- 23 hours ago
A charming and humorous tale unfolds high in the breathtaking Alps, where love, confusion, and unexpected encounters collide. Follow the journey of two unlikely characters as they navigate romance and mischief in a stunning mountain setting. Filled with classic comedy moments and heartwarming scenes, this timeless story will take you on a delightful adventure above the clouds.
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Short filmTranscript
00:00:08The End
00:00:36The End
00:01:06The End
00:01:30Sir, I have you know that Mr. Victor Albert is the greatest operatic composer living today.
00:01:34You make it clear, signor...
00:01:36Please don't interrupt. As his personal manager and advisor, I must be sure that everything is in readiness for his
00:01:41arrival.
00:01:42I will make doubly sure.
00:01:44Hello? Enrico?
00:01:45Make sure that all the help have their costume, and prepare them for inspection immediately.
00:01:51Mr. Luigi, nothing must go wrong with our plans. Not only have I rented every room in this hotel, but
00:01:57I have brought and provided the most beautiful Tyrolean costumes.
00:02:00Every employee, in fact every person with whom Mr. Victor Albert comes into contact, must do his best to create
00:02:05the proper atmosphere.
00:02:07Mr. Albert's Tyrolean opera is to be his masterpiece. Do I make myself clear?
00:02:11Yes, signor. We will do all we possibly can to make the maestro comfortable.
00:02:17Excuse me, signor.
00:02:19Yes, sir.
00:02:19Mr. Albert's wife, she's coming too?
00:02:22No, no. Absolutely no. The maestro is to be alone.
00:02:38How far are we from Pond Crescina?
00:02:40About 50 kilometers, monsieur.
00:02:42And to the top of the mountain?
00:02:43Two more kilometers to the Alpen Hotel.
00:02:46La, la, la, la, la, la, la, la, la, la, la, la, la.
00:02:53Everybody!
00:02:54La, la, la, la, la, la, la, la, la, la, la, la, la, la.
00:03:04You like this?
00:03:06That's fine, Luigi.
00:03:07And now, let me see your costume.
00:03:09Me wear a costume?
00:03:11Certainly.
00:03:11Why?
00:03:12I am the manager.
00:03:13I said that everyone must wear a costume.
00:03:17Even me.
00:03:21For the life of oh.
00:03:23Why?
00:03:30Monsieur.
00:03:32Yes, what is it, Joseph?
00:03:34You, uh, you've forgotten your trousers, monsieur.
00:03:38But these are trousers, Joseph. Tyrolean trousers. My hat, Joseph.
00:03:43Yes, monsieur.
00:03:46And remember, Joseph, no one is to know that I am here.
00:03:55No one, especially my wife.
00:03:59Yes, monsieur.
00:04:23In Swiss, that's good morning to you.
00:04:27Yo-ho, di-ole-hi, yo-ho, yo-ho.
00:04:32How are you? What's happening? What's new?
00:04:36The birds in a storm as they wind through the sky.
00:04:41They're happy to see you. You're good for the eye.
00:04:46Yo-ho, di-ole-hi, yo-ho, yo-ho.
00:04:51In Swiss, that's good morning to you.
00:05:00Early this morning I rode with the sun.
00:05:05Happy at finding the day had begun.
00:05:09Happy to take what the world had to give.
00:05:14Happy to laugh and to love and to live.
00:05:19Yo-ho, di-ole-hi, yo-ho, yo-ho.
00:05:25In Swiss, that's good morning to you.
00:05:30Yo-ho, di-ole-hi, yo-ho.
00:05:34How are you? What's happening? What's new?
00:05:39The birds sing a song as they wing through the skies.
00:05:44They're happy to see you. You're good for the eyes.
00:05:51Yo-ho, di-ole-hi, yo-ho, yo-ho.
00:05:58In Swiss, that's good morning to you.
00:06:15I've got her to go to the skies.
00:06:40Mousetraps!
00:06:50Mousetraps!
00:06:54Say, why don't we try in here?
00:06:56Well, that's a very good thought.
00:07:07Let's go.
00:07:49Why, good morning, madam. Could we interest you in a nice fresh mousetrap?
00:07:54What kind?
00:07:54Why, most any kind. We have the very latest inventions.
00:07:57Yes, ma'am. We have...
00:07:58I'll handle this.
00:07:59You will handle what?
00:08:00Why, good morning, sir. We're going to show you one of our latest mousetraps.
00:08:03We don't want any mousetraps.
00:08:06Oh, let's take a look at one anyway.
00:08:08We don't want to look at any.
00:08:09If I want to look at a mousetrap, I'll look at a mousetrap.
00:08:12I said no.
00:08:14I said yes.
00:08:17I said no.
00:08:28Don't!
00:08:33Don't you dare hit my husband.
00:08:37That goes for you, too.
