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Sensation Hunters – Classic Adventure Full Movie
Step into a thrilling world of adventure, danger, and excitement in this classic film Sensation Hunters. Follow daring characters as they chase intense experiences and push the limits in a story filled with suspense, drama, and unforgettable moments.
This timeless movie captures the spirit of early adventure cinema, bringing viewers a unique blend of storytelling and vintage atmosphere. Perfect for fans of classic films, old Hollywood, and historical cinema.
Enjoy watching and don’t forget to follow for more classic movies uploaded daily.
Step into a thrilling world of adventure, danger, and excitement in this classic film Sensation Hunters. Follow daring characters as they chase intense experiences and push the limits in a story filled with suspense, drama, and unforgettable moments.
This timeless movie captures the spirit of early adventure cinema, bringing viewers a unique blend of storytelling and vintage atmosphere. Perfect for fans of classic films, old Hollywood, and historical cinema.
Enjoy watching and don’t forget to follow for more classic movies uploaded daily.
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Short filmTranscript
00:00:00THE END
00:00:37Oh, my God.
00:01:00Oh, my God.
00:01:55Oh, my God.
00:02:00Oh, my God.
00:02:04Enjoying yourself?
00:02:05You know, it's frankly embarrassing and all that sort of thing, but I've, uh, I've dropped a guinea.
00:02:10Did you drop it in my room?
00:02:12Oh.
00:02:14Oh, I say, I, I hope you didn't think that I...
00:02:19First, I thought that, uh...
00:02:21Well, you shouldn't, should you, eh?
00:02:22No, I guess I shouldn't.
00:02:24Bye-bye.
00:02:26Uh, uh, toodaloo.
00:02:41Could you tell me what time we get into Los Angeles?
00:02:43About four o'clock this afternoon, Miss Jordan.
00:02:46But you're not leaving us yet, are you?
00:02:47Oh, no.
00:02:47Now, you can't get rid of me before Panama.
00:02:56Oh.
00:02:57How'd you go on there?
00:03:00Yeah.
00:03:01Yeah.
00:03:15I don't know what you're doing.
00:03:35Hey, that dive was a beauty.
00:03:38By the way, Miss Jordan, I've arranged to have you with us at the captain's table.
00:03:43It might brighten it up a bit.
00:03:44Oh, that's not so lovely, Missy Dayton.
00:03:46I'm sure I shall enjoy it.
00:03:49Were you hungry?
00:03:50Oh, so hungry.
00:03:52That was actually good to me.
00:03:54Hello, darling.
00:03:55Oh, what?
00:03:56Yes, yes, of course.
00:03:57Hello, mother.
00:03:59Hello, darling.
00:04:00I got down lovely for you.
00:04:01I say, I hear that we are to have a little game this afternoon.
00:04:06Yeah, we'll have to have quite a little time.
00:04:09Are you hungry?
00:04:10I believe you all know Miss Jordan.
00:04:13How do you do, Miss Jordan?
00:04:16Oh, yes, you do.
00:04:18Does Miss Jordan know Mr. Montmorency Upson?
00:04:20Oh, yes.
00:04:21We've met.
00:04:22It's a child.
00:04:25If I'm not too inquisitive, Miss Jordan, was it on the continent you met Mr. Upson?
00:04:30It was on a boat.
00:04:31You know how it is in life sometimes.
00:04:33You open a door and before you know it, you bump into somebody.
00:04:38I say, old thing, do we take on any passengers at Los Angeles?
00:04:42Why, yes.
00:04:43As I recall, there's a group of passengers going through to Panama.
00:04:47The Trixie Snell girls down to perform in the Bull Ring Cabaret.
00:04:51You mean cabaret girls?
00:04:53Well, dancers, entertainers, hostesses.
00:04:55You can call them almost anything you like.
00:04:57Oh, hoochie-coochie dancers, eh, what?
00:05:01Will they be permitted to mix with the passengers?
00:05:03Oh, they are passengers, Mrs. Grayson.
00:05:05The company cannot discriminate.
00:05:07Well, the passengers can discriminate, I assure you.
00:05:10Yes, I quite agree with you, Mother.
00:05:13That type should be kept in its place.
00:05:15Don't you think so, Dale?
00:05:17That depends on the type and the place.
00:05:42Hey, Red!
00:05:44Her hair's a different color every year, but they still call her Red.
00:05:50Pam the chatter, save your pet for Panama.
00:05:58Say, you'd forget your rosy cheeks if they weren't slapped down with a paintbrush.
00:06:01I know I had them when I bumped into that traveling man last night.
00:06:05The brakes, I guess.
00:06:06Another farmer's daughter.
00:06:08Have you looked in the first national?
00:06:10Oh.
00:06:15Hurried.
00:06:16Well, try the second ranch, you sims.
00:06:20Oh, hot dog!
00:06:22Hot dog!
00:06:29One side, sailor.
00:06:31You ain't seen nothing yet.
00:06:35In all the world, no trip like this.
00:06:39Hi, Skipper.
00:06:40How's your old compass?
00:06:42Hello, Miss Mel.
00:06:42Glad to see you again.
00:06:44Oh, we're so proud of all of us.
00:06:45I hate you.
00:06:48Hey, Admiral, are there any hot hoppers on this tug?
00:06:51Scram, dumb bell.
00:06:53Oh, crampish down till you get where you can use it.
00:06:55What is it?
00:06:55Take down!
00:06:57Hey, sailor!
00:06:58Look who's back!
00:07:00Come on, come with me.
00:07:02So long, Skipper.
00:07:06If you'll excuse me, Mr. Grayson, I think I'll go down to my cabin.
00:07:09Well, I'll see you later, won't I?
00:07:12Why, yes.
00:07:14Unless you look the other way.
00:07:20That's it.
00:07:21I think it is.
00:07:23Oh, who's the roommate?
00:07:25Last time, he had bumped me with a contortionist.
00:07:28Every time I looked at her in bed, I thought I was having a nightmare.
00:07:30Oh, she's a kid I picked up in Frisco.
00:07:33Kind of green, but she can sing.
