🏘️ The Hunting Party (2025) - Season 2 Episode 11 ★ MID-SEASON FINALE
One clue changes everything. In Episode 11 "The Final Clue", the Behavioral Science Unit uncovers the missing piece that connects all the victims — but the revelation comes at a devastating cost. As Rebecca races to stop the killer before they strike again, the team must confront a truth that will change the course of the investigation forever. Who will make it out alive... and who will be lost in the hunt?
🔹 Episode Highlights:
• Breakthrough discovery: the final clue that ties the entire case together
• Emotional sacrifice: a team member pays the ultimate price for justice
• Rebecca's reckoning: personal loss fuels a relentless pursuit of truth
• Killer's identity revealed: a shocking twist no one saw coming
• Signature Hunting Party climax: psychological depth + heart-stopping suspense + unforgettable stakes
🔹 Series Info:
• Format: Crime Thriller / FBI Procedural / Psychological Serial
• Original Network: NBC (US) / Peacock / International Syndication
• Series Launch: 2025 | Season: 2 | Episode: 11 | Title: "The Final Clue" ★ MID-SEASON FINALE
• Setting: United States (FBI Behavioral Science Unit) | Language: English
• Runtime: ~42-45 minutes (full) | Clip/Highlight version: ~10-15 min
🎧 Prefer audio? Listen to crime thriller recaps & FBI drama podcasts on Spotify, Apple Podcasts.
👉 Enjoying the series? Hit LIKE, SUBSCRIBE, and comment: "Did you guess the killer's identity? 👇" Turn on notifications 🔔 for Season 2 Part 2!
#ShowTVMovies #TheHuntingParty #NBC #TheFinalClue #S02E11 #CrimeThriller #FBIDrama #MidSeasonFinale #BingeWatch #RebeccaLockhart
⚠️ Copyright Disclaimer: This video is shared for promotional, review, and informational purposes only. All rights to "The Hunting Party" belong to NBCUniversal, Universal Television, and associated producers. This upload complies with Fair Use
One clue changes everything. In Episode 11 "The Final Clue", the Behavioral Science Unit uncovers the missing piece that connects all the victims — but the revelation comes at a devastating cost. As Rebecca races to stop the killer before they strike again, the team must confront a truth that will change the course of the investigation forever. Who will make it out alive... and who will be lost in the hunt?
🔹 Episode Highlights:
• Breakthrough discovery: the final clue that ties the entire case together
• Emotional sacrifice: a team member pays the ultimate price for justice
• Rebecca's reckoning: personal loss fuels a relentless pursuit of truth
• Killer's identity revealed: a shocking twist no one saw coming
• Signature Hunting Party climax: psychological depth + heart-stopping suspense + unforgettable stakes
🔹 Series Info:
• Format: Crime Thriller / FBI Procedural / Psychological Serial
• Original Network: NBC (US) / Peacock / International Syndication
• Series Launch: 2025 | Season: 2 | Episode: 11 | Title: "The Final Clue" ★ MID-SEASON FINALE
• Setting: United States (FBI Behavioral Science Unit) | Language: English
• Runtime: ~42-45 minutes (full) | Clip/Highlight version: ~10-15 min
🎧 Prefer audio? Listen to crime thriller recaps & FBI drama podcasts on Spotify, Apple Podcasts.
👉 Enjoying the series? Hit LIKE, SUBSCRIBE, and comment: "Did you guess the killer's identity? 👇" Turn on notifications 🔔 for Season 2 Part 2!
#ShowTVMovies #TheHuntingParty #NBC #TheFinalClue #S02E11 #CrimeThriller #FBIDrama #MidSeasonFinale #BingeWatch #RebeccaLockhart
⚠️ Copyright Disclaimer: This video is shared for promotional, review, and informational purposes only. All rights to "The Hunting Party" belong to NBCUniversal, Universal Television, and associated producers. This upload complies with Fair Use
Category
🎥
Short filmTranscript
00:05Previously on The Hunting Party
00:07It's called The Pit
00:08Home to the most dangerous and violent criminals in history
00:10All of whom the world believes are dead
00:12Or at least it was
00:13Until the blast hit
00:17I didn't serve
00:18And I haven't been in the field
00:19That was the first time I've ever drawn my weapon
00:21You were impressive
00:23Are you gonna ask me out or what?