00:08:39Oh, Mama, that was nice of you.
00:08:41Now I think it over. If you want to look at a mousetrap, look at one.
00:08:46Oh, Papa. Mama changed her mind. We don't want to look at no mousetraps.
00:09:06Well, this is your idea. Coming all the way from America to Switzerland to sell mousetraps.
00:09:14Whatever gave you that idea?
00:09:16Well, I thought there'd be more mice here than anywhere.
00:09:19And just why should there be more mice here than any place else in the world?
00:09:23Well, don't they make more cheese here?
00:09:27Do you realize that we've been here for two weeks and haven't sold a single mousetrap, and we are flat
00:09:32broke?
00:09:33For what?
00:09:34We are flat broke.
00:09:35Does that mean we haven't any money?
00:09:43You know what the trouble is, don't you?
00:09:45No. What?
00:09:46We're not going to the right places.
00:09:49What do you mean?
00:09:51Suppose you were a mouse, and you wanted something to eat, where would you go?
00:09:57Well, I'd go where there was cheese, of course.
00:09:59That's the idea. Where there's cheese, there's mice.
00:10:03I still don't know what you mean.
00:10:05Why don't we go to the cheese factories to sell them?
00:10:09Let me give that a little thought.
00:10:31You take the two small ones in, and then come back and help me with the big ones.
00:10:49Don't go away. We've got something to show you. Will you stay here? Now, wait a minute.
00:10:58All right.
00:11:33Look. Look what you do to my cheese. What are you trying to do?
00:11:38Wreck my place of business?
00:11:40You...
00:11:41Look, look what you do to my cheese.
00:11:46Just a moment. Just a moment. Pardon this odd intrusion. We really meant no harm.
00:11:52Don't get yourself a platter. There's no need for alarm.
00:11:56We're selling something that you need, so won't you listen, please?
00:11:59We'll rid your place of all the mice, and we'll also save your cheese.
00:12:03Won't we, Ollie? Save my cheese?
00:12:06Yes, sir. All right, gentlemen, proceed. Stanley, fix me a hole.
00:12:10Now, you put this trap in a conspicuous place.
00:12:19What you are making holes in my floor for?
00:12:22Well, the mouse has to have some place to get in.
00:12:24Oh, maybe so.
00:12:26What's that gawk for?
00:12:28That's so the mouse can't get out.
00:12:34What you are making another hole in my floor for?
00:12:37Oh, that's because a mouse never comes out of the same hole twice.
00:12:42Oh, is that so?
00:12:43Oh, hmm.
00:12:47Amos, come here.
00:12:50Shh, shh.
00:12:52Excuse me.
00:12:56Say, why don't we make a lot of holes?
00:12:59It'll save time.
00:13:00That's a good idea.
00:13:02I'll help you.
00:13:03Amos, what are those men doing to our floor?
00:13:07They are trying to sell me mousetraps.
00:13:10Now, don't you waste any good money on mousetraps.
00:13:13Who's wasting good money?
00:13:14Here's where I get rid of those new good Bobanian francs.
00:13:18Oh, yeah.
00:13:19I go get it for you.
00:13:21Yeah, hurry up.
00:13:39See what it is.
00:13:41See what it is.
00:13:43Hey, who's next?
00:13:52Oh!
00:13:58Oh!
00:14:01Oh!
00:14:04Oh!
00:14:06Oh!
00:14:08Oh!
00:14:08Oh!
00:14:09Oh!
00:14:10Oh!
00:14:29Do you think we'd better go downstairs and get some fire and put the water out?
00:14:34I mean, get some...
00:14:35The fire is out.
00:14:37For once in your life, you've acted with impunity.
00:14:44Now, I've an idea.
00:14:46What, you've an idea?
00:14:47I'll fight the whole business for 5,000 fools.
00:14:51Why, you being so generous, we'll throw in our mule.
00:14:54You can't do that, Ollie.
00:14:55Don't be such a fool.
00:14:56That's my idea.
00:14:58It's a splendid idea.
00:14:59It's just an idea of my own.
00:15:02It's just an idea, a splendid idea.
00:15:06It's just an idea of my own.
00:15:09Won't you roll damn bones?
00:15:28Well, how about some dessert?
00:15:30Uh-uh.
00:15:32Now, waiter.
00:15:32Yes, sir.
00:15:33Bring me a large slice of apple pie and a demitasse.
00:15:37Yes, sir.
00:15:38And you, sir.
00:15:39I'll have...
00:15:39What's that?
00:15:40What would you have, sir?
00:15:42I think I'll try some of that demitasse.
00:15:44Yes, sir.
00:15:44And bring me a cup of coffee, too.
00:15:46Yes, sir.
00:15:51I hope everything is of your satisfaction.
00:15:55I'm too full for what?
