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Watch How to Get to Heaven from Belfast Season 1 Episode 4 online in HD on Dailymotion (2026).
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00:08It's me again. Sorry, but this is driving me insane. I've thought about nothing else these past two days.
00:16Who was she? Who was Jodie Pryor? How did she end up in that coffin? We have to find out.
00:23We know she was friends with Greta. At least that's what Liam told me in the hotel. In the ballroom.
00:32Hey. Who are you talking to?
00:37You're all wet. Here. We're evacuating people from the village. We need to find some place to put them.
00:45Shit. It's a precaution really. I mean I hope it's a precaution.
00:55Can I have a drag?
00:57I don't think the kids smoked these days. Only when they're nervous.
01:03At least that would be nervous about. Is it? Is it? Is it you?
01:18Is someone smoking in here? I can see smoke. No. Sorry. This isn't working.
01:26Cut it there. Reset.
01:29Tersha, sorry. But she said she can see smoke. I mean would she see it? I'm just not sure that
01:35she would say it.
01:35Oh no, no. She does say it. Look. See? It's written here.
01:38You're not listening to me. Seb! Can I see you in my trailer?
01:43100%.
01:43I mean the bloody script was written yesterday, would you expect?
01:46I'll deal with her. She's not great on night shoes. That's all. She needs to sleep.
01:52So, the wedding venue rang again, by the way. We have to decide on the menu. There's either daub of
01:57beef or chicken a la cane.
01:59What the fuck is a daub?
02:00Searsha, which one of these coats do you like? Marnie can't decide.
02:03They slow cook. I don't care if that one.
02:06It's meant to be quite moist.
02:07Please don't say moist. Sorry. Very quick one.
02:10Paul's saying only when they're nervous, but it's only when we're nervous. Which one do we prefer?
02:16Oh, I don't know. Shall we go with what's in the actual script?
02:18I'm just obviously worried that it might be a bit chewy.
02:20Searsha, can I make Marnie's hair even wetter? She's coming in from the rain.
02:24I know. I wrote it. It's a storm. I mean, how heavy is that?
02:27Well, it's a storm. Maybe the chicken would be safer, but then do we definitely want to alec in?
02:31Just Marnie saying she'll get pneumonia.
02:32It's a fucking storm!
02:38Let's take five, everybody. Five minutes, please.
02:41Then there's the vegetarians. They need numbers.
02:45Jesus Christ.
02:47I'll go and talk to Marnie. Oh, there's a policeman over there.
02:50It's a cop shop, sir.
02:51No, a real one. One of the Irish ones.
02:54You said you asked him to come down. Research. I take it.
03:00Yeah, research.
03:41Yeah, research is surrounded.
03:44It's more than-
03:52That scene you were filming, is that supposed to be O's?
03:55What? No, no, I mean, no, I take bits and pieces from real life.
04:01Bits and pieces, it was word for word.
04:03It's not a big deal.
04:05They're not even important characters, I think.
04:06That's, like, literally their only scene.
04:09Setting up for...
04:10It's here, Shay.
04:13What are you asking?
04:15Right, yes, so the woman you were talking to at the hotel,
04:20the woman that claimed to know Greta...
04:22Jodie Pryor.
04:25You found out her surname.
04:26So did you.
04:28So, I was talking to Seamus.
04:31He said last time he spoke to Jodie Pryor,
04:33she was asking for directions to her friend's house.
04:36To Greta and Owens?
04:37To Greta and Owens.
04:38Of course, Owens denies Jodie ever existed.
04:42Why?
04:43Why is he lying?
04:45An affair, maybe.
04:46What?
04:49Owen and Jodie?
04:50It's just a theory.
04:52Anyway, now we'll never know.
04:54What do you mean?
04:55We can't exactly go and interrogate Owens.
04:56Jodie's booked herself a flight to Portugal.
05:00What?
05:01I've been trying to track her down.
05:03I wasn't having much luck,
05:03so we decided to check the airline logs,
05:05and there she was,
05:06checked in online last night.
05:10Last night, but she...
