- il y a 15 heures
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AmusantTranscription
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00:00:46Woo!
00:01:08I want to hear you guys sing that!
00:01:11Woo!
00:01:12Woo!
00:01:24Woo!
00:01:27Woo!
00:01:28Woo!
00:01:31Do you know the lyrics to Weak? Chorus. Perfect. Okay, yes, yes, let's bring her up. Okay, be careful, be
00:01:37careful.
00:01:39I want to do a song that I did on my first album. It's a cover of SWV's Weak. And
00:01:44if we have some 90s R&B fans in the house, I know you guys will know the lyrics to
00:01:47it.
00:01:47We guys, we have to make her feel so at home when she comes on. It is so scary to
00:01:51come on stage sometimes, you know?
00:01:56I don't know what it is that you've done to me.
00:01:56Okay, what's your name? Tell everybody your name.
00:02:00Kilda and Stella.
00:02:02Stella!
00:02:04Stella, you've been singing along every word, so I'm like, I know you know this one. I just feel it
00:02:08in my spirit.
00:02:08I got you.
00:02:09Honestly, that's the Dust Girl is how I learned to sing. Of all the songs.
00:02:13Oh my God!
00:02:17I don't know what it is that you've done to me, but it's caused me to act in such a
00:02:27crazy way, yeah, yeah, yeah, yeah, yeah, yeah.
00:02:31Yeah, it's taking this toll on me, trying my best to keep from tearing the skin on my bones, don't
00:02:40you know?
00:02:41I lose my trouble, but you're not next to me.
00:02:52I'm falling apart in front of you, can't you see?
00:02:59I'm falling apart in front of you, can't you see?
00:03:15I refuse to cry, no tears will fall from thee.
00:03:24Y'all sound so good.
00:03:29I'm falling apart.
00:03:30Get out.
00:03:33Are you with me?
00:03:38Yeah, yeah, yeah.
00:03:40Do I get out before?
00:03:44Do I walk apart?
00:03:47Do I work成s?
00:03:49Do I work until you see?
00:03:49Do I work to change?
00:15:54Vous étiez avec lui.
00:15:55Je sais.
00:15:57Comment il s'est disparu ?
00:16:00Il a fait ça déjà, Lily.
00:16:02Quand il s'est trop près de quelqu'un, il s'est...
00:16:07Je ne pensais pas qu'il s'arrête pas longtemps.
00:16:10Il aurait dit moi.
00:16:15Je suis désolé, Lily.
00:16:19Je ne pense pas qu'il est venu de retour cette fois.
00:16:23Pourquoi ?
00:16:24Je me suis dit que je me suis dit que c'était compliqué.
00:16:29Je ne pensais pas que je me suis dit que je me suis dit.
00:16:34Je ne pensais pas que je me suis dit.
00:16:35Tu sais que je ne fais pas pour toi.
00:16:42C'est pas grave.
00:16:44C'est pas grave.
00:16:46Je suis là pour toi.
00:16:55Pourquoi vous êtes-vous dit, mon ami ?
00:17:03Ces visions...
00:17:05Qu'est-ce que sont-ils ?
00:17:06Qu'est-ce que ça ?
00:17:10Les habitants ?
00:17:12Les futures ?
00:17:15C'est peut-être juste des illusions.
00:17:24Bonjour.
00:17:25Bonjour.
00:17:27Regardez ça.
00:17:28Tu as tout votre nourriture préférée ici.
00:17:30Je suis un peu fatigué, mais merci.
00:17:33Tu ne peux pas continuer de faire ça pour toi-même.
00:17:36Et je ne veux pas être malheureux, mais je pense que tu dois passer.
00:17:40Comment tu peux dire ça tellement casually ?
00:17:42Je pensais que tu étais un ami.
00:17:43Je suis un ami.
00:17:44Je suis un ami.
00:17:45Qu'est-ce que tu es malheureux ?
00:17:47Lilli, tu n'as pas perdu.
00:17:49Quelque chose n'est pas, c'est-ce que je pense à chaque jour ?
00:17:55Lilli, c'est-ce que c'est-ce que c'est l'Ethan, Lilli ?
00:18:00Lilli, tu es atteint ici.
00:18:03Hey, Lilli.
00:18:06Tu n'as pas perdu.
00:18:08Et tu n'as pas perdu.
00:18:13Tu n'as pas perdu.
00:18:18Tu n'as pas perdu.