00:15:57I am glad.
00:15:58Qui assadge il nostro chimbo ritorna, as they say in Swiss.
00:16:05Sorry, sir, there is no apple pie.
00:16:08No apple pie?
00:16:09No, sir.
00:16:09Just what kind of a hotel is this?
00:16:12I'm sorry.
00:16:13Maybe we have some other kind you would like.
00:16:16No, sir.
00:16:17I have my mouth all set for apple pie.
00:16:20Send the chief to me here once.
00:16:22Yes, sir.
00:16:22I will go to the bottom of this.
00:16:24Why no apple pie?
00:16:25See that you do.
00:16:27Yes, sir.
00:16:27What is the meaning?
00:16:28Why no apple pie?
00:16:30Yes.
00:16:30What is the meaning?
00:16:32Well, what do you say?
00:16:33Well, don't stand there like a jackass.
00:16:35Why isn't there apple pie?
00:16:37Why don't you tell him he's got his face all upset for it, haven't he?
00:16:41Well, say something.
00:16:42Let me tell you something.
00:16:44I've had better chefs than you discharge for not having apple pie.
00:16:50Absolutely.
00:16:52Discharge it easy if he cannot tell why no apple pie.
00:16:56Make apple pie.
00:16:57Make a lot of apple pie.
00:16:59Yes.
00:17:00Make a hundred apple pies.
00:17:02Yes, and make me an apple dumpling.
00:17:04You numb skull.
00:17:06Yes, and that goes for him, too.
00:17:09I am sorry to cause you this inconvenience.
00:17:12I promise you it never will happen again.
00:17:16Well, just skip it.
00:17:17Bring me the bill.
00:17:18Where then?
00:17:19The bill.
00:17:22Take it out of that and bring me the change in American currency.
00:17:26Large denominations.
00:17:34That is a funny shot.
00:17:36You Americans give always to me a sense of humor.
00:17:45Now, start the market business.
00:17:48Give me some real money that I can pay the bill.
00:17:51What do you mean, real money?
00:17:54Well, you've got 5,000 francs in that bill.
00:17:56They are no good in this country.
00:18:00Well, where are they good?
00:18:02In Bovania.
00:18:03Well, maybe we'd better go to Bovania.
00:18:06Where is Bovania?
00:18:07There is no such a place.
00:18:12Well, what are we going to do about it?
00:18:14What are you going to do?
00:18:17You are going to pay the bill.
00:18:19Well, that's all the money we've got.
00:18:28You come with me.
00:18:29Come on.
00:18:30Come on.
00:18:30Come with me.
00:18:31Come on.
00:18:35Come on.
00:18:35Put that down.
00:18:42What do you think, Franz and Homer?
00:18:44After so much force about the apple pie,
00:18:47they cannot pay the bill.
00:18:49So I put them to work.
00:18:51You will tell them what to do.
00:18:53And if they break any dishes,
00:18:55for every dishes they break,
00:18:57work another day.
00:18:59Both of you, go ahead.
00:19:07So, you bragged about discharging better chefs than me,
00:19:12didn't you?
00:19:14There are no better chefs than me,
00:19:17are there?
00:19:20Are there?
00:19:26You remember what the boss said?
00:19:28For every dish you break,
00:19:31you'll work an extra day.
00:19:37Hold it.
00:19:47Catch it!
00:19:52Come on!
00:20:04One day, two days.
00:20:07By the time you leave this place,
00:20:11the gray hairs of your beards will be trailing on this kitchen floor.
00:20:15Come on!
00:20:26Edward!
00:20:26Edward!
00:20:27Where in the name...?
00:20:28Coming, sir, coming.
00:20:30Edward.
00:20:31Yes, sir?
00:20:31What's making that noise in my head?
00:20:33I'm sure I don't know, sir.
00:20:36Can't you hear it?
00:20:37Listen.
00:20:48Bless your heart, sir.
00:20:49That's not in your head, sir.
00:20:51That's a cricket.
00:20:52The cricket?
00:20:53Yes, sir.
00:20:55The cricket song.
00:20:57Cricket song?
00:20:57That's not bad, sir.
00:20:58Not bad at all.
00:21:05Hear the cricket
00:21:07Singing merrily
00:21:09All day long
00:21:12Click, click, click
00:21:14Hear the cricket
00:21:16Yeah, it is merrily
00:21:18Quite a song
00:21:21He seems to know
00:21:23What is new from him
00:21:25Each tune is new from him
00:21:27Let's take the cue from him
00:21:29With a click, click, click
00:21:32Hear the cricket
00:21:34Singing merrily
00:21:36All day long
00:21:38Put a click, click, click
00:21:41In your song
00:21:47Hear the cricket
00:21:49Singing merrily
00:21:51All day long
00:21:56Hear the cricket
00:21:58It is merrily
00:22:00How can I compose
00:22:05With that infernal racket?
