- 11 hours ago
TV, Movie, Fawlty Towers S01 E01 - A touch of class
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00:21One double room without bath, the 16th, 17th and 18th.
00:24Yes, and if you'd be so good as to confirm by letter, thank you so much.
00:28Goodbye.
00:28Have you made up the bill for room 12, Basil?
00:30No, I haven't yet, no.
00:31Well, they're in a hurry.
00:32Polly says they didn't get their alarm call.
00:35And, Basil, please get that picture up.
00:37It's been there for a week.
00:38It's been there since Monday, Sybil.
00:39Tuesday, Wednesday, Thursday.
00:42Good morning.
00:43Friday, 7th.
00:49Manuel, there is too much butter on those trays.
00:54There is too much butter on those trays.
00:58No, no, no, senor.
00:59What?
01:00Not, not on those trays.
01:03No, sir.
01:03Uno, dos, tres.
01:06No, dos, tres.
01:07Hay mucho burro ali.
01:10Okay?
01:11Hay mucho burro ali.
01:13Ah, mantequilla.
01:15What?
01:15Okay?
01:16Mantequilla.
01:16Burro is, uh, is, um, uh, y, o, burro.
01:22Burro.
01:23Is, y, o, y, o.
01:24Manuel, Manuel, por favor, momento.
01:26Si, si, si.
01:27I, nothing, dear.
01:28I'm just dealing with it.
01:29Uh, he's been good, uh, how you say.
01:31English.
01:32Mantequilla.
01:34Solamente dos.
01:35Dos.
01:37Well, don't look at me.
01:38You're the one who's supposed to be able to speak it.
01:40Don't.
01:40Two pieces.
01:41Two each.
01:43Arriba, arriba.
01:46I don't know why you wanted to hire him, Basil.
01:49Because he's cheap and keen to learn, dear, and in this day and age...
01:52But why did you say you could speak the language?
01:54I learned classical Spanish, not the strange dialect he seems to have picked up.
01:58Because he could train a monkey.
02:01Morning, Miss Gatsby.
02:02Morning, Miss Tibbs.
02:02Good morning.
02:03Good morning.
02:07Basil.
02:08Yes, dear?
02:09Are you going to hang the picture?
02:11Yes, I am, dear.
02:11Yes, yes.
02:12Well, when I've...
02:13When I've...
02:14Hmm?
02:14Well, why don't you do it now?
02:15Well, I'm doing this, dear.
02:16I'm doing the menu.
02:17Well, you've got all morning to do the menu.
02:18Why don't you hang the picture now?
02:21Well?
02:21Yes, all right.
02:22I won't do the menu.
02:22I don't think you've realised what a lovely place to do the menu.
02:24But no, it doesn't matter.
02:25I'll hang the picture now.
02:26If the menus are late for lunch, it doesn't matter.
02:28The guests can all come and look at the picture until they are ready, right?
02:31Lower.
02:34Lower.
02:35Up a bit.
02:37Thank you, dear.
02:37Thank you so much.
02:39Now, where I'd be without you.
02:41Land of the living, probably.
02:47Yes?
02:48Er, could we have our bill, please?
02:51Well, can you wait a minute?
02:52Well, I'm afraid we're a bit late for our train.
02:54We didn't get our alarm call.
02:56Right!
02:58Paris, I'm a tribe, you know.
03:00We do have staff problems.
03:02I'm so sorry it's not all done by magic.
03:03Basil, are you doing the menu?
03:04No, I'm not doing the menu, dear.
03:06I'm doing the bill for these charming people who are in a hurry.
03:09I'm sorry to cause all this trouble, but the reason we're late is we didn't get our alarm call.
03:13Oh, dear, I am sorry.
03:14Basil, where didn't they get their alarm call?
03:16Because I forgot.
03:17I am so sorry, I am not perfect.
03:21There you are.
03:22There's the bill.
03:22Perhaps you'll pay my wife.
03:23I have to put the picture up.
03:25There aren't any dustbins to be cleaned up.
03:27News papers.
03:35Goodbye.
03:36See you again.
03:40Don't forget the picture, Basil.
03:42I won't, dear.
03:42Leave it to me.
03:43I'm going out now.
03:44I expect you to be out when I come back.
03:47Drive carefully, dear.
03:50Good morning, Major.