00:07:35Oh, amateur, huh?
00:07:37What are we supposed to do, wiener?
00:07:39Well, there's nothing like a little fresh meat.
00:07:41After all, customers get kind of tired of has-been.
00:07:44You should know.
00:07:46Why, you lowdown plug-face.
00:07:49Oh, as I was saying, dear, we're going to have a delightful trip.
00:07:52Why, here's Miss Jordan now.
00:07:54Jolly what?
00:07:56Oh, hello, Miss Jordan.
00:07:57Received my wire, eh?
00:07:59Yes, I did, Miss Nell.
00:08:00I didn't really expect to hear from you.
00:08:02This is Jerry Royal, your roommate.
00:08:04Been with me before, and she knows the rope.
00:08:07How do you do, Miss Royal?
00:08:07Shake, Jordan.
00:08:08Hey, Trixie, when do rehearsal start?
00:08:11Not till this gang of slobs get their sea legs.
00:08:13And listen, you, keep their mitts off those sailors.
00:08:16They've got enough on their hands keeping this tub afloat.
00:08:21It's the last we'll see of Trixie till we get into port.
00:08:24She's a good egg, except when she gets scrambled.
00:08:28Got a nail file, honey?
00:08:29What's the matter?
00:08:30Did you lose the key?
00:08:31No, I locked it in my trunk so they'll know where it is.
00:08:34It's your first time in show business?
00:08:36Yes, it's my first to pin.
00:08:38Well, you sure picked a tough spot for a beginner.
00:08:41Well, you've got to begin someplace.
00:08:43Yeah?
00:08:44Well, you don't know the bull ring or Trixie Snell's technique.
00:08:48Have you been here before?
00:08:49Honey, I've been to Panama so often,
00:08:51and I feel like an isthmus.
00:08:53Well, if it's so bad,
00:08:54why do you and the other girls keep on going back again?
00:08:57Oh, different girls, different reasons.
00:08:59But mostly because it's just our speed.
00:09:02You know, you can't make a silk purse out of a horse's neck.
00:09:06And there's another reason.
00:09:07Good hunting for husbands.
00:09:10Say, there's plenty unmarried men to every woman.
00:09:12Why, it's a regular he-harem.
00:09:14I shouldn't think a good-looking girl like you'd have any trouble finding a husband.
00:09:19She wanted one.
00:09:20Thanks for them kind words, sister, but I am married.
00:09:24You are?
00:09:25Yeah, R.M. was and is going to be.
00:09:27Are you joking?
00:09:28No, sir.
00:09:29Three times loser.
00:09:31Trouble with me is I go gaga over a tattoo mark.
00:09:34Three splices and three sailors.
00:09:37The kind of sailors I hitched up with ain't never seen an anchor.
00:09:40How do you lose them?
00:09:41They don't just run away, do they?
00:09:43Well, some of them get lost in the fog.
00:09:45The rest of them I just throw out.
00:09:48Well, it was open all the time.
00:09:50I forgot to lock it.
00:10:03Oh, that was number one.
00:10:04Olaf Anderson.
00:10:06He's a pretty good guy.
00:10:08Not much to look at, but oh, sister, what a man.
00:10:12What happened to him?
00:10:13Poor Olaf.
00:10:15He signed on one of those round-the-world cruises,
00:10:18lost his boat in Shanghai,
00:10:19and I guess the dumb dodo can't learn enough Chinese to ask his way home.
00:10:23Oh, you want me to help you put your things away?
00:10:25Nope, I don't need any help.
00:10:33Well, I'm all settled.
00:10:36Heaven help the poor sailors on a night like this.
00:10:38I thought you said you'd sworn off on sailors.
00:10:41Well, the gal's got to have some practice.
00:10:44Some of those sailors are pretty good at practice.
00:11:08So your girlfriend turned out to be one of Trixie Snell's hot numbers.
00:11:25Well, I have a frightful headache.
00:11:28Will you see me to my cabin?
00:11:36Coming, children.
00:11:37Come on.
00:11:39Come on.
00:11:52Miss Jordan, I've been waiting for days to find someone to introduce us.
00:11:58Looks as though I'll have to take fate by the forelock and present myself.
00:12:01How do you do, Mr. Bayless?
00:12:04You knew my name.
00:12:05You knew mine?
00:12:06Well, would you dance?
00:12:21Aren't you afraid you'll lose your social standing?
00:12:24I haven't any.
00:12:26I might acquire some dancing with you.
00:12:28I don't know.
00:12:36Phew!
00:12:38How many ports have you been in?
00:12:40A whole lot, baby, but I always go back to the same one.
00:12:43The same what?
00:12:44Back home where there's Mama and Gretchen and Mabel and Catherine and Isaacs and Hallowish.
00:12:51And a baby I ain't even seen yet.
00:12:54And what am I supposed to be?
00:12:55The godfather?
00:13:04Do you realize that for the whole evening you've made me talk of nothing but myself?
00:13:09I certainly couldn't think of a better subject.
00:13:11Mr. Bayless, suppose you tell me the story of your life.
00:13:14Do you think you'd be interested?
00:13:16That depends on the story.
00:13:18It's a long one.
00:13:20It'll probably take all of tomorrow afternoon.
00:13:23Think you could stand it?
00:13:24I think so, Mr. Bayless.
00:13:26Tom.
00:13:27Tom.
00:13:29Tom.
00:13:34It must be very late.
00:13:36I think I'd better go.
00:13:43I've had a delightful evening, Tom.
00:13:46Good night, Dale.
00:13:47Good night, Tom.
00:13:50Good night.
00:13:55Good night.
00:14:01Good night.
00:14:03Good night.
00:14:07Good night.
00:14:09Good night.
00:14:09Good night.
00:14:10Good night.
00:14:10Good night.
00:14:10Good night.
00:14:10Good night.
00:14:29Oh dear, my ten dollar gold piece.
00:14:33Allow me to help you, my dear.
00:14:35Deucid and embarrassing, what?
00:14:37Yes, yes.
00:14:38I think the bally thing rolled under my chair.
00:14:50Well, still dropping things, I see.
00:14:54Ho!
