- 2 days ago
Ένα δραματικό επεισόδιο με έντονες συναισθηματικές εξελίξεις.
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Short filmTranscript
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14:03It's time to go to the office after the office.
14:05And I want you to have the details.
14:08Do you know how these things are?
14:10They don't want us to leave the details.
14:12Hear me, I don't care at all what you're doing.
14:15Here we're talking about it, do you understand?
14:17I'm going to find out who came here after the office after the office.
14:20I'll show you the list.
14:21They gave me an extra video on the channel where I was talking about.
14:32I was talking about it.
14:33I found it.
14:38It's my hand.
14:40It's not my hand.
14:40You saw it, I didn't know.
14:43I saw it.
14:45You saw it.
14:45You saw it like a candle.
14:47I put it on my bed.
14:50I got a secret body to have it.
14:50I was in the toilet.
14:52I got it, I got it, I got it.
14:55I met anyone else.
14:56One time don't do the lie.
14:57You don't have to be wrong with me.
14:59I'm not for clarity.
15:01And I'm sure not for your own position.
15:15The kind of thing.
15:18I do more work.
15:20Did you find that you should?
15:22You should.
15:24Do you have any circumstances?
15:25No.
15:26Not so much.
15:27The ladies, she was interested.
15:30I have concluded from a number of people.
15:35What is the one who had me?
15:39The one who had left it?
15:41The one who had left it.
15:45If you wanted to speak to her, she would not have to say anything.
15:49We remember that she had asked to go to the channel today.
15:53Today, what did you say? No one knows.
15:57We also remember that the theme, in the first appearance of the channel,
16:02had to get the guest's guest for his guest.
16:06It's time to be closed. I don't want to hear it.
16:08It's time to be!
16:12I'm still the same!
16:13I'm still the same!
16:15Let's go to the company to see what's happening.
16:17He doesn't have to go anywhere.
16:19He's there. If he knows something, he'll come back.
16:22If there is nothing, he'll come back.
16:23From the future, simply as he can't see anything,
16:27we're just afraid.
16:30I'm least afraid of you.
16:33I'm afraid.
16:36I'm afraid of it.
16:36I'm afraid of something very bad.
16:39I'm afraid of it.
16:46I'm afraid of it.
16:47I might say, you know what's happening?
16:48You can let me be afraid.
16:49Hello?
16:51I don't understand what happened.
16:53What did she do with Odissey?
16:57What did she say to her?
16:59What did she say to her?
16:59What did she say to her?
17:00What did she say to her?
17:02Is it possible?
17:03Instead of asking things that I don't know,
17:05take her to Odissey.
17:07Take her, please.
17:08Take her.
17:09Take her.
17:09Take her.
17:26Odissey,
17:27did you learn what happened?
17:28Yes, here in the mansion where I found her.
17:31Why are you there?
17:32My idea was to bring her here.
17:35I thought she would be safe.
17:37I thought she was afraid of her.
17:39Who did she?
17:40She refused her.
17:41She refused her.
17:42She refused her.
17:42She refused her.
17:45She refused her.
17:46I knew if I was hurt,
17:48She refused her.
17:49Do I have photos so much?
17:51I've remembered.
17:52She refused to make 분�itto.
17:53I did not know.
17:55What would she say to her live in the news darüber?
17:57She refused to hear a release.
18:02It was not that they regretted her!
18:05I think that she refused to say,
18:06she refused to say that.
18:07She refused to say,
18:08I was a gerne反手 to tell you like,
18:09she refused to do it.
18:12But point out!
18:14She refused,
18:14She refused...
18:34What do you want to know?
18:36I was lucky that I was working on a job.
18:38We were friends, but we were not friends.
18:41Then you'll get the ball and play the ball.
18:43that you can learn how to do, how it is, and learn how it is.
18:50And what do you want to say?
18:51What do you want, if you want to learn where she is.
19:08Are you okay? Do you want a water?
19:12Do you want a water?
19:13Do you want a water?
19:14I want a water.
19:18I want a water.
19:19Are you okay, friends?
19:22I can't see you anymore.
19:25What do you mean?
19:27I had to lose my life a friend.
19:29I had to get my girlfriend.
19:31How do you want to be?
19:35We were years old.
19:38We were together.
19:40I think I did.
19:42I'm so happy.
19:45I did well.
19:46I couldn't see you.
19:48You were so afraid.
19:58I can't see anyone else.
20:08I can't imagine any of them.
20:27Manolini, come on a little bit.
20:29The Akshiomatikos is taking place from you and the receptionist.
20:32Try to remember if you were to listen to someone during the period of time.
20:37Or if you were to find out something like that?
20:40I didn't see anything.
20:41Neither when I came home, nor in the parking lot,
20:43nor in the parking lot,
20:44but when I came to the pension.
20:46Okay, I'll tell you.
20:47I'll give you the names.
20:50I'm afraid we'll have difficulty with the clients of the pension.
20:52You know what I mean?
20:55Do what you can do.
20:57Let's go.
20:57Let's go.
