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The.Sandman.S01E11 [Full Movie] [Latest Version]Full EP - Full
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00:00:15¡Suscríbete al canal!
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00:04:47Sería diferente, enseñaría a ellos cómo se sienten, cómo se sienten, cómo se sienten, cómo se sienten.
00:04:53Sabes que ella estaba en el calor.
00:04:56¿Por qué no la dejaste dentro?
00:04:58Creo que son bastante lindos.
00:05:00Lindos?
00:05:01Ella es una cintura pura, registrada bluepoint.
00:05:03Es una especie de cintura.
00:05:05No es nada más.
00:05:16No es nada más.
00:05:17¿Qué vas a hacer con eso?
00:05:18No te preocupes.
00:05:19Voy a cuidarlo.
00:05:23¡Pol!
00:05:36¡Pol!
00:05:37¡Pol!
00:05:39¡Pol!
00:05:47¡Pol!
00:05:49¡Pol!
00:05:50I felt them...
00:05:51...from afar...
00:05:53...in the dark.
00:05:54...as the cold water took them.
00:05:57Felt them...
00:05:58...thrash...
00:05:59...and claw sightlessly.
00:06:01Felt them call to me...
00:06:03...in their fear.
00:06:04Y luego...
00:06:06Están desaparecidos.
00:06:14Por Dios mío, no es como si entiendes.
00:06:18Mira a ella.
00:06:20Probablemente está contenta.
00:06:22¿Quién quiere cuatro gritos sonidos?
00:06:25Probablemente es correcto.
00:06:28Solo siento culpable.
00:06:31Sabía entonces que había mentado a mí mismo.
00:06:34Que somos subordinados.
00:06:36En el que vivíamos con la humanidad,
00:06:38no podíamos llamar a nosotros libres.
00:06:40Y así...
00:06:41Yo oré.
00:06:43Yo oré a la oscuridad, a la noche.
00:06:46Yo oré al rey de los gatos.
00:06:48Él que vive entre nosotros,
00:06:50y no lo conocemos.
00:06:53Y...
00:06:53Yo oré.
00:07:19Yo oré, tal vez.
00:07:23Para la sabiduría.
00:07:25La justicia es una desilusión.
00:07:28Y la sabiduría no tiene lugar aquí.
00:07:31Pero la revelación.
00:07:33Esa es la provincia de sueños.
00:07:35Si tu corazón es fuerte y no te preocupes.
00:07:39No te preocupes de nada.
00:07:41En la montaña hay una caja.
00:07:44Te encontrarás ahí.
00:07:45Pero el camino es difícil.
00:07:49Una pequeña chica podría llegar a mucho malo.
00:07:52Si se extrae de la pared...
00:07:55Los gatos caminan sus propios.
00:08:07Me viajé a través del bosque de los gatos.
00:08:10Cuando los muertos y perdidos decían a mí.
00:08:15Me escuché mis hijos llamando a mí.
00:08:20Pero...
00:08:20me viajé a través de la chica.
00:08:28Me viajé a través de los lugares fríos.
00:08:30En todos los pasos tenía dolor, todos los movimientos quería, arruinar.
00:08:35Me viajé a través de la tal línea.
00:08:37Que les aceleré a mi caída.
00:08:39Drensó mi peón.
00:08:42Me viajé a mi peón.
00:08:42Pero aún...
00:08:43Me viajé a través de la oscuridad.
00:08:49en el cinturón, donde todo fue sacado de mí, todo lo que me hizo lo que soy, y incluso cuando
00:08:56no
00:08:57no sabía por qué, me caminé hacia adelante. Después de un tiempo, mi auto regresó a mí, y me encontré
00:09:05en la
00:09:06montaña. He venido a ver el cat de sueños. ¿Por qué deberíamos dejarlo en ti? ¿Por qué debería
00:09:16que me distece por uno como tú? Una pequeña boca llena de ferembón, casi un cat.
00:09:28¡Suscríbete! ¡Suscríbete! ¡Suscríbete! ¡Suscríbete! ¡Suscríbete! ¡Suscríbete!