00:15:14Who is it?
00:15:14Hello, kid.
00:15:16I guess you've been having quite a laugh at my expense, haven't you?
00:15:19Laugh?
00:15:19What do you mean by coming into my room?
00:15:21Oh, well, the joke's on me, all right.
00:15:23Here I was, being so very, very careful, and all the time you were one of Trixie Snell's girls.
00:15:32I think you've made a mistake.
00:15:34Good night, Mr. Grayson.
00:15:38Oh, come on, kid.
00:15:40That act's over.
00:15:41Be yourself.
00:15:43Is your face red?
00:15:45Oh, I see.
00:15:46Just a couple of...
00:15:48Outside, Bluebeard.
00:15:52Scram, bug, before I step on you.
00:15:57Say, you're no babe in rompers.
00:16:00You can take care of yourself.
00:16:01Only your technique's old-fashioned.
00:16:03Old-fashioned?
00:16:04Yeah, that, that, uh, face-slapping gag.
00:16:08They're mature-ish.
00:16:09It's all right for them parlor books and all that.
00:16:12But say, when a goof makes a pass at me, I ups to him and gives him a right hook
00:16:15to the kisser.
00:16:17You know, you've got to be prepared for things like that when you get in a troop of Trixies.
00:16:21Maybe I should have studied boxing instead of singing.
00:16:24You think you're kidding?
00:16:25Maybe you'll wish you had.
00:16:27You're going to meet plenty of palookas.
00:16:29Sure, you make it sound pretty terrible.
00:16:33Oh, gee, kid.
00:16:34I didn't mean to scare you.
00:16:36You just tie on to Jerry's apron strings and everything will be all right.
00:16:41You know, Jerry knows their onions.
00:16:43And their tamales, too.
00:16:55Why, Tom, what an odd curio.
00:16:57It's a sort of good luck charm.
00:17:00I got it from an Indian chap that I managed to pull out of the water down in the San
00:17:03Blas Islands.
00:17:03That's where your business is.
00:17:05I'm in the copper trade down there.
00:17:07It's pretty wild.
00:17:09Often I don't see a white man for months.
00:17:11I spend my days visiting native villages, sleeping outdoors.
00:17:14Sounds almost as exciting as the bullring.
00:17:19Bill, tell me, how much do you actually know about Trixie Snell and the bullring?
00:17:24Not much.
00:17:25But I seem to be learning.
00:17:26But you must have known something about what you were getting yourself in for.
00:17:29Things are a little different from what I thought they'd be, but I think I'll be able to take care
00:17:33of myself all right.
00:17:34Well, I hope so.
00:17:36You know, until I heard about your stage ambitions, I was a little puzzled at seeing a girl like you
00:17:42in Trixie's troop.
00:17:43Most of the girls from the bullring I've known signed up with Trixie either as a last resort or at
00:17:48most because they were hunting for sensations.
00:17:52I don't think I really belong to other class.
00:17:55Why, sir?
00:17:56The old thing is a spippin' pay.
00:17:58What is this?
00:17:58Haul.
00:17:59Say, what is this haul business you're always getting off of?
00:18:03Why, my dear, it's an expletive that is indigenous to my stratum.
00:18:09You don't mean it.
00:18:10Isn't there something a doctor could do about it?
00:18:13Haul.
00:18:14We're right back where we started.
00:18:16I say, you know, I was quite distressed over your losing your money last night.
00:18:22So after you'd retired, I went back to your chair and looked around for your gold piece.
00:18:28Quite sporting of you, old thing.
00:18:31Too bad you didn't find it.
00:18:33But I did, you know, right under your chair.
00:18:37You know, I have remarkable eyesight.
00:18:41Remarkable eyesight?
00:18:43Why, you're a walking microscope.
00:18:45I think you're a honey.
00:18:47I say, old thing, I think you're a little bit of all right yourself.
00:18:52Quite spiffing.
00:18:53What?
00:18:54Say, what is this old thing in spiffin' business?
00:18:58Are you trying to make fun of me?
00:19:00My word, old dear.
00:19:02So you're making fun of me, huh?
00:19:04Say, listen, egg.
00:19:05If you think you can make fun of me for ten bucks, you're screwy.
00:19:12Paul.
00:19:19Well, Tom, tomorrow we'll be in Panama.
00:19:24That's right.
00:19:25This is our last night out.
00:19:29I'd better hurry, Andres.
00:19:35Oh, nurse.
00:20:02You look as glum as one of those Indians on that island of yours.
00:20:05Oh, I don't know, Dale.
00:20:07I thought of your leaving as bad enough.
00:20:09Leaving with Trixie Snell and all that.
00:20:11That's awfully sweet, Tom.
00:20:12I'm really flattered that you should be worried about me.
00:20:15Worried about you?
00:20:17Why, Dale, I...
00:20:32All right, kids, come up for air.
00:20:35Jerry!
00:20:36Jerry!
00:20:37I didn't know you were here.
00:20:39I'd like to know how you do it.
00:20:41But you're what?
00:20:42Turned a sphinx into a caveman in six days.
00:20:46Wish you'd loaned me some of your technique.
00:20:48You seem to be doing all right with the men.
00:20:50How about your friend, Uppy?
00:20:52Oh, I dissed him two days ago.
00:20:55What?
00:20:56You know the ritzy way I talk when I try to impress someone?
00:20:59Yes.
00:21:00Well, Uppy tried the same thing on me.
00:21:02So I gave him the air.
00:21:05But Jerry, that's the way Mr. Upson really talked.
00:21:10Oh, my gosh.
00:21:11Well, why didn't he say so?
00:21:34What a glorious night.
00:21:41Everlasting moonlight.
00:21:43One of the baits of the tropics.
00:21:47Face the truth, Dale.
00:21:49Half the girls who come down here never get home unless some man pays their way.
00:21:52You're exaggerating.
00:21:54I'm not exaggerating.
00:21:55I know what I'm talking about.
00:21:57I've seen how it goes.
00:22:00The girls start drinking to forget how rotten and sordid the whole thing is.
00:22:04They show up some night too drunk to go on.
