- 5 weeks ago
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00:05:10brother
00:05:19what was that that was a prison ship down the river
00:05:23i wonder who's put into prison ships and why they're put there people are put there because
00:05:29they murder and rob and forge and do all sorts of bad and they always start by asking questions
00:05:36now get up to bed
00:06:02so
00:06:04Oh, my God.
00:06:57Oh, my God.
00:07:04Have you brought my vittles?
00:07:06Yes, sir.
00:07:14You didn't bring anyone with you, boy.
00:07:17Swear on your heart and liver.
00:07:19No, sir.
00:07:31Did you enjoy the pork pie?
00:07:36Thank you, boy.
00:07:38I did, too.
00:07:48Aren't you going to share it with the other one?
00:07:52What other?
00:07:53The other convict.
00:07:54He was dressed the same as you.
00:07:56What did he look like?
00:07:58He had a badly bruised face.
00:08:01Not here?
00:08:02Yes, sir.
00:08:04Oh, where is he?
00:08:06I'll put him down like a bloodhound and curse his leg.
00:08:11Give me the file, boy.
00:08:13I'll be quick.
00:08:16I'll hunt him down, that so-called gentleman.
00:08:21I'll hunt down that gentleman and feed him to the dogs.
00:08:26Even if they get me, I'll hunt him first.
00:08:30I'll get him before they get me.
00:08:32I'll get him.
00:08:36Dobson, I'll put it on to you.
00:08:40Dobson?
00:08:59Dobson?
00:09:08Where were you this time?
00:09:11The Christmas carols.
00:09:12I went to hear them.
00:09:14Well, I'd like to have time to hear Christmas carols myself.
00:09:17But I've got my work cut out just bringing you up by hand.
00:09:21Now, get upstairs and clean yourself up.
00:09:23Looks like muddy work, this Christmas carol business.
00:09:38Still here?
00:09:39Oh, I'll take my hand to you as soon as I put this chicken down.
00:09:43I just wanted to say Merry Christmas, Mrs. Jo.
00:09:48There's a file of mine missing.
00:09:50You seen it?
00:09:51Well, you get upstairs and get clean and never mind about files.
00:10:12Have you had enough to eat, Uncle Pumblechook?
00:10:15After such a feast, madam, I doubt if I shall break bread until the New Year.
00:10:21Well, that's a pity, Uncle Pumblechook.
00:10:23I laid aside a pork pie just for you.
00:10:26Well, then, don't have to force yourself, Uncle.
00:10:29It'll keep another week.
00:10:30That's right, Uncle.
00:10:32Oh, you be quiet.
00:10:33Well, what do you say to the pork pie, Uncle?
00:10:37Since you got it in especially for me, madam,
00:10:41I would indeed be a child to refuse.
00:10:44I shall have the pork pie.
00:10:51Sit down, Pip.
00:10:53There's nothing to get agitated about.
00:11:01It's gone.
00:11:03It's gone.
00:11:09Sit down, I say, Pip, old chap.
00:11:12Where are you heading?
00:11:15To the door to answer it.
00:11:22Excuse me.
00:11:24And Merry Christmas to you all.
00:11:26Is the blacksmith about?
00:11:27I'm the blacksmith.
00:11:29What's the trouble?
00:11:30It's these handcuffs, which we aim soon to fill with two convicts who've seen fit to leave us.
00:11:38Oh, I'll fix them.
00:11:39You sit down and have some pork pie, Sergeant.
00:11:42There is no pork pie.
00:11:45Oh, never you mind, missus.
00:11:46I'll warm meself by the fire here and then we'll be off.
00:11:49How would you like to come with us, young shaver?
00:12:04All right, men.
00:12:05On the double.
00:12:06We'll have these convicts before dinner.
00:12:11Come on, Pip.
00:12:12Don't you want to see the convicts?
00:12:14Yes, Jo.
00:12:15Do bring that boy back with his head blown to bits by a gun.
00:12:19Don't look to me to put it together again.
00:12:22Don't look to me to put it together again.
00:12:52Come on, Sander.
00:13:11Surrender, you two.
00:13:12And confound you for two, wild beasts.
00:13:16Come on, Sander.