00:18:32Tu n'as pas perdu.
00:18:36C'est peut-être une autre proposition.
00:18:38Je sais que le studio de l'Arche est bleu de toi.
00:18:42Ce restaurant, je pense que c'est votre artiste flair.
00:18:46Ce restaurant ici est extraordinaire.
00:18:50Et je sais que vous avez besoin de l'argent.
00:18:53Léa, je peux vous donner 15 000 dollars.
00:18:55Juste l'inventure.
00:18:56Right away, right now.
00:18:58En advance.
00:19:01Je vous aide.
00:19:03Et vous, je m'aide.
00:19:08C'est notre deal.
00:19:20C'est notre deal.
00:19:21C'est notre deal.
00:19:23Je ne suis pas à faire.
00:19:24Vous devrez être fireux, ok ?
00:19:25C'est parti.
00:19:29C'est l'inventure.
00:19:30C'est l'inventure.
00:19:37C'est parti.
00:19:39C'est parti.
00:19:43J'ai appelé partout.
00:19:44J'ai appelé les morgues, les hôpitaux, l'autorité, l'interpol, je veux dire.
00:19:48J'ai été en prison pendant trois ans.
00:19:52En Belaruse.
00:19:55En prison, comment est-ce possible?
00:19:57Je ne sais pas. Tu me dis.
00:19:59All of us étaient là.
00:20:02Tu me souviens?
00:20:03Tu me souviens, Freddy.
00:20:06Tu me souviens, Ethan.
00:20:10Tu me souviens.
00:20:11Tu me souviens, hein?
00:20:13Je voulais...
00:20:14Je fais les set-ups, mais je ne voulais...
00:20:21Lily...
00:20:22Je te jure tellement.
00:20:26Tu me restais.
00:20:28Tu me dissapears sans dire une parole.
00:20:30Je suis set-up.
00:20:33Set-up?
00:20:38Je suis set-up.
00:20:44I knew it, je t'avais dit.
00:20:46Je t'ai dit.
00:20:46Je t'ai dit.
00:20:47Je dis votre Bros.
00:20:47Je n'ai tout ce qui existait et que tu n'as eu.
00:20:48Je n'ai�iscalie назв SAL.
00:20:51Je n'ai pas dé examiné.
00:20:52Lepi qui a aidé vous.
00:20:57Ethan est
00:20:58uneataune.
00:20:59Ilumine.
00:21:04Je vais vous montrer quelque chose.
00:21:10C'est de l'Université de Juste.
00:21:13Oh, non, c'est d'invite.
00:21:17Pourrie.
00:21:18Je veux pas la faute.
00:21:20Oh, l'embaissiment.
00:21:21Nous avons laissé.
00:21:23Je peux continuer.
00:21:24Lily, je ne sais rien de ce qui.
00:21:26Comment je sais que vous ne actez pas?
00:21:29Ethan, ce qui est ce ?
00:21:31Comment vous ne connaissez pas ?
00:21:32Je ne sais pas.
00:21:34Je ne sais pas.
00:21:39Je ne sais pas.
00:21:40Je sais quelque chose qui peut aider.
00:21:48C'est l'art dealer que vous êtes venus.
00:21:52Je ne sais pas.
00:21:53Etan, je pense que vous devriez.
00:21:55Pour ce que vous nez.
00:21:56C'est pas simple.
00:21:57Lily, est-ce pas ?
00:22:00Je veux que vous vayez.
00:22:04Je veux que vous venez.
00:22:05Je veux que vous venez.
00:22:08Let's rentre.
00:22:09Just go.
00:22:39His reputation, piece by piece, until there's nothing left.
00:22:44The only thing we have to worry about is this leading back to us, understand?
00:22:48Is he going to take the bait?
00:22:50With his mind the way it is, he's desperate to know what happened.
00:22:53We gave him the gas, we gave him the matches, and all we have to do is sit back and
00:23:01just
00:23:01watch him burn himself.
00:23:11Carolyn.
00:23:12Ethan?
00:23:16Where have you been?
00:23:20I've been imprisoned.
00:23:21What?
00:23:23How come?
00:23:24What happened?
00:23:25I'm okay.
00:23:26I'm sure you probably have a million questions.
00:23:28Right now, I really need your help.
00:23:31I'll get someone to help you.
00:23:32It has to be you.
00:23:33I really need someone I can trust right now.
00:23:36Can you be there for me?