21:03Do you want my guests on this point?
21:06You'll hear me 국cp,
21:07about what it sounds like.
21:09I have a name to your 쉽ice.
21:10In the sense of bad void.
21:17I'm stupid.
21:18I need to words.
21:19I wouldn't tell you why you're here tonight.
21:21You insist.
21:22Without stress,
21:23I've never had any problems with the beb Desktop.
21:25Or I had forgotten that you're going to go to the Interactive of lockdown.
21:28I was happy that I was repenting.
21:30I came over and came over.
21:31What do you know?
21:35Do you want to say something about that?
21:37Let's go for a minute.
21:38Let's go for a moment, let's go for a little bit.
21:41I didn't know that much.
21:43Yeah, but you know what you know.
21:47You know what you're choosing.
21:49You know how you're choosing to be,
21:51but you know what you're choosing,
21:52and you don't want to see you.
21:55You don't want to stay until you think about it.
21:58After the homology, she was all alone.
22:00She was always a good friend, and she was always a good friend.
22:03I think she was a good friend.
22:08Now everything can happen. All have been missing.
22:10All had been missing. Now they were all over.
22:12Now they were all over.
22:13I'm sorry. I'm sorry.
22:15Let me see you.
22:15Let me see you.
22:18This is all the wrong.
22:21All the wrong.
22:23You are very sensitive to me.
22:25You didn't tell me that someone loves me?
22:30Why did I never forgive you?
22:34I'm going to take a nap from your company.
22:36I'll give you my personal account.
22:38I'll tell you.
22:40I'm in the night with you.
22:50Maybe you didn't understand how much I loved you.
22:52I loved you.
22:55I told you about it.
22:56I thought I loved it.
22:58I don't care if I loved you.
23:01I loved it.
23:02I loved it all.
23:03I loved it.
23:04I didn't have to give you up.
23:14What about you?
23:15Give me a favor anyway.
23:17We will get you all done.
23:19Nothing will be done here.
23:22Let me go, my friend.
23:24Please, let me go.
23:25Let me go.
23:26Can I let you leave?
23:28Let me go.
23:29Let me go.
23:30Let me go.
23:31Let me go.
23:32Let me go.
23:34Let me know.
23:40Okay, you're a friend.
23:42I would like to thank you.
23:44If you want to take something, you will tell me.
23:48You're a friend.
23:50I'm a friend.
23:52You're a friend.
23:53You're a friend.
23:53I don't think so.
23:54I'm a friend.
23:57I don't know.
24:01I'm not sure if you ever had any names.
24:02I could leave a book.
24:03I was not going to leave them.
24:05I was going to leave them.
24:08I have a good idea for you to leave your eyes.
24:13What did you do?
24:16I did it.
24:17I did it.
24:19It has a beautiful view in my house.
24:22Do you know something?
24:28There is another way to end it.
24:32How?
24:34I have a good idea in my hands.
24:37Who is there?
24:45I didn't know what you had.
24:49I learned how to end it.
24:50I had to learn how to end it.
24:53I had to wake up for two hours.
24:56All good.
25:09What did you do?
25:15What did you do?
25:21What did you do?
25:33What did you do?
25:52What did you do?
25:55What did you do?
25:56What did you do?
26:02What did you do?
26:09What did you do?
26:18What did you do?
26:19What did you do?
26:20What did you do?
26:21What did you do?
26:23What did you do?
26:24What did you do?
26:25What did you do?
26:27What did you do?
26:29What did you do?
26:39What did you do?
26:40What did you do?
26:41What did you do?
26:46Do you want me to change my mind?
26:47Do you want me to play something else?
26:50Do you want me to play?
26:51Do you want me to play?
26:52Do you want me to play?
26:53Let's do it.
27:03I did it.
27:05I liked it.
27:08It's just some changes.
27:10I hope the changes don't have to do with us.
27:13What do you have?
27:14I hear you.
27:14Do you want me to play something else?
27:15I just want to have a clear conversation between us and you don't do it.
27:18What do you mean?
27:19I learned that he was in front of his face.
27:23And I want to tell you what he's doing.
27:25Do you want me to tell you what he's doing?
27:26Do you want me to tell you what he's doing?
27:27I don't want to tell you what he's doing.
27:28I want to tell you what he's doing.
27:31All right.
27:44I want to tell you what he's doing.
27:48I want to tell you what he's doing.
28:19I want to tell you.
28:21I want to tell you what he's doing.
28:42I want to tell you what he's doing here.
29:04It's just that we're going to stop.
29:09Why are you like this? Do you have any problems with the type?
29:14Do you know what is the difference we have?
29:16That I had something to lose.
29:18I got information for us.
29:21And you, with the songwriter, what did you do?
29:24You bought a house, you bought another one, you bought another one...
29:27and you bought another one.
29:28Why? Are you afraid?
29:31Do you know what I'm saying?
29:32Warum?
29:33To be your house, my daughter's are a great.
29:46Is it okay?
29:47In the background.
29:48Do you want to see our house right now?