00:13:19remember this i caught this animal i got him for you you saw what he did sergeant he tried to
00:13:29murder
00:13:29me i'll hear none of your problems cumpson we've got you both now now march
00:13:42what is it language you've seen a ghost
00:13:55come on make which move it on hold a minute sergeant i want to say something about this escape
00:14:01oh do you then go ahead magwitch you're among your friends
00:14:11what i say is this i removed some fiddles from the village of the yonder removed you mean stole
00:14:19and i'll tell you where from from the blacksmith hello hello it was some odds and ends of fiddles
00:14:27a dram of liquor and a pork pie have you happened to miss such an article as a pork pie
00:14:32blacksmith
00:14:33my wife did didn't she pip uh yes so you're the blacksmith are you then i'm sorry to say i've
00:14:42eaten your pie you're welcome to it we don't know what you've done but we wouldn't want you starved
00:14:47the death for it would we tip no joe move it on now language
00:15:00she's sparing up the young script and she's old enough now to be thinking of other things
00:15:05like his church oh i'm the one who's had to think about that
00:15:09ah yes ma'am you've done a wonderful job but there are others mrs joe others who have their
00:15:16part to play in the edification of young pip oh what others might they be uncle pummelchook
00:15:22i have here an invitation from miss havisham miss havisham the crazy old rich lady the very same ma'am
00:15:38i know that you're more learned than me than i pip than i all right you're more learned than i
00:15:46what i mean is biddy can i come and take lessons from you can you teach me me it is
00:15:54very well pip
00:15:55i shall teach you thanks biddy you see i mean to be a gentleman someday oh i can't teach you
00:16:01everything
00:16:02tip goodbye where have you been you bitchy boy you've kept uncle pummelchook waiting time my boy
00:16:12is a thief it is not a charity that's right you listen to uncle pummelchook young man you have
00:16:20heard of miss havisham no sir the boy is an imbecile miss havisham is a lady of considerable wealth who
00:16:29has
00:16:30befriended me and sought my advice mr pummelchook says she do you know of any boy who would be able
00:16:39to come here and play so that's where you're going and mind your manners oh your fortune could be made
00:16:46by
00:16:47this my friend miss havisham will not be kept waiting where's joe joe oh what do you want joe
00:16:56for you beast of a boy get out to that car
00:17:06pip you've been calling me joe they want me to go and see a miss havisham they want me to
00:17:11play there
00:17:12should i go well if old chap i i don't rightly know i know and i say he goes oh
00:17:20this could be the making of
00:17:21a boy's fortune and at the very least you'll learn some manners you better do as mrs joe says
00:17:27big old chap come along young fellow or we'll waste the morning in useless talk
00:17:33say goodbye to them as have talked to us by hand goodbye
00:17:44well young fellow got your wits about you what seven times nine sixty three plus five sixty eight and eleven
00:17:55seven seventy nine
00:18:03uncle what's the time half past eleven which is how many minutes from midnight
00:18:12thirty caught you there young fellow it's thirty minutes from midday
00:18:18i don't think i'm going to get out of the way
00:18:27what name
00:18:27humble chook and this and this is pips
00:18:32this is pips is it oh come in pips
00:18:36boy let your behavior here be a credit unto them which brought you up by hand
00:18:45oh did you wish to see miss havisham if miss havisham wished to see me
00:19:05oh that's the old brewery where the havisham fortune was made
00:19:10do they still brew there if they did it would turn out rather sour oh silly boy the place has
00:19:17been closed
00:19:18for years
00:19:22is that the name of this house miss yes it means enough enough house that's a curious name miss
00:19:32the idea was that whoever had this house could want nothing else they must have been easily satisfied in those
00:19:38days
00:19:39come on boy
00:19:40don't loiter
00:19:49come on boy
00:20:01this way
00:20:15go
00:20:16go in
00:20:17after you miss
00:20:19don't be ridiculous boy
00:20:21i'm not going in
00:20:27enter
00:20:33who is it
00:20:35pip ma'am
00:20:37come to play
00:20:39well then dip play
00:20:43you're not afraid of a woman who has not seen the sun since you were born
00:20:48no ma'am
00:20:50do you know what i touch here
00:20:53your heart
00:20:54broken
00:20:56oh i'm tired
00:20:57i want diversion
00:20:58and i've done with men and women
00:21:00a play
00:21:02i'm sorry mom
00:21:04but i just can't play
00:21:06so new to me here
00:21:08and so strange
00:21:10and so fine
00:21:12and melancholy
00:21:13that i can't
00:21:16so new to him
