The case takes a shocking turnβ¦ ππ₯ In Bergerac Season 2 Episode 6, unexpected twists and hidden betrayals push the investigation into dangerous territory.
As time runs out, every clue could be the key to uncovering the truth.
π Watch now and donβt miss this intense episode!
#Bergerac #Season2 #Episode6 #ENGLSUB #FullEpisode
As time runs out, every clue could be the key to uncovering the truth.
π Watch now and donβt miss this intense episode!
#Bergerac #Season2 #Episode6 #ENGLSUB #FullEpisode
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πΊ
TVTranscript
00:10What else was I supposed to do?
00:12He saw the photograph of Bermuda. He knew we forged the guard.
00:16Where's his phone?
00:17You did take his phone, didn't you?
00:19Yes, here.
00:22Move his car around the back.
00:26And then what? What were you going to do?
00:29What I always do, Michael, I'm going to clear up your mess.
00:35You have a fag. Emma was at yoga.
00:40You were all she could talk about.
00:43Such fun, she kept saying.
00:46Usually when she says fun, she thinks someone's deranged.
00:51But in your case, I think she really...
00:53Nigel?
00:58Where are you?
01:01Where are you?
01:06No.
01:08No.
01:09No.
01:21No.
01:23No.
01:23No.
01:24No.
01:29No.
01:31The number you have dialed is no longer in service.
01:33Please check and try again.
01:35The number you have dialed is no longer in...
01:38No.
01:38No.
01:41No.
01:42No.
01:44No.
01:45No.
01:46No.
01:47No.
01:48No.
01:48No.
01:50No.
01:57I-I noticed.
01:59You still haven't untied me, Monica.
02:06What's the plan then? Are you gonna...
02:09strangle me?
02:12Are you gonna suffocate me?
02:14That's up to you. What won't hurt?
02:18How about old age?
02:24Where's Alan now?
02:26If he's not in Bermuda?
02:29You're sitting on him.
02:35Wow.
02:37Okay.
02:41They were fighting about Alan leaving.
02:45And, um...
02:47Michael pushed him.
02:49Alan hit his head on the table.
02:52I came home and found them.
02:54It was an accident, but I knew how it looked.
02:57And Michael wouldn't survive prison.
03:01So...
03:03We didn't tell anyone.
03:05And we put Alan down here.
03:09Is that what No More Secrets meant?
03:13Did Tony know and that's what got him killed?
03:15I didn't kill Tony.
03:17That was nothing to do with me.
03:19What about Michael?
03:20Was it another argument that got out of control?
03:23It wasn't Michael either.
03:24But he did...
03:25He did...
03:27Kill Alan.
03:29So why...
03:30Why is Sir Michael here?
03:31Why am I having this conversation with you?
03:34I'm stronger than him.
03:36You've met him.
03:37He's just a child.
03:41Do you have any children?
03:43I'm stronger.
03:44Yeah.
03:45Yeah, I do.
03:46I have a daughter.
03:48She's called Kim.
03:49She's actually leaving Jersey.
03:51In 24 hours she's...
03:54She's going to this big music school on the...
03:55Don't tell me about her.
03:57Sorry.
03:58But I know what you're doing.
04:15Don't you want to protect her?
04:17I want her to be brave.
04:20I want her to take responsibility for her actions.
04:23Must be lovely loving someone like that.
04:26You're crossing a line now.
04:29Both of you are.
04:31Listen.
04:32Michael.
04:33Michael.
04:34Complete manslaughter.
04:35He could just be looking in a few years and you...
04:38Helping him conceal it.
04:39You're his mum.
04:39Even a jury will understand that.
04:41You might even get a non-custodial.
04:42But if you kill me now.
04:43I swear to God.
04:45We're talking life.
04:46No parole.
04:46No.
04:47No early release for good behaviour.
04:48You are never.
04:49Ever coming out.
04:50I don't understand why you don't understand.
04:52You've got a daughter.
04:54You'd fight bears for her.
04:56You'd fight armies.
04:58You'd kill one dangerous man.
05:01Someone will find out.
05:03The police know I'm here.
05:05Someone is going to come looking for me.
05:06You'll be long gone by then.
05:09Hey!
05:10Hey!
05:10Oh!
05:11Shush.
05:13Hi, Michael.
05:15Um, is Monica there?
05:16No.
05:16I tried her house.
05:17No.
05:18Um, is that...
05:19Isn't that her car outside?
05:22Then yes.
05:24Ruth?
05:24Hi, I'm here.