00:22:06There's a fight with Trixie and she kicks them out.
00:22:08But, Tom, nothing like that's going to happen to me.
00:22:20It might, Dale.
00:22:22That's why I'm worrying.
00:22:26I'm crazy about you.
00:22:29I've even thought about selling my business interests.
00:22:32Well, Tom.
00:22:32It might sound foolish, but, well, maybe if you'd promise not to drink.
00:22:38After all, that's how the whole thing starts.
00:22:43You cheapen me by even asking such a thing.
00:22:46Cheapen you?
00:22:47You've cheapened yourself already by associating with Trixie's crowd.
00:22:50Tom.
00:22:50Why act like a child?
00:22:53Why put yourself in the way of temptations that thousands of women haven't been able to resist?
00:22:57Just a minute.
00:22:58I've had just about enough of this.
00:23:00It's going to take more than climate or a crowd to make me a wanton.
00:23:03I know, Dale, but...
00:23:03As Trixie's crowd, I only really know one of them.
00:23:06If she's an example of the rest, I'll throw my lot in with them.
00:23:09One, two, three.
00:24:01We've got a full house, girls.
00:24:03So buckle up your preserves and get ready for Jerry's number.
00:24:13You haven't heard enough from him yet, huh?
00:24:16No, not a word.
00:24:17Maybe he's out in front.
00:24:19Yeah, sipping a lemonade.
00:24:23Hey, handsome.
00:24:26Who's the stew at the end table?
00:24:30Uh, wait.
00:24:35All right, girls, let's go.
00:24:37Come on.
00:24:38Come on.
00:24:42See you later, kids.
00:24:43Good luck.
00:24:44Get out of the way and let me in.
00:24:47Smile.
00:24:57Now, customers, I'm going to introduce 110 pounds of American squab with a chili dressing and a tamale tone that'll
00:25:04knock you on your tortilla.
00:25:06Miss Jerry Royal.
00:25:17There's a gal they say to wish you.
00:25:21Just a pal who knows what to do.
00:25:26Has a saying that I'm telling you.
00:25:32If there ain't one last, it's another.
00:25:43I'm the shady, splendor and crown.
00:25:47Just a lady who's been around.
00:25:51She ain't got an enemy in the town.
00:25:57If it ain't one man, it's another.
00:26:10Undertaker's face long and sad.
00:26:13Tried to shake her.
00:26:15That made her mad.
00:26:17Ain't Ben got what he's gonna be had.
00:26:23If it ain't one last, it's another.
00:26:33Round the world, that gal made her swing.
00:26:38She got famous doin' that thing.
00:26:48If it ain't one last, it's another.
00:26:59Traveled every land, every sky.
00:27:04She told Gandy when it hit drive.
00:27:08Darkin' heads come and see me sometimes.
00:27:15If it ain't one man, it's another.
00:27:25On her tomb's own face to elude.
00:27:30Walked dead ripped when she wasn't free.
00:27:33Gone to Hades to give the devil him.
00:27:40If it ain't one man, it's another.
00:28:05If it ain't one man, it's another.
00:28:09Hey, you showed about as much pep as a nervous oyster.
00:28:12What's the matter?
00:28:13Too much navy on the boat?
00:28:14Oh, I don't know.
00:28:15I guess it's the heat.
00:28:16Well, you'll be in a hunter place someday.
00:28:20Jerry, not so bad.
00:28:22But next time, give them all you got.
00:28:24No rainy days down here to save anything for.
00:28:27Jordan, you're on next.
00:28:29Come on.
00:28:33On the up and up, kid.
00:28:35You never played a cabaret before, did you?
00:28:37No.
00:28:38Only college shows.
00:28:39I knew you were lying.
00:28:41They all do.
00:28:42Well, you're on the spot now.
00:28:45Honey boy.
00:28:48There's the one I mean.
00:28:53Oh, you mean the one with the glasses.
00:28:58Well, that might be the case.
00:29:00All right, sucker.
00:29:01Now there's two of you.
00:29:09Now, hikers, I'm going to introduce the answer
00:29:12to a traveling salesman's prayer.
00:29:15She can go up and down the scale faster
00:29:17than a Wall Street bond.
00:29:18She's been a hit in New York and Chicago
00:29:20and other foreign countries.
00:29:22So get a firm grip on your blood pressure
00:29:25and meet Miss Dale Jordan.
00:29:54Miss Dale Hoffman, Miss Dale Wolfman, Miss Dale
00:29:57I oughtn't know how I tried to find the reason I was born.
00:30:27There's something to me so thrilling, I feel oh so weak and willing.
00:30:33Oh, tell me what can it be?
00:30:37Something that makes an old man get busy with his feet.
00:30:44Something that makes a calm man get busy with the heat.
00:30:50There's something in the air that's holding me close and closer.
00:30:58I know that I can't say no to you.
00:31:02Oh, tell me what can it be?
00:31:05There's something in the air that's making me see things double,
00:31:13making my feelings bubble.
00:31:16Oh, tell me what can it be?
00:31:19That air of I don't care has something beyond revealing.
00:31:27It's lifting me to the ceiling.
00:31:30Oh, tell me what can it be?
00:31:34Something that makes a teacher start acting like a clown.
00:31:41Something that makes a preacher just lay his Bible down.
00:31:48There's something in the air that takes everything it touches.
00:31:56It hides me within it, but it's all.
00:32:00Tell me what can it be?
00:32:26Good work, kids. You sure put it over.
00:32:28Oh, thank you, dearie.
00:32:29You sure are, dearie.
00:32:59Can you hear me it?
00:33:25Will you see that Miss Dale Jordan gets this, please?
00:33:27Yes, sir.
00:33:34All right, Scallions, get out and make the customers thirsty.
00:33:37Okay.
00:33:43Well, Goofus, what do you want?
00:33:46I got a...
00:33:49Here, Jordan, you've collected a dividend already.
00:33:53All right, nosy, take a run-out powder.
00:33:56There's a guy at the table that says 16, calling for Miss Royal.
00:34:00Maybe I'll get a break, too.
00:34:03Hey, wait a minute.