00:21:18so old
00:21:19to me
00:21:21strange to him
00:21:23so familiar to me
00:21:26so melancholy to both of us
00:21:34call estella
00:21:36go on
00:21:37call estella
00:21:39you can do that
00:21:40estella
00:21:42here
00:21:43you can play cards with estella
00:21:46estella
00:21:47play with him
00:21:48with him
00:21:49but he is a common
00:21:50neighbouring boy
00:21:52well
00:21:53you can break his heart
00:21:56what do you play boy
00:21:59nothing but beggar my neighbour miss
00:22:01beggar him
00:22:04when shall i have you here again
00:22:06let me think
00:22:08i have lessons on tuesday and wednesday
00:22:11i know nothing of days of the week
00:22:13i know nothing of weeks of the year
00:22:15come again after six days
00:22:18you hear
00:22:53you've seen this people
00:22:55what
00:22:56yes
00:22:56it belongs to my stepfather
00:22:59you gave it to someone
00:23:01my son
00:23:02that someone wants to thank you
00:23:05but that someone has been detained in a place you'll most likely never see
00:23:09and so
00:23:09he sent me in his stead to thank you and to give you this
00:23:13firstly the vial which was useful to my friend at that time
00:23:17and then these two one pound notes which he thinks might be useful to you
00:23:22but why do you how did you good day to you pip
00:23:26but wait
00:23:38wake up
00:23:41wake up
00:23:43today you go to miss abisham's
00:23:45time for a wash
00:23:46and remember this
00:23:47you mind your manners
00:23:49i don't want to go to miss abisham's
00:23:51today you go to miss abisham's
00:23:55you want to come this way today
00:24:03well
00:24:04well miss
00:24:06am i pretty
00:24:08yes i think you're very pretty
00:24:10am i insulting
00:24:11not as much as you were the last time
00:24:15not as much
00:24:17no
00:24:19what do you think of me now you coarse little monster
00:24:23i won't tell you
00:24:25you're going to tell upstairs are you is that it
00:24:28no that's not it
00:24:29whom have we here
00:24:31a boy mr jaggers
00:24:32boy of the neighborhood
00:24:34yes sir
00:24:35how do you come to be here
00:24:37miss havisham's sent for me sir
00:24:39well
00:24:40behave yourself
00:24:41i have a pretty large experience of boys and you're a bad set of fellows
00:24:45so you mind and behave yourself
00:24:49who was that man
00:24:51none of your business now come this way
00:24:56so the days have worn away have they
00:24:59yes ma'am today i don't want to know
00:25:02are you ready to play
00:25:04i don't think i am ma'am
00:25:07since this house seems to strike you as being too old and brave
00:25:12and since you are unwilling to play tell me this boy
00:25:16are you willing to work
00:25:17yes ma'am
00:25:19then you can take me for a walk
00:25:23come on walk me
00:25:30open the door
00:25:32i want to show you something
00:25:53this is where i'll be laid when i'm dead
00:25:56oh they'll come and look at me here
00:25:58what do you think that is
00:26:01that under the cobwebs
00:26:03i can't guess ma'am
00:26:04it's a great cake
00:26:07a wedding cake
00:26:08mine
00:26:09it and i have worn away
00:26:11together
00:26:13the mice have gnawed at it
00:26:16and sharper teeth than the teeth of mice have gnawed at me
00:26:20when they lay me dead in my bride's dress on the bride's table
00:26:24and the ruins will be complete
00:26:28you can walk me back to my dressing room now
00:26:33and then you can have some lunch
00:26:36you shall come again in six days pip
00:26:39estella
00:26:43take pip down and give him some lunch
00:26:45he'll probably want to sit about in the sunlight
00:26:48is there any sunlight today
00:26:51yes ma'am
00:26:52it's a fine day
00:27:00who let you in
00:27:02have you come to play with estella
00:27:04yes
00:27:06i see well that's interesting because i've come here to play with estella too
00:27:10i tell you what let's go and fight
00:27:23first round
00:27:26don't forget the rules
00:27:29yes
00:27:29yes
00:27:30yes
00:27:30yes
00:27:30yes
00:27:56Oh, my God.
00:28:02That means you've won.
00:28:04Can I help you?
00:28:04No, thank you.
00:28:06Well, good afternoon.
00:28:08Same to you.
00:28:16Come here.
00:28:25You may kiss me if you like.
00:28:33Goodbye, Pip.
00:28:37Miss Havisham wants to see you, Joe.
00:28:40Oh, yes, Pip.
00:28:41And what would a lady like that want with a blacksmith?
00:28:45She wants to see you about my future.
00:28:48Oh, yes.
00:28:49They haven't treated me badly, Joe.
00:28:51But on the other hand, they haven't treated me as if I were one of them.
00:28:55You'll find some strange people living here, Joe.
00:28:57I find them strange.
00:28:59And as for Miss Havisham, well, she's a sad and proud lady who looks as if she were made of
00:29:05wax and lead and yellow frost.
00:29:08I still don't know what she wants from me.
00:29:12Estella, this is Mr. Joe Gargery.
00:29:15Oh, yes?
