- 2 days ago
Igra sudbine 1756 epizoda (20/4/2026)
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TVTranscript
00:00I don't understand.
00:15I understand.
00:15But that's what Gabriel wanted to do.
00:19I know.
00:20I've thought about that.
00:21But I think that's what I would like to do.
00:24I understand.
00:24but I would like to be the best person
00:25that I would like to be the one who I would like.
00:29And the point is that if we already do good things, if this is a humanitarian thing,
00:33then it will be an action on it, not on something else.
00:37What is it? What do we do?
00:39What do we do? I can't understand anything.
00:43All of us, friends, friends, family, family, everyone together,
00:48to listen to each other, to hear and help us.
00:52It's not a problem, of course.
00:57What are you, Mrs. Gabriela?
01:00What are you, lady?
01:02What are you, galantian partner?
01:04No, that's what you see immediately when someone is Mrs. Djetina.
01:08How much money do you do?
01:10It's 3000 EUR, but it's just a friendly number,
01:14just for contact and for diskretion.
01:17We'll continue to talk about it.
01:19I don't know if I can be friendly friendly to me.
01:22I don't know.
01:23You're me.
01:26You're me.
01:26Yes, I'm you.
01:27No?
01:30No.
01:43No.
01:45No.
01:47No.
01:47No.
01:48No.
01:49No.
02:17No.
02:19No.
02:19No.
02:20No.
02:44No.
02:46No.
02:55No.
02:58No.
03:00No.
03:03No.
03:05No.
03:06No.
03:06No.
03:06No.
03:07No.
03:07No.
03:07No.
03:11Yes, you are smart.
03:24What are you doing?
03:29The security of the police.
03:31What are the security of the police?
03:33Why are you doing this?
03:37Are you there?
03:38There you go.
03:40You said something about you.
03:43Where do you think you'll find me?
03:45I'd like to show you.
03:47Time and time?
03:49Soon.
03:51Soon.
03:52I'll wait.
03:53I'm waiting for you.
03:55Do you want me?
03:57Do you want me?
04:01Please.
04:03What do you want?
04:04Do you want me?
04:05We've got Alex's hitter.
04:09We don't want you to go.
04:11We don't want you to go.
04:12Who do you want me to go?
04:14I was the owner of this company.
04:19I'm the owner of this company.
04:20I'm the owner of this company.
04:22I'm the owner of this company.
04:27I really don't have the power to deal with this company.
04:31Wait, wait, wait.
04:32You don't need to go.
04:34I'm looking for a person who wants me to do it.
04:37That's right.
04:39You're crazy.
04:40If I see me, I'll kill him.
04:42I'm going to die after my question.
04:43So, why should I go here?
04:45I want you to say to him.
04:48More preloak than that one.
04:50More preloak?
04:51No.
04:51I'm gonna say one more preloak.
04:55Or you will do what I have said, or you don't have to do it.
05:01Do you understand?
05:26Do you understand?
05:55Do you understand?
06:26Do you understand?
06:29Do you understand?
07:08Do you understand?
07:10Do you understand?
07:23Do you understand?
07:23Do you understand?
07:25Do you understand?
07:26Do you understand?
07:31I don't know where I am from.
07:33Sorry.
07:34Do you understand?
07:34Do you understand?
07:38Do you understand?
07:42Do you understand?
08:04Do you understand?
08:07Do you understand?
08:09Do you understand?
08:12Do you understand?
08:16Do you understand?
08:17Do you understand?
08:20Do you understand?
08:30Do you understand?
08:33Do you understand?
09:31Do you understand?
09:33Do you understand?
09:35Do you understand?
09:36Do you understand?
09:39Do you understand?
09:42Do you repeat the story?
09:51Do you understand?
09:57What's wrong with him?
09:59What's wrong with him?
10:01He's a bad criminal.
10:02Believe me.
10:05We won't come to the police,
10:07nor the competition, but he.
10:09I would like to believe that this will not be like that.
10:12And that he is young and that he will come to the time with his mind.
10:17I would like to believe.
10:22But...
10:22It would not be bad when he would come back to the organization.
10:40What is the idea?
10:42That's an explanation.
10:45Okay, what is the explanation?
10:48What is the explanation here?
10:50What's wrong with him?
10:52We opened it before a year.
10:54Why?
10:55It wasn't enough.
10:57It was a large amount of children.
10:59Who was it?
11:01What is it?