05:15And she can't have.
05:16And she was.
05:34I'm trying to get in touch with a friend of mine,
05:37and she works at your hotel.
05:39Jodie Pryor?
05:40Jodie Pryor?
05:41Do you know which department she works in?
05:44Is it about Jodie Pryor?
05:45Jodie Pryor?
05:45Throw it with me.
05:48Hello?
05:49Oh, hi.
05:50Hello.
05:50This is Mrs. Pryor, yes?
05:52It is Gabriela.
05:53We spoke earlier about your daughter.
05:55That's right.
05:56I have the dates you asked about.
05:58You do?
06:01On the 7th, she takes five days' leave.
06:04She told my colleague she would go to Ireland.
06:06She was supposed to come back this week,
06:09but no.
06:11A say?
06:12I'm very sorry, Mrs. Pryor.
06:14You still plan to come here, yes?
06:16I plan...
06:18Yes.
06:19I plan to.
06:21If there's anything we can assist with.
06:23Well, I'll let you know.
06:24Okay.
06:25But thank you for your help.
06:26Okay.
06:27Bye.
06:27Bye-bye-bye.
06:28Love you.
06:29Bye.
06:30Love you, Christ.
06:43Oh, my God.
06:47Who's Jessie?
06:49Who is Jessie, and why is she messaging you?
06:51Robin!
06:51Don't try and buy time.
06:52I want an answer.
06:53No, I...
06:54Jessie Benson from the office.
06:55Oh, so she works for you?
06:56Now we're getting somewhere.
06:57Does she have a nice arse?
06:58I bet ours is better than mine.
06:59Jessie's my boss.
07:00I want you packed up and gone at first light.
07:03What are you, John Wayne?
07:04I am serious.
07:05Jessie Benson is a man.
07:06What?
07:07He's a man.
07:08In his early 60s.
07:09You've met him at the Christmas party.
07:11He's tall and bald.
07:12You know, he's married to Deirdre.
07:15Oh, my God.
07:17A man?
07:18Yes.
07:20I don't know what to say.
07:22Circumstances like this,
07:23it's often traditional to apologise.
07:25I can't even look at you.
07:28Okay.
07:29Did you know when you married me?
07:30I know what?
07:31That you were, you know,
07:33into the boys.
07:35I'm not into the boys.
07:36So you're denying it?
07:37Yes.
07:38All right, then.
07:38Why don't you just tell him?
07:39Tell him what?
07:39That you're not into it.
07:40Because he's not into it.
07:42Jesus, Robin.
07:43Jessie Benson is my boss.
07:44We've been working together for 20 years.
07:46He's not gay.
07:47I'm not gay.
07:48He sometimes sends me messages about work.
07:50Why, though?
07:51Because we work together.
07:52I read the message, Jim.
07:54He said you need to tell your wife.
07:55He said he won't wait forever.
07:58He's got this promotion for me,
07:59but there's a lot of travel.
08:00Ha!
08:01No chance.
08:02This is why I didn't bring it up.
08:03You have to admit,
08:04this is all a bit weird.
08:05No, Ma, but what's weird
08:06is you creeping into a room
08:08at three in the morning
08:09dressed like the fucking military woman.
08:11Now, I'm going to sleep.
08:12Try not to attack me before half seven.
08:22Military woman isn't even a thing,
08:23but whatever.
08:31I can't believe this is happening.
08:34I'm still not sure about the frog.
08:37I just cannot believe it.
08:40I mean, I can't get my head around.
08:41How would you give over, Dara?
08:42I'm not sure about the frog either, love.
08:44Is it a bit tight?
08:45Does I?
08:45This isn't normal.
08:47It's not as unusual as you think.
08:49People get the news.
08:50They want to plan.
08:51Have the doctors given any indication,
08:54you know, timeway?
08:56What, doctor?
08:57She's not ill.
08:58Except for not being all there
08:59in a mental sense.
09:00When I do go,
09:01you'll be glad I had a plan in place.
09:03If I don't get this right,
09:05I'll be the talk of the town.