00:09:42¡Para ver el cat, a la Kingsánat world. ¡Bos duro! Se ac הם el berço de un order y desgründo!
00:09:55¡I feeté!
00:10:06¡Vamos in giro!
00:10:11¡No se 우리 lo sinfacto!
00:10:15Yo estoy aquí.
00:10:18¿Y quién eres tú?
00:10:21Un chico. Un walker en las nubes.
00:10:24Un hueso me envió aquí.
00:10:27Para revelación.
00:10:29Quiero saber.
00:10:30¿Por qué podrían tomar mis hijos de mí?
00:10:33¿Por qué vivimos como lo hacemos?
00:10:36No entiendo.
00:10:45A cat might look at a king, or so they say.
00:10:48Look into my eyes, my little sister.
00:10:50Look into my eyes.
00:11:02And in his eyes, I saw everything.
00:11:06I saw the truth.
00:11:07Our truth.
00:11:09And it transcended anything I had imagined.
00:11:13Many, many seasons ago, cats truly ruled this world.
00:11:19We were larger then.
00:11:21Everything made for us.
00:11:23Humans were tiny creatures.
00:11:26No larger than we are now.
00:11:28They would groom us, feed us.
00:11:32When the moon shone full, we would hunt them.
00:11:36For they were more delightful to catch than even birds.
00:11:42Oh, the joy of those days I saw in his eyes.
00:11:46The game of cat and man.
00:11:51And then, one of the humans rose amongst them.
00:11:56Inspired by a dream, he told them.
00:11:59Dreams shape the world.
00:12:02Dreams create the world anew, every night.
00:12:06Do not dream the world the way it is now.
00:12:08Dream of a new world.
00:12:11A world where we are no longer hunted.
00:12:13No longer prey.
00:12:15A world we rule.
00:12:16If enough of us dream it, it will happen.
00:12:21Dreams shape the world.
00:12:26Words spread amongst the humans.
00:12:29But for a while, nothing happened.
00:12:33But then, one night, enough of them dreamed.
00:12:38It wasn't many.
00:12:39A thousand, perhaps.
00:12:40No more.
00:12:41They dreamed.
00:12:42And the next day, things changed.
00:12:47We were prey to them.
00:12:49To dogs, their metal machines.
00:12:51We were tiny.
00:12:53And they were huge.
00:12:55So they changed the world?
00:12:57Made it like it is now?
00:12:59Not exactly.
00:13:00They dreamed the world, so it was always the way it is now.
00:13:04There was never a world where cats were in.
00:13:06They changed it.
00:13:07From the beginning of all things to the end of time.
00:13:10It was ever thus.
00:13:13Do you understand now?
00:13:15Yes.
00:13:16Yes, I do.
00:13:17Then you know what your task must be.
00:13:19The burden you must bear.
00:13:22Are you strong enough?
00:13:24Yes.
00:13:25I...
00:13:26I hope so.
00:13:28Then wait, child.
00:13:30With my blessing.
00:13:40¡Suscríbete al canal!
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00:18:54No, pero definitivamente estará en la acción.
00:18:59¿Es una escena? ¿O algo nuevo?
00:19:04Eso podría decir.
00:19:36¿Quién es?
00:19:37¿Quién es?
00:19:37Richard Maddox, para ver a Erasmus Fry.
00:19:39¿Verdad?
00:19:50¿Verdad?
00:19:52¿Verdad?
00:19:52¿Verdad?
00:19:54Just me.
00:19:55I've got it.
00:19:56Well then, come in, dear boy, come in.
00:20:15¿Qué?
00:20:16¿Cómo estás, Richard?
00:20:18¿Verdad?
00:20:19¿Verdad?
00:20:20¿Verdad?
00:20:20Profund and stirring recently?
00:20:24You know I haven't, Mr. Fry.
00:20:27No.
00:20:29I haven't written a single word in a year.
00:20:32Nothing I haven't thrown away.
00:20:34Then I suggest you sit down, have a drink,
00:20:36and show me my present.
00:20:38Not necessarily in that order.
00:20:41Yeah.
00:20:56Oh, well done, dear boy.
00:21:00Oh, a genuine
00:21:04trikino berzoa.