00:34:05Say that he buys plenty and don't let that whiskey tenner of yours catch up on you.
00:34:08Have a great day.
00:34:15Come on.
00:34:25Have a great day.
00:34:27Have a great day.
00:34:30Work us at the Gender Bowl.
00:34:32All right.
00:34:33Come on.
00:34:34Let's go.
00:34:54Let's go.
00:35:03Jerry Royal, you've hung that picture in a different spot every week for three months.
00:35:08Every time you hang it crooked.
00:35:10That's the right stance for number one.
00:35:12Every time he came home, he gave a list to the starboard.
00:35:15Well, we're going to feed the flesh this morning or rehearse on an aspirin tablet.
00:35:20I don't feel fit for anything.
00:35:22Oh, snap out of it.
00:35:25I don't know whether it's the heat or what it is it's getting me.
00:35:28I'm so tired of the same old faces and the same old songs.
00:35:35Oh, it affects different people different ways.
00:35:38Now, take me, for instance.
00:35:39I like to get drunk and go on a toot and kick Trixie's cash register.
00:35:44Sometimes I wonder whether Tom Bailey wasn't partly right.
00:35:47Of course he was right, but don't give him a break and admit it.
00:35:51Well, it won't be long now, baby.
00:35:53Keep a stiff upper lip.
00:35:55That's all we've got to do is keep our head in the clinches.
00:36:00Well, how'd you like your hen fruit?
00:36:02Let's have them sunny side up.
00:36:04Atta girl, we'll have them.
00:36:09There's something in the air that's making me see things double.
00:36:17Making my feelings bubble.
00:36:20Oh, tell me what can it do.
00:36:24That air of I don't care has something beyond revealing.
00:36:30It's lifting me to the ceiling.
00:36:34Oh, tell me what can it do.
00:36:38Something that makes a teacher start acting like a clown.
00:36:45Something that makes a preacher just lay his Bible down.
00:36:51There's something in the air that takes everything it touches.
00:36:59It hides me within it, but it's all who'll tell me what can it do.
00:37:13Say, Bill, that one's different.
00:37:17I'd like to meet her.
00:37:19That should be easy.
00:37:23Say, uh, Trixie.
00:37:25I'm off you for life, Bill Burr.
00:37:27Me with a brand new show, and it's taken you two, three months to get around here.
00:37:32Don't blame me, Trix.
00:37:33The boss has kept me jumping ever since he got in from Havana.
00:37:36Oh, Trixie, meet Jim Crosby.
00:37:39How do you do?
00:37:41General manager, Standard Airlines.
00:37:44And general nuisance around the Panama office, Trixie.
00:37:47Not Jimmy Crosby, the flyer.
00:37:49Right.
00:37:50Gosh, Jimmy, I saw you at the races last year, and you gave me heart failure.
00:37:55You've been doing that to girls for years.
00:37:58Say, Trixie.
00:37:59How about the little girl that did the last number?
00:38:01Lay off, kid.
00:38:03She'd give a cold potato chill.
00:38:06Oh, come on.
00:38:07I've baked some potatoes before.
00:38:10Any of the others, Jimmy.
00:38:11But not this one.
00:38:12You'd only be wasting your time.
00:38:15Well, it'd be the first time I ever have.
00:38:18I've got a hundred bucks that says I won't be wasting my time.
00:38:21And I've got a hundred that says you will.
00:38:24It's a bet.
00:38:26Go buy yourself some lollipops.
00:38:27I like all-day suckers, too.
00:38:36Good night, Mr. Crosby.
00:38:41Say, um...
00:38:42How about a little supper with me somewhere?
00:38:44After you're through here.
00:38:46No, thank you, Mr. Crosby.
00:38:48Not tonight.
00:38:51Well, Miss Jordan, how about breakfast at my hotel in the morning?
00:38:56Yes.
00:39:01You're very sweet, Dale.
00:39:03You've been very sweet, too, Jimmy.
00:39:06You know, if I'd had my way, we'd be drinking champagne up in my room.
00:39:12And I'd show up a rehearsal full of champagne and Trixie'd kick me out.
00:39:16Oh, come on, Dale.
00:39:17Couldn't you chuck rehearsal just for today?
00:39:20No, I'm afraid not, Jimmy.
00:39:23Well, how about tomorrow?
00:39:27I thought...
00:39:28I thought we might take a little spin in my car.
00:39:49Have a nice day.
00:39:50Oh, lovely.
00:39:52It's been like a dream.
00:39:54Feel like going back to the bull ring?
00:39:55Of course I don't, Jimmy.
00:39:57But I have to.
00:39:58You don't have to go back there, Dale.
00:40:01I could make life very happy for you.
00:40:03Make this day last forever.
00:40:06You don't believe that, Jimmy.
00:40:08Any more than I do.
00:40:09There'd have to be a rude awakening sometime.
00:40:12I love you, Dale.
00:40:14I mean it.
00:40:17Oh, I admit I've said that many times before.
00:40:20I haven't been exactly a plaster saint.
00:40:23But you've made me realize for the first time what it means to say,
00:40:28I love you.
00:40:29Jimmy, no wonder you swept them off their feet.
00:40:33Do you know what I'd like to do?
00:40:35Hop into my plane with you and fly back to the States.
00:40:39It would only take a few hours.
00:40:40Mr. Cridby, am I to consider this a proposal?
00:40:44You can take this any way you want to.
00:40:47You name the terms.
00:40:54But I...
00:40:55I don't love you.
00:40:58I could make you love me.
00:41:08Well, Jimmy...
00:41:09If you can make me love you,
00:41:11I'll marry you, of course.
00:41:13But if you don't take me right back to town,
00:41:15I'll be late for my number at the bull ring.
00:41:20You mean he actually asked you to marry him?
00:41:23Well, that was the general idea, darling.
00:41:25But I don't love him.
00:41:26Oh, baloney.
00:41:27I married three clucks who couldn't give me anything but love.
00:41:30It's a high-class name for hooey.
00:41:33Say, are you still stuck on that bimbo from the Indian country?
00:41:37What'd he ever give you?