03:51Good morning, Volta.
03:52I do apologise for the tardiness at the arrival of your newspaper this morning, Major.
03:55I will speak to them again, see if something can be done.
03:58Ah, more strikes.
03:59Dustman, post office.
04:01Makes you want to cry, doesn't it?
04:02What's happened to the old idea of doing something for your fellow man?
04:05Of service.
04:05I mean, today, people just...
04:07Mr. Paul, yes, I'm coming.
04:08I'm coming.
04:09Wait a moment.
04:11They treat you like dirt, you know.
04:12Of course, it's pure ignorance.
04:14We're the class of guests.
04:15Ah, Dolly Vera made a hundred.
04:17Did he?
04:17Yes.
04:17Did he really?
04:18Good for him.
04:19Good old Dolly.
04:20Oh, well, well.
04:21Ah, thank you, boy.
04:23Ah, we'll only stay until Sunday.
04:26Right.
04:53Oh, I thought you were going out, dear.
04:55What's this?
04:57I decided, Sybil, to advertise...
04:59How much did it cost?
05:00Oh, I have...
05:01Fifteen.
05:02Forty.
05:03Forty?
05:04I have told you where we advertise.
05:07Sybil, I know the hotel business.
05:09No, you don't, Basil.
05:10Sybil, we've got to try and attract a better class of person.
05:13Why?
05:14Well, we're losing tone.
05:15You're making money.
05:16Yes, yes.
05:18Just?
05:19Yes, but now we can try and build up a higher class of clientele.
05:23Turn away some of that riffraff.
05:24So long as they pay their bills, Basil.
05:26Is it all that matters to you, Sybil?
05:28Money?
05:28This advertisement is a waste of £40.
05:31One moment.
05:32One moment, please.
05:35Well?
05:36Well?
05:37My dear woman, Sir Richard and Lady Morris arriving this evening for two nights.
05:40You see, they saw our advertisement in Country Life.
05:43I wish they were staying a week.
05:44Well, so do I.
05:45Might pay for the ad, then.
05:46Sybil, look, if we can attract this class of customer, I mean, the sky's the limit.
05:51Basil, 22 rooms is the limit.
05:54Have you seen the people in room six?
05:56They've never even sat on chairs before.
05:59They're the cobbler.
06:00They're vulgarist, most of them.
06:06Hello.
06:13Hello.
06:16Got a room.
06:19I beg your pardon?
06:21Got a room for tonight, mate.
06:23How shall I have to see, sir?
06:25A single?
06:26Yeah.
06:27No, make it a double.
06:28I feel lucky today.
06:32Hello.
06:33Good morning.
06:37Only joking.
06:39No, we haven't...
06:39What?
06:40We haven't any rooms.
06:40Good day.
06:41Number seven is free, Basil.
06:43No, Mr. Tone is in number seven, dear.
06:45No, he left while you were putting the picture up, Basil.
06:48You have like each, sir?
06:49Just one case.
06:51In the car.
06:52The white sports.
06:55Fill this in, would you, sir?
06:56If you can.
07:00I hope you enjoy your stay, Mr. Brown.
07:03Manuel, would you fetch this gentleman's case from the car outside to take to room seven?
07:10Oh, he's not easy for me.
07:12What?
07:13He's not easy for me, entender.
07:15Ah, it's not easy for you to understand.
07:17Manuel, we're training him.
07:19He's from Barcelona.
07:22In Spain.
07:23Oh, to me, ah, la valisa, okay?
07:26La valisa en el auto bianco sportif y a la sala siete, por favor.
07:37Tonto?
07:38He's impossible.
07:40What?
07:40He's impossible.
07:41No, he's perfectly simple.
07:42Manuel, si vas, y busca mi equipaje que estĂ© en el automĂ³vil blanco y lo trae a la sala
07:48nĂºmero siete.
07:50Señor, habla español.
07:51Oh, solo un poco, lo siento.
07:54Pero he olvidado mucho.
07:56No, señor, habla muy bien, muy, muy bien, formidable.
07:59Gracias, gracias.
08:00No voy a coger ahora.
08:06Well, if there's anything else, I'm sure Manuel will be able to tell you, as you seem to get
08:10on so well together.
08:12Ah, key.
08:36Hello, dear.
08:37Just doing the picture.
08:40Don't forget the menu.