00:22:06Stop it, Edward!
00:22:06Stop it!
00:22:11Click, click, click
00:22:13Hear the cricket
00:22:16Singing merrily
00:22:18All day long
00:22:21Click, click, click
00:22:23Hear the cricket
00:22:25It is merrily
00:22:27Quite a song
00:22:29Quite a song
00:22:30He seems to know
00:22:32What is new from him
00:22:34Each tune is new from him
00:22:36Let's take the cue from him
00:22:38Let's take the cue from him
00:22:39With a click, click, click
00:22:41Hear the cricket
00:22:43Singing merrily
00:22:45All day long
00:22:47Put that click, click, click
00:22:50In your song
00:22:52With a click, click, click
00:22:55In your song
00:22:59Trick, click, click
00:23:00One day long
00:23:06Take the patrol
00:23:08From your song
00:23:08To your song
00:23:08Click, click, click
00:23:08In your song
00:23:09Quiet in your song
00:23:10To your song
00:23:11He seems to know
00:23:12What is new from him
00:23:14If you lift you from him, then take a few from him.
00:23:18Live on, sing, sing, sing, sing, sing, sing, sing, sing, sing, sing, sing, sing, sing.
00:23:48I won't have it. I told you before, Edward, I will not be interrupted.
00:23:51Not even by me, Victor?
00:23:55Darling. Oh, my darling.
00:24:00What are you doing here?
00:24:02Aren't you happy to see me?
00:24:04Why did you follow me?
00:24:06But, darling, I am your wife. Don't you remember?
00:24:11Edward, will you please introduce me to my husband?
00:24:14Certainly, Miss Herfeld.
00:24:15Edward!
00:24:18I beg your pardon, Miss.
00:24:19Why did you run away from me? And why the disguise?
00:24:23This is not a disguise.
00:24:25This costume is to get me into the mood to write my greatest operetta.
00:24:29In those fancy pants?
00:24:31These are not fancy pants. These are Tyrolean trousers.
00:24:34But, Victor, darling, I don't understand.
00:24:36You've always written your greatest music with me.
00:24:39And the critics have all acclaimed you.
00:24:41The critics have acclaimed me?
00:24:43Oh, that's good. The critics have acclaimed me.
00:24:45Just listen to what the Vienna Journal says.
00:24:47Here, read this. Never mind, I'll read it.
00:24:51Anna Herfeld's singing is divine.
00:24:53Is my music mentioned? No.
00:24:55Anna Herfeld's new operetta is a sensation.
00:24:58P.S. The composer is Victor Albert.
00:25:01Well, we're a success.
00:25:03We're a success? You're a success?
00:25:05I'm a P.S.
00:25:06I'm a P.S.
00:25:07But that's all over now.
00:25:08This is one time the critics would not be blinded to the merits of my music by your lovely voice.
00:25:14You're going home and you're going to stay there.
00:25:17My home is with you.
00:25:21Please try to understand.
00:25:23With you beside me, I could never, never compose music about a simple, unsophisticated girl that a peasant could fall
00:25:28in love with.
00:25:29And a peasant would be too particular to fall in love with me?
00:25:32A peasant fall in love with you?
00:25:35Imagine a peasant falling in love with a prima donna of the Albert Theater.
00:25:39Why, he'd be scared to death of you.
00:25:40Oh, is that so? I suppose you think I can't be.
00:25:43No, no, no, darling, darling. Please, please.
00:25:47Now, you go back to Vienna and leave me in this peaceful atmosphere where I can compose undisturbed. Huh?
00:25:55All right. I'll go back to Vienna. You go ahead with your foolishness.
00:26:02But at the last moment, don't come crying to me to sing your, your masterpiece.
00:26:16Peaceful.
00:26:26Oh, permit me, madam.
00:26:29There you are.
00:26:31Why, the pleasure's all mine.
00:26:33And mine, too.
00:26:34At least the help around here is courteous.
00:26:37Well, we can't help, uh, being helped.
00:26:39You see, we're a couple of American gentlemen, temporarily embarrassed.
00:26:42Yeah, we wash dishes.
00:26:44Gentlemen who wash dishes?
00:26:46Well, it's purely temporary. You see, it happened like this.
00:26:53Pardon the whispering.
00:26:56And then when the check came, we didn't have any money.
00:26:59What'd you say?
00:27:00I told her that we had to stay here until we could get some money to get out.
00:27:04What for?
00:27:05Well, simply for the...
00:27:06None of your business.
00:27:08Do you mean to say that you have to stay in this hotel because you couldn't pay for your dinner?
00:27:15Absolutely.
00:27:17I'll take a double order of everything on the menu.
00:27:22Everything is going to be lovely.
