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The case takes a shocking turn… πŸ”πŸ”₯ In Bergerac Season 2 Episode 6, unexpected twists and hidden betrayals push the investigation into dangerous territory.

As time runs out, every clue could be the key to uncovering the truth.

πŸ‘‰ Watch now and don’t miss this intense episode!

#Bergerac #Season2 #Episode6 #ENGLSUB #FullEpisode

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TV
Transcript
00:10What else was I supposed to do?
00:12He saw the photograph of Bermuda. He knew we forged the guard.
00:16Where's his phone?
00:17You did take his phone, didn't you?
00:19Yes, here.
00:22Move his car around the back.
00:26And then what? What were you going to do?
00:29What I always do, Michael, I'm going to clear up your mess.
00:35You have a fag. Emma was at yoga.
00:40You were all she could talk about.
00:43Such fun, she kept saying.
00:46Usually when she says fun, she thinks someone's deranged.
00:51But in your case, I think she really...
00:53Nigel?
00:58Where are you?
01:01Where are you?
01:06No.
01:08No.
01:09No.
01:21No.
01:23No.
01:23No.
01:24No.
01:29No.
01:31The number you have dialed is no longer in service.
01:33Please check and try again.
01:35The number you have dialed is no longer in...
01:38No.
01:38No.
01:41No.
01:42No.
01:44No.
01:45No.
01:46No.
01:47No.
01:48No.
01:48No.
01:50No.
01:57I-I noticed.
01:59You still haven't untied me, Monica.
02:06What's the plan then? Are you gonna...
02:09strangle me?
02:12Are you gonna suffocate me?
02:14That's up to you. What won't hurt?
02:18How about old age?
02:24Where's Alan now?
02:26If he's not in Bermuda?
02:29You're sitting on him.
02:35Wow.
02:37Okay.
02:41They were fighting about Alan leaving.
02:45And, um...
02:47Michael pushed him.
02:49Alan hit his head on the table.
02:52I came home and found them.
02:54It was an accident, but I knew how it looked.
02:57And Michael wouldn't survive prison.
03:01So...
03:03We didn't tell anyone.
03:05And we put Alan down here.
03:09Is that what No More Secrets meant?
03:13Did Tony know and that's what got him killed?
03:15I didn't kill Tony.
03:17That was nothing to do with me.
03:19What about Michael?
03:20Was it another argument that got out of control?
03:23It wasn't Michael either.
03:24But he did...
03:25He did...
03:27Kill Alan.
03:29So why...
03:30Why is Sir Michael here?
03:31Why am I having this conversation with you?
03:34I'm stronger than him.
03:36You've met him.
03:37He's just a child.
03:41Do you have any children?
03:43I'm stronger.
03:44Yeah.
03:45Yeah, I do.
03:46I have a daughter.
03:48She's called Kim.
03:49She's actually leaving Jersey.
03:51In 24 hours she's...
03:54She's going to this big music school on the...
03:55Don't tell me about her.
03:57Sorry.
03:58But I know what you're doing.
04:15Don't you want to protect her?
04:17I want her to be brave.
04:20I want her to take responsibility for her actions.
04:23Must be lovely loving someone like that.
04:26You're crossing a line now.
04:29Both of you are.
04:31Listen.
04:32Michael.
04:33Michael.
04:34Complete manslaughter.
04:35He could just be looking in a few years and you...
04:38Helping him conceal it.
04:39You're his mum.
04:39Even a jury will understand that.
04:41You might even get a non-custodial.
04:42But if you kill me now.
04:43I swear to God.
04:45We're talking life.
04:46No parole.
04:46No.
04:47No early release for good behaviour.
04:48You are never.
04:49Ever coming out.
04:50I don't understand why you don't understand.
04:52You've got a daughter.
04:54You'd fight bears for her.
04:56You'd fight armies.
04:58You'd kill one dangerous man.
05:01Someone will find out.
05:03The police know I'm here.
05:05Someone is going to come looking for me.
05:06You'll be long gone by then.
05:09Hey!
05:10Hey!
05:10Oh!
05:11Shush.
05:13Hi, Michael.
05:15Um, is Monica there?
05:16No.
05:16I tried her house.
05:17No.
05:18Um, is that...
05:19Isn't that her car outside?
05:22Then yes.
05:24Ruth?
05:24Hi, I'm here.
05:26Hi.
05:26Michael, let Ruth in.
05:29Hello.
05:30I was just clearing out some of Alan's things.
05:32Oh.
