Bergerac S02E04 (2026)

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Transcript

00:03You've gone to a trip to the coast?

00:16How's things with your daughter?

00:19Uh, yeah, she's not speaking to me.

00:23Nope, she won't be.

00:25She's gonna punish you about 50 times before she eventually gives you the time of day.

00:31What do I do until then?

00:34Keep showing up, regardless of how much she tries to push you away.

00:38And eventually those 50 punishments will run down to zero.

00:44She's leaving soon.

00:46You'd better get cracking then.

00:55This car was found over there, with the keys still in it and the suicide note on the dashboard.

01:02I want to know a bit more about Alan.

01:06This incident with Monica and the knife, when was it?

01:10A few days before he died.

01:12But you didn't see it?

01:12No, I told you, I was at uni. He told me about it.

01:17Thanks.

01:18But in the years before I left, Monica and Dad would argue a lot.

01:23Not blazing rows, just sort of tense, small, sort of snipings.

01:28Do you remember what about?

01:31Michael, mostly.

01:32How Monica and Molly cuddled him, how Dad wanted him out from underneath them.

01:36And me.

01:38How Dad was easier on me, at least according to her.

01:42How that was giving Michael a complex.

01:46Dad wanted out.

01:48I know he did, but not like this.

02:05Why are you looking into all this again?

02:08Well, it's possible that when Tony said no more secrets, he was talking to Monica.

02:13And do you think that my dad is the secret?

02:16I think...

02:21I'm late for work.

02:33The laptop only opened to the public two months before Alan Barton was reported missing.

02:37Presumed, Ed.

02:38Since then, we've sadly had one further suicide and an accidental death there.

02:42Now, the tide is very predictable, even in extreme weather.

02:46And both of those times, the body washed up in the bay half a mile down the coast.

02:50Alan's body didn't.

02:51And no one questioned it at the time because, I guess, no one knew about the tide patterns.

02:55Cara and I have been back to the hotel to check on Tony's sight lines.

02:58When Tony said no more secrets, he was looking in a mirror at Monica.

03:04So, what was the secret?

03:06We've got two theories.

03:07Either Monica killed Alan, Tony knew and was threatening to expose her.

03:12But what was Monica's motive for killing Alan?

03:14I mean, he had a couple of grander savings, but that was about it.

03:16Like, the cottage maybe?

03:18That's what we need to find out.

03:20The bit I don't get is why she'd then tell Tony.

03:22I mean, you'd keep that to yourself, right?

03:24Again, that's what we need to find out.

03:26The other theory is that Tony was summoning up the courage to tell Monica that he lied about his job

03:31and his money.

03:32Now, Monica says that Tony told her the week before the wedding.

03:36What if he didn't?

03:37What if he told her that night?

03:39Well, and then she killed him.

03:40That's quite a reaction, isn't it?

03:42Yeah, well, even if she didn't kill her first husband, Alan, the daughter said that Monica once threatened him with

03:46a knife.

03:47So, we're dealing with someone potentially prone to aggression.

03:50Violent outbursts.

03:52Cara, Sally, Dan, go back through the reports into Alan's suicide.

03:56We need to see if there's anything that they missed.

03:57Simon, Liam, Katie, talk to Monica's friends.

03:59Did she mention Tony's financial situation to anyone?

04:02And, crucially, when did he tell her?

04:05And we still haven't figured out who this figure in the coat is.

04:11Bonnie.

04:12All right, all right, all right, all right, all right.

04:15Yeah, yeah, yeah.

04:15Good to see you. All right.

04:17They've discharged you from hospital?

04:18I mean, not technically.

04:19I thought you'd all be missing me by now.

04:22Are you okay?

04:23Oh, yeah.

04:24Doctor said it's a scratch.

04:26Sorry, Jim.

04:26You carry on.

04:27No, it's okay.

04:28We were just finishing.

04:29Uh, thank you, everyone.

04:35May?

04:39Hey, boss.

04:40Thanks, man.

04:41Cheers, man.

04:42Yes, man.