09:06You'll be dead, Mammy.
09:07You can always unzip it.
09:09The dress.
09:11Nobody's going to see the back.
09:13And who's this one?
09:15It's Angela.
09:15She's doing the flowers.
09:17Can we have a quick word, please?
09:18Her friend passed recently
09:20and I suggested to Mammy
09:21that we speak to you
09:22for peace of mind, like.
09:24I didn't know she'd demand
09:24a full-blown dress rehearsal.
09:26Do you mind me asking
09:27why you chose us?
09:29We've never booked a job in Belfast.
09:32I was at a wick
09:33in Donegal the other day.
09:35In Nogdara Village?
09:37Milk?
09:38Yes, please.
09:39You did a beautiful job.
09:41Sugar?
09:42Seven, please.
09:44So you wanted us for your wee Mammy?
09:46Aye.
09:47Do you remember the wick?
09:50Gretta O'Neill?
09:52The O'Neill girl?
09:54That was a strange idea, John.
09:57Why so?
09:58Are you friends with the husband, too?
10:01No, not at all.
10:02Very high up in the guards, I believe.
10:08Desperate.
10:09A woman falling down the stairs like that.
10:14And then there were the burn marks.
10:17Burn marks?
10:18All over her back.
10:21Scared, you know.
10:23Was it a happy marriage, do you know?
10:24Do you think she was hurt deliberately?
10:26Ah, now that's not for me to say.
10:30Between you and me.
10:35The husband.
10:39High up in the guards, I believe.
10:45Dara, Robin and Saoirse are here.
10:47Oh, lovely.
10:47They've come to pay their respects.
10:49Serious, nothing.
10:52You really think it's Gretta?
10:53It has to be Gretta.
10:54Jodie's dead.
10:55And she's gone to Portugal.
10:57On a plane.
10:58Yes, on a plane, Dara.
11:00What do you think she did?
11:00Set off on foot?
11:02Right.
11:02So, Mum, what did you guys find out?
11:04Jim's having an affair.
11:05Who'd have an affair with Jim?
11:06A six-year-old bull fella, apparently.
11:08Oh, for God's sake, Robin, come off it.
11:11Jim's not gay, he's too dull.
11:12He is dull, isn't he?
11:14Did you ring the resort or not?
11:15Yes, I did.
11:16Jesus, keep your knickers on.
11:18Right, the girl at reception said that Jodie was due back this week,
11:21but nobody's heard from her, and her mum's been looking for her,
11:23so she's definitely missing.
11:24Oh, my God.
11:25Well done.
11:26Turns out I'm pretty good at this shit.
11:28Jim doesn't stand a fucking chance.
11:30The undertaker told me the body had burn marks on it.
11:33Really?
11:34He didn't think it was an accident, either.
11:37I could tell.
11:40What did they do to that poor girl?
11:43And why?
11:46What now?
11:49Do you still have that room key?
11:51Uh-huh.
11:52Do you think Greta's going to go to the resort?
11:54I do.
11:55Which means we have to follow her.
11:57Does it really, though?
11:58Don't you want to know what really happened that night, Dara?
12:01Listen, if we're doing this, we have to do it properly.
12:04We have to be strategic and ruthless.
12:07We have to hunt her down like a dog.
12:11I feel sorry for your children.
12:13I don't know, girls.
12:14I can't just drop everything.
12:16Gonna make Mommy's last meal as a wee rehearsal.
12:21Do you just want some oven chips?
12:34I have the most wonderful news.
12:37We're being given an opportunity here.
12:40A gift.
13:05The number you have dialed has been changed to...
13:0802-09-17-34-77.
13:19It's time.
13:25We need to get Jodie out of the country.
13:28Noctara can't be our final destination.
13:32Do you really think you'll find it?
13:35Of course.
13:37It has to be there.
13:48Why are we stopping?
13:56What's going on?
14:03When the Lord sent his angels to destroy Sodom and Gomorrah, the angels commanded Lot to take his family out
14:11of the city.
14:12Come on.