08:43I beg your pardon?
08:45Don't forget the menu.
08:46I thought you said you want...
08:47Right, I'll do the menu.
08:51You could have had them both done by now if you hadn't spent the whole morning skalking
08:54in there listening to that racket.
08:56Racket?
08:58That's Brahms!
09:01Brahms' third racket!
09:06The whole morning.
09:08Two bars.
09:11Ready to order?
09:12Yeah.
09:13What's a grail frit?
09:15Grapefruit.
09:16Oh.
09:17And, uh, Crane Pot Rouge.
09:20Oh, Portuguese.
09:21Tomato soup.
09:21I'll have the grail frit.
09:23Uh, now.
09:25Balm Carousel.
09:27Lamb?
09:28Casserole.
09:28Oh, sounds good.
09:29Does it come with a smile?
09:30Comes with sprouts or carrots?
09:32Oh, a smile's extra, is it?
09:33You'll get one if you eat up all your sprouts.
09:37Wait, I...
09:45I beg your pardon?
09:47Oh, hello.
09:48Uh, can I have some wine, please?
09:50The waiter is busy, sir, but I will bring you the carte de vin when I've finished attending
09:55to this gentleman.
09:56Oh, fine.
09:57No worry.
09:58Oh, good.
09:58How nice.
09:59How good is it?
10:00I trust the beer is to your satisfaction, sir?
10:02Yeah.
10:04Fine.
10:05Ah, good.
10:05May I wish you bon appétit?
10:09Manuel?
10:12Would you fetch the wine list, please?
10:14Si, senor.
10:16The wine list.
10:18Si?
10:19The wine...
10:19Vino.
10:20Senor.
10:21No, no, no, no.
10:22The list.
10:24There, there, the list.
10:26Look at this, there.
10:29The friend, us.
10:30Look there.
10:32There.
10:33Ah.
10:38Hey.
10:42Have you got half a bottle of the Beaujolais?
10:45Yes.
10:46Oh, fine.
10:47Right.
10:48Give me mine.
10:48Give me mine, Manuel.
10:49Another great few for David's 12, please.
10:51Manuel?
10:52I do a beg of a pardon.
10:53I'm not a pardon, guys.
10:54I'm so sorry.
10:55I'm so sorry.
11:02Throw it away.
11:04Okay.
11:04Throw it away.
11:06Throw it away.
11:07Throw it away.
11:10Now!
11:12Throw it...
11:17Sorry.
11:18Sorry.
11:18What do you mean throw?
11:20Throw it away.
11:20What do you mean throw?
11:22Ow!
11:24Sorry about that.
11:25No.
11:26I like a bit of cabaret.
11:28You, er...
11:29You left your sketch.
11:30Oh, sorry.
11:31Oh, it's very good.
11:32Do you sell any?
11:32Enough to keep me in waitressing.
11:34Ah.
11:35One half-button of Beaujolais.
11:40Si, well.
11:40Someone at reception, dear.
11:46Yes, yes, well, yes.
11:49Well, I was wondering if you could offer me accommodation for a few nights.
11:52Well, have you booked?
11:52I'm sorry.
11:53Have you booked?
11:54Have you booked?
11:54I know.
11:55Oh, dear.
11:56Why, are you full?
11:58Oh, no, we're not full.
12:00Not full?
12:01Of course we're not full.
12:03But I'd like to...
12:04One moment, one moment, please.
12:07Yes?
12:08A single woman.
12:09Your name, please.
12:09Could I have your name?
12:11A male woman.
12:11One second, please.
12:12Hello?
12:14Ah, yes, Mr. O'Reilly.
12:15Well, it's perfectly simple.
12:16When I asked you to build me a wall, I was rather hoping that instead of just dumping the
12:20bricks in a pile, you might have found time to cement them together, you know, in the traditional
12:25fashion.
12:26Could you fill it in, please?
12:29Oh, splendid.
12:30Ah, yes, yes, yes.
12:32But when, Mr. O'Reilly?
12:34There, there, there.
12:34Ah, yes, yes, yes, yes, yes, but when?
12:38Yes, yes, yes, yes, yes, ah, the flu.
12:42Yes.
12:43Both names, please.
12:45Yes, I should have guessed, Mr. O'Reilly, that of the potato famine, I suppose.