04:43Good to have you back.

04:44How are you feeling?

04:45Like I just got stabbed.

04:47Somehow you shouldn't be here.

04:48What am I supposed to do?

04:49I can't go to the gym.

04:51Let me bring you up to speed.

04:53Yeah, all right.

04:55Um...

04:56Lost the feeling we're not.

05:20Uh, Ian has confessed to killing Carl and to swapping the bloods and, uh, obviously to the attack on you.

05:26He's had him and he didn't kill Tony.

05:29You believe him?

05:30I do.

05:33Wish I didn't.

05:56Yeah.

05:57So, yeah.

05:57The current focus is Monica.

05:59And, uh, well, there's a possibility that her first husband's suicide was, was actually staged.

06:03Yeah, and Tony knew and threatened to expose her.

06:05That's what Nicola said, right?

06:06Yeah.

06:07The other theory is that Tony told her about his financial situation.

06:09And she lost her shit, yeah.

06:15Uh, about what you said at the hospital, I just...

06:17Jim.

06:18What happened was really shit.

06:20I'd like to put it behind me, okay?

06:21We're good.

06:30What happened there?

06:32I've no idea.

06:33Barney.

06:35I didn't expect to see you back so soon.

06:37Discharged this morning.

06:39That's... surprising, after such a close shave.

06:41I got Jim arrived when he did.

06:44Take it steady, Barney.

06:45Understood, Mum.

06:47About time some of the others did some work, eh?

07:05What, man?

07:10What?

07:10If I wouldn't be there.

07:12We don't ask each other.

07:16He's not, you know.

07:17He's on that side.

07:19He's where he took Clement, son.

07:20What?

07:22Where he's moving?

07:25What?

07:26I can only try the most.

07:29You know what you've got

07:30Oh, man.

07:33Boss, have you got a minute?

07:35I... yeah.

07:36So the footage from the night of Tony's murder came in?

07:39What footage?

07:40Costello's, the restaurant.

07:41The footage of you and Nicola Barton.

07:44When you disclosed you had contact with Nicola the night of,

07:46you said it was a two-minute conversation.

07:49It wasn't.

07:50It was longer.

07:51Really?

07:52Way longer.

07:54It was 43 minutes.

07:5543 minutes?

07:58Wow, okay, yeah.

07:59You do understand I need to put this on the CMS, don't you?

08:02Yeah, of course.

08:03Which means that everyone in here can access that footage.

08:05Yeah, I know how the CMS works, Karen.

08:07And see that your two-minute conversation with the person connected to the case

08:10was actually much longer and much more cosy than you initially let...

08:13Cosy?

08:14Uh, is it subjective?

08:16Maybe.

08:17But the timestamp isn't.

08:20Look, maybe you lost track of time.

08:23Or maybe you thought it was inconsequential.

08:26But please, get your fucking story straight.

08:29Sir?

08:33Sorry.

09:00I thought you'd gone back to Manchester.

09:03I decided to stick around, visit some old haunts?

09:07Like the cliff.

09:10A friend saw you there this morning.

09:12Sorry, that sounds like... I mean, you can do what you like.

09:16I just mean that I wish I'd known you were still here.

09:20We could spend a bit of time together.

09:23I don't know what.

09:25I thought we'd made some progress, Nick.

09:28I explained how your father was.

09:29I know that it must have been difficult for you to...

09:32But, you know, I thought it might have answered some questions for you.

09:37No, it did.

09:40It's just being back in Jersey...

09:43It's harder than I thought it would be.

09:46Being back around me, you mean.

09:56Have you heard about love languages?

10:01People have different ways of demonstrating their love.

10:04And I think that I had a way of showing you that I loved you because I did.

10:10I do.

10:12And I think it's something that I learned from my mum.

10:15She was, um...

10:17She was practical.

10:19She was endlessly practical.

10:21So, the house was clean, and we were clean, and there was food, and...

10:26You know?

10:27I think that that's what I associate with love.

10:30And it's just as deep as something more demonstrative.