14:13Come on.
14:40Come on.
14:47I look back to see the city burning.
14:49She was turned into a pillar of salt.
14:57All good?
14:58Keys.
15:01Do you want to tell me what happened?
15:03With what?
15:04You were late.
15:06I was just behind you.
15:07You were supposed to be here first.
15:11I'm sorry.
15:14Don't let it happen again.
15:21There's only five seconds behind you.
15:25Two, three, one.
15:27Woo-hoo.
15:29Woo-hoo.
15:30Woo-hoo.
15:31My heart knows it better than I know myself, so I'm gonna let her do all the talk.
15:36Woo-hoo.
15:38Woo-hoo.
15:40I came across a place in the middle of nowhere with a big black horse and a cherry tree.
15:45Woo-hoo.
15:47Woo-hoo.
15:49I fell in fear upon my back.
15:52I said, don't look back.
15:53Just keep on walking.
15:54Woo-hoo.
15:56Woo-hoo.
15:58Woo-hoo.
15:59Woo-hoo.
15:59But the big black horse said, look this way.
16:01He said, hey, that day will you marry me.
16:03Woo-hoo.
16:05Woo-hoo.
16:06Woo-hoo.
16:07Woo-hoo.
16:07But I said, no, no, no, no, no, no, no.
16:21I said, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
16:25Woo-hoo.
16:27Woo-hoo.
16:30Woo-hoo.
16:33Woo-hoo.
16:33Woo-hoo.
16:34Woo-hoo.
16:37Woo-hoo.
16:38Ready, night, it's party time, feeling well and looking fine.
16:41Viene Diego rumbeando.
16:43With the magic in his eyes, checking every kill inside.
16:46You know there's a limit on liquids, Robin, that airport security guy was only doing his job.
16:51I just think you could have been a bit, you know, nicer.
16:54I was wrongly convicted, Dara.
16:55No one was convicted.
16:56It was a gross miscarriage of justice.
16:59All right, Gerry Conlon.
17:00Give it a rest.
17:02We're here now.
17:03And it's lovely.
17:05Okay.
17:05What's the plan?
17:06Where do we start?
17:07Oh, Jesus, Robin, give us a minute.
17:09No, Dara, I would quite like to actually get to the bottom of this thing.
17:13Ooh.
17:14I'm gonna maybe squeeze in a wee facial.
17:15Well, let's think about Greta's motives for a second.
17:17Or maybe a massage.
17:19I actually wouldn't mind having a go in one of those banana boats.
17:21Have you seen those?
17:22They look class.
17:23Girls.
17:40What's this place?
17:40Home?
17:40Dr.
17:40Joe to find.
17:40Three.
17:51What is this place?
17:51home for the next while anyway don't go outside don't even look outside wait
18:11you're leaving me just stay inside why would Greta come here hideout I say we focus on Judy the more
18:27we find out about who Judy was the closer we get to where Greta is it's good I know oh
18:34they do a
18:35chemical peel I bring our backs these ladies
18:51shit wait um excuse me please no more tea this is not no please I need your help um Judy
19:00Pryor
19:00do you know her you are her mother no I am not her mother you fucking mad oh we are
19:05expecting her
19:06mother because it has been many days since she has been here her room is here in the hotel no
19:12no
19:12Judy is in the stuff court here sunshine sunshine sunshine moment of truth yes this is it
19:36yep doesn't fit well it's our first line of inquiry fucked wait
19:52always worth a try
20:12what the hell happened here what are you doing gathering evidence or something
20:34the door complex
20:46Jesus Christ, Christ.
20:49Look.
20:57Heavens fail.
21:04I'm here now.
21:05What's going on?
21:07Jodie.
21:08Jodie.
21:11Can I help you?
21:14Sorry, we were just trying to...
21:15We were looking for...
21:17Wait, I know you.
21:19You hit my car back in Ireland.
21:21My God, that...
21:23Yeah, that's right.
21:25I'm sorry I haven't been in touch about that yet.
21:29Yeah, my husband's been having an affair with his boss.