00:23:37Okay.
00:23:38I was set up by an art dealer.
00:23:40What?
00:23:40I really need you to get to the bottom of anything you can find on this guy and who
00:23:45he's potentially working for.
00:23:46I'd love to help you, Ethan, but I'm just in the middle of the Venetian art fair and
00:23:50we've been working on this gala for the last two years.
00:23:54I'll help you finish the art gala.
00:23:56I really need to get to the bottom of this.
00:23:58Sound good?
00:24:00Yeah.
00:24:00I have to go, Carolyn.
00:24:01Thank you so much.
00:24:02I gotta run.
00:24:04I'll let you know, Carolyn.
00:24:19I was at your art studio.
00:24:23Someone else lives there now?
00:24:24Well, I'm broke, Ethan.
00:24:26I had to sell it.
00:24:28What are you doing here?
00:24:30Haven't you done enough already?
00:24:32I can't...
00:24:33You know what?
00:24:34Doesn't matter.
00:24:35I don't know you.
00:24:39Haven't you done enough already?
00:24:41I can't...
00:24:42You know what?
00:24:43Doesn't matter.
00:24:44I don't know you.
00:24:46Don't even know you.
00:24:47Yes, you do.
00:24:49Yes, you do.
00:24:50No, I don't, Ethan!
00:24:51I've been waiting three years for this moment with you.
00:24:55What are you talking about?
00:24:56To show you what you've always known.
00:25:01When was the last time that you painted?
00:25:05What was it?
00:25:07It was me, wasn't it?
00:25:10Wasn't it?
00:25:17Am I going crazy?
00:25:18Please!
00:25:19You were lost.
00:25:20You were trapped and...
00:25:21and alone.
00:25:23Come on.
00:25:26I never should have left you.
00:25:40You need to go now.
00:25:50I bought our old studio back.
00:25:53Well done, Ethan.
00:25:56Well done.
00:25:58You like it?
00:25:59Yeah.
00:26:00You did always have an eye for talent.
00:26:05But...
00:26:06do you think this will work?
00:26:08It has to.
00:26:16Maybe you can help her.
00:26:18Help her?
00:26:19How?
00:26:21Rediscover what she's lost.
00:26:23She's lost more than just her art, Ethan.
00:26:28You need to tell her eventually.
00:26:30And not just about you buying her this studio.
00:26:33Please, Ramona.
00:26:36I can't.
00:26:37Ethan, I can deal with not knowing everything that's happened to you.
00:26:39For now.
00:26:42At least until you remember more.
00:26:45But you need to tell her who you are.
00:26:47If you don't, she'll think that you're hiding other things and you will lose her.
00:26:52I've seen it happen before.
00:26:59This new piece of silver.
00:27:00Ashley, if you could just...
00:27:01Oh, these are beautiful.
00:27:03Oh, Lily!
00:27:04Hi!
00:27:04Thank you so much for coming and being in this on such short notice.
00:27:07Of course.
00:27:08You know, I've been kind of out of the art scene for a little while.
00:27:11But I was so surprised when you called me and I brought this.
00:27:16Oh, wow.
00:27:19Lily, c'est spectaculaire.
00:27:22Nous avons juste pensé de changer nos pieces,
00:27:25et je pense que ça va bien au bout de la porte.
00:27:27Uh, Leo, peut-être que vous pouvez mettre ça au bout de l'entrace.
00:27:31Merci.
00:27:33Oh, je veux le use de couleur ici.
00:27:36C'est très beau.
00:27:37Um, excuse me.
00:27:39Hi, Sasha.
00:27:40Je voudrais vous présenter à l'île ici.
00:27:42I was told that the space up front
00:27:45is for the artist who sold the most art this year at the gallery.
00:27:48Yes, um, we did have a...
00:27:50Um, and if you'll recall, that artist is me.
00:27:53Three years running.
00:27:57Lily, this is Sasha,
00:27:59and as she has just humbly mentioned,
00:28:02she is our most in-demand artist here at the gallery.
00:28:05Congratulations.
00:28:06Uh, it's so nice to meet you.
00:28:08Are we just going to ignore everything I've done for this gallery?
00:28:10Sasha, we decided to diversify,
00:28:14and I think that Lily's art is exactly what...
00:28:16Please.
00:28:18Experimental art is what you need to be looking for.
00:28:20This gallery could use more of that,
00:28:22not someone stuck painting the past.
