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00:04You
00:56Oh, my God.
01:24New timepiece, sir.
01:26It belonged to a friend of mine from New York.
01:28Recently deceased.
01:30I guess I heard a private investigator?
01:33Yes, Johnny Moon.
01:35If I may, what happened?
01:37The brakes on his automobile failed.
01:39Middle of the night.
01:40He went off the King's Highway.
01:41This clock was my wedding gift to him and his wife.
01:45With Johnny gone, Vivian asked me if I wanted him.
01:48It doesn't appear to be working.
01:50It's not about the function.
01:51It's a memento.
01:54Was there anything else?
01:55Yes, we've received reports of a murder in a public bathroom
01:58near Union Station.
02:00I was going to accompany Detective Watts, but if you...
02:03No, no, no.
02:04I have a lunch date.
02:05With Johnny's widow, in fact.
02:06Oh?
02:07She's coming to visit Toronto.
02:14He was stabbed several times on the side of the assailant.
02:18Or the attendant.
02:19Who is he?
02:20Whoever you want him to be.
02:24Henry Clark, Albert Russo, Oscar McCoy, Evelyn Malone, Vincent Blackwell.
02:33Two checkbooks, a business card, a driving license from Quebec, and a horse registration
02:38from Pennsylvania.
02:39All in different names.
02:42Curious.
02:42May have been a confidence man.
02:44The toilet cover is down.
02:46The dead man was likely sitting on it.
02:49And his marks in blood grabs a cane.
02:57There.
02:58Something was stood there, blocking the blood spatter and the flow.
03:06The size of a suitcase?
03:10If it was, what was inside that would be worth killing for.
03:36Sir, your attention, please.
03:39You said a suitcase.
03:42Oh, yes, sir.
03:44The dead man had a suitcase, a tank collar.
03:48Anything else?
03:49Another man came in, slipped me a dollar, wanted me to make myself scarce.
03:56Not uncommon.
03:58It's not uncommon for people to pay you to leave your post?
04:03I don't feel right about it, sir.
04:05I don't approve.
04:07I'm afraid I don't understand.
04:09Public bathrooms are sometimes used by men to have liaisons.
04:15I only get paid a quarter a day, sir.
04:18I can't get by but for my tips.
04:20What did he look like?
04:23Regular height, white man, mustache.
04:26Was he using a cane?
04:28No, sir.
04:29But he did have only the one leg.
04:32He was basically an old lady, sir.
04:33I wouldn't have been using a cane yet.
04:48And she was using a cane.
04:51He was using a cane.
04:52At least she was using a cane.
04:53He was using a cane to have no cane.
04:54And she was using a cane.
04:55She was using a cane.
05:00And she was using a cane.
05:02You look lovely.
05:04Oh, please.
05:05I've been on a train for ages.
05:07I haven't changed my clothes or freshened up on sight.
05:10How was your journey?
05:13Eventful.
05:15Let's go for lunch, shall we?
05:30Oh, no.
05:31Oh, no?
05:32Vivian!
05:37You must join us.
05:39What a lovely surprise.
05:40And your charming companion?
05:43Albert's an old friend.
05:45Albert, this is Cecil and Myrtle Winchester.
05:48We ran into each other on the train.
05:50We're friends of Johnny's from Manhattan.
05:52Johnny boy and I, we're awfully close.
05:54I'm sorry for your loss.
05:56Terribly sad.
05:57But time comes for all of us, doesn't it?
06:01Waiter.
06:02There'll be two more joining us.
06:03Of course.
06:05I think you would have noticed earlier.
06:07Apparently, this is the best restaurant in town.
06:10If you can believe it.
06:14Oh.
06:15Yes, sir.
06:16Yeah.
06:17What do you do for a living, Mr. Winchester?
06:20Well, I did real estate for a while.
06:22Now I let my money make money.
06:24Still, nothing that won't bore the trousers off the entire restaurant.
06:28How do you two know each other?
06:29Mmm.
06:30Albert caught me stealing.
06:32That's not true.
06:33Oh, yes it is.
06:34He put the cuffs on me and tossed me in a clink.