00:25No
00:27Maybe
00:28Do you really think Lazarus attacked Cyrus' convoy?
00:32I do
00:32I still don't have proof
00:34Well, we need to find some
00:44You know what else I love about this city?
00:47About bulwark?
00:47Yeah, what?
00:48The cops on bicycles
00:50How intimidating is that?
00:51All right, pull over
00:53What do they do when they arrest somebody?
00:57All right, in the basket
00:58You always tell the rookie cops
01:00They're the ones that play in cars in their spokes
01:02Halt!
01:07Well, thank you, folks
01:08Hope you have a wonderful evening
01:10Say goodbye, Marvin
01:11Goodbye, Marvin
01:12You've been great
01:24Great crowd tonight, kid
01:25Break a leg
01:26Or a string
01:29All right, all right
01:31Please welcome to the stage
01:32Our next performer
01:33A debut, in fact
01:35Put your hands together
01:36For Dylan Miles
01:37And Lil' Barney
01:49Hello
01:51This is, uh, this is Barney
01:53I'm Dylan
01:55So, um, Barney
01:58What did you do last weekend?
02:01I met a girl
02:02Didn't go very well
02:04Oh, no
02:05What happened, Barney?
02:07She said I was too stiff
02:15What, um, why, I mean
02:20Why did she think you were too stiff?
02:22Because I made of wood, dummy
02:28Bring Marvin back out
02:30Yeah
02:38Looks like solid
02:39Like solid
02:42Get off the stage, little guy
03:14Somebody should teach that guy a lesson
03:20I was thinking the same thing
03:34I was thinking the same thing
04:12Want to hear a joke?
04:14What's black?
04:16And blue
04:17And red
04:19All over
04:20You are
04:25Interesting
04:26Eating Thai
04:27Maybe Italian
04:28Something like
04:45It doesn't matter what we think
04:47We know about Lazarus
04:48Without definitive proof
04:49That she was involved in the attack
04:50On the convoy
04:50We have nothing
04:52Then we get something
04:54Okay, she's way too smart
04:55To leave a paper trail
04:56Well, anything she does have
04:58Flash drives
04:59Hard copies, whatever
05:00It'll be stashed at her place
05:02Which
05:03Only one of us has access to
05:07So what are you gonna do?
05:09You're gonna invite yourself over
05:10And search her place
05:11While she burns another lasagna
05:12Shane, this is way too risky
05:14No
05:16Why does dinner need to be at her place?
05:19If Shane invites her out somewhere
05:21You two can go in
05:22Have a look around
05:24And he keeps her occupied
05:27I mean, I can text her right now
05:30I'll advise on her the whole time
05:31We can text you guys
05:33When we're leaving
05:33Make sure you got plenty of time
05:34To get out
05:39All right, fine
05:42All right
05:43Go on
05:48Go for Hazani
05:51Okay
05:53Yeah
05:54Hey
05:54You sure?
05:56Get you back there
05:58Of course
05:59That was Peck
06:00You got work
06:06What do we got?
06:08Puppet maker was shot
06:09In his workshop
06:09Near Rapid City, South Dakota
06:11Did you say puppet maker?
06:13I sure did
06:14We don't have crime scene photos yet
06:16But that's our victim
06:17Nicholas Fletcher
06:18He's currently in a medically induced coma
06:21But fingerprints at the scene
06:22Match pit inmate H71
06:24Ah, Dylan Miles
06:26You wanna take it from here?
