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Watch How to Get to Heaven from Belfast Episode Season 1 Episode 8 online in HD on Dailymotion (2026).
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00:26Two little girls went out one night.
00:31They gave everyone the most terrible fright.
00:35What happened next, they'd rather not say.
00:40They closed their eyes and wished it away.
00:43Looker, we need to erase the line.
00:50They can't outrun it, it haunts them still.
00:57Separate, but inseparable.
01:29PHONE RINGS
01:47She came from nowhere?
01:49She came from somewhere, Rob, and now she's dead.
01:52We'll just have to move her.
01:56Move her?
01:56Yeah, you know, like cover up, hide her.
01:59Stop it.
02:00Okay, come on, help me.
02:01No.
02:02Help me.
02:03Fuck, I was driving.
02:04I was driving.
02:06I'd been drinking.
02:08Robin.
02:08What?
02:11Look.
02:13No.
02:18No.
02:20I can't.
02:22I can't be credit.
02:24If I go to prison, promise me you'll take care of my kids.
02:28What?
02:28You're not going to prison?
02:29I just killed someone.
02:30Well, Jim's a great dad.
02:32If I could put away, he will fall to pieces, Dara.
02:34I think he's stronger than you give him credit for.
02:36What is this?
02:37Do you don't want to take care of my kids?
02:38Well, it's not that.
02:39What's wrong with my kids?
02:40My kids are fucking delightful.
02:41I just think you shouldn't catastrophize.
02:43I am not catastrophizing.
02:45The situation is catastrophic.
02:47You can't catastrophize.
02:48I catastrophize.
02:49Well, everyone already thinks she's dead.
02:50What?
02:51Well, you don't go to prison for killing a dead person.
02:53There's a body though.
02:55Oh God, Robin, we're fucked.
02:57Robin.
02:59She said I like chaos.
03:03She's right.
03:03I do.
03:05And you were 16 years old.
03:08You thought you were helping a friend.
03:10This is great as messing.
03:11You just got caught up in it.
03:13I wanted caught up in it.
03:16What is that?
03:19When I was a young girl, all I thought about was the future.
03:25What I'd do, who I'd be with.
03:27The excitement of everything that lay in front of me.
03:30But now I'm there, I'm in the future.
03:34This is it.
03:37Clinging on in the second act.
03:39I keep thinking if this was a script and I was a character, it wouldn't work.
03:44I wouldn't work.
03:47I don't know what I want.
03:48Or what I believe in.
03:49I don't even know if I'm the hero or the fucking villain.
03:52Should I not know these things by now?
03:56I don't know who I am, Liam.
04:00And when I look back at that person I was.
04:05At that young girl.
04:06At that funny, fearless, ambitious young girl.
04:10I wonder what shit make of me now.
04:15And I worry that I've...
04:20That I've let her down.
04:24I know who you are.
04:29It's true.
04:31I see you, Saoirse.
04:33Wow.
04:34I can写 in.
04:35Hi.
04:36No man.
04:41I've let her down matur me.
04:43What you want?
04:44Maybe there's aesteem oh yeah.
04:49How do you want me toND up?
04:49The s all!
04:59What do you think's going on?
05:01Do you think he's in there questioning her?
05:04Like interrogating her?
05:05Probably.
05:06I wouldn't want to be anywhere else but here.
05:12I don't want him to see us.
05:14I don't want him to see us either, Robin.
05:15So what do we do?
05:17Grab the door.
05:19And then when she answers, we grab her.
05:21Okay.
05:22Not if he answers it.
05:23Shit, see, this is why I wanted us to have a secret knock.
05:25Oh, God, please, no, not the secret knock.
05:27But you're like, oh, when are we ever going to use a secret knock?
05:29I can't get into this.
05:30Look at us now.
05:31Look, if he answers it, we'll just let it, okay?
05:36I mean, it's nowhere near as good as a secret knock.
05:38Do not say secret knock.
05:40Fine.
05:45Hello?
05:56Hello?
05:56Hello?
05:56Hello?
05:59Look.
06:01You're pissed off.
06:02I get it.
06:03But I really think we should just slip on it.
06:05You know he's in there.
06:06The guard man.
06:07The man boy.
06:07The lame cop.
06:08The cop man, Liam.
06:09You have to get rid of him.