05:26Hi.
05:26Michael, let Ruth in.
05:29Hello.
05:30I was just clearing out some of Alan's things.
05:32Oh.
05:33Um.
05:34Sorry to turn up on the house, thank you.
05:39Ah!
05:40Ah!
05:41Ah!
05:42Ah!
05:42Ah!
05:43Ah!
05:43Ah!
05:52Ah!
05:53Ah!
05:54Ah!
05:57Ah!
05:59Ah!
05:59Ah!
05:59Ah!
06:00Ah!
06:00Ah!
06:02Ah!
06:02they given you any indication of what they're thinking? Well, haven't you heard? They've
06:06arrested Nicola. What? Um, I spoke to them. Not Bergerac, a different one. About an hour
06:16ago. Well, why would they think that she had anything to do with it? She didn't even know
06:21Tony. Oh, well, they didn't say. Look, Nicola and I were in touch. She thought you killed
06:29Alan and Tony knew. And, well, that's what I thought. That's why I came to see you
06:33yesterday. I'm, I'm so sorry, Monica. I just, I assumed you'd been told.
06:46Um, Mum needs to be alone. Oh, yes. No, of course. Um, sorry.
07:06And you'll speak to the police about releasing the body? Yes, sir. Leave that
07:10with us. Thank you. Now I'm rude. I just think it's really important.
07:34Barney, forensics have come back with a final report on the card from Alan Barton. Yeah, I've seen
07:38a report. The card is genuine. Yeah, that was the, um, the interim. This is, this, this is the full
07:42file.
07:43Simon, give me the headlines. Okay, so they compared the card with three samples from friends.
07:48They said the handwriting is superficially adept, but upon further examination, there are enough
07:53inconsistencies to suggest it was not written by Alan Barton. What? It was principally in the letter
07:58formation, the pressure, slant, and the spacing. Hang on, so Michael forged the card. Does it say that?
08:02It does, yeah, basically in the conclusion at the end. It wasn't suicide, it wasn't Monica. It was Michael.
08:22Davey, get two cars ready. Yes, what? Kara. Fuck it. Everyone, listen up.
08:48And now, listen up.
08:50Let's go.
08:59Oh, my God.
09:22Why have you arrested Nicola?
09:25She was out of the way.
09:26That's a lie.
09:28There are pictures.
09:30There was blood on her coat.
09:32And five years ago, she said one day
09:34she was going to take away the thing you love most in the world.
09:38Monica, just listen to me.
09:40Shut up.
09:40Just do this.
09:41Shut up.
09:42Shut up!
09:45Monica.
09:46Shut up.
09:47Just be quiet.
09:51Because I need to think.
09:58Okay, and then...
10:00And then...
10:02And then it's over, it's over, and then it's over.
10:09You never answered my question
10:12about the best way to die.
10:15What's suffocation like?
10:16It's pretty unpleasant, I imagine.
10:18Worse than this.
10:26Well then.
10:42What are you doing?
10:43I'm looking for a plastic bag.
11:09I'm looking for a plastic bag.
11:24You, Christ, you, you have fucked my life.
11:32Do you know that?
11:33I've lost two husbands and now my daughter because of what you did.
11:37So what's next, Michael?
11:38What's the next plan?
11:40I've got some aunts and uncles.
11:41Do you want their addresses?
11:42You could set fire to their houses.
11:49You've taken everything from me.
11:53Every last scrap.
11:57You've eaten me alive.
12:04So come on then.
12:08Where are we going?
12:11The cellar.
12:28Oh, Jesus, what the fuck?
12:31Oh, my God.
12:33Michael killed Alan.
12:34They're going to kill me too.
12:35Oh, my God.
12:58Where is he?
12:59I don't know.
13:03Oh, my God.
13:07Oh, God.
13:08Michael, no.
13:13Oh, hey.
13:14Stop.
13:15Stop.
13:15Michael, don't do this.
13:17Look, I spoke to your mom.
13:19She said it was an accident.
13:20I understand that.
13:21Then let me go.
13:22Let me run away.
13:23Put the knife down and we can talk.
13:27Michael.
13:28Hey.
13:29Hey.
13:30Oh, God.
13:33It's all right, Michael.
13:34Oh, God.
13:35It's all right.
13:35Come on.
13:36It's over, love.
13:38Come on.
13:38We've got to face facts.
13:39We've got to be big and brave.
13:42And we've got to say, come on.
13:44Do your worst.
13:46But you know that already, though, don't you?
13:48You're so clever.