29:48Do we want them to see?
29:49We're here.
29:50They are next to us.
29:52Can't get out of here.
29:53Is it funny?
29:54Do you think he can do work if he wants?
29:57I don't know.
29:58I can tell you.
29:59I'll call you a phone for a father to get into something.
30:02I'll be able to get you together.
30:03You're not going to get out of it.
30:05I'll get out of it.
30:06I said you were going to get out of it.
30:15You're going to get out of it.
30:17You're going to get out of it.
30:19And you're going to get out of it.
30:25I didn't know what you were doing.
30:27From here, my brother Zeta is Niki.
30:30Hello.
30:31Now I'm listening to the song and you're interested in it.
30:33Yes, I've been listening to the second song.
30:35I've heard it.
30:37I'm going to find a period of time.
30:39When will you know this?
30:41Yes, yes, yes.
30:43How do you relate to the songs?
30:45Are you a musician?
30:46No, I'm a musician.
30:48I know a lot about music.
30:50Okay, and what is your job?
30:53I work in my family.
30:54I work in my family.
30:55My father has an economic company.
30:57And we're working on the development of the work.
31:00Okay, perfect.
31:03I'm going to let you know,
31:04I'll let you know.
31:06Let's go.
31:14Excuse me.
31:15Are you serious?
31:17No.
31:19I came to you with me.
31:21What did you do?
31:23I came to you with me.
31:24I'm going to let you know.
31:25I'm going to let you know.
31:28I think we'll be very well with this.
31:41I'm going to let you know.
31:43I'm going to let you know.
31:56I'm going to let you know.
32:07I'm going to let you know.
32:09I'm going to let you know.
32:11I'm going to let you know.
32:27I'm going to let you know.
32:57I'm going to let you know.
33:03I'm going to let you know.
33:06I'm going to let you know.
33:38I'm going to let you know.
33:38I'm going to let you know.
33:49I'm going to let you know.
33:50I'm going to let you know.
33:52I'm going to let you know.
34:08I'm going to let you know.
34:08I'm going to let you know.
34:21I'm going to let you know.
34:22I'm going to let you know.
34:25You're welcome.
34:26You agree?
34:26You can with me.
34:26In a boaritive bag,
34:27I'm going to let you know anything different ways.
34:30You're allowed to let me know what you should do.
34:33You want to let me know your mom.
34:36I'm going to let you know.
34:38Don't let you know what you're getting ready?��
34:46Becca, you want to let me know some more? Look...
34:49Well,
34:50don't let you know.
34:51I can do it alone.
34:54If you want to do it again, you can do it again.
34:57Do you want to do it again?
34:58Do you want to do it again?
34:59Let's go from here.
35:06Who is this?
35:09Who is this in the house?
35:11She's gone.
35:12You're gone.
35:14You're gone.
35:17You're gone.
35:19You're gone.
35:21You're gone.
35:21You're gone.
35:22You've never seen it again.
35:23You're gone.
35:24You've told me.
35:25You've seen it.
35:28Who wants to do it again?
35:38You're gone.
35:39You're gone.
35:41Why are you looking at this?
35:42I love you!
35:43I love you!
35:45If you're all about me, you're gonna do everything in a way.
35:50You're gonna be able to save it all!
35:51I'm leaving you all alone!
35:52I'll get you all the rest!
35:53Now!
35:56Now I'm in the first place!
35:59You're in the hospital now!
36:02You're in the first place!
36:02You're in the last place!
36:02You're in the last place!
36:05I don't know you're the only way you know!
36:10What do you mean?
36:11What do you mean?
36:11I'm sorry Sava!
36:14You're always like this, you're right now!
36:19I'm not...
36:21I've made a joke.
36:23I've been so much.
36:24I've been so much.
36:26I've been so many.
36:28But I love you.
36:30I love you.
36:31I don't love you.
36:33I've never loved you.
36:50I love you.
36:51What do you mean?
36:53Oh, what do you mean?
36:54What do you mean?
36:55What do you mean?
36:56Oh, my God!
36:56You have to explain it.
36:57I'll explain it.
36:58I didn't do it.
36:59I tried to open the issue with the Fuertinopoulos and the ProCut.
37:03I decided to try and try to get away and stop it!
37:05I'm not sure you have to do it!
37:05I didn't expect it to be so mad.
37:07You're wrong.
37:08You have no way to pay money.
37:10He has what he wants to do without one side of yourself.
37:15We are right!
37:19Don't want to leave the CB.
37:20I don't want to play the CB.
37:21He's missing things.
37:24This is the moment that our Dalianos is working with you.
37:26And if he is saying,
37:28she will return it to me.
37:29I don't want you to take it.
37:33I didn't know things before you were told.
37:35That's what I told you, I told you that I was a good guy and that...
37:37Oh, oh, oh, oh, oh, you're a little bit here.
37:39You put your information on the Futinopoulos and didn't ask you his name?
37:43You didn't ask him to tell you?
37:44I asked you something, I asked you something, to know you and you do it again and you do it
37:50again.