06:10I think we should talk to him.
06:12Talk to him.
06:12Talk to him.
06:13Talk to him.
06:13Talk to him, she says.
06:14Yeah, maybe not right now, though, because you're both being kind of mental.
06:18We have good reason to be kind of mental.
06:20Oh, my God.
06:22Did she have sex on?
06:24No.
06:25Is that his shirt?
06:27Hey, maybe I had sex with him a bit.
06:29Jesus Christ, is that good or bad?
06:31Well, it was good.
06:32But I'm engaged to someone else.
06:34Oh, so bad.
06:34For us, I mean.
06:36Okay, I'm confused.
06:38There's been a development.
06:40What sort of a development?
06:44It's Gretel.
07:10Oh, you've got to be fucking joking.
07:14Saoirse, wait!
07:16Why is this?
07:22I'm sorry.
07:24I'll kill her!
07:25You've killed enough people for one evening.
07:26There'll be no more killing of the people.
07:27Thank you, please.
07:32I'm so sorry.
07:38Go, go, go!
07:40Where are you carrying the knife?
07:41It's a fountain pen.
07:43Who is a fountain pen?
07:50You can never just fall for a normal one.
08:04Where?
08:06We dragged her over there.
08:09This might be funny if it wasn't so messed up.
08:13Three of us trying to prove she's still alive.
08:15I mean, like we're a stupid little investigation let us.
08:19We're the reason she's gone.
08:21What?
08:24She's gone?
08:36A puncture repair kit?
08:37Yes.
08:38What have you punctured?
08:40My tyre.
08:40Why would you have done that?
08:42I didn't.
08:43Well, then why would you need it repaired?
08:46Okay, yeah.
08:47Do you have one or not?
08:49I've got a bottle opener.
08:55What Ross has asked us to do, it just feels extreme, babes.
09:00It doesn't matter what it feels like.
09:01Killing a client, though, it's fucked up.
09:06She's not a client anymore.
09:07It just all feels a bit shit, you know?
09:10It's not like when you dealt with that fella,
09:12the one that went all tubes there, bells, and his pervy gear friend.
09:15He had it coming.
09:16He spoke to me.
09:17What?
09:18He's standing there, with a bolt in his head,
09:21talking to me, only for a second or two.
09:23What did he say?
09:25Something about flowers.
09:26Flowers?
09:27Roses.
09:28He was trying to tell me something about roses.
09:31Maybe he wanted to buy her roses.
09:34They cared.
09:36One last, messed up, romantic gesture.
09:39Men like that, they always think they're Prince Charming.
09:43You never realise they're the big, bad wolf.
09:45And this is what I'm saying.
09:47You wouldn't lose any sleep over a prick like that.
09:50You can't leave the process.
09:53The order's been given.
09:55Rossa isn't fucking about.
09:56Is she?
09:58I mean, per week, Reddick Grainhill is one thing,
10:00but do wipe out her entire family.
10:03It's quite the body count, babes.
10:05There's three others you said.
10:06Old friends.
10:07What's that crack?
10:08I'm not sure.
10:09You know, when I first joined the society,
10:11I was told that people like us are just wired differently.
10:15That's why we can do what we do.
10:18And ordinary people, they can sense it.
10:21And that's why they usually don't get in our way.
10:24But not these three.
10:26Maybe they like the excitement.
10:29The disruption.
10:30Maybe they want to be punished.
10:33Maybe they're searching for something.
10:36Truth.
10:38Or meaning.
10:39Or maybe they're just wired differently to you.
10:47And now, the wee adventure must come to an end.
10:52Run, rabbit, run.
11:01What now?
11:03He doesn't know where exactly,
11:05but Liam knows Charles is buried somewhere on the Skook grounds.
11:08Thanks to you.
11:09Oh, yeah, let's go over that again.
11:10That's useful.
11:11Surely you'll keep quiet.
11:12Why would I?
11:13Because you slept with him.
11:14I didn't.
11:15Oh, my God, I didn't sleep with him to, like, silence him.
11:17You had sex with him,
11:18and you think he still might turn you in.
11:20Jesus Christ, how shy of your moves.
11:21Okay, that's...
11:24That's...
11:25This has nothing to do with my moves.
11:27My moves are actually pretty.
11:27Can we be not all about your moves?
11:29He has principles.