12:48Yeah, I beg your pardon.
12:50Would you put both your names, please?
12:52Well, would you give me a date?
12:54No, I only use one.
12:55You don't have a first name.
12:56You know, I'm Lord Melbury, so I simply sign Melbury.
13:03Go away.
13:04I'm so well sorry to you, Captain, but I do apologise, please do.
13:09I'm sure you want to forgive me.
13:10Now, is there something, ah, something, anything that I can do for you?
13:13Anything?
13:14Ah, yes, well, I have filled this in.
13:16Oh, please, don't bother with that.
13:17Now, a special room, a single?
13:19A double?
13:20A suite?
13:21Well, we don't have any suites, but we have some beautiful doubles.
13:23Oh, no, no, no, just a single.
13:24Just a single, absolutely.
13:25How very wise, if I may say so, Your Honour.
13:27Oh, yeah, with a bath.
13:28Oh, naturally, naturally.
13:31Naturellement.
13:34I shall, I shall be staying for one or two nights.
13:37Oh, please, please.
13:38Manuel!
13:44Well, it's, it's rather grey today, isn't it?
13:46Oh, yes, it is rather.
13:46Yes, of course, usually down here, it's quite beautiful,
13:48but today is a, is a real old, ah, rotter.
13:54Manuel!
13:56Still, it's good for the wheat.
13:57Oh, yes, I suppose, sir.
13:58Oh, yes, I hear it's coming on wonderfully at the moment.
14:01Oh, thank God.
14:02Oh, I love the wheat.
14:03Oh, there's no sight like a field of wheat waving in the, waving, you know.
14:08Manuel!
14:11Well, how are you?
14:13I mean, if it's not a personal question.
14:15Well, it is a personal question.
14:15Lord, let me get your cases for you.
14:17Oh, yes, thank you very much.
14:18You're just outside.
14:19Thank you so much.
14:20I won't be alone now.
14:25Well, you know, it's really, you know, a little bit of a horn, then.
14:28Why can't you just put your address?
14:29Ah, Lord Melby, um, may I, may I introduce my wife?
14:32Yes, we have, Mayor.
14:33Ah, my wife, may I introduce his lordship?
14:35Ah, thank you, Basil.
14:36We've sorted it out now.
14:37It's splendid.
14:38Ah, now, I wonder, could I deposit this case with you?
14:41It's just a few valuables.
14:43Valuables?
14:43Of course, please, let me take it now.
14:45I'll have it put in the safe straightaway.
14:47Ah, Sybil, ah, would you put this in the safe, please?
14:48I'm just off to the kitchens, Basil.
14:50Yes, well, if you're too busy.
14:51Nice to have met you, Lord Melby.
14:52Hope you enjoy your stay.
14:53Thank you so much.
14:54I'll do it then, and then I'll do the picture.
14:55I'll put this away in one moment, you lord.
14:57Ah, Manuel, ah, would you take these cases to room 21?
15:01Okay?
15:03Take to room 21.
15:07No, entende.
15:09Prende las casas.
15:11Oh, it doesn't matter.
15:12Order it, right?
15:12Thank you very well.
15:14Oh, I think then.
15:15No, no, no.
15:15Sit, sit, sit.
15:16Wait, go and wait.
15:19Wait, wait.
15:20Okay, wait.
15:21In there.
15:21Go and wait in there.
15:22Go and be a waiter in there.
15:28I do apologise, your lordship.
15:30I'm afraid he's only just joined us.
15:33A bit quicker to train a monkey.
15:41Oh, do please follow me.
15:48I mean, if you're ready.
15:49There's no hurry.
15:50Oh, yes, yes, no, fine.
15:58Excuse me, I'm sorry to bother you.
15:59Thank you. Would you mind moving to that table?
16:01Of course.
16:02Could I ask you, please, to move to that table over there?
16:04I'm so sorry to trouble you.
16:06We're halfway through.
16:06Thank you so much.
16:07This is Lord Melbury's table, you see.
16:09What?
16:09Lord Melbury, when he stays with us, he always sits at this table.
16:12Why did they put us here, then?
16:14An oversight on my wife's part. I'm so sorry.
16:16He's only just arrived, you see.
16:17Would you mind, Paulie?
16:18Would you help these people move to that table?
16:19Great fruit, I do, yes.
16:20Thank you. Thank you so much.