10:34But maybe it's not how you needed to be loved.

10:41Yeah.

10:43That would make a lot of sense if I hadn't seen you do it with Michael.

10:49You weren't practical with him.

10:54You engaged with him.

10:56You gave him energy.

10:58And time.

11:00And love.

11:02And I got...

11:04What was left?

11:06Well, Michael just demanded more.

11:08He needed more.

11:09You didn't have to give it to him.

11:11You could have said no.

11:12You can't say no to a child like that.

11:14So I'm left with this impossible choice

11:17of what to believe.

11:19Yeah?

11:19That, oh, you couldn't love me because of some...

11:24flaw...

11:25in you.

11:27Some...

11:27bit in you that's missing.

11:29Or that ultimately because...

11:31I'm just too hard to love.

11:33What?

11:34No!

11:35That's not...

11:36Christ, no!

11:37It is a...

11:37God!

11:47This is why...

11:49I didn't want to see you.

11:51Because these conversations are too hard.

11:54What?

11:59I'm sorry.

12:01About Tony, but...

12:04I want you to leave now.

12:14Have kids.

12:16Then we'll talk.

12:26Kim.

12:28I know you're furious with me.

12:30And you have every right to be.

12:33But...

12:33You're leaving soon, you know?

12:34And I would just...

12:35Well, I...

12:36I would just...

12:37Consider...

12:38forgiving me...

12:39Just a bit quicker than you would normally.

12:42I have forgiven you.

12:44Yeah, I mean, it just doesn't feel like that.

12:46I'm just...

12:47Tired.

12:50Er...

12:50Thanks for the lift.

12:5649 to go.

13:08Jim.

13:09Nigel.

13:11Um...

13:11I'm sorry.

13:12Doesn't even come close.

13:14It's okay, Jim.

13:15Really.

13:16It was...

13:16It was an accident.

13:17No, it's not okay.

13:19It's...

13:19It was...

13:20It was out of line.

13:21And, er...

13:22Look, I'm sorry.

13:23Apology unnecessary, but...

13:25Accepted.

13:27Er...

13:27Is...

13:28Is...

13:28Charlie in?

13:31Um...

13:31Christ.

13:34Er...

13:34Well, if you're sure.

13:47Hi, Charlie.

13:50I...

13:50I just wanted to say...

13:52Um...

13:53How...

13:53How sorry I am.

13:54About the party.

13:57Is that it?

14:00Well, er...

14:01I don't know what else there is to say.

14:08When Rachel died, you were devastated, as was I.

14:13As was everyone.

14:15In many ways, we will never fully recover.

14:19I appreciate that.

14:21But the rest of us, even her daughter, are managing to function now.

14:28And so for you to still be spreading such Olympic standard chaos would suggest an element of choice.

14:35Of choice?

14:37At the risk of sounding condescending, Charlie, you do know that I'm an alcoholic.

14:41Really?

14:42Oh, you should have mentioned that.

14:43Oh, wait.

14:44You do.

14:46Endlessly.

14:47You know, Rachel was exquisite.

14:50She was...

14:51She was perfect.

14:53She was better than me in every single way, but...

14:56She never made me feel like I didn't deserve her.

14:59But from the moment we met, I have spent every single day trying to prove myself worthy to you.

15:09I have lowered the bar as far as I can for you, Jim.

15:12Any lower, it'll be in the cellar.

15:15Not getting drunk at Kim's leaving party was all that was required of you.

15:21I'm sorry even that proved too much.

15:28Jim!

15:29That actually went better than I expected.

15:32How do you deal with her?

15:34Well, when you get to my age and you've been through some...

15:39Some stuff.

15:41Not to suggest you haven't had your own share of stuff, but...

15:50I lost a child.

15:53My first wife and I.

15:56When he was only two.

15:57God.

15:59Nigel, I'm...

16:01Sorry.

16:02And obviously...

16:03That's something Charlie and I have in common.

16:06And...

16:08The one thing about something so...

16:11Unfair, so...

16:14So savage...

16:17Is...