11:02Unfortunately, we had to give it to her.
11:05But if there will be more children in the future,
11:08I hope that they will live again.
11:10You can see.
11:12I hope he has the idea to open it there.
11:17My name is Milena.
11:18I have my own support.
11:21I thought I would like to put a job.
11:24Okay.
11:24It's a nice idea.
11:25I think we will have the space to be quiet.
11:27Super.
11:28We have to talk about it.
11:30I have to first hear it with K.
11:32Okay.
11:35Vrtić, nažalost, has to be done.
11:37He has to be done.
11:41He has to be done.
11:41He has to be done.
11:41Okay, Aleksa, we know it.
11:42I don't understand why you are here to tell me.
11:46I don't understand why you are here to tell me.
11:46What do you want to ask?
11:48What do you want to ask?
11:48What do you want to ask?
11:49No, no, no.
11:50No, no.
11:51My idea is that Vrtić is going to stay,
11:54but it's going to be done.
11:54But it's going to be done.
11:58Okay.
11:59Who would you buy it?
12:00You.
12:05Please.
12:06My idea is to take you to take Vrtić.
12:11I think that it's the best solution that you need to be.
12:15Let me tell you.
12:16Let me tell you.
12:17Let me tell you.
12:20Wait a minute.
12:21Did you hear it really well?
12:23Yes.
12:25Did you hear it really?
12:27Yes.
12:30Why do you tell me Alex?
12:32How do you tell me?
12:32What is saying?
12:36I'll tell you.
12:39I'll tell you now.
12:40I'm not understanding.
12:40No, do you understand.
12:41You want to tell me you want to buy a payment and buy something that's your deal?
12:47Yes, I can see you, I have to say that this is something that is not a lot of money.
12:52You will take a piece of wood, and then you will take a piece of wood.
12:57And the most important thing is that no one will not be able to move with this.
13:06I have talked about it.
13:09Okay.
13:11And it seems that we should talk about some things that are left behind.
13:16I'm going to try to explain it again.
13:19I think that I really think that I'm going to react a little bit later on,
13:25and I'm sorry for that, but I'm going to tell you that
13:28that everything is so nice that I don't believe that it can be true.
13:32Okay, I'm going to try to explain it a little bit later.
13:35Can you hear that?
13:36Me is the idea that you are the owner of a company.
13:39I will be able to help you with capital.
13:41You will be able to return it to me as it is possible,
13:44without any pressure and any time.
13:46I know.
13:47I know, Aleksa, but there is no reason to do it.
13:49I know, there is nothing that I can do not use.
13:53There is no reason to do it like it is.
13:54I know that I will do it as well,
13:57and I will do it as well as I know.
13:59And I will do it again because we are doing it.
14:02And I will ask you before I am going to ask.
14:03I want to explain, because I want to put a person in which I have a confidence
14:07and I want to put a person in which I think it's a sense.
14:11So you don't have any reason for the strah.
14:15Okay, okay.
14:18I have one more question.
14:21If everything is going to be on my name,
14:25I think that Gabriela will be very soon to know.
14:28If it happens, I don't really want to know anything.
14:33Yes.
14:34I think that I think it's better to formally register someone else.
14:40It must be someone who is close to you and trust.
14:45Yes.
14:46But I don't know how to do it.
14:49I don't know how to do it.
14:50I don't know how to do it.
14:53Just let it be someone who doesn't have a problem.
14:57I will think about it.
15:03I had a similar conversation with her, as you mentioned,
15:06and I deserve to announce her, but we haven't even heard it.
15:09Okay, okay.
15:10Wait a minute.
15:10What kind of K?
15:12From K?
15:13There's no more K.
15:15Come on, Alexa.
15:16Come on.
15:17Who is the girl and her daughter?
15:20Okay.
15:20Okay.
15:20Look, Panceta.
15:22I don't want to go beyond the law.
15:23You can hear me.
15:25If she doesn't want her, I will be able to go.
15:29And that's fair and honorable.
15:30Yes.
15:31Yes.
15:31I don't want to go beyond the law.
15:33I don't want Panceta to get into a new job with a bad energy.
15:38Is that right?
15:39Yes.
15:39Yes.
15:40People, a year and a day of space.
15:42How can it be?
15:44Okay.
15:44Let it be like that.
15:45Okay.
15:46Okay.
15:48I'll call you.
15:49Okay.
15:49And when we know what and how, then we'll do a plan.
