You're Josh Peters!
33:39Sorry?
33:40You're Josh Peters from high school!
33:42From a guy I know in high school!
33:43Oh, the system could be mining some of your personal memories for texture.
33:46Oh my God!
33:47Was Josh Peters someone you were scared of?
33:49He was a bully.
33:50I wasn't scared...
33:51I wasn't like scared of him.
33:52But he was a bully.
33:53And...
33:54Man!
33:55Took a couple Krav Maga classes.
33:58And now I'd be ready!
34:00I'd be ready!
34:01Mmm!
34:02Huh!
34:03Hm!
34:03Gish!
34:05Gah-gah!
34:06Gah-gah!
34:07Gah-gah!
34:08Gah-li-mah!
34:11Gah!
34:13I'm gonna go get some wine.
34:14A re-up.
34:16I'd offer you some, but I don't think you can drink it, so...
34:18Gah-gah!
34:20Ooh-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho!
34:23Catch you later, Peters.
34:28It's non-alcoholic wine, it's pretty good.
34:31I'm not like a...
34:32expert or anything, but it's kinda, kinda great.
34:36Um, I was in France.
34:38I stayed at this, like, uh, vineyard,
34:40and they had this, this wine, like, grape stomping festival.
34:45Now that, that wine was good.
34:47I know that.
34:48You're being discursive.
34:50What is discursive? Discursive.
34:53Talkative.
34:54Mm-hmm. Rambling.
34:57Is that a problem?
34:58People sometimes talk more when they're afraid.
35:01Helps compensate for the fear. Masks it, too.
35:05Oh, yeah?
35:05Similar to when you've got the TV on late at night.
35:08The voices make you feel less alone.
35:12Even though you are alone.
35:15You, uh...
35:17Aren't scaring me, Katie.
35:19Pity.
35:21Hey, is there, like, a refrigerator here, or...?
35:24There's some snacks in the cupboard.
35:27Ready?
35:28Eeny, eeny.
35:31Mighty...
35:32Moe! All right.
35:35Okay, ginger snacks.
35:37Let's see.
35:39Yeah.
35:40Good. Still do.
35:43All right.
35:45Um...
35:48He's gonna be right behind this door
35:50when I close it, isn't he?
35:52Yeah. That's how those work.
35:58Knew it.
36:00Jump scares get pretty old.
36:01Ah!
36:03Fuck!
36:06Oh, God.
36:08What the hell is that?
36:09What do you see?
36:11Oh!
36:13Holy shit!
36:16Uh, fucking...
36:19Uh...
36:20Hard to explain.
36:22It's like a huge-ass spider
36:24with a face and dicks coming out of his mouth.
36:27It's...
36:28Peters.
36:29Peters is inside...
36:31like a...
36:32Peters...
36:35spider...
36:36mashup.
36:37Ah, Katie.
36:39Are you doing this?
36:40Or is this fucking me?
36:41I think that's all you.
36:43Oh!
36:44I'm so fucked up!
36:46Ah!
36:47Fuck!
36:50Holy shit!
36:51You're fucking gross.
36:55Hey, uh...
36:56Sorry, can you say that again?
36:59Katie? Hello?
37:03Damn it.
37:03Katie!
37:08Hey!
37:10Whenever you come back online to say the word.
37:13No, not scared.
37:15Just...
37:15bored.
37:20Hey, you guys?
37:28Coming to fix the, uh, earpiece?
37:29This is probably a good idea.
37:31Yeah.
37:32Yeah.
37:36Yeah.
37:46You're fucking...
37:58You're in danger.
38:01Sonia?
38:05Now we're talking.
38:06All right.
38:06This is incredible.
38:08This...
38:09Very impressive.
38:10I am thoroughly impressed.
38:12I'm...
38:13I...
38:13Wow.
38:14Wow.
38:15You look so real.
38:17You're, like, just like her.
38:20I mean...
38:21Wow.
38:21Except...
38:23You're just...
38:25Unfortunately not...
38:27Um...
38:27Kipa...
38:27Wait, wait, wait, wait, wait.
38:28Kipa, what are you doing?
38:29Hold on, hold on, hold on, hold on.
38:30Kipa, you're in danger, Josh.
38:31Quiet.
38:32Quiet. I need to think.
38:33You're fucking real.
38:34You are real.
38:36You're real.
38:37Kipa, you're in...
38:37Sonia.
38:38You're actually here.
38:39Are you actually here right now?
38:40I'm real.
38:41I'm actually here.
38:42God.
38:43And we have to go and you have to listen to me.
38:45How are you here?
38:46You know that photo that you sent me?