37:51Do you want to make it yes or not?
37:55When do you want to tell me?
37:57From here.
37:58From here.
38:10I'll take a look at you.
38:15I'll take a look at you.
38:17I'll take a look at you.
38:20I'll take a look at you.
38:21I'm sorry.
38:22I told you to go to school.
38:25It's usually the day of the day,
38:26but it's time to be.
38:30It's time to be.
38:31She's now other school.
38:35My place.
38:41I've struggled for you.
38:44I've used to know you.
38:47This is for you.
38:50Especially after the following day.
38:54I could have had enough care of you.
38:59I was able to take the rest of you.
39:00Don't settle down with your family.
39:02You won't get anything else.
39:03Oh my God, don't worry about it.
39:06As you understand, you came back to your daughter.
39:11She's got to leave it at the end.
39:13Now, when you're in the most difficult time,
39:15they're open to the world,
39:17they're learning to learn,
39:19instead of being close to them,
39:21they're holding their hands.
39:23It's a good thing.
39:25I don't know if I can take it seriously.
39:31I don't know if I can take it seriously.
39:33I don't know if I can take it seriously.
39:34You'll see it.
39:37I don't know if I can take it seriously.
39:38I'll tell you something.
39:40I don't want to tell you anything.
39:42I don't want to get into my life,
39:44but from the hospital,
39:46they all started.
39:48They took it as a kid.
39:50He was like a kid.
39:51And he was in the middle of the house.
39:58He was in the middle of the house.
39:59He was in the middle of the house.
40:00And he was like,
40:01I'm talking to you,
40:02I don't know much before.
40:02He was a kid.
40:07I have a guru in the middle of the house,
40:11which doesn't help me.
40:13It's all.
40:14It's all you want to get.
40:17If I wanted them away,
40:19I was like a kid.
40:20They love her.
40:22They love her.
40:23They love her.
40:23She's like nothing.
40:29There's a woman who doesn't feel anything about her.
40:34That's what I'm asking.
40:36I don't know.
40:38I know something about her life.
40:41I know something about her.
40:42I know something about her.
40:43She didn't have anything about her.
40:47She's like a child.
40:51She's like a child.
40:51She's like a child.
40:53She's like a child.
40:55She's like a child.
41:03Good morning.
41:06Because...
41:07We have no idea what it is for?
41:11It's something.
41:13Something.
41:14You are not a bad boy, she has a hard time.
41:17He was a bad boy.
41:19He spoke about the Odyssé, he didn't have any better.
41:22He was a bad boy.
41:24He was a bad boy and he had to give you the phone.
41:26What did he do to Odysséas?
41:29Is he an excuse to say something?
41:33I don't believe I have.
41:36I don't believe that he was a bad boy.
41:38I don't believe that he was a bad boy.
41:39He was a bad boy.
41:40First it's bad, you're all sick, you want me to stay there and take it on.
41:43You're not saying anything. You're saying, so you know what to do.
41:47You said O'Dyssey had given her the passion for this mansion until tomorrow where she got into the meeting.
41:53What did she do?
41:55Melissa, she did not have anything to do with her.
42:00And what did she do?
42:02To make her a total unit to speak, so she would do the back when she was...
42:06Then she'd do it, and then he'd take her a great job.
42:09It's a lie.
42:10It's a lie.
42:11It's a lie.
42:12It's a lie.
42:13It's a lie.
42:15It's a lie.
42:16It's a lie.
42:18You, however, didn't you believe it?
42:23No.
42:27It's a lie.
42:31How did you do it?
42:32Yes.
42:32It's a lie.
42:33It's a lie.
42:34I had to write about this.
42:37It's a lie.
42:38It's a lie.
42:39One minute.
42:41This is what you heard,
42:44the company's office or the company's office?
42:46Or the company's office.
42:46It's not that?
42:49It's a lie.
42:51But they'll find you in an office.
42:55So that's a lie.
42:56It's a lie.
42:56The company's office is the subject of Odissey.
42:58Thank you very much.
43:28Πώς τους κάζει.
43:29Τι συναντήσατε.
43:30Σας είπα όχι.
43:32Ο ρεσεψιονίστ σας είδε να τρέχεται βιαστικός.
43:35Τι να τρέχω βιαστικός. Απλά έφυγα.
43:36Δεν ήταν εδώ και έφυγα.
43:38Παρ' όλα αυτά γνωρίζατε τον αριθμό του δωματίου της.
43:42Ο οδηγός μου την έφερε χθες το βράδυ εδώ πέρα
43:45και μου είπε μετά τον αριθμό όταν με πήρε τηλέφωνο.
43:47Δεν σας άνοιξε λοιπόν.
43:49Όχι. Πήγα μέχρι πάνω.
43:51Χτύπησα.
43:52Μετά την πήρα τηλέφωνο δεν άκουσα κάτι.
43:55Ακούστε με.
43:57Κάποιος άλλος μπήκε εδώ μέσα.
43:58Ποιος πιστεύεται ότι μπορεί να ήταν.