15:53Eh.
15:54Ah.
16:06So, Grkjan or I?
16:09Wait, Tom.
16:10No.
16:11No.
16:11No, no.
16:12No, no.
16:13Do you agree or do you agree?
16:19Let me tell you agree.
16:21Yes.
16:23Okay.
16:24Now, let me tell you what you're going to do.
16:28Let me see.
16:29If I need some information,
16:33for example,
16:35who is standing in the Grkjan.
16:40Do you understand that I'm standing in the door
16:43where I'm getting closer to a meter?
16:45Yes.
16:46Okay.
16:47It was just one thing.
16:49Who will kill you?
16:51I or Grkjan.
16:52Is that right?
16:55Yes.
16:57Yes.
16:59Let me tell you that I'm going to do it.
17:01No.
17:02Okay.
17:02Let me go now.
17:05And...
17:06It's a little better to mask yourself.
17:08I wouldn't imagine Grkjan.
17:10Okay.
17:11I'm going to do that.
17:13What?
17:15I'm going to do that.
17:17What are you going to do?
17:20I don't know.
17:24What's your fault?
17:26What?
17:26You need to be right now.
17:29You're the middle are straight to the joint.
17:32You're gonna die to the joint.
17:41I don't understand.
17:43What do you think?
17:44How do you think?
17:45Let's give him more attention.
17:47We don't talk all the time about
17:48that he is unconscious,
17:51that we don't know what the next thing will do.
17:52Tell us about it.
17:53It's true.
17:54We need to give him something to do
17:59to make him feel important,
18:01to control something.
18:02I don't believe that he is capable
18:05to take him.
18:05I think I'm right.
18:09Okay, I think it's all about
18:11what you're talking about,
18:13but I don't believe that it's time.
18:16His father, Velibor,
18:18did you want him to do criminal?
18:21He didn't want him.
18:22He didn't want him.
18:24He didn't want him to control him.
18:27He didn't want him to control him.
18:28He said,
18:28he had a full head of Velibor,
18:32about his power,
18:34about the great actions
18:36in which I'm talking about.
18:38He said,
18:39what are you waiting for now?
18:42He wants to prove himself.
18:45And better,
18:46how do I say it,
18:47better,
18:49that we have control over him,
18:52to see what he is doing,
18:53what he is doing.
18:54If something again
18:56will be killed,
18:57it will be all over.
18:59And I think
19:00that we could be
19:02that we could be illegal
19:04to be legal.
19:05To be legal.
19:07That's the way.
19:08Okay, let's go.
19:09Let's go.
19:10You're right.
19:11You're right.
19:12That's what he wanted,
19:13his father Velibor.
19:14Okay.
19:15Let's go.
19:16Let's go.
19:17Let's go.
19:18Let's go.
19:18What do you do?
19:19Do you take fame
19:20from the tambour?
19:22And let him give it to him?
19:26That's not a bad idea.
19:29But we'll have to wait a little bit
19:30to get there.
19:33Let's go.
19:33Let's go.
19:34If the tambour
19:35will be needed,
19:36then we'll do this.
19:38What?
19:39We've all agreed.
19:40We'll...
19:42No, God.
20:10Wooow!
20:11Uh.
20:13Eh?
20:15Eh?
20:16Hm...
20:17A?
20:17A što se tako redkovićamo
20:19u poslednjem vremenu?
20:21Eh?
20:23Znaš,
20:24nažalost ceo,
20:25mora tako.
20:26A što mora?
20:28Pa,
20:29zbog poslovanja.
20:30Sto puta sam ti rekla.
20:33I ja bih ol Well
20:35da se bitjima više cruise.
20:36Prosto ne vredi,
20:37nema šanse.
20:38I felt like I had a bunch of jobs, and of course, problems, and I don't have to be able
20:44to get out of it.
20:46I thought, let's take a look at my job and my problems. How are you? What are the situation with
20:51you?
20:55I don't know, I don't know, I don't know, I don't know, I don't know, I don't know, I don't
21:01know, I don't know, I don't know, I don't know, I don't know.
21:05I don't know, I don't know.
21:07Is there a job?
21:08I don't know, I don't know, I don't know, I don't know, I don't know where to go.
21:15Okay, well, I don't know where to go. I don't know, I don't know where to go.
21:19I'm not at all.
21:21I saw everything, the opportunity to go to the manager's house, the news will be loved, and of course, of
21:31whom I expect.