06:28Yeah
06:29Believe it or not
06:29Our fugitive killer here
06:31Mr. Miles
06:31Was actually an aspiring comedian
06:33Of course
06:34Because murder is hilarious
06:36As a kid
06:37He was diagnosed
06:38With delayed language development
06:39And selective mutism
06:40He was completely non-verbal
06:42Until nearly ten years old
06:43I must have been tough
06:45On the playground
06:45The real breakthrough happened
06:47When he started communicating
06:48Through one of his sister's dolls
06:49Common form of projective play
06:52As he matured
06:52He developed the capacity
06:53To communicate for himself
06:54But he still felt more comfortable
06:56Speaking through his proxies
06:57But when did he go
06:58From talking dolls
06:59To murder?
07:01June 5th, 2015
07:02Dylan would perform
07:04At small comedy clubs
07:05All over the Midwest
07:06All of his victims
07:07Were people who heckled him
07:08During the show
07:09He'd wait for a month
07:10Or even up to a year
07:11Before an acting revenge
07:14I can really see the anger
07:16And the humiliation
07:17All he wanted was to connect
07:19With people through his act
07:20Which is why
07:21When he got teased
07:21Or heckled
07:22He would return the humiliation
07:23He felt on the victims
07:26Tenfold
07:26Which is why
07:27A lot of the crime scenes
07:28Happened in a public place
07:29He wanted his victims
07:30To be seen
07:31He wanted them to be remembered
07:33In their final moments
07:34Of indignity
07:35It says here
07:35He killed seven victims
07:36Over a two year period
07:38Is there any chance
07:39Dylan knew this doll maker
07:40Guy from back in the day
07:41We're looking into it
07:42Get going to the crime scene
07:43We'll send you what we find
07:59Hello?
08:02We're closed
08:30We're closed
08:52Excuse me?
08:55Who are you?
09:04I'm a big fan of your work
09:42Oh, life could be a dream
09:45If I could take you up
09:46In paradise up above
09:49If you would tell me
09:50I'm the only one
09:51That you love
09:52Life could be a dream
09:53I know what you're doing
09:54Hello, hello again
09:57Where's Barney?
09:58These are not mine
10:00Where's Barney?
10:01My precious plans
10:02Would come true
10:03If you would let me
10:06Loving you
10:07Life could be a dream
10:08Sweetheart
10:12Now every time
10:14I look at you
10:16Something is on my mind
10:20If you do
10:21What I want you to
10:25Sweetheart
10:47I know what you're doing
10:48I know what you're doing
10:54Where's Barney?
10:56Where's Barney?
10:59Where's Barney?
10:59Where's Barney?
11:00Where's Barney?
11:02Where's Barney?
11:04Checking this file, sir
11:07Every time I look at you
11:10Something is on my mind
11:14If you do
11:16What's your name?
11:19Peter
11:20It's nice to meet you
11:21What does a guy have to do
11:23To get a drink around here?
11:26You're funny
11:27No I'm not
11:29I'm hilarious
11:32I think we've had a breakthrough, Dylan
11:37Yo, he's really good at that
11:39I couldn't even see his mouth move
11:41Um, that's what ventriloquism is
11:44Dude's doing group therapy
11:46With himself
11:47As far as pit treatments go
11:49That feels pretty normal
11:52I mean, look
11:53The dolls are weird
11:54But we've seen womb therapy
11:56Yeah, well according to his file
11:57Typical therapies fail to yield any results
11:59And Dylan refused to speak to the pit doctors
12:01So eventually
12:02They leaned into his comfort zone
12:03There's a precedent
12:04It's a variation of Gestalt Therapy's
12:06Empty chair technique
12:07I heard of that
12:09Basically the patient has a conversation
12:11With an empty chair
12:12Which is supposed to represent
12:14The person he has a conflict with
12:16Giving them a chance to talk out
12:18Their repressed emotions
12:20Yeah, you're right
12:21So Dylan with the dummies
12:22It allowed him to feel in control
12:23Of every conversation
12:24Allowing him to externalize his inner world
12:27Because he can play patient and therapist
12:29He even went so far as to name the dummies
12:31According to this
12:32Peter and Debbie
12:33Had fully developed personalities
12:35So while Dylan's playing therapy with the dummies
12:38The doctors have a unique insight
12:40Into his core trauma
12:40Which was the public shame
12:42Of being teased
12:43I can't really remember
12:44The first time he teased me
12:45I was six or eight
12:47What do you remember?