06:37How awful.
06:38How did you end up friends?
06:40He made me pose as a gun mole to earn my freedom.
06:44Together we brought down Lupo the Wolf.
06:47Our first meeting was hardly that colorful.
06:50Vivian and I met while I was visiting New York.
06:52We bumped into each other at an antique shop.
06:55A couple of years later, when I moved to the city, I knew no one.
06:58So I looked up Vivian.
07:00She and Johnny made me feel at home.
07:03What a joy to move to New York City, right?
07:06Everywhere else pales in comparison.
07:09I wouldn't say that.
07:11Toronto doesn't exactly have the great white way.
07:15Fashions aren't quite a la mode.
07:17And the hotel.
07:19The hotel?
07:20What's wrong with the hotel?
07:22Nothing at all.
07:24Just, there isn't much of a view.
07:26No bother.
07:27There's not much to see here.
07:29You know, not really.
07:30Not really.
07:31Yeah, the soup is cool.
07:32Listen to them.
07:34You never know, they only moved to New York six months ago.
07:37It's unbelievable.
07:38Yes, I know.
07:44It was funny hearing you speak of Johnny that way.
07:47How so?
07:48He was such kindness.
07:50He's gone.
07:52And he mattered to you.
08:02Thank you for lunch.
08:03I'll call on you later.
08:07Good.
08:10Chief Constable.
08:11New lady in your life, sir.
08:13An old friend.
08:14Her husband just died.
08:15Seems things are moving quickly.
08:17No, nothing like that.
08:18It would've been inappropriate.
08:20Word of advice.
08:21Stay clear.
08:22A grieving woman doesn't know what she wants.
08:25Someone will end up getting hurt.
08:33We checked all five of the victims' aliases with City Hall and the other station houses.
08:38All false.
08:40We have constables canvassing Union Station for any witnesses.
08:44It's always the ones you least expect.
08:47Sir?
08:48Well, that Albert Choi.
08:50He doesn't stand on ceremony when he sees something that he wants.
08:53How do you mean?
08:54Some men have a loss for life, Murdoch.
08:57A fire that burns within.
08:59You try and hide it away, but you never know when it's going to flare up again.
09:03Sounds as though you're speaking from experience.
09:06Detective.
09:07Chief Constable.
09:08We've found a porter at Union Station who recognizes the victim.
09:11He remembered him because he was being followed by a man with a limb.
09:14Oh, very good.
09:16Did he by chance provide you with a description?
09:18He's speaking to Miss Leeming now.
09:20She's working on a sketch.
09:21Well done, Watts.
09:23I also looked into all the incoming trains around that time.
09:27I thought if he was at Union Station, maybe he'd just arrived.
09:30And?
09:31I had constables telephone police stations in any city within a day's train journey and
09:35check the five names we have for our victim.
09:37A precinct in Philadelphia recognized a name.
09:40A known alias of a career criminal named Ansel Tuttle.
09:50Sir?
09:51We have a name for the victim and a sketch of the killer.
09:54Do you by chance know an Ansel Tuttle?
09:57I do not.
10:00I have a question for you.
10:02Yes, sir.
10:04Is it true that your wife was married once before?
10:07Ah, yes.
10:09So you met her when she was a widow?
10:12We had known each other several years before her husband died in a professional capacity.
10:19How long did you wait before you began courting her?
10:21Oh, I don't remember precisely.
10:26Never mind.
10:27I apologize for prying in your personal affairs.
10:30But I will say, sir, I did not wait long.
10:39The suspect had only one leg.
10:42I have any inquiries.
10:43Report to any of us.
10:45Any luck?
10:47None so far.
10:48Have you heard anything from any of the other constables?
10:51I have not.
10:53Sir, could I have the rest of the evening off?
10:56Certainly.
10:57Why?
10:57I was hoping to see this show tonight.
11:01Oh.
11:02Sounds riveting.
11:04I believe they use hammer and nails.
11:06I'm just putting you on, sir.
11:07But I do believe it would remind me of home.
11:10Plenty of song and scandal back home, is there?