21:32It's an extraordinary organization.
21:36Yes.
21:36That makes you a lot of pressure.
21:38Great, great.
21:41I know someone who can solve all your problems.
21:44Who?
21:47And you?
21:49Oh, man.
21:51Everything falls down.
21:53I don't know everything, but I know someone who is surely falling down.
21:58Really, really.
22:00It falls down.
22:15How are you now?
22:16How are you now?
22:17Yes, it's better.
22:19It's just that light is why I always wear these eyes.
22:21I'm sorry that I have time for you earlier.
22:24No problem.
22:25I was really looking for another term.
22:27It's been a dream.
22:27That's true, it was a dream.
22:29I mean, I don't have any trouble.
22:31Men is the most important thing to do and to fund all my work,
22:34and that you will be able to do.
22:35I do, I do.
22:37I do.
22:38I last time, I'm gonna say to you aWWW.
22:40I have any time.
22:41I thought, I have a energy on my energy.
22:43You mean a such thing?
22:45I do.
22:45I do.
22:46I do.
22:47I do.
22:47I do.
22:52I guess I have time to do.
22:54I'm going to do this.
22:56I'm going to do this for today.
22:58I have a small song.
23:01Okay, let's go.
23:04Jobi, Joba,
23:06Cada di a que te quiero mas.
23:08Jobi, Jobi, Jobi, Joba,
23:10Cada di a que te quiero mas.
23:12Jobi, Jobi, Jobi, Jobi.
23:15Okay, okay, okay.
23:16You have to do this to your life.
23:18I would like to say,
23:21that you can't do it.
23:22You know, you can sing loudly and
23:24you can't do it.
23:26You know, so...
23:27So, do I have to do it?
23:30Yes.
23:31I would like to hold yourself a little bit
23:33and then go out.
23:36Let's try it.
23:40Jobi, Joba,
23:41Cada di a que te quiero mas.
23:43Jobi, Jobi, Jobi, Jobi, Joba.
23:46Look at this.
23:47I wanted to tell you...
23:49Good evening.
23:51Good evening.
23:53Good evening.
23:54Who is so sad
23:55in the darkness of the night of the night?
23:57What is he doing?
23:59Well, he gave me this sopran
24:01like Ivica and Marica
24:02of the bread.
24:03You have to pay attention to the Psycho,
24:12like I do.
24:16Hello, guys.
24:18How are you?
24:19How do you feel it?
24:20Here it is.
24:21The first tour
24:22is to be away a little
24:23while you're away.
24:23Then we will have another tour
24:25for the stupid night.
24:26I think that this one will be okay. I understand.
24:30My thing is to say, to ask. If you need, I am here. You know yourself.
24:35Enjoy.
24:37He really needed it.
24:40I'm really good.
24:46What happened today with Alex?
24:50It was complicated, I said.
24:52What did you say?
24:53I said to Gabriel that he tries to send him money out of the road.
24:59With those words?
25:00Not really, with those words, but I tried to bring him closer.
25:05I asked him if he had confidence in him.
25:08And what did he say?
25:10He said to him.
25:11He said to him.
25:12He said to him.
25:13He said to him.
25:14Yes.
25:15And nothing.
25:16I got you in the last moment.
25:18Is that true?
25:20Yes.
25:20I don't know if he is really familiar.
25:23I think it is.
25:24But maybe I should have better him.
25:27No.
25:28Because you'd stay between the husband and the wife
25:30and the third one would always help you.
25:34So you'd have done well.
25:36You're right.
25:37But you know.
25:38I can't even tell him that this story from Gabrielle tries to use a humanitarian action for his malversation.
25:46What do you want to do?
25:58No.
25:59No.
26:00No.
26:11I'm sorry for me to try this afternoon.
26:13I'm going to hear it like in the Liven, like in the Bejačkoj Philharmonii.
26:20No, Olga, that's what we're talking about. I'm going to start to talk to the public.
26:26We want to do it.
26:27Let's go.
26:28Now we can go to another one.
26:31Let's go.
26:46This is a fantastic video on Ježišu.
26:49Do you have a voice that is pršteći?
26:52Do you really think so?
26:53Yes.
26:55Would you like to organize a solistic concert?
26:59Solistic concert?
27:00Yes, in my kitchen.
27:02I'm going to redesign my kitchen because it's going to be a soul food concept.
27:07You can go there.