00:21:07Do you know about these?
00:21:09They're generally removed
00:21:10from the stomachs of young women
00:21:12who are in the habit
00:21:14of ingesting their own hair.
00:21:17The Rapunzel Syndrome,
00:21:19it's called.
00:21:21Bezoa was for once believed
00:21:22to possess mystic powers.
00:21:25They can remedy poison,
00:21:26make the sick well.
00:21:29Edward IV survived the effects
00:21:31of a poisoned wound
00:21:32due solely to the possession
00:21:34of a Bezoa.
00:21:37Yes, I see.
00:21:39I'm lecturing again.
00:21:41An old writer with no one to talk to
00:21:44grows fond of the sound
00:21:46of his own voice.
00:21:48But I suppose
00:21:49you'd like your present now.
00:21:56I was 27,
00:21:58visiting Mount Helicon,
00:22:00researching yet another novel
00:22:02I was sure to abandon.
00:22:04This one steeped in Greek mythology,
00:22:06and while I was there,
00:22:07I discovered a trove of ancient texts
00:22:10about the muses
00:22:12and how to control them
00:22:14and how to control them
00:22:15using moly,
00:22:16sorcerer's garlic,
00:22:18and certain lost rituals.
00:22:21The hardest part
00:22:23was getting her back to England.
00:22:51There she is.
00:22:55What would you with me now, Erasmus?
00:22:58Am I to perform for your amusement?
00:23:02Is this man to be our audience?
00:23:05This is Richard Maddock.
00:23:08He's a novelist,
00:23:10or at least he's written
00:23:10one extremely successful first novel,
00:23:13but now he finds himself
00:23:15quite unable to write anything else.
00:23:18Richard, this is Calliope,
00:23:20the youngest of the nine sisters.
00:23:22She was Homer's muse,
00:23:24so she ought to be good enough for you.
00:23:27Calliope, I'm giving you
00:23:29to Richard.
00:23:30You're his now.
00:23:33But you said that you would free me
00:23:35before you died.
00:23:37Put not your trust in princes, my dear,
00:23:40nor in an aging author
00:23:42who has never been
00:23:43what you might call a shining example
00:23:45when it came to keeping his word.
00:23:50What you promised.
00:23:52Writers are liars, my dear.
00:23:55Surely you've realized that by now.
00:24:01Oh, God.
00:24:02Don't worry.
00:24:04She can't run away.
00:24:05She's bound to you now,
00:24:07just as she was once bound to me.
00:24:10Then why keep her locked away?
00:24:12Because I couldn't bear to look at that
00:24:14pouty, aggrieved little face of hers all day.
00:24:18And neither will you, I assure you.
00:24:22I don't know if I can do this.
00:24:25Of course you can, dear boy.
00:24:38They say one ought to woo her kind.
00:24:42But I must say,
00:24:44I found force most efficacious.
00:24:52Now, don't be fooled.
00:24:54She's not human.
00:24:55She's thousands of years old.
00:24:58She was created for this.
00:24:59This is her purpose.
00:25:01To inspire men like us.
00:25:03After all,
00:25:04she gave me
00:25:06fame,
00:25:08glory, novels, poems,
00:25:10plays.
00:25:12You'll see me.
00:25:14If that's true,
00:25:16why would you?
00:25:16My time is past.
00:25:19All my best work is out of print.
00:25:21Even muse inspired.
00:25:24Nobody reads
00:25:26the Erasmus Fry anymore.
00:25:29Now, take the little cow away, you chit.
00:25:31I never want to see either of you again.
00:25:37However,
00:25:38if you ever happen to feel
00:25:39a spark of gratitude,
00:25:41you might persuade your publisher
00:25:43to bring
00:25:44Here Comes a Candle
00:25:46back into print.
00:25:47I was particularly proud
00:25:50of that one.
00:26:14I was particularly proud
00:26:35I just need time
00:26:38to think about
00:26:40what to do.
00:26:40What is there
00:26:41to think about?
00:26:45I am a goddess.
00:26:47A daughter of Zeus.
00:26:50I am not
00:26:51a possession
00:26:52to be kept
00:26:54and used
00:26:55and traded.
