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Billboard Women in Music 2026 Innovator honoree, Laufey, shares why collaboration and innovation are central to her artistry. She explains how performing with artists from different genres, like Benson Boone, Hozier, and KATSEYE, gives her the chance to hear her voice in a new light and show that she can’t be boxed into one style. She also reflects on her journey starting from posting videos from her bedroom, answering emails from labels herself, and building a team while remaining independent through her first three albums.

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00:00There was a trend going around the internet of girls dressing up as in like period dress,
00:07usually in like male period dress and like painting beards on themselves and singing
00:15Best of Women and I of course participated in the trend being a big Hamilton fan
00:21which should surprise literally no one I definitely was a little bit at first I think the first
00:37concert I played I was like whoa who do I think I am to be playing here but then it
00:44became quite
00:46natural after that and I got over the imposter syndrome of it pretty pretty fast and you know
00:53especially when I'm in the middle of the room it's it's like a theater in every direction I get to
00:58be
00:58surrounded by the fans and they get to experience like kind of every side of me and I I've kind
01:05of
01:05felt like that experience actually really lended itself to my music and my world because it was
01:11it's a whole lot more immersive so but I still love playing theaters and I will for the rest of
01:16my
01:16life so I think it's it's good to have both because both give me opportunities to show different sides
01:22of myself I think about you always tied together with a string I thought the lilies died by winter
01:29then there were a couple of ways I think you know knowing when to make things big and knowing when
01:36to make things small is really important when you have a big number with dancers and a big orchestra
01:42or with with strings and the band and and big visuals you know you want to make those as fantastical
01:48as possible and we do a lot of inspiration from opera from ballet from from musical theater to like
01:54make those moments feel really big and then in contrast the moments that are small you make them feel
02:00really really intimate and they feel so small because you've just offered up something so big
02:04and those moments I think taking the time to speak directly to the audience you know explain what
02:12songs are about how you came to that you know that lyric or something like that or even just talking
02:19about the day kind of humanizing the experience of coming because arenas are quite big and it can feel
02:25very vast and daunting not only for for the artist but also for the audience and I think just humanizing
02:33myself and showing them that I'm just you know I'm I'm a little shocked that I get to be on
02:38this stage
02:38as well I think that's you know how I make it feel intimate I really made sure to have those
02:44moments
02:44where I was playing alone with a guitar alone with a piano no no one else singing no one else
02:51playing
02:51and just really connecting with the fans the way I saw it was and making sure that those moments are
02:57you know as close to the audience as possible you know getting into the pit and walking and you know
03:03holding hands with the fans and singing with them those moments make it feel really intimate and
03:09honestly like I couldn't even get that close to fans in theaters I get to be a lot closer to
03:14them
03:15strangely in the ring
03:24sometimes when artists tour there can be a wall between the artist and the fans which I think for
03:31many acts that totally works and can be a great thing you know you want the allure of you know
03:36who
03:36is this person behind this curtain but my whole project is just about honesty and authenticity and
03:43to be able to to break that wall between the the music and the audience is so important to me
03:50well I really wanted to transport the audience to a different world if you will and something that
03:58felt quite timeless so I think these like big set pieces that are you know moved by people and and
04:04kind of reminiscent of what you see in opera and ballet and theater were really important to kind of create
04:08that timeless feeling like you don't want to come in and just see everything on a screen
04:14especially in times like this when I think audiences are really wanting to find things that
04:19feel really real and connected like these are all set pieces made by real people and real hands
04:25and every single part of the stage is an opportunity for storytelling and I think that is something that both
04:33me and and Junia my twin sister and the whole production team like we really were really
04:39honest about and and from the very beginning like every that's how I view my music too every single
04:45lyric could be someone's favorite lyric every part of the stage could be someone's you know what they