21:33Jesus, Rob.
21:34Sorry, do you know my daughter?
21:36You're Jodie's mum.
21:37You haven't seen her, have you?
21:38We had this massive riot on the plane.
21:41She stormed off.
21:42And we'd had such a lovely time when she was back home.
21:46I shouldn't have come.
21:47Hold on.
21:48So you and Jodie flew here together?
21:52That's right.
21:52I shouldn't criticise, but it's hard.
21:55I mean, Christ, the state of the place.
21:56How can she live like this?
21:59Sorry, how did you say you know her?
22:01We're friends of a friend.
22:04Ah, right.
22:05Greta O'Neill.
22:07I can't say I've heard of her.
22:09Then again, my daughter has a lot of friends, or rather people who encourage her drinking habits.
22:14Well, Greta, she passed away.
22:18Oh, I'm very sorry.
22:19Yeah, could we, um, could we speak to Jodie?
22:22Would that be possible?
22:23It's just there's, there's some things we think she might be able to help us with.
22:27Well, when, if she shows up, I'd pass that on.
22:32Okay, we're staying in the hotel.
22:33If she just asks for Robin Winters.
22:35Very good.
22:37Let's go.
22:39Um, have you any idea what this means?
22:43Heavens fail?
22:44I don't know.
22:47I'll have to ask my daughter.
22:52Oh, Cixi, you're...
22:53I don't understand what this means.
22:56I think this means that your theory is a load of balls and that Jodie is very much alive and
22:59kicking.
23:00Oh, with the symbol?
23:01Oh.
23:02With the symbol?
23:03On the wall?
23:04Heavens fail?
23:05I knew we were in a cult.
23:07We're not in a cult.
23:07Well, it sounds culty to me, Cixi.
23:09Look, we just need to figure out...
23:11Stop it.
23:11Just stop.
23:12Shut up.
23:12Where are you going?
23:14My brain is melting.
23:15Like, I can actually feel it dissolving inside my skull.
23:18I need to not talk about this mad shit for five fucking seconds, okay?
23:21Good day.
23:26Good day.
23:27Want to hit the bar?
23:28The bar?
23:29No chance.
23:30It's 35 euro for a margarita.
23:31It's a five-star resort, Dara.
23:33That's mental.
23:34You can buy two bottles of tequila and make 30 yourself.
23:36Yeah, who would do that, though?
23:37I would.
23:39That's who.
23:39Dara.
23:41Dara!
23:45Oh, Mr. Christ!
23:49Robin Winters for the Lusitanian Pummel?
23:51Yes.
23:52Welcome, madam.
23:53Here is your robe and sleepers.
23:55Can I ask, the pummel, it is a firm massage.
24:00It's just I can't be dealing with the ticklish ones.
24:02Ah.
24:03Griselda will be looking after you.
24:07Fantastic.
24:08Here is your locker key.
24:13Locker key.
24:17It's a locker key.
24:20Yes.
24:22Yes.
24:24Yes.
25:05It's a locker key.
25:17I want to know, my lovely, I want to know, where do you go, oh, I want to know, oh,
25:32where
25:33do you go, oh, where, I want to know, oh, where, I want to know, oh, where, I want to
25:38know, oh,
25:39Alfonso, master of mystery.
25:42Welcome, boys and girls, to the most magnificent show in Saugrish.
26:02Third weekend are always called to hold up like this.
26:05Public disorder is what it is.
26:07Are you sure it's the same fella?
26:09Of course it's the same fella.
26:10Look at the big article telling him.
26:14Just shift him, lads.
26:19Saugrish?
26:20I was thinking what you said about Jodie and Owen potentially having a thing.
26:25Where are you?
26:28Fun said.
26:29That's just like a suspicion, right?
26:32Nothing to back it up.
26:34If I want to prove it, I'd have to go around the edges a bit.
26:36What do you mean?
26:37I've been thinking about Greta's mother.
26:39If he was having an affair, I think the mother-in-law would have something to say about it.
26:42Oh, my God.
26:45That is really devious.