00:28:27Sasha, we will hang your art adjacent to Lily's.
00:28:31We'll let the people decide what belongs in the gallery.
00:28:35Right.
00:28:43Oh, did you hear?
00:28:45Someone bought back your studio for you.
00:28:48Oh, you're joking.
00:28:50That's funny.
00:28:52That's...
00:28:53Are you serious?
00:28:56R-really?
00:28:58Why?
00:28:58I don't know.
00:29:00Who?
00:29:02I don't know.
00:29:03Probably someone who really loves your art.
00:29:06They even renovated it for you.
00:29:10Oh, this is great.
00:29:11I think...
00:29:12Oh, yes.
00:29:29Ethan.
00:29:34What is all of this?
00:29:41For believing me.
00:29:45I believe in you.
00:29:51I believe in you.
00:29:55Thank you.
00:29:58These are beautiful.
00:30:01I'm so happy
00:30:03we got put back together.
00:30:05You did this.
00:30:07I know you did this.
00:30:09Now, why would you say that?
00:30:12Because
00:30:13no one else would understand
00:30:15how special this is to me.
00:30:21I don't understand how you did this.
00:30:24Where did you get the money?
00:30:26Are you a criminal like Freddie says you are?
00:30:28Why did you do that?
00:30:29I don't want you to be in debt because of me.
00:30:31No, I'm going to work really hard.
00:30:33I promise I'm going to repay you for...
00:30:35No, no, no.
00:30:36That's not what this is.
00:30:38Let's work together.
00:30:40Okay?
00:30:43This
00:30:44can be our second chance.
00:31:13Ethan, I need to tell you something.
00:31:16It's okay.
00:31:17I'm listening.
00:31:18I need you to believe me.
00:31:21I believe you.
00:31:24Do you remember when I told you
00:31:26that some people,
00:31:27they can see things
00:31:28that
00:31:30others can't?
00:31:32Well, I wasn't talking about other people.
00:31:34I was...
00:31:36I was talking about me.
00:31:38Lily.
00:31:38I see things,
00:31:38and I know that sounds crazy,
00:31:40but I just need you to believe me.
00:31:41I know.
00:31:42Your first painting.
00:31:44I just keep thinking
00:31:45that maybe if I believed
00:31:46then you wouldn't have
00:31:49gone to prison,
00:31:50and I...
00:31:51maybe...
00:31:52I've put you through so much.
00:31:54Maybe this is all
00:31:55a little too much
00:31:56me being back.
00:31:57I don't want these visions.
00:31:59I don't.
00:32:00But they're real.
00:32:05No.
00:32:05No.
00:32:05No.
00:32:05No.
00:32:07No.
00:32:07No.
00:32:07No.
00:32:07No.
00:32:08No.
00:32:09No.
00:32:12No.
00:32:13What's the matter?
00:32:15Lily,
00:32:16I want to be there for you.
00:32:19I do.
00:32:20I think I know just the place.
00:32:22My grandmother,
00:32:23she has this beautiful log cabin.
00:32:25No phones.
00:32:28No people.
00:32:30Exactly.
00:32:31It's beautiful, Lily.
00:32:34It's beautiful.
00:32:35It's beautiful.
00:32:46I really did not know
00:32:47you were this much of a chef.
00:32:49Well, you know,
00:32:50you pick up a few things.
00:32:51Pick up where?
00:32:52Where'd you learn?
00:32:53In Europe,
00:32:53mostly in France.
00:32:56Tell me what ingredients
00:32:57you think the sauce needs.
00:33:00Not too much.
00:33:02probably.
00:33:03Thank you,
00:33:04thank you, thank you.
00:33:05Oh, no.
00:33:22Culinary masterpiece.
00:33:27You are truly amazing.
00:33:30Do you know that?
00:33:33Really amazing.
00:33:37Is this true?
00:33:43I'm just so glad to be here.
00:33:48Me too.
00:33:57I'm just so glad
00:33:58to be back here.
00:34:02Me too.
00:34:07You must tell your grandmother
00:34:10thank you
00:34:11for letting us stay at the cabin.
00:34:13I will.
00:34:14To her.
00:34:15to her.
00:34:28What?
00:34:31You're just so beautiful.
00:34:35Ethan.
00:34:40You know,
00:34:41when I look at you,
00:34:43it feels like a home.
00:34:50like you're the place
00:34:51I've been searching
00:34:51for all along.