38:47When I dug around and apparently showed Saito took out a patent for a computer brain interface
38:52last year.
38:53How are you real?
38:55I don't...
38:55Okay.
38:56Fuck.
38:57I don't...
38:58They brought you here!
39:00You are.
39:01You're real.
39:01And they brought you here and they're trying to fuck with me.
39:04Nice try.
39:06Good try.
39:07I get it.
39:08It's part of the test.
39:09His patient got rejected outright.
39:11He said it was insane.
39:12It was dangerous.
39:13Wow.
39:14Really?
39:14How much are they paying you?
39:16Honestly, because you're killing it right now.
39:18Kipa, have they given you something?
39:19Sorry.
39:19I thought you were fake.
39:21But now I know you're real.
39:22I'm being a really terrible host.
39:23I guess some non-alcoholic wine might put us in the mood.
39:28Kipa.
39:28Kipa, what I want to do is get you...
39:30We'll talk about that.
39:30I'll take a drink one.
39:32Kipa...
39:32Sonia, relax, okay?
39:34Give it up.
39:35I know.
39:35The jig's up, okay?
39:37Let it go.
39:37Look, Kipa, there's more.
39:39Five people have disappeared in the past year.
39:41All tourists, all registered with that stupid odd jobs app.
39:45Oh, yeah?
39:46Wow.
39:47God, that's crazy.
39:49Whatever they're doing to you, whatever they've done to you,
39:51it's dangerous and we really have to go.
39:54Now, Kipa.
39:56Okay.
39:57Okay.
39:58All right.
39:58Um, well, if, uh, if your story is true...
40:01Kipa.
40:01Um, then...
40:03How'd you find me?
40:04What?
40:04How'd you know where I am?
40:06It's a games company.
40:07I looked up the address.
40:08Yeah.
40:09Really?
40:09No, no, no, no.
40:10How'd you find me here?
40:12This place?
40:13I tracked you.
40:14You tracked me?
40:15Yeah.
40:15With your GPS on your phone.
40:16Find my friends.
40:17Find my friends?
40:18That would've worked.
40:19But they took my phone.
40:21And it's in a building, like, a mile away.
40:24So...
40:25Yeah.
40:26Nice try.
40:27That's right.
40:29So much for women outsmarting men.
40:31Singularity that!
40:34Look, all I'm saying is that I think that you could've come up with, like, a better story.
40:38It could've been funny, or...
40:41Uh...
40:41Uh...
40:41Okay.
40:42All right.
40:43Don't be pissed.
40:45Do you ever wonder how your bank account got hacked?
40:48Uh...
40:49What are you doing?
40:50I claimed your cards as you were asleep.
40:52Whoa.
40:53Okay.
40:54Uh...
40:54Put the knife down.
40:55What are you gonna do with that?
40:56I drew your attention to this job.
40:58Sonia, put the fucking knife down.
41:00Okay?
41:01It's not funny.
41:02It's...
41:02You should've called your mom, Cooper.
41:04You called me.
41:05Sonia.
41:06And I led you here.
41:07You know what?
41:08The breadcrumb trail.
41:09Put the knife down.
41:10Drop the axe.
41:12Okay?
41:12Seriously.
41:13Drop the knife, Sonia.
41:14It's not fucking funny.
41:16Put the knife.
41:18This isn't what I signed up for.
41:19I'm fucking done.
41:20Okay?
41:23Oh!
41:26Oh!
41:27Oh!
41:28Oh!
41:28Oh!
41:29Oh!
41:29Oh!
41:30Oh!
41:30What the fuck?
41:31Oh!
41:32Oh!
41:33Oh!
41:34Oh!
41:35Oh!
41:36Oh!
41:37Oh!
41:39Oh!
41:44Oh!
41:47Oh!
41:48Holy fuck!
41:49Oh!
41:52Oh!
41:53Oh!
41:53Oh!
41:54Oh!
41:55Oh!
41:55Oh!
41:56Oh!
42:00Oh!
42:01Oh!
42:06Ah!
42:11Ah!
42:15Ah!
42:17Oh!
42:18Ah!
42:19Ah!
42:23Ah!
42:25Ah!
42:25Ah!
42:26Ah!
42:27Ah!
42:53Oh, fuck!
42:56Oh, fuck!
42:57Oh, fuck!
43:24what's happening what the fuck happened
43:26What's happening? We've been talking. You've not been responding.
43:29You said I wouldn't feel anything!
43:31What are you seeing? What's there?
43:32Fuck! She's gone now!
43:35Who's gone?
43:36Oh, my God! I felt it!
43:38There's a knife in my arm! In my shoulder!