44:01Δεν ξέρω. Αυτή είναι η δική σας δουλειά.
44:04Εγώ όμως ξέρω ποιη την κυνηγούσα.
44:07Το είχε πει η ίδια.
44:10Ζαπετάκος και Μπακύρας.
44:12Αυτή.
44:12Καρονικά αυτούς θα έπρεπε να ανακρίνετε το όχι εμένα.
44:16Εσείς επιμένετε ότι δεν τη συναντήσατε χθες βράδυ.
44:29Συγγνώμη που ήρθα περιοδοποίητα.
44:32Ψάχνω τον Οδυσσέα και δεν μπορώ να τον βρω.
44:34Στο τηλέφωνο δεν το σηκώνει και...
44:36Στην εταιρεία πήρα μου είπαν κάτι είχε συμβεί και ίσως είναι εδώ.
44:40Δεν είναι εδώ.
44:41Πού είναι.
44:42Δεν ξέρω.
44:44Και δεν τολμάω να φανταστώ τι μπορεί να έχει συμβεί.
44:46Σε παρακαλώ αν ξέρεις το οτιδήποτε.
44:48Πες μου.
44:50Λυπάμαι.
44:51Δεν συνηθίζω να μιλάω για τον Οδυσσέα και τις υποθέσεις του σε τρίτους.
44:55Αν ησυχώ.
44:56Κοντεύω να τρελαθώ από την αγωνία μου.
44:58Κι εγώ.
44:59Αλλά δεν μπορώ να πω τίποτα.
45:01Ούτε σε μένα.
45:02Ούτε στον Θεό τον ίδιο.
45:05Λυπάμαι κορίτσι μου.
45:06Πήγαινε στο καλό.
45:08Λάθος πόρτα χτύπησες.
45:17Τι γίνεται με το δικό σου.
45:19Αυτός είναι έτοιμος να μου τα φορτώσει όλα χωρίς αποδείξεις.
45:22Τι σημαίνει εδώ.
45:24Ηρέμης με τη ζαρώνεις.
45:25Έτσι δουλεύει αστυνομιά στο πρώτο στάδιο της ανάκρισης.
45:28Πιέζουν πολλοί για να δουν ποιος σας φάσει.
45:30Αυτός μυρίστηκε προαγωγή.
45:33Και το πλέπει αυτόν σε ευκαιρία.
45:34Αλλά δεν το αφήσω να περάσει έτσι.
45:36Περίμενε. Πού πας.
45:37Έξω έχει κάμερα. Θα πας να σε φάνε.
45:39Με φάνε. Εγώ θα τους φάω πρώτος.
45:44Κύριε Χαριτάκη, το θύμα έργαζε όταν για εσάς, έτσι.
45:47Κύριε Χαριτάκη λένε ότι εσείς στείλατε το θύμα εδώ.
45:50Ισχυεί.
45:50Τι θα αποκάλυπτες σήμερα στην εφοβή.
45:52Έχετε να κάνετε βηλώσεις.
45:54Λοιπόν, να πω δύο κουβέντες.
45:57Μόλις κατέθεσα ό,τι ήξερα στην αστυνομία.
46:00Και με τα λύπης μου διαπιστώνω πως αντί να ασχοληθούν τους πραγματικούς δολοφόνους,
46:03βάζουν εμένα στο κάδρο και αφήνουν εχμέσαι αναντίον.
46:06Ποιοι είναι οι δολοφόνοι τους, ξέρετε.
46:08Είναι συγκεκριμένοι αυτοί που ήθελαν να κλείσουν το στόμα της κυρίας Ευθυμίου.
46:11Είναι γνωστή στο κατασκευαστικό χώρο.
46:13Μόλις με καλείς ο ανακριτής, θα δώσω τα ονόματα.
46:18Οδυσσέας. Τι είπε, τι λέει.
46:21Το κατηγορούν.
46:22Τον θεωρούν ύποπτο για το φόνο.
46:25Δεν πιστεύω.
46:27Σε παρακαλώ, κρατάς απασχολημένο τον Πετράκη.
46:30Δεν θέλω να καταλάβει τίποτα. Εγώ θα φύγω για λίγο.
46:32Πού θα πας.
46:33Δεν ξέρω. Θέλω να πω λίγο έξω, να πάρω λίγο αερανιώθω τι κνίγω με.
46:40Είναι γνωστή στο κατασκευαστικό χώρο.
46:43Μόλις με καλείς ο ανακριτής, θα δώσω τα ονόματα.
46:46Δεν έπρεπε να προβείς αυτές τις δηλώσεις.
46:49Έτσι ανοίγουμε πόλεμο με τα καθάρματα.
46:52Αυτή η τύπη δεν αστείευονται, το έχω πει εξ αρχής.
46:55Εφαρμόζουν τακτικές μαφίας.
46:57Γιατί αν βρίσκεται πάλι στο στόχαστρο.
46:59Παίρνει δημοσιοίτητα για λάθος λόγους.