13:48I tell everyone.
13:49He runs rings around me, I say.
13:53What's your chess ranking?
13:56200?
13:57I'm not an idiot in the world.
14:01Well, no, you're not there.
14:02So, come on.
14:03Let Ruth go now.
14:05Come on.
14:06Come on, Ruth.
14:06Look, she's so rumpled.
14:09It's all right.
14:10Come on.
14:10It's over, love.
14:12It's over.
14:15That's it, good boy.
14:16Good boy.
14:17There we are.
14:20There we are.
14:24There we are.
14:25That's it.
14:29There's my Michael pair.
14:33It's all right.
14:34Mum's here.
14:36Mum's here now.
14:37Come on.
14:38It's all right.
14:39It's all right.
14:40You're all right.
14:41You're all right.
14:43It's all right, Michael.
14:45Mum's here.
14:50You know the most interesting thing about all this is?
14:53No Jim Bergerac.
14:53Now, I'm not saying he was holding us back,
14:55but it is funny how the whole thing resolves
14:57the minute he steps away.
15:05I think we found him.
15:16Lots of families around here, so, you know, lots of birthdays.
15:20Sounds like a great idea.
15:22Would you excuse me one second?
15:24I'll read that.
15:26Can I help?
15:27Yes, I'm looking for Nigel.
15:28Nigel Morton?
15:29Right.
15:30I think you've got the wrong address, so...
15:32But this is his restaurant?
15:34Um, no.
15:36This is...
15:37Well, it's not really anything right now.
15:39They want to turn it into one of those paint-your-own-pottery blouses,
15:43but I sort of feel that's had its day.
15:45But we, um...
15:47We came here a couple of days ago.
15:50He showed me around.
15:52Wait, was this Tuesday?
15:53Because we did hire it out that day.
15:55Who to?
15:56Um, students?
15:58They were making a film, I think.
16:00We wouldn't normally do that sort of thing,
16:02but then we thought, you know what?
16:03Let's give something back.
16:05But then, well, this, um,
16:07older gentleman came in to collect the keys.
16:09He could have been a mature student, I suppose.
16:11What did he look like?
16:13Slightly balding.
16:14Late 60s.
16:15Absolutely charming, to be fair.
16:18Are you all right?
16:19Yes.
16:20Um, thank you.
16:22I'm sorry to interrupt.
16:44I'm sorry to interrupt.
17:13You should have told us you were coming here.
17:14Yeah, it was just a spur-of-the-moment thing.
17:16Ah, getting this learning wolf bullshit.
17:19I know.
17:20This changes nothing about Nicola.
17:22We are charging her with Tony's murder.
17:23That makes sense.
17:24Yeah, and I don't want you within ten miles of it.
17:27I won't be.
17:28We had an agreement, Jim.
17:29It's all yours, Barney.
17:32We were on our way here.
17:34Clearly.
17:36It's no more for bullshit.
18:06It's no more for bullshit.
18:08We're kind to Michael, won't you?
18:09Yeah, we're kind to everyone, Monica.
18:12How's Nicola?
18:13I don't know.
18:14She's at the station.
18:16She'll be charged later today.
18:21When Tony said no more secrets, what do you think he meant?
18:28Indulge me.
18:28I don't know.
18:29Maybe he was talking about the accident.
18:31No, not Alan.
18:32Not where his body is.
18:33Tony didn't know anything about Alan.
18:35I keep coming back to this cottage.
18:36Tony didn't have any money, so you needed to sell it.
18:39But you said no, and what, he was just fine with that?
18:42Well, it was my house.
18:43Yeah, I reckon he could be pretty persuasive, though.
18:45And what else was he going to do?
18:46He didn't have any money.
18:47He didn't have anywhere to live.
18:49And the solution to all that is right there.
18:54Look, here's what I think.
18:56Either you had to tell Tony about Alan.
18:58You can't sell a cottage with a dead body buried under it.
19:01And you know what?
19:02I think he was probably okay with that.
19:03I mean, he had secrets of his own.
19:05But then he's saved by the brother of the woman whose death he caused.
19:10He has this road to Damascus conversion.
19:12He stands up.
19:13That's it.
19:13No more secrets.
19:15And you panic.
19:17Because that means Michael goes to prison.
19:19I told you.
19:20Tony didn't know about Alan.
19:21Why was he talking to you when he said it?
19:23He was looking at you in a mirror.
19:26Just like I am now.
19:27In all the Hulapaloo I'd forgotten that.
19:30Monica, there is nothing you can do to protect Michael anymore.