16:19It gives you some perspective.

16:23And some patience.

16:27I'll talk to her.

16:29All shall be well.

16:31And all manner of things shall be well.

16:37I'm sorry again.

16:39You should see the other guy.

16:59Uh, sorry. Talk to me.

17:02Monica was telling the truth.

17:05I spoke to one of her bridesmaids and according to her...

17:07Tony had told Monica about his financial situation a week before the wedding.

17:11Okay. Did you say how Monica responded?

17:13Well, I'm not thrilled, but not filled with murderous rage either.

17:16Okay. And I take it we're still nowhere with the figure in the coat?

17:18Yeah.

17:20Like, yeah, we're...

17:21We aren't...

17:22Uh, Cara?

17:23I had a look at Alan's phone records and I found some calls that the original investigation must have missed.

17:29Who are Phillips and Hawthorne?

17:30Solicitors on the mainland who happen to specialize in divorce.

17:33I spoke to them. They dug out the notes.

17:35They said Alan Barton spoke to them about divorcing Monica two weeks before you died.

17:41Monica didn't mention it in either investigation.

17:43Which means she didn't know.

17:44Or she concealed it.

17:45Yeah.

17:46Read the third paragraph.

17:53Okay. Well, there we go.

17:55Uh, I'm gonna put this to Monica.

17:57Yeah.

17:58And yeah, obviously you can come too, Bonnie.

18:02She'll come too.

18:03Yeah, if you're up for it.

18:05I think I can manage sitting in the car and then sitting in a chair in her living room.

18:10Okay.

18:10Good.

18:12Yeah, brilliant.

18:13Let's go.

18:15Thanks.

18:17Yeah, see you in the car.

18:24If they get divorced, you're going into foster care.

18:27Oh, don't say that.

18:29Listen, I thought you should know, I was with Jim Bergerac today.

18:34I finally got him to look into my dad's death again.

18:37Right.

18:39So, you're still looping all this back to Monica then?

18:42She threatened my dad with a knife.

18:44I'd call that a red flag.

18:48I'm confused.

18:49I thought you thought Monica did it too.

18:54When I saw her, Michael was there and he got into an argument with his neighbour.

19:00He was out of control.

19:02Just the rage.

19:03Monica actually had to hold him back.

19:05I just think maybe we're looking in the wrong place.

19:09You think Michael might have killed Tony?

19:12Maybe.

19:14And maybe not just Tony.

19:18My dad too?

19:19Oh, come on.

19:20Well, we've talked a lot about whether Monica did it, but never how.

19:23How did she overpower two husbands, two fully grown men who would have fought back?

19:40Don't we just have a couple more things we'd like to run by you?

19:43How would you describe your relationship with Alan around the time of his death?

19:48Well, what's this got to do with Tony's death?

19:51I was still trying to establish what Tony meant when he said no more secrets.

19:55You described Alan as in a dark place before his death?

19:59Well, he killed himself.

20:02Unless I've read too much into that.

20:06You said that he was erratic and unpredictable, yet we found no evidence to corroborate that.

20:12If anything, Mrs. Salinger, we found that he was making plans for his future.

20:17You've been talking to Nicola.

20:20I don't know why she's dredging all this up again. I thought we'd settle this.

20:24Were you aware that shortly before his death, Alan contacted a divorce lawyer?

20:29What? Um...

20:30No. No. I didn't know that.

20:33They had two conversations.

20:35The solicitor described him as buoyed by their discussions and hopeful for his future.

20:41He said the final straw was a fight the two of you had where you threatened him with a knife.

20:45No. That never happened.

20:49I know this is hard, Monica, but we're still exactly where we were on the night of Tony's death.

20:54And look, no more secrets meant something.

20:56You don't upend your wedding day for a joke.

20:59Now, there are people who love Tony. You loved Tony.

21:01And so we owe it to all of you to explore every lead, answer every question.

21:06I'm really sorry, but that's led us to Alan's death.

21:08And look, if there is nothing, if there is no relevance, then I swear to you we will move on.