04:50zero in on so you know on the on the staircase we have etchings of emblems from the lyrics from
04:58the A Matter
04:59of Time album on the stage itself it's a big um like compass essentially which has the many different
05:08ways that different cultures tell time we have of course we have north east south west but then we also
05:13have uh the different the and the calendar and we have the lunar calendar we have um also like the
05:21the
05:21Norse like the Icelandic way of of art like very old calendar and so it's just finding those moments to
05:31put myself and my storytelling into every part I mean this stage in the US it's gonna be a little
05:37different in every different uh leg of the tour because well there are a couple more constraints when
05:42you're flying everything back and forth but um in the US tour we had this you know this stage that
05:50stretched out and mimicked the scroll of a cello so which is the instrument I grew up playing and
05:55I play on stage and always want to have and if you look from a top it looks like the
06:01scroll of a cello
06:02and then at the end of the scroll it's a clock and you know I spin on the clock and
06:07the clock was kind
06:08of this opportunity to get really close to the fans and that's where we had the jazz club set in
06:14the
06:14middle of the show that kind of reimagined the songs and that was the the part of the show where
06:20I wanted to feel the most intimate because what could be more intimate than a small jazz club the
06:26fact that every part of the stage every part of the show from the second you walk in I wanted
06:31them
06:31to be immersed also people spend so much time and so much money and so much you know heart learning
06:38the
06:38lyrics getting getting ready getting dressed getting their outfit ready that it needs to be the best
06:44show I can possibly put on my favorite moment from tour I mean there's so many so many favorite moments
06:54I think having my mom and dad come out to Madison Square Garden was like definitely quite life-changing
07:03like I had so many people send me photos of my parents in the pit looking at me because I
07:08obviously
07:09couldn't be there and and um because I was on stage but um I uh that definitely felt special
07:18seeing them in the same room as all my fans was just felt like there's so much love in the
07:25world and
07:25I felt very very lucky and I hope kind of hope that um everybody gets to experience that feeling of
07:32everything coming together at once I'm from I'm from Iceland it's a very small country
07:37um I think I sold almost the same amount of tickets on the U.S. tour as the population of
07:42Iceland so
07:43it's definitely very overwhelming to I still can't digest how many people there are who know who I am
07:52um and it's especially hard coming from a country that is that small
08:06it's such an intricate web of you know is are there artists that are already in the city are they
08:11playing the arena the next day the day before are they still there have they moved will they stay an
08:16extra day to come on stage like it's all a really intricately woven map of our guest artists I think
08:26for
08:26me I love being able to play perform with artists who do something very different from me um because it's
08:34my
08:34opportunity to hear my voice in another light or bring my or or um opportunity to have you know like
08:43I made Benson Boone sing a jazz standard like and he killed it his voice lended it so well to
08:49that and
08:50and like in LA I had a song called Magnolia that I knew Hozier would be able to make like
08:56even more
08:57devastating and beautiful and but then like when will I ever get to sing with Cat's Eye with a girl
09:03group like that's so sick and so I think those are all mini opportunities to show the world also that
09:12I'm not in some hole or some in some box I don't see myself as above or different from any
09:20other artist
09:23in that we're all like friends and we all work together and when I look back in the past my
09:28favorite videos to watch are like two random artists coming together like that's every time I step off
09:35stage with another artist I'm like wow people are gonna look back at this one day and think whoa these
09:40two completely different artists that I love have like sung together and know each other I think that's
09:46one of the most beautiful like collaboration is one of the most beautiful things in the world
09:51it was my first choice because there was a trend going around the internet of girls dressing up as
09:59in like period dress usually in like male period dress and like painting uh must beards on themselves
10:08and singing best of was best of woman and I of course participated in the trend being a big Hamilton
10:14fan
10:14which should surprise literally no one um and so when it came to New York I like I think the
10:23first person
10:23I asked my manager I was like do you think we could like maybe get Lin-Manuel Miranda and
10:29we were all like there's no way but we're gonna try and then yeah I mean I also had Pink
10:36Panther that
10:37night and I really wanted to do a legal with her so I was like okay why don't we just