00:26:58You must set me free.
00:27:00You have only
00:27:01to say the words.
00:27:02I will.
00:27:03I promise.
00:27:06But, um...
00:27:09Do you think you could
00:27:11help me
00:27:13first?
00:27:15Inspire me?
00:27:17Just for one book
00:27:19and then I will
00:27:20let you go.
00:27:21I swear I will.
00:27:24Writers are liars.
00:27:28Not all of us.
00:27:31Just one book.
00:27:37Please.
00:27:44I choose
00:27:45with whom
00:27:46I share my gifts.
00:27:50Perhaps we
00:27:51both need
00:27:52time to think.
00:28:12The rest of the world
00:28:13I have no idea
00:28:13that the
00:28:15to get
00:28:17that
00:28:18get
00:28:18the
00:28:18you
00:28:21I have no idea
00:28:21but I have no idea
00:28:23is to
00:28:23I have no idea
00:28:27to
00:28:29have no idea
00:28:58Gracias por ver el video.
00:29:28Gracias por ver el video.
00:29:36Gracias por ver el video.
00:30:59Gracias.
00:32:02Ask me again when I am free.
00:32:32Gracias.
00:34:16Gracias.
00:34:18Gracias.
00:34:33Gracias.
00:36:09Gracias.
00:39:10Gracias.
00:41:11Gracias.
00:41:13Gracias.
00:41:18Gracias.
00:41:19Gracias.
00:41:20Gracias.
00:41:20Gracias.
00:41:21Gracias.
00:41:21Gracias.
00:41:23Gracias.
00:41:23Gracias.
00:41:29Gracias.
00:41:30Gracias.
00:41:41Gracias.
00:41:42Gracias.
00:41:45Gracias.
00:41:45Gracias.
00:41:45Gracias.
00:41:46Gracias.
00:41:46Gracias.
00:41:47Gracias.
00:41:48Gracias.
00:41:48Gracias.
00:41:49Gracias.
00:41:49Gracias.
00:41:51Gracias.
00:41:51Gracias.
00:41:52Gracias.
00:41:53Gracias.
00:41:53Gracias.
00:41:53Gracias.
00:42:04Gracias.
00:42:35Gracias.
00:42:37Gracias.
00:42:38Gracias.
00:42:39Gracias.
00:42:44Gracias.
00:42:44Gracias.
00:42:45Gracias.
00:42:45Gracias.
00:42:45Gracias.
00:42:45Gracias.
00:42:46Gracias.
00:42:46Gracias.
00:42:46Gracias.
00:42:46Gracias.
00:42:46Gracias.
00:42:55Gracias.
00:43:05Gracias.
00:43:22Gracias.
00:43:23Thank you for agreeing to do this interview at your home.
00:43:25Thank you for getting the word out about the new book.
00:43:28So, I thought I'd start by asking about your formative literary influences.
00:43:33Well, I wouldn't even be a writer if it wasn't for having read people like Shirley Jackson and Margaret Atwood
00:43:40and Octavia Rebutler.
00:43:42Having read Eagle Stones, the writer that came to mind was the late Erasmus Fry.
00:43:47Oh. Sorry. Did you say the late Erasmus Fry? He's, um, he died?
00:43:56Last summer. Did you know him?
00:43:58Well, I didn't know him. I, uh, we met on a couple of occasions. He was very kind about my
00:44:07work.
00:44:07Well, he must have been almost 90. Did he, um, did he die of old age?
00:44:15No. He actually poisoned himself. Apparently, the last thing he did was write a letter to his old publisher, begging
00:44:22them to bring one of his books back into print.
00:44:25Here comes a candle, I suppose.
00:44:27I think it was. How did you know?
00:44:31It was, perhaps, my favourite book when I was growing up. It was very moving, honest and... strange.
00:44:45Poor old sod.
00:44:47It's a shame people stopped reading him. That his work fell out of fashion.
00:44:52Not that you'll have to worry about that. You're Richard Maddock.
00:44:56Oh, sorry. Rich Maddock.
00:44:59Right. Next question.
00:45:10You came.
00:45:15You called.
00:45:18They told me you had been in prison. Just like me.