00:41:39A worm-eating piece of coral knack to his wigwam?
00:41:42Say, the big salami did you a favor.
00:41:45If you let that Crosby off the hook,
00:41:47you ought to be.
00:41:48Say, passionflower,
00:41:49what's the idea of keeping that Dutch skipper waiting?
00:41:51Oh, a nerd.
00:41:53He's so dumb,
00:41:54we have to talk in the sign language.
00:41:55He can't even recognize a soft signal.
00:41:58Your boyfriend's outside, Innocent.
00:42:00And listen,
00:42:01if you bail out of Panama with Crosby,
00:42:03I want a month's notice to get another singer.
00:42:04You savvy?
00:42:05I don't think you need to worry about it, Trixie.
00:42:08Well, I don't care,
00:42:08but I never allow love to interfere with business.
00:42:11I thought that in your case,
00:42:13they were the same thing.
00:42:14Say, listen, high-hat.
00:42:16Did you ever get a sock on the beezer?
00:42:19No.
00:42:20How does it feel?
00:42:39You better lay off that kid.
00:42:40You're on next, you know.
00:42:52Say, where is this Germany?
00:42:54In Switzerland?
00:42:55Switzerland, nothing.
00:42:56It's just on the other side of Hoboken.
00:42:58Oh, ducky wucky.
00:43:07Oh, what's the matter, Dale?
00:43:09You look worried.
00:43:12Trixie's been hitting the bottle lately,
00:43:13and the girls are all on edge.
00:43:17You know what I told you.
00:43:19Over and over again.
00:43:22Yes, I know, Jimmy.
00:43:27Oh, don't you're an old man.
00:43:32Why, you old pretzel.
00:43:33What?
00:43:34You want a pretzel?
00:43:35Well, well, what is going on here?
00:43:37Well, stupid, I got one.
00:43:40He wants a bottle of champagne.
00:43:42Yeah, I have champagne.
00:43:49And now, folks, I'm going to introduce the sweetest little girl, Miss DeLoree.
00:44:05Jim Hammond.
00:44:10Sit tight, honey.
00:44:11I'll be right back.
00:44:13Oh, Vidman.
00:44:18You little pig.
00:44:19What do you mean by hooking up my show?
00:44:20I can't go on.
00:44:22I'm home, Sherry.
00:44:23You think this poison's going to cure you?
00:44:25I won't have you drinking before your numbers.
00:44:28I'm straight up with you and your rotten mouth show.
00:44:30Why, you dirty little unwed.
00:44:40Seven years, bad luck.
00:44:44Fourteen years, bad luck.
00:44:45Excuse me, Jimmy.
00:44:46I might have to go on.
00:44:51Hey here, you fool.
00:44:54I'll beat some brains into you, you cheap little.
00:45:03Keep out of my business or I'll give you a dose of this yourself.
00:45:07I've never known a woman as low as you.
00:45:11Get out, Dale.
00:45:14You raise that bottle one inch and I'll knock those false teeth of yours down your gizzard.
00:45:27Get out of your way.
00:45:28Get me out of this.
00:45:29Take me away.
00:45:31Anywhere.
00:45:31What's happened?
00:45:46Don't.
00:45:48Don't.
00:45:49You don't have to go back there.
00:45:54Jimmy, do you still mean what you said about marrying me?
00:46:03Yes. Yes, of course.
00:46:06All right.
00:46:08I'll fly to New York with you tomorrow.
00:46:11And I'll spend my whole life being grateful to you for taking me out of all this.
00:46:46Oh, Jerry, you've got my nose.
00:46:48Oh, yours.
00:46:49Jerry, dear, won't you come and visit me in my suite at the Hotel Washington?
00:46:56Boy, what a dump this is.
00:46:59Never saw so much plush since Astor's pet horse died.
00:47:04Oh.
00:47:09Boy, if I ever climbed into this, I'd never get out.
00:47:15Putting you up in style, huh?
00:47:16Oh, no, Jerry, I'm paying for this.
00:47:19That's the way it's going to be until after we're married.
00:47:21Well, you better get hitched in a hurry.
00:47:23Your bankroll won't stand this over a couple of days.
00:47:26When the festivities coming off?
00:47:28We'll probably start to fly to New York late today or early tomorrow.
00:47:33When's the splicing going to be, before or after?
00:47:36I mean before or after New York.
00:47:38Oh, I'm willing to leave that to Jimmy.
00:47:41The only thing I'm sorry about is leaving you, Jerry.
00:47:45But I miss you too, kid.
00:47:47And I'm glad for your sake.
00:47:48You never were cut out for this kind of a racket.
00:47:51It's only for slobs like me.
00:47:53Oh, no it isn't, honey.
00:47:56You've got to get out of it too.
00:47:59Sure.
00:48:00And one of my ships comes in.
00:48:05Come in.
00:48:08Oh, good morning, Jimmy.
00:48:10Hello, darling.
00:48:10You remember Jerry, don't you?
00:48:12Well, yes, of course.
00:48:13How are you, Jerry?
00:48:14Oh, topping.
00:48:21Well, I guess I'd better be going.
00:48:23I'll see you before you go, won't I?
00:48:25Well, of course.
00:48:26Jerry, I'm going out to buy some clothes.
00:48:28Why don't you drop in this afternoon and look them over?
00:48:30Okay, I'll do that.
00:48:32So long, Crosby, you're a lucky egg.
00:48:37How are you, darling?
00:48:39I'm fine, thanks, Jimmy.
00:48:41When do you think we'll be getting away?
00:48:43Well, I don't know just yet.
00:48:45I have some business affairs to attend to.
00:48:47And then I've got to test out that plane.
00:48:50I'll tell you what I'll do.
00:48:52I'll fly over the hotel.
00:48:53It'll be about four o'clock.
00:48:55I'll be watching for you.
00:48:57Why don't you sit down?
00:48:59Well, if you don't mind, dear.
00:49:00I've got to get back to the office.
00:49:02I'm expecting an important message.
00:49:06Nothing else you need, is there?
00:49:08No.
00:49:08Money?