11:29Well, does he?
11:30What did he do with them when he was riding you?
11:32Pop him on the nightstand?
11:33Girls, please.
11:36We can't go back.
11:39Not now.
11:41There's two ways this thing ends.
11:42With answers or without them.
11:44I know which I'd prefer.
11:45What about you?
11:51She's the only one who can end this story,
11:53and she's out there somewhere.
11:54She has to be.
11:56And we need to find her.
12:07Can I have a double cone, Grandad?
12:09A double cone?
12:10Strawberry and chocolate, please.
12:12Go on, then.
12:13I bring her here every Friday.
12:15It's her we treat if she's good.
12:17I'm always good.
12:19Sprinkles as well, please.
12:21Rainbow sprinkles.
12:23Grandad's family live together,
12:24so it probably makes sense to start there.
12:26You'd have to get them all in the same room.
12:29That won't be a problem.
12:31You pull the blinds.
12:32You pull the curtains.
12:34You seal the door from the outside.
12:35You leave a small gap for the substance to be piped through.
12:38Is this that toxin they're using now?
12:41One of the girls at the meeting, Harkin.
12:43You know Harkin.
12:44She told me all about it.
12:45And in a few minutes, it'll be all over.
12:48She's lost a powerful amount of weight, you know.
12:50You have to leave the door sealed for a few hours,
12:52just to be safe.
12:53Zen thick, maybe.
12:54Otherwise, you may take yourself out.
12:56Once you've unsealed the door,
12:58you screw it with an appliance,
12:59a boiler, a gas cooker.
13:02You'll make it look like an accident.
13:05There's milk in this.
13:07Did you not want milk?
13:14Do you trust her?
13:16I don't know.
13:18But we need her.
13:21All right.
13:34All right.
13:43Some folks say I'm not but good.
13:46You know they might be right.
13:49But I don't care what the people say.
13:53Live the way I like.
13:56I don't worry about it.
13:57Oh, God.
13:59I don't know what I have to eat.
14:05Please, Owen.
14:06I'm getting my daughter out of here.
14:08This whole thing's turned into a fucking shit show.
14:10Listen to me.
14:11I did listen to you.
14:13I did.
14:14We all did.
14:15Look where that's got us.
14:16You can't run.
14:17Yeah, yeah, yeah.
14:18Leaving is not an option.
14:19Booker was very clear about that.
14:21But now Greta has.
14:22And she's contacted Maria.
14:23It's not safe.
14:24Exactly.
14:25Greta isn't a victim anymore.
14:26Not as far as they're concerned.
14:27She's a threat.
14:28They take that seriously.
14:30If they want to find us, they will.
14:33I'm not saying you shouldn't run.
14:35I'm saying you can't.
14:50I'll talk to her.
14:54Can I help you?
14:55Do you have a restroom, Micah Juice?
15:04Can I help you?
15:08That's all.
15:10Thanks.
15:31It wasn't your fault, Greta.
15:39We know that.
15:41And we won't tell anyone.
15:43What is this?
15:44We're all finding it so difficult.
15:50We want to forget it.
15:51The whole thing.
15:52We want to just forget it happened.
15:53You think I don't want that?
15:55It's just you knew you had a relationship with him.
15:58Our only connection to him is...
16:01Me.
16:05It's just...
16:07We're finding it really difficult.
16:11Yeah, you said that.
16:13We can still, like, say hello, you know,
16:18in the corridor or in class.
16:21They're generous.
16:23Look, we're sorry.
16:25Are you?
16:25You killed him.
16:26Robin.
16:27No, I'm sick of dancing around it.
16:29We don't blame you, Greta.
16:31It's just we can't continue like this.
16:35We can.
16:39Goodbye, Greta.
16:59Wait.
17:00Wait.
17:11To keep you going.
18:07I don't know what she was thinking, Booker, which is ironic.
18:12I've dedicated a lot of time to that cause.
18:16Cause?
18:17Trying to work Greta out.
18:20I was obsessed with it.
18:22Do you regret it?
18:27Some of it.
18:31But I believed in it.
18:34I mean, can you imagine if we could separate ourselves from our trauma?
18:40Completely.
18:41Behind.
18:42So it becomes faint and weak like a dream you once had or a story you were once told.
18:49To be reborn.
18:51To become someone else.