43:42Cooper, who was there?
43:44Fuck, Sonia!
43:46Who?
43:47Sonia! She's this girl that I know that fucking... She stabbed me!
43:51Nothing can harm you.
43:53Nothing can harm you, Cooper.
43:54Oh, no, no, no, no! She was solid!
43:57No, she can't have been.
43:58She... She... I would stab! I would know!
44:02Nothing you see can harm or even touch you.
44:04It's purely audio-visual. There's no physical sensation.
44:07Fuck! Yes, there was!
44:09Cooper, you need to calm down.
44:12I know because I felt it, okay?
44:15I felt her arm, it was warm,
44:17and I felt her fucking stab me in the shoulder!
44:21That's not possible.
44:23Oh, my God!
44:24It's not possible, Cooper.
44:26Yeah, it is! Yeah, it is!
44:28Physical sensation shouldn't be possible.
44:31Unless, I mean...
44:32Oh, God. Unless what?
44:34I don't know. The neural net, it could have maybe worked out...
44:37...some means of replicating physical experiences,
44:39but that would be unprecedented.
44:42Jesus Christ. Okay. You know what?
44:43Cooper, stop the game!
44:44I want out!
44:46Just pull me out now!
44:47Stop, stop, stop!
44:49Say for it, fucking stop!
44:50Okay, okay. Just let us work it out.
44:52Oh, God. No.
44:54I want this fucking thing out now.
44:56Cooper, do not protect your move like yourself.
44:58I want it out!
44:58I want the fucking...
44:58Removing yourself is extremely dangerous.
45:00Stop there! That could kill you!
45:01Just stay calm!
45:03Is that show? Is that show? What's he saying? What's he saying?
45:06Okay, Cooper, we're gonna commence with deactivation.
45:09Oh, that's great news.
45:11We need you to follow instructions.
45:13Okay.
45:13Make it to the access point.
45:15The access point?
45:17Great, where the fuck's the access point?
45:22Oh, fuck! More stairs? Come on!
45:25Just one more level.
45:27Trust me.
45:29Okay.
45:32Left at the top.
45:34Okay, which door?
45:35Room at the end.
45:41What is it?
45:44There's gonna be something bad in there.
45:46I can feel it.
45:47Something like...
45:48Like what?
45:49Uh, some personal fucked up shit.
45:53Like, I don't know, I can feel it digging around my head.
45:56Cooper, get to the door.
45:58It's gonna be like my mom.
46:01I don't know, dead.
46:02Your mom?
46:03Fucking swinging from a fucking beam.
46:05Your mother is not in there.
46:06You're not in control of this!
46:09It's in my head.
46:10It fucking knows.
46:11It knows!
46:12It knows!
46:13It knows what?
46:14Oh, it knows I got this thing with my mom.
46:16Cooper, I promise you, she's not in there.
46:19Now open the door.
46:21Oh, my God.
46:21It's the only way I can get you out.
46:23Listen to me.
46:24Okay.
46:26Okay.
46:27Okay.
46:29Whatever's in there cannot harm you.
46:32But I can't get you out unless you open that door, Cooper.
46:35Would you kindly open the door?
46:37Here we go.
46:38Here we go.
46:40Here we go.
46:57Okay.
46:59Okay.
47:01Okay.
47:01Okay.
47:01I'm in the...
47:02I'm in the room.
47:03Where's the access point?
47:05Access point?
47:07There is no access point.
47:09What?
47:11I'm fucking with you, Cooper.
47:13I told you to come up here to see if we'd broken you enough to obey instructions without question.
47:18And we have.
47:19Oh, no, no, no.
47:21Katie, come on.
47:22Katie, come on.
47:23Katie, come on.
47:24Let me out.
47:25Katie, let me out.
47:26Come on.
47:27What the fuck?
47:28Oh, what are you gonna...
47:29Oh, what are you doing to me?
47:31Why are you doing this?
47:33You thought you'd see your mother.
47:35Oh, fuck.
47:37What does she look like?
47:39Uh...
47:40Your mother, can you describe her face?
47:43Um...
47:44Her hair color?
47:46She...
47:47Is she tall, short, fat, thin?
47:50Uh...
47:50She's...
47:51Where did you grow up?
47:52She near...
47:53What's your favorite band?
47:54I...
47:55Your favorite flavor ice cream?
47:56No.
47:57The name of the girl who stabbed you?
47:59No, no, no, no.
47:59You don't know any of these things, do you?
48:01She's...
48:02She's...
48:02Don't you think that's odd?
48:03It's fucking taking my memories!
48:06Overwriting them.
48:07Technically.