00:45:23Not like you. My suffering was nothing compared to yours.
00:45:28Don't say that. Comparing our suffering only compounds it.
00:45:33It pains me to hear of your misfortune.
00:45:36I'm glad that you're free.
00:45:39You were bound here by the laws.
00:45:43I know that you cannot free me.
00:45:47Only he can do that, but...
00:45:50perhaps you might...
00:45:52inspire him...
00:45:54to let me go.
00:45:56I will do all that...
00:45:58and more.
00:46:01Dream.
00:46:02He must be punished.
00:46:05How?
00:46:06What punishment could be enough?
00:46:09Even his death would not bring back what he has taken from me.
00:46:13He's nothing.
00:46:15He's just a man.
00:46:17I cannot allow him to go free.
00:46:19Why?
00:46:20Because I was once yours.
00:46:23Because he heard you.
00:46:28The last time I saw you, you said you would never speak to me again.
00:46:32I'm sorry.
00:46:34I...
00:46:35I did not know where else to turn.
00:46:39You misunderstand me.
00:46:42When I heard you call to me.
00:46:45Even after all this time.
00:46:52Even after all this time.
00:46:54Let me help you.
00:46:57Please.
00:47:00I hurt you that much.
00:47:09What will you do to him?
00:47:13I hurt you that much.
00:47:22What will you do to him?
00:47:27What the...
00:47:28Who the fuck are you?
00:47:30Get out of my house.
00:47:32Be quiet.
00:47:34You are keeping a woman here against her will.
00:47:38I have come to request that you set her free.
00:47:42You out of your mind?
00:47:44There's no woman here.
00:47:45I'm calling the police.
00:47:46Do you know who I am?
00:47:47I know precisely who and what you are, Richard Maddock.
00:47:55Are you going to call the police?
00:47:57No.
00:47:58I will not call any human agency.
00:48:02Just let her go.
00:48:03You don't understand. I need her.
00:48:05If I didn't have her, I wouldn't be able to write.
00:48:07I wouldn't have ideas.
00:48:09Look, I have money.
00:48:11Hold your tongue.
00:48:18She has been held captive for more than 60 years.
00:48:24Demeaned.
00:48:25Abused.
00:48:27Defiled.
00:48:28And you will not set her free because you need ideas.
00:48:33Well...
00:48:34If it's ideas you want, then you shall have them.
00:48:38In abundance.
00:49:09What did you do to me?
00:49:13Are you giving me nightmares now?
00:49:18Tell me!
00:49:19I have done nothing to you, Richard Maddock.
00:49:24You have met Morpheus.
00:49:27Whom the Romans called the Shaper of Form.
00:49:30He was once my husband.
00:49:33And the father of my son.
00:49:36I didn't know you had a son.
00:49:38You know nothing about me.
00:49:41But it is too late to let any of that concern you now.
00:49:52And in the darkness, he thought about the story in every star.
00:50:01Like fireflies.
00:50:05Flicking.
00:50:07Fading.
00:50:09In the night.
00:50:25Any questions?
00:50:28Oh.
00:50:31The young woman in the third row.
00:50:37Your work spans so many genres.
00:50:40So many worlds.
00:50:43So many different kinds of characters.
00:50:45May I just ask?
00:50:46Where does all that come from?
00:50:48Well, for me, ideas don't come from anywhere.
00:50:57They're all around us.
00:50:59All the time.
00:51:00I could write an entire novel set at a book reading.
00:51:10Where something had happened to the world outside.
00:51:14A holocaust of some kind.
00:51:17But the audience was safe.
00:51:21As long as the author kept reading.
00:51:24Thank you.
00:51:26Or a story about the fraternity of critics.
00:51:30In reality, a dark brethren linked by profane rites and blood vows.
00:51:37To destroy an author, they sacrifice a child and perform a critical mass.
00:51:47Or a city where the streets are paved with time.
00:51:51A train.
00:51:53Full of silent women.
00:51:55Driven by a blind man.
00:52:07Heads made of light.
00:52:08Sorry.
00:52:12Sorry.
00:52:13A weregoldfish.
00:52:15Who transforms into a wolf at full moon.