11:12Oh, you should see Chatham on a Friday night.
11:17Robert, with me.
11:21Excuse me.
11:22Sorry.
11:25Sir, look.
11:27I don't suppose we'll be needing the posters anymore.
11:36Oh.
11:36Come in, Albie.
11:38Good to see you, but what are you doing here?
11:40I'm glad you're all right.
11:42Why wouldn't I be?
11:44I was on my way over here when we found a man dead behind your hotel.
11:48Oh, dear.
11:49What happened?
11:50He was killed.
11:51We believe he was responsible for another murder this morning.
11:56Oh.
11:59Perhaps you shouldn't stay here.
12:01At least, not tonight.
12:04Why not?
12:05It could be dangerous.
12:08I don't mind a little danger.
12:13I would never forgive myself if anything happened to you.
12:17Is it your job to protect me?
12:20It's my job to protect everyone.
12:23What do you suggest?
12:26You could stay with me.
12:30I don't think this invitation is just about my safety.
12:33What else could it be about?
12:36I suppose I'll find out.
12:43He was strangled.
12:44I believe it was with some sort of cloth or cord.
12:47Take a look at the microscope.
12:52Fibers of some sort?
12:53Retrieved from the wound on his neck.
12:55It's not like anything I've seen before.
12:58Very smooth.
12:59Not cotton or linen.
13:01That's unusual.
13:04This new victim is likely the killer of Ansel Tuttle.
13:07But we have no information on either case.
13:10Well, any information about his identity.
13:12No identification.
13:14No wallet.
13:15No one in the hotel remembers seeing him.
13:17But this should be a distinguishing characteristic.
13:22Right then.
13:23First thing tomorrow morning, get the constables to fan out from the hotel.
13:26See if anyone saw anything.
13:28Watch, you keep an eye on the hotel.
13:30Gentlemen.
13:31Thank you, Miss Hart.
13:48Where's the clock?
13:50In my office.
13:51I spend more time there than here.
13:54Having second thoughts about giving it away?
13:56No.
13:58Johnny never understood why it meant so much to me.
14:03But it reminds you of him, so I would rather you have it.
14:13Sorry.
14:35I was wondering when you would do that.
14:55I was wondering when you would do that.
14:59Why on earth for?
15:01To see the beach?
15:03To get away?
15:04To live somewhere beautiful?
15:06To live?
15:08Did you know that you can drive an auto from Quebec all the way to Miami now?
15:13It's one straight shot.
15:15I have a life here, Vivian.
15:21Do you remember when we met?
15:23Of course.
15:24It was one of the best weeks of my life.
15:27I asked you to stay.
15:31Yes.
15:32And you went back to San Francisco.
15:35You said you had a life there.
15:40Come away with me, Albie.
15:42What do you say?
15:44I can give you more than Toronto ever could.
15:47Now you sound like one of the Winchesters.
15:52And you sound like you need some convincing.
16:05What have you learned?
16:07The man who runs his cart said he saw a one-legged man.
16:10He ate his fill and then stood for hours looking at the hotel,
16:15staring out as if he was waiting for someone.
16:17Oh, looking for someone?
16:19Someone coming or going from the hotel.
16:22Someone who ended up killing him.
16:24Did he get his name?
16:25No, but he said he was staying at a flophouse nearby.
16:28Constable Roberts is packing down the landlord.
16:30Ah, good lad.
16:33Exact one?
16:35Pie-rogi?
16:36Pie-rogi.
16:37Pie-rogi.
16:39Hey, go on, I'll try one.
16:45Mmm.
16:46Actually quite good.
16:47Mm-hmm.
16:48I'll tell you what, Watts.
16:50You stay here, keep an eye on the hotel.
16:52I'm sure you want to have a word with me.
16:54I'm gonna get some of these.
17:01You're quitting.
17:01I didn't say that.
17:03I said I was thinking of it.
17:05Well, think again.
17:07I stuck my neck out bringing you here.
17:09And I appreciate that.
17:11But I'm seeking counsel, not asking permission.
17:16It's that woman.
17:18She's got you all mixed up.
17:20I know it must seem impulsive, sir.