21:13But we won't know until we ask.

21:25Okay.

21:26What?

21:29It's true. The knife.

21:31It's true.

21:33But when Alan spoke to Nicola and this solicitor, he left out some pretty crucial context.

21:40He did change. His behaviour did change.

21:45And I hid it too, because I didn't want people to think ill of this beautiful, kind man that I

21:53loved.

21:58One night, he hit me.

22:02And I grabbed a knife, because he kept coming towards me, and I told him to get out of the

22:10house.

22:10And I didn't see him for a few days, so that must have been when he spoke to Nicola and

22:16this lawyer.

22:17Anyway, after a while he came home, and he was full of this indignation.

22:24And he said that I had attacked him, and I said, no, Alan, you hit me.

22:32Because I still had the bruise.

22:36And he was devastated, because his father was abusive towards his mother and him and his brother.

22:42And there he was, completing the cycle, becoming the thing that he swore he'd never be.

22:52I see it's in Michael too, sometimes.

22:57And a few days later, he died.

23:00I couldn't tell the kids. I mean, Nicola would never believe me.

23:04She will never let this go.

23:10Michael!

23:16Michael!

23:17Michael!

23:17Michael, please!

23:18Michael!

23:20Please!

23:21Come back!

23:24Oh my God!

23:25You've got to go after him!

23:26What?

23:26Well, he must have heard everything that I said about Alan.

23:29He didn't know any of that.

23:30I'm sure he'll be fine.

23:30No, no, no! Look, you don't understand.

23:32He's fragile.

23:33He's been going to the cliffs where Alan died.

23:35When he's like this, I have no idea what he's capable of.

23:38Please.

23:39Please.

23:46Need all available units dispatched to the Morbury cliffside.

23:49And a polo put out for Michael Bart, driving a blue VW polo.

24:04They're soます with UFO stolen.

24:08Yes.

24:31I can't see me.

24:33Why do you believe I'm holding the ship in

24:33No sign. No sign of his car, either.

24:37We've got a visual on Michael's car.

24:38Where?

24:39Pulling into the Clifton Hotel.

24:41Jesus.

24:43What?

24:44We need a unit at the Clifton immediately.

24:46Quiet approach.

24:47We're in 401. We do not want him spooked.

24:49Wait. What is in 401?

24:51It's Nicola Button's room.

24:53We don't know what Michael's capable of.

24:54He's not the one in danger.

24:55Nicola is.

24:58Come on!

25:14Come on!

25:35Come on!

25:36Never got laws against doing that.

25:38How are you reaching to come back?

25:43How did you know her room number?

25:44What?

25:46Doesn't matter.

26:05Hello. Welcome to Clifton. Do you have a room for we're on?

26:08Uh, fourth floor. But you'll need a key card.

26:15Hey, uh, we need a room pass from room 401.

26:18Okay, um, I just need a credit card to activate the room pass.

26:22Thank you so much.

26:24Okay, just, 401, yeah.

26:26Please, please, please, can you just hurry?

26:29Oh, righty, there we go. There's your room card.

26:32Oh, sorry, the, um, the lift's undergoing maintenance at this present moment in time.

26:36Of course it is.

26:52You all right?

26:53I'm fine.

26:54Just go.

27:03Wait, wait.

27:04Wait, wait, wait, wait, wait, wait, wait.

27:06It's all fucking stuff.

27:08You're making fun.

27:10I'm so sad.

27:13You're in state Manchester and track yourself in that front.

27:15No, no, no, no, no, no.

27:17Well, enough is enough.

27:19Go, go, go.

27:22I didn't do anything, I didn't do anything, I didn't do anything, I swear.

27:26Are you okay?

27:28Nicola, what is it?

27:30Nicola!

27:32What, what, what is this?

27:38I can't believe it.

27:40Well, it's true.

27:41So you can stop now.

27:43You can finally leave us alone.

27:45I don't understand.

27:45What is this?

27:46What's the confusing bit, huh?

27:48It's from him.

27:50Alan, my father.