05:33Um.
05:34Sorry to turn up on the house, thank you.
05:39Ah!
05:40Ah!
05:41Ah!
05:42Ah!
05:42Ah!
05:43Ah!
05:43Ah!
05:52Ah!
05:53Ah!
05:54Ah!
05:57Ah!
05:59Ah!
05:59Ah!
05:59Ah!
06:00Ah!
06:00Ah!
06:02Ah!
06:02they given you any indication of what they're thinking? Well, haven't you heard? They've
06:06arrested Nicola. What? Um, I spoke to them. Not Bergerac, a different one. About an hour
06:16ago. Well, why would they think that she had anything to do with it? She didn't even know
06:21Tony. Oh, well, they didn't say. Look, Nicola and I were in touch. She thought you killed
06:29Alan and Tony knew. And, well, that's what I thought. That's why I came to see you
06:33yesterday. I'm, I'm so sorry, Monica. I just, I assumed you'd been told.
06:46Um, Mum needs to be alone. Oh, yes. No, of course. Um, sorry.
07:06And you'll speak to the police about releasing the body? Yes, sir. Leave that
07:10with us. Thank you. Now I'm rude. I just think it's really important.
07:34Barney, forensics have come back with a final report on the card from Alan Barton. Yeah, I've seen
07:38a report. The card is genuine. Yeah, that was the, um, the interim. This is, this, this is the full
07:42file.
07:43Simon, give me the headlines. Okay, so they compared the card with three samples from friends.
07:48They said the handwriting is superficially adept, but upon further examination, there are enough
07:53inconsistencies to suggest it was not written by Alan Barton. What? It was principally in the letter
07:58formation, the pressure, slant, and the spacing. Hang on, so Michael forged the card. Does it say that?
08:02It does, yeah, basically in the conclusion at the end. It wasn't suicide, it wasn't Monica. It was Michael.
08:22Davey, get two cars ready. Yes, what? Kara. Fuck it. Everyone, listen up.
08:48And now, listen up.
08:50Let's go.
08:59Oh, my God.
09:22Why have you arrested Nicola?
09:25She was out of the way.
09:26That's a lie.
09:28There are pictures.
09:30There was blood on her coat.
09:32And five years ago, she said one day
09:34she was going to take away the thing you love most in the world.
09:38Monica, just listen to me.
09:40Shut up.
09:40Just do this.
09:41Shut up.
09:42Shut up!
09:45Monica.
09:46Shut up.
09:47Just be quiet.
09:51Because I need to think.
09:58Okay, and then...
10:00And then...
10:02And then it's over, it's over, and then it's over.
10:09You never answered my question
10:12about the best way to die.
10:15What's suffocation like?
10:16It's pretty unpleasant, I imagine.
10:18Worse than this.
10:26Well then.
10:42What are you doing?
10:43I'm looking for a plastic bag.
11:09I'm looking for a plastic bag.
11:24You, Christ, you, you have fucked my life.
11:32Do you know that?
11:33I've lost two husbands and now my daughter because of what you did.
11:37So what's next, Michael?
11:38What's the next plan?
11:40I've got some aunts and uncles.
11:41Do you want their addresses?
11:42You could set fire to their houses.
11:49You've taken everything from me.
11:53Every last scrap.
11:57You've eaten me alive.
12:04So come on then.
12:08Where are we going?
12:11The cellar.
12:28Oh, Jesus, what the fuck?
12:31Oh, my God.
12:33Michael killed Alan.
12:34They're going to kill me too.
12:35Oh, my God.
12:58Where is he?
12:59I don't know.
13:03Oh, my God.
13:07Oh, God.
13:08Michael, no.
13:13Oh, hey.
13:14Stop.
13:15Stop.
13:15Michael, don't do this.
13:17Look, I spoke to your mom.
13:19She said it was an accident.
13:20I understand that.
13:21Then let me go.
13:22Let me run away.
13:23Put the knife down and we can talk.
13:27Michael.
13:28Hey.
13:29Hey.
13:30Oh, God.
13:33It's all right, Michael.
13:34Oh, God.
13:35It's all right.
13:35Come on.
13:36It's over, love.
13:38Come on.
13:38We've got to face facts.
13:39We've got to be big and brave.
13:42And we've got to say, come on.
13:44Do your worst.
13:46But you know that already, though, don't you?
13:48You're so clever.
13:48I tell everyone.
13:49He runs rings around me, I say.
13:53What's your chess ranking?
13:56200?