17:22But I've known Vivian for 20 years.
17:25I saw her at an antique shop admiring that clock.
17:29We spent the week together.
17:32She asked me to stay.
17:35It would have been mad for me to give up my job for her, so I declined.
17:39When I returned to New York, this time for work, I went straight to that antique shop.
17:43I arrived on her doorstep with that clock under my arm wrapped in red paper.
17:49It was too late.
17:51She and Johnny were engaged.
17:52I'd missed my chance.
17:56You think this is a second chance?
17:58Might be.
18:00What, my advice?
18:01Please.
18:02Maybe you need to live the life you're living right now.
18:06Early on, Margaret and I were a bit...
18:09It's hard to settle down when you've been a wanderer.
18:12A good pal of mine was a skipper of a boat sailing the Great Lakes.
18:16Asked me to join his crew.
18:17And?
18:19Well, let's just say that I couldn't find my sea legs.
18:22Anyway, Margaret and I patched things up,
18:26joined the job, had a family, and I'm a better man for it.
18:30You don't regret your choice?
18:31No.
18:34Look, you're a different man than when you met her the first time.
18:37Besides, what do you really know about this woman?
18:40Chief Constable, Inspector?
18:42Anything for me?
18:44We've found the room of the second victim.
18:47Jasper Stokes, hails from Philadelphia.
18:50Philadelphia? Same as the first victim?
18:52Yes. Both American, both from Philadelphia.
18:55One killed the other presumably for his suitcase.
18:58Do you think this Stokes followed him all the way from Philadelphia?
19:01We don't yet know, nor do we know why this is all happening here.
19:05And the suitcase?
19:08Uh, perhaps Detective Watts has some answers.
19:11To be continued.
19:13Detective!
19:14The lads found this in a rubbish bin near the flophouse.
19:17Blood!
19:18Indeed. Look.
19:20Women's clothes.
19:22The lining's been torn. It's been thoroughly searched.
19:24So, maybe it looks like these Stokes were searching for something.
19:28Maybe he found him and someone killed him for him.
19:30Or perhaps he didn't find what he was looking for.
19:33Much is why he was watching the hotel.
19:35He was looking for someone so he could try again to find whatever he was after.
19:40Looking for who?
19:41Maybe the original owner.
19:43Whoever this Mr. Tuttle stole the case from in the first place.
19:47I recognize this dress.
19:51She was wearing it when I saw her in New York last month.
19:56This dress belongs to Vivian Moon.
19:58Don't say a word.
20:08I reported it missing.
20:11When?
20:12As soon as I lit from the train.
20:13I told you.
20:14Didn't I?
20:15You did not.
20:18Thought I did.
20:19You didn't think anything of it.
20:22Think what?
20:24I was frustrated.
20:27But these things happen.
20:29I figured someone must have picked up the wrong case.
20:31We believe something of value was inside.
20:34Oh.
20:35Well.
20:37There was a dress that I paid $15 for.
20:40Ten years ago.
20:45Vivian.
20:48Two men are dead because of that suitcase.
20:51What are you talking about?
20:53One man inside a public toilet was killed right after he stole it from me.
20:57And another behind your hotel later that night.
21:02I...
21:03I don't know anything about this.
21:05There's nothing of value inside.
21:07You can see for yourself.
21:09I don't know why anyone would want to steal it, let alone kill for it.
21:14You have to believe me.
21:17It does look as though you're mixed up in this.
21:21Well, you can tell them that I'm not.
21:24You're assuming I believe you.
21:27Surely you believe me, Albie.
21:30You know me.
21:32Yes, I do.
21:33No.
21:37If you know anything, you have to tell me.
21:41I don't know a thing.
21:44I swear it.
21:48We know Vivian Moon is involved in this case simply by virtue of the fact that her suitcase was stolen.
21:53Yes.
21:55The two dead men were on the same train.
21:58Not from Philadelphia, but from New York.
22:01The very train that brought Vivian Moon here.
22:04That explains everything.
22:06It does.
22:07Vivian happened to be on the train.
22:09Many suitcases look similar.