27:57He's not dead.

28:14It arrived the day before my 30th birthday.

28:20A few months earlier, dad had been officially declared dead, and mum had arranged a little

28:25gathering for us to say goodbye.

28:28And Nicola came.

28:30Reeking off for gasp her.

28:33And that's when she first suggested that our mother, a woman who has to literally ask me

28:37to open jars for her, killed our father.

28:40I mean, it's ludicrous.

28:43Anyway, that's when the card arrived.

28:46At first I thought it was Nicola playing some sort of joke.

28:49But then, postmark.

28:53And you didn't tell Monica.

28:56Oh, mum, by the way, dad's alive.

28:58He'd just rather you think he was dead than ever talk to you again.

29:04And then, no, I didn't.

29:06I didn't tell anyone.

29:08The police had ruled her to suicide for the second time.

29:11Nicola had been extradited back up to her northern town.

29:14I didn't think that there was any point in exhuming it all again.

29:16But then, Tony died.

29:19And when Nicola reappeared and started trotting out her greatest hits,

29:23I didn't think about telling her then.

29:26But the next minute she was leaving, so I didn't bother.

29:31Except, she didn't.

29:34Did she?

29:36Hmm?

29:41I saw you with her.

29:44At the cliffs.

29:47And sure enough,

29:48you descended on my mother,

29:51parroting Nicola's slurred fantasies like they were facts.

29:54Right.

29:55I thought enough is enough.

29:58It didn't quite a big risk there, your father.

30:01How did he know that you wouldn't tell your mother and Nicola straight away?

30:04Nicola likes to tell everyone about this

30:08special relationship she had with dad.

30:10But I was the son.

30:12I was his blood.

30:14He could trust me.

30:16No, look.

30:18Don't get me wrong.

30:20I mean,

30:22I feel sorry for her.

30:25It must be quite a shock.

30:27No, to...

30:29To find out that someone would literally fake their own death

30:33rather than spend time with you.

30:36I mean,

30:39that's bound to smart little.

30:47Forensics have checked the postmark.

30:49It's authentic.

30:51Definitely sent from Bermuda.

30:53What about the handwriting?

30:54They've only been able to do a preliminary analysis.

30:56They still need to do four bells and whistles.

30:58But they compared the card with confirmed examples of Alan's handwriting.

31:01And it's a match.

31:05All right, so Monica didn't kill Tony because of the money.

31:08She didn't kill him because he was about to tell the world that she killed Alan,

31:11which would suggest she didn't kill Tony.

31:14Okay, so we keep looking.

31:16We keep digging.

31:17Jim, I'd like a word with you.

31:22Can someone tell Monica Salinger her first husband is alive and well and living in Bermuda?

31:26I'll call their family liaison.

31:28Cara, did the footage come back from the bar of Nicola Barton?

31:31Uh, yeah, it's on the CMS.

31:32Yeah, and?

31:34It's deemed irrelevant.

32:03What's your next move?

32:04I have absolutely no idea.

32:07Well, whatever it is, it won't involve Barney.

32:09You need to send him home.

32:10He's practically green.

32:11Yeah, that's my fault.

32:13We're allowing him to accompany me to interview Monica.

32:16I'll make sure he stays behind his desk from now on.

32:18You seem uncharacteristically eager to keep him here.

32:20Normally I have to sit you two as far apart as possible.

32:22Uh, well, he's an exceptional officer and an integral part of the team.

32:25Now I'm really suspicious.

32:28Why did he go and see Ian Monkford without backup?

32:30Uh, we were working in parallel and, uh, we both uncovered different strands of evidence against him.

32:36That's not what I asked.

32:38He went without telling his colleagues.

32:40Specifically you, suggesting a troubling, and in this case potentially fatal, breakdown in communication.

32:46Something's going on, and it's becoming a problem.

32:50Sort it out, Jim.

32:51Redraw some boundaries.

33:14Ah, listen.

33:15Don't start, I'm fine.

33:17You're not.

33:17You need to go home.

33:18Does that come from Uma?