19:35It's Nicola who needs you now.
19:37Don't let her go down for this.
19:49Okay.
19:53I spoke to Tony after the speech.
19:57And I said, please, don't do this.
20:01But he'd made up his mind.
20:03He was going to come clean about Alan.
20:05And about the accident as well.
20:07He said that he and Michael would be liberated.
20:11Even if they went to prison, they'd be free.
20:16So, when I went back to the room with the knife, he was sleeping.
20:25It was peaceful.
20:26He didn't feel a thing.
20:28I mean, I don't care if you believe me or not.
20:31I was there.
20:32It was peaceful.
20:37Tony didn't have children, so he didn't understand.
20:40You do.
20:43You'd fight armies for your child.
20:46You'd fight bears.
20:48You'd kill one dangerous man.
21:15She's all yours.
21:21Sir, your phone.
21:22It's not evidence.
21:25There's a seven missed calls from Kim.
21:27Er, we can let Nicola go.
21:29Whoa, whoa, whoa.
21:30What?
21:30Why?
21:31Monica killed Tony.
21:32She confessed.
21:33And I arrested her.
21:36Hi, love.
21:37Look, sorry.
21:38Something happened at work.
21:39I just have to go to the station and then...
21:42What is it?
21:44What's wrong?
21:55I got worried when you didn't turn up when I rang Granny.
21:58I made her come here.
22:00Where is she?
22:09Charlie?
22:16Hey.
22:18I'm so sorry.
22:21Kim says you gave him some money.
22:25It was for his restaurant.
22:27How much?
22:28Charlie, I know it's uncomfortable what I need to establish if a crime has been committed.
22:37120,000 pounds.
22:40Right.
22:42Okay.
22:43Yeah.
22:45Um...
22:45Listen.
22:46Listen.
22:47People have lost more.
22:48So, you know, don't feel bad.
22:51But, um...
22:52Look, now we have some options.
22:54Okay?
22:55Did he...
22:56Did he threaten you?
22:57Did he coerce you?
23:00At first, he wouldn't take it.
23:02I had to convince him to.
23:04That's a common...
23:05That's, you know, it's manipulation.
23:08They make it seem like it was your choice.
23:09It's what they do.
23:11I'm not an imbecile.
23:12Oh, he's...
23:13Oh, some...
23:14Some love-struck teenager.
23:15I can think.
23:16I can reason.
23:18I ran a business.
23:21I was a magistrate.
23:22I...
23:23I've written fucking books.
23:24Hey, no one is blaming you, Charlie.
23:26And he took me to the restaurant.
23:27He showed it to me.
23:28And...
23:29And he had a business plan.
23:31And there was some...
23:32Part of someone he was working with.
23:33Okay, yeah.
23:34Well, they were working together.
23:35You know?
23:36Sometimes maybe they switch roles.
23:37Nigel is...
23:38Is the business partner.
23:39And the other guy is the...
23:42The...
23:42Nigel.
23:47We were lovers.
23:50I know.
23:54Like I said, look, we have some options now.
23:58These options...
24:00They will require me to press charges, don't they?
24:03Well, yeah.
24:04I won't do that.
24:06Charlie...
24:06I won't do that.
24:09I'll be humiliated.
24:11I'll be...
24:12A punchline.
24:13I'll be Millie Favisham.
24:16I'm sure you think a reputation is a quaint thing.
24:21Your reputation waxes and wanes.
24:23You don't care anymore.
24:25How lovely for you.
24:29But for the rest of us...
24:33It's a pile of poker chips.
24:42I'll say I ended the relationship.
24:46I might even throw in something longer and salacious.
24:51It was terrible in bed.
24:54People will laugh.
24:56And I've seen powerful.
25:01To the rest of the world.
25:05I'll stop it.
25:10So...
25:11There we are.
25:17What happened to you?
25:19You look terrible.
25:39You can't do this.
25:44Sue me.
25:45Sadly, I don't have the time.
25:46I'm flying back to the mainland.
25:48Just...
25:48Waiting for my taxi.
25:50You know, I have sympathy for some of the people I deal with.
25:52Yeah, they're unlucky.
25:54They're desperate.
25:55But then there are the ones like you.
25:57The ones that just have a fundamental part of their humanity missing.
26:00Yeah, even other criminals know it.
26:02That's why men like you don't do well in prison.
26:05So who are you, really?
26:06I'm sorry, Jim.
26:07I'm...
26:08Lost.
26:09Men like me.
26:10Yeah.