13:57I'm not an idiot in the world.
14:01Well, no, you're not there.
14:02So, come on.
14:03Let Ruth go now.
14:05Come on.
14:06Come on, Ruth.
14:06Look, she's so rumpled.
14:09It's all right.
14:10Come on.
14:10It's over, love.
14:12It's over.
14:15That's it, good boy.
14:16Good boy.
14:17There we are.
14:20There we are.
14:24There we are.
14:25That's it.
14:29There's my Michael pair.
14:33It's all right.
14:34Mum's here.
14:36Mum's here now.
14:37Come on.
14:38It's all right.
14:39It's all right.
14:40You're all right.
14:41You're all right.
14:43It's all right, Michael.
14:45Mum's here.
14:50You know the most interesting thing about all this is?
14:53No Jim Bergerac.
14:53Now, I'm not saying he was holding us back,
14:55but it is funny how the whole thing resolves
14:57the minute he steps away.
15:05I think we found him.
15:16Lots of families around here, so, you know, lots of birthdays.
15:20Sounds like a great idea.
15:22Would you excuse me one second?
15:24I'll read that.
15:26Can I help?
15:27Yes, I'm looking for Nigel.
15:28Nigel Morton?
15:29Right.
15:30I think you've got the wrong address, so...
15:32But this is his restaurant?
15:34Um, no.
15:36This is...
15:37Well, it's not really anything right now.
15:39They want to turn it into one of those paint-your-own-pottery blouses,
15:43but I sort of feel that's had its day.
15:45But we, um...
15:47We came here a couple of days ago.
15:50He showed me around.
15:52Wait, was this Tuesday?
15:53Because we did hire it out that day.
15:55Who to?
15:56Um, students?
15:58They were making a film, I think.
16:00We wouldn't normally do that sort of thing,
16:02but then we thought, you know what?
16:03Let's give something back.
16:05But then, well, this, um,
16:07older gentleman came in to collect the keys.
16:09He could have been a mature student, I suppose.
16:11What did he look like?
16:13Slightly balding.
16:14Late 60s.
16:15Absolutely charming, to be fair.
16:18Are you all right?
16:19Yes.
16:20Um, thank you.
16:22I'm sorry to interrupt.
16:44I'm sorry to interrupt.
17:13You should have told us you were coming here.
17:14Yeah, it was just a spur-of-the-moment thing.
17:16Ah, getting this learning wolf bullshit.
17:19I know.
17:20This changes nothing about Nicola.
17:22We are charging her with Tony's murder.
17:23That makes sense.
17:24Yeah, and I don't want you within ten miles of it.
17:27I won't be.
17:28We had an agreement, Jim.
17:29It's all yours, Barney.
17:32We were on our way here.
17:34Clearly.
17:36It's no more for bullshit.
18:06It's no more for bullshit.
18:08We're kind to Michael, won't you?
18:09Yeah, we're kind to everyone, Monica.
18:12How's Nicola?
18:13I don't know.
18:14She's at the station.
18:16She'll be charged later today.
18:21When Tony said no more secrets, what do you think he meant?
18:28Indulge me.
18:28I don't know.
18:29Maybe he was talking about the accident.
18:31No, not Alan.
18:32Not where his body is.
18:33Tony didn't know anything about Alan.
18:35I keep coming back to this cottage.
18:36Tony didn't have any money, so you needed to sell it.
18:39But you said no, and what, he was just fine with that?
18:42Well, it was my house.
18:43Yeah, I reckon he could be pretty persuasive, though.
18:45And what else was he going to do?
18:46He didn't have any money.
18:47He didn't have anywhere to live.
18:49And the solution to all that is right there.
18:54Look, here's what I think.
18:56Either you had to tell Tony about Alan.
18:58You can't sell a cottage with a dead body buried under it.
19:01And you know what?
19:02I think he was probably okay with that.
19:03I mean, he had secrets of his own.
19:05But then he's saved by the brother of the woman whose death he caused.
19:10He has this road to Damascus conversion.
19:12He stands up.
19:13That's it.
19:13No more secrets.
19:15And you panic.
19:17Because that means Michael goes to prison.
19:19I told you.
19:20Tony didn't know about Alan.
19:21Why was he talking to you when he said it?
19:23He was looking at you in a mirror.
19:26Just like I am now.
19:27In all the Hulapaloo I'd forgotten that.
19:30Monica, there is nothing you can do to protect Michael anymore.
19:35It's Nicola who needs you now.
19:37Don't let her go down for this.