00:27:26Everything is going to be fine.
00:27:47Very good.
00:27:48Yes, sir.
00:27:49Very good.
00:28:04Very good.
00:28:19Thanks.
00:28:53Here, put them all back.
00:28:55And keep marking till I'll tell you to stop.
00:28:58Come on, now.
00:29:05Go on.
00:29:35How often do they fill those barrels?
00:29:38Every time they become empty.
00:29:41Huh.
00:29:45What's on your mind?
00:29:48What?
00:29:48What's on your mind?
00:29:52Nothing.
00:29:56That brandy is put there for a humane purpose.
00:30:00And anyone that would stoop so low as to touch it, without a just cause, should be shot.
00:30:10He certainly should.
00:30:15Did they save people in the summertime, too?
00:30:18No.
00:30:19Only when it snows.
00:30:22Huh.
00:30:30Hey, Fatty.
00:30:31Come with me.
00:30:32I got some work for you inside.
00:30:37I wonder who that guy thinks I am.
00:30:40Calling me Fatty.
00:30:42Why don't you tell him?
00:30:43Why, by two pins, I'd go in and punch that monkey right on the nose.
00:30:47I certainly would.
00:30:48I'll be right in.
00:30:49And enough.
00:31:03Hey, Mr.
00:31:04I will.
00:31:19Hey!
00:31:32Hey!
00:31:33Hey!
00:33:35Oh, oh, help, help.
00:33:42I'm exhausted.
00:33:44Oh, help, help, help.
00:33:49Oh, oh, help.
00:33:51I'm exhausted.
00:33:54I...
00:33:57I...
00:34:07I...
00:34:40Help! Help!
00:34:42I'm freezing to death!
00:34:44Help! Help! Help! Help!
00:35:17Help.
00:35:44Only know you're mine to love.
00:35:51You give a new little into love.
00:35:59Be still, my heart, be still.
00:36:04We haven't lived until
00:36:07this moment with its thrill of love.
00:36:18Take off that silly costume and get out of this hotel.
00:36:22Oh, I'm afraid that's impossible.
00:36:24And, besides, this costume isn't silly.
00:36:26It is. It isn't. It is.
00:36:29Then why do you demand that the entire hotel staff be dressed this way?
00:36:33That has nothing to do with you.
00:36:34Oh, yes, it has.
00:36:36The manager insisted that I wear this.
00:36:39What are you talking about?
00:36:41Don't you think I make a pretty chambermaid?
00:36:44No, I don't.
00:36:45You don't look like any kind of a maid.
00:36:47That costume isn't fooling anybody.
00:36:49I am sorry, sir, but I haven't the time to argue.
00:36:57I must finish my duty.
00:36:59I'll not have you in here interfering with my work.
00:37:01Edward! Edward!
00:37:02Coming, sir, I'm coming.
00:37:04I was just on the point of observing, sir, that I...
00:37:08Why, Miss Heffel, how charming.
00:37:12You look just like the girl from our new operetta.
00:37:14Oh, you idiot.
00:37:16Can't you see this as one of her tricks?
00:37:18But I'll put a stop for this foolishness.
00:37:20This hotel isn't big enough for the two of us.
00:37:22Order the manager to get rid of her at once.
00:37:23Of course, sir, I will.
00:37:24What are you waiting for?
00:37:25Oh, what a tasty morsel for the Vienna newspapers.
00:37:28I can see the headlines.
00:37:31Famous composer.
00:37:33His wife thrown out of hotel.
00:37:35You wouldn't dare.
00:37:37You leave me no alternative.
00:37:40I am at your mercy.
00:37:42Oh, this is all your fault.
00:37:45Get me a place where I can be alone
00:37:46and work in peace away from everybody.
00:37:48You, too.
00:37:50Well, me, too.
00:37:51Well, I...
00:37:52Well, well, well.
00:37:57Now, why don't you give up this crazy idea
00:38:00and stop acting like a musician?
00:38:04Oh, I'm crazy, am I?
00:38:06Just because I want to fulfill a simple ambition
00:38:08that does not include you, I'm crazy.
00:38:10Oh, Victor, you are getting one of your spells.
00:38:13You'll be foaming at the mouth soon
00:38:15and then biting people.
00:38:17Yes, and you're the first one that I'm going to bite.
00:38:19If you do, I'll bite you right back.
00:38:23Yes.
00:38:25Well, I've just seen the manager and it's all arranged.
00:38:32What's arranged?
00:38:33A nice quiet place, sir,
00:38:35where you can work and nobody can disturb you.
00:38:37Out there.
00:38:38Out where?
00:38:39Out there, sir.
00:38:45A tree house, that's perfect.
00:38:47Have my piano sat up there at once.
00:38:49It's being taken care of right now, sir.
00:38:51The men will be right up to move it.