26:12But I've done nothing wrong.
26:13My girlfriend gave me some money for a business opportunity that has frustratingly gone away.
26:18And now that relationship has come to an end.
26:22Am I missing something?
26:24Is any of that illegal?
26:25Obviously you know the law better than I do.
26:30Wait, you don't think this was a scam?
26:34Oh, no wonder your cross.
26:37Look, if Charlie thinks there's been any kind of double dealing then she should press charges and we...
26:42We should go to the police station right now.
26:51What's that, lassie?
26:53She hasn't?
26:55Oh, then I'm confused again.
26:58The cap said ten minutes.
27:02How do you know where I was, by the way?
27:04On your second date, you took flowers for Charlie.
27:07You ordered them online from a local florist.
27:10And you had them sent to this address.
27:14You should be a detective.
27:16Yeah.
27:18People have said that.
27:21While I've got you here, I just want to say I think you're too hard on yourself.
27:28I'd be a gibbering wreck for years if I'd been through what you have, but you're holding yourself together.
27:34Solving crimes.
27:37Never mind what Charlie says.
27:38I think you're a great father.
27:41Give yourself a pat on the back.
27:45Did you even lose a child?
27:48No.
27:50Not as such.
27:51Look, I'm not proud of that.
27:52What can I say?
27:53I was intoxicated by I wanted to find a connection, so yes.
27:56Little white lie, like inflating your income or saying your love Downton Abbey when it makes you want to gouge
28:03your eyes out.
28:07Admit it.
28:10There's a part of you that thinks she deserves this.
28:15She's my family.
28:16Oh, come on.
28:18You don't even like her.
28:20She certainly doesn't like you.
28:24In case you thought it was all just banter.
28:27It raises an interesting question, doesn't it?
28:30About those men.
28:32Why they exist.
28:34The people they target tend to be venal and callous.
28:39They live for the schadenfreude.
28:43Makes their eyes roll back in their head, Jim.
28:47And these women, they're cowards.
28:52If they were decent or brave, those men would have to rock post offices.
28:58I'll convince Charlie to press charges.
28:59You can still be arrested on the mainland.
29:01Great. Yeah, looking forward to seeing you in court, et cetera.
29:07Look, I hate to ask, but you couldn't give me a lift to the airport, could you?
29:19It's Barney Crows here. Can I get five minutes with Emma today?
29:23Yes, it is, Erdogan.
29:316.15.
29:32Yeah, that works.
29:33Thank you, Wendy.
29:55Ah, finally.
29:57Where is everyone?
29:58The pub, waiting for you.
30:00It's not every day we solve two murders for the price of one.
30:03Especially not two in the same family.
30:05I mean, my mum and dad are naturists.
30:09Charm?
30:09Yeah.
30:10They spend half their year playing table tennis with other naked pensioners.
30:15And I thought that was weird and dysfunctional, but...
30:17Anyway, great result, boss.
30:20Er, yeah.
30:22Yeah, it is.
30:23Tell your face.
30:26Sorry.
30:26It's a bit of a crisis.
30:30Oh, er, there's some chat about nominating Ruth Salinger for an award for bravery.
30:35Good idea.
30:36Yeah.
30:37I'll pop by her office later.
30:38I didn't get a chance to thank her properly.
30:40Did you hear?
30:41That big sale of her company, it just went through.
30:43Who told you that?
30:44It's on the news.
30:46Er, has Nicola gone?
30:48Yeah, you said release her.
30:49No, I know.
30:51I just need to talk to her.
30:53What time did she leave?
30:54About half an hour ago.
30:55I'm sure you can catch her at a hotel.
30:57Cara.
30:57No, it's not my distance.
31:00We owe her an apology.
31:01Hmm.
31:02I believe you.
31:03Turn your face.
31:07I'll go see her now.
31:08I'll go see Ruth.
31:08There's news about all this company.
31:10Where is it?
31:11Oh, er, the business bit.
31:21After years of building, growing and learning alongside an incredible team, I'm proud to announce that we have officially completed
31:29the sale of our company.
31:32Building this company has been my life's work.
31:35We have always fought to be at the forefront of discovery and development, and with this partnership, we can do
31:42that.
31:43Huge thanks to everyone at Hobart's.
31:45Thank you very much.
31:47Well done.
31:53Good on her, I say.
31:55Where is everyone?
31:56The pub.
31:57I've been waiting for you too.
31:58He wasn't here and you'd vanished.
32:00I was printing something off.
32:03We have a printer here.
32:05How's your head?