00:29:16Does this mean this is your last visit?
00:29:19Yes, Estella.
00:29:21Mr. Gargery, I understand Pip is to be a apprentice to you.
00:29:25Yes.
00:29:26Yes.
00:29:26I mean to say yes.
00:29:28What premium are you going to pay the boy?
00:29:30Well, I mean to say, we don't run to no premiums at Gargery's forge.
00:29:36But if Pip has no heart for the life of a smithy, we won't, I mean to say, force him,
00:29:42like.
00:29:43Pip has earned a premium here.
00:29:45There are 25 pounds in this bag.
00:29:48Give it to your master, Pip.
00:29:49Am I to go make in, Miss Havisham?
00:29:51No.
00:29:52Gargery is your master now.
00:29:54Let them out Estella.
00:29:57But when will I see Estella again?
00:30:01She will only break your heart, Pip.
00:30:04Gargery, this boy has been good here, and this is his reward.
00:30:09Of course, as an honest man, you will expect no other and no more.
00:30:14Oh, I understand that, Miss Havisham.
00:30:16Oh, yes.
00:30:17This way, please.
00:30:18I would like to kiss you goodbye.
00:30:20I would not like to be kissed.
00:30:23Goodbye.
00:30:24Well, Pip, old chap, that Miss Havisham is an astonishing woman.
00:30:30Astonishing.
00:30:31I don't rightly know how we'll explain it all to Mrs. Jo.
00:30:43She must have fallen down the stairs.
00:30:46Look, she must have scrawled this out while she lay there.
00:30:49You read it, Pip.
00:30:51There are just three words.
00:30:54Jo, Pip, pardon.
00:30:57She's a fine figure of a woman, Pip.
00:31:00Your sister was a fine figure of a woman.
00:31:04Pardon, Mrs. Jo.
00:31:05To you as well.
00:31:22Do I address Joe Gargery, the blacksmith?
00:31:26You do?
00:31:28My name is Jaggers, and I'm a lawyer in London.
00:31:30I'm also pretty well known.
00:31:33I have unusual business to transact with your apprentice known as Pip, and I would begin by
00:31:37explaining that it is not business of my creation.
00:31:41I would hope that you would come to some arrangement by which you stop that noise and hear me out.
00:31:46That's better.
00:31:48I am instructed to tell him that he will come into a handsome property.
00:31:52Further, it is the desire of a present owner of that property that Pip be brought up as a gentleman.
00:31:57Quite simply, as a young fellow of great expectations.
00:32:03The name of your benefactor will remain secret, and that is, the condition under which your great expectations are bestowed
00:32:09on you.
00:32:10Do you have any objection?
00:32:12No.
00:32:13No.
00:32:14You will need some money for your clothes and the trip to London, where you will come to my office
00:32:18for further instructions.
00:32:19Shall we say, uh, twenty pounds, Mr. Gargery.
00:32:24I must tell Billy.
00:32:28Joe, you have no objection, do you?
00:32:31I don't rightly know, Pip old chap.
00:32:40So you see, Billy, Miss Havisham is going to make me a gentleman.
00:32:43Miss Havisham?
00:32:44But I understand your benefactor is anonymous.
00:32:47Yes, yes, but who else could it be?
00:32:50Besides, that lawyer Jaggers is also her lawyer.
00:32:53I passed him in the corridor at Miss Havisham's once.
00:32:56Why is she doing this?
00:32:58Well, if it is her, that is.
00:33:00She probably wants a husband for Estella.
00:33:03Oh, yes.
00:33:04Biddy, have I hurt your feelings?
00:33:07Oh, no.
00:33:08Dear Biddy, I wish I could fall in love with you.
00:33:11Don't think it's likely, Pip.
00:33:28Goodbye, Pip old son.
00:33:30Now, you keep a level head on your shoulders up in London.
00:33:33You understand?
00:33:34Yes, Joe.
00:33:35Well, I don't know.
00:34:05Oh, my God.
00:34:40You will share rooms with young Hermit Pocket, the son of a client of mine, should that prove agreeable, and
00:34:46to draw your allowance from me.
00:34:47Of course, you'll go wrong somehow, but that's no fault of mine.
00:34:53How do you expect me to go wrong, Mr. Jaggers?
00:34:55No, just joking, Pimp.
00:34:57Now, you listen to young Pocket and let him instruct you.
00:35:00A young man of great expectations ought to know how to use a knife and fork.
00:35:19You're the boy I beat in the fight.
00:35:21You're the boy I beat in the fight.
00:35:23Oh, did you win, did you?
00:35:24I can't remember.
00:35:25Come in anyway.