00:38:54Dan!
00:38:59Dan!
00:39:08Huh.
00:39:10Uh...
00:39:11...
00:39:11...
00:39:14...
00:39:15...
00:39:16...
00:39:32All right.
00:39:46Ollie.
00:39:48What?
00:39:49I ought to be shot.
00:40:04What is it you wish?
00:40:06We've come to move the piano.
00:40:08Oh, yes.
00:40:09Right there.
00:40:26I believe this is yours.
00:40:27Oh, thank you.
00:40:28You're quite welcome, your ladyship.
00:40:30A chambermaid.
00:40:32I believe this is yours.
00:40:35You're welcome, your ladyship.
00:41:29Come over here and help me push it.
00:41:31Come over here and help me push it.
00:41:32Come over here.
00:41:37Are you afraid of me?
00:41:40Why, no, ma'am.
00:41:41No?
00:41:42No.
00:41:43Do you like me?
00:41:44Well, yes, ma'am.
00:41:47You too?
00:41:48And you?
00:41:49You too?
00:41:50No, no, no, no.
00:41:52I mean you.
00:41:54You too.
00:42:15Close the door.
00:42:32No, no, no.
00:42:33You too.
00:42:39No, no, no, no.
00:42:42Come over here.
00:42:42No, no, no, no.
00:42:44Come over here.
00:42:45Come over here.
00:42:45I've got a part of here.
00:42:54Let's go.
00:43:16I'm trying to get it.
00:43:47Come on!
00:44:16See what that is.
00:44:54Wait a minute!
00:45:00Come here.
00:45:24Wait a minute!
00:45:52See if it's safe.
00:45:54Huh?
00:45:55See if it's strong enough to hold us.
00:45:59Well, if it's not, I'll let you know.
00:46:19Say listen, I'm not gonna go across that bridge.
00:46:22You just went across it.
00:46:24Did I?
00:46:25Well, certainly.
00:46:40Come on, let's get this piano across here.
00:46:46Get off.
00:46:48Take it easy.
00:47:10We'll have to lift it.
00:47:12Come on.
00:47:23Come and get me.
00:47:25Hey, hurry.
00:47:26Oh, here I am.
00:47:27Oh, come and get me now.
00:47:30Oh, I can't hold on much longer.
00:47:32Oh, oh, oh, oh, hey.
00:47:35Come on and get me out of here.
00:47:37Oh, oh, hey.
00:47:39Hey, hurry.
00:47:40Hurry, I can't.
00:47:41Oh, hey.
00:47:43Oh, hey.
00:47:43Take it easy.
00:47:44Take it easy now.
00:47:46What?
00:47:46Oh, oh, oh.
00:47:50Oh, oh.
00:47:58What happened?
00:48:02Look out.
00:48:04I'm gonna see if the rest of these slats are safe.
00:48:08Oh.
00:48:13Oh.
00:48:14Oh, well, let's go along.
00:48:15Come on.
00:48:39Everything's okay.
00:48:40From now on, it's going to be easy sailing.
00:49:13It's going to be easy to get out of here.
00:49:24I see a monkey.
00:49:26A what?
00:49:28A monkey.
00:49:30Well, it doesn't surprise me a bit.
00:49:33If you don't quit drinking that brandy, you'll be seeing pink elephants.
00:49:36Now, get on that piano.
00:50:09Everything ain't just all right.
00:50:17Whoa!
00:50:23Whoa!
00:50:25Whoa!
00:50:25Get him!
00:50:28Whoa!
00:50:30Hey!
00:50:30Hey!
00:50:30Put the end of the pan!
00:50:33Oh!
00:50:34Whoa!
00:50:36Whoa!
00:50:37Whoa!
00:50:40Whoa!
00:50:42Whoa!
00:50:55Get your foot off of my hand!
00:50:58Get your foot off of my hand!
00:51:14Oh!
00:51:18Oh!
00:51:21Oh!
00:51:22Oh!
00:51:25Oh!
00:51:30Got it!
00:51:31Oh!
00:51:33Oh!
00:51:36Oh!
00:51:38Oh!
00:51:39Oh!
00:51:55Here you are!
00:51:56I thank you.
00:52:02Oh, please!
00:52:03Yes?
00:52:04Will you tell me something?
00:52:06Yes.
00:52:08Are you afraid of me?
00:52:09Afraid of you?
00:52:11No.
00:52:11Why?
00:52:12Do you like me?
00:52:14Like you?
00:52:15I love you!
00:52:17Ever since I've seen you in this hotel, my heart goes bumpety-bump!
00:52:20Oh!
00:52:21You are so sweet!
00:52:39Now that you've arranged everything in your usual fine manner and the piano is ruined, how am I going to
00:52:43work?
00:52:44I have everything under control, sir, as usual. There will be another piano here in a week.