19:49Okay.
19:53I spoke to Tony after the speech.
19:57And I said, please, don't do this.
20:01But he'd made up his mind.
20:03He was going to come clean about Alan.
20:05And about the accident as well.
20:07He said that he and Michael would be liberated.
20:11Even if they went to prison, they'd be free.
20:16So, when I went back to the room with the knife, he was sleeping.
20:25It was peaceful.
20:26He didn't feel a thing.
20:28I mean, I don't care if you believe me or not.
20:31I was there.
20:32It was peaceful.
20:37Tony didn't have children, so he didn't understand.
20:40You do.
20:43You'd fight armies for your child.
20:46You'd fight bears.
20:48You'd kill one dangerous man.
21:15She's all yours.
21:21Sir, your phone.
21:22It's not evidence.
21:25There's a seven missed calls from Kim.
21:27Er, we can let Nicola go.
21:29Whoa, whoa, whoa.
21:30What?
21:30Why?
21:31Monica killed Tony.
21:32She confessed.
21:33And I arrested her.
21:36Hi, love.
21:37Look, sorry.
21:38Something happened at work.
21:39I just have to go to the station and then...
21:42What is it?
21:44What's wrong?
21:55I got worried when you didn't turn up when I rang Granny.
21:58I made her come here.
22:00Where is she?
22:09Charlie?
22:16Hey.
22:18I'm so sorry.
22:21Kim says you gave him some money.
22:25It was for his restaurant.
22:27How much?
22:28Charlie, I know it's uncomfortable what I need to establish if a crime has been committed.
22:37120,000 pounds.
22:40Right.
22:42Okay.
22:43Yeah.
22:45Um...
22:45Listen.
22:46Listen.
22:47People have lost more.
22:48So, you know, don't feel bad.
22:51But, um...
22:52Look, now we have some options.
22:54Okay?
22:55Did he...
22:56Did he threaten you?
22:57Did he coerce you?
23:00At first, he wouldn't take it.
23:02I had to convince him to.
23:04That's a common...
23:05That's, you know, it's manipulation.
23:08They make it seem like it was your choice.
23:09It's what they do.
23:11I'm not an imbecile.
23:12Oh, he's...
23:13Oh, some...
23:14Some love-struck teenager.
23:15I can think.
23:16I can reason.
23:18I ran a business.
23:21I was a magistrate.
23:22I...
23:23I've written fucking books.
23:24Hey, no one is blaming you, Charlie.
23:26And he took me to the restaurant.
23:27He showed it to me.
23:28And...
23:29And he had a business plan.
23:31And there was some...
23:32Part of someone he was working with.
23:33Okay, yeah.
23:34Well, they were working together.
23:35You know?
23:36Sometimes maybe they switch roles.
23:37Nigel is...
23:38Is the business partner.
23:39And the other guy is the...
23:42The...
23:42Nigel.
23:47We were lovers.
23:50I know.
23:54Like I said, look, we have some options now.
23:58These options...
24:00They will require me to press charges, don't they?
24:03Well, yeah.
24:04I won't do that.
24:06Charlie...
24:06I won't do that.
24:09I'll be humiliated.
24:11I'll be...
24:12A punchline.
24:13I'll be Millie Favisham.
24:16I'm sure you think a reputation is a quaint thing.
24:21Your reputation waxes and wanes.
24:23You don't care anymore.
24:25How lovely for you.
24:29But for the rest of us...
24:33It's a pile of poker chips.
24:42I'll say I ended the relationship.
24:46I might even throw in something longer and salacious.
24:51It was terrible in bed.
24:54People will laugh.
24:56And I've seen powerful.
25:01To the rest of the world.
25:05I'll stop it.
25:10So...
25:11There we are.
25:17What happened to you?
25:19You look terrible.
25:39You can't do this.
25:44Sue me.
25:45Sadly, I don't have the time.
25:46I'm flying back to the mainland.
25:48Just...
25:48Waiting for my taxi.
25:50You know, I have sympathy for some of the people I deal with.
25:52Yeah, they're unlucky.
25:54They're desperate.
25:55But then there are the ones like you.
25:57The ones that just have a fundamental part of their humanity missing.
26:00Yeah, even other criminals know it.
26:02That's why men like you don't do well in prison.
26:05So who are you, really?
26:06I'm sorry, Jim.
26:07I'm...
26:08Lost.
26:09Men like me.
26:10Yeah.
26:12But I've done nothing wrong.
26:13My girlfriend gave me some money for a business opportunity that has frustratingly gone away.