47:01Και μέχρι να έχει ξεχνιαστεί ο φόνος της Ευθυμίου, αυτό δεν θα αλλάξει.
47:05Έφυγε τόσο άδικα.
47:07Δεν μπορώ να το πιστεύσω.
47:09Ήταν επιπόλαιη η Όλγα.
47:11Ήταν σαν να περπατούσε συνεχώς στο χέλος του κρεμού.
47:14Και έπεσε.
47:18Λοιπόν, από αύριο μας περιμένουν δύσκολες μέρες.
47:22Έχουμε να αντιμετωπίσουμε μέτωπα, πολλά.
47:24Σας θέλω όλους εδώ συγκεντρωμένους.
47:26Μπορώ να βάσει το πάνω σας.
47:30Ναταλία, καταλαμβάνω ότι εσύ έρχεσαι σε λίγο πιο δύσκολη θέση.
47:33Λόγω της σχέσης που είχες με την Όλγα, αλλά...
47:36Θα μπορέσαι να ανταπεξελθείς.
47:38Φυσικά.
47:39Το συμβάν αυτό δεν πρέπει να επηρεάσει τη δουλειά μας.
47:42Ωραία.
47:42Φίλπε, αναλαμβάνεις εξ ολοκλούρου την Κροατία.
47:45Συγκεντρώνεις ό,τι απομένει και καταθέτεις το φάκελο άμεσα.
47:48Μην είναι ήσυχος. Θα γίνουν όλα πώς θες.
47:56Είναι συγκεκριμένοι αυτοί που ήθελαν να κλείσουν ο στόμα της κυρίας Ευθυμίου.
47:59Είναι γνωστή στο κατασκευαστικό χώρο.
48:02Μόλις με καλέσει ο ανακριτής, θα δώσω τα ονόματα.
48:06Αυτό μέχρι στιγμής και πραγματικά θα...
48:08Θα μας κάνει φίρμες ο Χαριτάκης.
48:12Μην σε νοιάσει.
48:15Ας κάνει ότι κουνιέται και τον έχω στο χέρι.
48:19Δηλαδή, άσε τα μισόλογα και μίλα.
48:23Πριν λίγο καιρό, ένας μπάτσος, κολλητός του Χαριτάκη,
48:28έκανε ένα μπλόκο στην Ευθυμίου.
48:30Και αυτή έτρεξε σε μένα για βοήθεια.
48:34Εδώ στην έχω.
48:53Κατάλαβες τι έκανε ο αλήτης.
48:54Έβαλε το φίλο του τον κολόμπο της να με πιάσει να με ψαρώσει.
48:57Ήθελε να περιμένω το Χαριτάκι.
48:59Ξέρεις που θα με πέσει κανένα μετά, ε.
49:00Στα λιμανάκια.
49:01Στα βράχια πεταμένη.
49:02Θα έλεγα να του με πέτεξα και ανασγκόμενος.
49:04Η Ρέμις δεν θα σε πειράξει.
49:06Στο λόγο.
49:07Φοβάμαι σου, λέω.
49:09Φοβάμαι.
49:09Ανησυχώ.
49:10Έχει όλη τη δύναμη αυτός ο άνθρωπος να με ξαχανήσει.
49:12Του έκανα μεγάλο κακό που βγήκα στα κανάλια και τον έκραξα την μέρα που παντρευότανε.
49:19Ανησυχώ.
49:21Ανησυχώ.
49:21Μην μου τις θέσεις και με σκοτώσουν.
49:26Τι το κρατάς τέτοιο διαμάτη.
49:28Ρίξ το.
49:29Αυτό γκρεμίζει την Εργκάλ μέσα σε μία ώρα.
49:33Στείλ το αμέσως.
49:34Μη χάνεις λεπτό.
49:56Τον βρήκες στο τραώμα για το σπίτι βλέπω.
49:59Έκομαι δεν μπήκα.
50:00Άρχισε στην κρίνια.
50:01Δουλειά είχα έτρεχα όλη μέρα.
50:03Ένα τηλέφωνο δεν μπορούσε να πάρεις.
50:04Καλά μια φορά δεν πήρα.
50:06Καινούργια εταιρεία στείλω.
50:08Υπάρχει πίεση.
50:08Θα σου εξηγήσω μετά πάμε να πάμε τώρα.
50:10Να στα πω στον κρεβάτι.
50:13Πάνω στην ώρα.
50:14Περιμένουμε καλεσμένο.
50:16Καλεσμένο τι καλεσμένο.
50:18Ποιον.
50:19Αυτόν που μου έδωσε την πληροφορία για τα προκάρτ.
50:21Απλώς θέλω να σου πω πρώτα μερικά πράγματα για να ξέρεις πώς το χειρίστηκα.
50:25Εμένα ποτέ σκόπο δες να μου το πεις.
50:27Η κοδέσπη να είμαι δεν θα έπρεπε να ξέρω.
50:30Να επίσης ξέρεις ότι έχω διάφορες δουλειές σε αυτήν την περίοδο.
50:33Στο λέω τώρα.