16:22Come on, come on.
16:33Ah, Lord Melbury, do please come this way, Your Lordship.
16:37I have your table over here by the window, as usual.
16:44Thank you very much.
17:04Lord Melbury, I really must apologize again.
17:06Please, please, think nothing of it.
17:08Oh, but it was big.
17:09No, no, no.
17:10Smallest of accidents could have occurred anywhere.
17:12Yes, but I mean it.
17:13No, no, I've forgotten all about it.
17:15Well, that's most.
17:15I mean, you're really, uh...
17:16Your Lordship.
17:17Would you allow me to offer you dinner here tonight as our guest?
17:22Oh, that's extremely kind of you.
17:23Unfortunately, I have an engagement tonight.
17:25Oh, actually...
17:27Yes.
17:27There is one thing.
17:28Oh, good.
17:30I was wondering, can you cash me a small check?
17:33I'm playing goth this afternoon.
17:35Oh, delighted.
17:36I'd rather not go into the town.
17:37Oh, absolutely.
17:38I mean, uh, how much?
17:40If it's not a rude question.
17:41No, well, could you manage, um, 50...
17:44Oh, 100?
17:47Oh!
17:49Absolutely.
17:50Oh, yes.
17:51I mean, uh, will 100 be enough?
17:53I mean, 150?
17:54200?
17:55I don't know, 160?
17:56Well, yeah, well, now, let's see.
17:58It's dinner tonight, few tips.
17:59Oh, and it's weekend, isn't it?
18:00Ah.
18:01Would 200 be all right?
18:04Oh!
18:05Oh, please!
18:06Oh, tremendous!
18:08Oh!
18:08I'm so happy!
18:10Oh, I'll send someone down to the town straight away
18:12and have it for you here when you get back.
18:14Yes, well, that'll be spending.
18:15Oh, thank you.
18:16Thank you a lot.
18:17Thank you so much.
18:17Oh, not at all.
18:18I mean, my privilege.
18:21Really, I mean...
18:23Sure.
18:23Oh.
18:24What?
18:25Hello, dear.
18:27What are you doing?
18:28I'm kissing you, dear.
18:30Well, don't.
18:31Ah, I thought it might be nice.
18:32I thought it was some small sign.
18:34I heard about lunch.
18:35What?
18:36Oh, that.
18:36Oh, think nothing of it.
18:37What?
18:38It was the smallest of accidents.
18:39Could have happened anywhere.
18:41Anywhere?
18:41First you move that nice family in the middle of their meal
18:43and then you attack Lord Melbury with a chair.
18:46Except, well, I've had a word with Lord Melbury about it.
18:49He was quite charming.
18:51Oh, it's delightful to have people, I bet, staying here.
18:53Sheer class.
18:54Golf.
18:56Bath.
18:56There's engagements.
18:57Couple of hundred...
18:58Ha-ha-ha-horses.
19:00Well, I've never seen such tatty cases.
19:02Of course you haven't.
19:03It's only a true upper class that would have tat like that.
19:06That's the whole point.
19:08Oh, you don't know what I'm talking about.
19:09No, I don't.
19:10But don't ever move guests in the middle of a meal again
19:12and get that picture up.
19:14Darling.
19:16Sour old brat.
19:20Ah, um, would you do me a favour?
19:23Ah, when you're down in the town this afternoon,
19:25ah, would you just pop...
19:27Just between ourselves, don't mention quite...
19:29Pop into the bank and just...
19:32Oh, my God.
20:46Is there nobody who can answer that?
20:48There must be someone.
20:51Not you.
20:56That's my holiday. Do it then.
20:58Hello, Fawlty Towers.
21:01Hello, Fawlty Towers.
21:04Basil, it's six o'clock.
21:07Ah, Polly.
21:08Did you cash it?
21:09Yes.
21:10Mr Fawlty.
21:10Good, good.
21:11Could I have a word with you?
21:12What?
21:12Could I speak to you in the office for just a minute?
21:13Yes, Polly.
21:14It's very important.
21:15Later, later.
21:16That's all.
21:16Yes, I'm just going, dear.
21:17Thank you so much, Polly.
21:18Why don't you move to that, Polly?
21:25Ah, good evening, Major.
21:26Evening, Fawlty.
21:28Ah, the usual.