26:18And now that relationship has come to an end.
26:22Am I missing something?
26:24Is any of that illegal?
26:25Obviously you know the law better than I do.
26:30Wait, you don't think this was a scam?
26:34Oh, no wonder your cross.
26:37Look, if Charlie thinks there's been any kind of double dealing then she should press charges and we...
26:42We should go to the police station right now.
26:51What's that, lassie?
26:53She hasn't?
26:55Oh, then I'm confused again.
26:58The cap said ten minutes.
27:02How do you know where I was, by the way?
27:04On your second date, you took flowers for Charlie.
27:07You ordered them online from a local florist.
27:10And you had them sent to this address.
27:14You should be a detective.
27:16Yeah.
27:18People have said that.
27:21While I've got you here, I just want to say I think you're too hard on yourself.
27:28I'd be a gibbering wreck for years if I'd been through what you have, but you're holding yourself together.
27:34Solving crimes.
27:37Never mind what Charlie says.
27:38I think you're a great father.
27:41Give yourself a pat on the back.
27:45Did you even lose a child?
27:48No.
27:50Not as such.
27:51Look, I'm not proud of that.
27:52What can I say?
27:53I was intoxicated by I wanted to find a connection, so yes.
27:56Little white lie, like inflating your income or saying your love Downton Abbey when it makes you want to gouge
28:03your eyes out.
28:07Admit it.
28:10There's a part of you that thinks she deserves this.
28:15She's my family.
28:16Oh, come on.
28:18You don't even like her.
28:20She certainly doesn't like you.
28:24In case you thought it was all just banter.
28:27It raises an interesting question, doesn't it?
28:30About those men.
28:32Why they exist.
28:34The people they target tend to be venal and callous.
28:39They live for the schadenfreude.
28:43Makes their eyes roll back in their head, Jim.
28:47And these women, they're cowards.
28:52If they were decent or brave, those men would have to rock post offices.
28:58I'll convince Charlie to press charges.
28:59You can still be arrested on the mainland.
29:01Great. Yeah, looking forward to seeing you in court, et cetera.
29:07Look, I hate to ask, but you couldn't give me a lift to the airport, could you?
29:19It's Barney Crows here. Can I get five minutes with Emma today?
29:23Yes, it is, Erdogan.
29:316.15.
29:32Yeah, that works.
29:33Thank you, Wendy.
29:55Ah, finally.
29:57Where is everyone?
29:58The pub, waiting for you.
30:00It's not every day we solve two murders for the price of one.
30:03Especially not two in the same family.
30:05I mean, my mum and dad are naturists.
30:09Charm?
30:09Yeah.
30:10They spend half their year playing table tennis with other naked pensioners.
30:15And I thought that was weird and dysfunctional, but...
30:17Anyway, great result, boss.
30:20Er, yeah.
30:22Yeah, it is.
30:23Tell your face.
30:26Sorry.
30:26It's a bit of a crisis.
30:30Oh, er, there's some chat about nominating Ruth Salinger for an award for bravery.
30:35Good idea.
30:36Yeah.
30:37I'll pop by her office later.
30:38I didn't get a chance to thank her properly.
30:40Did you hear?
30:41That big sale of her company, it just went through.
30:43Who told you that?
30:44It's on the news.
30:46Er, has Nicola gone?
30:48Yeah, you said release her.
30:49No, I know.
30:51I just need to talk to her.
30:53What time did she leave?
30:54About half an hour ago.
30:55I'm sure you can catch her at a hotel.
30:57Cara.
30:57No, it's not my distance.
31:00We owe her an apology.
31:01Hmm.
31:02I believe you.
31:03Turn your face.
31:07I'll go see her now.
31:08I'll go see Ruth.
31:08There's news about all this company.
31:10Where is it?
31:11Oh, er, the business bit.
31:21After years of building, growing and learning alongside an incredible team, I'm proud to announce that we have officially completed
31:29the sale of our company.
31:32Building this company has been my life's work.
31:35We have always fought to be at the forefront of discovery and development, and with this partnership, we can do
31:42that.
31:43Huge thanks to everyone at Hobart's.
31:45Thank you very much.
31:47Well done.
31:53Good on her, I say.
31:55Where is everyone?
31:56The pub.
31:57I've been waiting for you too.
31:58He wasn't here and you'd vanished.
32:00I was printing something off.
32:03We have a printer here.
32:05How's your head?
32:07Er, yeah.
32:11So are you coming then?