00:49:09No, thanks, Jimmy.
00:49:11I don't want to take it.
00:49:12Not yet, anyway.
00:49:26Hello, Trixie.
00:49:28Hello, Baylor.
00:49:29How's Dan Blaston, the Red Men?
00:49:31I've sold out.
00:49:32Going back to San Francisco.
00:49:33Well, I guess this place will struggle along without you.
00:49:36You never gave me much of a play, anyway.
00:49:39Listen, Trixie.
00:49:40Can you give me Miss Jordan's address?
00:49:42Sure.
00:49:43That's easy to remember.
00:49:44Washington Hotel.
00:49:46Just asked for Jimmy Crosby's suite.
00:49:50What?
00:49:51Sure.
00:49:52She's been playing around with him for a week.
00:49:54She's a smart girl.
00:49:56She'll do all right for Dale Jordan.
00:49:59But she ran out on me and left me in the lurch.
00:50:01And if I never see that snob again,
00:50:03it'll be years too soon.
00:50:16Hello, Miss Baylor.
00:50:17Want your key?
00:50:20Do you have a Miss Dale Jordan registered here?
00:50:22Yes.
00:50:23She's out now.
00:50:24Want to leave a message?
00:50:26I don't think so.
00:50:28She's checking out tonight or tomorrow morning.
00:50:30Flying to New York with Jimmy Crosby.
00:50:35When my luggage arrives, check it through to San Francisco.
00:50:37You have my forwarding address.
00:50:38Yes, sir.
00:50:41Why, Tom.
00:50:44Hello, Dale.
00:50:47I've been buying some new clothes.
00:50:49So I see.
00:50:50Doing all right, aren't you?
00:50:53I guess I was wrong about you.
00:50:55You're really doing better than I expected.
00:50:58What do you mean?
00:50:59Well, you moved up from the Bull Ring to the Washington Hotel.
00:51:03I understand the next hop is New York.
00:51:06And I suppose a Park Avenue apartment.
00:51:09Yes, Mr. Baylor.
00:51:11I'm afraid that if I stayed in this part of the world any longer,
00:51:14I might be contaminated by some of its filth.
00:51:20My key, please.
00:51:39I'm going to go to the lobby.
00:51:40I'm going to go to the lobby.
00:51:41I know.
00:51:41I saw him too.
00:51:42You did?
00:51:43And?
00:51:45I don't know, Jerry.
00:51:46Maybe it will do me good to get away.
00:51:48I guess Tom Baylor is just one of those things that's in the air down here.
00:51:51Well, he won't be here much longer.
00:51:54He's checking out.
00:51:55Bag and baggage.
00:52:02What is this?
00:52:03The new truce there?
00:52:04Boy, it must have cost plenty of sugar.
00:52:06Everything I had but a couple of dollars.
00:52:10Hey, what is this?
00:52:11A marriage or a Dutch treat.
00:52:14Yes, a marriage or a Dutch treat.
00:53:09I've already been able to get an isn't for God.
00:53:11I've been looking all over for you.
00:53:14What's up?
00:53:17Bill, I got myself into a tough spot.
00:53:22You know about me and Dale.
00:53:45You never told me we're married, Jim.
00:53:48It was years ago, Bill.
00:53:50Before I ever even knew you.
00:53:54It's just one of those things.
00:53:56A woman's impossible.
00:53:59Every son I've ever given has been just like blackmail.
00:54:02What are you going to do about, uh, about Dale?
00:54:09I don't know.
00:54:11That's what I've got to think of.
00:54:16My plane ready?
00:54:17It's ready now.
00:54:21You're in no condition to fly, old man.
00:54:23Don't you worry about me, Bill.
00:54:26That's where I've always thought things out.
00:54:30Solved all of my problems.
00:54:35Up in the clouds.
00:54:39Boy, I could get myself an admiral in this, huh?
00:54:43There must be Jimmy now.
00:54:56Isn't it thrilling?
00:54:58You can have it.
00:55:14Well, I've got to go get packed now.
00:55:17Oh, pick them up and tie them in a bundle and throw them in like I do.
00:55:42The last two dollars and seventy-five cents, which we blow it in on, how about a bottle of scotch?
00:55:49Now, I'm liable to get sentimental and turn on the waterworks all over your new dress.
00:55:55I have an idea.
00:55:57Let's get some flowers to brighten up the room for Jimmy when he comes back.
00:56:00Okay, kid, anything but heliotripe.
00:56:03Gives me hay fever.
00:56:09Hello?
00:56:11Yes.
00:56:12Mr. Barrett?
00:56:13Certainly.
00:56:14Send him right up.
00:56:15Oh, wait a minute.
00:56:16Will you please ask the florist to send me up some flowers?
00:56:19Oh, about two dollars and seventy-five cents worth.
00:56:27Bill Barrett's on his way up.
00:56:28I wonder what he wants.
00:56:30Probably trailing me to find out why I didn't buy those lollipops.
00:56:34Come in.
00:56:38Hello, Mr. Barrett.
00:56:39How are you?
00:56:40How'd you do, old thing?
00:56:41It's a topping day.
00:56:42What?
00:56:49Why, Mr. Barrett.
00:56:51Is there anything wrong?
00:56:54Jimmy.
00:56:57Crashed.
00:57:18Oh, gee, kid.
00:57:19He was a regular guy.
00:57:22You'll never know quite how regular he was.
00:57:29There are your flowers, Miss Jordan.
00:57:42Here are your flowers, Miss Jordan.
00:57:46threw me down for a mug that was on the make for you.
00:57:50Please don't talk like that about Jimmy Crosby.
00:57:52Sure, he was going to marry Dale.
00:57:55Why, you poor sap.
00:57:56He bet me $100 on you.
00:57:58Looks like if he hadn't cashed in, I'd have to pay the bet.
00:58:03Now listen, Trixie.
00:58:04You lay off of Dale.
00:58:06She's been through enough.
00:58:07Say, you get fresh with me, and you'll go out on your ear, too.
00:58:10Oh, yeah?
00:58:11Yeah, you, you sailor's delight.
00:58:18I know how you feel about this cobra joint, Dale.