00:35:29Mr. Jaggers says that you are to instruct me as to manners and so on.
00:35:32Oh, yes.
00:35:33From time to time, I suppose.
00:35:35You won't think me rude if I point out that in London it's not the custom to place the knife
00:35:39in the mouth for fear of accidents.
00:35:42You won't think me rude if I asked you what you were doing at Miss Havisham's that day.
00:35:47Oh, I was seen as some sort of future husband for Estella, until Estella met me and called me a
00:35:53goose.
00:35:53Oh, bad luck.
00:35:54Not so bad.
00:35:56That girl is hard as rock, and she's been brought up by Miss Havisham to wreak revenge on the male
00:36:00sex.
00:36:01That's why Miss Havisham adopted her.
00:36:03What's she got against the male sex?
00:36:08Pip El Chap the napkin.
00:36:09To be used thus.
00:36:11Here endeth the first lesson.
00:36:14Thank you, Herbert.
00:36:15Now, as to Miss Havisham, her father ran a brewery and he was very rich.
00:36:20So when he died, she became an heiress.
00:36:22And detracted many proposals of marriage.
00:36:24Yes, and she turned them all down.
00:36:26Now I come to the cruel part of the story.
00:36:28There appeared on the scene, at the races, at the balls and parties, a man who courted Miss Havisham most
00:36:34winningly.
00:36:35She had kept a loo for most of her suitors, but now, with this man, the floodgates were opened.
00:36:40She loved him passionately, and he professed to be devoted to her.
00:36:43So wedding day was fixed, and when it came around, a letter arrived from the groom, which Miss Havisham received
00:36:49when she was dressing.
00:36:50Yes, at 20 minutes to nine.
00:36:53Yes, he broke off the marriage.
00:36:56As you can imagine, she was devastated.
00:37:01She ordered all the clocks to be stopped.
00:37:09Who was this man who broke her heart?
00:37:11Oh, he was a confidence man, a forger.
00:37:14He hung around racetracks.
00:37:16Miss Havisham gave away a lot to him.
00:37:19Eventually, I believe, he was jailed for something else.
00:37:22Why didn't he marry her?
00:37:23He was already married.
00:37:25And she has never seen the light of day since.
00:37:27And Estella was adopted?
00:37:29Yes, and brought up to hate men.
00:37:32She'll melt one day.
00:37:33Perhaps.
00:37:35Thus ends a gloomy tale.
00:37:38You have not been to a London theatre?
00:37:40No.
00:37:41Then we shall sally forth and see a good show, and you will find that London has more to offer
00:37:45than lessons in manners.
00:37:48The hat, Pip?
00:37:49Yes.
00:37:49Wait till you get outside.
00:37:53Now we shall do his show, Pip.
00:39:18I say, Pip, I like the sound of this new show in Drury Lane.
00:39:22I can't go, Herbert. I've been invited to Sartis House for a visit.
00:39:26Sartis House? Now, that's not a very bright show.
00:39:29I don't think it's got a happy ending, either.
00:39:32What's the big occasion down at Sartis House?
00:39:34Estella's come back from France, and she'd like to see me.
00:39:36And you'd like to see her?
00:39:38Yes. I'd like to see how she turned out.
00:39:40I'll bet she's turned out like an ice palace.
00:39:43You're jealous, Herbert.
00:39:44I don't know.
00:39:59I don't know.
00:40:15Come in, Pip.
00:40:18So, Pip, oh, you're quite the young gentleman now.
00:40:23I've heard all about your good fortune and your evident good use of it.
00:40:27I'm most grateful to my benefactor.
00:40:31I should think so.
00:40:33Estella.
00:40:35Hello, Pip.
00:40:36Do you find her much changed, Pip?
00:40:39At first I did, Miss Habersham, but now I can see the old Estella
00:40:43and it's a beautiful sight.
00:40:45What?
00:40:46Oh, come now, Pip.
00:40:48You found the old Estella insulting.
00:40:51What about you, my dear?
00:40:54Has he changed?
00:40:56Very much.
00:40:57Less coarse and common.
00:41:01You have both changed, which is as it should be.
00:41:05And I?
00:41:07I am still living.
00:41:09Do you see my room and my house?
00:41:11The same?
00:41:15I am still living, Pip, and nothing has changed.
00:41:19Why did you want to see me?
00:41:21Estella is going to Richmond to live for a time.
00:41:24You would be good enough to escort her there, wouldn't you, Pip?
00:41:31I don't know about that, Miss Habersham.
00:41:41And how do you find your life as a gentleman in London, Pip?
00:41:44I live quite pleasantly there.