32:12I can't drink, I'm on these painkillers.
32:15I heard that some pubs have started doing non-alcoholic drinks.
32:20Look, it's not about the drinks, it's about marking the wins.
32:24Everyone's waiting, they want to do a toast.
32:25Oh mate, I am trying my best here.
32:27He's not drinking and...
32:30He's...
32:32We don't know.
32:34Oh God, what?
32:49Sorry, she's all right.
32:50No, it's okay.
32:54We haven't really had a moment, just the two of us.
32:59How are you feeling?
33:00Ah, yeah, it's been a day.
33:02I know, right?
33:06Ah, I've finally got a date for the cremation.
33:10Four weeks tomorrow.
33:13Why does it take so long?
33:16It's like we're waiting in case his condition improves.
33:21I'm sorry, we have to take him back.
33:23We have other tests to do.
33:25I've ordered a much more detailed post-mortem.
33:26I want to check for poisons.
33:28Poisons?
33:28He was stabbed.
33:29No.
33:30No, you can't do that.
33:33He's mine now.
33:34You had your chance, you had days.
33:35You know who did it.
33:36You have to leave him alone now.
33:37No.
33:40Ruth, I think you killed him.
33:46Theories are like a line of dominance.
33:51You're nowhere.
33:52And then something happens and one topples.
33:55Which knocks the next one.
33:57Which knocks the next one.
33:58On and on.
33:59Unstoppable.
34:00And the first domino was.
34:03You'd have known about those payments.
34:05Tony paid Ian 50 grand for swapping the bloods.
34:08And he paid Carl for changing his statement.
34:11Here's what I don't understand.
34:12How did he sneak those payments past Ruth?
34:14Right, so you're saying she knew about the payments.
34:16I'm saying she authorized them.
34:18The first time I met Ruth,
34:19she said she handled the products and the finances.
34:22While Tony did the networking and the schmoozing.
34:25In your press release today, you said you built this company.
34:28You know it. Inside out.
34:30I don't think your staff can buy a paper clip.
34:34Without your approval.
34:35We could run a forensic audit on the company.
34:37See if we can find the payments.
34:38Well hang on, let's just play this out.
34:39Say she did authorize the payments.
34:40I'm sure she wasn't exactly thrilled.
34:42But it meant that Tony didn't go to prison.
34:43The scandal didn't capsize the company.
34:45But then, fast forward 15 years.
34:47Tony gets up and he says, no more secrets.
34:50And that was a second domino.
34:51He tells Monica.
34:53He means her and Alan.
34:54And the car accident.
34:57Tony going to prison would have been bad enough.
34:59But you helped cover it up.
35:00That's you screwed as well.
35:01That's your whole company.
35:03Your life's work.
35:05Gone.
35:05And so I wanted to kill him.
35:08How is that less of a risk?
35:09Well, it was a calculated risk.
35:12And paid off.
35:13Because look.
35:14Sal went through there fine.
35:15But it was Monica.
35:17She confessed.
35:18Yeah.
35:19And a confession is usually a bit of a conversation stopper.
35:22But then one of my colleagues said something.
35:25Domino number three.
35:26Right.
35:26There was one weird thing.
35:28When Ruth came in earlier.
35:30She was asking about when we'd released Tony's body for cremation.
35:33It's gone already hasn't it?
35:34Why is that weird?
35:35I don't know.
35:35Maybe just the way she said it.
35:36Maybe it wasn't.
35:37First time I met Ruth she said the exact same thing.
35:40I mean Tony's body wasn't even cold at this point.
35:42And then when you came round to Michael's house.
35:43And I was in the cellar.
35:44I heard you telling Monica she should hurry us up and get Tony's body released.
35:48Yes, because I wanted closure.
35:51And that was the last Domino.
35:53When Monica was arrested she said Tony never felt a thing.
35:57He was asleep, she said.
35:59A knife plunged through all that flesh, muscle and sin.
36:03You wouldn't wake up.
36:04What are you saying?
36:05I'm saying when Monica stabbed Tony, he was already dead.
36:11You don't think it's possible she said that just to distance herself from what she did?
36:14And Tony had been drinking all day.
36:16He could have passed out.
36:17He could have taken a sleeping pill.
36:19There was nothing like that in his post-mortem.
36:21That's the thing with tests like that.
36:22Especially with such an obvious cause of death.
36:24They're looking for context.
36:26Not cause.
36:28This is...
36:29No.
36:29Ruth.
36:30Ruth.
36:36No, just...