32:07Er, yeah.
32:11So are you coming then?
32:12I can't drink, I'm on these painkillers.
32:15I heard that some pubs have started doing non-alcoholic drinks.
32:20Look, it's not about the drinks, it's about marking the wins.
32:24Everyone's waiting, they want to do a toast.
32:25Oh mate, I am trying my best here.
32:27He's not drinking and...
32:30He's...
32:32We don't know.
32:34Oh God, what?
32:49Sorry, she's all right.
32:50No, it's okay.
32:54We haven't really had a moment, just the two of us.
32:59How are you feeling?
33:00Ah, yeah, it's been a day.
33:02I know, right?
33:06Ah, I've finally got a date for the cremation.
33:10Four weeks tomorrow.
33:13Why does it take so long?
33:16It's like we're waiting in case his condition improves.
33:21I'm sorry, we have to take him back.
33:23We have other tests to do.
33:25I've ordered a much more detailed post-mortem.
33:26I want to check for poisons.
33:28Poisons?
33:28He was stabbed.
33:29No.
33:30No, you can't do that.
33:33He's mine now.
33:34You had your chance, you had days.
33:35You know who did it.
33:36You have to leave him alone now.
33:37No.
33:40Ruth, I think you killed him.
33:46Theories are like a line of dominance.
33:51You're nowhere.
33:52And then something happens and one topples.
33:55Which knocks the next one.
33:57Which knocks the next one.
33:58On and on.
33:59Unstoppable.
34:00And the first domino was.
34:03You'd have known about those payments.
34:05Tony paid Ian 50 grand for swapping the bloods.
34:08And he paid Carl for changing his statement.
34:11Here's what I don't understand.
34:12How did he sneak those payments past Ruth?
34:14Right, so you're saying she knew about the payments.
34:16I'm saying she authorized them.
34:18The first time I met Ruth,
34:19she said she handled the products and the finances.
34:22While Tony did the networking and the schmoozing.
34:25In your press release today, you said you built this company.
34:28You know it. Inside out.
34:30I don't think your staff can buy a paper clip.
34:34Without your approval.
34:35We could run a forensic audit on the company.
34:37See if we can find the payments.
34:38Well hang on, let's just play this out.
34:39Say she did authorize the payments.
34:40I'm sure she wasn't exactly thrilled.
34:42But it meant that Tony didn't go to prison.
34:43The scandal didn't capsize the company.
34:45But then, fast forward 15 years.
34:47Tony gets up and he says, no more secrets.
34:50And that was a second domino.
34:51He tells Monica.
34:53He means her and Alan.
34:54And the car accident.
34:57Tony going to prison would have been bad enough.
34:59But you helped cover it up.
35:00That's you screwed as well.
35:01That's your whole company.
35:03Your life's work.
35:05Gone.
35:05And so I wanted to kill him.
35:08How is that less of a risk?
35:09Well, it was a calculated risk.
35:12And paid off.
35:13Because look.
35:14Sal went through there fine.
35:15But it was Monica.
35:17She confessed.
35:18Yeah.
35:19And a confession is usually a bit of a conversation stopper.
35:22But then one of my colleagues said something.
35:25Domino number three.
35:26Right.
35:26There was one weird thing.
35:28When Ruth came in earlier.
35:30She was asking about when we'd released Tony's body for cremation.
35:33It's gone already hasn't it?
35:34Why is that weird?
35:35I don't know.
35:35Maybe just the way she said it.
35:36Maybe it wasn't.
35:37First time I met Ruth she said the exact same thing.
35:40I mean Tony's body wasn't even cold at this point.
35:42And then when you came round to Michael's house.
35:43And I was in the cellar.
35:44I heard you telling Monica she should hurry us up and get Tony's body released.
35:48Yes, because I wanted closure.
35:51And that was the last Domino.
35:53When Monica was arrested she said Tony never felt a thing.
35:57He was asleep, she said.
35:59A knife plunged through all that flesh, muscle and sin.
36:03You wouldn't wake up.
36:04What are you saying?
36:05I'm saying when Monica stabbed Tony, he was already dead.
36:11You don't think it's possible she said that just to distance herself from what she did?
36:14And Tony had been drinking all day.
36:16He could have passed out.
36:17He could have taken a sleeping pill.
36:19There was nothing like that in his post-mortem.
36:21That's the thing with tests like that.
36:22Especially with such an obvious cause of death.
36:24They're looking for context.
36:26Not cause.
36:28This is...
36:29No.
36:29Ruth.