26:48And I mean that as a compliment.
26:50Liam, this big fuck I won't budge.
26:52Listen, I have to go.
26:54Keep me posted.
26:55We'll do.
26:56Bye-bye.
27:00For God's sakes, lads.
27:02What's your name, young man?
27:04Teddy.
27:05Oh, Teddy.
27:06Just like a teddy bear.
27:08Right.
27:08That's enough.
27:09It's short for Edward.
27:10You silly man.
27:13And now for my first trick.
27:15Three boxes.
27:17Small, but completely impregnable.
27:20Impregnable.
27:37Teddy bear, indeed.
27:38He's not even a proper magician, darling.
27:41Let's buy you an ice cream.
27:42I want that.
27:44Oh, I don't think so, darling.
27:45Cheap tat.
27:48Cheap tat.
28:15Mrs. Heaney.
28:16I hope I'm not disturbing you.
28:18Owen's out, I'm afraid.
28:19Not sure where.
28:21I'm just toying up some loose ends of a local thing.
28:23I miss in person.
28:25Perhaps you can help.
28:40They told me they're looking for Judy.
28:42And we both know they're not going to find her.
28:46Don't be Inspector O'Neil.
28:50What else happened, you told me?
28:59They, uh, they came to the wake.
29:02I see.
29:05Now, I don't know what they're playing at, but I'm sure it's nothing to worry about.
29:09Well, I'll be the judge of that.
29:11One thing's for sure.
29:13This is hugely inconvenient.
29:16I have enough to be doing.
29:19And I still haven't found...
29:23the box.
29:36Dear Judy,
29:39I am truly sorry for how things turned out.
29:42but it's over now.
29:45I never want my family to find out about us.
29:48Don't look for me again.
29:49Don't contact me again.
29:51I want to move on.
29:52Please let me.
29:53This might explain things better.
29:55Greta, what the actual hell?
29:58Are they lesbian lovers now?
30:00Well, how would I know?
30:01Is she a lesbian?
30:03Yeah, but I don't, like, keep a database.
30:05Judy told me and they grew up together.
30:07Let's open this thing.
30:09It's locked.
30:10Can we just try all the different combinations?
30:14It'll take no time at all.
30:15You make a restart there.
30:19So what are we going to do now?
30:22Christ.
30:24If it wasn't Judy's body in the coffin,
30:26I have just got this, like, so wrong.
30:29Or a were.
30:31I'm so sorry, girls.
30:37Yeah, this is the part where you're supposed to say it's okay.
30:40It's fine.
30:41It's fine.
30:42You're in luck.
30:44Mrs Pryor?
30:45She's back.
30:46She is?
30:47We've hired a boat.
30:48Well, I have.
30:50Bloody expensive peace offering.
30:51But we'd love if you all came for dinner.
30:54Oh, yeah, well, that'd be great.
30:57Would you look at that?
30:59I used to have a wee jewellery box like this once.
31:03Oh, the old combination lock and everything.
31:06Is that right?
31:10Well, we should get going.
31:12What, now?
31:13Yeah, why not?
31:13Jodie's there already.
31:15We're going to have a few drinks before we eat.
31:17Come on.
31:20Here, let me give you a hand.
31:21I know it's grand.
31:23Follow me.
31:26This way.
31:42You'll have to excuse the mess.
31:45I'm...
31:47The truth is, I'm trying to keep myself occupied.
31:52All right.
31:54Oh, please.
32:02You have a lot of books.
32:03I do.
32:05I'm a...
32:07I was a psychiatrist.
32:11A life helping others navigate their own darkness.
32:15And look at me now.
32:18Oh, let's see.
32:21I'm so sorry about your door.
32:27How funny.
32:29That's the one I've been looking for.
32:34The doll complex.
32:36How we hold trauma.
32:39How it defines us, shapes us.
32:42And how we can change the narrative.
32:48Is that where you got the name?
32:50The name?
32:51The author.
32:52Greta Gancala.
32:54It is, yes.
32:55I was reading it when Greta was born.