18:53To be reincarnated while you're still alive.
18:55It would certainly make my job easier.
18:59People can't let go of the past.
19:06Whatever happened to that little girl you brought to see me all those years ago?
19:10Her parents had been killed.
19:13She's doing well.
19:15Took me a long time to get her to speak, I remember.
19:18Well, she's no trouble with that these days.
19:21She works with me now, actually.
19:24She'll be helping on this.
19:26So there's a plan?
19:30There's a plan, don't worry.
19:34But we have to be careful.
19:39Discreet.
19:50Gather the others in here, and I'll come back and explain everything.
20:03Right, let's go through what we know.
20:05Heaven's Veil, 1997.
20:08There's a fire in a church.
20:10Eight children die.
20:11There's something weird about this fire, something that spooks the whole community.
20:15There's a mass exodus.
20:16You don't really believe this is something supernatural?
20:18This is a ghost story?
20:20Every story's a ghost story.
20:21We're all haunted by something.
20:22We know that better than anyone.
20:23Oh, fantastic.
20:24What?
20:25Jimmy's phone's died.
20:27Where the fuck are we supposed to find this nursing home?
20:29Think we could ask Tommy for a charger?
20:32No.
20:33But two children survived that fire, two little girls.
20:36Greta and Jodie.
20:37Whatever happened that night, they saw it, and it was fucking terrifying.
20:41The big bad.
20:42That's what I don't get.
20:44Isn't that what the doll complex is about?
20:46Margot Haney's right about all the work she did to help her move on from the big bad.
20:49Transform her into someone else.
20:51How would she go back there?
20:52She'd been running from this thing, from this place her whole life.
20:55Maybe that's the point.
20:58Maybe she knows she can't outrun it.
21:00But it's going to catch up with her eventually.
21:03We need to get to the end of this story.
21:05Maybe she needs to go back to the beginning.
21:12Where are you headed?
21:14Cork.
21:15Jump in.
21:16Back to where it all started.
21:22Rebel County, eh?
21:24That's right.
21:27Well, he can take your part of the way.
21:29That's great.
21:30Thanks.
21:33What's your name?
21:36Grainne.
21:37What's yours?
21:39Conrad.
21:40You shouldn't get into cars with strange men, do you know?
21:44You're a strange man, are you, Conrad?
21:47I'm serious.
21:49You get in a car with a wrong person, and...
21:52I could be dangerous.
21:54I could be dangerous.
21:58What takes you to Cork?
22:00I'm from there.
22:02Is that right?
22:03Well, not Cork, exactly.
22:05Beyond Cork.
22:07Beyond Cork.
22:08Oh.
22:09Where only the bravest men do venture.
22:13Or women.
22:14Or women, yeah.
22:15Oh, it's just a tiny little village.
22:17Nothing special.
22:19Actually, that's not true.
22:21The place I'm from...
22:24They say it's a thin place.
22:26Thin place?
22:27It's a place between two worlds.
22:31Where the walls, between heaven and earth,
22:34are weak.
22:42The veil of reality is at its most fragile.
22:45At any moment, God might choose to lift it up
22:48and show us what lies behind it.
22:55Do you ever show yet?
22:57No.
23:00No matter how much I begged him to.
23:07Why have we stopped?
23:11Look at you.
23:12You're shivering.
23:13You're shivering.
23:16What?
23:23One second.
23:51It shouldn't be too long.
23:52Who?
23:55What's going on?
23:58Speak of the devil.
24:03We're bound to catch up with her. She's on foot.
24:05And I hit her with the car. That's bound to take the wind out of her sails a bit.
24:09Sorry, didn't mean to sound quite so delighted there.
24:12I was thinking about the other issue.
24:15One other issue.
24:19Look, Liam, if they know where he's buried...
24:21If they know where my dad's body is, then they must have known this whole time.
24:24I just don't understand why they'd suddenly tell us now.
24:28Like, what's changed?
24:37I have.
24:39I can't believe you didn't take the fucking evidence board down.
24:42I didn't have time. I didn't know you were going to knock someone down.
24:44Well, we did knock someone down. Well, we did. A bit.
24:47But she got up again. And it wasn't someone. It was Greta.
24:50What's your point?
24:50I don't know.
24:51Liam has it all. Every single thing we know.
24:54Oh, he's going to be pissed off.