50:34Ευχαριστώ πάρα πολύ.
50:35Ελα μην το κάνεις θέμα.
50:36Προλαβαίνεις.
50:37Έτσι κι αλλιώς από αυτό το σπίτι ο καθένας τρώει όποτε του καπνίσει.
50:39Ούτε ένα πιάτο παραπάνω δεν θα βάλεις.
50:41Πήγαινε να στρώσει με την Ιουλία.
50:43Ας είναι.
50:44Σας αφήνω να τα πείτε.
50:51Απόψε θα γνωρίσει τον πληροφοριοδότη μου.
50:53Απλώς θέλω να ξέρεις πώς του πουλήσω και άμαθησε τα προκάρτ.
50:56Μην νομίζω ότι κλέβω και τις ιδέες.
50:58Και γιατί πρέπει να τον γνωρίσω.
51:01Δεν μπορούσε να εκτελώνεις ο μόνος μου.
51:03Ήταν όρος του Παγινά.
51:04Για να μου δώσει πληροφορία.
51:07Ωραία.
51:08Ας τον γνωρίσουμε και αρθόν.
51:10Να δούμε τι κάποιον αφού μάρει.
51:17Δεν θέλω να ακούσω κουβέντα για Ιουλία.
51:19Όχι εντάξει.
51:20Δεν θα σας αποσχολήσω για την πορτά σήμερα.
51:22Με στάπρος.
51:23Είναι στο γραφείο του.
51:25Θα τον ειδοποιήσω ότι ήρθετε.
51:27Φέρουμε και ένα ποτό.
51:28Σε παρακαλώ.
51:29Αλλά δυνατό οτιδήποτε.
51:30Μάλιστα.
51:39Ούτε ψηλώ στον κόρφος μου αυτό που σου έτυχε πάλι.
51:41Αλλά σε θέλω δυνατό.
51:43Κανείς δεν μπορεί να συνοχοποιήσει.
51:45Μη φοβάσαι.
51:46Δεν φοβάμαι γιατί δεν έχουν τίποτα αντί ονειμου.
51:49Αν δεν τον γαμώτο.
51:51Εκεί που πήγα να ξεμπερδέψω να ανακαθαρίσω τον ομά μου.
51:54Μου φορτώθηκαν και άλλα πράγματα.
51:56Ποιος με καταράστηκε μου λες.
51:58Μιλες βλακίες τώρα.
51:59Ακόμα και αν τολπήσουν να κάνουν κάτι τέτοιο.
52:01Κανείς δεν σε έχει κάνω για φόνο.
52:02Αυτό έλεγα και τότε με τις κοφαντίες της.
52:04Αλλά τελικά την πιστέψατε.
52:06Και εσύ και η αρετή και η μάνα μου.
52:09Τότε πιστέψατε ότι είμαι εκβιαστής.
52:11Τώρα δεν πιστεύετε ότι είμαι δωροφόνος.
52:16Σταμάτας παρακαλώ.
52:19Ποιες λίγο κυρία Μισανά.
52:20Φυσικά σε ευχαριστώ μα.
52:22Εμένα με χρειάζεστε κάτι άλλο.
52:24Όχι να φυσικά μου.
52:25Πήγαινε.
52:26Δεν χρειάζεται εδώ πέρα να ξενύχτας μαζί μου.
52:28Κανείς σας.
52:30Φύγετε όλοι σας.
52:32Φύστε μου μόνο.
52:42Στης ομορφιές σου.
52:45Και εσύ τα ίδια.
52:47Ελπίζω να μην έχεις τρακ.
52:53Κύριε Δαγιάνο.
52:54Επιτέλους ήρθε στιγμή να γνωριστούμε από κοντά.
52:57Στάθης Βαγενάς.
52:59Διαχειριστής επενδυτικών κεφαλαίων.
53:01Πέτρος Δαγιάνος.
53:03Δεν είχαμε την ευκαιρία να γνωριστούμε.
53:06Αλλά η Νίφου μου μου έχει μιλήσει για την περίπτωσή σου.
53:09Πως είσαι καλά πληροφορημένος.
53:11Κι όπως ξέρεις τη δουλειά μας η μισή επιτυχία είναι η σωστή πληροφορία.
53:20Καλησπέρα.
53:21Η σύζυγός μου.
53:24Μαρίκα, καλασμένο μας στάθης Βαγενάς.
53:30Διαχειριστής επενδύσεων.
53:32Χαίρον πολύ.
53:39Δώσ' τα ασθενιούλια.
53:40Να τα βάλεις ένα ώρα βάζω.
53:47Να σε ζητήσει ήρθε.
53:53Να σε ζητήσει ήρθε η σύζυγός μου όρες όρες λέει κάποια πετυχή μέλα.
54:00Δεν αστιεύτηκα.
54:03Απλώς δεν καταλαβαίνω την κίνηση.
54:05Να ρίκα, καλεσμένος μες είναι άνθρωπος.
54:08Πώς θα ρίξει μάδια χέρια.