27:10Do you want to organize a solistic concert in Pechenjari?
27:15Pa, pa?
27:16Pa nije to neka rupa, Olga?
27:18Do you know what I'm going to do?
27:19I'm not a fan.
27:21See, that is finished.
27:23Look, I have a lot of work for your solistic concert.
27:27I think that you have time for sleeping.
27:31Yes.
27:32Yes, I'm sure.
27:33I'm going to go.
27:34To be nice.
27:35We will see you.
27:36Olga, give us a job.
27:38All right.
27:39See you all.
27:39See you.
27:44Go ahead, please.
27:44I'm gonna go to another one.
27:45He's not as much as hit.
27:46He's hit.
27:48I'm not a fan.
27:50I'm really liked it.
27:50I'm not a fan.
27:51I'm not sure how to explain your quality.
28:03Maybe I'll have to speak personally with Gabriel.
28:08But you have to do well to do that.
28:11Yes, I'll have to walk on a little bit and I'll have to do that.
28:16Yes.
28:19Yes.
28:23Hello.
28:23Hello.
28:25Do you know where I'm going?
28:27When I know where I'm going?
28:30No, I'm going to go to the Seychelles tomorrow.
28:36Look at that, he's going to go to the Seychelles.
28:39Super.
28:40So, you're doing chaos for chaos and you'll receive a gift.
28:44Yes.
28:45Yes, but I love you to go to Gabriel and see if you're not there.
28:49Yes, I'm now on the beach.
28:51Yes, I'm now on the beach.
28:52Yes, I'm now on the beach.
28:55Yes.
28:56Okay.
28:57Now I'm going to go because of you.
28:59I'm going to leave you alone and I'll leave you alone and see if you're going to the Seychelles.
29:05See?
29:06I'm going to go, my friend, because she doesn't know where it's my place.
29:10It's empty, running, no connection.
29:13Come on.
29:14Come on.
29:15Come on.
29:16Come on.
29:18Come on.
29:19Come on.
29:20Come on.
29:21Come on.
29:22Come on.
29:27Hey, tata.
29:28Lea, we're in the problem.
29:31Our secret is against the happiness for the beach.
29:34It's a threat.
29:36Lea, are you there?
29:38There, I'm there.
29:39I'm there, tata.
29:54Hello.
29:55Hello?
29:56Idem.
30:05I...
30:07Didi.
30:10You should know that you can talk to me about me.
30:14I mean, I'm here.
30:17I know.
30:21But you know that I don't have any things.
30:25I'm talking about the nature of my job.
30:27Well, how do you say it will be easier.
30:31I know.
30:38So...
30:40I made a mistake.
30:43What?
30:43Big.
30:45Small.
30:49Small.
30:51Small.
30:52What?
30:53What?
30:57What?
31:05What?
31:11What?
31:11What?
31:11What?
31:14What?
31:23What?
31:25What?
31:25What?
31:28What?
31:30What?
31:37What?
31:38What?
31:45What?
31:49What?
31:51What?
31:53What?
32:00What?
32:02That's a lot of poetry.
32:05We have policemen, we need something to ask.
32:08Or you have, certainly.
32:10I don't know, but I don't know.
32:30Mmm, mmm, how much spice!
32:33This is the best spice in the city.
32:36I'm not sure how much spice is.
32:40I'm not sure how much spice is.
32:41You're welcome, my master.
32:44The spice is phenomenal.
32:46It's often when you bring up the spice.
32:49I've been talking about the spice.
32:51For you there's no spice.
32:55What do you do?
32:56I know your secret.
32:58There's no spice, no spice, no spice.
33:03What do you say?
33:06I know your secret.
33:07I know your secret.
33:07You've invited me to go home,
33:09to live here,
33:11so I'd be able to save you.
33:14I've received you in the house,
33:16and you're normal.
33:17I don't know your secret.
33:19I know your secret.
33:20How do you talk about it?
33:22It was horrible.
33:23Go away.
33:24Go away.
33:24Go away.
33:24Go away.
33:24Go away.
33:26I've received you here in the house.
33:28I've had been here with you and I'm again still.
33:32I'm so alone.
33:33Because of that little fool.
33:35Hey, Wudala.
33:36You've been at the wall before.
33:38You've been at the wall before.
33:40Still,
33:41I'm the older one.
33:54How do you think you're a problem?
33:56Some news are not happy about it.