36:30Ruth.
36:36No, just...
36:39You let me...
36:40You let me out.
36:43Can someone help me please?
36:45Um...
36:46I'm locked in.
36:48Oh jeez.
36:50Hello!
36:51You just...
36:51You leave me alone.
36:56You are insane.
36:58You are deluded.
36:59You're not fit for purpose.
37:00Just...
37:23Just...
37:26You're to be fed.
37:27You're...
37:29He wasn't gonna tell the police about me.
37:33We were loyal that way.
37:35So why did you do it?
37:38I knew if he confessed...
37:41The police would want to know how he got away with it.
37:45And they would look at the blood test.
37:48And they would...
37:49Pull at that thread.
37:50Until they find Ian and Carl.
37:53And they would keep...
37:55Pulling.
37:55And eventually they would find me.
37:59Just like you did.
38:02What was the poison?
38:05It would help us to know what we're looking for.
38:12Hemlock water dropped water.
38:15Oh, an anthe crocata.
38:17I did my dissertation on natural poisons.
38:20A bit macabre.
38:22Perhaps.
38:24I had some in my car.
38:26Can you believe?
38:28I found it in...
38:29In my garden last week.
38:31I wanted to study it.
38:33It's been used to...
38:34To treat hepatitis.
38:37Did you know that?
38:39I thought...
38:42The lives I could save.
38:45Oh, God.
38:50I thought...
38:51I thought...
39:16Hello.
39:17Welcome to the Clifton.
39:18Hi.
39:19This is DCI Bergerac.
39:20I'm trying to reach Nicola Barton.
39:21She's not answering her phone.
39:22Can you put me through?
39:23She's in room 410.
39:25Miss Barton.
39:26Oh.
39:26She checked out about an hour ago.
39:28We ordered her a taxi to the airport.
39:56Oh, my God.
39:57I ran.
39:59I was jumping over the trolley things and had to show my warrant card at passport control.
40:06I actually knew I could do that.
40:08They released me two hours ago?
40:10Yeah.
40:11I'm sorry.
40:12But things got really...
40:15We've arrested Ruth.
40:17She did it too.
40:19It's complicated.
40:21Your mother stabbed Tony's corpse.
40:27I'm going to be in therapy for the rest of my life.
40:30Flight 3096 to Manchester is now boarding at gate number 2.
40:36That's me.
40:36Please have your boarding passes ready.
40:40Well, um...
40:41Thanks for letting me know that this could have been an email.
40:46Albeit a long, really weird one.
40:48I wanted to tell you to your face.
40:50A Zoom then.
40:51We could have done this on Zoom.
40:53No, I wanted to stop you leaving.
40:58In the beginning, nothing could happen because of the case, but...
41:03We're not there yet, but it's different now.
41:06You can be seen with me.
41:08Yeah, well, I'm not saying it would raise a few eyebrows.
41:11I've been doing that all my life.
41:17My flight's boarding.
41:20It's not the last helicopter out of Saigon.
41:22There'll be other flights.
41:23Yeah, but my luggage is on there.
41:24Well, they send it back.
41:25What do you need?
41:26What do you need?
41:26We've got shops from several shops in Jersey.
41:28And I've checked out of my hotel, though I think they were pleased to see me go.
41:32You never have to pay for that door.
41:35Isn't it covered by their insurance?
41:37Well, that depends on the policy, you know.
41:38Sometimes in situations when there's damage...
41:40Are you actually answering that question?
41:48Give me an hour.
41:51Just give me a week.
41:55No.
42:00Tony, Monica, Michael, Jesus.
42:02No, Ruth, it's too much.
42:04There was a time when I'd be buzzing with the horror and the drama of it all, but I don't
42:09want that now.
42:11You'll say you don't want it either, but you love having your finger hovering over the self-destruct button.
42:17It's what makes you good at your job.
42:20But I can't be around that.
42:23I like myself too much.
42:29And that's the other thing.
42:31You didn't believe me.
42:34I told you about Monica and you didn't listen.
42:37You didn't trust me.
42:40And I've spent too much of my life being called crazy.
42:42You're not crazy.
42:43No.
42:45But you might be.
42:48And for once, I need to make a healthy decision.
42:54Would you describe yourself as a healthy decision?
43:04No.
43:06No.
43:08Not right now.
43:14No.
43:15I think that's a nice thing.
43:17No.
43:25Wait, did you want to get me a seat for you?
43:31Good luck, Jim Bergerac.
43:58Hey.
43:59Have you found Nigel?