21:30Oh, why not, indeed, yes.
21:33Why not?
21:33I've just been watching one of those nature films on television.
21:37Oh, yes?
21:38Did you know the female gibbon gestates for seven months?
21:43Seven months.
21:44Yeah.
21:44Well, I never.
21:45Here you are, Major.
21:47Seven.
21:48Oh, my word.
21:49Ah, good evening, Mr Waring.
21:50A gin and orange, a lemon squash, and a scotch and mortar, please.
21:54Seven, dear.
21:55Oh.
21:57Is there any part of the room you would like us to keep a mouthful?
22:00Oh.
22:02We'll be over there, then.
22:06Seven.
22:06Well, well.
22:07Evening, Fawlty.
22:08Ah, good evening, Lord Melbury.
22:09Anywhere.
22:10Yes, anywhere, anywhere.
22:12Lord Melbury, may I offer you a little aperitif as our guest?
22:15Oh, that's very kind of you.
22:16Dry sherry, if you'll please.
22:18What else?
22:19Ah.
22:21Such.
22:22Oh, I don't know what.
22:23Je sais quoi.
22:25Exactly.
22:26Exactly.
22:27Ah, there you are, Sybil.
22:29Good evening, Major.
22:29Evening, Mrs Fawlty.
22:31There you are, Your Lordship.
22:32Oh, thank you very much.
22:34I see my little collection of coins tickles your interest.
22:36What?
22:37Oh, oh, yes, yes.
22:39Yes.
22:39Old British Empire, of course.
22:41Used to be quite a hobby of mine.
22:43A little investment, too.
22:44Yeah, quite.
22:44Um, talking about, um, did you manage, uh...
22:47Oh, yes, yes, ma'am.
22:50There you are, Your Lordship.
22:51Oh, thank you.
22:51Oh, nice.
22:52Yes.
23:01Oh, yes, you know, these sorts of things, they've...
23:03Their values soared this last couple of years.
23:06Have they?
23:07Oh, yes.
23:07Now, you take my advice.
23:08You get them revalued and insured for the full amount.
23:11Yes, yes, I will.
23:13You can't take any whisks nowadays, I'm afraid.
23:15No, no.
23:16Well, I must be off.
23:17Well, thank you very much, Your Lordship.
23:18Oh, yes, I'm just talking to Lord Malfrey, dear.
23:21Uh, gin and orange, a lemon squash and a squash and a...
23:24I do apologise.
23:25I was just talking to Lord Malfrey.
23:27Yes, yes.
23:27Um, I was, um, I was thinking.
23:30Um, you see, I am having dinner tonight, uh, with the Duke of Buckley.
23:34Uh, do you know him?
23:36Uh, no, not, uh, not personally, no.
23:38Oh.
23:39Well, he's a great expert.
23:40You know, Sotheby's and all that.
23:41You see, well, now, if you liked, I could take them with me, ask him to have a quick look
23:46at them and find their current value.
23:49Would you...
23:49Yes, yes, certainly, yes.
23:51Now, I'll be off in a few moments, you know.
23:52Well, I mean, that's very silly.
23:53That's all right.
23:54I'm talking to Lord Malfrey!
23:55No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
23:56no, no, no, no, no, no, no, no, no.
24:06Oh, Mr. Fawlty, could you...
24:07What's that called, Malfrey?
24:08Has he gone?
24:08I will.
24:09Mr. Fawlty, I must speak with you.
24:10What?
24:10Why don't you see I'm busy?
24:11Please!
24:12It's very important.
24:13Can we talk in there?
24:13I can't!
24:14It's very important.
24:15I'm just, uh, dealing with something important out here, Sybil.
24:19Yes, yes, all right.
24:20Yes, yes, well, well, yes, yes, right, yes.
24:23It's about Lord Malfrey.
24:24Yes?
24:25He's not Lord Malfrey.
24:26He's a confidence trickster.
24:28I beg your pardon?
24:29Mr. Brown told me.
24:30Ah, ha, ha, ha.
24:31Mr. Brown's from the CID.
24:33They've been watching Malfrey because he's pulling some big con trick in the town.
24:36They're going to arrest him as soon as he leaves here so as not to cause you embarrassment.
24:39But he asked me to tell you so that you...
24:40Oh, how nice of you.
24:42Oh, please, Mr. Brown.