00:41:46At least.
00:41:47At least?
00:41:48As pleasantly as I could anywhere away from you.
00:41:52The wasting of time, Pip.
00:41:53You see, I don't have a heart.
00:41:56Estella.
00:42:10Thank you, Pip.
00:42:11You let me kiss your cheek once.
00:42:13Oh, yes.
00:42:14I remember.
00:42:15After that fight.
00:42:16Why did you let me kiss you?
00:42:18Because I didn't fancy Herbert as a playmate.
00:42:20That was all.
00:42:21May I kiss you now?
00:42:23Well, if you like.
00:42:25Well, goodbye.
00:42:27Come and visit sometime, if you like.
00:42:51Come and visit sometime, if you like.
00:42:55Come and visit sometime, if you like.
00:43:03Hello, Pip.
00:43:05Estella's come back from France and she'd like to see me.
00:43:08I'll bet she's turned out like an ice palace.
00:43:11She'll melt one day.
00:43:12Perhaps.
00:43:14Perhaps.
00:43:42Mr. Pip.
00:43:47What do you want?
00:43:49Mr. Pip?
00:43:50Yes.
00:43:51But that's none of your business.
00:43:52Now, clear off.
00:43:53Oh, you're a game one.
00:43:55I'm glad you've grown up a game one.
00:43:58I've seen you before.
00:44:01You're the convict I fed in the graveyard.
00:44:05Well, what do you want?
00:44:08Tell me.
00:44:09What do you want?
00:44:15Well, are you going to state your business or clear off?
00:44:19Ah, game one indeed.
00:44:21But don't catch hold of me.
00:44:23You'll be sorry afterwards to have done it.
00:44:26You'd better come in.
00:44:28Thank you, my boy.
00:44:37You acted noble, my boy.
00:44:40Noble, Pip.
00:44:42And I've never forgot it.
00:44:43I'm glad you think so.
00:44:45And I'm glad you've evidently repented and recovered yourself.
00:44:48I've done wonderful well.
00:44:51I've been a sheep farmer in Australia.
00:44:53I've done rather well, too.
00:44:55And I should like to return the two pounds your messenger gave me.
00:44:59I know you've done well.
00:45:01And Mr. Jaggers has proved an excellent guardian.
00:45:05How did you know?
00:45:09Yes, Pip.
00:45:11Dear boy.
00:45:13I've made a gentleman of you.
00:45:16That hunted dog you fed got his head so high that he could make a gentleman.
00:45:21And Pip.
00:45:22You're him.
00:45:25But don't tell anyone I'm your benefactor, Pip.
00:45:28Don't tell anyone I exist.
00:45:30But I was sent to Australia for life.
00:45:33And it's death by hanging for him who covers back.
00:45:46It wasn't Miss Havisham after all.
00:45:49And Estella was never designed for me.
00:45:52Estella was designed for heartbreak.
00:45:54So what can I do, Herbert?
00:45:56I think you'd better get the full story from your convict friend.
00:46:07I knew my name was Magwitch, christened able.
00:46:12And I was bad enough until I met Compson.
00:46:16To judge from appearances, you're out of luck.
00:46:19I've never been in it much.
00:46:21How'd you like a job?
00:46:26It was a job all right.
00:46:29Forging banknotes and every kind of swindle.
00:46:33He passed himself off as a gentleman, this Compson.
00:46:37And he was a smooth one.
00:46:39He had no more art than an iron file.
00:46:42He had no more art than a girl.
00:47:13Constable!
00:47:15Now, what's this all about, Serge? Speak up!
00:47:18Constable!
00:47:27We were caught good and proper, as I must have known we would be.
00:47:33But he got seven years and I got 14 on account of him being gentle and an old.
00:47:43He said to the judge that it was me who led him astray and I hated him for that.
00:47:52So when we were on the prison ship, I got him a good one.
00:48:01I only gave him a scar, but I would have killed him if I could.
00:48:08Then I escaped and he escaped too.
00:48:13And you saw young Pip how I nearly killed him.
00:48:22I was sent to Australia for life.
00:48:26But I worked and I got me pardoned.
00:48:28And worked even harder so that you could be above work, Pip, and be a gentleman.
00:48:34How do you spend your days, dear boy?
00:48:37Oh, we go to shows and things, restaurants.
00:48:41So you're living the life of a gentleman.
00:48:44Yes, I, I believe so.
00:48:58I believe so.
00:49:10I believe so.
00:49:20Miss Havisham.
00:49:22Welcome, Pip.
00:49:24You led me to believe that you were my benefactor.
00:49:27No, no.
00:49:29You did.