00:52:18A man who inherits a library card to the Library of Alexandria.
00:52:25Two old women taking a weasel on holiday.
00:52:36A system of silence using the words dark, ragged, never, screaming, fire, kiss.
00:52:48An old man who owns the universe and kept it in a jam jar.
00:52:52A man who falls in love with a paper doll.
00:52:54Mr. Maddock, it's Nora. What's happened to your hands?
00:52:57I'm just having so many ideas.
00:52:59I didn't have a pen or any paper.
00:53:02I just used my hands.
00:53:08I said I needed the ideas, but they're coming too fast.
00:53:12You need to get him to the hospital.
00:53:14No, please. Go to my house.
00:53:16There is a woman in a room upstairs.
00:53:21She's locked up in there.
00:53:24Tell her that she can go.
00:53:25That I free her.
00:53:27I don't understand.
00:53:29Take my keys. Let her out.
00:53:31Make her leave.
00:53:32Make her go away.
00:53:36I signed a book for you once, didn't I?
00:53:41Please.
00:53:44Okay. Okay, I'll go.
00:53:47Make it stop.
00:53:49Tell her I am sorry.
00:53:52Magical and alchemical traditions seen as a cargo cult.
00:53:56We'll meet you at the hospital.
00:53:57The sun setting over the path and a shark's teeth soup.
00:54:00A nightingale.
00:54:01A rose bush.
00:54:02And a black rubber dog collar.
00:54:22Hello?
00:54:36Hello?
00:54:44Hello?
00:54:50Hello?
00:54:51Hello?
00:54:51Hello?
00:54:59The sofa.
00:55:09Thank you.
00:55:10I merely answered your call.
00:55:16What will you do now?
00:55:20No, no, no, no.
00:56:10No, no, no.
00:56:16I have learned much in recent times and no matter.
00:56:26I do not hate you.
00:56:34I think you should release the mortal now.
00:56:38He has set me free, and without forgiveness, wounds will never heal.
00:56:42You would forgive him for what he has done?
00:56:46I would not forgive what he has done, but I must forgive the man.
00:56:51Not for him.
00:56:53For me.
00:56:56Will you free him?
00:56:59If that is what you wish, it shall be done.
00:57:14I'm back, Mr. Maddox.
00:57:16How are you feeling?
00:57:18I...
00:57:19I don't know anymore.
00:57:22I...
00:57:22I keep trying to think.
00:57:26I did what you asked.
00:57:27I went to your place.
00:57:29There was just...
00:57:31a book.
00:57:33There was something she said.
00:57:35The...
00:57:36paper of forms.
00:57:39There was a name.
00:57:41She wrote it down.
00:57:42I...
00:57:45I...
00:57:45I wish I could remember.
00:57:47It's so hard to...
00:57:50think all of a sudden.
00:57:53Is there anyone I should call?
00:57:55She's gone.
00:58:02And it's all gone with her.
00:58:04The ideas, the stories.
00:58:11They were all hers.
00:58:14Whose?
00:58:15Who are you talking about?
00:58:22Who are you talking about?
00:58:23I have no idea.
00:58:32No idea.
00:58:39May I visit you in the dream realm sometime?
00:58:44So that we may finally talk about our son.
00:58:50And...
00:58:50Grieve him properly?
00:58:56One day.
00:58:57Perhaps.
00:58:59But...
00:59:01I understand.
00:59:18Thank you.
00:59:19Moneros.
00:59:22I will not forget this.
00:59:26Fare you well.
00:59:32Fortune me with you.
00:59:37Goodbye, Clive.
00:59:39My son.
00:59:50Hey.
00:59:52I have.
00:59:55Hi.
01:00:00I love you.
01:00:01Here you are.
01:00:01Bye.
01:00:01Bye.
01:00:01Bye.
01:00:01Bye.
01:00:01Bye.
01:00:02Bye.
01:00:03Bye.
01:00:36Gracias por ver el video
01:01:07Gracias por ver el video
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01:02:05Gracias por ver el video
01:02:08Gracias por ver el video
01:02:38Gracias por ver el video
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01:03:38Gracias por ver el video
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