12:49Anger
12:50He shouldn't have treated you that way
12:52But he got what he deserved
12:54I punched him in the stomach
12:55Watched him gasp for air
12:57It was hilarious
13:00Hey Dylan
13:00Want to hear a joke?
13:02Sure Peter, I'd love to
13:03What's the difference
13:05Between a Lamborghini
13:06And a dead body?
13:07I don't know
13:08What?
13:09I've never had a Lamborghini
13:11In my garage
13:16All right
13:17That's enough of that
13:17We get the point
13:20Well at least he's not
13:21Smashing the dummies
13:22You know?
13:23Well speaking of
13:24It says here
13:25These dolls were handmade
13:26By Nicholas Fletcher
13:30Wait, the guy who
13:31Dylan just put in a coma?
13:32And he was special ordered
13:34By Pitt doctors
13:36You think Dylan knew that?
13:40That's right
13:41Nicholas Fletcher signs a head stick
13:42On every figure he ever made
13:44I've been his assistant
13:45For five years now
13:47I can't believe this happened to him
13:50The guy is a legend
13:52Nicholas Fletcher
13:53Is the preeminent figure maker
13:54In the United States
13:57You ever heard of Slappy Sammy?
14:03Jeff Miller uses him in his act
14:05And Nicholas made him
14:07So if you're in this world
14:08You've definitely heard of Nicholas
14:09Oh yeah
14:24Whoa
14:26I thought this guy liked dolls
14:28Victim's blood
14:31This is definitely not what I expected
14:34Pre-Pitt Dylan
14:35He would beat his victims to death
14:37But then leave their homes
14:39Relatively unpatched
14:40Now he's shooting an old man
14:41Without laying a hand on him
14:42And trashing the whole shop
14:43It's like his early days at the pit
14:45When he was smashing all those puppets
14:48Why come all the way here
14:49To do that though?
14:52None of these look like Debbie
14:53Or Peter
14:57Okay
14:58You're Dylan
14:59You leave the pit
15:00And you lose your ventriloquist dummies
15:01In the blast
15:02So you look up the guy that made them
15:04You come here to repair or replace them
15:06But you don't find what you're looking for
15:10So
15:10You go nuts
15:12And you trash the place
15:14So where does Dylan go from here?
15:18I think Dylan came here
15:19To find another Peter and Debbie
15:22And I don't think he's gonna stop looking
15:23Until he does
15:25Give me a sec
15:34Hi
15:35I'm so sorry to bother you
15:37I need to see Nicholas' sales records
15:39Names, numbers
15:41Anyone who might have bought a dummy from him
15:43I told the cops already
15:44Nicholas' ledger?
15:46It's gone
15:48What about computer records?
15:50No
15:51Nicholas is old school
15:52He only keeps handwritten records
15:55I'm sorry
15:56Thank you
15:58Hey, guys
16:00Looks like Dylan stole Fletcher's sales ledger
16:02He's looking for another Debbie and Peter
16:04That means
16:05Anyone who's ever bought either of them is in danger
16:10Hey, Morales
16:11I need you to scrub the internet
16:12Look for anyone who's posted about
16:13Or with a Peter and Debbie dummy
16:15On it
16:15Keep us posted, okay?
16:16Okay
16:17Get you something when I have it
16:21Take you something when I take away
16:33Milo
16:34Bye
16:35Bye
16:36Bye
16:37Bye
16:39Bye
16:40Bye
16:41Bye
16:43Bye
16:43Ah
16:43Pop
16:44I don't know.
17:14I don't know.
17:44The community prefers to turn figures over dolls.
17:49Oh, crud.
17:50What is it?