22:10The criminals mistook hers for one that they were looking for.
22:15Quite a series of coincidences.
22:17It's just the one coincidence.
22:20They took the wrong case.
22:21Everything else follows from that one simple incident.
22:26Am I wrong?
22:27Technically, no.
22:29But it's also possible that she's lying.
22:32Yes, it is possible.
22:35You don't believe that she is.
22:37I do not.
22:39Because the two of you are...
22:41close.
22:44So perhaps I should speak with her.
22:46She's already been interviewed.
22:49Mr. Stokes was found dead.
22:51behind her hotel.
22:53It's entirely possible that he was waiting to speak with Mrs. Moon.
22:57Why?
22:58To confront her.
22:59In order to retrieve whatever it is he didn't find in this suitcase.
23:03This is entirely speculative.
23:05But it's speculation that should be considered, sir.
23:09If he did indeed confront Vivian Moon...
23:12Detective!
23:12Whatever is going on does not involve her.
23:16The sooner you accept that, the sooner you will solve this case.
23:25So interview yourself.
23:26The inspector has forbidden it.
23:29He believes she's telling the truth.
23:31Oh, thank you.
23:32And you think she's not?
23:33Well, I've made some inquiries with the police in New York.
23:37Behind Joe's back?
23:39Well, let's just say without his...
23:42expressed knowledge.
23:44So, behind his back.
23:46And what did the lads from Gotham have to say?
23:48Vivian Moon does not have a criminal record.
23:51But she has reported several break-ins to her home in New York
23:55just in the past few weeks.
23:58She was robbed.
23:59Some men broke in but didn't take anything.
24:01Apparently they didn't find what they were looking for.
24:03Just like a suitcase.
24:05What were they after?
24:06I have no idea.
24:08But don't you find it curious that she didn't mention any of this
24:11to the inspector during her interview with him?
24:14You think she's hiding something?
24:15Hmm.
24:17I knew that woman was trouble, Murdoch.
24:19Look. Talk to her.
24:21But the inspector isn't going to like that.
24:23I'll deal with it, Joy.
24:28Sir, what is that that you're eating?
24:30Colour pierogi. Quite good.
24:32You want one?
24:34Nope. Thank you.
24:37You're lost.
24:39Any progress on the case, Detective?
24:41Or are you too busy picking out vegetables for your supper?
24:44I've been told to stand down while Detective Murdoch
24:47is interviewing a suspect.
24:49Mrs. Moon?
24:51I didn't say anything.
24:53Don't worry. I'm not surprised.
24:56Am I acting irrationally, Detective?
24:59Am I trusting her too blindly?
25:01I'm not in a position to speculate.
25:06I have myself been consumed by passion on occasion.
25:10In these moments, it is often wise to heed the advice of others.
25:15But wisdom rarely wins out over passion.
25:19So you're saying I shouldn't follow my heart?
25:22I'm saying it doesn't matter what I say.
25:24We'll do it anyway.
25:30It started after my husband died.
25:32Men would come up to me demanding their money back.
25:35I had no idea who they were or what they were on about.
25:40Was your husband someone who associated with criminals?
25:44No.
25:45He was a private investigator.
25:46You can ask Albert Choi.
25:48Where is he?
25:51Were these same men the ones who were after money?
25:55Also the ones who broke into your apartment?
25:58I don't know. I never saw who broke in.
26:04Do you recognize either of these men?
26:13I don't know.
26:15Could either of them be the men who were looking for their money?
26:20It's possible.
26:25These must have been rather traumatic events.
26:29And you don't remember?
26:31No. I was scared.
26:35Look, I came to Toronto to get away from all of this.
26:38I don't know what they're after. You have to believe me.
26:44Where were you last night?
26:48I was here all evening.
26:51That's not exactly true.
26:52You left the hotel with Inspector Choi.
26:56I met before that.
26:57I was here.
26:59You were.
27:00Can anyone attest to that?
27:03I had dinner sent up to the room.
27:06Right.
27:07So you didn't wander behind the hotel by the river?
27:11No.
27:16These two men, they were both on the same train from New York as you.