00:34:54Lovers don't just meet someone.
00:34:59They're in each other
00:35:00all along.
00:35:07I have something to do.
00:35:09because she's old.
00:35:09just kissing me already.
00:35:14Lily?
00:35:16Lily?
00:35:17Lily?
00:35:17Are you okay?
00:35:19Lily?
00:35:20Lily?
00:35:22Are you okay?"
00:35:23Lily?
00:35:24Lily?
00:35:24Lily?
00:35:25Lily?
00:35:26Lily?
00:35:26Lily?
00:35:26Miss…
00:35:32Lily?
00:35:33Lily would help you?
00:35:33Lily?
00:35:36Lily?
00:35:36Lily?
00:35:41Sous-titrage Société Radio-Canada
00:36:07Sous-titrage Société Radio-Canada
00:36:44Sous-titrage Société Radio-Canada
00:36:47Sous-titrage Société Radio-Canada
00:36:57I was buying stolen art.
00:37:04Sous-titrage Société Radio-Canada
00:37:06Sous-titrage Société Radio-Canada
00:37:09Sous-titrage Société Radio-Canada
00:37:11Sous-titrage Société Radio-Canada
00:37:18Sous-titrage Société Radio-Canada
00:37:21Sous-titrage Société Radio-Canada
00:37:50Sous-titrage Société Radio-Canada
00:37:58Sous-titrage Société Radio-Canada
00:38:00Sous-titrage Société Radio-Canada
00:38:02Sous-titrage Société Radio-Canada
00:38:07Sous-titrage Société Radio-Canada
00:38:34Sous-titrage Société Radio-Canada
00:38:37Sous-titrage Société Radio-Canada
00:38:49Sous-titrage Société Radio-Canada
00:39:06Sous-titrage Société Radio-Canada
00:39:09Sous-titrage Société Radio-Canada
00:39:26Sous-titrage Société Radio-Canada
00:39:28C'est OK, nous allons faire les gâts.
00:39:30Et votre uncle Todd a reçu. Il a un proposé. Il veut se rencontrer demain.
00:39:35Un proposé ? Avec tout ce qui s'est passé ?
00:39:37Il veut dire qu'il y a l'autre dans l'air.
00:39:40Je suis désolé, mais Todd contrôle l'art world.
00:39:43C'est un appel à lui et le narratif change.
00:39:45Il veut que le Venetien art fair soit plus moderne
00:39:48pour qu'il ait plus d'argent.
00:39:50Je suis allé à Bel-A-Russe
00:39:52pour acquérir les classics
00:39:53pour qu'on ait le plus historique de l'art event.
00:39:56Et évidemment, il ne veut pas ça.
00:39:59Il veut juste que je me souviens de la photo.
00:40:01Et le délaur juste voulait mon money.
00:40:04Est-ce que Todd est derrière tout ça ?
00:40:08Je pense que la dernière chose qu'il veut
00:40:09c'est me hosting la gala.
00:40:11Qu'est-ce que tu es pas ?
00:40:12A public accusation contre Todd
00:40:14va vous tuer.
00:40:16Ramona, peux-tu vous arrêter un meeting
00:40:18avec Lily dans la gala ?
00:40:19Je veux qu'elle s'arrête à la gala.
00:40:22Et Caroline, vous arrêtez cette meeting
00:40:24avec Todd.
00:40:25Je veux qu'elle déjà,
00:40:26je devrais qu'elle s'arrête à anderer meses.
00:40:33Je veux faire ça et je veux.
00:40:33Vous savez, Lily,
00:40:35je me suis dans une très bonne part,
00:40:40je veux que j'ai décidé,
00:40:41en fait.
00:40:45Après tout ce que j'ai fait pour vous,
00:40:47C'est bon, je veux vous.
00:40:53Vous avez besoin de moi, remember?
00:40:56Elle ne veut plus plus.
00:40:59Elle a plus de nerve.
00:41:02Valdorf, ne vous êtes en hiding et éviter la humiliation?
00:41:06Dis-moi, qu'est-ce que c'était?
00:41:09Jealousie?
00:41:10C'est bon, ne vous plaît pas.
00:41:12Si vous gardez vos mains clean.
00:41:14Vous devriez prendre vos mains de vos propres mains.
00:41:15Parce qu'ils sont bloqués de la humiliation.
00:41:19Vous savez ce que vous avez fait pour moi.