00:58:22Gosh, we've got to eat, let alone earn enough dough to get out of this godforsaken old woman's land.
00:58:27I know, Jerry, but that man burger that runs the place for boating.
00:58:33Aren't there any more cabarets we haven't tried?
00:58:36Listen, I've tramped the streets until my pet bunion's gone on strike.
00:58:41Trixie and the bullring have all the high-class trade in town all sewed up.
00:58:45All the rest of the joints are just like the cobra.
00:58:54All right.
00:59:26All right.
00:59:29All right.
00:59:53There may be, I'd like you.
00:59:57What's the matter?
00:59:58He's a good customer.
01:00:00You think you're too good for him, huh?
01:00:02Oh, I know, Mr. Berger.
01:00:04I thought it was time for my song.
01:00:17There's something in the air that's pulled all the world around me
01:00:24with letters of pain and found me, oh, tell me what can it be.
01:00:32That air of I don't care has slowly and surely gripped me.
01:00:40Right down to the ground it strips me, oh, tell me what can it be.
01:00:47Something that drags and shatters, everything's good inside.
01:00:57Leaving just drags and shatters, nothing at all to hide.
01:01:04There's something in the air that's taken the lowest dream.
01:01:12It's taken my very dream, oh, tell me what can it be.
01:01:23A hundred and thirty-nine.
01:01:25A hundred and forty.
01:01:27A hundred and forty-one dollars.
01:01:29Uh-uh.
01:01:30Oh, and, um, eighty-five cents.
01:01:34Only sixty-five dollars to go and we're on our way to San Francisco.
01:01:38Only ten more days in that burger joint.
01:01:40Oh, stomach, be good to me now.
01:01:43Oh, Jerry, why don't you keep your own money?
01:01:44I don't like the responsibility for all of it.
01:01:46Oh, you don't know me like I do.
01:01:49A dreadnought's liable to come into port.
01:01:51I'll wake up to find I've been out in a binge
01:01:53and bought the grog for the whole fleet.
01:02:04Come on, baby, give us the sweet little kids, huh?
01:02:08Give us the kids, huh?
01:02:15You blame at my customers and cleanser, get out.
01:02:18I'm here to sting.
01:02:19Not to be mauled by a lot of drunken sots.
01:02:21Is that so?
01:02:22Well, I don't want no lilies around here.
01:02:25You're through.
01:02:26Get out.
01:02:30Hello, Burger.
01:02:31Hello.
01:02:31Indian Joe around?
01:02:33Well, why do you want Joe?
01:02:35Plenty.
01:02:35Another knifing about the dock.
01:02:48Let's go.
01:02:54Come on, Joe.
01:02:55The captain wants to talk to you.
01:02:56Go, go, go.
01:03:10Oh!
01:03:19Oh!
01:03:22Oh, Jerry!
01:03:24Oh, Jerry!
01:03:25Jerry!
01:03:28Please, please, please, please, please.
01:03:44You can come in for a minute, Miss Jordan,
01:03:46but please don't excite the patient.
01:03:48She's a little weak.
01:04:02She's a little weak.
01:04:02Gary, honey?
01:04:04How are you, Dale?
01:04:07Number one can only see me now.
01:04:09You're feeling better, aren't you?
01:04:12Sure, I'll be okay.
01:04:15It's a knife more or less than your gizzard.
01:04:23Listen, kid, I want you to promise me something.
01:04:26Of course, Jerry. Anything.
01:04:29Don't you give old sore bones or this joint any of the dough we saved up.
01:04:33I want you to buy yourself a ticket and scram for Frisco.
01:04:36Oh, no, Jerry. I couldn't do that.
01:04:39Do what I tell you. You'd be a sap.
01:04:42This joint can't throw me out.
01:04:45Let them stand the gaff.
01:04:53I'll come to see you every day, honey.
01:04:55All you have to worry about is getting well.
01:05:01Don't forget what I told you.
01:05:15She's still pretty weak, isn't she?
01:05:17Yes. I am afraid it's going to be a long convalescence.
01:05:21She lost a great deal of blood, you know.
01:05:23What do you think we ought to do for her?
01:05:25What she needs most is sunlight, proper nourishment, and treatment.
01:05:30The place for her is a sanitarium.
01:05:34How much will that cost?
01:05:35We have one near here, where the rates are rather reasonable.
01:05:39Somewhere around $50 a week.
01:05:43All right, Doctor.
01:05:45You make the arrangements.
01:05:51The hospital bills are payable in advance.
01:05:54The total is $174.
01:06:09Here's $150.
01:06:13I'll get the rest.
01:06:16Somehow.
01:06:41You make the arrangements.
01:06:42Did you know how much water is?
01:06:42There's nothing to waste.
01:06:42There are nothing to do for her.
01:06:46There's nothing to do for her.
01:06:49There's nothing to do for her.
01:06:51You're hungry.
01:06:53Two, three, six.
01:06:57We have our own water.
01:08:40Come in.
01:08:42Tom!
01:08:44Why, Dale.
01:08:45I thought you were ill.
01:08:47Ill?
01:08:47What do you mean?
01:09:07Why, little Ming.
01:09:10She's up in the hospital now.
01:09:16You, you came all the way down here because of this?
01:09:20Yes.
01:09:22Tom, I, I want to explain to you about Mr. Crosby.
01:09:27You don't have to explain anything to me, Dale.
01:09:29Hey, excuse me.
01:09:32I reckon it's how you dropped your bracelet.
01:09:42Thank you very much.
01:09:58Hello?
01:10:00Hello, Jerry.
01:10:02Dale, he's back.
01:10:04He's back.
01:10:04Who?
01:10:05Who's back?
01:10:06Number one.
01:10:07My ship's come in.
01:10:13And guess what?
01:10:16Olaf's an admiral.
01:10:19In the Chinese Navy.
01:10:23Oh, Olaf, tell me something in Chinese.
01:10:32I love you.
01:10:34Olaf.
01:10:37Oh.
01:10:40Oh.
01:10:43Oh.
01:10:46Oh.
01:10:46Oh.
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