24:55I realise that.
24:56I mean, slashing his tyre and leaving him stranded was bad enough.
24:58Right.
24:59But to do it after you've made love to him.
25:00Don't say made love, Dara. It turns me.
25:03No, she's not wrong.
25:05I mean, did you really have to do a riding run?
25:07It's done now, OK? He's going to realise where we're heading and he's going to follow us.
25:10The clock is ticking here, girls. There's no time to lose. Let's go.
25:20Why are we going so slowly?
25:22I'm not doing it. The car's doing it.
25:23Teach me what the car's doing.
25:24The car is doing it. The car doesn't have a mind of its own.
25:27This isn't chitty-chitty fucking bang bang.
25:30You pull the blinds. You see the door from the outside.
25:34You leave a small gap for the substance to be piped through.
25:38Welcome to Nocturra. Sorry about the cone situation.
25:41No sweat, babes.
25:43I must order some more.
25:49My granda used to get me one of these every Friday.
25:52Strawberry and chocolate.
25:54My wee treat.
25:56Is that right?
25:57If I was good.
25:59I was always good.
26:03I had unwrapped round my wee finger so I did.
26:06Are you staying in the village?
26:09No.
26:11I am visit, babes.
26:13Have you any sprinkles?
26:18I like rainbow sprinkles.
26:20Let's go.
26:23Never mind.
26:27In a few minutes, it'll be all over.
26:32It's done.
26:34It's done.
26:35What next?
26:36We find Greta.
26:37What about the others?
26:38They're looking for her too.
26:40We find her, we find them.
26:42Good thinking, babes.
26:45Why is nothing working on us to Christ, Ara?
26:48Why is it my fault?
26:49It's never been the same since you decided to fill it with petrol.
26:51Are you serious?
26:52We've been in two car crashes and you just run someone over, but yeah, it's probably the petrol thing.
26:55Jesus Christ.
26:56No, no, she's unbelievable.
26:57No.
26:58No, no.
26:59Jesus Christ.
27:05Oh, what the fuck does he want?
27:11Oh, it's the Kersia walkers.
27:13What?
27:18They're headed to knock.
27:20By foot.
27:21Why?
27:26They say miracles happen there.
27:27Well, we could be doing with one of those right now.
27:34Now, what's happened here is the vehicle has gone into what's called limp home mode.
27:39Do you know what that means, Gerdles?
27:40We don't.
27:40Ah, sure, why would you?
27:42But then the very same thing happened to me.
27:44Hey, keep a fire mold on him there, lads.
27:46We don't want him freewheeling down that hill.
27:48He's done it before and he can gather some speed, I tell you.
27:51What's happened is the system here has detected a fault in the car, like maybe...
27:55You put petrol in a diesel engine?
27:57Exactly.
27:58You knock someone down.
28:00You get the idea.
28:01And it activates this sort of security feature type thing.
28:04And thus it only starts shutting down bits of the car to protect itself from further damage.
28:08I tell you, it's fierce clever.
28:10What are we going to do?
28:11Where is it you're headed, Gerdles?
28:13We're going to this little village called Kalyan Yau.
28:15Where?
28:16There's a nursing home there, or just outside it.
28:18Knock she.
28:19Ah, sure, we passed it.
28:21Someplace that.
28:22Brendan thought it might have been Bono's house.
28:24It wasn't Bono's house, Brendan.
28:25It was a nursing home.
28:27How far away is it?
28:28A few miles maybe.
28:29Have you packed your hiking boots?
28:31We're in a bit of a hurry.
28:32None of you lads have a car.
28:34We're the Carseo walkers, Gerdles.
28:36Not the Carseo drivers.
28:40Although...
28:46Oh yeah.
28:48Or there'll be the odd crater.
28:49And they're determined to do the walk.
28:52Or the O'Neill might be giving them a bit of jib.
28:54Or they're back and be playing up on him.
28:56And the idea just came to me.
28:59Merciful Jesus!
29:00Yes.
29:01We need something that'll give them a bit of respite, but allows them to stay with the main group.
29:06You know, if they want to have a bit of a prayer or whatever.
29:09I feel like we should pray.
29:10Ha!
29:11Why so?
29:12Hail Mary, full of grace, Lord.
29:13With thee, bless that devil of human and blessed who is thy own Jesus.