00:41:20Et ce que vous avez essayé de faire pour Lily.
00:41:23Mais maintenant, je sais aussi.
00:41:32Allez, vous êtes le moins curieux.
00:41:44Reconnaissez-vous les signatures sur les transactions ?
00:41:50Qui a la peinture ?
00:41:55Je pense que je suis désolé pour les deux.
00:41:58Je pense que je vous entends.
00:42:04Je pense que je suis désolée.
00:42:04Reconnaissez les noms sur ces transactions ?
00:42:09Qui a la peinture ?
00:42:14Je suis désolée pour les deux.
00:42:18Je...
00:42:20Je...
00:42:20We don't want your apologies, Frank.
00:42:28We want my Uncle Todd.
00:42:40I want to start out by thanking you for offering to help with these.
00:42:45Anything you could do would be much appreciated.
00:42:48I'm glad to hear it, Ethan.
00:42:49Because if you let me, I'd like to steer this ship back on course.
00:42:55I'm listening.
00:42:58It's beautiful.
00:43:01And I see you with the same eyes.
00:43:03We always have.
00:43:05I've arranged a little, let's say, agreement with some prominent collectors.
00:43:13And this could be ours.
00:43:16A once-in-a-lifetime opportunity, Ethan.
00:43:20But if I'm going to help you out, I need to ask a favor of you.
00:43:25You cannot attend the fair.
00:43:28Let me put it another way.
00:43:30If you attend the fair, you and Lily will be in big trouble.
00:43:39If you attend the fair, you and Lily will be in big trouble.
00:43:44With your reputation being the way it is.
00:43:47Your association with artists, it'll end their career before it even starts.
00:43:53And we both know how much you care about Lily.
00:43:56You don't want to do that to her.
00:43:58No.
00:44:00I don't.
00:44:02But I want her art in the fair.
00:44:04Ethan, please do not put me in this position.
00:44:08Her art is just as good as any of the other artists.
00:44:11Why do you think I was drawn to it in the first place?
00:44:14I am trying to help you, Ethan.
00:44:17I'm probably the only person who is.
00:44:19Can't you see that?
00:44:21Well, then help me with this, Uncle Todd.
00:44:24Why this uninteresting classical art?
00:44:27Weren't you always the one trying to push the Waldorf family empire to focus on modern art?
00:44:32You always said...
00:44:33I always said, a prominent work is still a prominent work, regardless of influence, style, or era.
00:44:40The difference, Ethan, between you and I, is that I don't let my bias and idealism blind me from the
00:44:47future.
00:44:50I don't care what your reservations are about doing what I've asked you to do.
00:44:55But for your own sake, you better do it.
00:45:07I can't believe my art used to be in a coffee shop, and now it's here, and it's galleries.
00:45:13Lily, your work belongs here.
00:45:16It always has.
00:45:22Ethan, I have to tell you something.
00:45:26Part of me feels like...
00:45:28When you were gone, I kind of lost myself.
00:45:33And now it's just every day, it's...
00:45:36It's getting harder, and it's harder to even just pick up the brush and...
00:45:43Tell me.
00:45:47I'll go to Dallas in a couple days, and...
00:45:51I haven't finished the paintings yet.
00:45:56I think I lost my inspiration.
00:45:59I have something to tell you, too.
00:46:02My Uncle Todd doesn't want me to attend the gala.
00:46:07Why?
00:46:09He's trying to convince me my reputation's going to harm the other artists' chances of their work being seen.
00:46:17That's ridiculous.
00:46:18Your reputation is the only reason that my art is even here.
00:46:23But I need to finish the rest of the paintings.
00:46:29I think I know someone who can help.
00:46:34How could you let an art thief vouch for her work?
00:46:42I think I know someone who can help.
00:46:45Don't you think that this is going to hurt the reputation of the gallery?
00:46:49What do you mean?
00:46:50How could you let an art thief vouch for her work?
00:46:54Well, he's not a thief.
00:46:55And Lily's work speaks for itself.
00:46:58And that's what Chris does, too.
00:47:01So you really think this Master George guy is going to be able to help me?
00:47:06They don't call him Master George for nothing.
00:47:09He's tremendously knowledgeable and talented in classical art techniques.
00:47:14He has an uncanny way to inspire even the most uninspired.
00:47:20Kind of like you.
00:47:24Lily, you deserve this more than anyone else.
00:47:29It's time for your work to be seen.