17:51A woman named Jane Hines was just found shot dead in her home 20 minutes from Fletcher's shop.
17:55Is it our guy?
17:56He was carrying a wooden figure.
17:58Yeah, that'll do it.
18:00All right, get this to Beck's.
18:01I'll call the locals and give them a heads up that the team's on the way.
18:20Jane didn't have any enemies.
18:22Everyone loved my sister.
18:24I'm sure they did, ma'am.
18:28You all must be the feds.
18:29We heard you were coming.
18:30Yeah, your sergeant already briefed us.
18:32We'll take you from here.
18:34I'm sorry for your loss, ma'am.
18:38Oh, my God.
18:40Why don't you give me a minute?
18:41Sure.
18:42Yeah.
18:47It's Kari, right?
18:49Yes.
18:49Do you mind if I ask you a couple questions?
18:51Of course, but I don't know anything.
18:56You might know more than you think.
19:00This might sound odd, but did your sister own any dolls made by a man named Nicholas Fletcher?
19:07A doll?
19:09No.
19:10Jane really wasn't the doll type.
19:16What is it?
19:20Well, that name, Nicholas Fletcher, I've heard it before.
19:30It's Lazarus.
19:31She says she leaves for D.C. tomorrow, but she's down for dinner tonight if we make it back in
19:36time.
19:37Sounds like she's taking the bait.
19:39Nice work.
19:39Okay.
19:41So, turns out Jane didn't own a dummy.
19:44She was the inspiration for one.
19:46What?
19:46That's according to the sister she met, Nicholas, at a county fair, and he asked if she would model for
19:50one of the dummies.
19:51Debbie the dummy is based on Jane.
19:54I don't know why, but it makes all of this a lot creepier.
19:57So, maybe Dylan shows up looking to meet the real-life version of his doll.
20:00He freaks her out, things go bad, and he kills her.
20:02I mean, if a guy's showing up at my front doorstep saying he lived in a missile silo for eight
20:06years playing with a doll version of me,
20:08yeah, I think he might be nuts.
20:10Yeah, sure, but if Jane rejected him or called him crazy, why didn't he beat her?
20:14Like he did all the other victims who humiliated him.
20:17No, you're right.
20:18Shooting her in the head is perfunctory, not rage-driven.
20:20But even if Dylan just came here looking for answers, how did he even know about this woman?
20:26I spoke to Ronnie, Nicholas Fletcher's assistant.
20:28Apparently, what makes every Nicholas Fletcher dummy so special is the fact that they're all based off of real people.
20:34That ledger wasn't just a bill of sales.
20:36It had a record of every real person whose likeness he used.
20:39And now Dylan has that, too.
20:41Okay, so if Jane is the basis for the Debbie dummy, then we need to figure out who the inspiration
20:44for Peter is.
20:45That's where he's going next.
21:04I asked Nicholas Fletcher very nicely to make me another Peter doll, and he still refused.
21:12Are you going to let me go when you're done?
21:15Please, talk to me.
21:22It's scars, now.
21:25What happened?
21:28Rock climbing.
21:31Hmm.
21:32Interesting.
21:33I hear it's very dangerous.
21:36I'm sorry.
21:39I'm sorry.
21:40I'm sorry.
21:42I'm sorry.
21:42I'm sorry.
21:43I'm sorry.
21:43I'm sorry.
21:45Please, stay still.
21:47Peter needs to look just like you.
21:55Hey, you got something?
21:57Yeah, speaking of Fletcher's assistant got me thinking, so I checked into Jane's finances.
22:02Smart.
22:03And?
22:03And in Jane's bank statement, I found a $500 money order that Fletcher sent to her back
22:08in 2015.
22:09So we can now then go.
22:10Already did.
22:11Here are all the money orders that Nicholas Fletcher ever sent, and here are who they sent
22:15them to.
22:16Morales, can you?
22:17Morales, can you enlarge four in, second row from the bottom?
22:20Yeah.
22:20Kind of looks like the Peter doll, right?