00:49:30You seem to have become an extremely sour and abrupt young man.
00:49:34You brought me here to torture me with Estella.
00:49:37Nonsense.
00:49:38Besides, she's gone off and married someone else.
00:49:42No.
00:49:43Yes, Pip.
00:49:44Don't think you've beaten me.
00:49:46I never loved her.
00:49:53Brave words, Pip.
00:49:55But you know nothing about love.
00:49:58I'll tell you what it is.
00:50:00It is trust and belief against yourself and against the whole world.
00:50:04Giving up your heart and your soul to the smiter as I did.
00:50:23Miss Havisham.
00:50:29That must be the sun up there, Pip.
00:50:34Yes, Miss Havisham.
00:50:45Yes, Miss Havisham.
00:50:50I had not been home to Gardery Forge for a long time.
00:50:54It was not that I didn't love Jo.
00:50:56It was that I feared we had grown apart.
00:50:59I had grown apart from others too.
00:51:02Trav's girl had been at school with me.
00:51:06Hello.
00:51:07Don't you remember me?
00:51:09I'm Pip.
00:51:10Remember?
00:51:11Well, if it isn't Pip.
00:51:13Ain't you just a gentleman.
00:51:15I'd like to buy these flowers, please.
00:51:18What's the matter with you?
00:51:20What's the matter?
00:51:22Do you think I should be back at the Forge?
00:51:29It had not been a successful homecoming so far, but there was one person in the village I wanted to
00:51:34see.
00:51:34I was sure she'd be glad to see me.
00:51:45Hello, Piddy.
00:51:46Pip.
00:51:47Oh, how nice to see you again.
00:51:49You look beautiful, Piddy.
00:51:51Yes.
00:51:52As beautiful as Estella.
00:51:54I don't know what Estella looks like now.
00:51:56Oh, no?
00:51:57No.
00:51:58She married someone else.
00:51:59That must have been a blow for you.
00:52:02I'm sorry, Pip.
00:52:03I let my jealousy get the better of me.
00:52:05You're not the only jealous person in the village.
00:52:08Who else has been horrible to you?
00:52:10I had a bit of trouble with Trabb's girl.
00:52:12She seems to think I'm a blacksmith's apprentice who's got a bit above himself.
00:52:16She seems to resent my good fortune.
00:52:18Oh, don't worry about it, Pip.
00:52:20Now, tell me.
00:52:21You came back to see Joe.
00:52:22Is that right?
00:52:23No.
00:52:24I came back to see Miss Havisham.
00:52:26For the last time.
00:52:27Oh.
00:52:29She's dead.
00:52:30Oh.
00:52:31Oh, dear.
00:52:33But you will come and see Joe, won't you?
00:52:35I'm going to go and see him as soon as I finish locking up the school and take him a
00:52:38cake.
00:52:39Oh, the poor fellow's been so lonely since Mrs. Joe died and you left.
00:52:43I won't come, Biddy.
00:52:45Won't come and see Joe?
00:52:46Why ever not, Pip?
00:52:47I must return to London.
00:52:49Things have been happening there that you would never believe.
00:52:52I can hardly believe this.
00:52:54Joe brought you up, Pip.
00:52:56I know.
00:53:01Across the street we live in.
00:53:20What's so funny about her?
00:53:21Oh, Pip.
00:53:22I'm sorry.
00:53:23She's just a funny girl.
00:53:24She was mocking me.
00:53:26You do present a bit of a target in that London finery.
00:53:31Goodbye, Pip.
00:53:32Have a safe trip.
00:53:34I'll be back.
00:53:35I'll see Joe.
00:53:37And I'll see you.
00:53:39Yes, Pip.
00:53:45I had to find a hotel here in my hometown.
00:53:49I chose the wrong one.
00:54:00Pip!
00:54:02Oh, no.
00:54:04Uncle Pumblechook.
00:54:06So, you remember him, what put you in the way of your fortune?
00:54:10Of course I remember you, Uncle.
00:54:12You remember me, all right.
00:54:14But you ain't remembered to call on me once since the change in your life.
00:54:18I'm sorry.
00:54:19There's been talk around the town about you,
00:54:22and the summation of this said talk is that you are getting
00:54:28and have got a bit big for your britches.
00:54:32I'm sorry you think that, Uncle.
00:54:35Just remember this, my boy.
00:54:37I was the one who took you first to Miss Havisham's.
00:54:42Yes, you were the one.
00:54:44Now, Uncle, if you'll excuse me, I must get some sleep.
00:54:48I have a coach to catch in the morning.
00:54:52That's right.
00:54:54You turn your back.