10:42do that exact
10:43thing like no one's heard it live for a while I'll bet you every single person in the arena is
10:49a Hamilton fan
10:50or at least knows the song and really create like this this moment and I'm such a big fan of
11:00his that
11:00I was so shocked and happy that he got to do that but also hearing a full arena a full
11:07Madison Square Garden
11:10screaming it has never been louder like we out of all the guests that was the loudest guests by far
11:16like the reaction to it and everyone was singing along I've never heard that many people sing along to
11:21a musical theater song and that brought me so much joy because we need more people to love theater so
11:30it was great
11:40well the question is about finding the correct project right which is I'm I feel so lucky that I've
11:48afforded myself that opportunity because for a long time when I was starting out as an artist you know
11:56and I think many artists experience this we grasp onto every opportunity that comes to us and absolutely as a
12:03young
12:03artist you should do that but I'm I feel very lucky to be in a place now where I get
12:08to choose the projects that
12:10make sense for me and for my audience and for my music I mean the LA Phil is like one
12:16of the best orchestras
12:17in the world I never thought I'd be able to play with them in any capacity let alone like get
12:22to see
12:23them at Coachella let alone getting to play with them at Coachella and I think it was a really emotional
12:30moment for me because growing up as an orchestra kid I always thought that something like Coachella was
12:35a little far from what I liked or what I what was familiar rather and to get to see that
12:41come together
12:42and to get to be a part of it was just so emotional because I think I had a lot
12:47of like identity splits
12:49growing up and there in that moment singing with the LA Phil these songs that I've written in front of
12:55a Coachella audience that grew the second weekend like more people came it I've never felt more whole in
13:03my life like I've never felt more me I didn't have to give up any part of myself to achieve
13:09the goals
13:10that I wanted so it felt really it felt it was it was quite profound so I'm excited to return
13:17with my own set
13:18and to be able to yeah have my own have my own show I'm so excited well it's in the
13:26middle of tour so it
13:28definitely will be and and with the same music so it will definitely be have the same essence but I
13:35want to make sure that it is I will only play my first Coachella okay I'm kind of playing my
13:41first
13:41Coachella twice I'll only play my first set my own set at Coachella for the first time once and
13:50I'm like definitely planning some little little fun things and want to make sure it feels like a unique
13:56experience and and I'm so excited at this at this project of making
14:05Löwe and Coachella come together in as whole of a way as standing on stage with the LA Phil at
14:11Coachella film
14:21absolutely I think every artist nowadays is an innovator we all have something new to bring
14:28to the table and that is why I think when artists have something new to bring to the table they
14:33they rise and they find success so in that I think every artist especially this new crop of artists
14:40right now are all innovators and we I think for me I started out from my bedroom with a phone
14:47and was posting videos on the internet and you know was answering emails from labels and managers and
14:55figuring it figuring it out myself like for a while and slowly started adding team members on to
15:03to um build this structure and then you know I've been independent for these last three albums and
15:12being an independent artist has been a really huge part of who I am and that involves an incredible
15:17amount of innovation not only for myself but like very much from my team I think when I started in
15:24the
15:24music industry I was so the number one thing I was the most shocked at was how DIY it was
15:30every single
15:31person every artist does things differently people have different management structures different
15:38label structures people have publicists people don't have publicists like people post on the internet
15:45other people don't like some people are fashion leaning some people lean into sports or gaming it's
15:50truly so DIY that it's definitely felt like that I mean I run my own company I run my own
15:58label
15:58in a sense and and I have all these things that are attached to it whether it's touring or or
16:08merch or
16:09you know putting out a movie or you know putting out a movie or my social media presence my brand
16:15partnerships my bunny
16:17um may may uh writing a children's book these are all parts of of the world of levee and it's
16:25definitely
16:27I mean I don't know if it's innovative but I'm definitely thinking like an entrepreneur
16:33and I think all artists have to that that that is asked of us but what we get in return
16:40is a whole
16:40lot more control over our careers
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