27:24I didn't know that.
27:26You didn't recognize anyone along your travels?
27:30No.
27:32Well, the Winchesters.
27:35The Winchesters?
27:37Friends from New York.
27:39My late husband's friends, actually.
27:42In fact, Mr. Winchester hired my husband soon before his death.
27:47Hired him to do what?
27:49I don't know.
27:51Investigate something, probably.
27:53Johnny never told me anything about it.
27:55And these Winchesters were also on the same train from New York as yourself?
28:01Yes.
28:03A coincidence.
28:05Indeed.
28:06Any idea where I might find the Winchesters?
28:11They're staying in the room next door.
28:24I don't appreciate you interfering with the day-to-day affairs of my station house.
28:28And I don't appreciate having to.
28:30This case is under control.
28:33Your detective doesn't think so.
28:34Then he should have spoken to me about it.
28:36He did.
28:37He didn't listen.
28:38So the first thing he does is run to my superior, ignoring every word I've said to him.
28:43He felt it was his only option.
28:45I instructed him to follow one avenue of investigation and ignore another.
28:50Assume for a moment, Chief Constable, that I know how to do my job.
28:54The detective's obstinance may have given the actual killer enough time to flee Toronto.
28:59Or, consider this.
29:03He may be talking to her as we speak.
29:07This woman showed up in Toronto and two people are dead because of her suitcase.
29:10And she left a dead husband in New York.
29:13Now, if I were a betting man, I'd say that she had something to do with that.
29:17Watch your words, sir.
29:18Or what? You'll quit?
29:20You've already got one foot out the door because of her.
29:23I knew she was trouble.
29:24Knew what exactly?
29:26Hmm?
29:27You judged her based on a glance and some ridiculous notion that any woman who doesn't fit the image of
29:31a policeman's wife must be trouble.
29:34You better watch what you say, Mr. Choi.
29:36You chose to stay with your wife.
29:38An admirable decision.
29:39But in order to accept it, you've demonized the path not taken.
29:44This case is in the hands of Detective Murdoch.
29:47I don't want you involved.
29:48Now, if you don't mind, I've got work to do.
29:55And bloody not next time.
29:59Mrs. Winchester, I understand your husband hired a man named Johnny Moon to do work for him before his death.
30:08I wouldn't know about that. And how is it pertinent?
30:12Two American criminals, Ansel Tuttle and Jasper Stokes, followed Vivian Moon here from New York.
30:19I believe they thought she was in possession of something that they were after.
30:24Now, both of those men are dead.
30:26Now, Vivian Moon is either involved or in danger.
30:30And the same goes for you.
30:33Ah, Mr. Winchester.
30:37What's going on here?
30:39We were just discussing a man named Johnny Moon.
30:42Ah, Arnold.
30:45Well, it's clear you knew him.
30:53I hired Johnny Moon to recover a sum of money for me.
30:57How much money?
31:00$20,000.
31:02It was stolen from a business I was running in Philadelphia.
31:06I hired Johnny to figure out who took it and get it back to me, of course.
31:12And did he?
31:13No.
31:14Is it possible, then, that he did recover the money and kept it for himself?
31:19No. He wouldn't do something like that.
31:23Vivian Moon experienced three break-ins in Manhattan.
31:27She claimed that each time men broke in and demanded money after her husband died.
31:34What stands to reason that they were looking for the money that Johnny Moon recovered on your behalf?
31:41If he did, I knew nothing of it.
31:45Oh.
31:48Do you recognize either of these men?
31:54No.
31:58But if they're from Philadelphia, I'll bet these are the men who stole from me.
32:04Do you believe Vivian Moon capable of killing?
32:08Of course not.
32:10Not even in self-defense?
32:13No.
32:14But, well, I suppose you never really know anyone, do you?
32:28Yes?
32:30Albie?
32:31Vivian.
32:33Can you meet me for dinner?
32:34What's going on? Are you all right?
32:38Darius.
32:39Eight o'clock?
32:41I'll be there.
32:46Johnny Moon was hired by Cecil Winchester to recover $20,000.