22:24Keith Jones.
22:25Looks like he's a Nebraska native, lives just over the Wyoming state line in Scotts Bluff.
22:28I'll tell the team.
22:30Then get your gun.
22:32You two, Ben.
22:33We're way closer than Bex and the team.
22:35I'll tell them we got this.
22:59Ben.
23:00Ben.
23:17You two, Ben.
23:47Looks like Dylan took off.
23:50Gun!
23:57Oh!
24:08Bex hit!
24:09Which way?
24:10He went out the back.
24:11Oh.
24:13You're going to be okay.
24:14Just hang in there, John.
24:15We're going to get you to a hospital.
24:19You got this.
24:31Dillon's in the wind. He had a car stashed out back. I lost him. How is he?
24:35He needs a hospital. Let me get him outside.
24:41We passed the hospital on Bluffside just a few miles back.
24:43Stay here. Secure the scene. Tell Bex and the guys what happened. We need to find Dillon.
24:52Okay. One sec.
24:54Yo! Can you guys see me okay?
24:56Yeah, we got you, Ben. What's up?
24:57What happened?
24:58Dillon ambushed us. Keith was dead before we got here and Peck got shot.
25:02What? Is he okay?
25:03Where'd he get hit?
25:03Bullet clipped him in the side. He was bleeding a lot.
25:06Okay. Why aren't you with him?
25:07Morales is taking him to the hospital. She asked me to stay behind and walk you through the crime scene.
25:11Love that woman. All right. Give it to us.
25:13You seeing all this?
25:14Uh-huh.
25:16What's that?
25:17What?
25:18No. Back. The box. On the table. Yeah.
25:21Looks like a doll-making kit.
25:23Eyeballs. Paint.
25:25Dillon stole it from Nicholas Fletcher's shop.
25:28He's remaking the dummies.
25:31He lost Peter and Debbie in the blast, so now he's visiting the inspirations that they were based on in
25:35order to remake them.
25:36I mean, look at the kit. You don't lug that around unless you're using it.
25:39There were some unfinished blank-faced dummies at the workshop. That's why he went there. So now he's got the
25:44dummy, the dummy-making kit. He's remade Peter and Debbie.
25:47Okay. He's got his dolls, so where does he go next?
25:49Oh. And why smash up the place? I mean, look at that TV. Looks like he's used it as a
25:54punching bag.
25:55What are those videos on the ground?
25:57Seems like a mixed bag of comedy shows. Solo performances, bootleg specials, how-to comedian videos.
26:06Wait, now back it up. That open DVD, what is that?
26:10Live with Jeff Miller and Mr. Bonkers. A killer good time.
26:15You don't think Jeff modeled Mr. Bonkers after Dylan, do you?
26:20That's exactly what I think.
26:22Hi everybody, I'm Jeff, and this is my friend Mr. Bonkers. Come on out Mr. Bonkers, say hi.
26:27I don't wanna.
26:29Why not? What's there to be afraid of?
26:32It's just so humiliating.
26:34What? Nobody's gonna laugh at you.
26:37I know. That's the trouble. No one laughs.
26:44But if I can't kill him with comedy, I'll hammer home the humor.
26:56That's a bit violent, isn't it?
26:58And?
26:58Well, you can't just go around killing people.
27:00Why not? How do you think I got these nifty striped pajamas?
27:09I'm guessing Dylan wasn't too flattered about this.
27:12Nope, it's the ultimate form of heckling.
27:14If anything could trigger Dylan's rage, it'd be this.
27:16As he gets out of the pit, finds out that another comic got famous using him as the punchline.
27:24He's going after Jeff next.
27:33Well, here we are. Beautiful house.
27:37All that touring money. Must be nice.
27:40You know, the first time I ever saw the special, I was hiding out in a shelter right after the
27:44blast.
27:45They had a goodwill with all these 99 cent DVDs.
27:50Oh my God, what the solid story. Why are we sitting on our asses?