29:17Holy Mary, Mother of God.
29:18Pray for our sinners.
29:19Tell the hour and the death they left.
29:20Hail Mary, full of grace, Lord.
29:22With thee, bless that devil of human.
29:34If it's been a while since you've seen her, just be prepared.
29:38She might look a bit different.
29:40I'll bear that in mind.
29:41But she's still your ma'am.
29:43It's lovely really, the whole cycle of things.
29:46You get to mind her now, just like she once minded you.
29:51Yeah.
30:06You're surprised to see me.
30:09You were rotten inside.
30:19What a place, eh?
30:21Margo's money went a long way.
30:23The irony of that.
30:25You realising I wasn't actually worthless.
30:30I have a daughter myself now.
30:33She's nothing like me, though.
30:36She's perfect.
30:42But, um...
30:43I can't be with her anymore.
30:48Because, well, a shadow follows me around.
30:53I want her to walk in the light.
30:58But it's hard.
31:00I know it must have been difficult for you too.
31:03To let me go.
31:04I mean...
31:08Not because you actually cared.
31:14Because you liked it.
31:18The control.
31:21Deciding whether I could eat or sleep or wash.
31:26Giving that up must have been difficult.
31:30It made you powerful.
31:36I was completely at your mercy.
31:41You were a cruel, vengeful girl.
31:46Who are you?
31:49What's that?
31:50Who are you?
31:52Who am I?
31:54Sorry to interrupt.
31:55Love.
31:57Won't be a sec.
31:58Who is she?
32:01This is your daughter, Mrs. O'Hara.
32:04No.
32:05Nora.
32:06Stand back, love.
32:08Just stop it.
32:09Just calm down.
32:10You're hurting me.
32:11Stop it.
32:19Stop it.
32:20Stop it.
32:21Get out.
32:23Get out.
32:25Emek.
32:27Emek, lad.
32:44You need a basket?
32:46Oh, yeah.
32:47Do you have one?
32:48No.
32:51He's some crack.
32:53Oh.
32:53There's a screen.
32:55You really think that's where she's headed?
32:57She ran before.
32:58At the beginning.
33:00She ran away from me.
33:02I thought it was just instinct or fear.
33:05Adrenaline, but...
33:07She just wasn't ready.
33:09She had unfinished business.
33:13There we are now.
33:14Great to meet you, girls.
33:16Yeah.
33:18Thanks, mate.
33:20Good luck.
33:21And God bless now.
33:28Much better than last night.
33:31Yes.
33:32Of course.
33:33Just looking for you.
33:34Welcome.
33:35How can I help you?
33:36We're friends of Nora O'Hara's daughter.
33:39Oh.
33:40You came?
33:41Is she here?
33:42She was.
33:49And she was looking for us?
33:51No.
33:52But I am.
33:58I think we should have a chat.
34:00Don't you?
34:03Can you give us a minute?
34:06I wouldn't go far, ladies.
34:14I feel awful.
34:16I do.
34:18And I feel stupid, Saoirse.
34:21You shouldn't.
34:22No.
34:25I'm sorry.
34:29She was here.
34:30She was just here.
34:32We were so bloody close to her.
34:35I can't bear it.
34:35That was Mrs. O'Hara now.
34:37Well, I had to sedate her.
34:38So distressing for the daughter.
34:40No wonder she had to leave.
34:41Let's get you a cup of tea.
34:42I need to update her notes.
34:44I've left them in her room.
34:45I'll go.
34:46She's 121.
34:47Right?
34:57I just need to find her.
34:59I need to know.
35:02Then whatever has to happen can happen.
35:04I will face up to every single mistake.
35:06Every fuck up.
35:07I'll be accountable.
35:08I will tell you whatever it is you want to know.
35:12I just...
35:15What?
35:23I need to get to the end of the story.
35:54What are we hoping to achieve exactly?
35:57I'm not sure.
36:01Do you think the vibe's weird in here?
36:06We're broken into the room of an unconscious pageant.
36:09I'd say the vibe is weird, Robin.
36:10Yes.
36:29What?
36:33So she knew about it then?
36:36And read it?
36:40Lies.
36:42Lies.
36:43All of it.
36:45Come closer.
36:54You can't believe a word of it.
36:57It is a work of fiction.