00:47:38So let me guess.
00:47:40Still no response from Freddy, huh?
00:47:46Okay.
00:47:47Now we make sure that Freddy doesn't talk to anyone ever again.
00:48:10I just, I want it to be perfect.
00:48:13Art is about seeking perfection and beauty.
00:48:19But you can't be attached.
00:48:21See the difference?
00:48:23No.
00:48:31Let go of ego.
00:48:34Aim for a pure mind.
00:48:37Art should aspire to higher ideals.
00:48:40The ancients understood this.
00:48:42That's why they spoke of divine inspiration.
00:49:05Welcome to surrender, Lily.
00:49:08Thank you.
00:49:09Your entire life's journey is in your work, Lily.
00:49:14Now it's time to take it to the next level.
00:49:17True art.
00:49:19True art.
00:49:24True art.
00:49:34I'm so sorry, Mr. George.
00:49:36I, I, I need to go.
00:49:42Hey, Lily.
00:49:42The victim, a 30-year-old male by the name of Frederick Dunn was found shot.
00:49:50It's Freddy.
00:49:52He's been shot.
00:49:54You cannot go to the gala.
00:49:55You cannot go to the initial gala.
00:49:57I cannot stand by and watch Todd soil my family's legacy with selfishness and greed.
00:50:06Really, people are getting hurt.
00:50:08I'm lucky to still have...
00:50:09And if I care about you more than anyone in the entire world, I, I cannot live in myself
00:50:16if something happened to you and I could have prevented it.
00:50:18We've been down this road before.
00:50:20I don't think we can prevent it.
00:50:23Do you?
00:50:24Do you?
00:50:24Do you?
00:50:26Do you?
00:50:33I can't believe you're finally finishing them.
00:50:39The image is almost complete.
00:50:42It is.
00:50:44Yeah.
00:50:46Yeah.
00:50:48But you know what isn't?
00:50:50Our future.
00:50:52But I really think this is our shared purpose.
00:50:56It's about channeling our hearts and staying the path and stepping at a time.
00:51:19This is the summation of everything we've been working for us.
00:51:22Everything we've been working for us.
00:51:27And now you get to show it to everybody.
00:51:30Because of us.
00:51:34Because of us.
00:51:40Ethan, I'm scared.
00:51:47What?
00:51:49Tomorrow night?
00:51:50Are you sure we can do this?
00:51:59That's right.
00:52:00And let's make sure we have the VIPs well tended to.
00:52:03And make sure that no one gets in without my approval.
00:52:07Understand?
00:52:10I knew she couldn't finish what she started.
00:52:14Always nice to see you.
00:52:19What would you put there instead?
00:52:22Hmm.
00:52:24A real artist's work?
00:52:30Carolyn.
00:52:32A minute, please.
00:52:35Sasha's paintings would look nicely there.
00:52:39I'm sorry, but Ethan specifically requested that this goes there.
00:52:43It's Lily's last painting in the series.
00:52:45Ethan's not here right now.
00:52:47I am.
00:52:48But we all want the gala to be a success tonight, don't we?
00:52:51Remove Lily's paintings.
00:52:56Yes.
00:52:58Most certainly.
00:53:01Call me.
00:53:02I need to talk to you.
00:53:04Thank you.
00:53:07Ethan, your Uncle Todd was just here.
00:53:09He doesn't want Lily's last painting shown.
00:53:12I know.
00:53:13In fact, he doesn't want any of her paintings shown.
00:53:15Do you both trust me?
00:53:18You do?
00:53:18Good.
00:53:21Because I have a plan.
00:53:28What do you mean?
00:53:31What do you spell up in the UK last night?
00:53:34Must be nice.
00:53:36He's here.
00:53:38Name, please.
00:53:40Lily Austin.
00:53:41Lily Austin.
00:53:43Lily Austin.
00:53:45There you are.
00:53:47You're not on the list.
00:53:49Really?
00:53:50Is that so?
00:53:52You need to leave.
00:53:57I want to thank everyone for helping us celebrate our Venetian Gala this evening.
00:54:04We can truly fulfill our dreams.
00:54:07The Waldorf family has a history of doing just that.
00:54:10But as many of you know,
00:54:13Forging such a legacy,
00:54:16It's not a simple feat.
00:54:17It comes with challenges.
00:54:20It comes with challenges,
00:54:21Mistakes,
00:54:22And occasionally,
00:54:24Nephews.
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