36:39You let me...
36:40You let me out.
36:43Can someone help me please?
36:45Um...
36:46I'm locked in.
36:48Oh jeez.
36:50Hello!
36:51You just...
36:51You leave me alone.
36:56You are insane.
36:58You are deluded.
36:59You're not fit for purpose.
37:00Just...
37:23Just...
37:26You're to be fed.
37:27You're...
37:29He wasn't gonna tell the police about me.
37:33We were loyal that way.
37:35So why did you do it?
37:38I knew if he confessed...
37:41The police would want to know how he got away with it.
37:45And they would look at the blood test.
37:48And they would...
37:49Pull at that thread.
37:50Until they find Ian and Carl.
37:53And they would keep...
37:55Pulling.
37:55And eventually they would find me.
37:59Just like you did.
38:02What was the poison?
38:05It would help us to know what we're looking for.
38:12Hemlock water dropped water.
38:15Oh, an anthe crocata.
38:17I did my dissertation on natural poisons.
38:20A bit macabre.
38:22Perhaps.
38:24I had some in my car.
38:26Can you believe?
38:28I found it in...
38:29In my garden last week.
38:31I wanted to study it.
38:33It's been used to...
38:34To treat hepatitis.
38:37Did you know that?
38:39I thought...
38:42The lives I could save.
38:45Oh, God.
38:50I thought...
38:51I thought...
39:16Hello.
39:17Welcome to the Clifton.
39:18Hi.
39:19This is DCI Bergerac.
39:20I'm trying to reach Nicola Barton.
39:21She's not answering her phone.
39:22Can you put me through?
39:23She's in room 410.
39:25Miss Barton.
39:26Oh.
39:26She checked out about an hour ago.
39:28We ordered her a taxi to the airport.
39:56Oh, my God.
39:57I ran.
39:59I was jumping over the trolley things and had to show my warrant card at passport control.
40:06I actually knew I could do that.
40:08They released me two hours ago?
40:10Yeah.
40:11I'm sorry.
40:12But things got really...
40:15We've arrested Ruth.
40:17She did it too.
40:19It's complicated.
40:21Your mother stabbed Tony's corpse.
40:27I'm going to be in therapy for the rest of my life.
40:30Flight 3096 to Manchester is now boarding at gate number 2.
40:36That's me.
40:36Please have your boarding passes ready.
40:40Well, um...
40:41Thanks for letting me know that this could have been an email.
40:46Albeit a long, really weird one.
40:48I wanted to tell you to your face.
40:50A Zoom then.
40:51We could have done this on Zoom.
40:53No, I wanted to stop you leaving.
40:58In the beginning, nothing could happen because of the case, but...
41:03We're not there yet, but it's different now.
41:06You can be seen with me.
41:08Yeah, well, I'm not saying it would raise a few eyebrows.
41:11I've been doing that all my life.
41:17My flight's boarding.
41:20It's not the last helicopter out of Saigon.
41:22There'll be other flights.
41:23Yeah, but my luggage is on there.
41:24Well, they send it back.
41:25What do you need?
41:26What do you need?
41:26We've got shops from several shops in Jersey.
41:28And I've checked out of my hotel, though I think they were pleased to see me go.
41:32You never have to pay for that door.
41:35Isn't it covered by their insurance?
41:37Well, that depends on the policy, you know.
41:38Sometimes in situations when there's damage...
41:40Are you actually answering that question?
41:48Give me an hour.
41:51Just give me a week.
41:55No.
42:00Tony, Monica, Michael, Jesus.
42:02No, Ruth, it's too much.
42:04There was a time when I'd be buzzing with the horror and the drama of it all, but I don't
42:09want that now.
42:11You'll say you don't want it either, but you love having your finger hovering over the self-destruct button.
42:17It's what makes you good at your job.
42:20But I can't be around that.
42:23I like myself too much.
42:29And that's the other thing.
42:31You didn't believe me.
42:34I told you about Monica and you didn't listen.
42:37You didn't trust me.
42:40And I've spent too much of my life being called crazy.
42:42You're not crazy.
42:43No.
42:45But you might be.
42:48And for once, I need to make a healthy decision.
42:54Would you describe yourself as a healthy decision?
43:04No.
43:06No.
43:08Not right now.
43:14No.
43:15I think that's a nice thing.
43:17No.
43:25Wait, did you want to get me a seat for you?
43:31Good luck, Jim Bergerac.
43:58Hey.
43:59Have you found Nigel?