37:00We know that Margot Heaney wrote this book.
37:03What could she possibly gain by lying?
37:06She wasn't lying.
37:08She was lied to.
37:11But Greta?
37:11Is that what she calls herself now?
37:16You know about the fire?
37:18The big part.
37:19She did it.
37:21She did it on purpose.
37:23She locked those children in there.
37:26She set it alight.
37:27She watched it burn.
37:29She watched them die.
37:33The other little one helped her, but she was stupid and sad and easily manipulated.
37:39That can't be true.
37:40It was covered up.
37:42Sure isn't that how we like to do things here?
37:47Then the story started.
37:50People said something supernatural happened that night.
37:55Sometimes a myth gets closer to the truth.
38:00There was something unnatural about that girl.
38:05Always.
38:07Something rotten.
38:10And it infects everything she touches.
38:15She frightened me.
38:17She frightens me still.
38:20You should be afraid too.
38:26Oh, I am afraid.
38:30I'm terrified.
38:34Not by what you said or what I heard, but...
38:39But what I saw.
38:44I saw the light in your eyes, the adrenaline running through you.
38:47You enjoyed that.
38:50You enjoyed saying those things.
38:54I see what you are.
38:57And you must have been a force to be reckoned with in your brain.
39:03What fucking chance did she have?
39:08What?
39:09That fire wasn't the big bad.
39:14You were.
39:23Listen.
39:26Liam says he'll help us track Cratertown.
39:28Then he's gonna immediately arrest us.
39:30Probably.
39:33What is it?
39:35We just spoke to Greta's mum.
39:39I think we always knew it.
39:41I think we sensed it even before Charles Sampson.
39:44That there was something very...
39:48Very dark and damaged and sad about her.
39:52Well, he didn't ask.
39:54Because he didn't want to know. Not really.
39:57Just wanted to distance ourselves from it.
40:01At least he knew I did.
40:02You think she could have started that far?
40:05Wouldn't be the first time a child would have fucked up thing.
40:07Because fucked up things happened then.
40:11She's facing her demons.
40:12She might have gone back to the police she's been avoiding for almost 30 years.
40:16The church.
40:18That's right.
40:19We find the church.
40:22Or what's left of it.
40:40She's passing by himself.
40:42I've been to the police.
40:42It's for a long time.
40:43Or at an end.
40:46At an end.
40:48now. So come on, sell me. Will you break all you can't find? Or do you need me to show
41:02you how?
41:04I kept my side of the bargain. Now it's your turn.
41:11What bargain? I told him if he let us come here.
41:17Where did you bury the body? Where's Charles Sampson?
41:39There was a funeral that day. One of the teachers.
41:44The priest. You buried him with the priest.
41:54I didn't know what else to do and you were so scared.
42:08We're leaving?
42:16You know this story might not end the way you wanted to, Saoirse.
42:44Hey Liam, any news?
42:48What?
42:49So this is Heaven's Veal.
42:56What the hell is that? I have no idea.
43:01I have no idea.
43:01I have no idea.
43:36Oh my God. Oh my God. Oh my God.
43:41No.
43:43No.
43:46Let's go.
44:15Fill in and file, there in Valera.
44:22Fill in and file, there in Valera.
44:25Fill in and file, there in Valera.
44:30Fill in and file, there in Valera.
44:36Fill in and file, there in Valera.
44:40Fill in and file, there in Valera.
44:43Fill in and file, there in Valera.
44:45And Valera.
44:46Greta.
44:51Greta, it's us.
45:01We wanted to...
45:03Needed to find you.
45:06We'd come here all the time, Jodie and I.
45:10Back when she was Cara and I was Ashley.
45:15Two little broken dolls.
45:17What happened here, Greta?
45:19What happened the night of the fire?
45:23We were told that this was a magical place.
45:26A sacred place.
45:29We were told that God himself comes here.
45:33We believed that he would save us.
45:37We needed saved.
45:40Nice after nice.
45:43We wasted.
45:44And he didn't come.
45:45And we were fucking angry.
45:52So we decided to burn his house down.
46:18The bikes.
46:20We saw them too late.
46:22Oh.
46:25We didn't know they were in there.
46:27We didn't know.
46:35That's what Charles Sampson wanted to talk to you about.
46:40But you found us.
46:43Fuck, I wish he hadn't.