33:19Me.

33:20It's coming from me.

33:20Take your time.

33:21Get better.

33:22Christ.

33:23At this rate, when you come back...

33:24I'm just in the middle of something here.

33:25Do you need me to leave this second, or can I finish?

33:26It's coming from me.

33:28Okay.

33:44Yeah, we're waiting.

33:47Okay.

33:48Bye.

33:49Bye.

33:50Bye.

33:52Bye.

33:53Bye.

33:54Bye.

34:13you all right absolutely sensational good well i know that despite your best efforts to conceal

34:21that kim leaving is challenging for you so it'd be all right if things weren't all right yes it is

34:27challenging for me and i think it's important kim isn't privy to that the last thing she needs is

34:32to feel guilty about what she's leaving behind that would be selfish and i'll leave that to her

34:38father what was jim like before rachel died very different capable besotted with the two girls

34:52steady reliable right so this isn't him he's still hijacked by the grief he's a man possessed

35:02did you become a functioning adult again how long did it take it's a work in progress

35:11i'm saying be patient with him i'm not making any promises that's my goal

35:25i'd like to give you the money for the restaurant it would be alone obviously but

35:31seems rather silly you need the money and i've got it sitting in my bank account um right

35:38that's very kind of you but no no what no thank you but why not

35:48because it would be emasculating and utterly humiliating oh for god's sake so this is about

35:53pride is it it's all i have charlie i i don't have any property i i don't have any investments

35:59i i don't

36:00even have a family my pride is the one thing i've been able to cling on to so no but

36:06again thank you

36:10where are you going i need to pee i don't need any help with that either

36:19good night

36:20good night

36:38I don't know.

37:04Nicola?

37:08Hey.

37:10I'm in here.

37:16Free upgrade.

37:18Due to the door.

37:19So thank you.

37:26It's Monica, she keeps calling.

37:28Uh, that will, uh, yeah, someone would have just told her.

37:31I'm sorry, it's looking like the card is genuine.

37:34It can't be.

37:36I'm sorry.

37:38Because my dad is dead.

37:41He wouldn't do this to me.

37:48He wouldn't do this to me.

37:52Hey, it's...

37:54It's okay.

38:07It's okay.

38:19Oh, Christ. Is that Monica again?

38:23Oh, it's Kim.

38:25Um...

38:25I'll take this outside.

38:28Hi. Hey, sweetheart.

38:30I'm seeing another night at Granny's.

38:32Yeah, okay, yeah.

38:34Uh, that's, that's fine.

38:35Uh, will I, I'll pick you up tomorrow?

38:37I'll text you.

38:42I didn't even make it to the door.

38:44She rang you, though.

38:46She could have just texted.

38:49She wants a dialogue.

38:51Yeah, you really think so?

38:54Is this what being a parent is like?

38:57Your kid becomes like someone you have a crush on at school,

38:59and you're constantly trying to decipher every single interaction.

39:04Oh, Archie.

39:05Asked me earlier for a lift.

39:10I think she likes you, Jim.

39:13Yeah, you see, now you've made it weird.

39:18She's just, she's trying to keep the channels open.

39:20She just wants to run it down from 50 to zero.

39:23As much as you.

39:32What are you doing, Jim?

39:34In what sense?

39:35In any sense.

39:37The case.

39:41Us.

39:43There can't be any us.

39:45So stop showing up at my hotel.

39:49I know, I'm, I'm sorry.

40:06Just, um, hold that thought.

40:09I, um...

40:11I just...

40:12I gotta pee.

40:18Oh, my God.

40:26Uh, where's the minibar?

40:29Uh, you're kidding, right?

40:31I thought we could share a sparkling water.

40:34Yeah, let's push the boat out.

40:36It's in the wardrobe.

40:41Oh, my God.

40:45Excuse me.

40:50Oh, my God.

41:00That's great.

41:01Here's what I care about.

41:01Right, we're with the greens.

41:01Who can I help?

41:08We found it!

41:12Jim?

41:34Jim?

41:37Jim?

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