33:59Are you just the usual vampire, the stamp for you, and you're looking for this story?
34:03It's all about it, but it's all about it.
34:07The guy who is in the interview is again called.
34:10He won't start the interview again?
34:11No, but he was looking for a new payment.
34:15Every step is overworked, that's why I'm calling you.
34:19Lea, are you there?
34:21I'm there, tata.
34:22This is not going to be definitive.
34:24Maybe we're only in trouble without reason,
34:26but it's better than it's the best.
34:28Tata, the best is that I know the truth and that I'm so upset
34:31that nothing can't do me.
34:34Believe me, don't bother you.
34:37Everything will be fine.
34:38I'll do it.
34:39Just don't call yourself on the phone
34:41and don't dare to accept you for an interview.
34:45If you get in trouble, just repeat it.
34:47No comment.
34:49If you get in trouble, I'll kill you.
34:51Calm down. Tell me, everything will be fine.
34:55Ok, tata.
34:56Ok, I love you. Bye.
35:03No.
35:06No.
35:07No, it's Gabriela, 100%. She is not normal that she can never leave us at peace.
35:12She has to be able to treat us all right.
35:14I don't know if she was going to cook this way.
35:18At the end of the day, a man will not be able to do a double job at the time.
35:21I don't know.
35:22How does he not be able to do a double job at the time?
35:24I promise you, he is an honorary.
35:25He wants to do more jobs than one time.
35:28When was that problem?
35:38I just want to remind you of Vukashina.
35:42What?
35:43Nebojša Tambura was the director of the police.
35:45He has good friends in the service.
35:48He worked his job quite well.
35:51I don't know why.
35:53Do you remember that?
35:54Because everything came to Nebojša.
36:09Here we go.
36:11Marjana, let's take a seat.
36:13Let's take a seat.
36:15Let's take a seat.
36:16Let's take a seat.
36:17Let's take a seat.
36:18Let's go Gabriela.
36:19Malik is again leaving.
36:20Let's take a seat.
36:22Let's take a seat.
36:22It's a seat.
36:23Today is the big day.
36:24It has to be at the end.
36:36Yes.
36:36How is it?
36:37It's interesting.
36:38Is it just it's important that you work?
36:40Yes, it's of course.
36:42You must make a black square, or some big lobster.
36:47Okay, and I'm a lobster, but how to make a black square?
36:51I don't know, Vanja.
36:52You know what I'm doing?
36:52You're going to Rasputina.
36:53Okay, I don't know where to go, go to a sexy shop, go to a site where I don't know,
36:59go to a place where I go.
37:00Yes, I see that you well know where the costumes are.
37:04Please?
37:15Who does it work with such people?
37:17You like it?
37:18And Garac is the one with us, what do they do?
37:21Yes, but you know who he hit, you understand?
37:25He hit us, at the closest to us.
37:27That's why Donnie and Milo, we have to come back with him.
37:31Who is one?
37:32Who is one?
37:33That's right.
37:33I don't know.
37:44Milo, I want you to pray, Milo, but also the last time, to explain to me what you're doing and
37:54what's happening with you.
37:57I want you.
37:58I want you.
37:59But before that, I have a little sleep.
38:03Good, I love the sleep.
38:04Tell me.
38:06What?
38:17I want you to pray.
38:18You know what, Nado?
38:20How distinction I need you.�jwe
38:23should make you there all the time five years? I love your
38:24mother. What you felt
38:27right? What? What
38:28happened in
38:28the影響… What happened in
38:29the circle? I was just
38:30by my fear. I knew what
38:31shocked. I experienced that
38:33in the days. When he came
38:35to the otherца, he pushed himself up.
38:35Even if I have another choice.
38:37I always like myself to say and to remember
38:40that I have to go further.
38:43And I have to be strong,
38:44and because of myself, and because of my child.
38:46And I try to leave it for myself.
39:00Nothing happens, be controlled.
39:02Are you sure?
39:04Sure.
39:05I don't see anything.
39:07It looks like you are all good.
39:10I'll try to take the time to break the club.
39:14Can I?
39:28Again, what do you want now?
39:31We have to talk.
39:36I don't know why I'm not clear.
39:38I don't have time for this stupidity.
39:41It's not a pleasant moment.
39:42What is not clear? I won't talk now.
39:44I think it's important for you to talk now.
39:46To discover.
39:47To discover.
39:55To discover.
39:57To discover.
39:59To discover.
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