46:46Oh.
46:47And what about Jodie?
46:53It was an accident.
46:55I swear to you it was.
47:04I truly thought that I could become someone else.
47:07I thought I could leave that messed up little girl behind.
47:12And she'd always find me.
47:15She'd tap me on the shoulder and drag me back here.
47:20Well, maybe that little girl needs you to look at her.
47:23Tell her it's okay.
47:30Oh God.
47:39If it has to happen, I thought it might as well happen here.
47:43You should leave.
47:45We're not going anywhere.
47:49She's dangerous.
47:50We know.
47:52Our Father, who art in heaven, hallowed be the name.
47:56The kingdom come.
47:57And let me tell you what does it is in heaven.
47:59Give us this day our daily bread.
48:01And forgive us our trespasses as we forgive them.
48:04Shut the fuck up!
48:17I try again.
48:17See the Lord's Atom.
48:17The kingdom come.
48:18When you take us.
48:19I don't know what you've done.
48:19I don't know what they are.
48:19I don't know what you've done you have to do.
48:20Yeah.
48:26I do.
48:28If you do, please put yourself at the side of the side.
48:29I don't know what you're going for.
48:31I don't know what you're going for.
48:33You're going for the kingdom.
48:46I don't understand.
48:49You don't need to.
48:51Take care, babes.
48:56Mummy!
48:57Oh my god, I'm sorry!
49:00I'm so sorry!
49:02I'm so sorry!
49:06Should I let him go?
49:07But it must be.
49:10I'm sorry.
49:11I'm sorry.
49:20I still can't believe it, Booker.
49:22How the hell did you know?
49:23That story the midwife told us on the bridge.
49:26That prick talking about roses.
49:30Men like that don't get poetic when they realise they're about to die.
49:34They get angry.
49:36He was trying to say Rossa.
49:40How could this be happening to him when he's got the boss's blessing?
49:43She betrayed her own clients for profit.
49:52Let a violent man straight to the woman that she promised to protect.
50:05She had a violent man straight to the woman that she promised to protect.
50:22What noise then, babes?
50:24For us, I mean?
50:27Because we're at a bit of a loose end, aren't we?
50:30Now that you've wiped out the entire organisation and stuff.
50:34We could start over.
50:38Do things our own way.
50:42We need soldiers.
50:44That's true.
50:49The ones that are wired differently, too.
50:52We'll sort the deed sort later, babes.
50:54I promise.
50:56Let's grab a burger!
51:05I should probably say goodbye this time.
51:10Bye, grab her.
51:38Maybe God less than the outcome.
51:40Well.
52:14You can't tell the sea from the horizon.
52:23The only love you understand is poison.
52:30And even after all this time, just noises, just noises, just noises.
52:55You're buried under the love that you have lost to the ages.
53:09This is all that you reach in.
53:20Would it be possible to get a wee bit more milk?
53:27Never worry.
53:36Do you think she'll be okay?
53:39Greta?
53:41I hope so.
53:43I'm just glad it's all over.
53:45Yeah.
53:46I mean, what a relief.
53:48Totally.
53:50Although, I'm not saying I enjoyed any of it, you know, like at all.
53:54Oh God, no.
53:55Absolutely not.
53:56But, you know, it did sort of shake us up a bit.
54:07I don't know why you brought that with you.
54:09Oh, Greta forgot it.
54:11Didn't want to just leave it there.
54:12Didn't feel right.
54:15Son up.
54:34Holy shit.
54:48I want to make one thing clear.
54:50We are not, under any circumstances, getting involved in this.
55:01Don't pick up strangers on the road.
55:06As a young boy, I was told.
55:09But I could never, ever listen.
55:15I was on route to Monterey.
55:19And she was heading the same way.
55:23All aboard my Silverado.
55:28She's the California poppy of the PCH.
55:33Young man on the roadside.
55:37Hitchin' and a thumbin' and a bummin' ride.
55:40And a golden rare sunshine.
55:43Yeah, the California poppy of the PCH.
55:47Bloomin' on the roadside.
55:51A hitchin' and a thumbin' and a bummin' ride.
55:54And a golden rare sunshine.
55:58And a golden rare sunshine.
56:00And a black sunshine.
56:01And a dollar flames.
56:10New god.
56:11New god.
56:12New god.
56:29lista
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