48:09Look in the mirror.
48:11Behind you.
48:15Do you recognize yourself?
48:19Do you even know who you're looking at?
48:24Soon you won't be anything.
48:26You'll be just like your dad.
48:29Shut up.
48:30Shut up, shut up, shut up.
48:30That's what really scares you, isn't it?
48:32Shut up!
48:32Shut up!
48:33Shut up!
48:33You're going the same place he did.
48:35Shut up!
48:36Shut up!
48:36Shut up!
48:37Shut up!
48:38Shut up!
48:38Shut up!
48:40You should've...
48:40You should've called Mom.
48:42You should've called Mom.
48:42You should've called Mom.
48:43No.
48:45No, no, no, NO.
48:46No!
48:47Get outta my head!
48:49Get outta my fucking head!
48:50Never see her.
48:51Never speak to her again.
48:52Never see her face!
48:53GET onun through my fucking head!aldome!
48:54Get out of
48:55my fucking head! Get outta my
48:57fucking head! Get outta my
49:07fucking head!
49:09Get her out of my fucking head!
49:10You should have called her.
49:11Get her out of my fucking head!
49:13No!
49:15Get her out of my head!
49:17Get her out of my head!
49:18Get her out of my fucking head!
49:20Do that, I'm gonna shut it off, okay?
49:22I just need to come out.
49:23Get her out of my head!
49:25Get her out of my head!
49:27Get her out of my head!
49:29Oh, my God.
49:30Oh, my God.
49:33What are you doing?
49:34Why don't you shut her out of my head?
49:36I don't know.
49:37I don't know.
49:38No, no, no, no.
49:40I can't stop it.
49:42I don't...
49:45I don't know who I am.
49:47So I...
49:48So I need to go home.
49:50The interface has dated tendrils, like roots.
49:54They've dug in deeper than they're meant to.
49:57Vetted through your brain.
49:59Taken over whole areas.
50:00I can't stop it.
50:01I...
50:02I can't remove it, and I can't stop it.
50:05But I...
50:06But I don't...
50:07But I don't know who I am.
50:10And I don't know...
50:11I don't know who I am.
50:17I don't know who I am.
50:19I don't know who I am.
50:21I don't know who I am.
50:21On behalf of Saito game team,
50:24I most humbly apologize.
50:28Who are you and...
50:31What have you done to me?
50:34What have you done to me?
50:36Put him with the others, please.
50:38No, no.
50:39No, no, no, no, no, no, no, no, no, no!
50:41Fuck it!
50:41No, stop, stop, stop, stop, stop, stop, stop!
50:43Stop, stop, stop, stop, stop!
50:47Stop, stop, stop...
50:51Stop!
50:52Stop, stop!
50:56Stop, stop!
50:58Stop!
51:00Wha...
51:01Huh...
51:02That was one second.
51:05Either he's super susceptible to this,
51:07or the software is way too powerful still.
51:10It's jumped from zero to 18k in five milliseconds.
51:14I'm sorry. The experience was more powerful than intended, Mr. Cooper.
51:20I hope you can forgive us.
51:40May interfere with the aircraft's navigation community.
51:55Mom?
52:31Mom?
52:32Mom?
52:33Mom?
52:36Mom?
52:37Mom?
52:45I have to call him.
53:08I have to call Cooper.
53:16I have to call and make sure that he's safe. I have to call him. I have to call him.
53:23I have to call him.
53:32Mom?
53:40Mom?
53:41Mom?
53:42Mom?
53:43Mom?
53:43Mom?
53:44Mom?
53:46Mom?
53:48Mom?
53:51Mom?
53:52Mom?
54:00Why did it come out?
54:02It turned out.
54:03It was not.
54:04No, but...
54:05The phone was wrong.
54:06I was wrong.
54:08I was wrong with the phone.
54:08I was wrong with the phone.
54:13I'm sorry.
54:15I've never had this happen.
54:17The phone was wrong with the uploader.
54:19I was trying to get a job.
54:23I was trying to get a job.
54:27I didn't get to work.
54:31I was trying to get a job.
54:33I was trying to get a job.
54:35I was trying to get a job.
54:36What did you say?
54:37Mom.
54:43Take a look.
54:45Yes.
55:07Moving by to Asst!
55:07Thisiquis and the lulls!
55:07I'm bridging!
55:09This is fun, and fun!
55:10We are essayer of staring!
55:10We are not going to be in to sleep!
55:10This is fun, and this is fun.
55:10His issue is very helpful.
55:10In the moment, he happy you are about to make money!
55:11I'm sad, thank you, indeed!
55:11It's unbelievable!
55:11You
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