44:00Yeah, but there's nothing I can do without Charlie.
44:05You should go.
44:07It's okay.
44:08I wasn't doing anything today, we can just watch our own shifts.
44:10Oh, to London, to the school.
44:13Have you talked about this?
44:14Yeah, we did.
44:15But you weren't completely honest with me, were you?
44:18Do I need a liar?
44:19Don't get me wrong, I think you are worried about me.
44:26But, um...
44:27Charlie saw your computer.
44:29She saw you'd been looking for advice about first-year nerves.
44:34We missed all the clues, I'm really sorry.
44:40But fear can't control your life.
44:43If you could do this, then I promise you,
44:46nothing will ever be this scary again.
44:49But if you don't, if you let fear win,
44:53then nothing will ever be this easy.
44:56It's not just about you now, is it?
44:59What about Granny?
45:00Oh, I'll take care of her.
45:02Yeah, there's a lot less inheritance,
45:03so we might as well keep her around.
45:09Are you sure you can both manage?
45:11Honestly?
45:14It's not your concern.
45:22Okay.
45:24I'll tell Granny.
45:28That's a chair, Rob.
45:44I'm handing in my notes.
45:46I wanted you to be the first to know.
45:49I've really enjoyed my time on the Force,
45:51but what happened with Ian, that was a wake-up call.
45:53I've allowed the job to take precedence over other areas of my life,
45:58and I think it's time I take stock and investigate other challenges.
46:05And the non-bullshit version?
46:07Although I think I can probably guess.
46:09Jim.
46:11Nobody works with Jim.
46:13We attend.
46:14He considers rules and protocols,
46:16even the most basic precepts of policing,
46:18to be a serving suggestion that don't apply to him,
46:20but it never matters because he keeps fucking winning.
46:23He keeps getting results.
46:26When you say he doesn't follow rules,
46:28I mean that's hardly a shock,
46:29but is there anything specific I should know?
46:58Jim is Jim, but this dynamic is turning me into someone I don't like.
47:01I'm jealous. I'm bitter.
47:03I can't do anything about it.
47:05I tried to get a transfer.
47:06You saw how that went.
47:08If I stay,
47:10I'm cursed to spend my whole career sat opposite Jim Bajrak.
47:16There might be another option.
47:18Richard Gibbon has decided to take early retirement.
47:22Obviously that doesn't have anything to do with wanting to limit the IPOC's investigation of Ian.
47:27I couldn't possibly comment.
47:29That means there'll be a quick game of musical chairs as people move up or sideways.
47:34So,
47:35how would you feel about switching lanes
47:39and taking a more managerial route?
47:46You mean be his boss one day?
48:05Is it too early to start drinking?
48:09I'm asking the wrong person.
48:11She seemed okay.
48:12She seemed excited.
48:14She did, didn't she?
48:15You needn't have said anything.
48:17She could have stayed, gone next year.
48:20I respect you for not doing that.
48:23Well, sometimes the best thing you can do for the people you care about is to take yourself out of
48:28the equation.
48:32We don't have to be friends now.
48:34I'm sure you find constantly biting your tongue as exhausting as I do.
48:39All this time, you've been biting your tongue?
48:41Oh, trust me.
48:51We got on when Rachel was alive.
48:56We were different people then.
49:00The world was different with Rachel in it.
49:07All this...
49:08was Fields.
49:14I'd like us to be friends again.
49:22I don't want your pity, Jim.
49:24Well, you can have my sympathy.
49:26It's different.
49:30I'm not sure I ever gave you much sympathy.
49:32Ha!
49:33I think Rachel would be disappointed in me for that.
49:38I think she'd be disappointed in me for lots of things, not least.
49:42The example I'm setting her daughter.
49:47Did we prepare Kim for the world?
49:51We did our best.
49:54But...
49:55Did we prepare the world for Kim?
50:00I mean...
50:02Are we making it safer for her?
50:08What I mean is...
50:10You do. I know you do all the time.
50:15But...
50:17What am I doing?
50:23Perhaps like you...
50:25I need to take myself out of the equation.
50:28I need to take myself out of the equation.
50:50You wanted to see me.
50:52Charlie, this is Kara who I work with.
50:54Kara, this is my mother-in-law.
50:57Charlie Hungerford.
50:58Hi.
50:58Mrs. Hungerford.
50:59How did you?
51:00Very good.
51:00Kara will look after you.
51:02I'll be just that side.
51:03She'll explain.
51:26I want to report a crime.
51:34I want to report a crime.
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