54:09Όταν κάποιος πάει σε ένα σπίτι για πρώτη φορά και φέρνει λιουλούδια, σημαίνει ότι τρέφει αισθήματα για κάποιο πρόσωπο του
54:15σπιτιού.
54:17Αλλιώς πάει γλυκά.
54:20Ή τίποτα.
54:41Καλησπέρα, κύριος Χαριτάκης.
54:44Είναι στο γραφείο του. Θέλετε να τον ειδοποιήσω.
54:46Πού είναι το γραφείο του.
54:48Αυτό δική.
54:57Ωραία, τι κάνεις εσύ εδώ.
54:58Πώς είναι αυσικά ο Οδυσσέας.
55:00Είναι στο γραφείο του.
55:02Είναι στο γραφείο του, ναι, αλλά δεν είναι πολύ καλά.
55:05Είδα κάτι στις ειδήσεις και πρέπει να τον δω.
55:07Καλύτερα να μην πεις.
55:08Μόλις ήρθανε κάποια αστυνομικοί που τον έψαχναν.
55:11Για ποιο λόγο.
55:12Δεν ξέρω, αλλά καλύτερα να φύγουμε.
55:15Εγώ θα μείνω. Πήγαινε εσύ.
55:19Πήγαινε.
55:30Όπως σας είπα, έχουν προκύψει ενοχοποιητικά στοιχεία εις βάρος του κυρίου Χαριτάκη,
55:34οπότε είμαστε υποχρεωμένοι να προχωρήσουμε σε σύλληψη.
55:37Στοιχεία?
55:38Τι στοιχεία?
55:39Τι ακριβώς έχετε στα χέρια σας?
55:41Οι λεπτομέρειες θα σας νοστοποιηθούν στην εισαγγελία.
55:43Εμείς είμαστε εδώ για την εκτέλεση της απόφασης.
55:45Δεν μπορείτε να το πάρετε έτσι. Έχετε ένταμα σύλληψης ή εισαγγελική εντολή.
55:48Παρακαλώ μην κολλίετε την διαδικασία. Τα πάντα έχουν γίνει απολύτως νόμιμα.
55:59Περάστε τους χειροπέδες.
56:20Πού τον πάτε?
56:22Γιατί τον κατηγορείτε?
56:29Όχι κι αυτό.
56:31Όχι κι αυτό.
56:33Όχι.
56:43Αγάπη μου.
56:46Αγάπη μου.
56:54Έτσι τόσο συνελαμβάνε.
56:56Τότε μην αυθυμένει.
56:58Σιγουρέψε ότι δεν έχεις αφήσει κανένα άλλη και πίσω σου.
57:00Με χειροπέδες όταν έχετε τον άνθρωπο.
57:02Τι είναι κανένας εγκληματιάς.
57:04Εσύ είσαι ο κολόμπατσος που αναφέρετε στο βίντεο.
57:06Οισεά βρέθηκαν τα δαχτυλικά σου αποτυπώματα στην πόρτα του δωματίου της.
57:10Αυτό από μόνο του είναι ένα επιπλέον στοιχέο.
57:11Και πολύ σοβαρό μάλιστα.
57:12Για ποιον λόγο να κάνει ανήθικη πρόταση στην Ευθυμίου από τη στιγμή που οδημαζόταν να παντρευτεί εσένα.
57:17Τον μπράβο τους να πετάκω.
57:19Αυτόν πρέπει να βρούμε.
57:20Αυτόν που ήδη η Ευθυμίου μέσα στο νοσοκομείο και έφυγε τρέχοντας.
57:22Αυτόν πρέπει να βρούμε.
57:23Τι καθόμαστε εδώ πέρα.
57:24Τι ήρθες να μου κάνεις μόνο να μου βγάλεις στις χειροπέδες.
57:28Ψάχνετε αυτόν που σας έστειλε το βίντεο της Ευθυμίου Ανώνυμα.
57:31Εγώ είμαι αυτός.
57:33Και στο διαδίκτυο εγώ το ανέβασα.
57:35Ήρθα να καταθέσω.
57:36Δεν θα μου το παίζεις άνετος κινγόμενες μέσα στο σπίτι μου.
57:38Με τις κόρες μου να κοιμούνται πάνω.
57:40Είναι τώρα τις σημείδικες κόρες σου.
57:41Καλά είναι αργά πια.
57:42Πάει το τρένο.
57:44Έφυγε.
57:49Πρέπει να πας στην ασφάλεια και να καταθέσεις.
57:52Πρέπει να τους πεις όσα είπες και σε μένα.
57:54Ότι άλλοι χτύπησαν την Ευθύμη.
57:56Όχι Οδυσσέας.
57:57Πήραν το όπλο σκεπτικά αυτό ήταν κλεισμένο μέσα σε ένα μπαουλάκι.
58:00Με ένα μικέτο.
58:01Μια μινιά του ρα.
58:02Της Μαργαρήτας είναι αυτός ο σταυρός στο κοινό κόσμο.
58:04Χρυσία.
58:05Η αδερφή της.
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