32:51Now, I believe he did recover it, but he told Mr. Winchester that he didn't.
32:56I thought Mr. Moon's death was an accident.
32:58Well, that's what Inspector Choi said.
33:01You think he's lying?
33:03I don't know.
33:04But I find this Mr. Winchester a very compelling figure in all of this.
33:07And I don't believe his reasons for hopping on a train to Toronto.
33:11He's after the money.
33:12Yes, sir.
33:13What about the woman?
33:15Also very compelling.
33:17Choi certainly thinks so.
33:19We have to assume that Vivian Moon had the money after her husband died.
33:24Why else would everyone be following her here to Toronto?
33:27Was it in her suitcase?
33:29I don't think so.
33:31My theory is that Stokes was staking out the hotel precisely because the suitcase didn't contain the money.
33:37She still had it, and she killed him when he came looking for it.
33:40Possibly.
33:41Or Winchester did.
33:42Or someone else.
33:43But I simply don't have the evidence to confirm any theory at this point.
33:47I know where this is going to lead.
33:49Right to Mrs. Vivian Moon.
33:52Are you ready to order, sir?
33:54Not yet.
33:56Uh, bourbon.
34:41Vivian!
34:43What are you doing here?
34:44What's going on?
34:47I'm going up to my room.
34:48Why did you send me to the restroom?
34:50What are you hiding from me?
34:53I had second thoughts.
34:55I don't want to be with you.
34:57You decided this just now?
34:59Tonight?
35:00Yes.
35:01I don't believe you.
35:03What's changed?
35:05It's too soon.
35:06I'm in mourning.
35:06You're lying.
35:07I'm not.
35:08I thought I wanted to be with you,
35:10but I was wrong.
35:11I'm coming in.
35:12We can talk about this.
35:13No.
35:13Vivian, please.
35:14I don't want to see you anymore.
35:16Leave me alone!
35:28My little Winchester.
35:31Fisherman found her.
35:33Felt through the chest.
35:34Second person in as many days killed near this hotel.
35:38Poor girl.
35:39Not even a proper cope.
35:40Perhaps she was moved.
35:42Maybe from inside the hotel.
35:44Why do you say that?
35:46Well, according to Murdoch, there are at least two people staying here who are capable of murder.
36:01Constable Roberts.
36:04Sir.
36:06Did you see the person who left this?
36:08Yes, a woman came in last night around 8 o'clock.
36:11You just let her in?
36:12She was already in here when I saw her.
36:14I told her to get out.
36:15Very well.
36:28She was killed by a small caliber gunshot wound to the heart.
36:32Any signs of other trauma?
36:34No.
36:34If she was moved, it was done after lividity set in.
36:38And there's one more thing.
36:39I found fiber fragments inside the bullet wound.
36:42From the clothing she was wearing.
36:44It matches the color of her scarf.
36:46Detective, take a look.
36:49Smooth.
36:50Just like the ones on Jasper Stokes.
36:55Artificial silk.
36:56Never heard of it.
36:57It's made from a synthetic fiber, viscose.
37:00A new invention out of Europe.
37:02Is a scarf from Europe?
37:03I don't believe so.
37:04But there is one factory in the United States making this course.
37:08You think Myrtle Winchester used the scarf to strangle Mr. Stokes?
37:12It was a different color.
37:13If a scarf was used to strangle Stokes, then it was another shade of blue.
37:18I did real estate for a while.
37:21Now I let my money make money.
37:23Cecil Winchester.
37:24He was wearing a scarf just like his wife's.
37:27Blue.
37:27Bring him in.
37:28I'll pay Mr. Winchester a bit.
37:32Watts.
37:32Yeah?
37:33Take a couple of constables and canvas the area around the hotel.
37:36Maybe someone saw him in the alley last night.
37:39Detective, Myrtle Winchester was found dead near the hotel?
37:42Directly behind it.
37:44What time do you believe the murder happened?
37:46She was last seen just after 10 o'clock.
37:57Vivian.
37:58Thank you, Detective.
38:01Oi, Chey.
38:02You know something about this.
38:04No.
38:05No, I don't.