00:54:55You turn your back on him who was your true benefactor.
00:55:16My homecoming had left me exhausted and confused,
00:55:21but I was soon to be confronted with more immediate problems.
00:55:32So, Pip, you know all about your benefactor?
00:55:36Yes, Mr. Jaggers.
00:55:37Well, he's in danger, my lad.
00:55:39There's a bird who hates him, a name of Comperson.
00:55:41And this Comperson has been seen lurking about your flat.
00:55:44You'd better get old Magwitch out of the country.
00:55:47It's death for him if Comperson calls the police.
00:55:49I realize that.
00:55:51You wouldn't want to kill the goose that's laying the golden eggs.
00:56:08If I help Magwitch, it's to save a man's life.
00:56:12Jaggers couldn't understand that.
00:56:15This is the best way to get him out of the country, I tell you.
00:56:18I believe you.
00:56:19We rode downstream and put him on one of those steams.
00:56:23You see that off?
00:56:25It's bound for hamburger.
00:56:27We'll put Magwitch on a boat tonight.
00:56:39We're up to контрone.
00:56:59We're some friends with Vivek échanges us.
00:56:59There are a lot of people who have been passing by by—
00:58:54Uncle?
00:58:55Whatever you say, dear boy.
00:58:58I can take you back to the jetty, Herbert.
00:59:00Don't be silly, Pip-El-Trap.
00:59:16Don't be silly, Pip-El-Trap.
00:59:23Don't be silly.
00:59:23Don't be silly.
00:59:28Don't be silly.
00:59:36now
00:59:37this looks good it'll have to slow down here anyone follow us not a soul
01:00:01oh
01:00:18here comes the rot again
01:00:30passenger stop
01:00:37they're coming alongside to pick you up this language are you ready uncle i am good luck uncle
01:00:46i'm sorry to have to leave you like this i knowed the risks before i came i just had to
01:00:52see you
01:00:54to see how you turned out
01:01:16that ladder's for you mr magwitch goodbye and good luck thank you young ervitt
01:01:23you there you have a return transporter his name is abel magwitch i call on you to surrender oh no
01:02:02swing around pip
01:02:11There he is.
01:02:19Grab him!
01:02:28Are you all right?
01:02:32I got him.
01:02:34Mind you, we're taking this one into custody.
01:02:38What about the other one?
01:02:41He's a free man.
01:03:12There's the other one.
01:03:18Is it cumbersome?
01:03:21Yes.
01:03:23No good to us now.
01:03:25Row on.
01:03:26Poor fellow.
01:03:28Poor fellow, yes.
01:03:30But think of all the lives he wrecked.
01:03:32Yes.
01:03:33Miss Havisham, most of all.
01:03:35No.
01:03:37Him, most of all.
01:03:44How is he?
01:03:49He's dead.
01:03:55I'm afraid your great expectations are at an end to people.
01:04:00As a return to transport, Magwitch forfeits his estate.
01:04:04I understand.
01:04:05What will you do now?
01:04:07I'll have to get a job.
01:04:09And there's a girl I know called Biddy.
01:04:12I'm going to propose to her.
01:04:14So I think I'll be kept quite busy.
01:04:16I'm glad to see you're not bitter.
01:04:19Your own mother?
01:04:19No.
01:04:48Here it goes.
01:05:00Jo, you're all growed up, Pip.
01:05:04Hello, Pip.
01:05:05You know my wife, Biddy?
01:05:08Um, yes.
01:05:09Hello, Biddy.
01:05:10Come in, old chap.
01:05:43Come in, old chap.
01:05:59Goodbye, Jo.
01:06:00Goodbye, Biddy.
01:06:02I'll see you again after I visit Sarsis' house.
01:06:06I must see the old place once more.
01:06:10Goodbye, Pip.
01:06:35I must see the old place once more.
01:06:35I must see the old place once more.
01:06:35Goodbye, Pip.
01:06:39I must see it.
01:06:39I must see it.
01:06:40I must see it.
01:06:56estella yes pip i've come back for a last look at the old place like you i imagine
01:07:02i heard you were married yes i married a man who beat me and then killed himself
01:07:08i'm sorry to hear that but i still own this property so i'm not in the poor house
01:07:14what are you doing i'm going back to london to get a job oh good i hope the years have
01:07:21been kinder to you than they have been to me i think they have been goodbye estella
01:07:29this place has too many memories for me i must go
01:08:06well
01:08:08to become something else myself
01:08:11myself
01:08:15Ha, ha, ha, ha, ha, ha.
01:08:47Ha, ha, ha, ha.
01:09:12Ha, ha, ha, ha.
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