44:00Yeah, but there's nothing I can do without Charlie.
44:05You should go.
44:07It's okay.
44:08I wasn't doing anything today, we can just watch our own shifts.
44:10Oh, to London, to the school.
44:13Have you talked about this?
44:14Yeah, we did.
44:15But you weren't completely honest with me, were you?
44:18Do I need a liar?
44:19Don't get me wrong, I think you are worried about me.
44:26But, um...
44:27Charlie saw your computer.
44:29She saw you'd been looking for advice about first-year nerves.
44:34We missed all the clues, I'm really sorry.
44:40But fear can't control your life.
44:43If you could do this, then I promise you,
44:46nothing will ever be this scary again.
44:49But if you don't, if you let fear win,
44:53then nothing will ever be this easy.
44:56It's not just about you now, is it?
44:59What about Granny?
45:00Oh, I'll take care of her.
45:02Yeah, there's a lot less inheritance,
45:03so we might as well keep her around.
45:09Are you sure you can both manage?
45:11Honestly?
45:14It's not your concern.
45:22Okay.
45:24I'll tell Granny.
45:28That's a chair, Rob.
45:44I'm handing in my notes.
45:46I wanted you to be the first to know.
45:49I've really enjoyed my time on the Force,
45:51but what happened with Ian, that was a wake-up call.
45:53I've allowed the job to take precedence over other areas of my life,
45:58and I think it's time I take stock and investigate other challenges.
46:05And the non-bullshit version?
46:07Although I think I can probably guess.
46:09Jim.
46:11Nobody works with Jim.
46:13We attend.
46:14He considers rules and protocols,
46:16even the most basic precepts of policing,
46:18to be a serving suggestion that don't apply to him,
46:20but it never matters because he keeps fucking winning.
46:23He keeps getting results.
46:26When you say he doesn't follow rules,
46:28I mean that's hardly a shock,
46:29but is there anything specific I should know?
46:58Jim is Jim, but this dynamic is turning me into someone I don't like.
47:01I'm jealous. I'm bitter.
47:03I can't do anything about it.
47:05I tried to get a transfer.
47:06You saw how that went.
47:08If I stay,
47:10I'm cursed to spend my whole career sat opposite Jim Bajrak.
47:16There might be another option.
47:18Richard Gibbon has decided to take early retirement.
47:22Obviously that doesn't have anything to do with wanting to limit the IPOC's investigation of Ian.
47:27I couldn't possibly comment.
47:29That means there'll be a quick game of musical chairs as people move up or sideways.
47:34So,
47:35how would you feel about switching lanes
47:39and taking a more managerial route?
47:46You mean be his boss one day?
48:05Is it too early to start drinking?
48:09I'm asking the wrong person.
48:11She seemed okay.
48:12She seemed excited.
48:14She did, didn't she?
48:15You needn't have said anything.
48:17She could have stayed, gone next year.
48:20I respect you for not doing that.
48:23Well, sometimes the best thing you can do for the people you care about is to take yourself out of
48:28the equation.
48:32We don't have to be friends now.
48:34I'm sure you find constantly biting your tongue as exhausting as I do.
48:39All this time, you've been biting your tongue?
48:41Oh, trust me.
48:51We got on when Rachel was alive.
48:56We were different people then.
49:00The world was different with Rachel in it.
49:07All this...
49:08was Fields.
49:14I'd like us to be friends again.
49:22I don't want your pity, Jim.
49:24Well, you can have my sympathy.
49:26It's different.
49:30I'm not sure I ever gave you much sympathy.
49:32Ha!
49:33I think Rachel would be disappointed in me for that.
49:38I think she'd be disappointed in me for lots of things, not least.
49:42The example I'm setting her daughter.
49:47Did we prepare Kim for the world?
49:51We did our best.
49:54But...
49:55Did we prepare the world for Kim?
50:00I mean...
50:02Are we making it safer for her?
50:08What I mean is...
50:10You do. I know you do all the time.
50:15But...
50:17What am I doing?
50:23Perhaps like you...
50:25I need to take myself out of the equation.
50:28I need to take myself out of the equation.
50:50You wanted to see me.
50:52Charlie, this is Kara who I work with.
50:54Kara, this is my mother-in-law.
50:57Charlie Hungerford.
50:58Hi.
50:58Mrs. Hungerford.
50:59How did you?
51:00Very good.
51:00Kara will look after you.
51:02I'll be just that side.
51:03She'll explain.
51:26I want to report a crime.
51:34I want to report a crime.
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