38:07Hmm.
38:27Albie, I'll never forget our time together.
38:29But things have changed.
38:32I'm so sorry I couldn't say goodbye.
38:34But please know I care about you terribly.
38:38I'll always hold you in my heart.
38:40Love, Vivian.
38:59I'll always hold you in my heart.
38:59I'll always hold you in my heart.
38:59I'll always hold you in my heart.
39:02I'll always hold you in my heart.
39:02I'll always hold you in my heart.
39:03I'll always hold you in my heart.
39:06I'll always hold you in my heart.
39:07I'll always hold you in my heart.
39:25Cecil Winchester, I'm here to arrest you on suspicion of murder of Jasper Stokes.
39:34I believe this scarf is the murder weapon.
39:38What do you have to say for yourself?
39:45What does it matter?
39:51Let me in.
39:51No, get me.
39:53Albert, Albert, stop.
39:55Stop.
39:59You used me.
40:00Get out of here.
40:01You didn't give me that clock as a memento.
40:04You used me to transport your dirty money.
40:07Is that what you care about?
40:08You knew exactly what you were doing.
40:11Was it all just a ruse?
40:12Every moment a lie.
40:14Yes.
40:15Now get out of here.
40:17I'm not going anywhere.
40:19This wasn't supposed to happen.
40:22The murder of Mr. Stokes?
40:25Myrtle.
40:28Is this a confession, Mr. Winchester?
40:30Did you murder your wife?
40:32Why didn't you just give her the money?
40:33It was our money.
40:34Wait, wait, stop.
40:36Who are we talking about?
40:38Vivian Moon.
40:40Leave.
40:41Right now.
40:43I got your letter.
40:44It was so kind.
40:46You liked me when I was your patsy.
40:48But now I'm a problem.
40:49Why?
40:49What changed?
40:51I used you.
40:52And now I'm done.
40:54That's it.
40:56Myrtle Winchester.
40:58She came for her money back.
41:00And you killed her.
41:04I didn't kill anyone.
41:05But you have to go now or I can't protect you.
41:08Protect me from what?
41:13Johnny.
41:15You're alive.
41:16Hello, Alberts.
41:28It didn't take long for you to move in, did it, Albert?
41:33What the hell is going on?
41:35Why would you fake your death?
41:37Oh, come on.
41:38I took the money, and they started coming at me from all sides.
41:43They were going to kill me.
41:45It was my only way out.
41:48And you helped him?
41:49No.
41:51I didn't know a thing until he showed up yesterday.
41:53But the clock.
41:54She didn't know the money was in there.
41:57I was planning on coming back for it.
41:59But you gave it to him before I had the chance.
42:02And you killed those two men.
42:06Those thieves have been taking care of themselves.
42:09And Myrtle Winchester.
42:13That was regrettable.
42:16She came to the room, and she saw me.
42:20I had no choice.
42:22No choice but to kill her?
42:24No one can know I'm alive.
42:28No one.
42:29Don't do this.
42:31Just leave.
42:32Make a run for it.
42:33Come on.
42:34I could have been gone already.
42:37Vivian brought me the money last night.
42:40But I saw you talking to her.
42:44And I can't trust that she didn't rat me out.
42:48I've been waiting for you.
42:50Just go, Johnny.
42:51I'm your friend.
42:52Friends?
42:53You two fell into bed with each other as soon as I was out of the picture.
42:57Johnny, please.
43:01Wait right here.
43:04Almi!
43:07You can blame yourself for this, Vivian.
43:12Inspector!
43:13Let her go!
43:14Got it!
43:17Almi!
43:23Hold him there!
43:27Inspector!
43:29Inspector!
43:31I'm here.
43:33Someone!
43:34Help!
43:35Call an ambulance, please!
43:37Help!
43:38Help!
43:55Call an ambulance, please!
43:58Call an ambulance, please!
44:01Call an ambulance, please!
44:03Call an ambulance, please!
44:05Call an ambulance, please!
44:05Call an ambulance, please!
44:05Call an ambulance, please!
44:06Call an ambulance, please!
44:08Call an ambulance, please!
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