27:54Be nice. Dylan needs to find a process of everything.
27:57Find his voice.
27:58I think he's changing his lines.
28:00I'm not.
28:01You're making the right decision. It's been a long time coming.
28:03This guy's gonna get what he deserves.
28:07What do you think, Dr. Debbie?
28:08It's like I always say, Dylan. You need to make your own decisions.
28:12He's a hack.
28:20I want to hurt him.
28:21Then I think it's important that you hurt him.
28:24I want him to feel exactly how I felt the first time I saw that video.
28:29Hey, Peter.
28:31Knock, knock.
28:33Who's there?
28:34Ima.
28:36Ima who?
28:40Ima go kill Jeff.
28:44Ima go kill Jeff.
29:14Knock, knock.
29:18You.
29:18No.
29:20That's not how the joke goes.
29:22You shouldn't be here. I'm calling the cops.
29:26I saw your act, Jeff. I gotta say, I didn't laugh.
29:41Morales.
29:42Hey, Bex.
29:43How's Beck?
29:44He's still in surgery. He lost a lot of blood. I-I-I should have cleared the whole house before
29:50I-
29:50Hey, hey, hey, hey. Stop.
29:51Morales, none of this is your fault, okay? And it was your quick thinking in getting him to the hospital.
29:56That is the reason he's alive.
29:58Yeah. Yeah, okay.
30:03Look, I know that you and Peck are close, okay? When he comes out of surgery, it's gonna be your
30:09face that he wants to see.
30:12Get this guy, Bex. On it.
30:27It was a joke. I thought you were dead.
30:33Please, just take the dummy. Let me go.
30:42Stay still, please.
30:46I'll do anything you want. Anything.
30:56Jeff? Meet dead Jeff.
31:04What do you think?
31:07You're insane.
31:10I don't think he likes us.
31:13Me neither.
31:15And I don't care.
31:18Me neither.
31:24Hey, guys. Police just got to the scene. Dylan and Jeff are both gone with this clear evidence of a
31:29struggle.
31:29Is there a body?
31:31No. And from the looks of it, this just became an abduction case.
31:46Come on.
31:47Come on.
31:48Get up.
31:51Please.
31:59I sent you the security footage from Jeff's house. This is from 30 minutes ago.
32:04He's keeping Jeff alive?
32:06Well, he took him alive. Don't think the plan is to keep him that way.
32:09Question is, what is he gonna do with him?
32:11Okay, so Dylan's ultimate trigger is humiliation. It makes sense that he's going after Jeff.
32:15With Keith and Jane, their kills were pragmatic. He needed to remake his dummies. But Jeff is who he really
32:20wants.
32:22Jeff! I didn't know you were coming in tonight.
32:25Hey, are you okay?
32:29You don't have to do this.
32:31Okay, well if this is about humiliation like his other kills, then I would say he's planning something public.
32:37For that, he'll need an audience.
32:53Hello folks. It's good to be back. We're gonna start the show a little early tonight.
33:07I want to introduce you to someone. This is dead Jeff.
33:17Hey Jeff, looks like you had a rough night.
33:20You should see the other guy.
33:28Alright, Ben, what do you got?
33:29There are 12 dedicated comedy clubs in the greater Denver area and another 18 venues promoting open mics tonight.
33:35We don't have time to check them all.
33:36But wait, they both performed at a place in Boulder called the Colorado Comedy Club back in 2015 and it
33:42looks like a few years ago.
33:43Jeff Miller bought it.
33:49You know Jeff, I don't think that was heaven.
33:52Go to hell!
33:59How many of you recognize my friend here?
34:03Who knows who dead Jeff is based on?
34:05Jeff Miller.
34:07You got it.
34:08This is dead Jeff Miller.
34:10Oh, you're hilarious.
34:15But you know, really, I should rename you Not Dead Yet, Jeff.
34:18But what do you think?
34:20Should I kill him?
34:25I'm serious.
34:27Who here thinks I should kill Jeff?
34:34Um...