00:52:48A week?
00:52:50In the meantime, sir, why not use the organ in the lobby?
00:53:06No.
00:53:27Who knows?
00:53:29No.
00:53:31No.
00:53:32No.
00:53:35It hurts, Frau.
00:53:41Why, you dropped these.
00:53:42Thank you so much.
00:53:43You're quite welcome.
00:53:44Oh, you're so sweet.
00:53:46And I never thanked you for helping me getting into this hotel.
00:53:50Why, it was a mere nothing combined with a terrific pleasure.
00:53:55Will you tell me something?
00:53:57Certainly.
00:53:58Well, if you didn't know me,
00:54:01wouldn't you think that I was really a peasant girl?
00:54:04I'd say I would.
00:54:05The prettiest peasant girl I have ever seen.
00:54:09Oh.
00:54:10Oh, sweet.
00:54:42What's the matter?
00:54:44I don't know.
00:54:46I know.
00:54:49What?
00:54:50You're in love.
00:54:53In what?
00:54:54In love.
00:54:56L-U-G-H, love.
00:54:59Am I?
00:55:00You certainly are.
00:55:03How can you tell?
00:55:05It's easy.
00:55:06Look at the silly, sloppy look on your face.
00:55:09Look at it.
00:55:12Is that what it is?
00:55:14Do you mind if I tell you something else?
00:55:17What?
00:55:18She's in love with you, too.
00:55:22How do you know?
00:55:23Any dumb bell can tell that.
00:55:26You know what you ought to do?
00:55:27If you play your cards right,
00:55:30you've got her right in the palm of your hand.
00:55:35Tell me some more, Stanley.
00:55:37There's nothing to tell.
00:55:39All you've got to do is go and let her know.
00:55:41But you don't understand.
00:55:43This is my first love affair,
00:55:45and I don't know how.
00:55:48Say, why don't you do like the gay caviars used to do in the olden days?
00:55:53The what?
00:55:54The caviars.
00:55:56The caviars.
00:55:57What did they do?
00:55:58Well, when they were in love,
00:56:00they used to go by the light of the moon,
00:56:02and they used to serenade their lady fair.
00:56:07But suppose she's in love with someone else.
00:56:11Faint heart, ne'er one fair lady.
00:56:15You're right.
00:56:50He's excellent.
00:56:51He's a sea-legant.
00:56:52Faint heart, ne'er one fair lady.
00:56:53Faint heart
00:58:24Hello.
00:58:25What are you doing here?
00:58:26I brought you some dandelions.
00:58:28Oh, thank you.
00:58:30And it's got something to tell you, too, haven't you?
00:58:35If you love me like I love you, I'd love you better than Irish stew.
00:58:43Boop-boop-be-doo.
00:58:45Oh, your poetry is so very touching.
00:58:49Yeah, I wrote that, didn't I?
00:58:53I wonder if you'd give me a chance to take you to the Alpenfest tomorrow.
00:58:59The Alpenfest?
00:59:00Yes.
00:59:01Yeah, it's going to be a big holiday, isn't it?
00:59:03Yeah.
00:59:04All the countryside gathers here for merrymaking.
00:59:07There'll be gypsy fortune-telling, dancing, and song.
00:59:12I have an idea.
00:59:14Will you help me?
00:59:15Yes, why, I'd do anything in the world for you.
00:59:19Then meet me here tomorrow morning at sunrise.
00:59:21And I'll tell you my plan.
00:59:23We'll be here.
00:59:24All right.
00:59:25Goodbye.
00:59:27Goodbye.
00:59:32Oh, Stanley.
00:59:35Say, do you know what?
00:59:36What?
00:59:36We forgot to serenade her.
00:59:40Well, let's do it now.
00:59:49Now.
00:59:50Let me call you sweetheart.
00:59:54I'm in love with you.
01:00:00Let me call you sweetheart.
01:00:04I'm in love with you.
01:00:09Keep the love light burning in your eyes so blue.
01:00:19Let me call you sweetheart.
01:00:25I'm in love with you.
01:00:45Hey, you dumbbells.
01:00:47What are you playing music at this hour for?
01:00:50Well, we're serenading.
01:00:52Serenading who?
01:00:52His sweetheart.
01:00:54You know Anna, the new chambermaid?
01:00:56For what?
01:00:57Well, he's in love with her.
01:00:59And you know what?
01:01:00She's in love with him, too.
01:01:02Isn't she, Ollie?
01:01:03Uh-huh.
01:01:04Can't you see?
01:01:05Look.
01:01:05Look at the silly, sloppy look on his face.
01:01:08Well, let me tell you something.
01:01:10I want you to know that Anna is in love with me.
01:01:14She's my girl.
01:01:15She told me so this afternoon, and I won't let nobody to come in between.