33:01She only ever wrote one book, you know.
33:10Mrs. Heaney.
33:14A missing person, you say?
33:16In Noctara?
33:17Yes.
33:18Well, she wasn't from Noctara, but she was last seen here.
33:23Her name's Jodie Pryor.
33:26I don't know her.
33:29No.
33:31I didn't think you would.
33:35But she was staying in the hotel here.
33:37And she asked the landlord, Seamus.
33:39Now, Seamus, I do know.
33:40God help me.
33:42She asked Seamus how to find this house.
33:47She was looking for Greta.
33:49It was the day before the accident.
33:51Well, Seamus isn't the most reliable of sources.
33:56So she wasn't a friend of Greta's?
33:57Not that I know of.
33:59How long has she been missing?
34:00Oh, yes, you said.
34:02Before the funeral.
34:03Sorry.
34:04And she was traveling?
34:05Yeah.
34:11Did I tell you that?
34:14You said she wasn't from here.
34:18Of course.
34:20So I did.
34:30What's all this?
34:33Come on, Seamus.
34:34You can't move on.
34:35Yes, I'm coming.
34:36I'm coming.
34:37I'm coming.
34:37I'm coming.
34:38Yes.
34:43Here we are.
34:47This is the boat?
34:49Of course not.
34:51That's the boat.
35:25I'm not sure about this.
35:27No.
35:27We are about to meet an actual person who might be able to tell us some actual facts.
35:31Stop trying to fanny out.
35:32I'm not trying to fanny out.
35:33Why would I try and fanny out?
35:37Let me take your things.
35:38Oh, thank you.
35:44Where's Joanie?
35:45Oh, I'll just let her know you're here.
35:46We'll be long.
35:48Help yourselves.
36:05Her daughter works as a cleaner.
36:07But she's hard on luxury yachts.
36:13I need a drink.
36:29Are we moving?
36:34Seamus was trying to track her down.
36:36I think there was a problem at the hotel with her credit card or something.
36:40Not a great reason to disturb a grieving mother in the middle of the night.
36:42Sorry.
36:44I wasn't thinking.
36:46Liam.
36:47I know you must be bored.
36:49A young lad like you in a place like this.
36:52Well, he has to keep himself entertained.
36:55But let's not forget what brought you to Noctara in the first place.
37:01He came here to look after my uncle.
37:04If you say so.
37:12Good night, Gerda.
37:17Try to stay out of trouble.
37:23How can you be sure?
37:25I can tell.
37:25You can tell, can you?
37:27Well, with all your training, your knowledge of human nature, you can tell.
37:33Don't spiral, Owen.
37:36Those women, Greta's friends, they're in Portugal now.
37:43Did you know that?
37:45They're on the trail of your little girl.
37:47Your little project.
37:51My wife.
37:53You're being ridiculous.
37:56I won't rise to it.
37:58What are we doing?
38:04What have we done?
38:07You're not built for this, Owen.
38:10It worries me.
38:12It worries me that you are.
38:19For God's sake, Owen.
38:50It is true.
38:55It is as if we were.
38:57We're going to get to work more together.
38:59It's being committed to the Arrowhead.
39:00I'm sorry.
39:00I'm sorry.
39:00I went to work together.
39:01I went to work together.
39:04I'm sorry.
39:04I'm sorry, Shit.
39:05I've said that, you were able to do a movie.
39:06I'm sorry.
39:06I've said that, you were a movie.
39:07I did not.
39:08You're a movie.
39:14He's gone.
39:17What the hell?
39:21The author's only published work, The Doll Complex,
39:24is considered one of the definitive works on the mother-daughter relationship.
39:29Published in 2004, The Doll Complex explores how he reprocessed historical trauma
39:35and offers what practitioners at the time consider.
39:43What's taken so long?
39:47Something's not right.
39:48Right. I'm going to see what's happened.
40:07There's no one there.
40:09You've stopped.
40:12Mrs. Pryor?
40:25Mrs. Pryor!
40:27Yogi?
40:28Mrs. Pryor!