34:34I don't.
34:35Does that count?
34:39No.
34:40Come on.
34:42Jeff the dud Miller got famous off an act that wasn't his.
34:45He stole it. Did you all know that?
34:48Mr. Bonkers?
34:50Please.
34:52I say we kill him.
34:59Should I do it?
35:01Woo!
35:04Yeah?
35:06No!
35:07No, don't do it!
35:21Yeah!
35:21Yeah!
35:22Yeah!
35:23Yeah!
35:26Yeah!
35:29Yeah!
35:32Yeah!
35:33Yeah!
35:34Yeah!
35:36Yeah!
35:40Hey!
35:41Watch your background.
35:42It's full of friendlies in there.
35:43Copy that.
35:43It'll circle around to the front.
35:49All right.
35:54That was just the warm-up.
35:55Buckle up, everyone.
36:05I'm calling the cops!
36:06This isn't funny!
36:07Oh, I disagree.
36:08I think it's hilarious.
36:13FBI!
36:14Drop your weapon!
36:15You're going out! Get out!
36:16Here's exits!
36:17Keep your head low!
36:17Stay calm!
36:18Keep your heads down!
36:18Keep moving!
36:19You're all right!
36:20Just keep moving!
36:21Get out!
36:21Everybody out!
36:23It's over, Dylan.
36:25You made your point, okay?
36:26Let him go.
36:27My point?
36:28He's a hack!
36:29Got famous using me as a prop!
36:31And you wanted to humiliate him in return, right?
36:33Well, well done.
36:34You did that.
36:35Just one more step.
36:36And I pop his head like a cherry.
36:39You're not gonna do that.
36:41Think about it, Dylan.
36:42What's worse than dying?
36:44Let him live with this.
36:45He's the idiot who got humiliated on his own stage by his own dummy.
36:48He will never recover from that.
36:55You wanna humiliate him forever?
36:59Don't kill him.
36:59Let him live.
37:03Dylan, put the gun down.
37:06You're right.
37:09My job is done.
37:11Hey, Jeff.
37:12What's red and full of holes?
37:15Me.
37:20No!
37:21Don't send me back!
37:23I got him.
37:24Shane, get the gun.
37:24Copy.
37:27You okay?
37:28Alright.
37:30Yeah.
37:31You sure?
37:32Come on.
37:33Okay, Ben. We're gonna need an ambulance.
37:35Copy.
37:35Contact and dispatch.
37:37ETA.
37:37Ten minutes.
37:42Easy there.
37:45Those are some pretty heavy painkillers.
37:49These pills are good.
37:53Let's get you to bed before they wear off.
37:56That sounds nice.
37:59Have I told you how beautiful you are?
38:03Okay there, Castanova.
38:04You can tell me that when you're sober?
38:07Shane just sat down to dinner with Lazarus.
38:10Got it.
38:10Find anything on Osiris and the convoy?
38:12Less than in there.
38:20Eh?
38:30Be careful.
38:34We want to try and inешь shop.
38:35Eat your name.
38:36Yeah,家 that's over.
38:43Eat it.
38:48That's not something you can do.
39:03I've searched everything. This place is clean.
39:06Yeah, because she's too smart to leave anything around for us to find.
39:12It's dangerous.
39:15Getting shot hurts.
39:17I don't know what you expected. Here, let me help you.
39:19I don't know what you expected.
39:25Hey. What happened here?
39:30You've been out shooting a rifle or something?
39:37But I thought that you said you didn't shoot.
39:42Secret stuff.
39:45What do you mean?
39:47We don't talk about missions.
39:48Let's go.
39:52I don't know.
39:53I'm turning out.
39:54Don't do it.
39:57We're moving what's going on?
39:58It's last night.
40:05The day is going,
40:14I'm waiting.
40:20Tango down. All clear.
40:24In position.
40:28Breach! Breach!
40:40Target eliminated.
40:53There is nothing but for a three-ranked fight.
40:53It'll get you, too.
40:58So...
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