01:01:20If I ever catch you talking to her again, I'll skin you alive.
01:01:25Now, get out.
01:01:27Go on.
01:01:27Go on.
01:01:44I've seen the seven wonders of the world, and yet I can't get over the hour.
01:01:51Oh, oh, I'm amazed at each day I'm concerned.
01:01:56Oh, yeah.
01:01:56I can't get over the hour.
01:02:01I'm squisks, squisks, she down on the mountainside.
01:02:05One day she went deep and became my bride.
01:02:10And now she sits at San Norris and waits for me, but I can't get over the Alps.
01:02:18I've seen the seven wonders of the world, and yet I can't get over the Alps.
01:02:27Though I'm amazed at each day I'm quinching for less, I can't get over the Alps.
01:02:35A Swiss miss was sheeing down a mountainside.
01:02:39One day she went heeing and became my bride.
01:02:44And now she sits at San Norris and waits for me, but I can't get over.
01:02:50No, I can't get over.
01:02:52No, I can't get over the Alps.
01:02:57No, I can't get over the Alps.
01:03:32Hey, do you think anybody will recognize us?
01:03:36Why, even your own brother wouldn't know you.
01:03:38Well, I haven't got a brother.
01:03:40Well, the brother that you haven't got wouldn't even know you.
01:03:44Don't worry, boys.
01:03:45And if you are this scholar, they can't do anything to you.
01:03:47Well, certainly not.
01:03:49Not much.
01:03:50Remember what the chef said?
01:03:51If he ever saw us again, he was going to skin us alive.
01:03:55Remember when...
01:03:56Go ahead, please.
01:03:57Go ahead.
01:03:58Go ahead.
01:05:09With my permission, we will introduce the greatest prima donna that ever trilled a cantata, Romany Rose.
01:06:13Edward, go down and bring that gypsy up to my room.
01:06:17Yes, sir.
01:06:19To your room, sir?
01:06:22Never got in for that sort of thing, sir.
01:06:24Oh, no, sir.
01:06:27Tell her that I want to sign her to a contract.
01:06:32Well, if that's what you call it.
01:06:34Now hurry, Edward.
01:06:35Hurry.
01:06:35Come on.
01:06:36Come on.
01:06:36Come on.
01:06:41Come on.
01:06:56If I should feel the love that only you inspire, could you say no?
01:07:28But you know, I don't think Miss Anna is going to like this, sir.
01:07:33Oh, don't you recognize her? That is Anna.
01:07:36What?
01:07:52Oh, come right in.
01:08:20What's it say?
01:08:21It says we can't go in there.
01:08:24Well, can you beat that?
01:08:26Well, he's certainly got his...
01:08:44I thought I told you two not to come back here.
01:08:47Who?
01:08:48You.
01:08:50You know what?
01:08:51What?
01:08:51He thinks we're us.
01:08:53Isn't that silly?
01:08:54We're not us.
01:08:55We're two other fellas, aren't we?
01:08:57Why, certainly.
01:08:58I could pick you two out of a million.
01:09:01I bet you couldn't.
01:09:03Bet I could.
01:09:04I bet you couldn't.
01:09:04Bet I could.
01:09:05Close your eyes.
01:09:06All right.
01:09:12I'll finger the line.
01:09:29Hello?
01:09:31It's for you.
01:09:34Oh.
01:09:36Oh!
01:09:37Oh!
01:09:37Let's go.
01:10:10Let's go.
01:10:50Now, that'll hold you for a while.
01:10:52Come on, Stan.
01:10:53Come on.
01:10:54Come on.
01:10:55Come on.
01:10:57Come on.
01:10:57Come on.
01:11:04Why don't you try the handle?
01:11:23What's the meaning of this intrusion?
01:11:25Can't my wife and I have a little privacy?
01:11:28Your wife?
01:11:30How can she be your wife when she's in love with him?
01:11:33Isn't she?
01:11:35Now, let me tell you, gentlemen.
01:11:37She is my wife and always will be my wife.
01:11:47I thought you told me that I had her right in the palm of my hand.
01:11:52Well, you did have, but you didn't play your cards right.
01:11:55Remember I told you?
01:11:57If you went and played...
01:11:58Oh, get her.
01:12:20Come on.
01:12:22Come on.
01:12:22Come on.
01:12:22Come on.
01:12:23Come on.
01:12:24Come on.
01:12:25Come on.
01:12:26Come on.
01:12:26Come on.
01:12:28Come on.
01:12:32Good morning, ya基ials.
01:12:33Yo-ho, di-olehi, yo-ho.
01:12:37Yo-ho, di-olehi, yo-ho, in Christmas.
01:12:43Good morning to you.
01:12:49To you.
01:12:52höher,wnerhi, yo-ho, to you.
01:12:59No!
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