40:37It's locked.
40:38What do you mean, it's locked?
40:40What do you mean? What do I mean? It's locked, Dara? We're locked then!
40:44Mrs. Pryor!
40:46What's that?
40:47Mrs. Pryor!
40:53She's leaving!
40:54Mrs. Pryor!
40:54Jodie's mum! She's leaving!
40:56Mrs. Pryor!
40:58What's going on?
40:59Mrs. Pryor!
40:59She's not here.
41:02Mrs. Pryor!
41:05Mrs. Pryor!
41:18What the hell was that?
41:19Yep, that was an explosion.
41:21Mrs. Pryor smells smoke.
41:24Oh, Jesus, I can see smoke!
41:41Put yourself together, Dara!
41:44Mrs. Pryor!
41:45Mrs. Pryor!
41:45It's all time to panic!
41:46Mrs. Pryor!
41:46That's exactly the time to panic!
41:48How could there be a better time to fucking panic?
41:51Mrs. Pryor!
41:52Mrs. Pryor!
41:53Mrs. Pryor!
41:56Mrs. Pryor!
41:57Help!
42:00Help!
42:16Mrs. Pryor!
42:16Mrs. Pryor!
42:16Mrs. Pryor!
42:16Mrs. Pryor!
42:18Mrs. Pryor!
42:23Mrs. Pryor!
42:26Mrs. Pryor!
42:28Mrs. Pryor!
42:29Mrs. Pryor!
42:30Mrs. Pryor!
42:30Mrs. Pryor!
42:31Mrs. Pryor!
42:31Mrs. Pryor!
42:32Mrs. Pryor!
42:33Mrs. Pryor!
42:33Mrs. Pryor!
42:34Mrs. Pryor!
42:35Mrs. Pryor!
42:36Mrs. Pryor!
42:37Mrs. Pryor!
42:37Mrs. Pryor!
42:39Mrs. Pryor!
42:41Mrs. Pryor!
42:42Mrs. Pryor!
42:43Mrs. Pryor!
43:00This is all so fucked up.
43:02Why would Mrs Pryor train kill us?
43:05She wasn't Jodie's mum, Dara.
43:08Well, who was she?
43:09I don't know.
43:10But Jodie is dead.
43:13I was right all along.
43:16I was right all along.
43:17You two, you doubted me.
43:18You're like that lad.
43:20That fella from the Bible.
43:22What fella from the Bible?
43:23You know, whenever they all go to the garden
43:25to hear the cock crowing,
43:27and one lad's all like here,
43:29I think Jesus is talking bollocks about being crucified,
43:31so Jesus has to show him all his holes.
43:36Peter.
43:38These are Dighton readers.
43:41God, there's laps Catholicism,
43:43and then there's you.
43:48I, I sensed it when she lifted that box.
43:51Sensed what?
43:52Girls, that mad bitch might still be here.
43:54We can't stick around.
43:56Maybe it's because I've been around actors for so long.
43:58I sensed it was all a performance.
44:02The way she, uh,
44:05the way she looked at that box,
44:06there was just something about it.
44:07I wasn't sure if I should bring it with us soon.
44:10Oh, shit.
44:12I didn't.
44:14Mysterious lady with mysterious request.
44:18I keep yours.
44:22You have mine.
44:32Could I interest you
44:34in an inflatable banana?
44:41Ladies and gentlemen,
44:42we are about to depart
44:43on our flight to Dublin.
44:45Please fasten your seatbelts
44:46and place your seat
44:47in the upright position.
44:48Fucking Dublin.
44:49Get over.
44:50It was the first flight, Robin.
44:52Had I jumped on one to Timbuktu.
44:54This thing is totally hammered.
44:55We just need to get back to Ireland.
44:57When we get back to Ireland,
44:58then we can...
44:59Have a breakdown?
45:00Work out what to do.
45:02Work out what to do.
45:42Hello?
45:56Hello?
45:58Hello?
46:09Three Proseccles, please.
46:11Certainly, madam.
46:13Thanks.
46:15Cilantro.
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