24:42Oh, I don't know what other tales Mr. Brown of M.I.5 has been impressing you with.
24:46He's a con man.
24:47Oh, yes, of course.
24:48It stands out a mile, doesn't it?
24:49He's so common.
24:51Unlike that cockney git whose ulterior motives will soon, no doubt, become apparent to you,
24:56poor, innocent, misguided child that you are.
24:59Fass, what's going on?
24:59Nothing, my dear, nothing at all.
25:01Mrs. Forty.
25:01Now, look.
25:02Yes, Polly.
25:02I don't know what she's...
25:05Mr. Brown is from the CID.
25:07He showed me identification.
25:08They're watching Mulberry.
25:10He's a confidence trickster.
25:11I see.
25:12What do you mean, you see?
25:14Let's have a look at these valuables.
25:15What are you doing, Sybil?
25:16Sybil, I forbid you to open that safe.
25:18Sybil, I forbid you to take that case out.
25:20Sybil, do not open that case.
25:22I forbid it.
25:22I have forbidden his...
25:23I never thought I would live to see the day
25:25when a peer at the referendum trusts to us.
25:30Case of Adam's.
25:31In trust.
25:56I'll call the police.
25:57They're already here.
25:58Mr. Brown's outside.
26:01Someone at reception, Basil.
26:14Oh, um, all right.
26:17Uh, good evening.
26:20I believe you were expecting us.
26:22No, I was expecting somebody else.
26:23Sir Richard and Lady Morris.
26:25Yes, yes, them as well.
26:26I'm sorry?
26:27How did you know?
26:27What?
26:28Oh, you were Sir Richard and Lady...
26:30Oh, I do beg your pardon.
26:31I was just the...
26:37Uh, would you mind, uh, filling this out, please?
26:39Oh, yes.
26:39Uh, we've given you room to...
26:41Aha.
26:42Ah, 40.
26:43Mr. 40 to you, Lord Mulberry.
26:46I beg your pardon?
26:47Oh, nothing, please.
26:48Forget all about it.
26:49Ah, well, see, um, check for 200 pounds.
26:51Ah, thank you so much.
26:55And now, about my priceless collection of coins.
26:57Oh, yes, do you still...
26:58Do I still want you to take them to be valued by the Duke of Buckley?
27:01Oh, yes.
27:02No, I don't.
27:02Because we just heard that the Duke of Buckley is dead.
27:05Yes.
27:06Got his head knocked off by golf ball.
27:08Tragic.
27:09Tragic.
27:10Well, how are you, Lord Mulberry?
27:12How are you, then?
27:13All right, mate?
27:15How's me old bucker?
27:18Any valuables to deposit, Sir Richard?
27:20Any bricks or...?
27:21Oh, no, no, no, no.
27:22I do apologise.
27:23You bastard!
27:27I'm coming to room 12, if you're overlooking the park.
27:29I'm sure you'll like it.
27:30We'll have your bags brought up.
27:31Oh, and may I introduce your wife?
27:33Hello, Lord Mulberry.
27:37Bastard!
27:38I do have a pardon here.
27:40Please, um, think nothing of it, 12.
27:42I'll tell you what I'm saying.
27:48Do, uh, please excuse me one moment.
27:49What?
27:58Morris is a big boy.
28:00I think...
28:01Morris is a big boy.
28:05How are you going?
28:09We're leaving.
28:10Oh, don't.
28:10Please stay.
28:11You'll like it here.
28:12I've never been in such a place in my life.
28:21You snobs!
28:23You stupid, stuck-up, toffee-nosed, half-witted, upper-class piles of...
28:32hearts!
28:39Just one.
28:40Sorry, Mr. Fulsey.
28:41Just one.
28:42Please.
28:52Sorry, Mr. Fulsey.
29:02Well, I'd better put the picture up.
29:06Uh, thank you, Polly, for the...
29:12Well done, Manuel.
29:13Okay?
29:14Oh, oh, lay.
29:17Sorry about that, Mr. Fulsey.
29:19Can I buy you a drink?
29:20No, no, I'd better put this up as well.
29:22Fazzle?
29:25A gin and orange.
29:28Lemon squash.
29:29And a scotch and water.
29:31Hey!
29:32Right!
29:34Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
29:43no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
29:57no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
30:02no, no.
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